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-Thank you very much. -You're welcome. | 0:00:07 | 0:00:10 | |
Hello, James. How are you? | 0:00:25 | 0:00:28 | |
-A bit nervous. -So you should be. | 0:00:28 | 0:00:29 | |
-You look fantastic. -Thank you. | 0:00:29 | 0:00:32 | |
Well, I might have exaggerated slightly. | 0:00:32 | 0:00:34 | |
-Slightly? -Well, we haven't seen him since. | 0:00:34 | 0:00:37 | |
I've been thinking a lot about the past lately. | 0:00:40 | 0:00:43 | |
-Mm-hm. How does it look? -Well, it's not all funny stories. | 0:00:43 | 0:00:47 | |
A fair few regrets. You being most of them. | 0:00:47 | 0:00:49 | |
Well... What's done is done. | 0:00:49 | 0:00:53 | |
What are you thinking? | 0:00:53 | 0:00:56 | |
You want to know? I'm thinking about the time your decree nisi never came | 0:00:56 | 0:01:02 | |
through, and about finding out you hadn't even put in for it. | 0:01:02 | 0:01:05 | |
Yeah, not my finest hour. | 0:01:05 | 0:01:07 | |
What can I say? I was...young, I was cocky, I was immature. | 0:01:09 | 0:01:15 | |
But, you know, we get older and maybe a bit wiser. | 0:01:15 | 0:01:19 | |
Maybe now I know the true value of beautiful things. | 0:01:19 | 0:01:23 | |
You had what it takes, Sandra. I mean - Detective Super! | 0:01:27 | 0:01:31 | |
What am I by comparison - just some dilettante. | 0:01:31 | 0:01:33 | |
Come on, you haven't done that badly for yourself. | 0:01:33 | 0:01:37 | |
Talking of which, do you want to hear about this case? | 0:01:37 | 0:01:39 | |
Yeah, sure. | 0:01:39 | 0:01:40 | |
Mal Baxter, 52, successful antiques dealer. | 0:01:42 | 0:01:45 | |
June 1995 - he was killed in his home in a burglary gone wrong. | 0:01:45 | 0:01:49 | |
Baxter disturbed the robber, or robbers, | 0:01:49 | 0:01:52 | |
and is hit once over the head with some sort of heavy, blunt object. | 0:01:52 | 0:01:56 | |
Leaving this rather nasty impression. | 0:01:56 | 0:01:59 | |
-So why bring this to me now? -Well, the original investigation had | 0:02:01 | 0:02:04 | |
Mal Baxter down as some sort of respected gentleman trader, but I've since discovered otherwise. | 0:02:04 | 0:02:09 | |
When I became Head of the Art and Antiques Squad I had access to files saying Mal Baxter was an informant. | 0:02:09 | 0:02:15 | |
Oh... That's interesting. | 0:02:15 | 0:02:19 | |
-And this is the reason you got me here, is it? -It's my excuse. | 0:02:21 | 0:02:25 | |
# It's all right It's OK | 0:02:30 | 0:02:33 | |
# Doesn't really matter if you're old and grey | 0:02:33 | 0:02:36 | |
# It's all right I say it's OK | 0:02:36 | 0:02:40 | |
# Listen to what I say | 0:02:40 | 0:02:41 | |
# It's all right, doing fine | 0:02:41 | 0:02:44 | |
# Doesn't really matter if the sun don't shine | 0:02:44 | 0:02:48 | |
# It's all right I say it's OK | 0:02:48 | 0:02:50 | |
# We're gettin' to the end of the day. # | 0:02:50 | 0:02:52 | |
Oh, come on. Agh... | 0:03:06 | 0:03:08 | |
Agh! | 0:03:08 | 0:03:10 | |
Oh, bloody hell. | 0:03:10 | 0:03:12 | |
Oh, great. Marvellous. | 0:03:15 | 0:03:18 | |
Thank you, world. | 0:03:18 | 0:03:20 | |
-What the hell are you doing? -Same as you, mate. Imitating an idiot! | 0:03:20 | 0:03:25 | |
Oh. | 0:03:43 | 0:03:46 | |
Oh, yes, do, do. Come on. | 0:03:46 | 0:03:49 | |
I love you. | 0:03:49 | 0:03:51 | |
Oh... Oh, my God, that's bigger than I thought. | 0:03:53 | 0:03:57 | |
Mal Baxter, wife Helen, daughter Vivienne. | 0:04:00 | 0:04:03 | |
Late '70s, early '80s, we now know that Mal was an informant for the Art and Antiques Squad | 0:04:03 | 0:04:08 | |
-and in exchange they turned a blind eye to some of his dodgier dealings. -How dodgy? | 0:04:08 | 0:04:13 | |
-They described him as a broker. -Fence. | 0:04:13 | 0:04:16 | |
Sorry. Puncture. | 0:04:16 | 0:04:19 | |
You look a bit deflated yourself, mate. | 0:04:19 | 0:04:22 | |
Well, you're here now. Don't worry. | 0:04:22 | 0:04:23 | |
-Murder weapon, heavy with a curved edge. Never found, I suppose? -No. | 0:04:23 | 0:04:30 | |
And it doesn't fit the description of any missing antique. | 0:04:30 | 0:04:32 | |
So a burglary gone wrong could now be the targeted murder of an informant? | 0:04:32 | 0:04:37 | |
Yeah, there was no documented link to the people Mal helped put away, | 0:04:37 | 0:04:41 | |
but there was a rumour he was responsible for Lionel Scott. | 0:04:41 | 0:04:44 | |
The Lionel Scott?! What did the Mail call him... | 0:04:44 | 0:04:47 | |
-The "Burglar from Belgravia"! -"The Magician" we knew him as. | 0:04:47 | 0:04:49 | |
-That's right, yeah. -Did the gallery job on Cork Street. | 0:04:49 | 0:04:53 | |
To this day no-one knows how he got in or out. | 0:04:53 | 0:04:55 | |
Well, Scott died in prison serving a 10-year sentence. | 0:04:55 | 0:04:57 | |
Six months before the killing of Mal Baxter. | 0:04:57 | 0:05:00 | |
Yeah, but Scott was a one-man band, wasn't he? | 0:05:00 | 0:05:02 | |
That's what everyone says but I want to know who he knew, | 0:05:02 | 0:05:04 | |
-in case someone cared enough to fix the person who put him away. -What about the wife and daughter? | 0:05:04 | 0:05:08 | |
Daughter, Vivienne, 18 at the time, was away at boarding school. | 0:05:08 | 0:05:12 | |
Wife Helen was in Brighton for the day with their chauffer, Tony Morgan who's got form for GBH. | 0:05:12 | 0:05:18 | |
-Roger Bowman? -Roger Bowman was Mal Baxter's ex-business partner. | 0:05:18 | 0:05:22 | |
They'd split two years earlier and he has an alibi for the day of the murder. | 0:05:22 | 0:05:25 | |
Who's heading the Art and Antiques Squad these days? | 0:05:25 | 0:05:28 | |
-DCI James Larson. -What, the babe-magnet? | 0:05:28 | 0:05:31 | |
-I remember him as very smart. -Quite. | 0:05:31 | 0:05:35 | |
So retract your claws, Gerry, and just get on with it. | 0:05:35 | 0:05:38 | |
Right, you two get on to Tony Morgan. Brian, let's go. | 0:05:39 | 0:05:43 | |
OK, I give up. | 0:05:52 | 0:05:54 | |
-Give what up? -Whatever it is that's kept you deaf, dumb and blind since we got in the car. | 0:05:54 | 0:06:00 | |
Esther. | 0:06:00 | 0:06:02 | |
-I caught her. -Caught her doing what? | 0:06:02 | 0:06:04 | |
I don't know. | 0:06:04 | 0:06:06 | |
But she looked very happy doing it. | 0:06:06 | 0:06:08 | |
Happier than I've seen her in a long while. | 0:06:08 | 0:06:12 | |
Brian, what you talking about? | 0:06:12 | 0:06:14 | |
She's bought herself a laptop. I caught her on it. | 0:06:14 | 0:06:17 | |
Wow, how terrible(!) | 0:06:17 | 0:06:19 | |
-I think she was on the internet. -So? | 0:06:19 | 0:06:22 | |
So, I've hardly ever seen her on it before. | 0:06:22 | 0:06:25 | |
What was she doing? | 0:06:25 | 0:06:27 | |
I mean her face. She looked so... | 0:06:27 | 0:06:31 | |
-alive. -Where you going with this, Brian? | 0:06:31 | 0:06:34 | |
Well, you're a woman. | 0:06:34 | 0:06:37 | |
There's lots of things you can do on the internet, Brian. | 0:06:37 | 0:06:41 | |
It isn't all about sex, weirdly. She could have been shopping. | 0:06:41 | 0:06:44 | |
Didn't look like shopping to me. | 0:06:44 | 0:06:46 | |
You'd be surprised. A pair of designer shoes will bring ecstasy to many a woman's face. | 0:06:46 | 0:06:50 | |
-More than most men do in my experience. -This is Esther. | 0:06:50 | 0:06:53 | |
-Anyway, I know it was dodgy. -Why? | 0:06:53 | 0:06:55 | |
When I tried accessing her e-mails she'd changed the password. | 0:06:55 | 0:06:58 | |
You tried to access her e-mail account? Why didn't you just ask her? | 0:06:58 | 0:07:02 | |
Because that would have been invading on a private moment, wouldn't it? | 0:07:02 | 0:07:06 | |
Councillor Vivienne Baxter? | 0:07:08 | 0:07:10 | |
Yes. Please, come in, come in. | 0:07:10 | 0:07:12 | |
Thank you. | 0:07:12 | 0:07:13 | |
I can't tell you how much this means to my mother and I - the possibility of finding my father's killer. | 0:07:20 | 0:07:26 | |
Even now, after all this time, it's still difficult for us to come to terms with what happened. | 0:07:26 | 0:07:30 | |
It certainly destroyed any illusion I may have had about the allure of antiques. | 0:07:30 | 0:07:36 | |
