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# It's all right, it's OK | 0:00:02 | 0:00:04 | |
# Doesn't really matter if you're old and grey | 0:00:04 | 0:00:05 | |
# It's all right I say it's OK | 0:00:05 | 0:00:08 | |
# Listen to what I say | 0:00:08 | 0:00:11 | |
# It's all right, doing fine | 0:00:11 | 0:00:13 | |
# Doesn't really matter if the sun don't shine | 0:00:13 | 0:00:16 | |
# It's all right I say it's OK | 0:00:16 | 0:00:19 | |
# We're gettin' to the end of the day. # | 0:00:19 | 0:00:22 | |
Well played, Junior! Now give it and go! | 0:00:33 | 0:00:36 | |
Right wing, right wing! | 0:00:36 | 0:00:38 | |
You all right, son? | 0:00:40 | 0:00:42 | |
-Gerry? -I'm OK, Grandad! | 0:00:42 | 0:00:44 | |
Are you sure? Good boy, you're playing well. Keep it up. | 0:00:44 | 0:00:47 | |
Come on, son! Go in hard, like we spoke about! | 0:00:47 | 0:00:50 | |
Berk... | 0:00:50 | 0:00:52 | |
He's a good little player, your grandson. | 0:00:52 | 0:00:54 | |
Well played, well played! Nice, very nice! | 0:00:55 | 0:00:59 | |
Gets it from his mum. | 0:00:59 | 0:01:00 | |
She was the best player in her school. | 0:01:00 | 0:01:03 | |
Get away. | 0:01:03 | 0:01:04 | |
My Paula. Not many. | 0:01:04 | 0:01:05 | |
She had trials with West Ham Ladies. | 0:01:05 | 0:01:07 | |
-West Ham? -Yeah. They train two or three times a week. | 0:01:07 | 0:01:10 | |
Where's Scampy gone? | 0:01:11 | 0:01:13 | |
I think he wants a trial with West Ham! | 0:01:13 | 0:01:15 | |
Scampy! | 0:01:15 | 0:01:17 | |
Scampy! | 0:01:18 | 0:01:19 | |
They think it's all over! It is now. | 0:01:20 | 0:01:23 | |
Come here! | 0:01:24 | 0:01:26 | |
Give it 'ere! Give me the ball! | 0:01:27 | 0:01:31 | |
'The world of tennis is in mourning today | 0:01:32 | 0:01:34 | |
'at the death of the British junior number one...' | 0:01:34 | 0:01:37 | |
Alice Kemp. | 0:01:37 | 0:01:38 | |
'..16-year-old Alice Kemp at this exclusive London apartment complex.' | 0:01:38 | 0:01:41 | |
Fawn Bramall. There you go. | 0:01:41 | 0:01:44 | |
'Kemp, seen here in the white...' | 0:01:46 | 0:01:48 | |
Pretty little thing. | 0:01:48 | 0:01:49 | |
'..was twice British Junior Ladies Champion | 0:01:49 | 0:01:51 | |
'and a 2012 Olympic hopeful.' | 0:01:51 | 0:01:53 | |
Six hours after this match finished she took a dive | 0:01:54 | 0:01:57 | |
from the balcony of her penthouse apartment. | 0:01:57 | 0:02:00 | |
Her family all thought it was suicide, | 0:02:00 | 0:02:02 | |
but the original investigation couldn't confirm that | 0:02:02 | 0:02:05 | |
so the coroner recorded an open verdict. | 0:02:05 | 0:02:07 | |
In the middle of the second set, the heavens opened | 0:02:07 | 0:02:10 | |
and rain stopped play for about 30 minutes. | 0:02:10 | 0:02:13 | |
When the match resumed, Alice's game fell apart. | 0:02:13 | 0:02:16 | |
Fawn Bramall came back to win 0-6, 6-4... | 0:02:16 | 0:02:19 | |
6-2, if I remember rightly. | 0:02:19 | 0:02:22 | |
It's a gift. | 0:02:22 | 0:02:24 | |
Alice was led off the court in tears and six hours later she was dead. | 0:02:31 | 0:02:35 | |
Poor kid. | 0:02:35 | 0:02:36 | |
So why reopen the case now? | 0:02:41 | 0:02:43 | |
The Border Agency raided the same apartment complex | 0:02:43 | 0:02:45 | |
a few nights ago on a tip-off. | 0:02:45 | 0:02:47 | |
They arrested four illegal immigrants working as cleaning staff. | 0:02:47 | 0:02:50 | |
One of them, an Abeje Sekibo | 0:02:50 | 0:02:52 | |
now says that she was working on the night of Alice's death | 0:02:52 | 0:02:56 | |
and claims she heard Alice's raised voice coming from her apartment | 0:02:56 | 0:03:00 | |
at around 10.15, which was ten minutes before the body was found. | 0:03:00 | 0:03:03 | |
So you think, what, she might have been pushed? | 0:03:03 | 0:03:07 | |
So, anyone for tennis? | 0:03:07 | 0:03:09 | |
-Cheers. -No problem. | 0:03:15 | 0:03:18 | |
Is this cool, or what? | 0:03:19 | 0:03:20 | |
-Very nice. -Look at that view! | 0:03:20 | 0:03:23 | |
But hang on, how could Alice afford a pad like this? | 0:03:23 | 0:03:27 | |
I thought she was an amateur. | 0:03:27 | 0:03:30 | |
The suite was rented on a short-term lease | 0:03:30 | 0:03:32 | |
for the duration of the tournament | 0:03:32 | 0:03:34 | |
and paid for by Alice's agent, Anthony Marshall. | 0:03:34 | 0:03:37 | |
Initial forensics reports came up blank, | 0:03:37 | 0:03:39 | |
no signs of a struggle or anything untoward. | 0:03:39 | 0:03:41 | |
And the apartment's had a total refit since then, | 0:03:41 | 0:03:44 | |
so there would be no point in calling them back. | 0:03:44 | 0:03:46 | |
-Visitors? -Alice's mother Victoria | 0:03:46 | 0:03:48 | |
and her sister Jess were the last ones to see her alive. | 0:03:48 | 0:03:50 | |
They left around six. | 0:03:50 | 0:03:52 | |
Well, this railing's certainly low enough for somebody to fall over. | 0:03:52 | 0:03:56 | |
Yeah, and that is where she fell from. | 0:03:56 | 0:04:00 | |
Did anyone from over there report seeing anything? | 0:04:00 | 0:04:04 | |
Uniform did an extensive door-to-door, but nothing. | 0:04:04 | 0:04:07 | |
-CCTV? -There isn't any. | 0:04:07 | 0:04:09 | |
However, there is a secure entry system to the foyer. | 0:04:09 | 0:04:13 | |
Alice would have had to buzz anyone in who wanted to come up. | 0:04:13 | 0:04:16 | |
So we can be pretty sure that if there was someone else here that night, Alice knew who they were. | 0:04:16 | 0:04:20 | |
Unless they had a key. | 0:04:20 | 0:04:21 | |
So check out who did have keys, | 0:04:21 | 0:04:23 | |
including the people who leased it before she did. | 0:04:23 | 0:04:25 | |
Also check out the phone records and see if she made any calls that night. | 0:04:25 | 0:04:28 | |
-Yeah, OK, will do. -Lets see the photos. -All right. -Thank you. | 0:04:28 | 0:04:33 | |
Right, this is a still taken from the match. | 0:04:33 | 0:04:35 | |
That's Anthony Marshall, Alice's agent. | 0:04:35 | 0:04:38 | |
That's her mother, Victoria Kemp, her sister Jess | 0:04:38 | 0:04:40 | |
and her coach Nick Hoyle. | 0:04:40 | 0:04:43 | |
And this is Fawn Bramall's mother, Irina. | 0:04:43 | 0:04:46 | |
What about their fathers? Where are they in all this? | 0:04:46 | 0:04:49 | |
Fawn's father is a millionaire businessman | 0:04:49 | 0:04:50 | |
who was abroad at the time | 0:04:50 | 0:04:52 | |
and Alice's father, David Kemp, hasn't been on the scene for years. | 0:04:52 | 0:04:56 | |
Right, so where do we start? | 0:04:56 | 0:04:58 | |
I'll take the manager. | 0:04:58 | 0:05:00 | |
I'll take the coach. | 0:05:00 | 0:05:01 | |
Good. Gerry, you're with me. | 0:05:01 | 0:05:03 | |
Oh, all right. | 0:05:03 | 0:05:05 | |
I don't know why we bother with tennis in England anymore. | 0:05:05 | 0:05:08 | |
You don't bother with tennis in England. | 0:05:08 | 0:05:10 | |
We take it a bit more seriously in Scotland. Mr Murray - I rest my case. | 0:05:10 | 0:05:13 | |
-He's British! -He's Scottish! | 0:05:13 | 0:05:15 | |
Humble beginnings for a future tennis star. | 0:05:17 | 0:05:20 | |
Alice was a working-class girl made good, | 0:05:20 | 0:05:22 | |
that's why the press loved her. | 0:05:22 | 0:05:24 | |
-Hello. Are you Jess Kemp? -Yeah. | 0:05:24 | 0:05:26 | |
Is your mum in? | 0:05:26 | 0:05:27 | |
She's just getting ready. She should be out in a minute. | 0:05:27 | 0:05:30 | |
OK, ready. | 0:05:30 | 0:05:31 | |
Victoria Kemp? | 0:05:31 | 0:05:33 | |
-Yes. -Detective Superintendent Pullman. | 0:05:33 | 0:05:36 | |
This is my colleague Gerry Standing. | 0:05:36 | 0:05:38 | |
We're from the unsolved crime and open case squad. | 0:05:38 | 0:05:40 | |
Have you got a couple of minutes? It's quite important. | 0:05:40 | 0:05:43 | |
If it's about Alice, I want to hear it. | 0:05:43 | 0:05:45 | |
I am nearly 14, you know. | 0:05:45 | 0:05:47 | |
Is it? About Alice, I mean? | 0:05:47 | 0:05:50 | |
Yeah. | 0:05:50 | 0:05:51 | |
Thank you. | 0:05:54 | 0:05:56 | |
So do you really think that Alice might not have killed herself? | 0:05:58 | 0:06:03 | |
That's just a possibility at this stage. | 0:06:03 | 0:06:06 | |
-Can I help? -Here we go. | 0:06:06 | 0:06:08 | |
Ah, thank you. You shouldn't have gone to so much trouble. | 0:06:08 | 0:06:11 | |
I insist. Milk and sugar? | 0:06:11 | 0:06:13 | |
-Just milk, please. Thank you. -Bit of both for me, thank you. | 0:06:13 | 0:06:16 | |
We know that this is very difficult for you, | 0:06:16 | 0:06:18 | |
