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9:02pm, 7th February 2004. | 0:00:02 | 0:00:03 | |
This is the 7pm train from Charing Cross to Dover, | 0:00:03 | 0:00:06 | |
and it's two hours into its journey. | 0:00:06 | 0:00:09 | |
Two hours? Shouldn't they be in Dover by now? | 0:00:09 | 0:00:11 | |
Yeah, it should be, but a couple of miles out of the station, | 0:00:11 | 0:00:14 | |
someone pulled the emergency handle. Now, watch this. | 0:00:14 | 0:00:17 | |
Four seconds. | 0:00:26 | 0:00:28 | |
It takes four seconds to go through that first door, | 0:00:28 | 0:00:30 | |
along the short connecting corridor and then into the buffet car. | 0:00:30 | 0:00:36 | |
Four seconds. | 0:00:36 | 0:00:37 | |
This guy here is Dr Phillip Mackenna. | 0:00:37 | 0:00:40 | |
He's a physics professor at University College London. | 0:00:40 | 0:00:43 | |
He was due to catch the ferry from Dover to Calais, | 0:00:43 | 0:00:46 | |
and then another train to Paris, where he was going to speak | 0:00:46 | 0:00:49 | |
at a conference on theoretical physics the following evening. | 0:00:49 | 0:00:52 | |
Now, keep watching. | 0:00:52 | 0:00:54 | |
He talks to the blind man, | 0:00:56 | 0:00:58 | |
then he gets up and heads to the buffet car. | 0:00:58 | 0:01:01 | |
Four seconds. | 0:01:04 | 0:01:05 | |
Doesn't matter how long you wait - | 0:01:16 | 0:01:17 | |
Phillip Mackenna never comes through that door, | 0:01:17 | 0:01:20 | |
and he hasn't been seen since. | 0:01:20 | 0:01:22 | |
Let's not waste any time on the first mystery. | 0:01:47 | 0:01:50 | |
The train was stationary for nine minutes, | 0:01:50 | 0:01:52 | |
and Mackenna disappeared six minutes into that time. | 0:01:52 | 0:01:55 | |
The connecting corridor between the carriages is where | 0:01:55 | 0:01:57 | |
the external doors are, and it seems likely that someone opened | 0:01:57 | 0:02:00 | |
that door and grabbed Mackenna on his way to the buffet car. | 0:02:00 | 0:02:04 | |
Now, there's a country lane a few hundred yards from the track, | 0:02:04 | 0:02:07 | |
and a witness from the local village reported seeing an unmarked van | 0:02:07 | 0:02:10 | |
parked on the verge there around the time of the abduction. | 0:02:10 | 0:02:13 | |
That van has never been traced. | 0:02:13 | 0:02:14 | |
Yeah, but are we really sure it was an abduction? | 0:02:14 | 0:02:17 | |
I mean, Mackenna didn't just do a vanishing act | 0:02:17 | 0:02:19 | |
to get away from his old woman? | 0:02:19 | 0:02:20 | |
There are easier ways to disappear. | 0:02:20 | 0:02:23 | |
CCTV shows Mackenna | 0:02:23 | 0:02:24 | |
in his seat when the emergency handle was pulled - | 0:02:24 | 0:02:26 | |
he couldn't have done it himself. | 0:02:26 | 0:02:28 | |
-So who did? -Don't know, happened off camera. | 0:02:28 | 0:02:30 | |
Do we know what the blind man said to Mackenna? | 0:02:30 | 0:02:33 | |
He came forward as a witness in the original investigation. | 0:02:33 | 0:02:36 | |
He'd been chatting to Mackenna off and on during the journey | 0:02:36 | 0:02:39 | |
and had just asked him for a glass of water. | 0:02:39 | 0:02:41 | |
That's a bit of a coincidence, isn't it? I mean, the timing. | 0:02:41 | 0:02:44 | |
Guy checked out, apparently. | 0:02:44 | 0:02:46 | |
Oh, yeah? Who was in charge of the show back then? | 0:02:46 | 0:02:48 | |
-Thomas Doyle. He's a DI... -I know Tom Doyle. He's good, detailed. | 0:02:48 | 0:02:52 | |
If he said he checked out the blind man... | 0:02:52 | 0:02:54 | |
The problem with Doyle's investigation was that | 0:02:54 | 0:02:57 | |
they got off to a late start. Although we now know that | 0:02:57 | 0:02:59 | |
Mackenna went missing from this train, | 0:02:59 | 0:03:02 | |
someone using his passport boarded the ferry to Calais | 0:03:02 | 0:03:05 | |
and checked into his Paris room. | 0:03:05 | 0:03:06 | |
He wasn't reported missing until he failed to turn up at the conference | 0:03:06 | 0:03:10 | |
the following evening. | 0:03:10 | 0:03:11 | |
And because he checked into the hotel, the search started in Paris? | 0:03:11 | 0:03:15 | |
Exactly. It was four days before anyone thought | 0:03:15 | 0:03:17 | |
to check the CCTV from the train | 0:03:17 | 0:03:19 | |
and realised that he had gone missing this side of the Channel, | 0:03:19 | 0:03:22 | |
at which point it finally became Doyle's case. | 0:03:22 | 0:03:24 | |
Any CCTV footage of this mystery man | 0:03:24 | 0:03:28 | |
boarding the ferry or checking into the hotel? | 0:03:28 | 0:03:30 | |
No, and he was careful to avoid the cameras, | 0:03:30 | 0:03:32 | |
and the hotel staff don't remember him. | 0:03:32 | 0:03:35 | |
So, whoever abducted Mackenna were laying a false trail to buy time. | 0:03:35 | 0:03:38 | |
-But for what? -Get him out the country. | 0:03:39 | 0:03:41 | |
-A boat from the coast, a private airfield. -Take him where? | 0:03:41 | 0:03:45 | |
-Possibly Switzerland. -Why Switzerland? | 0:03:45 | 0:03:48 | |
Well, that's what this new evidence is suggesting. | 0:03:48 | 0:03:51 | |
See, the original investigation hit a brick wall very quickly. | 0:03:51 | 0:03:54 | |
Doyle looked at every single person on that train, | 0:03:54 | 0:03:56 | |
he even interviewed most of them, but he couldn't find out | 0:03:56 | 0:03:59 | |
who pulled the emergency handle and he couldn't come up with | 0:03:59 | 0:04:02 | |
a single passenger that seemed in any way linked to the abduction. | 0:04:02 | 0:04:06 | |
But now, there's this. | 0:04:06 | 0:04:07 | |
Bea Mackenna, Phillip Mackenna's wife, came to us | 0:04:10 | 0:04:12 | |
because she's been receiving anonymous e-mails claiming to know | 0:04:12 | 0:04:16 | |
what happened to her husband, and the latest one came | 0:04:16 | 0:04:19 | |
with a document attached, purporting to be from the archives | 0:04:19 | 0:04:23 | |
of a private research institute just outside Zurich. | 0:04:23 | 0:04:26 | |
Now, this document seems to suggest that the institutor | 0:04:26 | 0:04:29 | |
engaged in a project which wouldn't be possible without the expertise | 0:04:29 | 0:04:32 | |
that Phillip Mackenna possessed. | 0:04:32 | 0:04:34 | |
-Cold fusion. -That's what Mackenna worked on, | 0:04:34 | 0:04:36 | |
and that's what this company in Switzerland are doing. | 0:04:36 | 0:04:39 | |
Don't ask me to explain it. | 0:04:39 | 0:04:40 | |
Oh, it's to do with splitting atoms | 0:04:41 | 0:04:43 | |
and releasing huge amounts of energy, at room temperature. | 0:04:43 | 0:04:46 | |
Most people don't think it'll ever be possible, | 0:04:46 | 0:04:48 | |
but if Mackenna thought he had cracked it, it would be massive. | 0:04:48 | 0:04:52 | |
We're talking about wiping out oil, gas and nuclear power overnight, | 0:04:52 | 0:04:56 | |
and replacing it with something | 0:04:56 | 0:04:58 | |
that's cheaper, cleaner and more efficient. | 0:04:58 | 0:05:00 | |
I do occasionally read the bits before the sports section. | 0:05:01 | 0:05:04 | |
-And is this document real? -We don't know. | 0:05:06 | 0:05:08 | |
The Swiss company obviously denies it, and we won't know | 0:05:08 | 0:05:11 | |
whether it's genuine or not until we find out | 0:05:11 | 0:05:13 | |
who sent it and how they got hold of it. | 0:05:13 | 0:05:15 | |
"I know what happened to your husband. I'll be in touch soon." | 0:05:15 | 0:05:19 | |
That was the first one, it came about a month ago. | 0:05:19 | 0:05:22 | |
I have since had five more messages, each one getting a little bit more specific, | 0:05:22 | 0:05:27 | |
almost as if this person is finding out more information as they go. | 0:05:27 | 0:05:30 | |
-And the latest e-mail had the document attached? -That's right. | 0:05:30 | 0:05:35 | |
What did you make of the document? | 0:05:35 | 0:05:37 | |
I'm not a scientist. I recognised some of the technical terms | 0:05:37 | 0:05:40 | |
and phrases on there from things Phillip has talked about, | 0:05:40 | 0:05:43 | |
but really it's gobbledygook to me. | 0:05:43 | 0:05:45 | |
We have a deal - Phillip doesn't try to explain science to me | 0:05:46 | 0:05:49 | |
and I don't bore him with anecdotes about my work. | 0:05:49 | 0:05:51 | |
It's probably one of the main reasons we're still married. | 0:05:51 | 0:05:55 | |
Sorry, that sounded a bit, um... | 0:05:55 | 0:05:57 | |
-I just mean our lives are quite separate in a lot of ways. -Are? | 0:05:58 | 0:06:02 | |
-Excuse me? -You said "are separate". -Yes. As opposed to "were". | 0:06:04 | 0:06:08 | |
My husband is missing, he's not... | 0:06:08 | 0:06:11 | |
Is there a reason you know of why I should be talking about him | 0:06:13 | 0:06:16 | |
-in the past tense? -No, no, I suppose not. | 0:06:16 | 0:06:18 | |
How are your lives separate, Mrs Mackenna? | 0:06:18 | 0:06:21 | |