So you never wanted to go into the family business then? | 0:07:36 | 0:07:38 | |
Absolutely not. Before politics, I worked in investment banking. | 0:07:38 | 0:07:42 | |
I know this is difficult, Ms Baxter, but your father's murder - | 0:07:42 | 0:07:46 | |
in your statement you said you were always afraid that something like that might happen. | 0:07:46 | 0:07:51 | |
After Daddy sold the shop in the Kings Road, they traded from the house in Barnes. | 0:07:51 | 0:07:56 | |
My father said it made sense for Tony Morgan to live in with them. | 0:07:56 | 0:07:59 | |
A chauffeur! Then I realised he wanted him there for security. | 0:07:59 | 0:08:04 | |
And did you think they were in actual danger? | 0:08:04 | 0:08:07 | |
Even at the age of 18 I knew enough to know that the antiques trade is made up of all sorts. | 0:08:07 | 0:08:12 | |
From perfectly agreeable experts with Masters degrees, to, well, less scrupulous types. | 0:08:12 | 0:08:19 | |
I'm sorry. I'll take you to meet my mother. | 0:08:20 | 0:08:23 | |
Look at all this! Paradise for some people. | 0:08:25 | 0:08:29 | |
You ever collect anything, Gerry? | 0:08:29 | 0:08:31 | |
-Yeah, wives. And losing betting slips. -I used to come to places like this a lot. | 0:08:31 | 0:08:36 | |
-You? -Yeah. Not any more. | 0:08:36 | 0:08:38 | |
No fun on your own. | 0:08:38 | 0:08:41 | |
Ha! Dalton stoneware. | 0:08:41 | 0:08:44 | |
Very collectable to some people. | 0:08:44 | 0:08:46 | |
You should be on the Antiques Roadshow. | 0:08:46 | 0:08:49 | |
That could be our man. | 0:08:51 | 0:08:53 | |
You're breaking my heart! I paid you full price for the chairs. | 0:08:53 | 0:08:57 | |
I didn't quibble about the price, did I? | 0:08:57 | 0:08:59 | |
-You're stealing from me. It's 300. -Two and a half, tops. -Go on. | 0:08:59 | 0:09:02 | |
Thank you, Sarah. | 0:09:02 | 0:09:04 | |
-Excuse me, Tony Morgan? -Yes? | 0:09:04 | 0:09:07 | |
Jack Halford, Gerry Standing, we're from UCOS. Thanks for coming up. | 0:09:07 | 0:09:11 | |
That's OK. I'm in London twice a week buying stock. | 0:09:11 | 0:09:14 | |
Two and a half for a fishing reel? | 0:09:14 | 0:09:15 | |
It's a steal. | 0:09:15 | 0:09:18 | |
-We're in the wrong game. -I take it you have an antiques shop in Brighton? | 0:09:18 | 0:09:21 | |
No, I have a successful business in Brighton dealing in quality merchandise. | 0:09:21 | 0:09:25 | |
Done well for yourself. | 0:09:25 | 0:09:27 | |
Yeah. Not bad for a Barnardo's boy. | 0:09:27 | 0:09:29 | |
There's really no reason why a man's past should ruin his future. | 0:09:29 | 0:09:32 | |
Now, how about you two gentlemen giving me a hand with these chairs? | 0:09:32 | 0:09:35 | |
My car's just around the corner. | 0:09:35 | 0:09:38 | |
We think that Mal was a police informant and that could well have put him in danger. | 0:09:43 | 0:09:47 | |
That's impossible! I mean... | 0:09:47 | 0:09:49 | |
Mal would help the police with their enquiries if stolen goods came into the shop, of course. | 0:09:49 | 0:09:54 | |
Mrs Baxter, he didn't inform out of a moral obligation, at least not all the time. | 0:09:54 | 0:09:59 | |
He traded names for immunity, because he was dealing in stolen goods. | 0:09:59 | 0:10:04 | |
You're not serious? I'm sorry but I thought you came to... | 0:10:04 | 0:10:07 | |
Oh, of course. You've been talking to Roger Bowman. | 0:10:07 | 0:10:09 | |
As it happens, we haven't yet. | 0:10:09 | 0:10:11 | |
You needn't bother. I know what he'll say and it will be rubbish. | 0:10:11 | 0:10:14 | |
Jaundiced and bitter rubbish at that. | 0:10:14 | 0:10:17 | |
Daddy cut off all business ties with Bowman because he became an alcoholic. | 0:10:17 | 0:10:20 | |
Vivienne, that's not true. You hardly knew him. | 0:10:20 | 0:10:22 | |
I know what he's become. | 0:10:22 | 0:10:24 | |
A sad and lonely old man who slanders this family as a matter of course. | 0:10:24 | 0:10:29 | |
Thankfully no-one takes him seriously. | 0:10:29 | 0:10:30 | |
This information came from the Met Art and Antiques' Squad. | 0:10:30 | 0:10:34 | |
In which case, show me the proof. | 0:10:34 | 0:10:36 | |
-Show me records of such dealings by my father. -There are no records. | 0:10:36 | 0:10:39 | |
Of course there aren't. Because his reputation is impeccable. | 0:10:39 | 0:10:42 | |
You said there are just as many unscrupulous people in the antiques business as there are honest ones. | 0:10:42 | 0:10:48 | |
There are unscrupulous people in all professions of life. | 0:10:48 | 0:10:52 | |
It's a matter of choice whether you actually do business with them. | 0:10:52 | 0:10:56 | |
And I can assure you, | 0:10:56 | 0:10:59 | |
Mal did not. | 0:10:59 | 0:11:02 | |
Now, if you'll excuse me. | 0:11:02 | 0:11:04 | |
In case you missed it, that was my mother being upset. | 0:11:04 | 0:11:09 | |
When my father died, a large part of my mother died with him. | 0:11:09 | 0:11:12 | |
So what do you think? | 0:11:15 | 0:11:18 | |
I think Vivienne doesn't have a clue about Mal's dealings. | 0:11:18 | 0:11:21 | |
That said, she is a politician and they're not exactly unversed in duplicity are they, Brian? | 0:11:21 | 0:11:26 | |
Brian, you're not still obsessing about Esther, are you? | 0:11:27 | 0:11:30 | |
No, no. I'm not. | 0:11:30 | 0:11:31 | |
Right. Let's get this sorted once and for all. Call her and tell her what's on your mind. | 0:11:31 | 0:11:37 | |
Roger Bowman. I think we should see him next. | 0:11:37 | 0:11:40 | |
I drove Helen down to Brighton about 8.30 am and when we got back | 0:11:48 | 0:11:53 | |
that evening, around 7pm, you lot were waiting. | 0:11:53 | 0:11:55 | |
-A day out, or business? -Bit of both. | 0:11:55 | 0:11:57 | |
Brighton has a big antique trade, we had a stroll around the shops and a walk down the prom. | 0:11:57 | 0:12:03 | |
Lets face it, it's not Helen you're interested in. It's me. | 0:12:05 | 0:12:09 | |
Six months for GBH. | 0:12:09 | 0:12:12 | |
Then another six for nearly killing a man in prison. | 0:12:12 | 0:12:15 | |
I'd call that interesting. | 0:12:15 | 0:12:16 | |
-Self defence. -You hit him with a... What was it? A chair leg? | 0:12:16 | 0:12:20 | |
Least it wasn't Chippendale. | 0:12:20 | 0:12:22 | |
Look, do we have to dwell on this unpleasantness, gentlemen? | 0:12:22 | 0:12:26 | |
All ancient and unfortunate history far as I'm concerned. | 0:12:26 | 0:12:28 | |
Do us a favour, Tony, and drop the My Fair Lady act, will you? | 0:12:28 | 0:12:32 | |
You're a south London boy and we know it. | 0:12:32 | 0:12:34 | |
You mean you'd like me to drop my vowels to make YOU feel better about yourself? | 0:12:34 | 0:12:38 | |
Oh, no, I'm all for a bit of upward mobility but you're laying it on a bit strong, son. | 0:12:38 | 0:12:44 | |
I was with the Baxters for ten years. | 0:12:46 | 0:12:48 | |
Taught me everything I know. | 0:12:48 | 0:12:49 | |
Not just about the antiques game, about life. | 0:12:49 | 0:12:52 | |
How to conduct myself, how to talk, books to read. | 0:12:52 | 0:12:56 | |
And you're right, I get angry when I think about what happened because it was my job to look after him. | 0:12:56 | 0:13:01 | |
And I didn't, not on that day. | 0:13:01 | 0:13:03 | |
Not when it counted. | 0:13:03 | 0:13:05 | |
How did you meet them - Mal and Helen? | 0:13:05 | 0:13:07 | |
I answered an ad in the paper. | 0:13:07 | 0:13:09 | |
Juvenile detention centres, followed by prison. | 0:13:09 | 0:13:12 | |
Not exactly a glowing CV, is it? | 0:13:12 | 0:13:15 | |
No, you're right. There was a touch of Pygmalion involved. | 0:13:15 | 0:13:18 | |
Or My Fair Lady - as you like to call it. | 0:13:18 | 0:13:21 | |
-Mal wasn't just a Henry Higgins type character, he was more of a... -More like a father? | 0:13:23 | 0:13:28 | |
Sounds soppy I know, but... | 0:13:28 | 0:13:31 | |
Not at all. Tell me, did you know Lionel Scott? | 0:13:31 | 0:13:36 | |
Well, only by reputation. | 0:13:40 | 0:13:42 | |
What was it again? The Magician. | 0:13:42 | 0:13:45 | |
Mal Baxter put him away. | 0:13:45 | 0:13:46 | |
He was a grass. | 0:13:46 | 0:13:49 | |
