Dead Poets New Tricks


Dead Poets

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# It's all right, it's OK, doesn't really matter if you're old and grey

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# It's all right, I say it's OK

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# Listen to what I say

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# It's all right, doing fine

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# Doesn't really matter if the sun don't shine

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# It's all right, I say it's OK

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# We're getting to the end of the day #

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-Why did you kill him, Mehtin?

-I didn't.

-You're lying.

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Look, I admit I was a bad man ten years ago.

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You were a heroin-smuggling sociopath who killed Sean Docherty.

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I didn't even know the guy.

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He was a poet, yeah? Do I look like I need a rhyme?

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-His body was found in your yard.

-You "found" the poet on my patch

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and used it as an excuse to sniff around

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and bring me down for a load of other stuff.

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But you never charged me for the murder

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and I'm walking out of here in nine months, so go suck on that.

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Sean was

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bludgeoned to death and then set alight in your yard

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between 10 and 10.30pm on March 29th 2002.

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-If you say so.

-Yet you weren't even in London according to your chauffeur Emre.

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-I was driving up to Newcastle.

-He's told that story for ten years.

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He's a good lad. I'll buy him a drink when I get out.

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You'll have a job. He's gone into witness protection.

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But, before he went, he broke your alibi.

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So go suck on that.

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CHEERING AND WHISTLING

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Thanks, guys. Thank you. Thank you.

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You're all I got.

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A mirrored hostage to beauty,

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Never quite lost till very, Never quite lost till the end,

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"I would nail your arms to sunset,

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"I would pin your lies to luck,

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"When you put me to your crimson lips and make me want to f..."

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Sean Docherty at a poetry slam

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-in 2001.

-That what you call it?

-He was a 22-year-old

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from Belfast, recently graduated with a First from UCL

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and thought the most exciting poetic prospect of the new millennium.

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But his potential never got a chance to flower?

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His head was smashed his head in and his body burnt to a crisp.

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Found in Mehtin Topal's scrap yard.

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-Who?

-Topal - was a heroin smuggler

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with a network that reached from here to Turkey and beyond.

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What was a poet doing mixed up with a drug smuggler?

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Can I say right now, I'm allergic to poetry, OK?

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so I could take an admin role in this one.

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His body was so burnt, they couldn¹t get forensics,

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but Docherty's skin, blood, hair, finger and footprints

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-were all over the yard.

-As were Topal's.

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As you¹d expect, seeing as he owned the place.

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He claimed he was nowhere near, but his alibi has just gone south.

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-And the initial investigation?

-The evidence was only circumstantial

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and even though they had nothing solid to link into Sean's death,

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the CPS did him for drug dealing and laundering. He got 16 years.

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He'll have scores to settle, then, when he gets out.

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We have to prevent that from happening.

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They interviewed his sister before, she didn't have much to say.

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No, she's since married an Eoin Donaldson, who's got a GBH from 01.

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They don¹t share Sean's artistic sensibilities, then?

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-I didn¹t really know him.

-Cos of the age difference?

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12 years. I'd left and come over before he got to primary school.

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What about when he came to university?

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He wasn't interested. I saw him a few times, when he needed money,

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-but he had more important things to do.

-Things that got him killed?

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If you whore, fight and thieve, I¹m sure there's a price to pay.

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-This is my husband, Eoin. They're asking about Sean.

-Yeah?

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-How well did you know your brother-in-law?

-He was a gobshite.

-Eoin!

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I'm sure he was sweet when you were in Belfast,

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but when he came here, he was Billy Big Bollocks.

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-He got what was coming to him.

-How did he get involved with Topal?

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Sean pissed off everyone he met. Round here that's not so clever.

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Can you tell us about your GBH?

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Load of nonsense. I used to be a silly boy before I fell in love.

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-Used to be?

-Cleaned up my act ages ago, when I met the girl of my dreams.

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Look, I got nothing to hide. All I'm saying is,

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if you want to find out who done Sean,

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you've got a job on your hands sorting through the list.

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Would you like to give us some names?

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You better come next door and take a seat. This could take a while.

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So we've got jilted lovers, angry husbands, dealers, pimps, bookies,

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bouncers and every villain who ever fenced in North London.

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Like I said, he wasn't very popular.