I just want someone to find my husband. How difficult can it be? | 0:06:22 | 0:06:26 | |
He wasn't trekking through the Amazon, he was on a train to Dover. | 0:06:27 | 0:06:30 | |
Why Dover? | 0:06:30 | 0:06:31 | |
-What? -London to Paris via the ferry is a good old trip. | 0:06:32 | 0:06:35 | |
Oh, Phillip doesn't fly, and he doesn't like tunnels. | 0:06:35 | 0:06:39 | |
It's to do with confined spaces. | 0:06:39 | 0:06:40 | |
This is partly what I mean about our lives being separate. | 0:06:42 | 0:06:45 | |
I work in financial PR, so my job requires a lot of socialising, | 0:06:45 | 0:06:48 | |
whereas Phillip's personality is, um... | 0:06:48 | 0:06:51 | |
He's not very easy with people, certainly not with large groups. | 0:06:51 | 0:06:54 | |
Were your lives separate in any other respect? | 0:06:54 | 0:06:58 | |
Phillip hasn't run off with another woman. | 0:06:59 | 0:07:02 | |
Your predecessors wasted a lot of time looking into that possibility, | 0:07:02 | 0:07:06 | |
because they didn't understand - Phillip needs me. | 0:07:06 | 0:07:10 | |
He was always, um...nervous, I suppose you'd say. Highly strung. | 0:07:10 | 0:07:15 | |
But over the years, he's become less good at ordinary things - | 0:07:15 | 0:07:19 | |
buying food, paying bills, social interaction. | 0:07:19 | 0:07:23 | |
I take care of all of that. I keep the world at bay, | 0:07:23 | 0:07:26 | |
because Phillip needs stability so that he can focus on his work. | 0:07:26 | 0:07:31 | |
He just doesn't cope very well with everyday life. | 0:07:31 | 0:07:32 | |
If Doctor Mackenna doesn't cope very well and isn't very good with people, | 0:07:32 | 0:07:37 | |
what was he doing going to Paris, alone, to address a conference? | 0:07:37 | 0:07:40 | |
He was a last-minute replacement - | 0:07:40 | 0:07:42 | |
that's why I wasn't able to drop everything and go with him. | 0:07:42 | 0:07:45 | |
Who was he replacing? | 0:07:45 | 0:07:48 | |
Brian Rutland? | 0:07:49 | 0:07:50 | |
Hi. Gerry Standing. | 0:07:50 | 0:07:53 | |
I'm with the Metropolitan Police's Unsolved Crime and Open Case Squad. | 0:07:53 | 0:07:56 | |
-It's about Mackenna? -That's right, yeah. Now, we understand... | 0:07:56 | 0:08:00 | |
What more can you people possibly need to know? | 0:08:00 | 0:08:03 | |
We're re-opening the investigation. | 0:08:03 | 0:08:05 | |
Yes, I got that from the "Unsolved Crimes" reference. | 0:08:05 | 0:08:08 | |
I already answered all the questions. | 0:08:08 | 0:08:10 | |
I'm sure you keep records. | 0:08:10 | 0:08:11 | |
-Well, maybe I have some different questions. -I doubt it. | 0:08:11 | 0:08:14 | |
Now, you were Dr Mackenna's partner in the cold-fusion project? | 0:08:14 | 0:08:18 | |
Is that supposed to be an example of a question I wasn't asked before? | 0:08:18 | 0:08:22 | |
Look, I'm sorry, Mr Rutland, but... | 0:08:22 | 0:08:23 | |
Why don't you read the extensive records of my conversations with the police on this matter? | 0:08:23 | 0:08:28 | |
I'm sure you'll find all the answers you're looking for there, | 0:08:28 | 0:08:31 | |
and then you'll only be wasting your time and not mine. | 0:08:31 | 0:08:35 | |
I could phone my Detective Superintendent and get her | 0:08:35 | 0:08:38 | |
to drag you down to the station for a formal interview. | 0:08:38 | 0:08:41 | |
Fine. Yes, I was Phillip Mackenna's partner in the fusion project. | 0:08:46 | 0:08:53 | |
You were supposed to be giving a lecture at a conference in Paris? | 0:08:53 | 0:08:56 | |
Yes, but I couldn't go, so Phillip took my place. Except he didn't. | 0:08:56 | 0:09:00 | |
And why couldn't you go? | 0:09:00 | 0:09:01 | |
All this was dealt with in the original investigation. | 0:09:01 | 0:09:05 | |
My house was burgled the night before. | 0:09:06 | 0:09:10 | |
They took my passport, among other things. | 0:09:10 | 0:09:13 | |
It was easier for Phillip to go in my stead | 0:09:13 | 0:09:15 | |
than for me to get a replacement passport in time. | 0:09:15 | 0:09:18 | |
And you reported the burglary? | 0:09:18 | 0:09:20 | |
I did, yes. A policeman came round, said it was probably kids, | 0:09:20 | 0:09:24 | |
gave me a crime number for my insurance policy | 0:09:24 | 0:09:27 | |
and was out the door again inside ten minutes. | 0:09:27 | 0:09:29 | |
Marvellous service you people provide(!) | 0:09:29 | 0:09:31 | |
What made him think kids? | 0:09:31 | 0:09:33 | |
I'm not party to the synaptic firework display that went off | 0:09:33 | 0:09:36 | |
in that super-sleuth's brain but... | 0:09:36 | 0:09:37 | |
-But how did they get in? -They broke a window. | 0:09:37 | 0:09:41 | |
You didn't think it was odd a bunch of kids nicked your passport? | 0:09:41 | 0:09:44 | |
Perhaps they wanted to go to Disneyland(!) | 0:09:44 | 0:09:47 | |
It wasn't just my passport. They broke a window to my office, | 0:09:47 | 0:09:50 | |
took whatever was immediately available to hand. | 0:09:50 | 0:09:53 | |
Laptop, some spare cash... | 0:09:53 | 0:09:55 | |
My passport was in one of the drawers. | 0:09:55 | 0:09:57 | |
None of which struck me as anything other than | 0:09:57 | 0:09:59 | |
completely bloody irritating at the time. | 0:09:59 | 0:10:01 | |
Now this talk you were supposed to give in Paris was | 0:10:01 | 0:10:04 | |
about the cold-fusion project that you and Mackenna were working on? | 0:10:04 | 0:10:07 | |
Well, it was a process that could ultimately lead to cold fusion, yes. | 0:10:07 | 0:10:12 | |
Do you care to be more specific? | 0:10:12 | 0:10:14 | |
No, I wouldn't. Partly because the work was subject to | 0:10:14 | 0:10:16 | |
many different confidentiality agreements | 0:10:16 | 0:10:18 | |
and partly because you wouldn't understand a word of it. | 0:10:18 | 0:10:21 | |
-Try me. -No, I don't think I will. | 0:10:21 | 0:10:25 | |
-Are you still working on the project? -No, I'm not. | 0:10:25 | 0:10:28 | |
Phillip and I were working together, | 0:10:29 | 0:10:32 | |
but separately, coming at the problem from different angles. | 0:10:32 | 0:10:36 | |
Without his knowledge, there is no way to move on. | 0:10:36 | 0:10:38 | |
What about his notes? | 0:10:38 | 0:10:40 | |
Phillip's notes were incomplete at best. | 0:10:40 | 0:10:42 | |
The important information was stored in his head. | 0:10:42 | 0:10:45 | |
Now, if this thing worked, | 0:10:45 | 0:10:47 | |
presumably it would be worth a great deal of money? | 0:10:47 | 0:10:51 | |
You have no idea. | 0:10:51 | 0:10:53 | |
Were you ever approached to sell the research? | 0:10:53 | 0:10:55 | |
Once or twice a month, yes. | 0:10:55 | 0:10:58 | |
What corporate entity wouldn't want a chance at providing clean, | 0:10:58 | 0:11:01 | |
low-cost energy to the world? But... | 0:11:01 | 0:11:03 | |
-My loyalty, Mr... -Standing. | 0:11:03 | 0:11:07 | |
..Mr Standing, is to this institution, | 0:11:07 | 0:11:10 | |
and to the notion of science as a means of human advancement. | 0:11:10 | 0:11:14 | |
I'm not in it to make a quick buck. | 0:11:14 | 0:11:17 | |
And did Dr Mackenna think the same way? | 0:11:17 | 0:11:19 | |
Well, he's not here to answer that question, | 0:11:19 | 0:11:21 | |
so I suppose you must draw your own conclusions. | 0:11:21 | 0:11:23 | |
So, Rutland's burgled and gets his passport nicked. | 0:11:25 | 0:11:29 | |
-And Mackenna has to go to Paris in his place. -What a coincidence. | 0:11:29 | 0:11:32 | |
OK, dig out the original crime report and let's take a look at that. | 0:11:32 | 0:11:35 | |
Oh, you won't get anything there. They thought it was kids. | 0:11:35 | 0:11:38 | |
Apparently, they sent one uniform and a crime number. | 0:11:38 | 0:11:40 | |
You all right, Brian? | 0:11:42 | 0:11:43 | |
-Brian? -Oh, there you are. | 0:11:45 | 0:11:49 | |
-I've got something. -What? | 0:11:49 | 0:11:51 | |
-It's big. -What is it? -It's very big. | 0:11:51 | 0:11:54 | |
Well, what is it, Brian?! | 0:11:54 | 0:11:56 | |
Phillip Mackenna was abducted by ghosts. | 0:11:56 | 0:12:00 | |
If Barton was masquerading as Elster, she was only doing it for the money. | 0:12:00 | 0:12:03 | |
But where did that money go? Check the private and business accounts | 0:12:03 | 0:12:07 | |
of every single player on this board, | 0:12:07 | 0:12:08 | |
find that cash. And look at Ferguson again, | 0:12:08 | 0:12:11 | |
he spent enough time with Barton, he must have known what she was up to. | 0:12:11 | 0:12:14 | |
-DI Doyle? -Yes. -Detective Superintendent... | 0:12:17 | 0:12:19 | |
Pullman, yes, I've seen you around. UCOS, isn't it? | 0:12:19 | 0:12:21 | |
-You're reopening the Mackenna case. -That's right. This is Brian Lane. | 0:12:21 | 0:12:25 | |
-Memory Lane? Pleased to meet you. -Hi. -Is Jack Halford still over there? | 0:12:25 | 0:12:28 | |
-Oh, yes, he is. -Give him my best. -Yeah, I will do. | 0:12:28 | 0:12:30 | |