so we'll try and make it as quick as possible. | 0:06:18 | 0:06:21 | |
At the time of Alice's death, was anything troubling her? | 0:06:21 | 0:06:26 | |
Problems with friends, or boyfriends. | 0:06:26 | 0:06:29 | |
No, there was never any time for anything like that. | 0:06:29 | 0:06:31 | |
-Thank you. -It was all about the tennis with Alice. | 0:06:31 | 0:06:34 | |
If that was going well, then everything was going well. | 0:06:34 | 0:06:36 | |
So before the match, she was happy? | 0:06:36 | 0:06:40 | |
Very. She'd made the final, her form was good, | 0:06:40 | 0:06:43 | |
she was about to turn professional. | 0:06:43 | 0:06:45 | |
There was nothing to be unhappy about. | 0:06:45 | 0:06:47 | |
I hope you don't mind me saying this, | 0:06:47 | 0:06:49 | |
but Alice seemed awfully young | 0:06:49 | 0:06:50 | |
to be staying in that apartment on her own. | 0:06:50 | 0:06:53 | |
Alice was very strong-willed, very mature for her age. | 0:06:53 | 0:06:55 | |
What Alice wanted, she usually got. | 0:06:55 | 0:06:58 | |
When you and Jess last saw her in that apartment, how was she? | 0:06:58 | 0:07:03 | |
She was still very upset about losing the match. | 0:07:03 | 0:07:06 | |
We wanted to stay with her, but she insisted she be left alone. | 0:07:06 | 0:07:09 | |
Alice hated losing, didn't she, Mum? | 0:07:09 | 0:07:12 | |
Always did, even as a child. | 0:07:12 | 0:07:14 | |
Sometimes she would sulk for days cos she'd lost an important match. | 0:07:14 | 0:07:18 | |
Is that why you felt that she took her own life, | 0:07:18 | 0:07:20 | |
because she lost that final? | 0:07:20 | 0:07:22 | |
What other reason could there be? | 0:07:23 | 0:07:25 | |
Thank you so much, see you next week. | 0:07:35 | 0:07:38 | |
Anthony Marshall, please. | 0:07:41 | 0:07:42 | |
Our books are full. Try these, they might be able to help. | 0:07:44 | 0:07:48 | |
"Fuglies - the casting agency for the less-than-beautiful." | 0:07:51 | 0:07:57 | |
Brian Lane, UCOS. | 0:08:00 | 0:08:02 | |
Mr Marshall, there's a Mr Lane here to see you. | 0:08:07 | 0:08:11 | |
-Does he do dogs, then? -What? | 0:08:11 | 0:08:13 | |
Mr Marshall. Does he represent dogs? | 0:08:13 | 0:08:15 | |
He doesn't, but his associate Mr Hemmings represents | 0:08:15 | 0:08:18 | |
a variety of animal actors, yes. | 0:08:18 | 0:08:20 | |
That particular client made over a quarter of a million in appearance fees last year. | 0:08:20 | 0:08:25 | |
What?! Quarter of a million. Bloody hell! | 0:08:25 | 0:08:28 | |
Unfortunately for you, he doesn't represent fleas. | 0:08:28 | 0:08:31 | |
-Sorry? -Wait over there. | 0:08:31 | 0:08:34 | |
Do you have any idea why her form dropped so dramatically | 0:08:41 | 0:08:45 | |
after the rain break? | 0:08:45 | 0:08:47 | |
Tell them, Mum. | 0:08:50 | 0:08:51 | |
Dad went into Alice's locker room during the rain break. | 0:08:55 | 0:08:58 | |
How do you know this? | 0:08:58 | 0:09:00 | |
I went there too. | 0:09:00 | 0:09:01 | |
Is this true? | 0:09:03 | 0:09:04 | |
Jess, why don't you wait in your room? Please. | 0:09:05 | 0:09:09 | |
Thanks, Jess. | 0:09:09 | 0:09:11 | |
Did Jess say what her father wanted? | 0:09:12 | 0:09:14 | |
No, thank you. | 0:09:14 | 0:09:15 | |
She wouldn't know. | 0:09:17 | 0:09:18 | |
He asked her to leave so that he could talk to Alice alone. | 0:09:18 | 0:09:22 | |
And you never said anything about this at the time? | 0:09:22 | 0:09:24 | |
I didn't find out until months later, when Jess told me. | 0:09:25 | 0:09:29 | |
David wasn't good news. | 0:09:31 | 0:09:33 | |
He left us a long time ago | 0:09:33 | 0:09:34 | |
and his contact with the girls has been inconsistent to say the least. | 0:09:34 | 0:09:37 | |
Have you ever denied him access to the girls? | 0:09:39 | 0:09:42 | |
Sorry. Can you say that again? | 0:09:48 | 0:09:51 | |
Have you ever denied David access to the girls? | 0:09:51 | 0:09:53 | |
No, the opposite, I encouraged it, | 0:09:53 | 0:09:55 | |
but he wouldn't always turn up when he promised | 0:09:55 | 0:09:57 | |
and the girls could get quite upset. | 0:09:57 | 0:10:00 | |
-Where he is now? -I haven't seen him since the funeral. | 0:10:00 | 0:10:03 | |
Ah, Fawn Bramall. | 0:10:08 | 0:10:10 | |
You represent her as well? | 0:10:10 | 0:10:13 | |
Yes. Fawn came on board shortly after Alice's death. | 0:10:13 | 0:10:18 | |
According to the file, you paid for Alice's apartment. | 0:10:19 | 0:10:23 | |
Did you have a key? | 0:10:23 | 0:10:24 | |
I don't honestly recall. But if I did I certainly never used it. | 0:10:24 | 0:10:29 | |
Why such a fancy apartment? | 0:10:29 | 0:10:31 | |
I had scheduled a press conference for right after the final. | 0:10:32 | 0:10:37 | |
Alice was going to announce that she was turning professional. | 0:10:37 | 0:10:40 | |
The apartment was a gift from me. | 0:10:40 | 0:10:44 | |
That was very generous. | 0:10:44 | 0:10:45 | |
I wanted Alice to have a taste of what her new life would be like. | 0:10:45 | 0:10:50 | |
First class travel, Michelin star restaurants. | 0:10:50 | 0:10:53 | |
She was really going to be that good? | 0:10:53 | 0:10:56 | |
Not GOOD, Mr Lane, the best. | 0:10:56 | 0:10:59 | |
Alice had it all - talent, looks, and charisma. | 0:10:59 | 0:11:04 | |
You know, World Tennis Magazine estimated her career earnings | 0:11:04 | 0:11:08 | |
in the tens of millions. | 0:11:08 | 0:11:11 | |
From which you'd be taking a hefty slice, I imagine. | 0:11:11 | 0:11:14 | |
You know, Alice was 13 years old when I signed her. | 0:11:16 | 0:11:21 | |
Did you know that, Mr Lane? | 0:11:21 | 0:11:22 | |
I spent the next three years AND a small fortune | 0:11:22 | 0:11:26 | |
building up her media profile. | 0:11:26 | 0:11:30 | |
Did you talk to her after the match? | 0:11:30 | 0:11:32 | |
I tried to talk to her in her locker room, but... | 0:11:32 | 0:11:35 | |
she was too distressed, | 0:11:36 | 0:11:37 | |
the poor girl wasn't making any kind of sense. | 0:11:37 | 0:11:39 | |
So you didn't go to her apartment that evening? | 0:11:39 | 0:11:42 | |
No, I was here. On the phone. | 0:11:42 | 0:11:45 | |
Obviously, Alice was so distraught I had to cancel the press conference. | 0:11:45 | 0:11:49 | |
It was a public relations nightmare. | 0:11:49 | 0:11:52 | |
The rest of the evening I was dealing with the media fallout | 0:11:52 | 0:11:55 | |
and trying to reassure all the sponsors that I'd signed up. | 0:11:55 | 0:11:58 | |
Must have been costly. | 0:11:58 | 0:12:00 | |
I lost a lot more than money that day, Mr Lane. | 0:12:02 | 0:12:05 | |
A talent like Alice's doesn't come along very often. | 0:12:05 | 0:12:09 | |
Sounds like she was more than just a client. | 0:12:09 | 0:12:12 | |
She was. She was like a daughter to me. | 0:12:14 | 0:12:17 | |
I sometimes wonder, Mr Lane, | 0:12:19 | 0:12:21 | |
if Alice's real father hadn't been such a wastrel whether... | 0:12:21 | 0:12:25 | |
she wouldn't still be with us now. | 0:12:25 | 0:12:28 | |
How did Jess react to Alice's death? | 0:12:30 | 0:12:33 | |
The only way she knew how - to throw herself into her sport. | 0:12:35 | 0:12:37 | |
And you allowed her to pursue a career in tennis after what happened to Alice? | 0:12:37 | 0:12:41 | |
I didn't really have a choice. | 0:12:41 | 0:12:43 | |
After what happened to Alice | 0:12:43 | 0:12:44 | |
I was ready to walk away from tennis altogether. | 0:12:44 | 0:12:46 | |
I hated it for the pressure that it put on her. | 0:12:46 | 0:12:48 | |
But Jess has other ideas? | 0:12:48 | 0:12:51 | |
She idolised Alice, she wanted to follow in her footsteps. | 0:12:51 | 0:12:54 | |
So after Alice's death, | 0:12:54 | 0:12:55 | |
it just made her all the more determined to succeed. | 0:12:55 | 0:12:59 | |
Is she any good? | 0:12:59 | 0:13:00 | |
Nick, her trainer, thinks that she might even be better than Alice. | 0:13:01 | 0:13:05 | |
-Nick Hoyle? Alice's old coach? -Yeah. | 0:13:05 | 0:13:10 | |
Look, don't get me wrong, I'm not one of them pushy tennis mothers | 0:13:10 | 0:13:13 | |
that you see at all the tournaments, I hate those types. | 0:13:13 | 0:13:15 | |
But after what happened to Alice I just want Jess to be happy, | 0:13:15 | 0:13:20 | |
and tennis is what makes her happy. | 0:13:20 | 0:13:24 | |
Swing out to the point of contact, shift your weight forward | 0:13:24 | 0:13:27 | |
and then follow through. | 0:13:27 | 0:13:29 | |
OK? | 0:13:29 | 0:13:30 | |
Good girl, try again. | 0:13:30 | 0:13:31 | |
-That's Nick just there. -Thanks. | 0:13:31 | 0:13:34 | |
