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-I don't want to be studied. -Me, neither. | 0:00:02 | 0:00:04 | |
-We're being turned into lab rats. It's degrading. -Here they come. | 0:00:04 | 0:00:07 | |
It's just through here. | 0:00:07 | 0:00:09 | |
Oh, might not be so bad after all. | 0:00:09 | 0:00:13 | |
Right, this is Brian Lane, Gerry Standing and Jack Halford. | 0:00:13 | 0:00:18 | |
Great to meet you. I'm Samantha Gerson. I'm a psychologist. | 0:00:18 | 0:00:21 | |
Well, you just call me Gerry. | 0:00:21 | 0:00:23 | |
OK, Gerry. Hi. | 0:00:23 | 0:00:25 | |
Hello. | 0:00:25 | 0:00:27 | |
As you know, we've been asked by DAC Strickland to assist Samantha in her OMIP study. | 0:00:27 | 0:00:31 | |
I've assured him that we're extremely happy to take part. | 0:00:31 | 0:00:34 | |
Yeah, more than happy. | 0:00:34 | 0:00:36 | |
-So perhaps you'd like to tell them what you've got planned. -Absolutely. | 0:00:36 | 0:00:40 | |
Today I'll be observing how you work, so please just act normally. | 0:00:40 | 0:00:44 | |
Define "normally". | 0:00:44 | 0:00:46 | |
What? I'm just trying to get my head round what's expected. | 0:00:46 | 0:00:50 | |
Just be yourselves. And pretend I'm not here. | 0:00:51 | 0:00:53 | |
After I've finished analysing today's observations, | 0:00:55 | 0:00:58 | |
I'll come back to conduct some one-on-one tests, | 0:00:58 | 0:01:01 | |
and feed the results into the study. | 0:01:01 | 0:01:03 | |
Are there any things you'd like to ask me? | 0:01:03 | 0:01:06 | |
Yeah. What does OMIP actually stand for? | 0:01:06 | 0:01:11 | |
Older Men In the Workplace. | 0:01:11 | 0:01:12 | |
With our ageing population, the set-up you have here will one day become the norm. | 0:01:12 | 0:01:17 | |
God help us. | 0:01:17 | 0:01:19 | |
Oh, are you saying that we'll be trailblazers? | 0:01:19 | 0:01:23 | |
I guess, in a way, I am. | 0:01:23 | 0:01:26 | |
I've always wanted to be at the forefront of a movement. | 0:01:26 | 0:01:30 | |
This could be historical. | 0:01:30 | 0:01:32 | |
The only historical thing about it, Brian, is us. | 0:01:32 | 0:01:37 | |
# It's all right, it's OK | 0:01:37 | 0:01:40 | |
# Doesn't really matter if you're old and grey | 0:01:40 | 0:01:42 | |
# It's all right, I say it's OK Listen to what I say | 0:01:42 | 0:01:48 | |
# It's all right, doing fine | 0:01:48 | 0:01:51 | |
# Doesn't really matter if the sun don't shine | 0:01:51 | 0:01:53 | |
# It's all right, I say, it's OK | 0:01:53 | 0:01:56 | |
# We're getting to the end of the day. # | 0:01:56 | 0:01:59 | |
She's still watching us. | 0:02:03 | 0:02:05 | |
No, she's observing us. | 0:02:05 | 0:02:07 | |
-There's a difference? -Yeah, it's scientific, isn't it? | 0:02:07 | 0:02:10 | |
So that's why every time I pee, she takes a note of it. | 0:02:10 | 0:02:12 | |
No wonder she looks knackered. | 0:02:12 | 0:02:14 | |
-Oh, very funny(!) You wait, mate. It comes to all of us. -Nah, not me. | 0:02:14 | 0:02:18 | |
Bladder like a wine box. | 0:02:19 | 0:02:22 | |
Your need to relieve yourself more | 0:02:22 | 0:02:23 | |
could influence the number of allotted workplace bathroom breaks | 0:02:23 | 0:02:27 | |
for generations, Jack. You might even become the benchmark. | 0:02:27 | 0:02:31 | |
So, did they offer you any ground-breaking insights? | 0:02:37 | 0:02:40 | |
Not sure about ground-breaking. | 0:02:40 | 0:02:43 | |
The way they interact with each other interested me, though. | 0:02:43 | 0:02:46 | |
I think the lower levels of testosterone mean they work together more effectively as a team. | 0:02:46 | 0:02:51 | |
For God's sake, don't tell Gerry that | 0:02:51 | 0:02:53 | |
or he'll pop back the little blue pills like there's no tomorrow. | 0:02:53 | 0:02:56 | |
I have a favour to ask. | 0:02:58 | 0:03:01 | |
Yeah, sure. | 0:03:01 | 0:03:02 | |
My brother was the victim of a hit a run. | 0:03:02 | 0:03:06 | |
Some joyrider racing round the back streets of West London. | 0:03:06 | 0:03:09 | |
He suffered injuries to his brain that resulted in complete memory loss | 0:03:09 | 0:03:15 | |
prior to the accident | 0:03:15 | 0:03:17 | |
-and serious emotional issues afterwards. -I'm sorry. | 0:03:17 | 0:03:21 | |
I've been rehabilitating him through therapy. We made real progress until recently. | 0:03:21 | 0:03:25 | |
-What happened? -He's convinced himself it wasn't an accident, | 0:03:25 | 0:03:29 | |
that the driver ran him over on purpose. | 0:03:29 | 0:03:32 | |
You deal with unsolved crimes and open cases. | 0:03:32 | 0:03:35 | |
I wondered if you'd speak to him about the hit and run, | 0:03:35 | 0:03:39 | |
reassure him that it was just a random accident. | 0:03:39 | 0:03:41 | |
Well, I'd need to look at the accident investigation report. | 0:03:41 | 0:03:45 | |
-Would you mind? -No, no. That's fine, that's fine. | 0:03:45 | 0:03:49 | |
I just feel I'm so close to making a breakthrough with him. | 0:03:50 | 0:03:53 | |
-If only we can get through this. -OK. | 0:03:53 | 0:03:56 | |
What you got there? | 0:03:56 | 0:03:58 | |
Hit and run from May 2006. | 0:03:58 | 0:04:00 | |
Victim was Darren Gerson, a bicycle courier. | 0:04:00 | 0:04:03 | |
Any relation to our friend the psychologist? | 0:04:03 | 0:04:06 | |
Yeah, her brother. | 0:04:06 | 0:04:08 | |
-They catch the driver? -No. | 0:04:08 | 0:04:10 | |
And now Mr Gerson thinks it wasn't an accident. | 0:04:10 | 0:04:12 | |
Any witnesses? CCTV? | 0:04:12 | 0:04:15 | |
Not of the incident, though CCTV in the next street | 0:04:15 | 0:04:17 | |
managed to get the number plate of a blue Ford | 0:04:17 | 0:04:20 | |
driving away at 2:33pm, which fitted time-wise. | 0:04:20 | 0:04:23 | |
And fragments of blue paint found at the scene matched up. | 0:04:23 | 0:04:26 | |
-So they traced the car. -Yeah, they did, but it had been stolen | 0:04:26 | 0:04:30 | |
that morning. The owner's alibi was watertight, he was at work. | 0:04:30 | 0:04:33 | |
So the accident investigation report concluded | 0:04:33 | 0:04:36 | |
that it was probably joyriders from the nearby estate, | 0:04:36 | 0:04:39 | |
which they'd been having a problem with. | 0:04:39 | 0:04:41 | |
Two days later, the car was found burnt out, dumped on an industrial estate in New Malden. | 0:04:41 | 0:04:46 | |
The case still open? | 0:04:46 | 0:04:47 | |
Mm. But what bothers me the most | 0:04:47 | 0:04:50 | |
is that fragments from the bike's back reflector light | 0:04:50 | 0:04:54 | |
indicate that this was the initial point of contact, | 0:04:54 | 0:04:57 | |
but there are no skid marks to show that the driver even braked. | 0:04:57 | 0:05:00 | |
Which means that the driver didn't see him, or... | 0:05:00 | 0:05:03 | |
Or he ran him down on purpose. | 0:05:03 | 0:05:05 | |
Yeah. | 0:05:05 | 0:05:07 | |
And now Miss Gerson wants me to convince him it was an accident. | 0:05:07 | 0:05:10 | |
Oh, thank you both so much for coming. I really appreciate it. | 0:05:25 | 0:05:28 | |
-It's OK. -Gets us out of the office. | 0:05:28 | 0:05:30 | |
Come in, before he changes his mind and throws us all out. | 0:05:30 | 0:05:36 | |
Thank you. | 0:05:36 | 0:05:37 | |
Told her it wasn't an accident, but she won't believe me. | 0:05:43 | 0:05:48 | |
What makes you think that the driver ran you down on purpose, Darren? | 0:05:49 | 0:05:53 | |
-Because I've remembered. -Remembered what? | 0:05:53 | 0:05:57 | |
That after the car hit me, | 0:05:59 | 0:06:03 | |
I was there lying face down on the ground, | 0:06:03 | 0:06:06 | |
I could feel someone going through my courier bag. | 0:06:06 | 0:06:09 | |
Now you've had a chance to look at the accident investigation report, | 0:06:13 | 0:06:16 | |
can you tell us what your findings are? | 0:06:16 | 0:06:18 | |
Um, well, inconclusive at the moment, I'm afraid. | 0:06:18 | 0:06:21 | |
I was targeted. | 0:06:24 | 0:06:26 | |
Oh, right, yeah, no, don't bother trying to ask me who or what that stands for, | 0:06:29 | 0:06:34 | |