We've got a couple of things we'd like to go over with you. | 0:12:30 | 0:12:33 | |
-Is there somewhere we can go? -Of course. This way. -Thank you. | 0:12:33 | 0:12:36 | |
We're here about the blind man on the train. | 0:12:36 | 0:12:38 | |
The one who asked Mackenna for a glass of water? | 0:12:38 | 0:12:42 | |
-I don't remember his name. -Geoffrey Bloom. -Bloom, that's right. | 0:12:42 | 0:12:47 | |
-You met him? -Yeah, he came in after we appealed for witnesses. | 0:12:47 | 0:12:50 | |
Do you remember anything unusual about him? | 0:12:50 | 0:12:52 | |
-Other than the fact he was blind? -Other than the fact he was dead. | 0:12:52 | 0:12:56 | |
Excuse me? | 0:12:56 | 0:12:57 | |
Geoffrey Bloom died 17 days before that train left London. | 0:12:57 | 0:13:00 | |
The man who was on that train, | 0:13:00 | 0:13:03 | |
the man you subsequently interviewed, was not Geoffrey Bloom. | 0:13:03 | 0:13:06 | |
Oh, that's not possible. We got the names of the passengers | 0:13:06 | 0:13:09 | |
from their credit-card bookings and we cross-referenced those | 0:13:09 | 0:13:12 | |
with our databases. The system would have thrown up a red flag if... | 0:13:12 | 0:13:15 | |
No, no, not necessarily. | 0:13:15 | 0:13:17 | |
Not in cases where someone dies, leaving no family | 0:13:17 | 0:13:19 | |
or friends behind, pressing for the paperwork to be done. | 0:13:19 | 0:13:22 | |
By the time Geoffrey Bloom's death had entered the system, | 0:13:22 | 0:13:25 | |
your case was all but closed. | 0:13:25 | 0:13:27 | |
What about Derek Mills? | 0:13:27 | 0:13:28 | |
He was the man who went through to the restaurant car | 0:13:28 | 0:13:31 | |
ahead of Phillip Mackenna. | 0:13:31 | 0:13:32 | |
-Yes. -Well, he came in as a witness. | 0:13:32 | 0:13:35 | |
Yeah, he was a walk-in too. | 0:13:35 | 0:13:37 | |
Derek Mills died 11 days before the man you spoke to got on the train. | 0:13:37 | 0:13:41 | |
-Lucy Dawson? -How many more are there? | 0:13:41 | 0:13:44 | |
That's it. Two men and a woman. | 0:13:44 | 0:13:46 | |
-Lucy Dawson didn't come in, and we couldn't find her. -Why not? | 0:13:46 | 0:13:50 | |
The address we had was wrong. A screw-up on the database | 0:13:50 | 0:13:53 | |
or her name wasn't on the electoral register... | 0:13:53 | 0:13:55 | |
I can't remember, but we couldn't track her down. | 0:13:55 | 0:13:58 | |
Yeah, we don't have an image of her either. | 0:13:58 | 0:14:00 | |
The CCTV camera that was supposed to be | 0:14:00 | 0:14:02 | |
covering her end of the carriage was on the blink. | 0:14:02 | 0:14:05 | |
But we think she was the person who | 0:14:05 | 0:14:07 | |
triggered the alarm to stop the train. | 0:14:07 | 0:14:10 | |
-Here. -Anything you can remember about | 0:14:10 | 0:14:12 | |
these two men would be extremely helpful. | 0:14:12 | 0:14:14 | |
-It was a long time ago. -I know, but anything, speech pattern, accent... | 0:14:14 | 0:14:17 | |
-I know what you need. I just... -It's all up there, everything. | 0:14:17 | 0:14:22 | |
-You just need to access it. -I'm sure that's easy for you to say. | 0:14:22 | 0:14:25 | |
There are techniques. Now, just think yourself back into that room. | 0:14:25 | 0:14:29 | |
A man comes in and he sits opposite you. Geoffrey Bloom. | 0:14:29 | 0:14:34 | |
-He's a blind man, yes? -Well, he was wearing dark glasses. Big glasses. | 0:14:34 | 0:14:41 | |
-Presumably to hide his face. -Yeah, he was good. | 0:14:41 | 0:14:45 | |
He came in on the arm of a WPC. | 0:14:45 | 0:14:48 | |
His hand on top of her arm, so she was guiding him rather than leading. | 0:14:48 | 0:14:54 | |
The way he found the edge of the table, got into his chair. | 0:14:54 | 0:14:57 | |
-You'd never have known he was faking. -And when he spoke? | 0:14:57 | 0:15:02 | |
No, I can't hear him. I can't hear his voice. | 0:15:02 | 0:15:05 | |
So it was probably neutral. No heavy accent or unusual speech pattern? | 0:15:05 | 0:15:09 | |
No, but there was, um...something... A muscle thing, on his face. | 0:15:09 | 0:15:15 | |
-What do you call it? A tic? -Twitch. -Yes. It was subtle. | 0:15:15 | 0:15:20 | |
And like I say, he was wearing those big glasses, | 0:15:20 | 0:15:23 | |
which almost hid it completely. | 0:15:23 | 0:15:25 | |
-Which side? -The left. -Your left, his left? -His left. | 0:15:25 | 0:15:29 | |
Like I say, it wasn't a big thing, | 0:15:29 | 0:15:31 | |
but it would have been more noticeable without those glasses. | 0:15:31 | 0:15:34 | |
Yeah, twitch. He had a twitch. | 0:15:34 | 0:15:36 | |
PHONE RINGS | 0:15:39 | 0:15:40 | |
-MAN: -Show Mr Halford in, please, Daph? | 0:15:41 | 0:15:45 | |
-Uh, Mr Halford, Mr Fallon will... -Yes, I heard. | 0:15:45 | 0:15:50 | |
Chief Superintendent. | 0:15:50 | 0:15:52 | |
Oh, Mr now, Martin. Retired. | 0:15:52 | 0:15:54 | |
Oh, well, that's a very sad loss to the force. | 0:15:54 | 0:15:57 | |
I mean, all this is down to you - | 0:15:57 | 0:15:58 | |
if you hadn't put in a good word for me in court... | 0:15:58 | 0:16:00 | |
You were never malicious, Martin, just stupid. | 0:16:00 | 0:16:03 | |
That's very kind of you to say so. Could I offer you a tea? A coffee? | 0:16:03 | 0:16:07 | |
Coffee would be nice. | 0:16:07 | 0:16:08 | |
Two coffees, please, Daph. How do you take it? | 0:16:11 | 0:16:13 | |
-Milk, two sugars. -Did you hear that? | 0:16:13 | 0:16:17 | |
-DAPH: -Yes, Martin. | 0:16:17 | 0:16:21 | |
-Ah, business is booming? -It doesn't look like much, I know. | 0:16:21 | 0:16:24 | |
But we're doing OK. A lot of companies are waking up to the fact | 0:16:24 | 0:16:27 | |
that they need, well, people like me | 0:16:27 | 0:16:29 | |
to protect their computer systems from... | 0:16:29 | 0:16:31 | |
From people like you? | 0:16:31 | 0:16:32 | |
Ha ha! Yes, well, poacher turned gamekeeper now, | 0:16:32 | 0:16:35 | |
and that's all down to you, Mr Halford. | 0:16:35 | 0:16:37 | |
-I've got a little job for you, Martin. -Really? | 0:16:37 | 0:16:41 | |
I help the police sort out unsolved cases. | 0:16:41 | 0:16:44 | |
These e-mails are from our current investigation. | 0:16:44 | 0:16:47 | |
I'd like to know who sent them. | 0:16:47 | 0:16:48 | |
I did hear a rumour one or two policemen had learned | 0:16:48 | 0:16:51 | |
how to use a computer - couldn't one of them...? | 0:16:51 | 0:16:53 | |
Yes, if I want to take a ticket and make myself comfortable | 0:16:53 | 0:16:56 | |
for a couple of weeks. They're too busy chasing... | 0:16:56 | 0:16:58 | |
People like me. | 0:16:58 | 0:17:00 | |
Yes, we're not easy to catch. | 0:17:00 | 0:17:03 | |
What about this one? Is he easy to catch? | 0:17:04 | 0:17:08 | |
Hmm. Well, you see, his IP address changes with each message, you know. | 0:17:08 | 0:17:16 | |
Some of these are Russian, they're Japanese. | 0:17:16 | 0:17:19 | |
He's bouncing these messages halfway around the world | 0:17:19 | 0:17:22 | |
and back again to muddy his tracks. | 0:17:22 | 0:17:24 | |
-Can you give me a name? -For a fee? | 0:17:24 | 0:17:29 | |
-No. -Oh. Because I owe you one. | 0:17:29 | 0:17:34 | |
This is your chance to pay me back | 0:17:34 | 0:17:36 | |
for this corporate empire I helped you create. | 0:17:36 | 0:17:38 | |
That's rather good, | 0:17:49 | 0:17:50 | |
but you need to give it five more minutes than they say. | 0:17:50 | 0:17:53 | |
Stephen Fisher. Well, well, well... | 0:17:53 | 0:17:56 | |
For my money, though, the cod's slightly better. | 0:17:56 | 0:17:58 | |
-How are you, Robert? -I'm fine. | 0:17:58 | 0:18:00 | |
Still overseeing Unsolved Crimes and Open... | 0:18:01 | 0:18:04 | |
Among other things, yes. And you? | 0:18:04 | 0:18:07 | |
Oh, you know me - paddled around for a while in the shallow ends of | 0:18:07 | 0:18:11 | |
the Special Department until someone found me a cosy desk in Whitehall. | 0:18:11 | 0:18:14 | |
A few more years pushing paper and I'll collect a fat pension. | 0:18:16 | 0:18:19 | |
-Thinking of settling somewhere green, might write a book. -Oh? | 0:18:19 | 0:18:24 | |
Japanese mythology. It's a current passion of mine. | 0:18:24 | 0:18:27 | |
You should read up on it, Robert. Fascinating stuff. Dining alone? | 0:18:27 | 0:18:31 | |
Oh, afraid so. | 0:18:31 | 0:18:33 | |
Miserable, isn't it? Audrey's off on some evening class or other. | 0:18:34 | 0:18:39 | |
Fad of the week stuff. | 0:18:39 | 0:18:40 | |
Can I buy you dinner? | 0:18:42 | 0:18:43 | |
Well, I suppose... | 0:18:44 | 0:18:46 | |
It'd be good to catch up. | 0:18:46 | 0:18:47 | |
I know a place that does a beef Wellington you won't forget in a hurry. | 0:18:47 | 0:18:51 | |
-You haven't turned vegetarian or anything, have you? -Me? No. | 0:18:51 | 0:18:54 | |
Excellent. We can get a table before the rush starts. | 0:18:54 | 0:18:59 | |
Fascinating stuff, I'd have thought, | 0:18:59 | 0:19:01 | |