Mr Hoyle? Can you spare a moment? | 0:13:34 | 0:13:37 | |
Clive, can you take over with Rebecca, please? | 0:13:37 | 0:13:40 | |
-We're working on her forehand. -Yep. | 0:13:40 | 0:13:42 | |
My name's Steve McAndrew. | 0:13:42 | 0:13:44 | |
I'm from the Unsolved Crime and Open Case Squad. | 0:13:44 | 0:13:46 | |
Business looks to be booming, Mr Hoyle. | 0:13:48 | 0:13:50 | |
Train a Junior Grand Slam winner or two | 0:13:50 | 0:13:52 | |
and you'll be surprised at how many parents suddenly want your services. | 0:13:52 | 0:13:55 | |
It's Nick, please. | 0:13:55 | 0:13:57 | |
Are any of these kids look like Grand Slam winners? | 0:13:57 | 0:14:00 | |
Unfortunately, for many, it's already too late. | 0:14:00 | 0:14:03 | |
In places like Russia they've got academies teaching four-year-olds. | 0:14:03 | 0:14:06 | |
By the time their players reach the professional circuit | 0:14:06 | 0:14:08 | |
they've already been playing for 12, 14 years. | 0:14:08 | 0:14:10 | |
Our kids simply can't make up that lost ground. | 0:14:10 | 0:14:13 | |
Your services can't come cheap. | 0:14:13 | 0:14:15 | |
How could someone from Alice's background afford that? | 0:14:15 | 0:14:18 | |
To be honest with you, Mr McAndrew, most of the children I teach here | 0:14:18 | 0:14:21 | |
are the talentless offspring | 0:14:21 | 0:14:22 | |
of over-pushy parents with too much money. | 0:14:22 | 0:14:24 | |
-That's very candid. -But true. | 0:14:24 | 0:14:26 | |
Someone with Alice's natural ability doesn't come along that often. | 0:14:26 | 0:14:29 | |
I couldn't let a talent like that go to waste. | 0:14:29 | 0:14:32 | |
So you taught Alice for free? | 0:14:32 | 0:14:33 | |
And her sister, Jess, | 0:14:33 | 0:14:35 | |
it's my way of giving something back | 0:14:35 | 0:14:37 | |
to a sport that's given me so much. | 0:14:37 | 0:14:39 | |
Can you think of anyone who'd want to hurt Alice? | 0:14:39 | 0:14:41 | |
Everyone loved Alice. | 0:14:43 | 0:14:44 | |
Everyone? | 0:14:44 | 0:14:45 | |
Look, I shouldn't really be saying this, | 0:14:47 | 0:14:48 | |
but if you're looking for someone who actually benefited from Alice's death, | 0:14:48 | 0:14:52 | |
you might want to try Fawn and Irina Bramall. | 0:14:52 | 0:14:54 | |
What, because of this rivalry they always had? | 0:14:54 | 0:14:56 | |
Because, with Alice out of the way, | 0:14:56 | 0:14:58 | |
Fawn became British tennis's number one poster girl. | 0:14:58 | 0:15:01 | |
All right, spit it out. | 0:15:04 | 0:15:05 | |
What? | 0:15:05 | 0:15:07 | |
You haven't said a word all the way back, what's up? | 0:15:07 | 0:15:10 | |
Nah, you don't want to hear about it. | 0:15:10 | 0:15:12 | |
Try me, Gerry. | 0:15:12 | 0:15:15 | |
Well, it's stupid, really, | 0:15:16 | 0:15:19 | |
but seeing Victoria and Jess, | 0:15:19 | 0:15:21 | |
and seeing how much Victoria supports her, | 0:15:21 | 0:15:23 | |
it made me think of my eldest. | 0:15:23 | 0:15:25 | |
Well, you know Paula, she was a fantastic footballer. | 0:15:26 | 0:15:30 | |
-Footballer? -Yeah, yeah, real star. | 0:15:30 | 0:15:34 | |
And then, just after her 16th birthday | 0:15:34 | 0:15:36 | |
she comes up to me and says, | 0:15:36 | 0:15:37 | |
"I don't want to play any more, I'm bored with it." | 0:15:37 | 0:15:39 | |
What did you do? | 0:15:39 | 0:15:41 | |
I said to her, "It's your choice. You're a bright girl. | 0:15:41 | 0:15:44 | |
"If you don't want to play football you don't have to." | 0:15:44 | 0:15:47 | |
And you're thinking you should have encouraged her to stick with it? | 0:15:47 | 0:15:50 | |
Yes, maybe I should have forced her to stick with it. | 0:15:50 | 0:15:52 | |
I don't know, Gerry. I think kids are under enough pressure these days | 0:15:52 | 0:15:55 | |
without parents forcing them to do something they don't want to do. | 0:15:55 | 0:15:59 | |
But she might have made a real go of it, you know, | 0:15:59 | 0:16:02 | |
turned professional even. | 0:16:02 | 0:16:03 | |
There's a lot of money now in women's football, you know. | 0:16:03 | 0:16:06 | |
-Have you talked to her about it? -No. | 0:16:07 | 0:16:09 | |
No, I'm no good at talking about feelings, | 0:16:09 | 0:16:12 | |
especially to the kids. | 0:16:12 | 0:16:14 | |
And what if I did talk to her, | 0:16:14 | 0:16:16 | |
and it turns out she does blame me for not pushing her hard enough? | 0:16:16 | 0:16:20 | |
That it's my fault that she hasn't lived the sort of life | 0:16:20 | 0:16:24 | |
that she wanted to. What then? | 0:16:24 | 0:16:26 | |
Well, if it makes you feel any better, | 0:16:26 | 0:16:29 | |
every time my mother forced me to do something I didn't want to, | 0:16:29 | 0:16:32 | |
I fought against it tooth and nail. | 0:16:32 | 0:16:35 | |
Why am I not at all surprised? | 0:16:36 | 0:16:38 | |
I mean, a quarter of a million a year, for a dog! | 0:16:40 | 0:16:43 | |
It's not to be sniffed at. | 0:16:43 | 0:16:46 | |
He wasn't even very nice looking, not like Scampy. | 0:16:46 | 0:16:49 | |
Any luck with Alice's phone records? | 0:16:49 | 0:16:51 | |
-Came up blank. -What about keys? | 0:16:51 | 0:16:53 | |
Turns out they were those electronic swipe kind, | 0:16:53 | 0:16:56 | |
the kind you re-programme with each new tenant. | 0:16:56 | 0:16:58 | |
So no-one who had the flat before Alice could have let themselves in. | 0:16:58 | 0:17:01 | |
Who did she give copies to? | 0:17:01 | 0:17:03 | |
Her mother Victoria had one, | 0:17:03 | 0:17:04 | |
but she and Jess left the flat around six. | 0:17:04 | 0:17:07 | |
The only other person with a key was Anthony Marshall. | 0:17:07 | 0:17:09 | |
-But he reckons he was in his office on the phone at the time Alice died. -Thank you. Anyone corroborate that? | 0:17:09 | 0:17:14 | |
Not yet, but I've put in a request for his phone records. | 0:17:14 | 0:17:17 | |
But I'm sure he was holding out about something on me. | 0:17:17 | 0:17:20 | |
That doesn't make any sense. | 0:17:20 | 0:17:22 | |
Why kill the goose that lays the golden egg? | 0:17:22 | 0:17:24 | |
Alice's death must have cost Marshall millions in lost commission. | 0:17:24 | 0:17:27 | |
Not like Irina and Fawn Bramall by the way, who according to Nick Hoyle | 0:17:27 | 0:17:30 | |
have made a ton of money since Alice's died. | 0:17:30 | 0:17:32 | |
But that makes even less sense, | 0:17:32 | 0:17:34 | |
the Bramalls already had more money than they knew what to do with. | 0:17:34 | 0:17:37 | |
Bingo! I've got an address for Alice's dad. | 0:17:37 | 0:17:40 | |
A house in East London where his benefits are registered to. | 0:17:40 | 0:17:45 | |
-Oh, he's on benefits, is he? -Is he?! Not many! | 0:17:45 | 0:17:47 | |
Listen to this. He's had 23 different addresses in 11 years, | 0:17:47 | 0:17:52 | |
all of which he left owing back-rent. | 0:17:52 | 0:17:54 | |
He's got ten credit cards, all maxed out, | 0:17:54 | 0:17:56 | |
and nine bank accounts, all overdrawn. | 0:17:56 | 0:17:58 | |
-He must owe thousands. -He's a real prince, this one. | 0:17:58 | 0:18:01 | |
He walks out when Alice is six and Jess is one, | 0:18:01 | 0:18:04 | |
doesn't pay a penny in child maintenance, | 0:18:04 | 0:18:07 | |
hardly keeps any contact with the kids over the years | 0:18:07 | 0:18:10 | |
and then suddenly pitches up just as Alice is about to hit the big time. | 0:18:10 | 0:18:14 | |
Presumably, to get a cut of the action. | 0:18:14 | 0:18:17 | |
Now there's a thought, maybe he went back to Alice's apartment later, | 0:18:17 | 0:18:21 | |
asked her for some more money, she refused... | 0:18:21 | 0:18:23 | |
No, that makes no sense at all! | 0:18:23 | 0:18:26 | |
Listen, this bloke is skint! | 0:18:26 | 0:18:28 | |
I hear what you're saying... | 0:18:28 | 0:18:30 | |
You're not listening to what I'm saying... | 0:18:30 | 0:18:32 | |
DOORBELL RINGS | 0:18:34 | 0:18:37 | |
Grandad! | 0:18:37 | 0:18:38 | |
Where's Gerry? | 0:18:38 | 0:18:40 | |
-I'm him. -No you're not, you're a leprechaun. | 0:18:40 | 0:18:43 | |
Mum, Grandad's here. | 0:18:43 | 0:18:45 | |
This is a pleasant surprise. Cup of tea? | 0:18:45 | 0:18:48 | |
No thanks, I'm fine. | 0:18:48 | 0:18:50 | |
I've got a lovely bar of chocolate for someone. | 0:18:50 | 0:18:54 | |
Yeah, it's for your mummy. | 0:18:54 | 0:18:56 | |
So you better have these, eh? | 0:18:56 | 0:18:58 | |
Thanks, Grandad! | 0:18:58 | 0:18:59 | |
He's about to go to bed, Dad. | 0:18:59 | 0:19:02 | |