because that went along with the rest of the memories. | 0:06:34 | 0:06:37 | |
I was thinking of having it removed, | 0:06:39 | 0:06:42 | |
but then I figured I'd probably lost enough of who I was already. | 0:06:42 | 0:06:47 | |
Tell me, what was in the courier bag? | 0:06:47 | 0:06:50 | |
-A package. -Containing? | 0:06:51 | 0:06:53 | |
-I don't know. -What happened to it? | 0:06:55 | 0:06:58 | |
They took it. | 0:07:05 | 0:07:06 | |
OK, well, I'll see you later. | 0:07:14 | 0:07:16 | |
I've spoken to the courier company. They assured me the package reached its destination. | 0:07:20 | 0:07:24 | |
He seems convinced someone took it. | 0:07:24 | 0:07:26 | |
Darren had a cardiac arrest at the scene of the accident. | 0:07:26 | 0:07:30 | |
He was clinically dead for two or three minutes | 0:07:30 | 0:07:32 | |
before the paramedics resuscitated him. In that situation, | 0:07:32 | 0:07:35 | |
the neuron transmitters in the brain are firing on all cylinders. | 0:07:35 | 0:07:39 | |
That's why people who have near-death experiences | 0:07:39 | 0:07:41 | |
often report their lives flashing before their eyes. | 0:07:41 | 0:07:44 | |
The mind plays tricks when it's shutting down. | 0:07:44 | 0:07:46 | |
-You're saying he imagined someone going through his bag? -Yes, yes. | 0:07:46 | 0:07:49 | |
And now he's fixating on it. | 0:07:49 | 0:07:51 | |
He's becoming paranoid, convincing himself someone's out to get him. | 0:07:51 | 0:07:55 | |
I'm afraid it's textbook stuff. | 0:07:55 | 0:07:57 | |
People look for a reason why bad things happen. | 0:07:57 | 0:07:59 | |
But for Darren to make further gains he needs to accept that sometimes there isn't one... | 0:07:59 | 0:08:04 | |
..that accidents do, sadly, sometimes just happen. | 0:08:06 | 0:08:09 | |
So Darren was en route to the drop-off when he was run down? | 0:08:09 | 0:08:13 | |
As I understand it, yes. | 0:08:13 | 0:08:15 | |
Then the package must have gone to the hospital along with the rest of his belongings. | 0:08:15 | 0:08:19 | |
-I suppose so. -And somebody had to sign for it to get it released. | 0:08:19 | 0:08:22 | |
Did you sign for it? | 0:08:22 | 0:08:24 | |
No. | 0:08:27 | 0:08:29 | |
According to the hospital records, Darren's girlfriend Nina Ward was the first to arrive, | 0:08:31 | 0:08:36 | |
therefore, she had access to his personal belongings before the police turned up. | 0:08:36 | 0:08:40 | |
-So they called her and not his sister? -She was his ICE number. | 0:08:40 | 0:08:43 | |
Maybe she took the package to the courier company. | 0:08:43 | 0:08:46 | |
-Did the hospital have it listed among his stuff? -No, nothing was itemised. | 0:08:46 | 0:08:50 | |
I'll see if the notes say anything about the contents. | 0:08:50 | 0:08:53 | |
Good idea. And let's see what this Nina Ward has to say. | 0:08:53 | 0:08:57 | |
I cannot believe what they charge for parking these days. | 0:08:58 | 0:09:01 | |
LOUD MUSIC AND CHEERING | 0:09:08 | 0:09:12 | |
Nina Ward? | 0:10:00 | 0:10:02 | |
-Yeah, just there. -Thank you. | 0:10:02 | 0:10:04 | |
Can we have a word, please? | 0:10:05 | 0:10:07 | |
Detective Superintendent Pullman. This is my colleague Gerry Standing. | 0:10:13 | 0:10:17 | |
-What's up? -Let's sit down, shall we? | 0:10:17 | 0:10:19 | |
So you run this Rollapaluza thing, do you? | 0:10:21 | 0:10:24 | |
-They certainly go for it, don't they? -That's push bike couriers for you. | 0:10:24 | 0:10:28 | |
We're looking into the hit and run that nearly killed your ex-boyfriend. | 0:10:28 | 0:10:32 | |
What's to look into? | 0:10:32 | 0:10:34 | |
Just another cyclist mown down by a boy racer. | 0:10:34 | 0:10:37 | |
We think there might be more to it. | 0:10:37 | 0:10:39 | |
Where did you two meet? | 0:10:39 | 0:10:42 | |
On the circuit. | 0:10:42 | 0:10:44 | |
-You were a courier? -For a couple of years, yeah, | 0:10:44 | 0:10:46 | |
-until I lost my bottle. -Why, what happened? | 0:10:46 | 0:10:49 | |
Saw Darren all messed up in intensive care. | 0:10:49 | 0:10:53 | |
-Put me right off. -Yeah, according to the hospital records | 0:10:53 | 0:10:56 | |
you accessed his personal belongings before the police arrived. Why? | 0:10:56 | 0:11:01 | |
I wanted his mobile to tell his friends what was going on. | 0:11:01 | 0:11:04 | |
Why did the hospital call you first? | 0:11:04 | 0:11:07 | |
I was his ICE, you know, in case of emergency contact, and he was mine. | 0:11:07 | 0:11:13 | |
Chances are in couriering, you'll have an accident every 18 months, so you need one. | 0:11:13 | 0:11:17 | |
But why not his sister? | 0:11:17 | 0:11:19 | |
They weren't that close, especially after his parents died. | 0:11:19 | 0:11:22 | |
I don't think she approved of his lifestyle. | 0:11:22 | 0:11:25 | |
Can you remember if there was a package in Darren's courier bag? | 0:11:25 | 0:11:29 | |
No. Don't think so. | 0:11:29 | 0:11:32 | |
So you didn't return it to the courier company or deliver it yourself? | 0:11:32 | 0:11:37 | |
No. Definitely not. | 0:11:37 | 0:11:39 | |
According to these notes, they spoke to his firm, | 0:11:39 | 0:11:42 | |
Super Speedy Couriers, and were told that Darren Gerson | 0:11:42 | 0:11:46 | |
was en route from a company called Deqo... | 0:11:46 | 0:11:49 | |
D, E...? | 0:11:49 | 0:11:50 | |
Q, O. ..to an address in Berwick Street when the accident happened, | 0:11:50 | 0:11:55 | |
but I can't see any reference about the contents of the courier bag. | 0:11:55 | 0:12:00 | |
Here we go. "Deqo, importers of furniture and objects d'art." | 0:12:00 | 0:12:05 | |
-Great, I think that's everything. -Miss Claudia Scott? | 0:12:15 | 0:12:18 | |
Yes. | 0:12:18 | 0:12:19 | |
We're from UCOS. I phoned you. | 0:12:19 | 0:12:22 | |
Ah, yes. Follow me. | 0:12:22 | 0:12:25 | |
Won't be a minute. | 0:12:25 | 0:12:26 | |
So, how is he? | 0:12:34 | 0:12:36 | |
-Making progress. -I'm glad to hear it. | 0:12:36 | 0:12:39 | |
They told me that his injuries were extremely serious, | 0:12:39 | 0:12:42 | |
that he was lucky to be alive. | 0:12:42 | 0:12:44 | |
And now, when I see a courier, | 0:12:44 | 0:12:46 | |
I think of him and wonder if he recovered. | 0:12:46 | 0:12:49 | |
Now Mr Gerson was on his way to 133 Berwick Street in Soho, | 0:12:49 | 0:12:55 | |
which at the time was being lived in by Peter Collins. | 0:12:55 | 0:12:59 | |
Peter's an interior designer that I imported furniture for on a number of occasions. | 0:12:59 | 0:13:03 | |
What was in the package? | 0:13:03 | 0:13:05 | |
I believe it was an import contract | 0:13:05 | 0:13:07 | |
that I needed him to sign before I could ship his goods. | 0:13:07 | 0:13:11 | |
And did he get it? | 0:13:11 | 0:13:12 | |
I think so. Well, unless we sent him another one. | 0:13:12 | 0:13:15 | |
We've tried to contact Mr Collins, but he's no longer at that address. | 0:13:15 | 0:13:20 | |
I haven't heard from him in years, | 0:13:20 | 0:13:23 | |
but I do have a mobile number if you want it. | 0:13:23 | 0:13:27 | |
That would be useful. | 0:13:27 | 0:13:28 | |
Where do you import your stuff from? | 0:13:30 | 0:13:32 | |
It depends on who's buying. | 0:13:32 | 0:13:33 | |
Right now, I'm bringing in masses of high-end repro from France, | 0:13:33 | 0:13:38 | |
plus a lot of East coast of America-style | 0:13:38 | 0:13:42 | |
kitchen dressers, tables, chairs. | 0:13:42 | 0:13:45 | |
The stuff we were looking at out the back looks Moroccan. | 0:13:45 | 0:13:49 | |
It is. We just had a delivery. | 0:13:49 | 0:13:52 | |
That handmade-in-a-souk style is always very popular. | 0:13:52 | 0:13:56 | |
Are you thinking what I'm thinking? | 0:14:04 | 0:14:07 | |
I think I am. | 0:14:07 | 0:14:09 | |
Drugs? | 0:14:09 | 0:14:11 | |
That's what I was thinking. | 0:14:11 | 0:14:12 | |
I thought so. | 0:14:12 | 0:14:14 | |
G-man, priority pick-up, 31 Hatfields, over. | 0:14:38 | 0:14:41 | |
VOICE OVER RADIO: Roger. | 0:14:41 | 0:14:43 | |
Detective Superintendent Pullman. | 0:14:43 | 0:14:45 | |