sniffing out people who think they got away with it years ago. | 0:19:01 | 0:19:04 | |
Well, it can be. Satisfying to get cases off the books. | 0:19:04 | 0:19:07 | |
The Wellington was very good, Carlo. As always. | 0:19:09 | 0:19:12 | |
Thank you, sir, I'll pass that on. Will you have dessert? | 0:19:12 | 0:19:15 | |
-Not for me... -You'll try the baked Alaska. | 0:19:15 | 0:19:17 | |
-Really... -You'd never forgive yourself. | 0:19:17 | 0:19:19 | |
-Two baked Alaska? -Thank you, Carlo. | 0:19:19 | 0:19:21 | |
Of course, news of UCOS's escapades does reach us | 0:19:21 | 0:19:25 | |
in Whitehall from time to time. | 0:19:25 | 0:19:26 | |
-Oh, really? -In the most positive light, of course. | 0:19:26 | 0:19:29 | |
I'm still not clear on exactly what it is you do now, Stephen. | 0:19:29 | 0:19:33 | |
Although lately perhaps, the light isn't quite so positive. | 0:19:33 | 0:19:36 | |
I'm sorry? | 0:19:36 | 0:19:38 | |
We shouldn't talk shop. | 0:19:38 | 0:19:39 | |
What did you mean by that? | 0:19:39 | 0:19:41 | |
Perhaps past successes have gone to your head. | 0:19:44 | 0:19:46 | |
Perhaps that has encouraged your team to get involved with cases | 0:19:48 | 0:19:51 | |
that don't always represent the best use of scarce resources. | 0:19:51 | 0:19:56 | |
Such as? | 0:19:56 | 0:19:57 | |
A man disappears from a train | 0:19:57 | 0:19:59 | |
with a lot of very important knowledge in his head. | 0:19:59 | 0:20:02 | |
Is this really something a bunch of over-the-hill bobbies | 0:20:02 | 0:20:05 | |
should be concerned with? | 0:20:05 | 0:20:07 | |
The Mackenna case falls very well within our purview. | 0:20:07 | 0:20:10 | |
As does a whole host of unsolved murders and robberies that would, | 0:20:10 | 0:20:14 | |
I'm sure, prove a better focus for your concern | 0:20:14 | 0:20:17 | |
than pursuing the likes of Simon Crane. | 0:20:17 | 0:20:20 | |
Simon Crane? | 0:20:20 | 0:20:23 | |
I'm simply expressing concern. | 0:20:23 | 0:20:25 | |
One likes one's friends to be well thought of. | 0:20:25 | 0:20:28 | |
What exactly is your job now, Stephen? | 0:20:32 | 0:20:34 | |
Doesn't this look wonderful? | 0:20:34 | 0:20:37 | |
Who is Simon Crane? | 0:20:37 | 0:20:38 | |
Delicious. | 0:20:43 | 0:20:45 | |
There are seven Simon Cranes with criminal records, | 0:20:45 | 0:20:48 | |
none of whom seem linked to Mackenna. | 0:20:48 | 0:20:50 | |
This one may not have a criminal record. | 0:20:50 | 0:20:53 | |
Is Fisher trying to help us, do you think, or is he warning us off? | 0:20:54 | 0:20:57 | |
Stephen Fisher is never that black and white. | 0:20:57 | 0:21:00 | |
It's possible someone has told him to warn us off | 0:21:00 | 0:21:03 | |
and that he has a completely different agenda. | 0:21:03 | 0:21:05 | |
So what do you want to do? | 0:21:05 | 0:21:07 | |
Keep this Simon Crane in mind, in case his name comes up, | 0:21:07 | 0:21:10 | |
but let's not put him front and centre | 0:21:10 | 0:21:12 | |
until we have a clearer idea of the game Fisher's playing. | 0:21:12 | 0:21:15 | |
DOORBELL RINGS | 0:21:15 | 0:21:17 | |
-Kirsty Daniels? -No. | 0:21:20 | 0:21:22 | |
-Is she in? -What's it regarding? | 0:21:22 | 0:21:24 | |
And you are? | 0:21:24 | 0:21:25 | |
Asking you what it's regarding. | 0:21:25 | 0:21:27 | |
-Who is it? -Kirsty Daniels? -Yes. | 0:21:27 | 0:21:30 | |
Detective Superintendent Pullman, Brian Lane, | 0:21:30 | 0:21:32 | |
from the Metropolitan Police's Unsolved Crime and Open Case squad. | 0:21:32 | 0:21:36 | |
-This is about Dr Mackenna? -Yes. | 0:21:36 | 0:21:38 | |
You were his research assistant at UCL? | 0:21:38 | 0:21:40 | |
-Yes. -You don't have to let them in. | 0:21:40 | 0:21:42 | |
I know. It's fine, Alice, really. | 0:21:42 | 0:21:45 | |
Well, I've got work to do. | 0:21:45 | 0:21:46 | |
-Come in. -Thank you. | 0:21:47 | 0:21:49 | |
-Was that your lawyer? -No, Alice is a web designer. | 0:21:52 | 0:21:56 | |
Her last girlfriend was involved in the anti-globalisation protests, | 0:21:56 | 0:22:00 | |
so Alice has developed a bit of an attitude towards the police. | 0:22:00 | 0:22:03 | |
So you're freelance now, are you? | 0:22:07 | 0:22:09 | |
Yes, for the last three years. | 0:22:09 | 0:22:11 | |
You didn't fancy staying on at UCL? | 0:22:11 | 0:22:13 | |
I was hired specifically to assist with the research on that project. | 0:22:13 | 0:22:16 | |
Without Dr Mackenna, there was no project and no job. | 0:22:16 | 0:22:19 | |
In the weeks leading up to Dr Mackenna's disappearance, | 0:22:19 | 0:22:22 | |
-did you notice anything different about his behaviour? -No. | 0:22:22 | 0:22:25 | |
He didn't seem agitated, worried about anything? | 0:22:25 | 0:22:29 | |
Nothing like that. I racked my brains at the time | 0:22:29 | 0:22:31 | |
for any clue something was wrong, but there was nothing. | 0:22:31 | 0:22:34 | |
If someone abducted Dr Mackenna | 0:22:34 | 0:22:36 | |
to advance their own cold fusion project, would that be possible? | 0:22:36 | 0:22:40 | |
Theoretically, yeah. | 0:22:40 | 0:22:42 | |
I don't know how you'd get that knowledge out of him, though. | 0:22:42 | 0:22:45 | |
How do you mean? | 0:22:45 | 0:22:46 | |
He could have sold his expertise to any number of companies | 0:22:46 | 0:22:49 | |
for a fortune, but he chose to work out of UCL | 0:22:49 | 0:22:51 | |
because he wanted the fruits of his labours to be available to all. | 0:22:51 | 0:22:55 | |
He really wasn't interested in financial rewards. | 0:22:55 | 0:22:57 | |
Well, it wouldn't necessarily have been money. | 0:22:57 | 0:23:00 | |
There are some pretty unpleasant ways of forcing someone to tell you what they know. | 0:23:00 | 0:23:05 | |
We understand that Dr Mackenna was quite dependent on his wife. | 0:23:05 | 0:23:08 | |
If someone threatened her, for instance... | 0:23:08 | 0:23:11 | |
I don't know. Maybe. | 0:23:11 | 0:23:13 | |
Even then, it's really hard to imagine anything | 0:23:14 | 0:23:17 | |
making him betray his work. | 0:23:17 | 0:23:19 | |
-Did he ever mention a man named Simon Crane? -Crane? | 0:23:19 | 0:23:23 | |
Mmm. | 0:23:23 | 0:23:25 | |
No. No, I don't think so. | 0:23:26 | 0:23:27 | |
Sorry. | 0:23:29 | 0:23:30 | |
-It's the timeline that's bothering me. -In what way? | 0:23:33 | 0:23:36 | |
Well, after the abduction, somebody checked in to the hotel in Paris, | 0:23:36 | 0:23:39 | |
pretending to be Phillip Mackenna, which bought them some time, | 0:23:39 | 0:23:43 | |
and don't forget, it was four days | 0:23:43 | 0:23:44 | |
before anyone checked the CCTV from the train. | 0:23:44 | 0:23:47 | |
Four days would be long enough to fiddle with Mackenna's passport, | 0:23:47 | 0:23:50 | |
-or get a new one, to get him out of the country. -Plenty of time. | 0:23:50 | 0:23:53 | |
So why did two of the kidnappers stay in character | 0:23:53 | 0:23:56 | |
and present themselves to Doyle as witnesses two weeks after the abduction? | 0:23:56 | 0:24:00 | |
It doesn't make sense. It's a huge risk. | 0:24:00 | 0:24:02 | |
And one you'd only take if you really needed the extra time. | 0:24:02 | 0:24:05 | |
For what, though? | 0:24:05 | 0:24:06 | |
Perhaps it wasn't Mackenna they needed, but what he knew. | 0:24:09 | 0:24:13 | |
It's a lot easier to smuggle information across a border than a person. | 0:24:13 | 0:24:18 | |
So if they can get him to tell them what he knows here... | 0:24:18 | 0:24:21 | |
Then they don't need to take him anywhere. | 0:24:21 | 0:24:24 | |
Oh, dear God, that's why they needed the two weeks, to break him. | 0:24:24 | 0:24:27 | |
MOBILE PHONE RINGS | 0:24:27 | 0:24:30 | |
And once he'd given them what they wanted... | 0:24:30 | 0:24:32 | |
Hello? | 0:24:33 | 0:24:35 | |
Brilliant, where is he? | 0:24:36 | 0:24:37 | |
You're kidding... | 0:24:38 | 0:24:40 | |
OK, I'll meet you there in half an hour. Bye. | 0:24:41 | 0:24:44 | |
I'll give you a lift back to UCOS. | 0:24:44 | 0:24:46 | |
Pull the files of every unidentified Caucasian male body | 0:24:46 | 0:24:49 | |
found in the South East of England during the six months following the abduction. | 0:24:49 | 0:24:53 | |
Where are you going? | 0:24:53 | 0:24:54 | |
Gerry's found the blind man. | 0:24:54 | 0:24:56 | |
Oh. | 0:24:56 | 0:24:57 | |
There are seven con men on the wanted lists of seven different European police forces. | 0:24:57 | 0:25:02 | |
Now, it wasn't until we circulated a description of our blind man | 0:25:02 | 0:25:07 | |
that they all realised they were looking for the same bloke. | 0:25:07 | 0:25:11 | |
One Peter Rowley. | 0:25:11 | 0:25:13 | |
And we had you all along. 18 months into a five-year stretch for fraud. | 0:25:13 | 0:25:17 | |
It's always nice to have visitors. | 0:25:17 | 0:25:19 | |
We're here to talk about the abduction of Dr Phillip Mackenna. | 0:25:19 | 0:25:23 | |