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Mara said she hardly saw him, yet you give us a phone book - how come?

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I knew Sean a bit better than she ever needs to know, you understand?

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-No. Give me a little help.

-We went on the lash a few times, that's all.

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Sean was OK when he wasn't a twat.

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This list'll take weeks to look at. Are you sending us round the houses?

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I'm telling you how it is! But if you're really in a hurry

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and want to save yourselves some time...

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I'm no grass, but I'll give you this for free

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cos you'll never meet this geezer.

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Try us.

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Gourkan Ozil.

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He ran some doors, sold some gear, kept a book or two.

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Industrious chappie - what's he got to do with Sean?

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Sean owed him. Sean owed most people,

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but Ozil was the only one who'd slice you for his debt.

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I didn't know poets were so minted.

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We're in the wrong game. I could've been a poet.

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There was a young girl from Peru, who badly needed...

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Taxi's on its way to take him to the studio. You've got two minutes.

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Wonder if SHE'S Peruvian.

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Thank you.

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-Morning.

-Morning.

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Brian Lane and Gerry Standing.

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Sorry I can¹t give you long, I'm due on a chat show within the hour.

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Yeah? Why?

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Haven't you heard? I've been voted Britain's Sexiest Poet.

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-Your mum must be so proud.

-Do a lot of that kind of thing?

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Too much. I only spend 20 per cent of my time actually writing.

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And the rest counting your money.

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Help yourself.

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Oh.

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"Liminal Lakes". Thanks very much. Now, you were Sean's flatmate?

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Not at the time of his death. But we studied together and we were close.

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You told the original investigation you didn't know where he was living.

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Sean was a... a free spirit.

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He slept on floors, sofas, streets, boxes and other people's beds.

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When was the last time you saw him?

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-Haven't you read your notes?

-We'd rather hear it first hand.

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He turned up and stayed a couple of nights, on the 17th and 18th -

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ten days or so before he died.

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How was he?

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Loud, funny,... brilliant.

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Who was the last person to see him?

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Good question. He never carried a phone.

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Last I heard he was trying to get to a party in Ibiza.

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We heard he wasn¹t very popular.

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Sean... Sean could start a fight in an empty house,

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-but that was only part of the story.

-But that's the part we're hearing about most.

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He was also the most compassionate and inspiring of men.

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Were you lovers?

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Mm-hm.

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Not sexually. The modern era has a myopic obsession with sexual love,

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but there are other types. The Greeks had four different words.

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Yes, Eros, but there was also Philia,

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Agape and Storge.

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Which type did you have for Sean?

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Agape.

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I loved Sean's mind

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and his soul

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and every querulous and unpredictable moment with him.

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Do people kill for Agape?

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I'm sure they do,

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but in this case, Sean was killed by that lowlife Topal. MOBILE PHONE CHIMES

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How they were involved, do you know?

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He never let me near his shady side.

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But I could tell he was terrified of something.

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The taxi is here.

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Did he ever mention a man called Gourkan Ozil?

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I have to go.

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He was a bookmaker. Sean owed him money.

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I don't know much about bookmakers. I'm sorry I can't be more help.

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He was frightened. Clammed up when we mentioned Ozil's name.

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Proper blast from the past, that. I haven't heard of him for years.

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-Didn¹t he keep a rival locked in a torture room?

-Death by a thousand cuts.

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-If Docherty owed him, no surprise he wound up dead.

-He had a deal with Serious Crime.

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I tried to get near him, they told me to back down.

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-Nothing about him on file.

-Nah. SCD will have pulled it.

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I thought he went back to Turkey.

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-Shall I ask the intelligence unit at his local station?

-Yeah.

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-Shall I ask around on the streets?

-OK.

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According to the original notes,

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nobody spoke to Docherty's university.

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-They questioned his college friends.

-Didn¹t talk to his tutor though.

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-Tutors can be close to their students.

-And the rest.

-We got a name?

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Yeah, I just e-mailed HR.

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The tutor was a Professor Powell,

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she's an expert in modern poetry.

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She's still teaching at UCL AND she was tutor to Luke Oswald.

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Worth a visit. Anything on Ozil?

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-Nah. Everyone¹s too frightened to talk.

-No, drop him. He's a smoke screen.