Mal?! Nah. Rubbish. | 0:13:49 | 0:13:53 | |
You're having a laugh. | 0:13:53 | 0:13:55 | |
You say he was like a father to you, right? | 0:13:55 | 0:13:57 | |
Well, this is an opportunity to catch his killer. | 0:13:57 | 0:14:00 | |
You might never get another one. | 0:14:00 | 0:14:02 | |
So, you didn't know Scott. | 0:14:04 | 0:14:07 | |
Did you know anyone who might have been associated with him? | 0:14:07 | 0:14:10 | |
I told you, I left that world behind years ago. | 0:14:10 | 0:14:13 | |
Who told you that load of old tosh about Mal anyway? | 0:14:13 | 0:14:16 | |
The Met's Art and Antiques Squad. | 0:14:16 | 0:14:18 | |
Ha! Oh, right, that lot. | 0:14:18 | 0:14:19 | |
You'll have to forgive me, gentlemen. I want to beat the traffic. | 0:14:19 | 0:14:23 | |
Just one more thing before you go. | 0:14:26 | 0:14:28 | |
Starting up in the antique business is expensive. | 0:14:28 | 0:14:32 | |
How did you manage it? | 0:14:32 | 0:14:34 | |
Well, after Mal died Helen lost all interest in antiques. | 0:14:34 | 0:14:39 | |
Sold up. I was out of a job. | 0:14:39 | 0:14:40 | |
So she gave me some stock to get started as a kind of redundancy pay. | 0:14:40 | 0:14:45 | |
I'll see you around. | 0:14:45 | 0:14:47 | |
You might. | 0:14:47 | 0:14:49 | |
Nice motor. | 0:14:54 | 0:14:56 | |
Cost a bob or two. | 0:14:56 | 0:14:57 | |
I got one of these for Mark on his first Christmas. | 0:15:03 | 0:15:06 | |
Esther wouldn't let him play with it. The little Sean Connery ejector seat would've had his eye out. | 0:15:06 | 0:15:11 | |
So I played with it! | 0:15:11 | 0:15:13 | |
Apparently most days he's holed up in The Portobello Star, which is there. | 0:15:13 | 0:15:17 | |
Have you seen the price on this?! | 0:15:17 | 0:15:19 | |
-Roger Bowman? -Dealer in fine art, antiques, collectables and freelance auctioneer. | 0:15:30 | 0:15:36 | |
Have gavel, will travel, so to speak. | 0:15:36 | 0:15:39 | |
Mr Bowman, we'd like to talk to you about Mal Baxter. | 0:15:39 | 0:15:42 | |
He's dead, and a bloody good job I say! | 0:15:42 | 0:15:46 | |
Oh, dear. | 0:15:46 | 0:15:49 | |
Avarice. | 0:15:49 | 0:15:51 | |
That's what did it. | 0:15:51 | 0:15:53 | |
-Did what? -For Mal. He got greedy. | 0:15:53 | 0:15:56 | |
Mal started to travel abroad to buy goods, goods that he would smuggle through customs. | 0:15:56 | 0:16:02 | |
-My nerves couldn't take it. -So what did you do? | 0:16:02 | 0:16:05 | |
Sold the business and went our separate ways. | 0:16:05 | 0:16:07 | |
Personally, I blame that bloody witch... Sorry, wife of his! | 0:16:07 | 0:16:10 | |
Helen? | 0:16:10 | 0:16:12 | |
She drove him to it. | 0:16:12 | 0:16:14 | |
A magpie. Anything that glittered, she had to have it. | 0:16:14 | 0:16:17 | |
-Forced Mal to involve himself with some of the undesirables of our business. -Define undesirables. | 0:16:17 | 0:16:23 | |
Lionel Scott, people like that. | 0:16:23 | 0:16:25 | |
You must have heard of him? | 0:16:25 | 0:16:28 | |
-Scott was a vulgarian. -And? | 0:16:28 | 0:16:31 | |
I'm just saying that was the class of person Mal was now mixing with. | 0:16:31 | 0:16:35 | |
Scott, Tony Morgan, another nasty little oik Mal took under his wing. | 0:16:35 | 0:16:40 | |
Come on, Roger. You can do better than that. | 0:16:40 | 0:16:43 | |
I know for a fact that other items were stolen from Mal's house on the day of the robbery. | 0:16:43 | 0:16:49 | |
-How do you know? -Because they turned up at Bermondsey market. | 0:16:49 | 0:16:52 | |
But they were never reported to the police, because they themselves were, how shall I put it... | 0:16:52 | 0:16:56 | |
-stolen. -What were these items? | 0:16:56 | 0:16:59 | |
-Well, I didn't actually see them. -So, who told you? | 0:16:59 | 0:17:02 | |
Just a rumour. | 0:17:04 | 0:17:06 | |
-Hi. -Hi. | 0:17:08 | 0:17:10 | |
-DCI James Larson. This is Brian Lane, Jack Halford and Gerry Standing. -Hello. -How do you do? | 0:17:10 | 0:17:17 | |
We agreed to keep each other informed of progress on the case. | 0:17:17 | 0:17:20 | |
-That's easy enough - there isn't any! -Actually, there is. | 0:17:20 | 0:17:23 | |
Brian and I talked to Roger Bowman. Have you come across him? | 0:17:23 | 0:17:26 | |
-Occasionally. -What do you think? | 0:17:26 | 0:17:29 | |
-I think he's a bitter, twisted, old lush. -Unreliable? | 0:17:29 | 0:17:32 | |
Completely unreliable. Why? | 0:17:32 | 0:17:34 | |
He told us that he'd heard there were stolen goods in Mal's house along with other items that were taken. | 0:17:34 | 0:17:39 | |
-It's possible. -And ended up on Bermondsey market. | 0:17:39 | 0:17:42 | |
-If it's true, then anything nicked would have ended up there. -Why? | 0:17:42 | 0:17:47 | |
-Bermondsey was what they used to call a "Market Overt" under a 700-year-old law. -Before my time! | 0:17:47 | 0:17:52 | |
This law meant that between sundown and sun up, goods could be bought and sold at markets with impunity. | 0:17:52 | 0:17:59 | |
-Like a thieves' charter? -Well, yeah. | 0:17:59 | 0:18:01 | |
-Wasn't Princess Margaret's jewellery supposed to have been flogged off there? -Twice. | 0:18:01 | 0:18:06 | |
Roger wouldn't tell us where he got the information from... | 0:18:06 | 0:18:09 | |
Roger had an old dealer mate, Wally Brooks. | 0:18:09 | 0:18:11 | |
He's got a shop on the Golborne Road but back then Wally had a stall at Bermondsey. | 0:18:11 | 0:18:16 | |
Wally Brooks gave Roger Bowman his alibi the day Mal Baxter died. | 0:18:16 | 0:18:19 | |
Right. Jack, you and Gerry go and speak to Wally Brooks. | 0:18:19 | 0:18:23 | |
We'll take this to the Baxters. Thank you. | 0:18:23 | 0:18:25 | |
-Any time. -Can I ask you something? | 0:18:25 | 0:18:28 | |
-What do you know about Tony Morgan? -That's the Baxters' driver. | 0:18:28 | 0:18:30 | |
-He wheels and deals a bit but other than that... -Does he know you? | 0:18:30 | 0:18:34 | |
Not in the biblical sense, no. Why, are you thinking about him for the killing? | 0:18:34 | 0:18:37 | |
His alibi's good, right? Why, what's he said? | 0:18:37 | 0:18:40 | |
He didn't seem to rate the Arts and Antiques Squad very much. | 0:18:41 | 0:18:43 | |
In fact, he laughed out loud, didn't he? | 0:18:43 | 0:18:46 | |
Gerry, if you've nothing useful to contribute just button it, will you? | 0:18:46 | 0:18:50 | |
-I'm sorry. -That's all right. | 0:18:50 | 0:18:52 | |
I'll see you out. | 0:18:52 | 0:18:54 | |
Gentlemen. | 0:18:54 | 0:18:56 | |
What was all that about? I only asked a question. | 0:18:58 | 0:19:01 | |
They used to be an item. | 0:19:01 | 0:19:03 | |
Interesting set-up. | 0:19:05 | 0:19:06 | |
Actually they're very, very good. | 0:19:06 | 0:19:08 | |
-They seem like nice boys. -They're appalling, but I love them. | 0:19:08 | 0:19:11 | |
Lucky boys. | 0:19:11 | 0:19:13 | |
You never answered my last text. | 0:19:13 | 0:19:15 | |
I am doing. Is 7.30 too early? | 0:19:15 | 0:19:18 | |
-No. It isn't. -I'll see you then. | 0:19:18 | 0:19:20 | |
About eight months later, not long after Jack became my new boss, I ended up telling him all about you. | 0:19:25 | 0:19:32 | |
Nothing good, presumably? | 0:19:32 | 0:19:34 | |
Jack was the best guv'nor I've ever had, bar none. | 0:19:35 | 0:19:39 | |
Anyway, he listened, and then when I finished he put his arm around me and said, | 0:19:39 | 0:19:44 | |
"Get over it". It was brilliant. | 0:19:44 | 0:19:47 | |
And did you? | 0:19:47 | 0:19:50 | |
Get over it. | 0:19:50 | 0:19:51 | |
Yes. | 0:19:51 | 0:19:54 | |
I would undo it if I could, you know that. | 0:19:54 | 0:19:56 | |
You know I never stopped regretting doing what I did. | 0:19:58 | 0:20:01 | |
Thinking about what a mistake it was. | 0:20:01 | 0:20:03 | |
I've tried to get back in touch before now. | 0:20:03 | 0:20:05 | |
I know you have. | 0:20:05 | 0:20:06 | |
I guess timing was never my strong suit. | 0:20:06 | 0:20:09 | |
Well, don't beat yourself up. It takes two to tango. | 0:20:12 | 0:20:15 | |
Yeah, but it just takes one to cock it up, doesn't it? | 0:20:15 | 0:20:18 | |
I never stopped thinking about you, Sandra. | 0:20:18 | 0:20:21 | |