We're with the Met. | 0:14:45 | 0:14:47 | |
-'Roadrunner.' -Copy Roadrunner. | 0:14:47 | 0:14:50 | |
'POB Seymour Street.' | 0:14:50 | 0:14:52 | |
Second pick-up, 15 Connaught Place, over. | 0:14:52 | 0:14:55 | |
-'Roger.' -What can I do for you? | 0:14:55 | 0:14:58 | |
We're investigating a hit and run from May 2006. | 0:14:58 | 0:15:00 | |
The victim was one of your couriers, Darren Gerson. | 0:15:00 | 0:15:03 | |
A nasty one. Left it a bit late, if you don't mind me saying. | 0:15:03 | 0:15:06 | |
New information's come to light. | 0:15:06 | 0:15:08 | |
Oh, I see. Well, how can I help? | 0:15:08 | 0:15:10 | |
We need to know what happened to the package | 0:15:10 | 0:15:13 | |
that Darren was delivering at the time. | 0:15:13 | 0:15:15 | |
I can check the system for you. | 0:15:15 | 0:15:16 | |
Thank you. | 0:15:16 | 0:15:18 | |
Would've been the last job he did for us, for obvious reasons. | 0:15:18 | 0:15:22 | |
-Yeah, here it is. Says it was delivered. -By who? | 0:15:22 | 0:15:25 | |
It's still got Wilko next to it, that was his call sign. | 0:15:25 | 0:15:28 | |
-His girlfriend Nina probably dropped it off. -She said she didn't. | 0:15:28 | 0:15:32 | |
Then one of the other couriers would have, so Darren could get paid. | 0:15:32 | 0:15:35 | |
-They help each other out. -Were you working the day of the accident? | 0:15:35 | 0:15:39 | |
Unfortunately. No-one wants that to happen on their shift. | 0:15:39 | 0:15:42 | |
You know what was in the package? | 0:15:42 | 0:15:43 | |
No, we never ask. They never tell us. | 0:15:43 | 0:15:46 | |
What was Darren like at the time? | 0:15:46 | 0:15:48 | |
Adrenaline junkie, of course, like the rest of them, but smarter than most. | 0:15:48 | 0:15:52 | |
That's why I gave him lots of jobs. And reliable. Most of them aren't. | 0:15:52 | 0:15:55 | |
Thing about couriers, they're not like us. | 0:15:55 | 0:15:58 | |
We wouldn't risk our lives daily for a few hundred quid, but they do. | 0:15:58 | 0:16:01 | |
RADIO: Learjockey. | 0:16:01 | 0:16:02 | |
Sorry, I'm holding the fort on my own at the moment. Copy, Learjockey. | 0:16:02 | 0:16:06 | |
-I'll go and have a word with the natives. -OK. | 0:16:06 | 0:16:10 | |
Morning, gents. | 0:16:13 | 0:16:14 | |
Listen. | 0:16:14 | 0:16:16 | |
Did any of you know Darren Gerson when he worked here as a courier? | 0:16:16 | 0:16:19 | |
-I knew him. -Yeah? | 0:16:19 | 0:16:24 | |
-Did you go and visit him in hospital after the accident? -Course. | 0:16:24 | 0:16:27 | |
That's good. I don't suppose you picked up the package he was carrying, did you? | 0:16:27 | 0:16:31 | |
You a rozzer? | 0:16:31 | 0:16:34 | |
Well, retired now. | 0:16:34 | 0:16:36 | |
No, I feel sorry for the kid, do you know what I mean? | 0:16:36 | 0:16:40 | |
-Did anybody else visit him? -Yeah, most of us. | 0:16:40 | 0:16:43 | |
Yeah? Well, that's nice, isn't it? So he was popular? | 0:16:43 | 0:16:46 | |
-He was. -Oh, good. -Not with the management, | 0:16:46 | 0:16:48 | |
but with the other couriers. | 0:16:48 | 0:16:51 | |
What was the problem with the management? | 0:16:51 | 0:16:53 | |
Darren wanted to start a union. | 0:16:53 | 0:16:54 | |
Tough gig, you know? | 0:16:54 | 0:16:57 | |
It's dangerous too, but that doesn't stop them treating us like shit. | 0:16:57 | 0:17:00 | |
Darren wanted to change that, but he got run over. | 0:17:00 | 0:17:03 | |
Occupational hazard. | 0:17:03 | 0:17:04 | |
Which of the couriers would have been most likely to help Darren out? | 0:17:04 | 0:17:09 | |
Well, he was best mates with Psycho Chris, | 0:17:09 | 0:17:11 | |
but they had a big bust-up a few weeks before the accident. | 0:17:11 | 0:17:14 | |
Flying Kiwi was probably the one that dropped the package off. | 0:17:14 | 0:17:17 | |
-He around? -No, he's gone back to New Zealand. | 0:17:17 | 0:17:20 | |
This Psycho Chris, does he live up to his name? | 0:17:20 | 0:17:24 | |
See for yourself, if you like. He'll be down the Coach and Horses | 0:17:24 | 0:17:28 | |
-after work with the rest. That's where they hang out. -OK, thank you. | 0:17:28 | 0:17:31 | |
Well, this is where he was hit. | 0:17:31 | 0:17:35 | |
Hard not to see him. | 0:17:35 | 0:17:37 | |
Yeah, bloody hard. | 0:17:37 | 0:17:38 | |
There's the CCTV camera. | 0:17:41 | 0:17:43 | |
So he was run down on the quietest, | 0:17:45 | 0:17:47 | |
most deserted stretch between Deqo and the main road. | 0:17:47 | 0:17:51 | |
Yeah, looks like it. | 0:17:51 | 0:17:52 | |
Chris, can you tell me what you and Darren fell out about? | 0:17:54 | 0:17:58 | |
He cut me up in a courier race when I was going down Kenchurch Street. | 0:17:58 | 0:18:01 | |
I went arse over tit. So we had words. | 0:18:01 | 0:18:04 | |
Things were said that couldn't be unsaid. | 0:18:04 | 0:18:07 | |
Did you visit him in hospital? | 0:18:07 | 0:18:09 | |
No. | 0:18:09 | 0:18:10 | |
What's GLS? | 0:18:10 | 0:18:12 | |
Some bird's initials. | 0:18:14 | 0:18:16 | |
-You should see where she's got mine. -Darren's got the same tattoo. | 0:18:16 | 0:18:20 | |
Yeah, well, we both shagged her. | 0:18:20 | 0:18:22 | |
One night me and him got pissed, got the tat done. | 0:18:22 | 0:18:25 | |
Seemed like a good idea at the time. | 0:18:25 | 0:18:27 | |
What's her name? | 0:18:27 | 0:18:29 | |
Gail Lewis-Smith. | 0:18:29 | 0:18:31 | |
She used to hang round here. Bit of a courier groupie. | 0:18:31 | 0:18:34 | |
Where is she now? | 0:18:34 | 0:18:36 | |
Gail? | 0:18:37 | 0:18:38 | |
Ain't seen her in years. | 0:18:39 | 0:18:41 | |
Do you know what was in the package | 0:18:41 | 0:18:43 | |
Darren was carrying when he was knocked down? | 0:18:43 | 0:18:45 | |
Why would I? | 0:18:45 | 0:18:47 | |
Thanks for the drink. | 0:18:49 | 0:18:50 | |
What's it say? | 0:18:53 | 0:18:54 | |
GLS Revenue, GLS Medicine, Government Legal System, | 0:18:56 | 0:19:01 | |
-GLS bulb... Nah, the list goes on and on. -How many results? | 0:19:01 | 0:19:03 | |
Over 12 million. | 0:19:03 | 0:19:06 | |
Right, this is the route that Darren took. | 0:19:08 | 0:19:10 | |
We walked it. | 0:19:10 | 0:19:12 | |
The driver certainly picked the best place for a hit and run. | 0:19:12 | 0:19:15 | |
About 100 metres from Deqo and about the only place | 0:19:15 | 0:19:18 | |
where there's not likely to be any witnesses, | 0:19:18 | 0:19:20 | |
either to the accident or someone going through the courier bag. | 0:19:20 | 0:19:23 | |
-So what are you saying he was carrying? -Drugs? | 0:19:23 | 0:19:26 | |
We found a vanload of Moroccan furniture. | 0:19:26 | 0:19:29 | |
And when I asked Claudia Scott where she imports from, | 0:19:29 | 0:19:32 | |
she only mentioned France and America. | 0:19:32 | 0:19:34 | |
I had to call her on the Moroccan stuff and she then admitted | 0:19:34 | 0:19:37 | |
that she's been shipping it in for years. | 0:19:37 | 0:19:39 | |
She could have smuggled it in, unloaded it at the warehouse | 0:19:39 | 0:19:42 | |
and delivered it by courier to a dealer, or dealers. | 0:19:42 | 0:19:45 | |
Hashish, cocaine, heroin. They all come in through Morocco. | 0:19:45 | 0:19:48 | |
And it wouldn't be the first time that bicycle couriers have been used | 0:19:48 | 0:19:52 | |
to get separation between smugglers and dealers. | 0:19:52 | 0:19:55 | |
We tried the number that she gave us for Peter Collins, but it's no longer in service | 0:19:55 | 0:19:59 | |
and the current tenants of the Berwick Street flat | 0:19:59 | 0:20:02 | |
have no contact details for him. | 0:20:02 | 0:20:04 | |
So, Darren Gerson was targeted | 0:20:04 | 0:20:07 | |
because somebody knew that he was carrying drugs? | 0:20:07 | 0:20:09 | |
A rival gang, or even a junkie, rips off the gear | 0:20:09 | 0:20:12 | |
and the beauty is, it looks like a hit and run. | 0:20:12 | 0:20:14 | |
The question is, if it WAS drugs, did Darren know he was carrying? | 0:20:14 | 0:20:18 | |
If he did then, he certainly wouldn't remember now, or he wouldn't have got us involved. | 0:20:18 | 0:20:22 | |