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The intel unit at Ozil¹s nick say he went back to Turkey years ago.

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-SCD probably helped him get there.

-Eoin Donaldson said we'd never find him.

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But he didn't mention that his defence witness for his GBH in 2001

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was a Mr Tony Quinn.

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Quinn? Wasn't he one of Topal's men?

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Yeah, he got killed during the power struggle after Topal was nicked.

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If Donaldson knew one of Topal's thugs, he's got to be in the mix.

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You think Eoin worked for Topal as well?

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-Let's go and ask him.

-Let's call a cab.

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Cab for McAndrew?

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I used to hang about with Tony, got into a few scrapes.

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What sort of scrapes?

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Punch-ups in pubs. Tony was a big man, everyone wanted a pop at him.

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Eoin, your GBH was more than that. It was intimidation of a shopkeeper.

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-Looked like racketeering to me.

-Was that a job for Topal?

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OK, hands up, you got me.

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I was a bit of muscle, dished out a few slaps for Topal with Tony,

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that's all, it was innocent.

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Why didn't you tell us?

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Not in front of Mara.

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If she thought I did stuff for Topal...

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Didn't she like the idea of someone who worked for a drug dealer?

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I never touched that side of things.

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Anyway, Mara's the least of your worries.

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It looks to me like you avoided mentioning your connection to Topal

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because you knew it linked you to the scene of crime.

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I had nothing to with... Did you kill Sean?

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No! Look, I¹ve been helpful!

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Given you a list of people who might've wanted him dead.

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To throw us off the scent. Then you gave us Ozil, a bloody ghost!

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I told you he disappeared years ago.

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Where to? I dunno! Turkey? Witness protection?

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- Someone whacked him? I heard he... - Changing the subject again!

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Look, I had nothing to do with it.

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We'll be in touch.

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I don¹t like you.

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Auden's talking about the banality of human affliction,

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but we can all do that in the pub -

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"death sucks, but life goes on" is the thrust of what he's saying.

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But poetry isn't about the simple pursuit of a puzzle,

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it's about the method of expression.

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The language of a poem IS its ideas.

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Didn't Auden also argue that poetry should,

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as far as possible, tell us the truth

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by exposing life's contradictions?

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Beaux Arts is a manifestation of that,

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-the way it juxtaposes the ordinary...

-Back in the real world -

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someone beat Docherty to death with a brick and set his body on fire -

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have you got any idea who might've done that to him?

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Did you know what was going on in his life outside these walls?

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I only knew him as a student.

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-What about him and Luke Oswald?

-They seemed very close.

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Did you get any sense that Sean was in trouble? Did he miss lectures?

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No. Not at all.

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Have you ever heard of a man called Mehtin Topal?

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-Not before... all this happened.

-We're trying to find a connection

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between the two of them. Was Sean a druggie?

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-Absolutely not.

-A dealer, then?

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Sean was a prodigiously talented poet. That was his alpha and omega.

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We've seen a tape of him performing at a slam. He was very compelling.

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Poetry is all he ever thought about.

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Really? I heard he was a bad bugger. Birds, booze and brawling.

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Poetry is the pursuit of truth. You can't find that sitting at home

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-with a Horlicks.

-I suppose he wore velvet jackets an' all?

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I must apologise for my colleague.

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It's fine. To him, poetry is fey and unimportant

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whereas to me it's vital, muscular,

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it plunges us into the heart of the human condition.

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Absolutely.

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Sean had an appetite for life and heightened experience.

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-You sound like you were very fond of him.

-I was.

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Did you shag him?

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Why are you so determinedly anti-intellectual?

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-She was selling us guff, not answering questions.

-You wear it like a badge of pride.

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I was after the "truth of their human condition". They were at it.

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Maybe, but there are subtler ways of drawing her out

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and helping the investigation.

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Maybe she did him in when he chucked her. She looked like a bunny boiler.

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-She's not the type.

-You're only saying that cos you want to get into her Alans.

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-Eh?

-Cockney poetry. Alan Whickers. Work it out.

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I hope you like prison food, Mehtin -

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cos you're gonna have an extended stay.

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Is that like a joke, only much smaller? Should I be laughing?

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-You lied to us.

-It's been known to happen.