I've tried, I just can't. | 0:20:21 | 0:20:24 | |
Where are you going? | 0:20:29 | 0:20:31 | |
Where do you think we're going? | 0:20:31 | 0:20:34 | |
Course I know Roger. | 0:20:34 | 0:20:35 | |
He used to have the stall five pitches down from me | 0:20:35 | 0:20:38 | |
until he...retired. | 0:20:38 | 0:20:39 | |
I'm retiring myself next month. | 0:20:39 | 0:20:42 | |
This game's no good any more. | 0:20:42 | 0:20:44 | |
Prices are a joke. | 0:20:44 | 0:20:46 | |
Daytime TV's killed it stone dead. | 0:20:46 | 0:20:49 | |
Look, all we're interested in is the day Mal Baxter died. | 0:20:49 | 0:20:53 | |
Now Roger said he was on his stall and you confirmed it. | 0:20:53 | 0:20:57 | |
-Was there a problem? -Well, Roger was generally there. | 0:20:57 | 0:21:01 | |
-Generally? -Look, he'd had more than his fair share of trouble. | 0:21:01 | 0:21:05 | |
I was just trying to do the right thing. | 0:21:05 | 0:21:07 | |
What, by making stuff up? | 0:21:07 | 0:21:08 | |
He was hitting the pop big style back then. | 0:21:08 | 0:21:11 | |
Some days he'd turn up, other times he wouldn't. I thought he had. | 0:21:11 | 0:21:15 | |
I tell you one thing. When he was there, | 0:21:15 | 0:21:17 | |
not a day would go by when he wouldn't curse Mal for having his big shop. | 0:21:17 | 0:21:20 | |
Especially in the winter. | 0:21:20 | 0:21:23 | |
Old Roger wasn't cut out for the outdoor life. | 0:21:23 | 0:21:26 | |
When they turfed him out it was a blessing, really. | 0:21:26 | 0:21:28 | |
And that's when he became an auctioneer? | 0:21:28 | 0:21:32 | |
-Ha! Is that what he calls it? -What would you call it? | 0:21:32 | 0:21:34 | |
Well, let's just say the places Roger brings his hammer down | 0:21:34 | 0:21:37 | |
ain't exactly Sotheby's and Christie's. | 0:21:37 | 0:21:39 | |
Sorry, "turfed him out"? You just said he retired. | 0:21:39 | 0:21:42 | |
Same difference. | 0:21:42 | 0:21:44 | |
Anyway, what kickstarted all this stuff about Mal Baxter? | 0:21:44 | 0:21:47 | |
Roger said some items went missing out of Mal's house that weren't on the official list. | 0:21:47 | 0:21:51 | |
-And they ended up on Bermondsey Market. -Oh, really? -With you. | 0:21:51 | 0:21:54 | |
No, no, no, no! That's wrong. | 0:21:54 | 0:21:58 | |
With you! | 0:21:58 | 0:22:00 | |
Look, if you're referring to that tea chest full of stuff, | 0:22:00 | 0:22:03 | |
then I thought it might have been a bit iffy, | 0:22:03 | 0:22:06 | |
but not from a murder! | 0:22:06 | 0:22:10 | |
Roger never said that, did he? | 0:22:10 | 0:22:12 | |
-You made that up. -Yes, Mr Brooks, I was lying. | 0:22:12 | 0:22:16 | |
But something tells me that you weren't. | 0:22:16 | 0:22:20 | |
Yes, other things were taken. | 0:22:20 | 0:22:21 | |
-What were they? -I don't know because they were never inventoried | 0:22:21 | 0:22:26 | |
and because Mal kept them out of sight. | 0:22:26 | 0:22:29 | |
You say you have no idea what these other items were? | 0:22:29 | 0:22:32 | |
Roger Bowman seems to think you do. | 0:22:32 | 0:22:34 | |
As I've explained to you, Roger Bowman hates me | 0:22:34 | 0:22:37 | |
because he believes I encouraged Mal to break with him. | 0:22:37 | 0:22:40 | |
The final straw for Mal. | 0:22:40 | 0:22:43 | |
Mal found out that Roger had tried to seduce Tony Morgan | 0:22:43 | 0:22:47 | |
in the shop. | 0:22:47 | 0:22:51 | |
More than once. It was embarrassing. | 0:22:51 | 0:22:53 | |
You didn't think to tell the other investigation that. | 0:22:53 | 0:22:56 | |
Because it didn't occur to me for a second | 0:22:56 | 0:22:58 | |
that Roger could have killed Mal. | 0:22:58 | 0:23:00 | |
And now it does? | 0:23:00 | 0:23:02 | |
I'm sorry. | 0:23:04 | 0:23:06 | |
Look, I didn't say anything about it before because | 0:23:06 | 0:23:10 | |
I didn't want to believe it. | 0:23:10 | 0:23:12 | |
So, a couple of months back I'm clearing out my lock-up, | 0:23:14 | 0:23:17 | |
getting rid of all my old stock | 0:23:17 | 0:23:19 | |
prior to jacking it in, | 0:23:19 | 0:23:20 | |
and I come across this old tea chest from years back. | 0:23:20 | 0:23:22 | |
When I first got it I thought it might be a bit dodgy, so I held on to it. | 0:23:22 | 0:23:27 | |
Anyway, inside there's a solid silver fob watch, a perfume bottle, | 0:23:27 | 0:23:32 | |
couple of nice tiepins and a statue. | 0:23:32 | 0:23:35 | |
-Statue? -Yeah, well, statuette I suppose is the correct term. | 0:23:35 | 0:23:40 | |
Classical piece with wings on his head and his feet. | 0:23:40 | 0:23:43 | |
-Did it have a base? -Yeah, round, sort of like that. | 0:23:43 | 0:23:48 | |
Heavy? | 0:23:48 | 0:23:49 | |
Yeah, bronze. Why? | 0:23:49 | 0:23:51 | |
Well, where did you get it from, this tea chest, originally? | 0:23:54 | 0:23:58 | |
Bought it off a dealer named Greg Hazlett. | 0:23:58 | 0:24:00 | |
He only wanted a score for it, but that was back in '96. | 0:24:00 | 0:24:03 | |
And where can we find Hazlett? | 0:24:03 | 0:24:05 | |
He used to be a Brighton knocker boy. | 0:24:05 | 0:24:07 | |
Last I heard he was in Spain. | 0:24:07 | 0:24:09 | |
-So, who do you sell all this gear to? -Lennie the Lump. | 0:24:09 | 0:24:12 | |
-Well, where can we find him? -I dunno. | 0:24:12 | 0:24:16 | |
Well, doesn't he have a second name? | 0:24:16 | 0:24:18 | |
No, no, no. It's just Lennie the Lump. That's all I know him as. | 0:24:18 | 0:24:20 | |
He runs a Nazareth. | 0:24:20 | 0:24:22 | |
-A Nazareth? -What the hell is that? | 0:24:22 | 0:24:27 | |
A Nazareth is a secret auction, | 0:24:27 | 0:24:29 | |
where the gear they're selling is predominantly hooky. | 0:24:29 | 0:24:32 | |
-Why is it called a Nazareth? -God knows. | 0:24:32 | 0:24:34 | |
-Did Wally tell this Lump that the stuff was nicked? -I think Lennie would take that as read. | 0:24:34 | 0:24:40 | |
So it could be our murder weapon. | 0:24:40 | 0:24:42 | |
A bronze statuette. Yeah? | 0:24:42 | 0:24:44 | |
Mercury. Messenger of the gods. | 0:24:44 | 0:24:46 | |
Hermes in Greek mythology. | 0:24:46 | 0:24:48 | |
Traditionally he has a winged helmet and feet. | 0:24:48 | 0:24:53 | |
There's a famous 16th century neo classical statuette of Hermes by Jam Bologna. | 0:24:53 | 0:24:59 | |
It's solid gold. Worth millions. | 0:25:01 | 0:25:04 | |
So, is Hazlett just another link in the chain or is he our man? | 0:25:07 | 0:25:11 | |
Well, at least we've got a name now and a possible murder weapon. | 0:25:11 | 0:25:15 | |
And a Roger without an alibi anymore. | 0:25:15 | 0:25:17 | |
Yeah, that's true. Anyway, I'm off. | 0:25:17 | 0:25:19 | |
-Goodnight. -Anywhere nice? | 0:25:19 | 0:25:22 | |
Just find Hazlett. | 0:25:22 | 0:25:24 | |
-You know where she's going, don't you? -Yeah. -Well, if you ask me... | 0:25:24 | 0:25:28 | |
Well, I don't. | 0:25:28 | 0:25:30 | |
Scrubs up well though. | 0:25:30 | 0:25:32 | |
MOBILE RINGS | 0:25:32 | 0:25:36 | |
Detective Super Intendent Pullman. | 0:25:37 | 0:25:39 | |
-DCI Michaels. You called? -Yes, that's right. | 0:25:39 | 0:25:42 | |
-Is DI Larson being kept informed on the Baxter case? -Yes, he is. | 0:25:42 | 0:25:46 | |
Detective Inspector Larson is under surveillance. | 0:25:46 | 0:25:50 | |
We'd like your assistance. | 0:25:50 | 0:25:52 | |
Can't imagine there are too many Greg Hazletts who deal in antiques. | 0:25:52 | 0:25:55 | |
Yeah, I know him. Used to be a... | 0:25:55 | 0:25:57 | |
Brighton Knocker. | 0:25:57 | 0:25:59 | |
I love it when you talk dirty. | 0:25:59 | 0:26:01 | |
Got any idea where he is now? | 0:26:01 | 0:26:03 | |
Not off the top of my head, no. | 0:26:03 | 0:26:06 | |
I could call my friends in Brighton, see if they know. Why? | 0:26:06 | 0:26:09 | |
Well, we think he might have handled some of the stolen items. | 0:26:09 | 0:26:12 | |
Ah. | 0:26:12 | 0:26:15 | |
That is very nice. | 0:26:15 | 0:26:17 | |
-You like that? -Yeah, beautiful. | 0:26:17 | 0:26:20 | |
Kind of goes with the territory. | 0:26:20 | 0:26:22 | |
Suppose it would be a bit sad | 0:26:24 | 0:26:26 | |
if I didn't acquire some taste in this job. | 0:26:26 | 0:26:28 | |