Let's find out more about Claudia Scott and Peter Collins. | 0:20:22 | 0:20:26 | |
Run them through the PNC and get copies of Deqo's import paperwork from Customs. | 0:20:26 | 0:20:31 | |
-What about GLS? -Oh, yeah. | 0:20:31 | 0:20:34 | |
Is there any way of narrowing down the search? | 0:20:34 | 0:20:36 | |
I'll try variations, see if anything comes up that looks right. | 0:20:36 | 0:20:39 | |
Yeah, do it. | 0:20:39 | 0:20:42 | |
PHONE RINGS | 0:20:41 | 0:20:42 | |
Superintendent Pullman. | 0:20:44 | 0:20:47 | |
OK, someone will come up. Thanks. Bye-Bye. | 0:20:47 | 0:20:50 | |
Samantha Gerson's here. | 0:20:50 | 0:20:52 | |
I'll go. | 0:20:52 | 0:20:53 | |
Hiya. | 0:20:57 | 0:20:59 | |
OK, we'll start with a simple word association test. | 0:21:05 | 0:21:08 | |
So I say a word and you tell me the first word that pops into your head. | 0:21:08 | 0:21:13 | |
So it's just the first word that pops into my head, right? | 0:21:13 | 0:21:17 | |
Tree. | 0:21:23 | 0:21:24 | |
-Trunk. -Love. -Sex. | 0:21:24 | 0:21:26 | |
-Money. -Alimony. | 0:21:26 | 0:21:29 | |
-Ready? -Steady. | 0:21:34 | 0:21:36 | |
Oh, I haven't started yet. | 0:21:36 | 0:21:38 | |
Well, how will I know? | 0:21:38 | 0:21:41 | |
I'm starting now. OK? | 0:21:41 | 0:21:44 | |
Tree. | 0:21:46 | 0:21:47 | |
What type of tree? | 0:21:47 | 0:21:49 | |
That doesn't matter. | 0:21:49 | 0:21:51 | |
I just need you to say the first word that comes into your head. | 0:21:51 | 0:21:55 | |
The first word that came into my head was "what", | 0:21:55 | 0:21:58 | |
quickly followed by "type" then "of" then "tree". | 0:21:58 | 0:22:02 | |
Right, well, erm... | 0:22:02 | 0:22:05 | |
Let's try again, shall we? | 0:22:06 | 0:22:07 | |
If you want. | 0:22:07 | 0:22:09 | |
Love. | 0:22:11 | 0:22:12 | |
Wimbledon. | 0:22:12 | 0:22:14 | |
-Money. -Greed. | 0:22:14 | 0:22:15 | |
No, evil. | 0:22:15 | 0:22:17 | |
Right, let's move on to the remote association test. | 0:22:20 | 0:22:23 | |
So this involves three words | 0:22:23 | 0:22:26 | |
which are all related by a single concept or use. | 0:22:26 | 0:22:29 | |
So, for example, the words salt, deep, and foam are all related to... | 0:22:29 | 0:22:33 | |
Sea. | 0:22:33 | 0:22:34 | |
You've done this before? | 0:22:34 | 0:22:36 | |
My wife and I used to play word games on car journeys. | 0:22:36 | 0:22:39 | |
-You don't any more? -No. | 0:22:39 | 0:22:43 | |
She died? | 0:22:46 | 0:22:47 | |
She was murdered. | 0:22:47 | 0:22:49 | |
In what seemed to be at first like a hit and run. | 0:22:49 | 0:22:52 | |
In my experience bad things don't always happen by accident. | 0:22:53 | 0:22:57 | |
How'd you get on? | 0:23:00 | 0:23:01 | |
I just kept thinking about, well, you know... | 0:23:03 | 0:23:07 | |
Lunch? | 0:23:07 | 0:23:08 | |
No, Brian. | 0:23:08 | 0:23:10 | |
Women. Sex. | 0:23:10 | 0:23:11 | |
-Oh. -Very attractive woman. | 0:23:11 | 0:23:14 | |
And she was that far away from me. | 0:23:14 | 0:23:16 | |
Smiling. | 0:23:16 | 0:23:18 | |
I mean, under any other circumstances I would have tried it on. | 0:23:18 | 0:23:21 | |
Given her a tug. Asked her out for dinner, but... | 0:23:21 | 0:23:24 | |
Old Gits In The Workplace. Hardly an aphrodisiac, is it? | 0:23:24 | 0:23:29 | |
You never know, she might fancy the older man. | 0:23:29 | 0:23:32 | |
How did you get on? | 0:23:33 | 0:23:35 | |
Nah, not very well. Don't think I scored very highly. | 0:23:35 | 0:23:38 | |
It's not that sort of test. It's not a competition. | 0:23:38 | 0:23:41 | |
You all right, Jack? | 0:23:46 | 0:23:47 | |
Do you want to talk about it? | 0:23:47 | 0:23:49 | |
No, I don't want to bloody talk about it! | 0:23:49 | 0:23:52 | |
Oh, I'm sorry, it's just this hit and run business. I let it get to me. | 0:23:53 | 0:24:00 | |
I know I shouldn't, but... | 0:24:02 | 0:24:03 | |
I don't know. | 0:24:04 | 0:24:05 | |
Maybe I'm just getting old. | 0:24:06 | 0:24:08 | |
We were just talking about the test. | 0:24:11 | 0:24:13 | |
What d'ya think? | 0:24:13 | 0:24:14 | |
Load of bollocks! | 0:24:14 | 0:24:17 | |
KNOCK ON DOOR | 0:24:19 | 0:24:20 | |
Yes? | 0:24:20 | 0:24:22 | |
Hi, sorry to bother you. | 0:24:24 | 0:24:25 | |
Samantha... | 0:24:28 | 0:24:30 | |
Look, you didn't mention before that, before the accident, | 0:24:31 | 0:24:34 | |
you and your brother weren't that close. | 0:24:34 | 0:24:36 | |
That's ironic, isn't it? | 0:24:38 | 0:24:39 | |
I didn't approve of his lifestyle and look what happened, I was right. | 0:24:39 | 0:24:43 | |
I need to see him again. | 0:24:43 | 0:24:45 | |
Do you really think someone ran him over on purpose? | 0:24:45 | 0:24:48 | |
It's looking increasingly likely, yeah. | 0:24:49 | 0:24:51 | |
If you like we can go when I've finished my notes. | 0:24:55 | 0:24:58 | |
OK. | 0:24:58 | 0:25:00 | |
Hi. | 0:25:06 | 0:25:07 | |
Thanks. | 0:25:08 | 0:25:10 | |
I spoke to Chris Jenkins. | 0:25:14 | 0:25:15 | |
-Sorry, who? -Psycho Chris? | 0:25:16 | 0:25:19 | |
You two used to be friends. In fact, he has the same tattoo as you. | 0:25:20 | 0:25:24 | |
Did he tell you what it stands for? | 0:25:25 | 0:25:27 | |
Yeah, he said it was the initials of some woman called Gail Lewis-Smith. | 0:25:27 | 0:25:32 | |
Er, no, the name doesn't mean anything to me. | 0:25:35 | 0:25:38 | |
Look, | 0:25:38 | 0:25:40 | |
have you figured out why they ran me down yet? | 0:25:40 | 0:25:43 | |
Darren, it's possible that the package contained drugs. | 0:25:43 | 0:25:48 | |
-Do you remember ever being asked to courier that sort of thing? -Don't think so, no. | 0:25:49 | 0:25:53 | |
You picked it up from a furniture importing company called Deqo, | 0:25:53 | 0:25:57 | |
which is owned by this woman here, Claudia Scott. | 0:25:57 | 0:26:01 | |
Do you recognise her? | 0:26:01 | 0:26:02 | |
I'm not sure, erm... | 0:26:06 | 0:26:07 | |
OK, this is weird, but... | 0:26:09 | 0:26:11 | |
I think I can remember the smell of her perfume. | 0:26:13 | 0:26:15 | |
Yeah, kind of woody, with some citrus. | 0:26:18 | 0:26:22 | |
There's something familiar about her. | 0:26:22 | 0:26:24 | |
It's in here, yeah?! | 0:26:30 | 0:26:33 | |
Out of reach. I can't.... | 0:26:33 | 0:26:35 | |
No. Just... | 0:26:35 | 0:26:37 | |
He knew Claudia Scott - and not just from picking up a package. | 0:26:44 | 0:26:48 | |
Well, he might not have been able to tell me how well or for how long, | 0:26:48 | 0:26:51 | |
but he knew her. That much was clear. | 0:26:51 | 0:26:54 | |
Maybe Darren remembered her perfume because he was giving her one. | 0:26:54 | 0:26:58 | |
Which, of course, means he was cheating on Nina. | 0:26:58 | 0:27:00 | |
And for some reason Ms Scott decided not to mention it to us, | 0:27:00 | 0:27:04 | |
-which is a fairly large omission. -Anything on the PNC about her? | 0:27:04 | 0:27:08 | |
Claudia Scott's never been arrested. Neither has Peter Collins. | 0:27:08 | 0:27:11 | |
Unusual, if they were both involved in the drugs trade. | 0:27:11 | 0:27:14 | |
Talk to your informants, see if they know anything. | 0:27:14 | 0:27:17 | |
Might be worth going back to Deqo and asking HER if they were at it. | 0:27:17 | 0:27:20 | |
Yeah. Definitely. And find out what perfume she wears. | 0:27:20 | 0:27:23 | |
-'Hello?' -Jack Halford and Brian Lane from UCOS. | 0:27:25 | 0:27:28 | |
-'Again?' -Just a couple more questions. | 0:27:28 | 0:27:31 | |
DOOR BUZZES | 0:27:34 | 0:27:36 | |
Thank you. | 0:27:36 | 0:27:37 | |
Er, I'll be back in a minute. | 0:27:38 | 0:27:40 | |
What is it? | 0:27:40 | 0:27:42 | |
Probably nothing, but you go on in. | 0:27:42 | 0:27:44 | |
Excuse me! | 0:27:56 | 0:27:58 | |
Smells like wood and citrus. | 0:28:12 | 0:28:13 | |
What perfume are you wearing? | 0:28:13 | 0:28:15 | |
Nino Cerruti. | 0:28:17 | 0:28:18 | |
That a favourite of yours? | 0:28:18 | 0:28:19 | |
It's what I always wear. | 0:28:21 | 0:28:24 | |
Why? | 0:28:24 | 0:28:25 | |