You can have them in the morning, all right, mate? | 0:19:02 | 0:19:04 | |
OK, Grandad. | 0:19:04 | 0:19:05 | |
You jump into bed and I'll come up and read you a story. | 0:19:05 | 0:19:07 | |
And don't forget to clean your teeth! | 0:19:07 | 0:19:09 | |
"Grandad". I'm never going to get used to being called that. | 0:19:10 | 0:19:13 | |
Everything all right? | 0:19:13 | 0:19:15 | |
Yeah, yeah, I was just local, | 0:19:15 | 0:19:18 | |
thought I'd pop in and see how the boy is, see how you are. | 0:19:18 | 0:19:22 | |
You saw us yesterday when you took Gerry Junior to football. | 0:19:22 | 0:19:25 | |
Yeah, I know, I know. | 0:19:25 | 0:19:27 | |
Are you sure everything's all right, Dad? | 0:19:28 | 0:19:30 | |
I'm all right if you're all right. | 0:19:30 | 0:19:32 | |
What I mean is, are you happy with your lot... | 0:19:33 | 0:19:36 | |
and everything? | 0:19:36 | 0:19:38 | |
You're acting very strange, Dad, is there something you want to ask me? | 0:19:38 | 0:19:42 | |
Grandad! | 0:19:42 | 0:19:44 | |
-What? -What about that story? | 0:19:44 | 0:19:47 | |
All right, mate, go on. Up to bed. | 0:19:47 | 0:19:50 | |
Kids, eh? Who'd have them? | 0:19:50 | 0:19:53 | |
Esther! | 0:20:05 | 0:20:07 | |
Esther?! | 0:20:07 | 0:20:08 | |
What is it? | 0:20:08 | 0:20:09 | |
-Have you seen my old Leica? -What? -Me camera, woman, I need it. | 0:20:09 | 0:20:13 | |
What for? | 0:20:13 | 0:20:15 | |
I want some head shots of Scampy. | 0:20:15 | 0:20:17 | |
Ah, here it is. | 0:20:19 | 0:20:21 | |
Yes! Now remind me to get some film in the morning, will you? | 0:20:23 | 0:20:27 | |
I know I'm going to regret asking this, | 0:20:27 | 0:20:29 | |
but why do you need head shots of Scampy? | 0:20:29 | 0:20:31 | |
Because you're going to be a film star, aren't you, son?! | 0:20:31 | 0:20:35 | |
Oh. | 0:20:35 | 0:20:37 | |
Smile, Fawn, you're meant to be sexy, not constipated. | 0:20:39 | 0:20:44 | |
Irina Bramall? | 0:20:44 | 0:20:46 | |
Yes. | 0:20:46 | 0:20:48 | |
Detective Superintendent Pullman, | 0:20:48 | 0:20:49 | |
this is my colleague Gerry Standing, we're from UCOS. | 0:20:49 | 0:20:53 | |
Is this about those parking tickets? | 0:20:53 | 0:20:56 | |
No, we're re-investigating the death of Alice Kemp. | 0:20:56 | 0:20:58 | |
Oh! | 0:20:58 | 0:21:01 | |
You don't seem very surprised that we're looking into Alice's death. | 0:21:01 | 0:21:04 | |
Not surprised, not bothered. Nothing to do with us. | 0:21:04 | 0:21:07 | |
Smile girl, for goodness' sake! | 0:21:10 | 0:21:14 | |
Mr Kemp? | 0:21:21 | 0:21:23 | |
Mr Kemp? | 0:21:52 | 0:21:54 | |
HE KNOCKS ON DOOR | 0:22:07 | 0:22:09 | |
According to the press, there was animosity between Fawn and Alice. | 0:22:12 | 0:22:15 | |
In fact, some say they hated each other. | 0:22:15 | 0:22:17 | |
They were rivals since they were seven years old, what do you expect? | 0:22:17 | 0:22:21 | |
Did either of you have any contact with Alice after that last match? | 0:22:21 | 0:22:24 | |
Why would we? | 0:22:24 | 0:22:27 | |
Straight after the final we went out for a small celebratory dinner. | 0:22:27 | 0:22:31 | |
All the excitement was too much for Fawn. | 0:22:32 | 0:22:36 | |
She didn't feel well, so I took her home and had her in bed by eight. | 0:22:36 | 0:22:39 | |
And you have people who can verify that, do you? | 0:22:39 | 0:22:42 | |
My husband was away on business, | 0:22:42 | 0:22:43 | |
but we have staff that can back up my story, yes. | 0:22:43 | 0:22:46 | |
I bet you do. | 0:22:46 | 0:22:48 | |
Listen, I appreciate that with Alice out of the way, | 0:22:48 | 0:22:52 | |
we have inherited all this. | 0:22:52 | 0:22:55 | |
But I can assure you, we have nothing to do with her death. | 0:22:55 | 0:22:57 | |
And you're happy with this, are you? | 0:22:57 | 0:22:59 | |
Your own daughter being treated like a cheap glamour model. | 0:22:59 | 0:23:02 | |
For a female sports star, all this is part of the job. | 0:23:02 | 0:23:05 | |
Is it(?) Well, I've seen enough. | 0:23:05 | 0:23:08 | |
-Oi! -Gerry! | 0:23:08 | 0:23:10 | |
That's it, you've taken your last photograph. | 0:23:10 | 0:23:12 | |
Come on, kid, cover yourself up. There you go. | 0:23:12 | 0:23:16 | |
Why don't you take her home, eh? | 0:23:17 | 0:23:19 | |
Fawn, before you go, we've been speaking to Alice's sister. | 0:23:19 | 0:23:22 | |
You've seen Jess? How is she? | 0:23:22 | 0:23:25 | |
She's fine. Do you know her well? | 0:23:25 | 0:23:27 | |
No, she doesn't. | 0:23:27 | 0:23:29 | |
According to Jess, their father came into Alice's locker room | 0:23:30 | 0:23:33 | |
during the rain break. | 0:23:33 | 0:23:34 | |
Did you happen to overhear what they were talking about? | 0:23:34 | 0:23:36 | |
Listen, can we stop this? Fawn doesn't know anything. | 0:23:36 | 0:23:39 | |
The girls' locker rooms were on opposite sides of the building, | 0:23:39 | 0:23:42 | |
so she couldn't have heard anything. | 0:23:42 | 0:23:44 | |
Instead of wasting your time interrogating innocent people, | 0:23:44 | 0:23:48 | |
why don't you focus on someone who had a real motive to kill Alice. | 0:23:48 | 0:23:52 | |
-Like Anthony Marshall for example... -Mum! Tony's our friend. | 0:23:52 | 0:23:56 | |
Why Mr Marshall? | 0:23:56 | 0:23:57 | |
There was a rumour that Alice was going to change agents. | 0:23:57 | 0:24:02 | |
Anthony Marshall faced losing millions in commission | 0:24:02 | 0:24:05 | |
if she walked. | 0:24:05 | 0:24:06 | |
And Mr Marshall is now your agent, is that correct? | 0:24:06 | 0:24:09 | |
So? He can be replaced, he's only an agent. | 0:24:09 | 0:24:13 | |
It's Fawn here who's the real talent. | 0:24:13 | 0:24:16 | |
Now, if you're quite finished, we have a press engagement to attend. | 0:24:16 | 0:24:22 | |
Fawn. | 0:24:22 | 0:24:23 | |
No, no, no, keep it. | 0:24:25 | 0:24:27 | |
I tell you what, get it back to me when you've got a minute. | 0:24:27 | 0:24:29 | |
Thank you. | 0:24:29 | 0:24:31 | |
Mr Kemp? Steve McAndrew, Unsolved Crime and Open Case Squad. | 0:25:10 | 0:25:15 | |
KNOCKING AT DOOR | 0:25:33 | 0:25:35 | |
Who are you two nuggets? | 0:25:43 | 0:25:45 | |
You're making a mistake. | 0:25:48 | 0:25:49 | |
Oh, shit. I hate London... | 0:25:58 | 0:26:02 | |
No. | 0:26:04 | 0:26:07 | |
Yeah, yeah, that's them. | 0:26:07 | 0:26:09 | |
Those two, there. | 0:26:09 | 0:26:12 | |
-That's it. -The Dresden Brothers... | 0:26:12 | 0:26:15 | |
Who? | 0:26:15 | 0:26:16 | |
Couple of rent-a-thugs employed by the illegal betting community | 0:26:16 | 0:26:20 | |
to collect unpaid debts. | 0:26:20 | 0:26:22 | |
That fits, I found a lot of betting slips around Kemp's house, | 0:26:22 | 0:26:25 | |
he likes a flutter, by the looks of it. | 0:26:25 | 0:26:27 | |
This is hard-core though. | 0:26:27 | 0:26:28 | |
If the Dresdens are involved | 0:26:28 | 0:26:29 | |
it means Kemp's mixed up with some very unsavoury characters. | 0:26:29 | 0:26:32 | |
They can certainly pack a punch, I know that. | 0:26:32 | 0:26:34 | |
I'll get on to uniform, see if we can have them picked up | 0:26:34 | 0:26:37 | |
before they go to ground. | 0:26:37 | 0:26:38 | |
Back home, if someone assaulted a police officer | 0:26:38 | 0:26:40 | |
we had a slightly different way of dispensing justice, | 0:26:40 | 0:26:43 | |
know what I mean? | 0:26:43 | 0:26:44 | |
So did we, a long time ago. But hey... | 0:26:44 | 0:26:47 | |
What? | 0:26:47 | 0:26:48 | |
If the Governor hears you suggesting that | 0:26:48 | 0:26:50 | |
she'll personally frogmarch you down to Euston | 0:26:50 | 0:26:53 | |
and throw you on the first train back to Glasgow. | 0:26:53 | 0:26:55 | |
The way I feel about London right now, pal, | 0:26:55 | 0:26:57 | |
that's quite an appealing thought. | 0:26:57 | 0:26:59 | |
PHONE RINGS | 0:27:00 | 0:27:02 | |
UCOS, Brian Lane. | 0:27:02 | 0:27:04 | |
Oh, yeah, yeah. Right, thanks for getting back. | 0:27:04 | 0:27:06 | |
You lied to us, Mr Marshall. | 0:27:06 | 0:27:09 | |
No, I never lied, I just... | 0:27:09 | 0:27:12 | |
didn't mention that Alice might have been looking for another agent. | 0:27:12 | 0:27:16 | |
Am I correct in thinking that when Alice died | 0:27:16 | 0:27:19 | |
you took on Fawn Bramall as a client. | 0:27:19 | 0:27:21 | |
And so, all the money that Alice would have earned, Fawn earned? | 0:27:21 | 0:27:25 | |
Therefore, the only way you would have lost money | 0:27:25 | 0:27:27 | |
is if Alice had lived and signed with another agent. | 0:27:27 | 0:27:30 | |
No, look... | 0:27:31 | 0:27:33 | |