And what are you putting on the table? | 0:25:23 | 0:25:25 | |
What are we putting on the table, Gerry? | 0:25:25 | 0:25:27 | |
Is that better? | 0:25:32 | 0:25:34 | |
Your faces. | 0:25:35 | 0:25:37 | |
You think you've cracked this whole thing by finding me, don't you? | 0:25:37 | 0:25:40 | |
Well, I've got some bad news for you. | 0:25:40 | 0:25:42 | |
I never met these people, never knew their names. | 0:25:42 | 0:25:45 | |
-Then how... -E-mail. | 0:25:45 | 0:25:47 | |
All my instructions came via e-mail. | 0:25:47 | 0:25:49 | |
And no, I didn't keep them. I'm not that stupid. | 0:25:49 | 0:25:52 | |
The only reason I'm still walking around today is because... | 0:25:52 | 0:25:55 | |
I don't know anything. | 0:25:55 | 0:25:58 | |
That won't stop us charging you for the part you played. | 0:25:58 | 0:26:00 | |
Hard to prove conspiracy, though, | 0:26:00 | 0:26:02 | |
when I didn't know any of the conspirators. | 0:26:02 | 0:26:05 | |
Why don't you tell us what you do know? | 0:26:05 | 0:26:07 | |
-I was given a passport and a train ticket... -How? | 0:26:10 | 0:26:12 | |
Dropped through the letter box of the place I was staying, | 0:26:12 | 0:26:15 | |
in the middle of the night. | 0:26:15 | 0:26:17 | |
They wanted me to get on a train | 0:26:18 | 0:26:20 | |
and cosy up to the guy sitting in the seat next to me. | 0:26:20 | 0:26:23 | |
They didn't even tell me his name. | 0:26:23 | 0:26:26 | |
He did, though, while we were talking. Odd bloke, nervy. | 0:26:26 | 0:26:31 | |
They said the train would stop before Dover. | 0:26:32 | 0:26:35 | |
I was to give it a couple of minutes, then ask the guy | 0:26:35 | 0:26:37 | |
if he'd fetch me a glass of water. That was it. | 0:26:37 | 0:26:40 | |
I caught the ferry, spent the night in Paris, and then I came back. | 0:26:42 | 0:26:47 | |
-You spent the night in Paris? -Where did you stay? | 0:26:47 | 0:26:49 | |
I don't remember. | 0:26:51 | 0:26:53 | |
You checked into Mackenna's hotel. | 0:26:53 | 0:26:55 | |
-You were the one masquerading as Phillip Mackenna. -Just a bit of fun. | 0:26:55 | 0:26:59 | |
But it didn't end there, did it? Two weeks later you presented yourself to the police. | 0:26:59 | 0:27:03 | |
That was an add-on. | 0:27:03 | 0:27:05 | |
A bonus payment to show up in character and act like I didn't know anything. | 0:27:05 | 0:27:09 | |
Didn't really have to act, did I? | 0:27:09 | 0:27:11 | |
How did you get paid? | 0:27:11 | 0:27:12 | |
Cash. In an envelope. | 0:27:12 | 0:27:15 | |
Again, it landed on my doormat while I was asleep. | 0:27:15 | 0:27:20 | |
-Easy money. -Did you recognise anyone on the train? | 0:27:20 | 0:27:23 | |
I couldn't see much of anything. | 0:27:23 | 0:27:26 | |
Those dark glasses were practically black. | 0:27:26 | 0:27:29 | |
Helped with the act, though. | 0:27:29 | 0:27:31 | |
The original owner of that passport was registered blind, | 0:27:31 | 0:27:34 | |
would have been a bit of a giveaway to show up at passport control doing the crossword. | 0:27:34 | 0:27:39 | |
Yeah, but the glasses didn't hide the twitch, did they? | 0:27:39 | 0:27:42 | |
That's nice, bring that up. | 0:27:42 | 0:27:44 | |
Well, it's a bit of a distinguishing feature for a con man, isn't it? | 0:27:44 | 0:27:48 | |
You'd be surprised. An affliction like this tends to draw the eye. | 0:27:48 | 0:27:54 | |
People remember it, but most of the time that's all they remember. | 0:27:54 | 0:27:58 | |
You say that you didn't know the people who hired you. | 0:27:58 | 0:28:01 | |
How did they know you? | 0:28:01 | 0:28:02 | |
Mutual acquaintance. | 0:28:02 | 0:28:04 | |
Who? | 0:28:04 | 0:28:05 | |
And now you want a name. So now you have to deal. | 0:28:07 | 0:28:10 | |
I've already told you, when we charge you... | 0:28:10 | 0:28:13 | |
What difference does a few more months in here make to me, | 0:28:13 | 0:28:16 | |
versus the advantage to you in getting a name? | 0:28:16 | 0:28:19 | |
A few more months? I don't think so, Mr Rowley. | 0:28:19 | 0:28:22 | |
You see, we have reason to believe that Phillip Mackenna was murdered by whoever took him off that train. | 0:28:22 | 0:28:29 | |
-I don't know anything about that. -Yeah, but if you're the only person involved... | 0:28:29 | 0:28:33 | |
Well, you know the courts, they're going to want to punish somebody. | 0:28:33 | 0:28:38 | |
Then we'll see how easy that money was, won't we? | 0:28:38 | 0:28:41 | |
Well played. | 0:28:45 | 0:28:47 | |
Townsend. | 0:28:48 | 0:28:49 | |
He put them on to me. | 0:28:52 | 0:28:54 | |
David Townsend. | 0:28:55 | 0:28:57 | |
Window shopping, Mr Townsend? | 0:28:58 | 0:29:01 | |
Window shopping. That's very good. | 0:29:03 | 0:29:05 | |
Detective Superintendent Pullman, Jack Halford. | 0:29:05 | 0:29:08 | |
Jack Halford, really? I thought you'd retired, Mr Halford. | 0:29:08 | 0:29:11 | |
That's right. | 0:29:11 | 0:29:12 | |
Which makes this a visit from UCOS. | 0:29:12 | 0:29:14 | |
Welcome to my fully-licensed premises. | 0:29:14 | 0:29:17 | |
It's charming. | 0:29:17 | 0:29:18 | |
I think we can allow it has character. | 0:29:18 | 0:29:20 | |
-Can I offer either of you a refreshment? -No, we're fine. | 0:29:20 | 0:29:23 | |
What piece of gloomy underworld history can I illuminate for you? | 0:29:23 | 0:29:27 | |
-Peter Rowley. -Peter Rowley. | 0:29:27 | 0:29:29 | |
The maestro of the short con and scourge of rich widows. | 0:29:29 | 0:29:32 | |
Currently a guest of Her Majesty, I believe. | 0:29:32 | 0:29:35 | |
-You put him on to a job. -No, that's not right. | 0:29:35 | 0:29:39 | |
While he may have dropped by once in a while to wet his whistle after a long day peculating from | 0:29:39 | 0:29:43 | |
the gullible, our relationship didn't extend beyond cheerful publican... | 0:29:43 | 0:29:47 | |
You're an authority on the history of the underworld? | 0:29:47 | 0:29:51 | |
Well, you flatter me, but I like to consider I have a certain flair... | 0:29:51 | 0:29:54 | |
That means you must know a fair amount about the police. | 0:29:54 | 0:29:57 | |
That follows, yes. | 0:29:57 | 0:29:59 | |
What have you heard about me, Mr Townsend, that makes you think | 0:29:59 | 0:30:02 | |
I'd come in here without knowing exactly who you are and what you do? | 0:30:02 | 0:30:06 | |
-What job are we talking about? -The abduction of Dr Phillip Mackenna. | 0:30:11 | 0:30:14 | |
-I don't know anything about that. -That's not what Peter Rowley says. -Criminals will say anything. | 0:30:14 | 0:30:20 | |
Yes, you will. | 0:30:20 | 0:30:21 | |
This case involves the illegal transportation | 0:30:21 | 0:30:23 | |
of sensitive information across international borders. | 0:30:23 | 0:30:27 | |
We have reason to believe the people who abducted Dr Mackenna | 0:30:27 | 0:30:31 | |
may have murdered him once he'd told them what they wanted to know. | 0:30:31 | 0:30:34 | |
That's quite a conspiracy charge you'll want to get out from under. | 0:30:34 | 0:30:38 | |
Excuse me for a moment. | 0:30:39 | 0:30:42 | |
I have an irritable bowel, | 0:30:44 | 0:30:46 | |
specifically irritated by threats from the law enforcement community. | 0:30:46 | 0:30:50 | |
Go with him. | 0:30:53 | 0:30:54 | |
Jack? | 0:31:23 | 0:31:25 | |
He came out of nowhere. Townsend took off. | 0:31:26 | 0:31:29 | |
Oh, no. | 0:31:32 | 0:31:33 | |
-Detective Superintendent Pullman. -Can you hear me? -An MIT and an ambulance to... | 0:31:42 | 0:31:46 | |
He's been stabbed. I don't know how many times. | 0:31:46 | 0:31:49 | |
-Sutton Yard. -Listen. -An ambulance is coming. You'll be OK. -I doubt it. | 0:31:49 | 0:31:52 | |
What do you know about the Mackenna abduction? | 0:31:52 | 0:31:55 | |
Tell me something, come on! | 0:31:55 | 0:31:57 | |
-Jack... -Come on! | 0:31:57 | 0:31:58 | |
TYRES SCREECH | 0:31:58 | 0:32:00 | |
K... K... | 0:32:01 | 0:32:02 | |
Kit. | 0:32:03 | 0:32:05 | |
Soon. | 0:32:05 | 0:32:06 | |
Jack! | 0:32:06 | 0:32:07 | |
You're sure it was the second man from the train? | 0:32:12 | 0:32:15 | |
Positive, yeah. | 0:32:15 | 0:32:16 | |
Jack? | 0:32:16 | 0:32:17 | |
-Yes. -We need a name. | 0:32:17 | 0:32:19 | |
Somebody's got to know who he is. | 0:32:19 | 0:32:21 | |
This thing Townsend said... | 0:32:21 | 0:32:22 | |
Kit. Soon. | 0:32:22 | 0:32:24 | |
Sure that was it? | 0:32:24 | 0:32:25 | |
He'd been stabbed, if he wasn't speaking clearly... | 0:32:25 | 0:32:28 | |
It was clear enough. I don't know what it means, but that's what he said. | 0:32:28 | 0:32:32 | |
So does this case actually have a solid lead yet? | 0:32:32 | 0:32:35 | |
We think there's a good chance Mackenna never left the country, | 0:32:35 | 0:32:38 | |
whoever abducted him extracted the information they needed then killed him. | 0:32:38 | 0:32:42 | |