Darren remembered it. | 0:28:25 | 0:28:27 | |
Were you two involved? | 0:28:34 | 0:28:35 | |
Romantically? | 0:28:37 | 0:28:38 | |
We slept with each other. | 0:28:43 | 0:28:44 | |
Just the once? | 0:28:44 | 0:28:46 | |
No. Half a dozen times. | 0:28:47 | 0:28:49 | |
The first time it happened... | 0:28:50 | 0:28:52 | |
..I'd had a boozy business lunch with a client. | 0:28:53 | 0:28:57 | |
And then this courier came in and started flirting with me, | 0:28:57 | 0:29:00 | |
I flirted back. | 0:29:00 | 0:29:03 | |
One thing led to another. | 0:29:03 | 0:29:04 | |
Why didn't you mention this | 0:29:04 | 0:29:06 | |
to the officer who spoke to you after the hit and run | 0:29:06 | 0:29:08 | |
or to us the other day? | 0:29:08 | 0:29:11 | |
Because I didn't think that my sex life was relevant to what happened back then. | 0:29:11 | 0:29:15 | |
And it still isn't. | 0:29:16 | 0:29:18 | |
Did he see you were with Jack? | 0:29:55 | 0:29:57 | |
He must have done. | 0:29:57 | 0:29:58 | |
And yet he still ran? | 0:29:58 | 0:30:00 | |
PHONE RINGS | 0:30:00 | 0:30:02 | |
Pullman. | 0:30:02 | 0:30:03 | |
'Darren Gerson on the line for you.' | 0:30:03 | 0:30:05 | |
Put him through. | 0:30:05 | 0:30:06 | |
Hello, Darren. | 0:30:09 | 0:30:10 | |
Listen, was that one of yours that chased me? | 0:30:10 | 0:30:13 | |
Yes. | 0:30:13 | 0:30:14 | |
Why did he do that? | 0:30:14 | 0:30:15 | |
Just wanted to speak to you. | 0:30:15 | 0:30:17 | |
What were you doing outside Deqo? | 0:30:17 | 0:30:19 | |
Erm, I went there to try and remember. | 0:30:19 | 0:30:22 | |
Did it work? | 0:30:24 | 0:30:25 | |
Maybe, I don't know. | 0:30:26 | 0:30:28 | |
Sat on the bus in the traffic just now, | 0:30:28 | 0:30:31 | |
this name started going round and round in my head. | 0:30:31 | 0:30:33 | |
Edna. OK, now, I don't know, | 0:30:33 | 0:30:35 | |
but maybe this Edna has got something to do with what happened to me. | 0:30:35 | 0:30:39 | |
I need you to find out. | 0:30:39 | 0:30:41 | |
Do you have a surname? | 0:30:41 | 0:30:42 | |
No. I've tried, OK. | 0:30:42 | 0:30:43 | |
But, it's not there. All I've got is Edna. | 0:30:43 | 0:30:47 | |
OK. | 0:30:48 | 0:30:49 | |
You were right about Claudia Scott's perfume, by the way. | 0:30:50 | 0:30:53 | |
She wears Nino Cerutti's Image, | 0:30:53 | 0:30:56 | |
which is citrus and wood. | 0:30:56 | 0:30:58 | |
Now she says that you were lovers. | 0:30:59 | 0:31:01 | |
Yep. I've got to go. | 0:31:03 | 0:31:06 | |
No, hang on. | 0:31:06 | 0:31:07 | |
Darren? | 0:31:07 | 0:31:09 | |
Darren, are you there? | 0:31:09 | 0:31:10 | |
PHONE GOES DEAD | 0:31:10 | 0:31:13 | |
How'd it go with your informants? | 0:31:16 | 0:31:18 | |
Nothing. No-one had heard of a dealer called Peter Collins or a smuggler called Claudia Scott. | 0:31:18 | 0:31:23 | |
So either these two somehow managed to keep their activities under the radar | 0:31:23 | 0:31:27 | |
or they're perfectly legitimate businesspeople. | 0:31:27 | 0:31:29 | |
Dig deeper on her. Let's find out if she's made too much money. | 0:31:29 | 0:31:32 | |
I want to see bank statements, property records, | 0:31:32 | 0:31:35 | |
and I still want Peter Collins traced. | 0:31:35 | 0:31:37 | |
I called the letting agent that manages the Berwick Street flat | 0:31:37 | 0:31:40 | |
-they'll send the paperwork over from the day he rented it. -Good. | 0:31:40 | 0:31:45 | |
Does the name Edna ring any bells, Mr Rendall? | 0:31:49 | 0:31:52 | |
Could have been a courier here. | 0:31:52 | 0:31:54 | |
-'Fraid not. -You're sure? | 0:31:54 | 0:31:56 | |
We don't have many women working for us. I'd remember an Edna. | 0:31:56 | 0:31:59 | |
Could it be a call sign? | 0:31:59 | 0:32:00 | |
Nah. It's not cool enough. | 0:32:00 | 0:32:03 | |
-Jodie, you ever heard the call sign Edna? -No. Never. | 0:32:03 | 0:32:06 | |
Jodie's worked here longer than I have. | 0:32:06 | 0:32:08 | |
So if neither of us know it... | 0:32:08 | 0:32:10 | |
-We're looking in the wrong place. -Yeah, OK. Thanks. | 0:32:10 | 0:32:12 | |
Nothing. | 0:32:15 | 0:32:16 | |
What are you doing, Brian? | 0:32:16 | 0:32:18 | |
Self administering an ink blot test. | 0:32:18 | 0:32:20 | |
Why? | 0:32:20 | 0:32:21 | |
Samantha Gerson's interested in our psychological state | 0:32:21 | 0:32:24 | |
reawakened my need for self discovery. | 0:32:24 | 0:32:26 | |
Is that wise? | 0:32:26 | 0:32:29 | |
It would be if I could see anything in it. | 0:32:29 | 0:32:31 | |
According to the description, I'm supposed to be looking at a dragon. | 0:32:31 | 0:32:36 | |
Oh, yes. | 0:32:36 | 0:32:37 | |
-What, can you see it? -Yes. | 0:32:37 | 0:32:39 | |
There's it's head. | 0:32:39 | 0:32:40 | |
All I can see is a watery ink smudge. | 0:32:42 | 0:32:44 | |
Oh, it's no good, Brian. | 0:32:44 | 0:32:46 | |
-No? -It could mean you're a psychopath, or even a serial killer. | 0:32:46 | 0:32:50 | |
You should hand yourself in, before you go postal on us. | 0:32:50 | 0:32:53 | |
I'll be going postal on this bloody computer | 0:32:53 | 0:32:55 | |
if I don't start seeing something soon. | 0:32:55 | 0:32:57 | |
Check that out. | 0:33:09 | 0:33:10 | |
Make up your mind, Kator, either you want to be... | 0:33:28 | 0:33:30 | |
What do you want? | 0:33:33 | 0:33:34 | |
We want a word with Nina. | 0:33:34 | 0:33:36 | |
Nina, the cops are here to see you. | 0:33:38 | 0:33:39 | |
Right, just coming. | 0:33:42 | 0:33:43 | |
She'll be out in a minute. | 0:33:46 | 0:33:47 | |
No, I think we'll leave that open. | 0:33:47 | 0:33:49 | |
Move yourself. | 0:33:50 | 0:33:52 | |
I don't think so. | 0:33:52 | 0:33:53 | |
This door's closing, with or without your face in the way. | 0:33:54 | 0:33:57 | |
Was that a threat? | 0:33:58 | 0:34:00 | |
You got a warrant? | 0:34:01 | 0:34:02 | |
No. | 0:34:02 | 0:34:03 | |
Then piss off. | 0:34:04 | 0:34:06 | |
Don't! You! Push! Me! | 0:34:07 | 0:34:09 | |
You going to help? | 0:34:14 | 0:34:15 | |
You're doing just fine. | 0:34:15 | 0:34:17 | |
What's going to happen to Chris? | 0:34:18 | 0:34:20 | |
He'll been taken into custody. | 0:34:20 | 0:34:22 | |
What's going on here, Nina? | 0:34:22 | 0:34:23 | |
Nothing's going on. | 0:34:23 | 0:34:25 | |
Nina, do yourself a favour and tell us. | 0:34:25 | 0:34:28 | |
Look, we were hanging out, all right? | 0:34:28 | 0:34:31 | |
-Then you two came barging in. -Who's Edna? | 0:34:31 | 0:34:33 | |
I never heard of her. | 0:34:35 | 0:34:36 | |
You? | 0:34:38 | 0:34:39 | |
You? | 0:34:40 | 0:34:41 | |
Why? It's a joke, mate. It's a joke! | 0:34:47 | 0:34:50 | |
Just leave him! | 0:34:50 | 0:34:52 | |
What's on there? | 0:34:57 | 0:34:59 | |
Courier call signs, mobile phone numbers, | 0:34:59 | 0:35:01 | |
something to do with getting in touch with the media. | 0:35:01 | 0:35:04 | |
And a reference to GLS next to today's date. | 0:35:05 | 0:35:09 | |
They're definitely up to something. | 0:35:09 | 0:35:12 | |
Question is what? | 0:35:12 | 0:35:13 | |
These are all major traffic arteries. | 0:35:15 | 0:35:17 | |
-Yeah. -So why highlight them specifically? | 0:35:18 | 0:35:22 | |
Yeah. | 0:35:24 | 0:35:26 | |
What does that give you? | 0:35:26 | 0:35:27 | |
Gridlock. | 0:35:30 | 0:35:32 | |
"The Gridlock Society is a group of committed cyclists | 0:35:44 | 0:35:47 | |
"who aim to rid the capital of motor vehicles, by bringing | 0:35:47 | 0:35:50 | |
"gridlock to the streets of London." | 0:35:50 | 0:35:52 | |
HORNS BEEP | 0:35:55 | 0:35:58 | |
Rewind that bit. | 0:36:00 | 0:36:01 | |
Pause it there. | 0:36:03 | 0:36:04 | |
Darren Gerson. | 0:36:09 | 0:36:10 | |
Listen, there's no way they caused that many traffic jams. | 0:36:14 | 0:36:17 | |
Well, let's check it. | 0:36:18 | 0:36:19 | |
Read some dates out to me. | 0:36:20 | 0:36:21 | |
-Come on. -All right. | 0:36:22 | 0:36:24 | |
Right, go. | 0:36:27 | 0:36:28 | |
Er, | 0:36:28 | 0:36:29 | |
March 17th, 2006. | 0:36:29 | 0:36:33 | |