I like to think that you've always had good taste, James. | 0:26:28 | 0:26:31 | |
Do you know anyone called Lennie the Lump? | 0:26:35 | 0:26:38 | |
-Lennie who? -Lump? | 0:26:38 | 0:26:42 | |
We think he might have bought some of the stolen stuff. | 0:26:42 | 0:26:44 | |
-No, never heard of him. Excuse me. -MOBILE RINGS | 0:26:44 | 0:26:48 | |
I'm going to have to take this. | 0:26:48 | 0:26:50 | |
Yep. Hiya. | 0:26:50 | 0:26:51 | |
Sorry. | 0:27:36 | 0:27:38 | |
-Right, anything else? -Yeah, yeah, what's a Nazareth? | 0:27:40 | 0:27:43 | |
It's a term in the Bible. Why? | 0:27:43 | 0:27:46 | |
Oh, it's just a word we've come across | 0:27:46 | 0:27:48 | |
-but no-one seems to know what it means. -Oh, a Nazareth? | 0:27:48 | 0:27:51 | |
Yeah that's a word for, um, it's like an illicit auction. | 0:27:51 | 0:27:55 | |
We used to see them in the old days. | 0:27:55 | 0:27:56 | |
They're rare now though. | 0:27:56 | 0:27:59 | |
-Sorry I can't be more specific. -No, no. | 0:27:59 | 0:28:01 | |
It's not important, I just thought I'd run it past you. | 0:28:01 | 0:28:03 | |
Well, I shall add it to the list. | 0:28:03 | 0:28:04 | |
If I hear anything, I'll keep you in the loop. | 0:28:04 | 0:28:06 | |
It's always nice to be kept in the loop. | 0:28:06 | 0:28:09 | |
Come on. | 0:28:11 | 0:28:12 | |
Esther? | 0:28:42 | 0:28:44 | |
Esther? | 0:28:46 | 0:28:48 | |
-Esther? -What? -Are you on your own? | 0:28:48 | 0:28:53 | |
What? | 0:28:53 | 0:28:55 | |
What are you doing? | 0:28:55 | 0:28:57 | |
I've just been getting rid of a few things on the internet on this auction sites. | 0:28:57 | 0:29:01 | |
-Decluttering, it's called. -I thought... | 0:29:01 | 0:29:04 | |
I thought you were... | 0:29:04 | 0:29:07 | |
You thought I was what? | 0:29:07 | 0:29:08 | |
-What are you getting rid of? -All sorts of things. | 0:29:10 | 0:29:13 | |
Clothes that I don't want any more, jewellery that I don't wear. | 0:29:13 | 0:29:17 | |
There, you see. I've got 20 bids on that, so that's £80. 80! | 0:29:17 | 0:29:22 | |
Another one. It's quite exciting. | 0:29:22 | 0:29:25 | |
-In the loft? -Mmm-hmm. | 0:29:25 | 0:29:26 | |
Since when did you store stuff in the loft? | 0:29:26 | 0:29:28 | |
No, well I... | 0:29:28 | 0:29:30 | |
I just went up to, erm... Just to check. | 0:29:30 | 0:29:33 | |
My stuff?! | 0:29:33 | 0:29:35 | |
In the loft? You mean my stuff?! | 0:29:35 | 0:29:37 | |
I just went up to see if there was anything that was worth it. | 0:29:37 | 0:29:40 | |
Brian, it's jam-packed, there's mountains of stuff up there. | 0:29:40 | 0:29:43 | |
Nobody hoards things like you do. | 0:29:43 | 0:29:45 | |
-No, they don't. -I haven't touched anything. | 0:29:45 | 0:29:49 | |
I wouldn't, honestly. | 0:29:49 | 0:29:50 | |
You've got no right. | 0:29:50 | 0:29:51 | |
It's mine. Mine. | 0:29:51 | 0:29:53 | |
And I've got no wish to be decluttered! Do you understand? | 0:29:53 | 0:29:57 | |
Brian, it's just a lot of old stuff up there. | 0:29:57 | 0:29:59 | |
Stuff that hasn't see the light of day for years! | 0:29:59 | 0:30:02 | |
Stop it! No more! | 0:30:02 | 0:30:05 | |
I forbid you to go anywhere near that loft! | 0:30:05 | 0:30:07 | |
It's my place. | 0:30:07 | 0:30:09 | |
My things. My bloody stuff! | 0:30:09 | 0:30:13 | |
-Hello? -DCI Michaels? | 0:30:31 | 0:30:34 | |
-Speaking. -This is Detective Superintendent Pullman. | 0:30:34 | 0:30:36 | |
Oh, hello there. | 0:30:36 | 0:30:39 | |
We know Morgan's got form and Roger Bowman's got motive, | 0:30:39 | 0:30:43 | |
but where did Hazlett get the statuette ,and was it used to kill Mal? | 0:30:43 | 0:30:46 | |
Gerry Standing, UCOS. | 0:30:48 | 0:30:49 | |
One moment. It's for you, Guv'nor. | 0:30:51 | 0:30:55 | |
DCI Larson. | 0:30:55 | 0:30:57 | |
James. | 0:31:04 | 0:31:06 | |
Oh, great. Hang on. | 0:31:06 | 0:31:08 | |
Thank you. Go on. | 0:31:10 | 0:31:13 | |
Great. Thanks a lot. Yes. Me too. | 0:31:15 | 0:31:20 | |
Bye. | 0:31:20 | 0:31:22 | |
Everything all right? | 0:31:22 | 0:31:24 | |
Greg Hazlett has an office-cum-lock-up in Hove. | 0:31:24 | 0:31:27 | |
-Tony Morgan's just down the road in Brighton. -You think they know each other? | 0:31:27 | 0:31:31 | |
Well, it'd be bloody odd if they didn't. | 0:31:31 | 0:31:33 | |
You two go and spend a day at the seaside. Brian, you're with me. | 0:31:33 | 0:31:38 | |
What's the book, Gerry? | 0:31:41 | 0:31:44 | |
-Oh, The Lure of Antiques. -Ha ha! You've got the bug, haven't you? | 0:31:44 | 0:31:47 | |
Nah, it's a bit of reference, that's all. | 0:31:47 | 0:31:49 | |
You want to forget about that stuff, mate. | 0:31:49 | 0:31:51 | |
This is where the money is. Dinky toys, Scalectrix, Subbuteo. | 0:31:51 | 0:31:55 | |
Yeah, nostalgia. | 0:31:55 | 0:31:57 | |
Quality antiques have to be over 100 years old. | 0:31:57 | 0:32:00 | |
That's where the smart money is. | 0:32:00 | 0:32:02 | |
When you're ready, Brian. | 0:32:02 | 0:32:03 | |
I want to pay Roger Bowman another visit. | 0:32:03 | 0:32:06 | |
What is wrong with her? | 0:32:08 | 0:32:09 | |
Can I help you, gents? | 0:32:35 | 0:32:38 | |
-Yeah. Greg Hazlett? -Allegedly. | 0:32:38 | 0:32:40 | |
Former Brighton knocker Greg Hazlett? | 0:32:40 | 0:32:42 | |
Yes, I think perhaps you can. | 0:32:42 | 0:32:45 | |
The knocker was very good to me. | 0:32:45 | 0:32:47 | |
Way back, I bought a painting for a couple of quid from a house in Sudbury. It was covered in grime. | 0:32:47 | 0:32:51 | |
I couldn't really make out what it was. Bought it for the frame as much as anything else. | 0:32:51 | 0:32:56 | |
But I had a funny feeling about it so I took a punt and had it professionally cleaned up. | 0:32:56 | 0:33:00 | |
Best move I ever made. Turned out to be a Matisse. | 0:33:00 | 0:33:04 | |
Millionaire at 26. | 0:33:04 | 0:33:06 | |
Hello, Malaga, here I come! | 0:33:06 | 0:33:09 | |
Of course it's all gone now. Nags, Jags and WAGs, | 0:33:09 | 0:33:12 | |
and what with the divorces, I'm brassic. | 0:33:12 | 0:33:16 | |
-Sounds familiar. -Bet if we had a look around, we could find a few more treasures. | 0:33:16 | 0:33:20 | |
Oh, I very much doubt it. So, how can I help you? | 0:33:20 | 0:33:23 | |
-Mal Baxter. -Oh, come on. That was over years ago, surely? | 0:33:23 | 0:33:26 | |
Well, before you swanned off to sunny Spain, | 0:33:26 | 0:33:29 | |
you sold a tea chest to Wally Brooks. | 0:33:29 | 0:33:31 | |
Well, I can hardly remember last week, never mind 16 years ago. | 0:33:31 | 0:33:35 | |
-But it could be right. -There was a statue at the bottom of that chest. | 0:33:35 | 0:33:38 | |
-A bronze winged Mercury. -If you say so. | 0:33:38 | 0:33:40 | |
We think it was used to kill Mal. | 0:33:40 | 0:33:42 | |
-You're kidding? -'Fraid not. | 0:33:42 | 0:33:45 | |
What we want to know, Greg, | 0:33:45 | 0:33:47 | |
is where you were on the day Mal was killed? | 0:33:47 | 0:33:50 | |
That's easy. I was with Mal's wife, Helen. | 0:33:50 | 0:33:53 | |
We met up for a spot of lunch, little place I knew on the Downs. | 0:33:53 | 0:33:58 | |
I wanted to show her a pair of Moorcroft vases I had. | 0:33:58 | 0:34:00 | |
We rattled on a bit. | 0:34:00 | 0:34:02 | |
It turned out to be a long lunch really, about three hours or so. We had to get a taxi back to Brighton. | 0:34:02 | 0:34:07 | |
We'd had too much of the old vino colapso. Know what I mean? | 0:34:07 | 0:34:10 | |
Didn't Tony Morgan drive you? | 0:34:10 | 0:34:12 | |
No, no. He dropped her off, then picked her up in Brighton at the end of the day. | 0:34:12 | 0:34:16 | |
Your relationship with Helen Baxter. | 0:34:16 | 0:34:20 | |
Was there anything else to it? | 0:34:20 | 0:34:21 | |
Look, Helen was a beautiful woman but I wasn't in the toyboy game. | 0:34:23 | 0:34:28 | |
-But you do know Tony Morgan? -Yes, yes. Of course. We did the odd bit of business here and there. | 0:34:28 | 0:34:31 | |
-And Morgan's still in Brighton? -Yeah, just down the road. | 0:34:31 | 0:34:34 | |
Come to think of it, it was Tony that sold me that tea chest. | 0:34:34 | 0:34:38 | |