But there's only been a handful | 0:32:42 | 0:32:44 | |
of unidentified bodies found in that area since 2004, | 0:32:44 | 0:32:47 | |
none of them a match for Mackenna. | 0:32:47 | 0:32:49 | |
That's not to say he's not there. They just haven't found him. | 0:32:49 | 0:32:52 | |
Short of digging up the whole of the South East of England... | 0:32:52 | 0:32:55 | |
We are trying to trace the e-mails Bea Mackenna was sent. | 0:32:55 | 0:32:58 | |
Look, if you want to get that kind of information out of a man like Mackenna... | 0:32:58 | 0:33:03 | |
torture is the obvious way. I mean, even the tough-nut army guys say that everyone cracks eventually. | 0:33:03 | 0:33:08 | |
But this is complicated information. There'd be no way they could verify it then and there. | 0:33:08 | 0:33:12 | |
How could they know Mackenna had given them what they needed? | 0:33:12 | 0:33:15 | |
I don't know. Money? | 0:33:15 | 0:33:18 | |
Even his partner, Brian Rutland, said everyone has a price. | 0:33:18 | 0:33:21 | |
Not Mackenna, though. By all accounts, he was odd, | 0:33:21 | 0:33:23 | |
absolutely single-minded about his work. | 0:33:23 | 0:33:25 | |
So how do you get someone like that to talk? | 0:33:25 | 0:33:29 | |
What? | 0:33:33 | 0:33:35 | |
Slash his bicycle tyres? | 0:33:35 | 0:33:38 | |
Threaten his wife? | 0:33:38 | 0:33:39 | |
That could work, if he was that dependent on her. | 0:33:39 | 0:33:42 | |
-Noooo. -Why not? | 0:33:42 | 0:33:44 | |
Well, for the threat to be real, | 0:33:44 | 0:33:45 | |
they'd have had to abduct the wife as well, wouldn't they? | 0:33:45 | 0:33:48 | |
They'd have to show her to him, | 0:33:48 | 0:33:51 | |
threaten to hurt her in front of him. | 0:33:51 | 0:33:53 | |
And we know Bea Mackenna wasn't abducted. | 0:33:53 | 0:33:55 | |
Well, even if she had been, it still wouldn't work as a threat. | 0:33:55 | 0:33:58 | |
How do you know they won't kill you both once you've offered up the information? | 0:33:58 | 0:34:02 | |
It wouldn't guarantee them Mackenna had told them everything. | 0:34:02 | 0:34:05 | |
So what then? | 0:34:05 | 0:34:07 | |
They'd have to make him want to talk. | 0:34:09 | 0:34:11 | |
No, there's nothing I can think of. | 0:34:12 | 0:34:14 | |
There'd be no amount of money that would make Phillip talk. | 0:34:14 | 0:34:17 | |
He's not interested in money. I don't think he even knows how much he earns. | 0:34:17 | 0:34:21 | |
-Why are you talking about him in the present tense? -Brian! | 0:34:21 | 0:34:25 | |
-I believe he's still alive, somewhere. -Where? | 0:34:25 | 0:34:28 | |
Well, if this Swiss company are working on the same project, | 0:34:28 | 0:34:33 | |
then how could they be doing it without Phillip's know-how? | 0:34:33 | 0:34:36 | |
You said there's no way Dr Mackenna would have sold out... | 0:34:36 | 0:34:39 | |
No, but if they were putting his work to better use... | 0:34:39 | 0:34:42 | |
Phillip was only ever concerned about how his work would benefit people. | 0:34:42 | 0:34:45 | |
Then why hasn't he been in touch since 2004? | 0:34:45 | 0:34:48 | |
Why didn't this Swiss company just offer him a job? | 0:34:48 | 0:34:51 | |
I mean, why abduct him from a train? | 0:34:51 | 0:34:53 | |
I think you should leave. | 0:34:54 | 0:34:56 | |
We have to look at every possibility, Mrs Mackenna. | 0:34:58 | 0:35:01 | |
My husband is alive. | 0:35:01 | 0:35:03 | |
Just supposing, for a moment... | 0:35:03 | 0:35:04 | |
-I've said... -No, no, no. | 0:35:04 | 0:35:06 | |
Just supposing for a moment | 0:35:06 | 0:35:08 | |
that your husband did give up the information, | 0:35:08 | 0:35:11 | |
and it wasn't for money, or because they'd threatened him, | 0:35:11 | 0:35:14 | |
or threatened you even, and it wasn't because | 0:35:14 | 0:35:17 | |
he thought that whoever wanted it might put it to better use than him. | 0:35:17 | 0:35:22 | |
What might make him do that? | 0:35:22 | 0:35:24 | |
I've told you, I have no idea. | 0:35:24 | 0:35:26 | |
Because this is his life's work? | 0:35:26 | 0:35:28 | |
Yes. | 0:35:28 | 0:35:29 | |
You said your husband didn't socialise or have any hobbies. | 0:35:29 | 0:35:34 | |
He had work and he had home. | 0:35:34 | 0:35:36 | |
Yes. | 0:35:36 | 0:35:38 | |
What if the reason he gave up the information | 0:35:38 | 0:35:40 | |
had nothing to do with work? | 0:35:40 | 0:35:43 | |
I'm not following you. | 0:35:44 | 0:35:45 | |
He's asking if there's anything about your home life that could have been used as leverage, Mrs Mackenna. | 0:35:45 | 0:35:52 | |
Is there something they could have told him | 0:35:52 | 0:35:54 | |
that he didn't already know? | 0:35:54 | 0:35:56 | |
No, nothing. | 0:35:59 | 0:36:00 | |
-Now, if you don't mind... -What is it, Mrs Mackenna? | 0:36:02 | 0:36:05 | |
-So you haven't been able to trace these e-mails yet? -Um, no. | 0:36:10 | 0:36:14 | |
Do you want more time? | 0:36:14 | 0:36:15 | |
Um, no. It can't be done. | 0:36:15 | 0:36:18 | |
Whoever sent these covered their tracks very well. | 0:36:18 | 0:36:21 | |
These messages have been sent through some servers | 0:36:21 | 0:36:23 | |
-that are very hard to access. -Great(!) | 0:36:23 | 0:36:25 | |
Although that is in itself is a clue, because whoever did this is a pro. | 0:36:25 | 0:36:30 | |
-I did have a little more luck, however, with the document. -Go on. | 0:36:30 | 0:36:35 | |
I can't be too specific about my methods because that would compromise your position | 0:36:35 | 0:36:39 | |
-as an officer of the law... -Look, just tell me. | 0:36:39 | 0:36:42 | |
-I hacked into the Swiss company. -And? | 0:36:42 | 0:36:45 | |
I was actually very impressed with their security. | 0:36:45 | 0:36:47 | |
I made some notes. | 0:36:47 | 0:36:48 | |
I'm going to incorporate some of their methods into a project... | 0:36:48 | 0:36:52 | |
Does the document originate from them? | 0:36:52 | 0:36:54 | |
I believe so. | 0:36:54 | 0:36:55 | |
I mean, I couldn't get all the way into their archives, | 0:36:55 | 0:36:58 | |
but I did manage to match up some of the reference numbers | 0:36:58 | 0:37:01 | |
on this document to the numbers system that they employ. | 0:37:01 | 0:37:04 | |
So I would say there is a 90% certainty this document... | 0:37:04 | 0:37:07 | |
came from there. | 0:37:07 | 0:37:09 | |
But you didn't actually find it? | 0:37:09 | 0:37:11 | |
No. | 0:37:11 | 0:37:13 | |
Admittedly that would not stand up in a court of law, | 0:37:13 | 0:37:16 | |
but again, the fact that I couldn't get into the system, | 0:37:16 | 0:37:19 | |
whereas someone else did, is in itself a valuable clue. | 0:37:19 | 0:37:21 | |
It means the person who sent these e-mails is a better hacker than you. | 0:37:21 | 0:37:26 | |
-Yeah. -I should have gone to him in the first place. | 0:37:26 | 0:37:28 | |
I don't think it's very likely he'd have helped you, | 0:37:28 | 0:37:31 | |
-seeing as he is in fact... -It was a joke! | 0:37:31 | 0:37:34 | |
Oh, yeah. | 0:37:34 | 0:37:35 | |
So you have no idea who this person might be? | 0:37:36 | 0:37:39 | |
Actually, I've got a very good idea. | 0:37:41 | 0:37:43 | |
You know, out of all the hackers I know, there is only a handful | 0:37:44 | 0:37:47 | |
I can think of who could give me as many problems as this one has, | 0:37:47 | 0:37:50 | |
and of that handful there is one whose trail I've been on before, | 0:37:50 | 0:37:54 | |
-and was routing his connections through very many of the same servers as this one was. -So? | 0:37:54 | 0:37:58 | |
Ninetails. | 0:38:00 | 0:38:02 | |
Excuse me? | 0:38:02 | 0:38:04 | |
That's the handle he uses. Ninetails. | 0:38:04 | 0:38:07 | |
I was the Ghost Doctor, he's Ninetails. | 0:38:07 | 0:38:10 | |
But what's his real name? | 0:38:10 | 0:38:11 | |
Oh, I've no idea. | 0:38:11 | 0:38:12 | |
That's the whole point of having a handle, anonymity. | 0:38:12 | 0:38:15 | |
There must be a way to find out! | 0:38:15 | 0:38:17 | |
Someone this good? No, no, no. | 0:38:17 | 0:38:19 | |
Trust me, Mr Halford, you will find Lord Lucan feeding sugar lumps | 0:38:19 | 0:38:23 | |
to Shergar before you get close to discovering Ninetails' real name. | 0:38:23 | 0:38:27 | |
We met online, on a financial forum that I help administer. | 0:38:29 | 0:38:35 | |
We got chatting over the course of a couple of weeks and... | 0:38:35 | 0:38:38 | |
This had never happened before, or since. | 0:38:40 | 0:38:43 | |
I love my husband, I consider myself very happily married, I just... | 0:38:43 | 0:38:46 | |
Phillip didn't like going out, he wasn't at all sociable. | 0:38:49 | 0:38:52 | |
I have to be in my line of work and I just started to feel as though | 0:38:52 | 0:38:56 | |
there was something missing, going out on my own all the time. | 0:38:56 | 0:38:58 | |
And this man filled the gap? | 0:38:58 | 0:39:01 | |