"Westminster and surrounding area gridlocked for three hours." | 0:36:37 | 0:36:41 | |
Give me another one. | 0:36:41 | 0:36:42 | |
November the 9th, 2008. | 0:36:42 | 0:36:46 | |
"Traffic brought to standstill across Central London." And again. | 0:36:49 | 0:36:52 | |
May 2nd, 2009. | 0:36:52 | 0:36:56 | |
"Serious gridlock around Hanger Lane causes massive delays." | 0:36:59 | 0:37:03 | |
GLS did all this? | 0:37:03 | 0:37:05 | |
Well, unless they just took credit for the gridlock after the event. | 0:37:05 | 0:37:09 | |
Gail Lewis-Smith. | 0:37:10 | 0:37:11 | |
That was good, I like that. | 0:37:11 | 0:37:14 | |
But what I think you meant was Gridlock Society. | 0:37:14 | 0:37:17 | |
Nope, never heard of it. | 0:37:19 | 0:37:20 | |
Come on. | 0:37:20 | 0:37:22 | |
We've got all the material from Nina's flat. | 0:37:22 | 0:37:24 | |
You were there. No point denying you're a member. | 0:37:24 | 0:37:27 | |
Just visiting, she's an old mate. | 0:37:27 | 0:37:29 | |
I like the GLS website. | 0:37:29 | 0:37:31 | |
Although I think you're stretching it a bit | 0:37:31 | 0:37:33 | |
claiming that many snarl ups. | 0:37:33 | 0:37:35 | |
Did Darren's involvement | 0:37:35 | 0:37:36 | |
with the GLS have anything to do with the hit and run? | 0:37:36 | 0:37:39 | |
Like I said. I've never heard of it. | 0:37:39 | 0:37:42 | |
Psycho Chris. | 0:37:42 | 0:37:44 | |
Why do they call you that? | 0:37:44 | 0:37:46 | |
It's my call sign. | 0:37:46 | 0:37:47 | |
I know that, but why? | 0:37:47 | 0:37:49 | |
Cos I've got no fear when I ride. I'm a psycho courier. | 0:37:49 | 0:37:52 | |
-And because of your violent temper. -No. | 0:37:52 | 0:37:56 | |
I'm fearless on the streets, not violent. Big difference. | 0:37:56 | 0:37:59 | |
You attacked me. | 0:37:59 | 0:38:01 | |
I was provoked, mate. | 0:38:01 | 0:38:02 | |
I think you're a dangerous man, Mr Jenkins. | 0:38:03 | 0:38:07 | |
You are involved in an organisation | 0:38:07 | 0:38:08 | |
which breaks the law on a regular basis. | 0:38:08 | 0:38:11 | |
I suggest you co-operate fully | 0:38:11 | 0:38:13 | |
or risk being given a custodial sentence. | 0:38:13 | 0:38:15 | |
So for the final time, | 0:38:15 | 0:38:17 | |
did the hit and run have anything to do with the GLS? | 0:38:17 | 0:38:21 | |
You've got me all wrong, you know. | 0:38:21 | 0:38:23 | |
But that's always the way with the police, isn't it? | 0:38:23 | 0:38:26 | |
I'm the good guy. He's the one you should be worried about. | 0:38:26 | 0:38:29 | |
Darren's the dangerous one, not me. | 0:38:29 | 0:38:31 | |
What do you mean by that? | 0:38:31 | 0:38:32 | |
Look, | 0:38:35 | 0:38:36 | |
co-operate and if what you give us has a major bearing on the case | 0:38:36 | 0:38:43 | |
then we might, just might, | 0:38:43 | 0:38:45 | |
drop the assault charges. | 0:38:45 | 0:38:46 | |
Assault? | 0:38:46 | 0:38:49 | |
Fiver, he talks. | 0:38:49 | 0:38:51 | |
You're on. | 0:38:51 | 0:38:52 | |
Fine. No skin off mine. | 0:38:57 | 0:38:59 | |
Darren turned all extreme on us. | 0:39:01 | 0:39:04 | |
'And that would be when he was in the GLS? | 0:39:04 | 0:39:07 | |
Look, the way this works is you tell us everything you know | 0:39:07 | 0:39:12 | |
and we consider letting you off with a caution. | 0:39:12 | 0:39:15 | |
Yes. When he was in the GLS. | 0:39:17 | 0:39:18 | |
Which you are a member of, correct? | 0:39:18 | 0:39:20 | |
Yes, I am. | 0:39:20 | 0:39:21 | |
What do you mean by "extreme"? | 0:39:21 | 0:39:23 | |
Darren started it. | 0:39:24 | 0:39:26 | |
GLS was his idea. | 0:39:27 | 0:39:28 | |
Get people out of their cars by bringing the streets to a standstill. | 0:39:28 | 0:39:32 | |
We all thought it was a great idea, be a right laugh. | 0:39:32 | 0:39:35 | |
But Darren wasn't satisfied with just bringing the streets to gridlock. | 0:39:36 | 0:39:39 | |
He wanted to declare war on cars and their drivers. | 0:39:39 | 0:39:43 | |
-How was he going to do that? -By blowing shit up. | 0:39:43 | 0:39:46 | |
You should be thankful he got taken out of action when he did, | 0:39:48 | 0:39:51 | |
before he started planting car bombs all over the place. | 0:39:51 | 0:39:54 | |
Is that why someone ran him down. To stop him? | 0:39:54 | 0:39:57 | |
Who knows. | 0:39:57 | 0:39:59 | |
Should we be thanking YOU, Chris? | 0:39:59 | 0:40:01 | |
Awwww, | 0:40:02 | 0:40:04 | |
this is going to break your heart, | 0:40:04 | 0:40:06 | |
but Darren getting knocked down had nothing to do with me. | 0:40:06 | 0:40:10 | |
I'm just the messenger. | 0:40:10 | 0:40:12 | |
So, how seriously are we taking what he said in there? | 0:40:18 | 0:40:21 | |
About the car bombs? | 0:40:21 | 0:40:23 | |
What do you think, Jack? | 0:40:23 | 0:40:24 | |
Well, he's not what you'd call a reliable source. | 0:40:24 | 0:40:27 | |
Edna... | 0:40:27 | 0:40:28 | |
EDNA, | 0:40:36 | 0:40:37 | |
the abbreviated name of ethylenedinitramine. | 0:40:37 | 0:40:40 | |
And what's that when it's at home? | 0:40:40 | 0:40:43 | |
An explosive chemical used to make bombs. | 0:40:43 | 0:40:46 | |
I can hear someone talking. | 0:40:54 | 0:40:56 | |
Sounds like Radio Four. | 0:40:58 | 0:41:00 | |
RADIO PLAYS IN BACKGROUND | 0:41:00 | 0:41:02 | |
Darren? Darren, it's Sandra Pullman. Can you come to the door, please? | 0:41:04 | 0:41:08 | |
-There you go. -Ta. | 0:41:11 | 0:41:14 | |
Does it look like Claudia Scott's banking too much cash? | 0:41:14 | 0:41:18 | |
Not in her main accounts. | 0:41:18 | 0:41:19 | |
But she has got a safety deposit box paid for by direct debit. | 0:41:19 | 0:41:22 | |
Does she, indeed? Come and take a look at this. | 0:41:24 | 0:41:28 | |
It's the tenancy agreement from the Berwick Street property. | 0:41:28 | 0:41:32 | |
Look what Peter Collins has put down as his occupation. | 0:41:32 | 0:41:36 | |
Hmmm, interesting... | 0:41:37 | 0:41:40 | |
RADIO CONTINUES IN BACKGROUND | 0:41:41 | 0:41:43 | |
Well, he's in. | 0:41:45 | 0:41:46 | |
Wait here with her. | 0:41:49 | 0:41:51 | |
You all right, Guv? | 0:41:55 | 0:41:56 | |
Call for ambulance and back-up. | 0:42:03 | 0:42:05 | |
No, no, no, you don't want to go up there. | 0:42:05 | 0:42:08 | |
According to the February 2007 edition of UK Gem Merchants' Magazine, | 0:42:13 | 0:42:18 | |
Peter Collins was struck off the accredited dealers list | 0:42:18 | 0:42:22 | |
after accusations that he was selling Ivory Coast conflict diamonds refused to go away. | 0:42:22 | 0:42:28 | |
It also says that shortly afterwards, he moved to Canada. | 0:42:28 | 0:42:32 | |
Well, maybe Morocco's not the only African country that Claudia Scott was importing from. | 0:42:32 | 0:42:37 | |
We're still waiting for the paperwork from customs. | 0:42:37 | 0:42:40 | |
See if you can get Mike on it, he's the only tech there that I rate. | 0:42:40 | 0:42:44 | |
Call me back when you know. | 0:42:44 | 0:42:46 | |
We'll take it from here. | 0:42:46 | 0:42:48 | |
I'll have one of my team call round to your office and pick up the files in an hour, | 0:42:48 | 0:42:52 | |
-give you enough time to box them up. -I'm sure we'll manage. | 0:42:52 | 0:42:54 | |
Good. Right, well, better get on with it. Good to meet you. | 0:42:54 | 0:42:58 | |
I thought perhaps you'd like me to brief you on everything we've got. | 0:42:58 | 0:43:01 | |
Rather you wrote it up and put it in with the files. | 0:43:01 | 0:43:03 | |
We requested the information be sent over days ago. | 0:43:09 | 0:43:13 | |
Can you e-mail it? | 0:43:13 | 0:43:16 | |
How about a fax? | 0:43:17 | 0:43:18 | |
HOLD MUZAK PLAYS | 0:43:18 | 0:43:21 | |
Nice selection of hand-carved Malian tribal masks. | 0:43:21 | 0:43:25 | |
Big enough to stash diamonds in? | 0:43:25 | 0:43:27 | |
Yeah, easily. | 0:43:27 | 0:43:30 | |
Went well with the SIO, then. | 0:43:31 | 0:43:33 | |
DCI Temple's arrogant, dismissive and basically bloody rude. | 0:43:33 | 0:43:37 | |
Yeah, not very big on the sisterhood, by the look of it. | 0:43:37 | 0:43:40 | |