I haven't dumped him in it, have I? | 0:34:38 | 0:34:40 | |
-It's a lie. -So there's no truth in what Helen Baxter said? | 0:34:42 | 0:34:45 | |
You honestly believe that witch? | 0:34:45 | 0:34:46 | |
I believe Wally Brooks, and he says he actually can't be sure | 0:34:46 | 0:34:49 | |
-that you were actually in Bermondsey market the day Mal Baxter died. -Poppycock! -Brian? | 0:34:49 | 0:34:54 | |
When Wally told us that story, we checked to see if you had a criminal record. And, in 1997, | 0:34:54 | 0:35:01 | |
Roger, you were caught committing an act of gross indecency in a public place. | 0:35:01 | 0:35:06 | |
-How dare you... -Shut up and listen! | 0:35:06 | 0:35:07 | |
Two years later you were caught committing exactly the same offence in the same toilets. | 0:35:07 | 0:35:11 | |
-Stop! Stop it. Enough! -Yes, in Bermondsey. | 0:35:11 | 0:35:14 | |
All right, tell us the truth. Where were you on the day Mal Baxter died? | 0:35:14 | 0:35:17 | |
I was in the market some of the time. | 0:35:19 | 0:35:22 | |
And some of the time I was with a friend. | 0:35:22 | 0:35:25 | |
In the toilets? | 0:35:25 | 0:35:28 | |
Has this friend got a name? | 0:35:28 | 0:35:31 | |
So you still can't prove it. | 0:35:31 | 0:35:33 | |
Either way, it doesn't look good, does it? | 0:35:33 | 0:35:35 | |
If you did proposition Tony Morgan and Mal Baxter ended your partnership as a result... | 0:35:35 | 0:35:39 | |
You honestly think I killed Mal?! I've never lifted a finger to anyone in my life! It's ridiculous. | 0:35:39 | 0:35:45 | |
That's not why he cast me out! | 0:35:45 | 0:35:47 | |
-You really want to know the reason? -Surprise me. | 0:35:47 | 0:35:49 | |
Yes, I made a pass at Tony. | 0:35:49 | 0:35:52 | |
I was flirting with him. But it wasn't me lying naked with him | 0:35:52 | 0:35:55 | |
in the storeroom in the Kings Road each and every Sunday afternoon. | 0:35:55 | 0:35:58 | |
-Then who was it? -Ask Vivienne. | 0:35:58 | 0:36:00 | |
-Vivienne?! -That's right. | 0:36:00 | 0:36:02 | |
Nice, 17-year-old, virginal Vivienne. | 0:36:02 | 0:36:06 | |
Why else do you think he packed her off to boarding school soon as he could? | 0:36:06 | 0:36:09 | |
Oh, the sheltered lives you lead. | 0:36:09 | 0:36:12 | |
And you caught them? | 0:36:12 | 0:36:14 | |
-I went in to do some stocktaking, and I took stock. -And you told Mal. | 0:36:14 | 0:36:19 | |
I didn't think it was a very healthy situation. | 0:36:19 | 0:36:22 | |
Nah, you told him because you were jealous. And instead of taking it out on them, he took it out on you. | 0:36:22 | 0:36:28 | |
Did you ever see Tony Morgan again? | 0:36:28 | 0:36:31 | |
Saw him, yes, but not in that way. | 0:36:31 | 0:36:34 | |
Whenever I came home, Daddy ensured we were never alone together. | 0:36:34 | 0:36:39 | |
What about your mother? What did she have to say? | 0:36:39 | 0:36:41 | |
She never knew. | 0:36:41 | 0:36:43 | |
-Not at all? -Even to this day. | 0:36:43 | 0:36:46 | |
My father knew she'd have gone berserk. | 0:36:46 | 0:36:49 | |
-Fire Tony at the very least. -And yet he didn't. | 0:36:49 | 0:36:52 | |
He was a very honourable man, my father. | 0:36:52 | 0:36:54 | |
The fact is it was my fault. And he knew it. | 0:36:54 | 0:36:58 | |
I seduced Tony. And he wasn't the first. | 0:36:58 | 0:37:01 | |
Daddy knew that too. | 0:37:01 | 0:37:03 | |
Daddy admired Tony, | 0:37:05 | 0:37:06 | |
what he'd done to pull himself up after where he'd come from. | 0:37:06 | 0:37:10 | |
He wasn't about to send him back there for failing to resist temptation. | 0:37:10 | 0:37:13 | |
Just one more thing. | 0:37:14 | 0:37:16 | |
Have you ever heard of a man called Greg Hazlett? | 0:37:16 | 0:37:20 | |
He lives in Brighton, well, Hove actually. | 0:37:20 | 0:37:22 | |
Just down the road from Tony Morgan. | 0:37:22 | 0:37:25 | |
Did Tony ever mention him? | 0:37:25 | 0:37:27 | |
Tony and I didn't do much talking. | 0:37:27 | 0:37:30 | |
Well, Tony Morgan's not at home. | 0:37:30 | 0:37:33 | |
Well, there's no sign of any alarm, so presumably he keeps his goods somewhere else. | 0:37:33 | 0:37:38 | |
By the time we get a warrant... | 0:37:38 | 0:37:40 | |
Look at that. Signs of a forced entry. | 0:37:44 | 0:37:48 | |
It's our duty to investigate. | 0:37:48 | 0:37:50 | |
I'll call Brighton police. | 0:37:50 | 0:37:52 | |
Jack? | 0:38:11 | 0:38:12 | |
Look at this. | 0:38:15 | 0:38:17 | |
"To Titch from LS. | 0:38:17 | 0:38:20 | |
"May all your hauls be this big." | 0:38:20 | 0:38:22 | |
LS being Lionel Scott. | 0:38:22 | 0:38:24 | |
-Yeah, that's The Magician all right. -And a very young Tony Morgan. | 0:38:24 | 0:38:28 | |
Titch. | 0:38:28 | 0:38:30 | |
Very paternal. | 0:38:30 | 0:38:33 | |
-Wally Brooks? -No. We're closed, sorry. -Detective Superintendent Pullman, UCOS. | 0:38:39 | 0:38:43 | |
What have I done now? | 0:38:43 | 0:38:45 | |
You spoke to some of my colleagues about Mal Baxter. | 0:38:45 | 0:38:48 | |
-Yeah. -You mentioned a bronze statuette, a Winged Mercury. -Yeah. | 0:38:48 | 0:38:53 | |
Except it's not bronze, Wally. | 0:38:53 | 0:38:56 | |
It's solid gold. Nine carat. | 0:38:56 | 0:38:58 | |
Ten grand's worth, in scrap alone. | 0:38:58 | 0:39:00 | |
I don't believe you. | 0:39:00 | 0:39:03 | |
-You're having me on. -It's true. The bronze was just a smokescreen. | 0:39:03 | 0:39:06 | |
And I need you to say so. | 0:39:06 | 0:39:08 | |
I want you to spread the word very quietly to the underground. | 0:39:08 | 0:39:12 | |
You know, the kind of people who don't care weather it's legit or not, and no-one else. | 0:39:12 | 0:39:15 | |
And one more thing - you didn't hear this from me. | 0:39:15 | 0:39:19 | |
Cos if my name comes up, you're going to be fishing all this stuff out of the Thames. | 0:39:19 | 0:39:23 | |
Cheers, Wal. | 0:39:23 | 0:39:24 | |
What did Hazlett say? | 0:39:29 | 0:39:31 | |
Three hours or so? | 0:39:31 | 0:39:33 | |
Brighton to Barnes in a fast car? An hour ten, twenty? | 0:39:33 | 0:39:36 | |
Especially at that time of day. | 0:39:36 | 0:39:39 | |
Yeah, Morgan could easily have got back to Barnes, killed Mal, | 0:39:39 | 0:39:42 | |
got what he wanted and still have got back to Brighton to pick Helen up. | 0:39:42 | 0:39:47 | |
Do you think Hazlett was invovled? | 0:39:48 | 0:39:50 | |
Tying Helen up with a boozy lunch? | 0:39:50 | 0:39:53 | |
Lionel Scott was Morgan's mentor. | 0:39:53 | 0:39:55 | |
Mal ratted on him | 0:39:55 | 0:39:58 | |
and broke up Morgan's relationship with Vivienne. | 0:39:58 | 0:40:01 | |
To me, that's motive-and-a-half. | 0:40:01 | 0:40:03 | |
Well, either way, both Helen and Morgan lied. | 0:40:03 | 0:40:07 | |
How long are you going to keep this up? | 0:40:09 | 0:40:12 | |
-Keep what up? -This wounded silence. | 0:40:12 | 0:40:15 | |
I haven't decided. | 0:40:17 | 0:40:19 | |
All right. Brian, I'm sorry. They're not my things, they're your things. | 0:40:19 | 0:40:24 | |
I was in the wrong and I'm sorry. | 0:40:24 | 0:40:27 | |
Thank you. | 0:40:30 | 0:40:31 | |
I've made £1,220 so far. | 0:40:40 | 0:40:43 | |
How much?! | 0:40:43 | 0:40:45 | |
Yes, yes, I do recall. | 0:40:45 | 0:40:47 | |
It was a pair of William Moorcroft vases. | 0:40:47 | 0:40:50 | |
I was collecting Moorcroft at the time. | 0:40:50 | 0:40:53 | |
Greg Hazlett and I ended up having lunch. | 0:40:53 | 0:40:55 | |
Mrs Baxter, in your original statement you said that you spent | 0:40:55 | 0:40:59 | |
the day in Brighton with Tony Morgan, all day. | 0:40:59 | 0:41:02 | |
Why did you lie? | 0:41:02 | 0:41:04 | |
Because Tony loved Mal. | 0:41:04 | 0:41:06 | |
Worshipped him. | 0:41:06 | 0:41:08 | |
I know he couldn't have harmed my husband. | 0:41:08 | 0:41:12 | |
Tony had no reason to hurt Mal. | 0:41:12 | 0:41:15 | |
Mal had done everything for him. Everything. | 0:41:15 | 0:41:19 | |
And your relationship with Greg Hazlett was purely professional? | 0:41:19 | 0:41:23 | |
I'm sorry, how could it be otherwise? | 0:41:23 | 0:41:26 | |
OK. Thank you both very much. | 0:41:30 | 0:41:32 | |
Mrs Baxter, I'll probably want to speak to you again at some point. | 0:41:32 | 0:41:36 | |