I know it looks bad, but that's not how it happened. | 0:27:33 | 0:27:36 | |
Well, it is how it happened, but it wasn't planned. | 0:27:36 | 0:27:39 | |
I didn't plan it... | 0:27:39 | 0:27:41 | |
Look, I had nothing to do with Alice's death. | 0:27:41 | 0:27:44 | |
Why am I getting the feeling you're still lying to us, Mr Marshall? | 0:27:44 | 0:27:48 | |
You see, I think you killed Alice, | 0:27:48 | 0:27:50 | |
then you talked her sponsors into switching all their money | 0:27:50 | 0:27:52 | |
over to Fawn Bramall. | 0:27:52 | 0:27:54 | |
That way you keep your lousy 20%. | 0:27:54 | 0:27:56 | |
No, that's not how it happened. | 0:27:56 | 0:27:58 | |
Then tell us, how did happen? Tell us the truth. | 0:27:58 | 0:28:00 | |
All right, I admit it, I did go and see Alice that night. | 0:28:07 | 0:28:12 | |
I just never mentioned it before because I knew how it would look, | 0:28:13 | 0:28:17 | |
I knew you'd think I had something to do with Alice's death... | 0:28:17 | 0:28:20 | |
but I didn't. | 0:28:20 | 0:28:22 | |
I went over just before seven. I wanted to talk to her. | 0:28:25 | 0:28:31 | |
I loved Alice, I wasn't going to lose her without a fight. | 0:28:31 | 0:28:33 | |
You weren't going to lose her money, you mean. | 0:28:33 | 0:28:36 | |
The money wasn't important. I even offered to halve my commission. | 0:28:36 | 0:28:42 | |
I just wanted to know why she was looking for another agent, | 0:28:42 | 0:28:46 | |
I wanted to know what I'd done wrong. | 0:28:46 | 0:28:49 | |
What did she say? | 0:28:49 | 0:28:51 | |
She denied it. | 0:28:51 | 0:28:53 | |
She swore she didn't know how the rumours had got started. | 0:28:53 | 0:28:56 | |
Look, you have to believe me. | 0:28:58 | 0:29:00 | |
Alice was alive and well when I left her, I swear! | 0:29:00 | 0:29:04 | |
Interview suspended at 15.42. | 0:29:10 | 0:29:12 | |
What? | 0:29:15 | 0:29:17 | |
It looks like Marshall was telling the truth about his whereabouts | 0:29:17 | 0:29:19 | |
on the night Alice died. | 0:29:19 | 0:29:21 | |
His phone records just came back | 0:29:21 | 0:29:23 | |
and he was in fact in his office making calls. | 0:29:23 | 0:29:26 | |
I've spoken to three people so far | 0:29:26 | 0:29:27 | |
and they all said that they talked to Marshall | 0:29:27 | 0:29:30 | |
about Alice's cancelled press conference that night. | 0:29:30 | 0:29:33 | |
Oh, shit. OK, release him. | 0:29:33 | 0:29:35 | |
Sorry, Guv, I need to give you this. | 0:29:35 | 0:29:37 | |
-What the hell happened to you?! -Oh, yes, Dresden Brothers. | 0:29:37 | 0:29:41 | |
Long story short. I was looking for clues in Kemp's house, | 0:29:41 | 0:29:45 | |
I answered the door to the Dresdens they mistook me for Kemp, | 0:29:45 | 0:29:48 | |
banjoed me without saying a word. | 0:29:48 | 0:29:49 | |
Hang on a minute. You were in Kemp's house and he wasn't even there? | 0:29:49 | 0:29:52 | |
Yeah, yeah, but like I said, I was looking for clues. | 0:29:52 | 0:29:54 | |
Front door was open, was it? | 0:29:54 | 0:29:56 | |
Well, no, but... | 0:29:57 | 0:29:58 | |
You know, I just gave the back door a wee jiggle, you know. | 0:29:58 | 0:30:02 | |
While you're under my command, | 0:30:02 | 0:30:04 | |
if you break into a property again without a warrant, | 0:30:04 | 0:30:07 | |
a black eye is going to be the least of your problems, | 0:30:07 | 0:30:09 | |
do I make myself clear? | 0:30:09 | 0:30:10 | |
You've done it now. | 0:30:13 | 0:30:14 | |
I'll go and talk to her. | 0:30:14 | 0:30:16 | |
No, no, I wouldn't go poking the bear just yet. | 0:30:16 | 0:30:18 | |
No, let her get all the anger out of her system first. | 0:30:18 | 0:30:23 | |
What, leave it an hour or so, or something? | 0:30:23 | 0:30:25 | |
Make it more like... | 0:30:25 | 0:30:26 | |
BOTH: Three. | 0:30:26 | 0:30:28 | |
-I'm home! -Hiya. | 0:30:31 | 0:30:33 | |
Scampy! Hello! | 0:30:34 | 0:30:37 | |
"Hello, darling, how was your day?" | 0:30:37 | 0:30:40 | |
"Oh, my day was fine, how was yours?" | 0:30:40 | 0:30:42 | |
-Look what I've got. -What have you bought him now? | 0:30:42 | 0:30:46 | |
Film for the camera. | 0:30:46 | 0:30:47 | |
Because we've got to get you ready for your big shoot, haven't we? | 0:30:47 | 0:30:50 | |
Yes, and you know what that means? | 0:30:50 | 0:30:53 | |
Oh, please, no. | 0:30:53 | 0:30:55 | |
Yes, it's bath time! | 0:30:55 | 0:30:56 | |
-HE LAUGHS -Come on, then! | 0:30:56 | 0:31:00 | |
Scampy! | 0:31:04 | 0:31:06 | |
Come on. Come on. | 0:31:12 | 0:31:14 | |
Oh, Scampy! | 0:31:19 | 0:31:21 | |
Come on! | 0:31:24 | 0:31:26 | |
Oh, Scampy! No here, come here! | 0:31:27 | 0:31:32 | |
Scampy! | 0:31:32 | 0:31:34 | |
Up, come on. Up. | 0:31:36 | 0:31:39 | |
Here. No! | 0:31:43 | 0:31:45 | |
Good boy, Scampy. There's a good boy. In you go. | 0:31:56 | 0:31:59 | |
SPLASH! | 0:31:59 | 0:32:01 | |
Oh! | 0:32:01 | 0:32:02 | |
Brian, what's going on? | 0:32:04 | 0:32:07 | |
I'm sorry. | 0:32:14 | 0:32:16 | |
Try the side door. | 0:33:13 | 0:33:15 | |
OK. I'll see you in a minute. | 0:33:15 | 0:33:17 | |
Thank you, Richard. | 0:33:23 | 0:33:24 | |
David? | 0:33:26 | 0:33:27 | |
Hello, I'm David and I'm a compulsive gambler. | 0:33:29 | 0:33:32 | |
ALL: Hi, David. | 0:33:32 | 0:33:34 | |
It's been two weeks and three days since I last placed a bet. | 0:33:34 | 0:33:37 | |
My gambling has cost me everything. | 0:33:37 | 0:33:41 | |
My home, my wife, my children. | 0:33:41 | 0:33:45 | |
I think I've hit rock bottom - well, I hope I have. | 0:33:46 | 0:33:49 | |
But I'm on the way up. | 0:33:50 | 0:33:52 | |
Sorry, can I... | 0:33:57 | 0:33:59 | |
You're a hard man to find, Mr Kemp. | 0:34:06 | 0:34:09 | |
-Did you visit Alice in her apartment on the night she died? -No. | 0:34:10 | 0:34:13 | |
But you did go and see her during the rain break of her last match. | 0:34:13 | 0:34:16 | |
-Says who? -Jess. | 0:34:16 | 0:34:18 | |
Kids... | 0:34:20 | 0:34:21 | |
Well? | 0:34:21 | 0:34:22 | |
I just wanted to wish her good luck. | 0:34:23 | 0:34:25 | |
And you expect us to believe that? | 0:34:25 | 0:34:27 | |
Believe what you like. | 0:34:27 | 0:34:29 | |
If this has anything to do with the Dresden brothers, we can protect you. | 0:34:29 | 0:34:32 | |
It doesn't. And you can't protect me. | 0:34:32 | 0:34:34 | |
You can't even protect yourself. | 0:34:34 | 0:34:36 | |
-What? -I hid in the under-stair cupboard | 0:34:36 | 0:34:39 | |
when I saw you come to the house yesterday. | 0:34:39 | 0:34:41 | |
Not one of my finest moments, but I saw what they did to you... | 0:34:41 | 0:34:43 | |
That was a different set of circumstances. | 0:34:43 | 0:34:45 | |
They took me by surprise, I can handle myself, don't you worry. | 0:34:45 | 0:34:48 | |
That was a very candid introduction you gave in the meeting there. | 0:34:52 | 0:34:56 | |
Sounded like you were really serious about turning your life around. | 0:34:57 | 0:35:01 | |
Believe it or not, I've been there. | 0:35:03 | 0:35:04 | |
Same place as you are now. | 0:35:04 | 0:35:07 | |
Except mine wasn't gambling, it was drink. | 0:35:08 | 0:35:10 | |
Gets you right there, doesn't it? | 0:35:12 | 0:35:14 | |
Right there in the guts. | 0:35:14 | 0:35:16 | |
That yearning, that fire that you believe can only be quenched | 0:35:16 | 0:35:21 | |
with one thing. | 0:35:21 | 0:35:22 | |
Well, I wish I could tell you it was going to get easier, but I can't. | 0:35:24 | 0:35:28 | |
You're going to have to fight that fire, like I do, | 0:35:31 | 0:35:35 | |
one day at a time, for the rest of your life. | 0:35:35 | 0:35:37 | |
But I tell you this, mate, one addict to another, | 0:35:38 | 0:35:42 | |
you're never going to win that fight | 0:35:42 | 0:35:44 | |
if you hide from the truth of who you are and what you've done. | 0:35:44 | 0:35:48 | |
What the hell... | 0:35:55 | 0:35:56 | |
I went to see Alice to ask her to throw the match. | 0:35:58 | 0:36:02 | |
I owed a lot of serious people a lot of money. | 0:36:05 | 0:36:09 | |
And with Alice's run of form, she was odds-on to win the final, | 0:36:09 | 0:36:14 | |
so I bet every penny I could find on Fawn Bramall | 0:36:14 | 0:36:17 | |
and I asked Alice to lose. | 0:36:17 | 0:36:19 | |
You left it a bit late in the day | 0:36:19 | 0:36:20 | |
to ask Alice to throw the match, didn't you? | 0:36:20 | 0:36:22 | |
What if there hadn't been a break in play? | 0:36:22 | 0:36:24 | |
No, no, no. | 0:36:24 | 0:36:25 | |