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So you didn't know Docherty? His brother-in-law Eoin worked for you.

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Says who?

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Everyone talks too loud.

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Did Eoin also tell you that Sean worked for me?

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So you DID know Sean?!

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-Eoin introduced us.

-You've spent ten years denying any knowledge of him.

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You were desperate to pin his death on me. Denial was my best tactic.

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So why yourself get an alibi if you had nothing to hide?

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Did Eoin also tell you that Sean grassed on him and Tony?

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He put them in the dock for GBH to get off a drink-drive charge. Idiot.

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- Is that why you wanted him dead? - I didn't like him. Nobody did.

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He was mouthy. So he never worked for me again, but I didn't kill him.

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- It's bad for business. - So who did kill him?

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-Somebody was trying to stitch me up.

-Like who?

-I don't squeal.

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Well, you better start, cos everyone else is at it

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and from where I'm sitting, you're the only one in chains.

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Eoin Donaldson. He had a motive,

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-access to the yard and he had a problem with Sean.

-Is that right?

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He wanted to marry the sister, but Sean kept getting him into trouble.

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She doesn't want a gangster for a husband.

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So Eoin does him, dumps him in my yard,

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calls it in and waits for you lot to put the blame my way.

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Where were you on the night of 29th March 2002?

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Is this for real?

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I was at Spurs-Arsenal. I know I wasn't straight with you...

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Got any witnesses?

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Sure.

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Mark, Jase, Lenny -

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they all saw me there.

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Mark, Jase, Lenny. I'll be needing their full names and addresses.

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I didn't say anything cos Mara would have torn me apart if she found out.

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Found out what?

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That I introduced Sean to Topal.

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The kid ends up dead in his yard - that's game over for my marriage.

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Football finishes just after 10 -

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still gives you time to kill Sean.

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-I was in the pub. The Barn - everyone would've seen me there.

-What, Mark? Jase? Lenny?

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You admit working for Topal and introducing Sean? He needed cash. Thought I'd help.

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Fat chance. What happened?

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He played the big lad.

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I had to slap him about - bring him in to line.

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-Is this a confession, Eoin?

-I didn't kill Sean.

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-Didn't he grass you up for your GBH? Is that why you killed him?

-Topal done him. Everyone knows that.

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You thought Ozil last time.

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Tell you what I think - Topal had nothing to do with this,

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neither did Ozil or anyone else you've tried to put us on to.

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Sean was a bad penny. No end of trouble. He'd already squealed once,

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which proved he couldn't be trusted to keep his mouth shut

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so you killed him and then you put him in Topal's yard

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hoping he'd get the blame. That¹s what I think.

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-Thank you for coming along.

-I'm happy to help, but I'm not sure what you're hoping to gain.

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An understanding of how this sort of life works.

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He seems very popular.

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Shall we get our seats?

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"You remember our summer's secret,

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"Wild strawberries and honeyed wine,

0:19:160:19:19

"Our fingers over lawns and flowers,

0:19:190:19:24

"The season's ceaseless turn,

0:19:240:19:27

"Naked, we were pure in rapture,

0:19:300:19:34

"Let me be still... in your heart."

0:19:340:19:39

-Are you all right?

-I've heard those lines before. From Sean.

0:19:390:19:44

I overreacted earlier. I'm not saying Oswald stole those lines.

0:19:550:19:58

"Naked, we were pure in rapture"?

0:19:580:20:01

"Let me be still in your heart". Sean once used them on me.

0:20:010:20:06

Used?

0:20:060:20:07

He was trying to get me into bed. Oldest trick in the book.

0:20:070:20:11

-I expect you get a lot of that.

-Most students get crushes,

0:20:110:20:16

few of them do anything about it.

0:20:160:20:18

Sean was more impulsive.

0:20:180:20:21

He, um, claimed he was in love with me.

0:20:210:20:24

He'd been struck by "coup de foudre" - love at first sight.

0:20:240:20:28

"Whoever loved that loved not at first sight". Shakespeare knew his onions.

0:20:280:20:33

Oh, it wasn't Shakespeare actually.

0:20:330:20:35

Though he did use the line in As You Like It.

0:20:350:20:39

Marlowe coined the phrase seven years earlier.

0:20:390:20:42

Poets borrow and reference each other the whole time.