Good memory...now. | 0:41:39 | 0:41:40 | |
So had Greg Hazlett. | 0:41:40 | 0:41:42 | |
Almost identical. | 0:41:42 | 0:41:44 | |
You OK? | 0:41:51 | 0:41:53 | |
What do you mean? | 0:41:53 | 0:41:54 | |
I mean are you sure you know what you're doing? | 0:41:54 | 0:41:56 | |
Completely. | 0:41:56 | 0:41:58 | |
Great. Thanks. | 0:42:04 | 0:42:06 | |
No-one's seen hide nor hair of Tony Morgan for two days. | 0:42:07 | 0:42:12 | |
That's funny because he withdrew £25,000 from his account this morning, in cash. | 0:42:12 | 0:42:17 | |
Hardly enough for plastic surgery and a fresh start in Costa Rica, is it? | 0:42:17 | 0:42:21 | |
No, but it might be enough to buy something else. | 0:42:21 | 0:42:24 | |
Brian, my office. | 0:42:24 | 0:42:26 | |
This Wally Brooks. Is he dodgy? | 0:42:29 | 0:42:31 | |
-He's an antique dealer. -Yes, I know that, but can you trust him? | 0:42:31 | 0:42:34 | |
Well, he's desperate to prove he had nothing to do with any of this stuff. | 0:42:34 | 0:42:38 | |
-OK. Ask him to get hold of Lennie the Lump. -What for? | 0:42:38 | 0:42:42 | |
Find out when the next Nazareth is. | 0:42:42 | 0:42:43 | |
-Why? -Well I'm guessing that's where Morgan's taking his £25,000. | 0:42:43 | 0:42:47 | |
Wouldn't you want to buy your murder weapon back? | 0:42:47 | 0:42:49 | |
Now, listen up. Your contribution to this investigation has been... | 0:42:49 | 0:42:54 | |
How shall I put it? Crap! | 0:42:54 | 0:42:56 | |
I don't know what it is that's keeping you from doing your job properly | 0:42:56 | 0:42:59 | |
but it certainly isn't Esther having an affair. | 0:42:59 | 0:43:01 | |
-God help her, she probably should, but she isn't. -No. I know. | 0:43:01 | 0:43:04 | |
Oh. Good. | 0:43:04 | 0:43:07 | |
-So what was she doing? -She'd been online. Selling stuff. | 0:43:07 | 0:43:12 | |
-Shopping, you mean? -Well... -Shopping. | 0:43:12 | 0:43:14 | |
Guv'nor, Wally wants to know how the hell we knew about the Nazareth. | 0:43:14 | 0:43:18 | |
-When and where? -Where and when, mate? | 0:43:18 | 0:43:21 | |
Midnight tonight underneath the arches at Deptford. | 0:43:24 | 0:43:26 | |
Very cloak and dagger. | 0:43:26 | 0:43:28 | |
Hold on, hold on. | 0:43:28 | 0:43:31 | |
Wally says, if you want, he reckons he can get one of us in with him. | 0:43:31 | 0:43:35 | |
I'll go. Like you say, I've been a wallflower on this one. | 0:43:35 | 0:43:39 | |
Plus Morgan won't recognise me. | 0:43:39 | 0:43:41 | |
OK. | 0:43:41 | 0:43:43 | |
So how did you know about tonight? | 0:43:43 | 0:43:45 | |
-And how can you be so sure Morgan's... -I'm not. | 0:43:45 | 0:43:48 | |
-So what the bloody hell are we...? -Wally's here. | 0:43:48 | 0:43:50 | |
-What is he doing? -God only knows. | 0:44:00 | 0:44:03 | |
Bloody hell! What you come as? A Polish tram driver? | 0:44:04 | 0:44:07 | |
Camouflage. | 0:44:07 | 0:44:09 | |
Where's Jack? | 0:44:18 | 0:44:20 | |
-Who, or should I say, what is that? -That's Lennie the Lump. | 0:44:36 | 0:44:39 | |
And he's the auctioneer? | 0:44:39 | 0:44:40 | |
No, no, he's the organiser, the main man. The auctioneer's there. | 0:44:40 | 0:44:44 | |
Roger Bowman. | 0:44:44 | 0:44:47 | |
Brian! | 0:44:47 | 0:44:48 | |
-Brian! -Roger! How you doing? | 0:44:48 | 0:44:51 | |
Long time no see! | 0:44:51 | 0:44:53 | |
One word from you about me and I'll shove that gavel | 0:44:53 | 0:44:56 | |
so far up your backside you'll be brushing your bloody teeth with it. | 0:44:56 | 0:44:59 | |
Hey, good to see you. | 0:44:59 | 0:45:00 | |
-Guess who the auctioneer is. -Go on. | 0:45:02 | 0:45:05 | |
-Have gavel will travel. -Shit! | 0:45:05 | 0:45:08 | |
I had a word with him, I think he's got the message. | 0:45:08 | 0:45:11 | |
Hold up, he's here! | 0:45:11 | 0:45:13 | |
Morgan's just walked in. | 0:45:13 | 0:45:15 | |
-Well, come on then. -No, Jack's not here. We've still got time. | 0:45:15 | 0:45:18 | |
Right, gentleman. | 0:45:18 | 0:45:21 | |
Let's get the proceedings underway. | 0:45:21 | 0:45:24 | |
We have a very valuable and unique item for you tonight... | 0:45:24 | 0:45:26 | |
-Guv'nor, Hazlett's in! -Hazlett? | 0:45:26 | 0:45:29 | |
What's Hazlett doing here? I thought Morgan was our man. | 0:45:29 | 0:45:33 | |
A very charming statue of Mercury. Seemingly bronze but actually nine carat gold. | 0:45:33 | 0:45:37 | |
-Somewhat obscure provinence but I expect that wont be too much of a consideration. -Guv, it's gold. | 0:45:37 | 0:45:42 | |
Gold? What's going on? | 0:45:42 | 0:45:44 | |
It would make a lovely present for the trouble and strife. | 0:45:44 | 0:45:47 | |
A lot of enquiries, a lot of interest. | 0:45:47 | 0:45:49 | |
Even one or two phone bids, I believe? | 0:45:49 | 0:45:52 | |
Worth ten grand in scrap alone, so shall we start there? | 0:45:52 | 0:45:56 | |
-Ten grand anyone? -We're off. | 0:45:56 | 0:45:57 | |
No?, OK, how about nine? | 0:45:57 | 0:45:59 | |
Who'll offer me nine... | 0:45:59 | 0:46:01 | |
£9,000 on the left. Do I hear ten? | 0:46:01 | 0:46:03 | |
-Ten. -10,000 at the back. -That was Hazlett bidding. | 0:46:03 | 0:46:06 | |
Do I hear 11? Can you give me 11? | 0:46:06 | 0:46:09 | |
12,000 on my left. 13,000, how about 13,000? | 0:46:11 | 0:46:14 | |
13,000 at the front, thank you sir. | 0:46:14 | 0:46:16 | |
14. How about £14,000? | 0:46:16 | 0:46:19 | |
Where have you been, Jack? | 0:46:19 | 0:46:22 | |
-Doing a little checking on Greg Hazlett. -£15,000? Thank you, sir. | 0:46:22 | 0:46:26 | |
16? Do I hear £16,000? | 0:46:26 | 0:46:29 | |
-16. -'That's Morgan.' | 0:46:29 | 0:46:32 | |
-17? Do I hear 18? -£18,000. | 0:46:32 | 0:46:34 | |
-'That's Hazlett.' -Hazlett the bankrupt? | 0:46:34 | 0:46:38 | |
Cash rich, this mob, aren't they? | 0:46:38 | 0:46:40 | |
-He doesn't even own his flat. -Ssh! Ssh! -Helen Baxter does. | 0:46:40 | 0:46:44 | |
Business relationship! | 0:46:44 | 0:46:45 | |
-£25,000. -25. I have 25. | 0:46:49 | 0:46:52 | |
-'Morgan again.' -Any advance on £25,000? -26,000. | 0:46:52 | 0:46:56 | |
-'Hazlett and Morgan are desperate for it.' -26. I'm hearing 26,000. Once. | 0:46:56 | 0:47:00 | |
-Twice... -35! | 0:47:00 | 0:47:02 | |
35. I have a phone bid for £35,000. | 0:47:02 | 0:47:06 | |
Once. | 0:47:06 | 0:47:08 | |
Twice. | 0:47:08 | 0:47:11 | |
Gone! 35000 - a phone bidder. | 0:47:11 | 0:47:13 | |
Thank you, Leonard. | 0:47:13 | 0:47:16 | |
What's going on? | 0:47:16 | 0:47:18 | |
-Lennie the Lump's leaving with the statue in a bag. -That's him there. | 0:47:20 | 0:47:26 | |
You'd better be quick. Morgan's heading for his car. | 0:47:31 | 0:47:34 | |
Brian, get into the van with Wally, will you. | 0:47:36 | 0:47:38 | |
What you doing?! | 0:47:38 | 0:47:40 | |
What the bloody hell's going on? | 0:47:40 | 0:47:42 | |
All Gold Units our man is clear. | 0:47:42 | 0:47:45 | |
-What are you doing? -We're following the statue. | 0:47:52 | 0:47:54 | |
Brian, make sure they arrest Morgan and Hazlett. | 0:47:54 | 0:47:59 | |
Police! Stay where you are! | 0:48:00 | 0:48:02 | |
Police! Stay where you are! Against the wall! | 0:48:06 | 0:48:09 | |
Far be it for me to question your decisions, Sandra, | 0:48:34 | 0:48:37 | |
-but would you care to enlighten me as to what the...? -Any moment now. | 0:48:37 | 0:48:42 | |
Central 550 from Gold. Go, go, go! | 0:48:47 | 0:48:51 | |
SIRENS WAIL | 0:48:52 | 0:48:55 | |
Stop! Don't move! | 0:48:56 | 0:48:59 | |
Come on! | 0:49:04 | 0:49:06 | |
What's your name, sir? | 0:49:06 | 0:49:07 | |
DCI Larson. | 0:49:07 | 0:49:09 | |
Mr Larson, hand me the package. | 0:49:09 | 0:49:10 | |
-Follow me, sir. -Well, that is interesting. | 0:49:12 | 0:49:16 | |
Sorry, James. Nothing personal. | 0:49:27 | 0:49:31 | |
James Larson, I'm arresting you on suspicion of handling stolen goods. | 0:49:33 | 0:49:38 | |
When did you first become aware of the statuette's existence, Detective Chief Inspector? | 0:49:38 | 0:49:43 | |
When I discovered the file relating to the murder of Mal Baxter. | 0:49:43 | 0:49:46 | |
It had long been rumored that Lionel Scott was responsible | 0:49:46 | 0:49:50 | |