You'd already asked Alice to throw the game before the match | 0:36:25 | 0:36:27 | |
and she turned you down, didn't she? | 0:36:27 | 0:36:29 | |
I'd already placed the bets. | 0:36:29 | 0:36:31 | |
If Alice had won, I'd have been finished. | 0:36:31 | 0:36:34 | |
You saw what these kind of people are prepared to do | 0:36:34 | 0:36:37 | |
for a couple of lousy grand. | 0:36:37 | 0:36:39 | |
Just imagine what they'd do for a hundred. | 0:36:39 | 0:36:42 | |
So, yeah, I was desperate. | 0:36:44 | 0:36:46 | |
I told Alice if she didn't throw the game I was as good as dead. | 0:36:46 | 0:36:51 | |
And Alice agreed to help? | 0:36:51 | 0:36:53 | |
Well, that's it, she didn't. She didn't even respond. | 0:36:53 | 0:36:56 | |
It was as if I wasn't there... | 0:36:57 | 0:37:00 | |
or she wasn't there. | 0:37:00 | 0:37:02 | |
You know, like she was in a trance or something. | 0:37:02 | 0:37:05 | |
Then the call came through that the match was to restart | 0:37:07 | 0:37:11 | |
so I had to leave. | 0:37:11 | 0:37:13 | |
So Alice threw the match and you cleaned up. | 0:37:13 | 0:37:16 | |
Yeah. Except she couldn't live with what she'd done | 0:37:18 | 0:37:22 | |
and she killed herself. | 0:37:22 | 0:37:25 | |
Is that what you believe happened? | 0:37:25 | 0:37:28 | |
That my addiction caused the death of my daughter? | 0:37:29 | 0:37:34 | |
Absolutely, yes. | 0:37:34 | 0:37:36 | |
-Nice touch. -What? | 0:37:39 | 0:37:41 | |
The addiction thing. | 0:37:42 | 0:37:44 | |
It wasn't a touch. | 0:37:44 | 0:37:45 | |
Hello. | 0:37:56 | 0:37:57 | |
Your coat, dry-cleaned. | 0:37:57 | 0:38:01 | |
-Oh, you needn't have done that. -She insisted. | 0:38:01 | 0:38:04 | |
Well, thank you very much. | 0:38:04 | 0:38:05 | |
-Happy? -Thank you. | 0:38:05 | 0:38:07 | |
Come along. | 0:38:07 | 0:38:08 | |
Back to training. | 0:38:08 | 0:38:10 | |
-Oh, no, it's a sponsorship commitment in Eastbourne. -Oh. | 0:38:10 | 0:38:13 | |
-Back in time for evening practice, though. -Right. | 0:38:13 | 0:38:16 | |
-Here you go, that's yours. -Oh, great, thanks. | 0:38:24 | 0:38:26 | |
So are we going to charge David Kemp for match-fixing? | 0:38:26 | 0:38:29 | |
No. After all this time, and without Alice, | 0:38:29 | 0:38:32 | |
the CPS can't build a case. | 0:38:32 | 0:38:33 | |
But what about the murder? | 0:38:35 | 0:38:36 | |
What if she threatened to tell the truth about him, then he killed her? | 0:38:36 | 0:38:40 | |
He was certainly desperate enough, | 0:38:40 | 0:38:42 | |
-but I think we got the truth out of him. -We? | 0:38:42 | 0:38:45 | |
All right, OK, but I don't want to rule him out as a suspect just yet. | 0:38:45 | 0:38:48 | |
What about if he was indirectly responsible for her death? | 0:38:48 | 0:38:52 | |
In so far as she was so ashamed | 0:38:52 | 0:38:54 | |
about throwing the match for her father | 0:38:54 | 0:38:56 | |
that she killed herself. | 0:38:56 | 0:38:57 | |
From all we've learned about Alice, | 0:38:57 | 0:38:59 | |
I don't believe she'd just throw the match on purpose, | 0:38:59 | 0:39:02 | |
she was way too competitive. | 0:39:02 | 0:39:03 | |
But why the sudden drop in form after the rain break? | 0:39:03 | 0:39:08 | |
Well, it was the final, last big match before she went professional, | 0:39:08 | 0:39:12 | |
she'd have been desperate to win it. | 0:39:12 | 0:39:15 | |
Maybe the pressure just got to her. | 0:39:15 | 0:39:17 | |
Well, you know... | 0:39:17 | 0:39:19 | |
Or maybe the early score was more to do with Fawn's lack of form | 0:39:19 | 0:39:25 | |
than Alice's superiority. | 0:39:25 | 0:39:26 | |
After the rain break, | 0:39:26 | 0:39:27 | |
well, you know, Fawn just simply upped her game | 0:39:27 | 0:39:30 | |
and Alice couldn't keep up. | 0:39:30 | 0:39:32 | |
No, something happened to Alice, I'm sure of it, during that rain break. | 0:39:32 | 0:39:35 | |
We find out what that was, we find out how she died. | 0:39:35 | 0:39:38 | |
PHONE RINGS | 0:39:38 | 0:39:40 | |
Hello, UCOS. | 0:39:40 | 0:39:42 | |
Oh, yeah. Right, I'll tell him. | 0:39:47 | 0:39:48 | |
Esther's here, she's in reception. | 0:39:48 | 0:39:51 | |
-Sandra, can I? -Yeah. | 0:39:51 | 0:39:53 | |
-You going somewhere? -Scampy's got an audition. | 0:39:57 | 0:39:59 | |
I sent some photos of him to this animal agency. | 0:39:59 | 0:40:03 | |
The bloke there reckons he's got a job Scampy would be perfect for. | 0:40:03 | 0:40:08 | |
It's a national print campaign. | 0:40:08 | 0:40:10 | |
National, eh? | 0:40:10 | 0:40:12 | |
We could be about to witness the birth of a star. | 0:40:12 | 0:40:15 | |
Mr Hemmings will see you and... Scampy now. | 0:40:30 | 0:40:34 | |
Prepare yourself. This is your big chance. | 0:40:36 | 0:40:39 | |
SHE LAUGHS | 0:40:52 | 0:40:54 | |
Do what?! You must be joking! | 0:40:55 | 0:40:58 | |
You've no chance, pal. | 0:40:58 | 0:41:00 | |
You can stick your job! | 0:41:00 | 0:41:03 | |
SCAMPY BARKS | 0:41:03 | 0:41:05 | |
Well, I've never been so insulted in all my life! | 0:41:06 | 0:41:09 | |
This national print campaign is a before-and-after shot for a worming treatment! | 0:41:09 | 0:41:13 | |
They wanted Scampy for the before! | 0:41:13 | 0:41:17 | |
Brian... | 0:41:17 | 0:41:18 | |
The humiliation, Esther. | 0:41:18 | 0:41:19 | |
We'd never be able to show our faces in the park again. | 0:41:19 | 0:41:22 | |
It's probably all for the best. | 0:41:22 | 0:41:25 | |
You off already? Shame(!) | 0:41:25 | 0:41:28 | |
You might have better luck with that Fuglies place I told you about. | 0:41:28 | 0:41:32 | |
They take on ugly pets as well as ugly people. | 0:41:32 | 0:41:34 | |
Argh...! | 0:41:34 | 0:41:36 | |
Brian! | 0:41:38 | 0:41:40 | |
Hello, Brian, how did Scampy get on? | 0:41:50 | 0:41:52 | |
What, no good? | 0:41:52 | 0:41:54 | |
I don't want to talk about it. | 0:41:54 | 0:41:55 | |
Uniform's just charged the Dresdens with ABH. Yes! | 0:41:55 | 0:41:59 | |
-Do that again? -What? | 0:41:59 | 0:42:03 | |
Yes. | 0:42:03 | 0:42:04 | |
That's it, that's what's missing. | 0:42:04 | 0:42:07 | |
-Now watch. -We've seen all this before. Alice falls apart after losing the match. | 0:42:31 | 0:42:35 | |
Not Alice, look at her opponent, Fawn Bramall. | 0:42:35 | 0:42:39 | |
Now, what do you see? | 0:42:41 | 0:42:42 | |
She doesn't look very happy | 0:42:42 | 0:42:43 | |
for somebody who's just beaten her sworn enemy, you mean? | 0:42:43 | 0:42:47 | |
Because? | 0:42:47 | 0:42:48 | |
-Because they're not sworn enemies at all, they're pals? -Exactly. | 0:42:48 | 0:42:52 | |
There's something going on between Fawn and Alice | 0:42:52 | 0:42:54 | |
that Fawn's not telling us. | 0:42:54 | 0:42:55 | |
Guv'nor...I thought Fawn looked at me strangely when she gave my coat back. | 0:42:55 | 0:42:59 | |
Now, listen to this. | 0:42:59 | 0:43:01 | |
"Dear Mr Standing, please forgive me for contacting you like this | 0:43:01 | 0:43:05 | |
"but it's the only way of doing so safely | 0:43:05 | 0:43:07 | |
"without my mother finding out. | 0:43:07 | 0:43:09 | |
"Contrary to what everyone thought, | 0:43:09 | 0:43:11 | |
"Alice and I were the best of friends." | 0:43:11 | 0:43:13 | |
Yes, well done, Guv. | 0:43:13 | 0:43:15 | |
"And I know why Alice's game fell apart after the break | 0:43:15 | 0:43:18 | |
"and I feel I must tell someone for Jess's sake, if no-one else's." | 0:43:18 | 0:43:23 | |
For Jess's sake? | 0:43:23 | 0:43:25 | |
We need to speak to her - alone. | 0:43:25 | 0:43:27 | |
-Right, you two stay in the car. -Yeah. | 0:43:35 | 0:43:38 | |
Hello, Fawn. | 0:43:59 | 0:44:02 | |
Mum will be back in a minute, she's just gone to the car. | 0:44:02 | 0:44:04 | |
No, we want to talk to YOU. I got your letter. | 0:44:04 | 0:44:08 | |
Now, Sandra and I need to know why you were so concerned about Jess. | 0:44:08 | 0:44:12 | |
Alice was my really good friend. | 0:44:15 | 0:44:18 | |
When she lost the match I knew something was wrong, | 0:44:18 | 0:44:21 | |
so I tried her mobile, but she didn't pick up. | 0:44:21 | 0:44:24 | |
I faked illness and I went to bed early and then I snuck out | 0:44:25 | 0:44:28 | |
and I went to Alice's apartment. | 0:44:28 | 0:44:31 | |
How was she? | 0:44:32 | 0:44:33 | |
Really upset. | 0:44:35 | 0:44:36 | |
She was so worried about Jess joining Nick Hoyle's academy. | 0:44:36 | 0:44:39 | |
Alice had had this schoolgirl crush on Nick since she first met him. | 0:44:42 | 0:44:48 | |
When he started paying her attention she felt flattered. | 0:44:48 | 0:44:51 | |