Oh, for your information, | 0:43:40 | 0:43:42 | |
the last call the deceased made was to Deqo. | 0:43:42 | 0:43:46 | |
Good work. | 0:43:49 | 0:43:51 | |
Any sign of a break-in? | 0:43:52 | 0:43:55 | |
No. Both doors were locked and there were no open windows. | 0:43:55 | 0:43:58 | |
It looks like Darren just let his killer in. | 0:43:58 | 0:44:02 | |
Has to be someone he knew. | 0:44:03 | 0:44:05 | |
From the rigidity of the body, I'd say he'd been dead for about 12 hours. | 0:44:05 | 0:44:09 | |
-Do you agree? -Yeah, we can assume he was killed between 10pm and midnight. | 0:44:09 | 0:44:13 | |
What about the murder weapon? | 0:44:13 | 0:44:14 | |
Nah, nothing was found while we were at the scene. | 0:44:14 | 0:44:17 | |
The hit and run has to be linked to this murder. | 0:44:17 | 0:44:20 | |
It's too much of a bad coincidence otherwise. | 0:44:20 | 0:44:22 | |
Question is, why kill him now? | 0:44:22 | 0:44:26 | |
Maybe somebody got spooked by our investigation, | 0:44:26 | 0:44:30 | |
decided that it was safer to take him out of the picture once and for all. | 0:44:30 | 0:44:34 | |
Yeah, makes sense. | 0:44:34 | 0:44:36 | |
Talk to me about these diamonds. | 0:44:37 | 0:44:40 | |
The UN Security Council banned the trade in diamonds from Ivory Coast in 2005, | 0:44:42 | 0:44:47 | |
because they were being used by rebels, involved in a vicious civil war, to fund their army. | 0:44:47 | 0:44:53 | |
However, Amnesty International reckon that stones mined in the rebel-held north | 0:44:53 | 0:44:59 | |
were still finding their way onto the international diamond market, through neighbouring Mali. | 0:44:59 | 0:45:03 | |
Seems like they were trafficking blood diamonds. | 0:45:03 | 0:45:06 | |
Claudia Scott brought them in hidden in those Malian tribal masks, | 0:45:06 | 0:45:10 | |
Darren Gerson biked them over to Peter Collins, | 0:45:10 | 0:45:13 | |
who cleaned them up then sold them on to his clients. | 0:45:13 | 0:45:17 | |
The dates fit, we've had a fax. | 0:45:17 | 0:45:19 | |
Deqo was importing from Mali in 2005 and 2006. | 0:45:19 | 0:45:23 | |
Now, because we're talking diamonds and not drugs, | 0:45:23 | 0:45:26 | |
it makes sense that my snouts didn't get a sniff of it. | 0:45:26 | 0:45:30 | |
Or why the people involved weren't on the PNC. | 0:45:30 | 0:45:32 | |
Yeah, well, different class, innit? | 0:45:32 | 0:45:35 | |
But why was Darren involved in this? | 0:45:35 | 0:45:37 | |
He didn't seem the type to be motivated by money. | 0:45:37 | 0:45:39 | |
Yeah, but I bet he'd need money to fund the GLS. | 0:45:41 | 0:45:44 | |
Yeah, bombing campaign's can't be cheap. | 0:45:45 | 0:45:49 | |
Look, Claudia Scott was the last person he called. | 0:45:49 | 0:45:52 | |
Sandra, we're this close. | 0:45:54 | 0:45:56 | |
We can't let them waltz in and take all the glory! | 0:45:56 | 0:45:59 | |
Switch off your mobiles. Brian, grab your laptop. Let's get out of here. | 0:46:01 | 0:46:04 | |
-Sandra... -Unless you want to wait around and hand over everything we've done to DCI Temple | 0:46:04 | 0:46:09 | |
and hope that she reads my report in time to catch the killer. | 0:46:09 | 0:46:12 | |
-You're the boss. -Come on! | 0:46:12 | 0:46:15 | |
Jack, you and I will find Claudia Scott. | 0:46:15 | 0:46:17 | |
You two talk to Nina Ward, | 0:46:17 | 0:46:19 | |
maybe she'll open up now that Darren's dead. | 0:46:19 | 0:46:21 | |
-Metropolitan Police. Claudia Scott inside? -No. She just left. | 0:46:30 | 0:46:34 | |
-Where did she go? She say when she'd be back? -She's not coming back. | 0:46:34 | 0:46:38 | |
Miss Scott said the business has closed | 0:46:38 | 0:46:40 | |
and told me to find another job. | 0:46:40 | 0:46:41 | |
-And she was in a hurry? -Big hurry. | 0:46:41 | 0:46:44 | |
He's died twice on me now. | 0:46:47 | 0:46:49 | |
We need your help to catch the killer. | 0:46:50 | 0:46:53 | |
What do you want me to do? | 0:46:54 | 0:46:56 | |
Tell us if he was involved in the trafficking of conflict diamonds. | 0:46:56 | 0:47:00 | |
We need to know, Nina. | 0:47:02 | 0:47:03 | |
He was just the delivery man, he only did it for a few months. | 0:47:05 | 0:47:09 | |
And then he got knocked down? | 0:47:09 | 0:47:11 | |
How'd he get mixed up in it? | 0:47:12 | 0:47:14 | |
Darren collected a package from Deqo, | 0:47:14 | 0:47:16 | |
smelled something fishy was going on and... | 0:47:16 | 0:47:18 | |
-Opened the package and found it was full of diamonds. -Then muscled in on the deal. | 0:47:18 | 0:47:22 | |
-Yeah. -Who else was involved? | 0:47:22 | 0:47:26 | |
He said there were three others. | 0:47:26 | 0:47:27 | |
He never told me their names. Said it was safer that way. | 0:47:27 | 0:47:30 | |
He do it to fund the GLS and the bombing campaign? | 0:47:30 | 0:47:34 | |
Nina, this was brutal. | 0:47:37 | 0:47:39 | |
He was stabbed 15 times. | 0:47:39 | 0:47:41 | |
Look, I kept on telling him that blowing up cars was a crazy idea, | 0:47:43 | 0:47:47 | |
that people would get killed. | 0:47:47 | 0:47:49 | |
But he was fanatical about the idea, by then. | 0:47:49 | 0:47:52 | |
Kept on saying that collateral damage happened in all wars. | 0:47:52 | 0:47:55 | |
And that's what it was to Darren, a war. | 0:47:55 | 0:47:59 | |
Over two months, he built up a pretty big stash. couriering the diamonds. | 0:47:59 | 0:48:04 | |
Said we'd need it when the shit started to go down. | 0:48:04 | 0:48:06 | |
-And how much was his cut? -I don't know. | 0:48:06 | 0:48:09 | |
More than enough. I've never seen so much money. | 0:48:09 | 0:48:12 | |
Where is it now? | 0:48:12 | 0:48:14 | |
After the hit and run, | 0:48:14 | 0:48:16 | |
once we knew that Darren was never going to be the same, | 0:48:16 | 0:48:19 | |
Psycho Chris and Kator persuaded me that we should keep it. | 0:48:19 | 0:48:23 | |
I only went along with it, because part of me was angry at him. | 0:48:23 | 0:48:25 | |
About what? | 0:48:25 | 0:48:28 | |
When I was at hospital, I checked Darren's mobile to make sure | 0:48:28 | 0:48:31 | |
there weren't any incriminating texts about the bombs or the GLS. | 0:48:31 | 0:48:35 | |
That's why you went through his stuff before the police arrived? | 0:48:35 | 0:48:39 | |
Yeah. | 0:48:39 | 0:48:40 | |
I found a bunch of sex texts, from someone called Claudia. | 0:48:40 | 0:48:45 | |
It was obvious he'd been cheating on me. | 0:48:46 | 0:48:49 | |
So if Claudia Scott and Peter Collins were two of Darren's partners in crime, | 0:48:49 | 0:48:54 | |
who's the other? | 0:48:54 | 0:48:57 | |
What about the Fat Controller? | 0:48:57 | 0:48:59 | |
DOOR SLAMS SHUT | 0:49:03 | 0:49:04 | |
I mean, think about it. | 0:49:04 | 0:49:06 | |
Before Darren muscled his way into the deal | 0:49:06 | 0:49:09 | |
Rendall would have been perfect. He could handpick suitable couriers, | 0:49:09 | 0:49:13 | |
and then he could track the diamonds' progress across town. | 0:49:13 | 0:49:16 | |
And act as a firewall between Claudia Scott and Peter Collins. | 0:49:18 | 0:49:21 | |
Exactly. | 0:49:21 | 0:49:22 | |
ENGINE REVS | 0:49:22 | 0:49:23 | |
Detective Superintendent Pullman. | 0:50:01 | 0:50:05 | |
Don't look like much, do they, Claudia, before they've been cut? | 0:50:05 | 0:50:09 | |
Makes you wonder what all the fuss is about. | 0:50:09 | 0:50:11 | |
But wars are fought... | 0:50:11 | 0:50:13 | |
..and people die because of them. | 0:50:15 | 0:50:17 | |
Darren's dead, isn't he? | 0:50:20 | 0:50:21 | |
Yes. | 0:50:21 | 0:50:23 | |
Oh, God. | 0:50:23 | 0:50:24 | |
I want immunity and a new identity. | 0:50:35 | 0:50:38 | |
You give me that and I'll tell you who killed him. | 0:50:39 | 0:50:43 | |
But I won't go on tape... | 0:50:43 | 0:50:45 | |
..and I won't testify. | 0:50:47 | 0:50:49 | |
DOORBELL CHIMES | 0:50:51 | 0:50:54 | |
Mr. Rendall, we need a few minutes of your time. | 0:50:59 | 0:51:01 | |
Can we come in? | 0:51:01 | 0:51:03 | |
Yeah, of course. | 0:51:03 | 0:51:06 | |
Thank you. | 0:51:06 | 0:51:07 | |