0:20:420:20:45

So when Oswald... used a line today

0:20:450:20:50

that you'd previously heard from Sean - doesn¹t mean he stole it?

0:20:500:20:54

I shouldn't have got involved,

0:20:570:21:00

it was completely unethical, but we were so happy.

0:21:000:21:05

How long were you together?

0:21:050:21:07

Eight months.

0:21:070:21:11

-This could really help us.

-It won't. That's why I didn¹t mention it before.

0:21:110:21:15

-You might be able to shed light...

-Our relationship was entirely personal.

0:21:150:21:20

It didn¹t exist in any other context.

0:21:200:21:24

Did he ever talk about Eoin?

0:21:240:21:26

He didn't tell me anything about his life.

0:21:260:21:28

We didn't talk about each other. We held each other and read our books.

0:21:280:21:33

-Where would you meet?

-My flat always. There wasn't anywhere else.

0:21:330:21:38

Though he did take me away to a cottage once.

0:21:380:21:41

Very romantic.

0:21:410:21:44

A place that Yeats rented once apparently.

0:21:440:21:48

The idea thrilled Sean, sleeping in a bed of giants.

0:21:480:21:52

-So what went wrong in the end?

-I had to end it.

0:21:520:21:56

One, the age difference.

0:21:560:21:59

I was doing the right thing.

0:21:590:22:02

He was so angry afterwards.

0:22:020:22:05

Got into all sorts of trouble. I just wish I hadn't hurt him.

0:22:050:22:10

-I knew they were at it!

-No, it was a proper love affair.

0:22:100:22:14

Sounds like she still loves him. Should've seized the day back then.

0:22:140:22:19

Still, not much to go on, is it?

0:22:190:22:21

It's a tangible motive.

0:22:210:22:23

Oswald, who wasn't a brilliant poet, kills Docherty, who was,

0:22:230:22:26

and nicks his poetry.

0:22:260:22:28

No, no, no. Brian, people kill each other because of love, hate, money -

0:22:280:22:33

not poncy poetry.

0:22:330:22:35

Well, I'd like to follow it up, Sandra. How's Eoin's alibi?

0:22:350:22:40

His mates are standing up for him - at the game and then the pub.

0:22:400:22:43

Whoa, whoa, whoa. Eoin's credit card was used at 10.45

0:22:430:22:47

at a petrol station in Deptford!

0:22:470:22:50

What was he doing over there? That's nowhere near the football.

0:22:500:22:54

-Or the crime scene.

-Pull him in again?

0:22:540:22:56

No, let's wait til we get his mobile records, give him time to stew.

0:22:560:23:00

All right, Brian, come on, let's go and see your thieving poet.

0:23:000:23:05

SHE RINGS BELL

0:23:090:23:11

-Is Oswald here?

-No.

0:23:160:23:18

-Are you his partner?

-That's rather personal. You'd better come in.

0:23:180:23:25

I'm sorting out Luke's papers while he's away. He's lost some notebooks.

0:23:250:23:31

Are you his PA?

0:23:310:23:33

His agent. Writers can't look after themselves. You end up being

0:23:330:23:38

psychiatrist, butler, teacher...

0:23:380:23:41

-Where can we find him?

-Haven't a clue.

0:23:410:23:44

-You mean he's gone missing?

-No. He's gone writing.

0:23:440:23:48

-Where?

-Who knows?

0:23:480:23:50

Some writers like the monotony of sameness and work from home.

0:23:500:23:55

Whereas Hemmingway wrote in brothels.

0:23:550:23:58

Was this trip planned?

0:23:580:24:01

-You'll have to ask Luke.

-Or did he skip off because we turned up asking awkward questions?

0:24:010:24:06

Don't flatter yourself. He's got a reading tomorrow. He'll be back.

0:24:060:24:12

I¹ll try and get along to it.

0:24:120:24:15

Do you know why some of Docherty¹s work shows up in Luke's poetry?

0:24:150:24:20

-You suggesting he's a plagiarist?

-Just asking.

0:24:200:24:23

Sean and Luke were incredibly close.

0:24:230:24:26

They discussed ideas, themes, techniques.

0:24:260:24:29

You're implying Luke "stole" a line,

0:24:290:24:32

but it's equally possible it was Sean who stole it from Luke first.