She even thought she was in love with him. | 0:44:52 | 0:44:55 | |
But when it got...sexual, | 0:44:55 | 0:44:59 | |
she realized it was wrong, what he was doing. | 0:44:59 | 0:45:03 | |
But she didn't know what to do about it. | 0:45:03 | 0:45:07 | |
I was the only person she ever told and she swore me to secrecy. | 0:45:07 | 0:45:11 | |
Was she going to confront Hoyle that night? | 0:45:12 | 0:45:16 | |
What are you doing?! | 0:45:16 | 0:45:17 | |
Who gave you permission to speak to my daughter? | 0:45:17 | 0:45:19 | |
Please, Mrs Bramall, we're just having a little chat with her, that's all. | 0:45:19 | 0:45:22 | |
Was she going to confront Hoyle at the apartment that night? | 0:45:22 | 0:45:26 | |
Fawn, say nothing. They have no right to question you. | 0:45:26 | 0:45:28 | |
I don't know what do to. | 0:45:32 | 0:45:33 | |
Fawn, do what you think is the right thing to do. | 0:45:35 | 0:45:38 | |
Don't you dare say another word, young lady. | 0:45:40 | 0:45:44 | |
Fawn. Fawn, look at me... | 0:45:44 | 0:45:45 | |
Oh, will you shut up! | 0:45:45 | 0:45:47 | |
-Pardon? -You heard me. | 0:45:48 | 0:45:50 | |
You told me not to say anything, but I wont keep quiet, not any more. | 0:45:50 | 0:45:54 | |
-How dare you talk to me like that?! -Please, Mrs Bramall. | 0:45:54 | 0:45:57 | |
I was in Alice's apartment when she was killed. | 0:46:01 | 0:46:04 | |
I was in the bathroom, Alice was playing music, | 0:46:07 | 0:46:11 | |
but I could hear the front door. | 0:46:11 | 0:46:13 | |
Did Alice buzz him in from the foyer? | 0:46:13 | 0:46:15 | |
No, I would have seen her do it. | 0:46:15 | 0:46:17 | |
I'd only just gone into the bathroom when I heard the front door. | 0:46:17 | 0:46:20 | |
Whoever it was must have had a key. | 0:46:20 | 0:46:24 | |
Her voice was muffled but I could hear Alice arguing | 0:46:24 | 0:46:28 | |
and then she went out onto the balcony. | 0:46:28 | 0:46:29 | |
-Was it Hoyle? -I don't know. | 0:46:29 | 0:46:31 | |
I assumed it was, because of how angry she sounded. | 0:46:31 | 0:46:34 | |
I wasn't supposed to be there, so I waited ages, | 0:46:35 | 0:46:39 | |
but when I came out Alice was gone. | 0:46:39 | 0:46:42 | |
I went home as quickly as I could and I told Mum everything. | 0:46:43 | 0:46:48 | |
About Hoyle, Jess, everything. | 0:46:48 | 0:46:52 | |
And she told you to keep quiet? | 0:46:53 | 0:46:55 | |
She told me that any sort of scandal would taint my career. | 0:46:55 | 0:46:59 | |
Would cause a stain I wouldn't be able to loose. | 0:46:59 | 0:47:02 | |
But I didn't care about any of that. | 0:47:02 | 0:47:04 | |
It was Jess I was concerned about. | 0:47:04 | 0:47:07 | |
Mum promised me that if I kept quiet, she'd speak to Hoyle. | 0:47:08 | 0:47:15 | |
Make sure he didn't do to Jess what he did to Alice. | 0:47:15 | 0:47:18 | |
No, it wasn't like that. | 0:47:21 | 0:47:25 | |
Alice was... | 0:47:25 | 0:47:26 | |
Well, she was special. | 0:47:26 | 0:47:28 | |
-She was 14. -But we... | 0:47:28 | 0:47:31 | |
We loved each other. | 0:47:31 | 0:47:32 | |
Love? | 0:47:32 | 0:47:34 | |
For the record Mr Hoyle, did you or did you not | 0:47:34 | 0:47:36 | |
initiate intimate sexual relations with Alice Kemp | 0:47:36 | 0:47:39 | |
from the date of her 14th birthday? | 0:47:39 | 0:47:41 | |
No, it wasn't like that. Alice made the first move, not me. | 0:47:41 | 0:47:45 | |
What difference does that make? | 0:47:45 | 0:47:47 | |
You were an adult, she was a child. | 0:47:47 | 0:47:49 | |
Let me put it another way, Mr Hoyle, | 0:47:49 | 0:47:51 | |
do you deny having regular sexual intercourse with Alice Kemp | 0:47:51 | 0:47:54 | |
from the date of her 14th birthday to the time of her death? | 0:47:54 | 0:47:56 | |
It wasn't like that, | 0:47:56 | 0:47:57 | |
you're making it seem like something that it wasn't. | 0:47:57 | 0:48:00 | |
-You guys are all the same, do you know that? -No. No, I'm not one of those guys. | 0:48:00 | 0:48:04 | |
I hate those guys. | 0:48:04 | 0:48:05 | |
Please, you have to understand. | 0:48:05 | 0:48:08 | |
Victoria, I'm sorry, but I have to ask you some questions. | 0:48:11 | 0:48:14 | |
OK. | 0:48:14 | 0:48:16 | |
Did Alice say or hint that anything was going on | 0:48:18 | 0:48:22 | |
between her and Nick Hoyle? | 0:48:22 | 0:48:24 | |
No, she loved Nick, we all did. | 0:48:24 | 0:48:26 | |
He was always so kind. | 0:48:26 | 0:48:28 | |
Do you know if he saw Alice after the match? | 0:48:28 | 0:48:30 | |
He knew she'd be in no mood to talk after such a big loss. | 0:48:30 | 0:48:35 | |
He said he'd see us the next day at practice. | 0:48:35 | 0:48:37 | |
How did he react to Alice's death? | 0:48:37 | 0:48:39 | |
He was as devastated as the rest of us, maybe more so. | 0:48:39 | 0:48:42 | |
Now I know why. | 0:48:44 | 0:48:45 | |
Jess? | 0:48:51 | 0:48:53 | |
I mean, do you really think... | 0:48:53 | 0:48:54 | |
That's what our Child Protection Team are hoping to find out now. | 0:48:54 | 0:48:57 | |
But she's in good hands, I promise. | 0:48:57 | 0:48:59 | |
You must think I'm a terrible mother. | 0:49:01 | 0:49:03 | |
What am I saying, I am a terrible mother. | 0:49:04 | 0:49:06 | |
No, you really mustn't think like that. | 0:49:06 | 0:49:08 | |
People like Hoyle are master manipulators, | 0:49:08 | 0:49:11 | |
they're experts at concealing the truth. | 0:49:11 | 0:49:13 | |
During the rain break, Jess went to tell Alice | 0:49:16 | 0:49:18 | |
-she'd just won a scholarship to your Tennis Academy. -That's why Alice was so shaken. | 0:49:18 | 0:49:22 | |
She knew you'd do the same to Jess as you'd done to her. | 0:49:22 | 0:49:25 | |
No, no, I never laid a finger on Jess. | 0:49:25 | 0:49:27 | |
Why, because she wasn't 14 yet? | 0:49:27 | 0:49:29 | |
-Please, ask her if you don't believe me! -We are. | 0:49:29 | 0:49:31 | |
We have specially trained officers talking to her right now. | 0:49:31 | 0:49:34 | |
Along with every child you've ever coached. | 0:49:34 | 0:49:36 | |
I've never touched any of them. | 0:49:36 | 0:49:40 | |
I'm not the guy you think I am. | 0:49:40 | 0:49:42 | |
-Did you go to Alice's flat that night? -No... -I think you did and I think Alice confronted you. -No! | 0:49:42 | 0:49:46 | |
-Did Alice threaten to go to the police? -Please... -Did she threaten to expose you for abusing her? -No! | 0:49:46 | 0:49:51 | |
Is that why you killed Alice - to stop her revealing the truth? | 0:49:51 | 0:49:54 | |
No! | 0:49:54 | 0:49:55 | |
I never hurt Alice, never! | 0:49:55 | 0:49:57 | |
I loved her. I told you! I loved her! | 0:49:57 | 0:50:02 | |
I loved her. | 0:50:02 | 0:50:04 | |
Thanks, yes. Cheers. | 0:50:07 | 0:50:11 | |
-What did you get? -Hoyle's admitted to having underage sex with Alice, | 0:50:11 | 0:50:14 | |
but denies interfering with any of the other kids. | 0:50:14 | 0:50:16 | |
According to Child Protection two other girls have come forward. | 0:50:16 | 0:50:19 | |
-What about Jess? -Looks like he'd been grooming her for months but he'd yet to make a move. | 0:50:19 | 0:50:23 | |
-That's something at least. -Still makes me sick! | 0:50:23 | 0:50:26 | |
-We can charge Hoyle with sexual abuse. -Yep. | 0:50:26 | 0:50:28 | |
What about Alice's murder? | 0:50:28 | 0:50:30 | |
He swears he didn't do it. | 0:50:30 | 0:50:32 | |
Do you believe him? | 0:50:32 | 0:50:34 | |
I don't know. | 0:50:34 | 0:50:36 | |
Well, the most important thing is that we've contained the threat. | 0:50:36 | 0:50:39 | |
Let him stew in his cell overnight | 0:50:39 | 0:50:40 | |
and you two can have a go at him in the morning. | 0:50:40 | 0:50:43 | |
In the meantime, I need a drink. Pub? | 0:50:43 | 0:50:45 | |
-Why not. -Gerry? | 0:50:45 | 0:50:46 | |
No, I can't tonight, I've got some unresolved business to attend to. | 0:50:46 | 0:50:49 | |
Suit yourself. | 0:50:49 | 0:50:51 | |
Nighty-night. | 0:50:52 | 0:50:54 | |
DOORBELL RINGS I'll get it. | 0:51:01 | 0:51:04 | |
-Grandad! -Wotcher, champ! | 0:51:07 | 0:51:09 | |
-Three times in one week - I am honoured. -Let's do it. | 0:51:09 | 0:51:14 | |
-Cuppa tea? -Yeah, I'd love one. | 0:51:14 | 0:51:16 | |
-Pyjamas on and ready for bed, you. -OK, Mum. | 0:51:16 | 0:51:18 | |
Before you go. | 0:51:18 | 0:51:20 | |
Left or right. | 0:51:20 | 0:51:22 | |
Right. | 0:51:22 | 0:51:23 | |
How did you know that? | 0:51:23 | 0:51:25 | |
Thanks, Grandad | 0:51:25 | 0:51:26 | |
And clean your teeth! | 0:51:26 | 0:51:29 | |