Yes. We'd just get together for drinks sometimes, or dinner. | 0:39:01 | 0:39:05 | |
Sex? | 0:39:05 | 0:39:06 | |
Yes. | 0:39:09 | 0:39:10 | |
It's probably hard to understand how I could love my husband and still do that... | 0:39:13 | 0:39:17 | |
Did anyone else know about this? | 0:39:17 | 0:39:19 | |
No. I didn't tell a soul. | 0:39:19 | 0:39:21 | |
Neither did he. He has a family to protect in Cambridge. | 0:39:21 | 0:39:25 | |
But if your husband had found out somehow, | 0:39:25 | 0:39:28 | |
could the revelation that you'd been unfaithful to him | 0:39:28 | 0:39:32 | |
have tipped him over the edge? | 0:39:32 | 0:39:34 | |
The realisation that everything solid and stable in his life was in flux. | 0:39:34 | 0:39:38 | |
The thought that you were about to leave him for another... | 0:39:38 | 0:39:41 | |
I had no intention of leaving! | 0:39:41 | 0:39:43 | |
He didn't know that, did he? Whoever it was that was trying to manipulate him | 0:39:43 | 0:39:47 | |
would have certainly painted the bleakest picture possible. | 0:39:47 | 0:39:50 | |
Thank you, Brian. | 0:39:50 | 0:39:52 | |
What was this man called? | 0:39:54 | 0:39:55 | |
Simon. Simon Crane. | 0:39:55 | 0:39:57 | |
What? | 0:40:01 | 0:40:03 | |
That name has already come up in connection to the disappearance. | 0:40:03 | 0:40:06 | |
No, that can't be... | 0:40:06 | 0:40:09 | |
Simon was in marketing. He had no connection at... | 0:40:10 | 0:40:13 | |
No, no, no, that's not possible. | 0:40:13 | 0:40:15 | |
We were still in contact after Phillip had disappeared. | 0:40:17 | 0:40:20 | |
For how long? | 0:40:20 | 0:40:21 | |
Not long. A week, maybe ten days. | 0:40:23 | 0:40:25 | |
Simon said he felt uncomfortable continuing the relationship, | 0:40:26 | 0:40:30 | |
given how worried I was about Phillip. | 0:40:30 | 0:40:32 | |
He called it off? | 0:40:32 | 0:40:34 | |
Yes. | 0:40:34 | 0:40:36 | |
Have you spoken to him since? | 0:40:36 | 0:40:38 | |
No. | 0:40:39 | 0:40:41 | |
We both wanted a clean break. | 0:40:41 | 0:40:43 | |
Neither of us wanted to make things difficult. | 0:40:43 | 0:40:46 | |
I did try, once, a few weeks later. | 0:40:46 | 0:40:48 | |
I just needed somebody to talk to and, um... | 0:40:48 | 0:40:51 | |
..his phone was dead. | 0:40:53 | 0:40:55 | |
And I sent him an e-mail | 0:40:56 | 0:40:57 | |
and it bounced back, saying the recipient's address was unknown. | 0:40:57 | 0:41:01 | |
I don't suppose you have a photograph of Simon Crane? | 0:41:01 | 0:41:04 | |
And no-one else ever saw him but you. | 0:41:07 | 0:41:09 | |
How could I have been so stupid? | 0:41:13 | 0:41:15 | |
There was something. | 0:41:20 | 0:41:22 | |
Erm, Simon's parents had left him a house, here in London, in the suburbs, | 0:41:22 | 0:41:27 | |
which he used to use if he had to stay over for work. | 0:41:27 | 0:41:30 | |
-You went there? -Yeah. Yes, I did, a few times, because I couldn't bring him here. | 0:41:30 | 0:41:33 | |
We'll need the address of the house. | 0:41:33 | 0:41:36 | |
The house is owned by a company called InfoTech Analysts. | 0:41:44 | 0:41:48 | |
They bought it in November 2003. | 0:41:48 | 0:41:51 | |
The company's registered in Luxembourg, | 0:41:51 | 0:41:54 | |
they have no offices or employees etc, they're just a shell company. | 0:41:54 | 0:41:59 | |
Looks like it's been empty for a while. | 0:41:59 | 0:42:01 | |
Yeah, the articles of incorporation list | 0:42:01 | 0:42:03 | |
Simon Crane as the director of the company. | 0:42:03 | 0:42:06 | |
Is there an address for him? | 0:42:06 | 0:42:08 | |
Right here. | 0:42:08 | 0:42:10 | |
Oh, I don't think he's home. | 0:42:10 | 0:42:13 | |
Not exactly riddled with clues, is it? | 0:42:25 | 0:42:28 | |
Ah, that's interesting. | 0:42:30 | 0:42:32 | |
What? | 0:42:32 | 0:42:33 | |
Hold on. | 0:42:39 | 0:42:41 | |
This is a co-axial cable carrying a video signal from... | 0:42:47 | 0:42:51 | |
Ah. | 0:42:51 | 0:42:52 | |
-What you got? -Hidden camera. | 0:43:05 | 0:43:08 | |
It's proper kit too, the sort our surveillance guys use. | 0:43:11 | 0:43:15 | |
See, the cable runs all the way round there, | 0:43:15 | 0:43:19 | |
through the other side of the wall and then straight downstairs. | 0:43:19 | 0:43:23 | |
Wow, look at this. | 0:43:32 | 0:43:33 | |
Bolted to the floor. | 0:43:34 | 0:43:36 | |
Here's our cable, and... | 0:43:36 | 0:43:39 | |
this is a bracket for a TV. | 0:43:39 | 0:43:41 | |
Feeding pictures from the bedroom... | 0:43:41 | 0:43:44 | |
So whoever was in the chair was forced to watch... | 0:43:44 | 0:43:48 | |
Mrs Mackenna? Detective Superintendent Pullman. | 0:43:48 | 0:43:51 | |
Did you ever spend a night with Simon Crane after your husband disappeared? | 0:43:51 | 0:43:55 | |
Mackenna was grabbed from the train, driven here and put in the basement. | 0:43:57 | 0:44:01 | |
And given Mackenna's aversion to confined spaces, that was probably bad enough. | 0:44:01 | 0:44:05 | |
The next night, Simon Crane invited Bea Mackenna over. | 0:44:05 | 0:44:09 | |
She didn't have a clue her husband was missing - she thought he was still in Paris, | 0:44:09 | 0:44:13 | |
and they ended up having sex in this bedroom. | 0:44:13 | 0:44:15 | |
And Mackenna was forced to watch from the basement. | 0:44:15 | 0:44:18 | |
'He must have been horrified.' | 0:44:18 | 0:44:20 | |
That's how they finally cracked him. | 0:44:20 | 0:44:22 | |
He thought he had a secure, stable home life and they pulled the rug out from underneath him. | 0:44:22 | 0:44:27 | |
-Pretty nasty, eh? -< Have a look at this. | 0:44:27 | 0:44:30 | |
Hang on, Jack. | 0:44:30 | 0:44:31 | |
What? | 0:44:36 | 0:44:37 | |
Look. In the corner. | 0:44:37 | 0:44:38 | |
Where? | 0:44:41 | 0:44:42 | |
In front of the tree. | 0:44:42 | 0:44:44 | |
The foxes have paid more attention to that patch there | 0:44:44 | 0:44:47 | |
than to the rest of the garden. | 0:44:47 | 0:44:49 | |
They can smell something. | 0:44:49 | 0:44:51 | |
-They found him? -The remains in the garden were male - | 0:44:54 | 0:44:57 | |
right height and age. It'll take a few days to confirm, but it's going to be Mackenna. | 0:44:57 | 0:45:01 | |
-So it's a murder charge. -Yeah, if we could ever find anyone to arrest. | 0:45:01 | 0:45:05 | |
Simon Crane. Somewhere there's a trace of that man. | 0:45:05 | 0:45:08 | |
What about Strickland's mate? Maybe he knows more than he's letting on. | 0:45:08 | 0:45:12 | |
But whether he gives it up or not is going to be down to Strickland. | 0:45:12 | 0:45:16 | |
Any luck with Fallon? | 0:45:16 | 0:45:17 | |
Yes, and no. He's pretty certain the document is genuine | 0:45:17 | 0:45:20 | |
and he thinks he knows who sent the e-mails. | 0:45:20 | 0:45:22 | |
-That's a result, isn't it? -Not really. He thinks he's a hacker, only knows him by his nickname - | 0:45:22 | 0:45:28 | |
Ninetails. | 0:45:28 | 0:45:29 | |
-Like the fox? -You what? | 0:45:29 | 0:45:31 | |
Japanese mythology. | 0:45:31 | 0:45:33 | |
Esther did a night class in Japanese painting, few months back. | 0:45:33 | 0:45:38 | |
-There's a god in Japanese mythology, a trickster... -A trickster? | 0:45:38 | 0:45:42 | |
Yeah - a being not to be trusted, that goes out of its way to deceive. | 0:45:42 | 0:45:46 | |
The shape that it usually takes is that of a fox with nine tails. | 0:45:46 | 0:45:51 | |
I thought Esther had lost the plot with the paintbrush | 0:45:51 | 0:45:54 | |
-but, no, nine tails. -Kitsune! -Eh? | 0:45:54 | 0:45:56 | |
Kitsune. That's the name of this Japanese nine-tailed fox! Kitsune. | 0:45:56 | 0:46:00 | |
That's what David Townsend was trying to tell us. | 0:46:00 | 0:46:03 | |
So the word Townsend said to you and the nickname | 0:46:03 | 0:46:06 | |
-of the hacker who sent the document to Bea Mackenna are the same? -Yeah. | 0:46:06 | 0:46:10 | |
But if the hacker was Townsend's original contact, | 0:46:10 | 0:46:13 | |
he helped plan the abduction in the first place. | 0:46:13 | 0:46:16 | |
So what's he doing now sending clues as to what happened? | 0:46:16 | 0:46:19 | |
Maybe he had a change of heart and wanted to make amends. | 0:46:19 | 0:46:23 | |
Maybe Simon Crane double-crossed him and this is payback. | 0:46:23 | 0:46:27 | |
-Or her. I mean, why are we assuming that Ninetails is a man? -Yeah. | 0:46:27 | 0:46:32 | |
The woman on the train, the one who pulled the emergency handle. | 0:46:32 | 0:46:35 | |
And she was savvy enough to avoid the CCTV. | 0:46:35 | 0:46:38 | |
Doyle said they couldn't trace her because her records got mixed up. | 0:46:38 | 0:46:41 | |
Maybe she hacked the databases. | 0:46:41 | 0:46:43 | |
Oh, blimey. If she's that good, what chance have we got of finding her? | 0:46:43 | 0:46:46 | |
She wants us to find her. | 0:46:46 | 0:46:50 | |