0:24:320:24:36

-Have you any proof of that?

-No. And nor have you.

0:24:360:24:40

But poets constantly influence and quote each other in their work.

0:24:400:24:45

Thanks. We'll be in touch... when your client come out of hiding.

0:24:450:24:50

Who's she?

0:24:560:24:58

-Eoin's real alibi. And why he's been telling us so many fibs.

-Mistress?

0:24:580:25:03

Not for ten years and she still hates him for taking fright

0:25:030:25:06

and dumping her after Sean got killed.

0:25:060:25:09

-So Eoin's persuaded her in to clear his name?

-She didn't want him done for murder.

0:25:090:25:14

He knew the phone records would lead us to her in the end.

0:25:140:25:17

Anyway, she swears he was with her that night after the game.

0:25:170:25:22

Eoin's clean.

0:25:220:25:25

"GARBLED VOICE"

0:25:250:25:28

It's Topal all we need is the evidence.

0:25:310:25:34

Topal ran a tight ship - why kill a numpty like Docherty,

0:25:340:25:37

-then dump him in his own back yard?

-Usual story, innit?

0:25:370:25:41

Got cocky, thought he was bulletproof. Forgot to clean house.

0:25:410:25:45

He hasn't got a motive, Gerry.

0:25:450:25:47

Then why did he find himself an alibi and steer us to Eoin?

0:25:470:25:50

-What did you get out of Oswald?

-Vanished. Gone to do some writing, apparently.

0:25:500:25:55

-You don't sound convinced.

-I don't like people going AWOL. How we doing with Ozil?

0:25:550:25:59

The files have definitely been pulled but SCD and Five both swear

0:25:590:26:04

-they had nothing to do with it.

-Great. He's in witness protection.

0:26:040:26:08

I spoke to some uniform at Belmarsh, that¹s what they'd heard about him.

0:26:080:26:11

-That's us stuffed. We'll never be allowed to near him.

-All we¹ve got is hearsay on Ozil.

0:26:110:26:16

-Both Eoin and Topal are much more likely suspects.

-This is about poetry, not gangsters.

0:26:160:26:22

Here we go.

0:26:220:26:24

Oswald killed Docherty to steal his poetry.

0:26:240:26:27

-Why else did he disappear as soon as we turned up?

-I just want to know where he is.

0:26:270:26:32

-And that agent of his claims she hasn't got a clue.

-She's hiding something.

0:26:320:26:38

-Look at this.

-Oh, you bored our bollocks blue with this already!

-Hang on.

0:26:390:26:44

-"The scent..."

-There!

0:26:480:26:50

"Through human voices

0:26:500:26:53

"Shake us

0:26:530:26:56

"And we follow."

0:26:560:26:59

He was schtupping Roxanne as well?

0:27:010:27:03

Was this before or after the split with Powell?

0:27:030:27:06

-I'm not sure.

-Let's find out tomorrow morning. Come on.

0:27:060:27:10

What I don¹t get

0:27:100:27:12

is why two attractive, intelligent women are throwing themselves

0:27:120:27:17

-at a scrote like Docherty?

-It's the power of poetry, pal.

0:27:170:27:20

-Don't be daft.

-It's an aphrodisiac, man.

0:27:200:27:24

Ugly men have always used honeyed words to lure attractive women.

0:27:240:27:29

At last. An explanation of how he pulled Esther.

0:27:290:27:34

SMATTERING OF APPLAUSE

0:27:520:27:54

Darkness.

0:28:000:28:02

Eternal... silence.

0:28:060:28:11

A womb!

0:28:150:28:17

Twisted with regret!

0:28:170:28:19

Don¹t leave me! I shall die of pain!

0:28:250:28:29

SHE SHRIEKS La-la-la-la-lal-la-la-la-la-la

0:28:290:28:32

la-la-la-la-la-la-la-la-la-la-la...

0:28:320:28:36

Brilliant. I've always loved Andrew Marvell.

0:28:410:28:45

This York stone is £15. So we could go for that or the terracotta.

0:28:450:28:51

Oh, yes, listen to this.

0:28:520:28:55

"Had we but world enough and time,

0:28:550:28:57

"This coyness, lady, were no crime."