-You spoil him, you know. -Yeah, I know. | 0:51:29 | 0:51:32 | |
Tell you what, Paula, | 0:51:32 | 0:51:33 | |
you've really done this place up nicely, haven't you? | 0:51:33 | 0:51:36 | |
Come on then, out with it. | 0:51:38 | 0:51:40 | |
What? | 0:51:40 | 0:51:41 | |
Whatever it was you wanted to say last time you were here | 0:51:41 | 0:51:45 | |
and couldn't. | 0:51:45 | 0:51:47 | |
Dad... | 0:51:47 | 0:51:49 | |
I was just thinking about you when you were a kid. | 0:51:49 | 0:51:52 | |
I mean, you really loved your football. | 0:51:52 | 0:51:55 | |
Is that what this is all about? | 0:51:55 | 0:51:57 | |
You wanted to remind me that I used to play football? | 0:51:57 | 0:51:59 | |
Yeah, but you enjoyed it so much, and then you gave it up so easily. | 0:51:59 | 0:52:03 | |
I grew up, Dad! I discovered boys and clothes and going out. | 0:52:03 | 0:52:07 | |
Yeah, and didn't I know about it?! | 0:52:07 | 0:52:09 | |
Yeah. I was a bit of a handful, wasn't I? | 0:52:09 | 0:52:12 | |
Not half! | 0:52:12 | 0:52:13 | |
What's this really about? | 0:52:14 | 0:52:16 | |
Well, I was just wondering if you ever regretted it? | 0:52:16 | 0:52:19 | |
What, giving up football? | 0:52:19 | 0:52:21 | |
Yeah, whether you felt I should have pushed you harder, | 0:52:21 | 0:52:24 | |
you know, supported you more, made you turn professional. | 0:52:24 | 0:52:28 | |
Do you know the thing I loved about you the most as a kid? | 0:52:29 | 0:52:33 | |
Well, obviously, my sparkling personality. | 0:52:33 | 0:52:36 | |
You taught me to think for myself, | 0:52:36 | 0:52:38 | |
to take responsibility for my own actions. | 0:52:38 | 0:52:41 | |
Did I do that? | 0:52:41 | 0:52:42 | |
You always asked me what I thought, you valued my opinion | 0:52:42 | 0:52:46 | |
and trusted me to make my own decisions about my life. | 0:52:46 | 0:52:50 | |
THAT means a lot to a kid. | 0:52:50 | 0:52:52 | |
HE LAUGHS | 0:52:52 | 0:52:55 | |
What's so funny? | 0:52:55 | 0:52:57 | |
Well, I can't figure out how I had a daughter who was so clever. | 0:52:57 | 0:53:02 | |
-I just can't help wondering about those girls' childhoods? -How do you mean? | 0:53:02 | 0:53:06 | |
-Well, they've been treated like commodities since they were seven. Thank you. -Ta. | 0:53:06 | 0:53:10 | |
I mean, yeah, great, if they make it big, | 0:53:10 | 0:53:13 | |
but what if they don't, they've lost their childhoods for nothing. | 0:53:13 | 0:53:16 | |
You know what's bugging me? | 0:53:16 | 0:53:18 | |
Who else had a key to Alice's apartment? | 0:53:18 | 0:53:21 | |
PHONE RINGS | 0:53:22 | 0:53:24 | |
The boss. | 0:53:24 | 0:53:25 | |
Guv? | 0:53:25 | 0:53:27 | |
Steve's just made a really good point. | 0:53:27 | 0:53:30 | |
OK. Yeah, I'll meet you there. Bye. | 0:53:31 | 0:53:36 | |
Sorry, love. Work. | 0:53:36 | 0:53:38 | |
I'll see you Sunday anyway. | 0:53:38 | 0:53:41 | |
-When I take little Gerry to the football. -Yeah. -Ta-da! | 0:53:41 | 0:53:43 | |
Bye. | 0:53:43 | 0:53:45 | |
-Victoria? -Is everything OK? | 0:53:51 | 0:53:54 | |
-Go... Go in the house, please. -What?! | 0:53:55 | 0:53:58 | |
-I said go in the house, Jess! -OK, OK. | 0:53:58 | 0:54:02 | |
Fawn Bramall says that she hid in Alice's bathroom on the night she died | 0:54:02 | 0:54:05 | |
and she heard someone turn up, someone who must have had a key. | 0:54:05 | 0:54:08 | |
When David abandoned us | 0:54:15 | 0:54:17 | |
I had to work two jobs just to put food on the table. | 0:54:17 | 0:54:19 | |
When Alice found tennis I had to work even harder - | 0:54:19 | 0:54:22 | |
lessons, equipment, uniforms, it just never stopped. | 0:54:22 | 0:54:25 | |
But then there was a glimmer of hope, | 0:54:25 | 0:54:28 | |
Alice turned out to be good at tennis - better than good - brilliant. | 0:54:28 | 0:54:31 | |
They told me that with the right training | 0:54:31 | 0:54:33 | |
Alice could become world-class. | 0:54:33 | 0:54:35 | |
She could make enough money to drag all of us out of the sewer. | 0:54:35 | 0:54:38 | |
Alice told you that Nick Hoyle had been abusing her | 0:54:38 | 0:54:41 | |
since she was 14. | 0:54:41 | 0:54:43 | |
But you already knew that, didn't you? | 0:54:43 | 0:54:45 | |
What do you want to hear? | 0:54:46 | 0:54:47 | |
That I knew Nick was having a relationship with Alice? | 0:54:47 | 0:54:49 | |
Relationship?! She was a child. | 0:54:49 | 0:54:52 | |
We all have to make sacrifices to get what we want, Mr Standing. | 0:54:52 | 0:54:55 | |
Alice was no different. | 0:54:55 | 0:54:57 | |
So when you discovered that Hoyle had been abusing her, | 0:54:57 | 0:54:59 | |
you just turned a blind eye? | 0:54:59 | 0:55:02 | |
Nick was the best junior tennis coach in the world. | 0:55:02 | 0:55:04 | |
I could never afford his services | 0:55:04 | 0:55:06 | |
and here he was turning Alice into a champion for free. | 0:55:06 | 0:55:09 | |
Free isn't the word I'd use. | 0:55:09 | 0:55:11 | |
Can you believe this woman? | 0:55:11 | 0:55:14 | |
Is it always about the money with you, Victoria? | 0:55:14 | 0:55:17 | |
When you've been as hard-up as we have, little else matters. | 0:55:17 | 0:55:20 | |
How did Alice react when she found out that you knew about Hoyle? | 0:55:22 | 0:55:26 | |
She went berserk. | 0:55:26 | 0:55:28 | |
She blamed me for not protecting her, | 0:55:28 | 0:55:30 | |
when all I was doing was thinking of Alice's future, of all our futures. | 0:55:30 | 0:55:34 | |
That was always Alice's biggest failing, | 0:55:34 | 0:55:36 | |
she could never see past the next point, past the next game. | 0:55:36 | 0:55:39 | |
You know, she even threatened to expose me and Nick. | 0:55:39 | 0:55:42 | |
Me, after everything I've sacrificed for her. | 0:55:42 | 0:55:47 | |
So you killed her? | 0:55:47 | 0:55:48 | |
No. No, no, no. That was an accident. | 0:55:50 | 0:55:53 | |
We were so close to having it all. | 0:55:54 | 0:55:57 | |
I couldn't... | 0:55:57 | 0:55:58 | |
I wouldn't let Alice take that away from me. | 0:55:58 | 0:56:01 | |
I'd earned it every bit as much as her. | 0:56:01 | 0:56:03 | |
She kept shouting and screaming about how I'd let her down. | 0:56:04 | 0:56:08 | |
We were on the balcony and she tried to hit me, so I grabbed her. | 0:56:08 | 0:56:12 | |
She kept trying to pull away and I couldn't keep hold of her. | 0:56:12 | 0:56:15 | |
And then she slipped backwards, out of my arms and... | 0:56:15 | 0:56:20 | |
just disappeared. | 0:56:20 | 0:56:22 | |
I thought she'd vanished into thin air. | 0:56:23 | 0:56:26 | |
I couldn't work out where she'd gone for a moment, until I... | 0:56:27 | 0:56:33 | |
Until I heard that terrible sound. | 0:56:33 | 0:56:35 | |
And then you just left, didn't you? | 0:56:37 | 0:56:39 | |
You didn't think to help or call the police? | 0:56:39 | 0:56:42 | |
You saw the photos of Alice's body, what could I have done? | 0:56:42 | 0:56:46 | |
I always had to think of the bigger picture. | 0:56:46 | 0:56:49 | |
What would have happened to Jess | 0:56:49 | 0:56:51 | |
if my part in Alice's death would have become known? | 0:56:51 | 0:56:54 | |
That would have completely ruined Jess' future. | 0:56:54 | 0:56:57 | |
Yet even after all this happened, | 0:56:57 | 0:56:58 | |
you still let Jess join Hoyle's academy? | 0:56:58 | 0:57:01 | |
Have you not listened to anything I've said? | 0:57:03 | 0:57:05 | |
Nick is the best junior tennis coach in the world, | 0:57:05 | 0:57:09 | |
he's going to turn Jess into a superstar. | 0:57:09 | 0:57:11 | |
No he's not, because he's going to prison for a long time. | 0:57:11 | 0:57:15 | |
And so are you. | 0:57:15 | 0:57:17 | |
Just over there. | 0:57:25 | 0:57:27 | |
Jess. | 0:57:28 | 0:57:30 | |
Have they charged her? | 0:57:47 | 0:57:48 | |
Manslaughter. | 0:57:48 | 0:57:49 | |
-How's Jess? -I got her aunt to come in, and Fawn's with her. | 0:57:49 | 0:57:53 | |
I think your Paula's a very lucky girl. | 0:58:04 | 0:58:07 | |
# It's all right It's OK | 0:58:12 | 0:58:14 | |
# Doesn't really matter if you're old and grey | 0:58:14 | 0:58:17 | |
# It's all right I say it's OK | 0:58:17 | 0:58:20 | |
# Listen to what I say | 0:58:20 | 0:58:23 | |
# It's all right, doing fine | 0:58:23 | 0:58:26 | |
# Doesn't really matter if the sun don't shine | 0:58:26 | 0:58:29 | |
# It's all right I say it's OK | 0:58:29 | 0:58:31 | |
# We're gettin' to the end of the day. # | 0:58:31 | 0:58:33 | |
Subtitles by Red Bee Media Ltd | 0:58:33 | 0:58:36 |