for the original theft of the Winged Mercury. | 0:49:50 | 0:49:52 | |
Putting him and Baxter together seemed like common sense. | 0:49:52 | 0:49:55 | |
Might I ask Detective Superintendent Pullman the same question? | 0:49:55 | 0:50:00 | |
I saw a photo of the original, in gold, in one of your files. | 0:50:00 | 0:50:04 | |
Like I said, | 0:50:04 | 0:50:06 | |
you always were a better copper than me. | 0:50:06 | 0:50:09 | |
How much did you expect to raise? | 0:50:10 | 0:50:11 | |
You don't have to answer that. | 0:50:11 | 0:50:14 | |
That's OK. | 0:50:14 | 0:50:17 | |
While in no way admitting my actions were for personal gain, | 0:50:17 | 0:50:21 | |
I would happily state that the object's true worth | 0:50:21 | 0:50:24 | |
runs at a conservative estimate to quite a lot. | 0:50:24 | 0:50:28 | |
It's insured for £20 million and I suspect that the insurers | 0:50:28 | 0:50:32 | |
would be quite happy to shell out a quarter of that for its safe return. | 0:50:32 | 0:50:36 | |
Well, what I would say is you have your result. | 0:50:36 | 0:50:40 | |
Both the legal owners and their insurers inform us that they have | 0:50:40 | 0:50:44 | |
had no contact from you or your squad concerning the piece. | 0:50:44 | 0:50:47 | |
Well, one doesn't broadcast one's initiatives, as I'm sure you understand. | 0:50:47 | 0:50:51 | |
Interview suspended at 10:30am. | 0:50:56 | 0:50:59 | |
Be interesting to see how you're going to make this one stick. | 0:51:05 | 0:51:09 | |
I mean, given our close relationship these past few weeks. | 0:51:09 | 0:51:12 | |
What relationship? | 0:51:12 | 0:51:15 | |
-Sandra... -James, things obviously haven't turned out the way you'd hoped. | 0:51:15 | 0:51:20 | |
All I can say is get over it. | 0:51:20 | 0:51:22 | |
According to Tony Morgan, Lionel Scott was always on the lookout for someone small enough | 0:51:28 | 0:51:33 | |
-to get in and out of air vents and rubbish chutes and what have you. -So where does Mal fit in? | 0:51:33 | 0:51:38 | |
Well, by the time Morgan was 16, he'd outgrown his usefulness, | 0:51:38 | 0:51:41 | |
so Lionel passed him onto Mal. | 0:51:41 | 0:51:43 | |
Morgan says that Scott knew it was Mal who grassed him up, but he just shrugged it off as part of the game. | 0:51:43 | 0:51:47 | |
-So where was Morgan on the day Mal died? -Fishing. | 0:51:47 | 0:51:50 | |
But then he heard that statue was for sale, | 0:51:50 | 0:51:52 | |
he remembered Scott nicking it and thought he'd make a killing. | 0:51:52 | 0:51:55 | |
Not happy. | 0:52:03 | 0:52:04 | |
-Do you recognise this? -No. | 0:52:09 | 0:52:12 | |
It was stolen from a private house in Belgravia in 1987, | 0:52:12 | 0:52:16 | |
possibly by Lionel Scott, who then gave it to Mal to sell on. | 0:52:16 | 0:52:20 | |
Except you wanted to keep it. | 0:52:20 | 0:52:22 | |
Rumours that he had the statue began to spread. | 0:52:22 | 0:52:25 | |
Mal wanted to sell, but you wouldn't let it go. | 0:52:25 | 0:52:28 | |
I knew nothing about this. | 0:52:28 | 0:52:30 | |
Really? | 0:52:30 | 0:52:32 | |
But you did just happen to know Greg Hazlett. | 0:52:32 | 0:52:35 | |
You conspired with him to rob Mal. | 0:52:35 | 0:52:38 | |
Of course Hazlett didn't know the the true value of the statue. | 0:52:38 | 0:52:41 | |
His reward was to be the rest of Mal's illicit hoard of antiques. | 0:52:41 | 0:52:44 | |
This is nonsense. | 0:52:44 | 0:52:45 | |
Mal gave you gifts, didn't he? Precious pieces for your collection. | 0:52:49 | 0:52:54 | |
But from what I hear, they weren't enough to satisfy you. | 0:52:54 | 0:52:57 | |
It wasn't the only way he failed to satisfy you, according to Greg. | 0:52:57 | 0:53:00 | |
Greg did not say that! | 0:53:00 | 0:53:03 | |
-He still lives rent free in a flat that you own. -What?! -This is disgusting. | 0:53:03 | 0:53:06 | |
No - getting your lover to kill your husband, that's disgusting. | 0:53:06 | 0:53:10 | |
-Mum?! -I'm not listening to this. | 0:53:10 | 0:53:12 | |
Your idea was you get the house, the statue, everything. | 0:53:12 | 0:53:15 | |
-Mum! Mum, talk to me. -You're wrong. | 0:53:15 | 0:53:17 | |
You're completely wrong. | 0:53:17 | 0:53:20 | |
It wasn't anything like that. | 0:53:20 | 0:53:22 | |
Fine. Then what's the official version? | 0:53:22 | 0:53:25 | |
It was a mistake. | 0:53:32 | 0:53:34 | |
It was just a... | 0:53:37 | 0:53:39 | |
dreadful, | 0:53:39 | 0:53:42 | |
terrible mistake. | 0:53:42 | 0:53:44 | |
I couldn't just take the statue, Mal would have known. | 0:53:45 | 0:53:48 | |
I needed an alibi. | 0:53:48 | 0:53:51 | |
So, I had Greg stage the burglary. | 0:53:51 | 0:53:55 | |
Mal was supposed to be away on business. | 0:53:55 | 0:53:59 | |
I don't know why he didn't go. | 0:53:59 | 0:54:03 | |
He wasn't supposed to be there. | 0:54:03 | 0:54:06 | |
When Mal came in, | 0:54:08 | 0:54:11 | |
he saw Greg, | 0:54:11 | 0:54:14 | |
and Greg and he started arguing. | 0:54:14 | 0:54:17 | |
Greg didn't know what to do. | 0:54:17 | 0:54:20 | |
He, um... | 0:54:20 | 0:54:21 | |
He just... | 0:54:23 | 0:54:26 | |
picked up the statue. | 0:54:26 | 0:54:28 | |
He should have thrown it away, | 0:54:32 | 0:54:33 | |
but he sold it. | 0:54:36 | 0:54:39 | |
And now it's come back to haunt us again. | 0:54:39 | 0:54:44 | |
And yes, yes, yes, I did. | 0:54:44 | 0:54:46 | |
I gave him the money so it could be disposed of once and for all. | 0:54:46 | 0:54:53 | |
I don't want it. I don't want any of it. | 0:54:53 | 0:54:59 | |
Vivienne. | 0:55:05 | 0:55:06 | |
No, don't go. Please! | 0:55:06 | 0:55:09 | |
Hazlett had no idea how much the statue was worth. | 0:55:10 | 0:55:14 | |
So when he got rid of it, he thought it would just disappear into the underworld. | 0:55:14 | 0:55:17 | |
Then, when it turned up again... | 0:55:17 | 0:55:19 | |
When he found that out, he had to get hold of it again, bidding for it with Helen Baxter's money. | 0:55:19 | 0:55:24 | |
But neither Hazlett nor Morgan | 0:55:24 | 0:55:26 | |
knew there was a £5 million insurance reward. | 0:55:26 | 0:55:29 | |
So, DCI Larson, eh, who would have thought it? | 0:55:29 | 0:55:33 | |
Except you, of course. | 0:55:33 | 0:55:35 | |
How long before you sussed him out? | 0:55:35 | 0:55:37 | |
Pretty quick. That's when I got Professional Standards on board. | 0:55:37 | 0:55:40 | |
Yeah, well I still think you could have let us in on it. | 0:55:40 | 0:55:42 | |
I didn't want to compromise you. | 0:55:42 | 0:55:44 | |
If anything had gone wrong, I didn't want him to suspect anything. | 0:55:44 | 0:55:47 | |
Yeah, well, I'm still not happy. | 0:55:47 | 0:55:49 | |
75 quid, he paid. | 0:55:53 | 0:55:55 | |
-What! -Yeah 120 for the lot. | 0:55:55 | 0:55:57 | |
Lucky if it's worth a tenner. | 0:55:57 | 0:55:59 | |
THUMPING | 0:56:13 | 0:56:17 | |
You could have killed me! | 0:56:26 | 0:56:29 | |
Sorry, love. | 0:56:29 | 0:56:32 | |
-What are you doing? -Hang on. | 0:56:32 | 0:56:34 | |
Yes! Got it! I thought we had one of these. | 0:56:34 | 0:56:37 | |
One what? | 0:56:37 | 0:56:39 | |
An original gold James Bond Aston Martin DB5. | 0:56:39 | 0:56:43 | |
In the original box! Do you know much these are going for? | 0:56:43 | 0:56:46 | |
I thought you wanted to keep everything. | 0:56:46 | 0:56:50 | |
You told me not to touch anything. | 0:56:50 | 0:56:52 | |
You told me that I wasn't to get rid of any of your stuff. | 0:56:52 | 0:56:55 | |
This isn't any of my stuff. | 0:56:55 | 0:56:58 | |
This is Mark's. | 0:56:58 | 0:57:00 | |
-This seat taken? -It is now. | 0:57:24 | 0:57:27 | |
What you drinking? | 0:57:29 | 0:57:32 | |
A lot. | 0:57:32 | 0:57:33 | |
I know how you feel. White wine and a large scotch, please. | 0:57:33 | 0:57:37 | |
Gerry thought you'd lost it. | 0:57:45 | 0:57:47 | |
-You lost... -As if. | 0:57:47 | 0:57:50 | |
I told him, Sandra's no fool. | 0:57:50 | 0:57:54 | |
She knows how far to go. | 0:57:55 | 0:57:57 | |
I always said you'd go far. | 0:58:00 | 0:58:02 | |
Subtitles by Red Bee Media Ltd | 0:58:16 | 0:58:19 | |
E-mail [email protected] | 0:58:19 | 0:58:22 |