Tea, coffee? | 0:51:13 | 0:51:14 | |
No, not for me, thanks. | 0:51:14 | 0:51:16 | |
-No, thank you. -So what's going on, fellas? | 0:51:16 | 0:51:18 | |
-We need to ask you a few questions. -Go on, then. | 0:51:18 | 0:51:21 | |
How well do you know Claudia Scott? | 0:51:21 | 0:51:23 | |
Not well. She's just a voice on the end of the phone. | 0:51:23 | 0:51:26 | |
What about Peter Collins? | 0:51:26 | 0:51:28 | |
Name doesn't ring any bells. | 0:51:29 | 0:51:31 | |
-Why, who is he? -He's an associate of her's. | 0:51:31 | 0:51:33 | |
Have you met Ms Scott? | 0:51:33 | 0:51:35 | |
Is she a big client? | 0:51:38 | 0:51:39 | |
Not particularly. We do a job a month for her. | 0:51:39 | 0:51:41 | |
Tell us who killed Darren Gerson | 0:51:41 | 0:51:43 | |
and I'll speak to my superiors about witness protection. | 0:51:43 | 0:51:46 | |
-I need a guarantee. -I can't give you that. | 0:51:47 | 0:51:50 | |
But I can arrest you on suspicion of murder. Your choice. | 0:51:50 | 0:51:53 | |
What are you afraid of, Claudia? | 0:51:55 | 0:51:57 | |
That he'll come after me next. | 0:51:59 | 0:52:01 | |
Then let us protect you. | 0:52:01 | 0:52:02 | |
Tell us who the killer is. | 0:52:02 | 0:52:04 | |
Alan Rendall murdered him. | 0:52:08 | 0:52:10 | |
And how do you know this? | 0:52:10 | 0:52:12 | |
Because Darren rang me yesterday to say he'd remembered | 0:52:12 | 0:52:15 | |
that he'd couriered diamonds for us. | 0:52:15 | 0:52:17 | |
And stupidly I phoned Rendall and told him. | 0:52:17 | 0:52:20 | |
And how did he react? | 0:52:20 | 0:52:23 | |
Furiously. | 0:52:23 | 0:52:24 | |
Is he a violent man? | 0:52:24 | 0:52:25 | |
Violent? Rendall's a lunatic. | 0:52:25 | 0:52:29 | |
Rendall is the one who ran Darren over. | 0:52:29 | 0:52:31 | |
If he's such a lunatic, why did you call him? | 0:52:31 | 0:52:34 | |
-Surely you must have known how he'd react. -I panicked. | 0:52:34 | 0:52:37 | |
So why did he run him over? | 0:52:37 | 0:52:40 | |
Because once Darren was involved, we didn't need Rendall any more. | 0:52:40 | 0:52:44 | |
So you cut him out. | 0:52:44 | 0:52:46 | |
I told him we'd do one last job, | 0:52:47 | 0:52:50 | |
but after that, he was no longer required. | 0:52:50 | 0:52:53 | |
And that was when Darren was hit by a car? | 0:52:53 | 0:52:55 | |
Yes. | 0:52:58 | 0:52:59 | |
What are you burning? | 0:53:02 | 0:53:04 | |
Just some old rubbish. Had a clear-out this weekend. | 0:53:04 | 0:53:07 | |
Bonfire saved me a trip down the dump. | 0:53:07 | 0:53:09 | |
-Not going to nick me for that, are you? -Where were you last night between 10pm and midnight? | 0:53:09 | 0:53:14 | |
-Here. -Alone? -Unfortunately. | 0:53:14 | 0:53:16 | |
Now, am I right in thinking you gave Darren his last job? | 0:53:17 | 0:53:21 | |
Uh-huh. | 0:53:21 | 0:53:22 | |
So you'd have known he was going to Deqo and when he'd be there. | 0:53:22 | 0:53:26 | |
I'm not sure I quite like where this is going. | 0:53:27 | 0:53:30 | |
I'm showing Mr Rendall exhibit 216. | 0:53:30 | 0:53:33 | |
This is a piece of the shirt you were wearing yesterday | 0:53:33 | 0:53:36 | |
-when I visited you at Super Speedy Couriers. -If you say so. | 0:53:36 | 0:53:39 | |
So what was it doing on the bonfire at your house? | 0:53:39 | 0:53:43 | |
I chucked it out, with some old stuff. | 0:53:43 | 0:53:45 | |
In order to destroy forensic evidence that would implicate you | 0:53:45 | 0:53:48 | |
-in the murder of Darren Gerson? -No. I don't know nothing about that. | 0:53:48 | 0:53:52 | |
I just had a clear-out. | 0:53:52 | 0:53:53 | |
According to your mobile phone, you received a call last night | 0:53:53 | 0:53:56 | |
at 9:13 from Claudia Scott. | 0:53:56 | 0:53:59 | |
So what? | 0:53:59 | 0:54:00 | |
We know she told you that Darren remembered carrying the diamonds. | 0:54:00 | 0:54:04 | |
I think after that phone call, you went to his house and killed him | 0:54:04 | 0:54:07 | |
to shut him up once and for all. | 0:54:07 | 0:54:10 | |
Would you care to comment, Mr. Rendall? | 0:54:10 | 0:54:12 | |
Think what you want, mate, doesn't make it true. | 0:54:16 | 0:54:19 | |
OK, let's go back to 2006. | 0:54:20 | 0:54:22 | |
Where the hell have you all been? | 0:54:30 | 0:54:32 | |
Out. | 0:54:32 | 0:54:34 | |
Every single one of you? | 0:54:34 | 0:54:35 | |
Yeah, something came up. | 0:54:35 | 0:54:37 | |
Get me Detective Chief Superintendent Pullman, now. | 0:54:38 | 0:54:41 | |
She's interviewing a suspect. | 0:54:43 | 0:54:45 | |
Come on, admit it, you ran Darren down. Then took the package of uncut diamonds from his courier bag | 0:54:50 | 0:54:55 | |
and delivered them to the Berwick Street flat and gave them to Peter Collins. | 0:54:55 | 0:54:58 | |
I have no idea what you're talking about. | 0:54:58 | 0:55:01 | |
Claudia Scott told us you didn't even wipe Darren's blood off the package. | 0:55:01 | 0:55:05 | |
-Apparently the diamonds were covered in it. -Why should he have done? | 0:55:05 | 0:55:09 | |
Not only had you seriously injured their pet courier, | 0:55:09 | 0:55:12 | |
so they needed you again, you were sending them a message - | 0:55:12 | 0:55:15 | |
telling them in no uncertain terms that you weren't going to sit back and let them cut you out. | 0:55:15 | 0:55:19 | |
That if they were going to continue smuggling conflict diamonds into the country, | 0:55:19 | 0:55:23 | |
they'd better include you, or face the consequences. | 0:55:23 | 0:55:27 | |
Sounds like Claudia Scott's been telling lies about me. | 0:55:27 | 0:55:30 | |
Don't think so. | 0:55:30 | 0:55:31 | |
How could I run him down if I was manning the desk at the time? | 0:55:31 | 0:55:34 | |
Ah! We spoke to the other operator, Jodie. | 0:55:34 | 0:55:38 | |
She said that you left the office hours before the hit and run. | 0:55:38 | 0:55:42 | |
And that she was the one who took the call saying Darren was hurt. | 0:55:42 | 0:55:46 | |
Not you. | 0:55:46 | 0:55:47 | |
Is she lying as well? | 0:55:48 | 0:55:49 | |
I don't appreciate the way you went about this. | 0:55:54 | 0:55:57 | |
Just making sure that the killer was apprehended. | 0:55:57 | 0:55:59 | |
And I'm just supposed to accept that, am I? | 0:55:59 | 0:56:02 | |
You'll do what you have to do. | 0:56:02 | 0:56:04 | |
The only reason I'm not having this conversation with your commanding officer | 0:56:04 | 0:56:08 | |
is it makes us, as female officers, look bad. | 0:56:08 | 0:56:11 | |
You can have this conversation with whom ever you want. | 0:56:11 | 0:56:14 | |
We did everything possible. | 0:56:37 | 0:56:39 | |
And she gets to finish it. | 0:56:39 | 0:56:41 | |
DCI Temple knows. | 0:56:41 | 0:56:43 | |
Knows what? | 0:56:43 | 0:56:45 | |
That we know, that she knows, that she didn't earn it. | 0:56:45 | 0:56:48 | |
True. | 0:56:48 | 0:56:49 | |
God give me strength. | 0:56:51 | 0:56:52 | |
I've just had an e-mail from Samantha Gerson's boss at the research centre. | 0:57:04 | 0:57:08 | |
What did she say? | 0:57:08 | 0:57:09 | |
They've cancelled your involvement in the OMIP study. | 0:57:09 | 0:57:12 | |
Oh, no. Why? | 0:57:12 | 0:57:13 | |
I don't know, it just says "abnormal sample group". | 0:57:13 | 0:57:18 | |
But I allowed them unrestricted access to my mind. | 0:57:19 | 0:57:23 | |
Not sure the scientific community's ready for that, Brian. | 0:57:23 | 0:57:26 | |
Not sure any community is. | 0:57:26 | 0:57:28 | |
# It's all right, it's OK | 0:57:31 | 0:57:34 | |
# Doesn't really matter if you're old and grey | 0:57:34 | 0:57:37 | |
# It's all right, I say it's OK Listen to what I say | 0:57:37 | 0:57:43 | |
# It's all right, doing fine | 0:57:43 | 0:57:45 | |
# Doesn't really matter if the sun don't shine | 0:57:45 | 0:57:48 | |
# It's all right, I say, it's OK | 0:57:48 | 0:57:50 | |
# We're getting to the end of the day. # | 0:57:50 | 0:57:52 | |
Subtitles by Red Bee Media Ltd | 0:57:52 | 0:57:55 | |
E-mail [email protected] | 0:57:55 | 0:57:58 |