Ninetails is a fox. | 0:46:50 | 0:46:53 | |
A fox. | 0:46:53 | 0:46:55 | |
"A. Fox". | 0:46:55 | 0:46:56 | |
DOORBELL RINGS | 0:46:56 | 0:46:58 | |
Sorry, now's not a very good time. | 0:47:07 | 0:47:08 | |
Actually, we'd like to speak to Alice. | 0:47:10 | 0:47:12 | |
Alice? | 0:47:12 | 0:47:13 | |
-Is she in? -No, she... | 0:47:13 | 0:47:15 | |
She's not here. She left. | 0:47:16 | 0:47:19 | |
When's she coming back? | 0:47:19 | 0:47:21 | |
She's not, is she? | 0:47:21 | 0:47:22 | |
Alice Fox. | 0:47:33 | 0:47:35 | |
I was out at a meeting this morning. | 0:47:35 | 0:47:37 | |
When I came back, she'd packed up her things and... | 0:47:37 | 0:47:40 | |
Did she leave a note? | 0:47:41 | 0:47:44 | |
She said she was sorry she'd lied to me. That was it. | 0:47:44 | 0:47:47 | |
What did she lie about? | 0:47:49 | 0:47:51 | |
Everything. | 0:47:51 | 0:47:53 | |
Could we see Alice's office? | 0:47:53 | 0:47:57 | |
Sure. | 0:47:57 | 0:47:58 | |
Simon Crane. | 0:48:28 | 0:48:30 | |
The chops are particularly good tonight, Robert, can I tempt you? | 0:48:31 | 0:48:35 | |
That photograph was left for us by a woman named Alice Fox. | 0:48:35 | 0:48:40 | |
Ah, yes, the delightful Ninetails. | 0:48:40 | 0:48:44 | |
Quite a resourceful character, I'm led to believe. | 0:48:44 | 0:48:47 | |
Japanese mythology. | 0:48:49 | 0:48:50 | |
Just another breadcrumb on a trail | 0:48:50 | 0:48:52 | |
your team followed quite impressively. You should be proud. | 0:48:52 | 0:48:56 | |
Alice left behind her confession, along with that picture. | 0:48:56 | 0:48:59 | |
-Did she happen to mention her real name? -No. | 0:48:59 | 0:49:03 | |
Not much of a confession then, is it? | 0:49:03 | 0:49:04 | |
She was on the train, she pulled the emergency handle | 0:49:04 | 0:49:08 | |
so that Crane could abduct Mackenna. | 0:49:08 | 0:49:10 | |
Crane had hired her to construct the false identities of his associates. | 0:49:10 | 0:49:14 | |
She claims she didn't know he was planning to torture and kill Mackenna. | 0:49:14 | 0:49:18 | |
When she found out, she threatened to blow the whistle | 0:49:18 | 0:49:21 | |
and Crane tried to kill her. She's been in hiding ever since, | 0:49:21 | 0:49:24 | |
trying to gather evidence against Crane. | 0:49:24 | 0:49:26 | |
That sounds about right. | 0:49:26 | 0:49:28 | |
So who is he? | 0:49:28 | 0:49:30 | |
Crane? | 0:49:30 | 0:49:31 | |
Usual story. We trained him, Army Intelligence, then he went freelance. | 0:49:32 | 0:49:38 | |
Abducting Mackenna was the tip of the iceberg. | 0:49:38 | 0:49:40 | |
Simon Crane has been a very naughty boy, I'm afraid. | 0:49:40 | 0:49:44 | |
But he has dirt on all the right people, | 0:49:45 | 0:49:48 | |
so no-one could get the green light to go after him. | 0:49:48 | 0:49:50 | |
But when Alice Fox contacted Bea Mackenna and Bea came to us... | 0:49:50 | 0:49:54 | |
Awkward, yes. I was asked to... gently steer you off the case. | 0:49:54 | 0:50:00 | |
But you didn't want Crane to get away with it. | 0:50:00 | 0:50:03 | |
Well, if I happen to casually let slip a couple of useful details | 0:50:03 | 0:50:06 | |
over a pleasant dinner with an old friend... | 0:50:06 | 0:50:09 | |
So your bosses were quite prepared to let Crane walk away, just to protect their own reputations? | 0:50:09 | 0:50:15 | |
Despite the fact that he'd stolen something worth billions to this country? | 0:50:15 | 0:50:19 | |
Billions? | 0:50:19 | 0:50:21 | |
I rather think not. | 0:50:21 | 0:50:22 | |
Why not? | 0:50:22 | 0:50:24 | |
It doesn't work. | 0:50:27 | 0:50:29 | |
As I'm sure your detectives have gathered by now, | 0:50:29 | 0:50:32 | |
Phillip Mackenna was as mad as a box of frogs. | 0:50:32 | 0:50:36 | |
I'm sure he was quite brilliant in his own way, but cold fusion was a pipe dream, I'm afraid. | 0:50:36 | 0:50:41 | |
-You used us. -Hardly. | 0:50:41 | 0:50:44 | |
Simon Crane wasn't to know cold fusion was dead in the water. | 0:50:44 | 0:50:47 | |
He still abducted and murdered a British citizen | 0:50:47 | 0:50:50 | |
and your people tracked him down. Well done. | 0:50:50 | 0:50:54 | |
Except we don't know where he is. | 0:50:54 | 0:50:56 | |
Oh, that's easy. | 0:50:56 | 0:50:57 | |
He'll be at St Pancras Station tomorrow morning. | 0:50:58 | 0:51:00 | |
He and his associate, Paul Leonard - | 0:51:00 | 0:51:03 | |
whom you'll recognise as the other person you've been looking for - | 0:51:03 | 0:51:07 | |
are booked on the 8:17 to Brussels. | 0:51:07 | 0:51:10 | |
Obviously, you don't have to act on that information, Robert. | 0:51:13 | 0:51:17 | |
Wouldn't want you to feel used. | 0:51:19 | 0:51:21 | |
So what was the point of all this? | 0:51:21 | 0:51:23 | |
This is the intelligence community, Robert. | 0:51:24 | 0:51:27 | |
If you start worrying about the point of it all, | 0:51:27 | 0:51:29 | |
you'll end up tying yourself in all sorts of knots. | 0:51:29 | 0:51:32 | |
Yep. They're here and they're going downstairs. | 0:52:17 | 0:52:20 | |
That's them. | 0:52:22 | 0:52:24 | |
No-one approaches till they go through check-in. I don't want anyone getting hurt. | 0:52:27 | 0:52:31 | |
Crane's buying a newspaper. | 0:52:37 | 0:52:38 | |
-They're very aware of their surroundings. -Yeah. | 0:52:41 | 0:52:44 | |
-Your men are all out of sight, yeah? -Yes, yes. | 0:52:44 | 0:52:47 | |
OK. Here they come. | 0:52:47 | 0:52:49 | |
What's happened? | 0:52:53 | 0:52:54 | |
-I've lost all the signals. -Well, get them back! -Radios are down. | 0:52:54 | 0:52:58 | |
I'm going to change position. | 0:52:59 | 0:53:02 | |
Hello? | 0:53:02 | 0:53:03 | |
Brian, we've lost camera feed, can you see them? Brian? | 0:53:03 | 0:53:07 | |
Brian? ..Gerry, can you hear me? | 0:53:07 | 0:53:10 | |
Governor? ..Sandra? | 0:53:10 | 0:53:13 | |
Can anybody hear me? | 0:53:14 | 0:53:16 | |
Shit! | 0:53:21 | 0:53:23 | |
Hello? Hello? | 0:53:23 | 0:53:25 | |
Can you hear me? | 0:53:45 | 0:53:46 | |
Cos Alice Fox is here. | 0:53:46 | 0:53:48 | |
Hi, Gerry, it's me. | 0:53:49 | 0:53:51 | |
All the radios are down and we've lost CCTV feed. I don't know how. | 0:53:51 | 0:53:55 | |
Yeah, can you make sure that Crane and Leonard don't come back past you? | 0:53:55 | 0:53:59 | |
Have you see Brian? | 0:53:59 | 0:54:01 | |
Yeah. Well, I could a minute ago. Where the bloody hell's he gone?! | 0:54:01 | 0:54:04 | |
OK, cheers. | 0:54:12 | 0:54:13 | |
We've lost contact with Brian, but Gerry's on his way back. ..Jack! | 0:54:13 | 0:54:18 | |
Stop him! | 0:54:34 | 0:54:36 | |
-Stay where you are! -Don't move! | 0:54:41 | 0:54:44 | |
GUNSHOT | 0:56:09 | 0:56:11 | |
There's somebody shooting! Hello? | 0:56:11 | 0:56:14 | |
Excuse me, can I help you? | 0:56:19 | 0:56:22 | |
Yes, please, quick. Come on. | 0:56:22 | 0:56:24 | |
SHE SHRIEKS | 0:56:26 | 0:56:27 | |
-You're all right now! -There's a man up there with a gun! | 0:56:27 | 0:56:31 | |
Get back to the concourse, find a policeman. | 0:56:31 | 0:56:33 | |
-Hold it! Police! -It's me, Brian! | 0:57:03 | 0:57:06 | |
-Where is she? -I was following Crane, I heard a shot. | 0:57:06 | 0:57:09 | |
-Alice Fox. -Alice...? | 0:57:09 | 0:57:10 | |
Oh, shit! | 0:57:14 | 0:57:16 | |
'Well, good luck in finding her, she's well gone.' | 0:57:16 | 0:57:19 | |
How did she know Crane was going to be at the station? | 0:57:19 | 0:57:22 | |
-I imagine she was tipped off by the same person that told us. -Your friend making sure Crane never got away. | 0:57:22 | 0:57:27 | |
Or that Crane didn't embarrass anyone with his testimony. | 0:57:27 | 0:57:30 | |
Good riddance to bad rubbish, if you ask me. Crane, I mean. | 0:57:30 | 0:57:33 | |
-He should have stood trial for murder. -He was never going to stand trial. | 0:57:33 | 0:57:37 | |
-No, he'd have wriggled out of it. -It's still vigilante justice, Brian. | 0:57:37 | 0:57:41 | |
Well, as Gerry says, good luck tracking down Alice Fox. | 0:57:41 | 0:57:44 | |
On the other hand, she might be hiding in the pub! | 0:57:44 | 0:57:47 | |
I'll get the first round in. | 0:57:47 | 0:57:49 | |
Bloody hell! | 0:57:49 | 0:57:50 | |
Yeah, well, don't get used to it. | 0:57:50 | 0:57:52 | |
I don't think there's any danger of that, Sir. | 0:57:52 | 0:57:55 | |
# It's all right It's OK | 0:58:10 | 0:58:13 | |
# Doesn't really matter if you're old and grey | 0:58:13 | 0:58:16 | |
# It's all right I say it's OK | 0:58:16 | 0:58:18 | |
# Listen to what I say | 0:58:18 | 0:58:21 | |
# It's all right, doing fine | 0:58:21 | 0:58:24 | |
# Doesn't really matter if the sun don't shine | 0:58:24 | 0:58:27 | |
# It's all right I say it's OK | 0:58:27 | 0:58:29 | |
# We're gettin' to the end of the day. # | 0:58:29 | 0:58:31 | |
Subtitles by Red Bee Media Ltd | 0:58:31 | 0:58:34 | |
E-mail [email protected] | 0:58:34 | 0:58:37 |