0:28:570:29:00

Or Indian sandstone, that's nice.

0:29:000:29:03

"But at my back I always hear,

0:29:030:29:05

"Time's winged chariot hurrying near,

0:29:050:29:08

"And yonder all before us lie,

0:29:080:29:11

-"Deserts of vast eternity."

-Well, it's your own fault.

0:29:110:29:14

I said we should sort out the lawn.

0:29:140:29:16

"Let us roll our strength and all our sweetness up into one ball,

0:29:160:29:21

"And tear our pleasures with rough strife

0:29:210:29:24

"Thorough the iron gates of life!"

0:29:240:29:27

Shut up.

0:29:270:29:30

Actually, on second thoughts... Come here.

0:29:320:29:37

Ooh!

0:29:370:29:39

Take those to the post room. And get me a double macchiato.

0:29:390:29:45

You again? Are you looking for representation? Is Oswald back yet?

0:29:480:29:51

-No.

-Anyone would think he had something to hide.

0:29:510:29:55

I have every confidence he'll be at his reading later.

0:29:550:29:58

TV shows, book tours, lectures in America - you work him hard.

0:29:580:30:02

Poets don¹t bathe in gold. If you want to make a living,

0:30:020:30:07

-you need to maintain a profile. Luke understands that.

-Why didn't you tell us

0:30:070:30:12

you and Sean were lovers?

0:30:120:30:14

I don't recall you ever asking.

0:30:140:30:17

Most people would volunteer the information. Less suspicious.

0:30:170:30:21

You can put away the nasty eyes.

0:30:210:30:24

I took Sean on straight from uni.

0:30:260:30:29

We subsequently slept with each other four times,

0:30:290:30:32

or rather 15 times on four occasions if you really need to know,

0:30:320:30:35

and he was a demanding lover, albeit a little bit impatient and weepy,

0:30:350:30:41

who was on the rebound and had a thing for older women.

0:30:410:30:44

Is this too much information or just about right?

0:30:440:30:48

- Is this after he finished with Powell? - That's what I meant by "rebound".

0:30:480:30:52

You should have told us this before.

0:30:520:30:55

Did he mention any of his underworld activities to you?

0:30:550:30:58

Nope. It was obvious he was taking a walk on the wild side

0:30:580:31:03

and maybe even a little bit pleased with himself for it,

0:31:030:31:06

but I wasn't interested in his autobiography.

0:31:060:31:10

I was bloody annoyed at the older-woman tag too - I was only 29.

0:31:100:31:13

Was his poetry any good?

0:31:130:31:16

He was the real deal.

0:31:160:31:18

-What about Oswald?

-He is also a very exciting poet, I'll make him Laureate one day.

0:31:180:31:24

- When did you take him on? - About the same time as Sean.

0:31:240:31:27

Buy one, get one free?

0:31:270:31:30

Poets aren't commodities.

0:31:300:31:32

-But they pay for all this.

-Misery memoirs of balloon-breasted celebrities pay for all this.

0:31:320:31:37

-Poets bring prestige.

-Who came first? Sean or Luke?

0:31:370:31:41

I can't remember.

0:31:410:31:42

You must have the details on file. Can we take a look?

0:31:420:31:46

The filing is pretty chaotic.

0:31:460:31:49

You take a look. I've got some calls to make.

0:31:490:31:54

This is your filing?

0:31:590:32:02

Yeah, we're fully computerised from 03,

0:32:020:32:05

but I'm afraid the rest is still on paper. Sorry.

0:32:050:32:08

Don¹t worry. Everything from the last 150 years is here somewhere.

0:32:080:32:12

I'm sure you'll find what you¹re looking for.

0:32:120:32:15

I wonder if Oswald is actually going to turn up.

0:32:150:32:19

-He'd be a fool not to.

-It would look extremely suspicious if he's done a runner.

0:32:190:32:24

I don't mean that, I'm talking about the amount of fit birds here!

0:32:240:32:28

I told you - poetry is an aphrodisiac.

0:32:280:32:32

You don't need an aphrodisiac with this amount of crumpet.

0:32:320:32:35

Open your mind to it. You might find yourself surprised.

0:32:350:32:39

Where's Sarah got to?

0:32:390:32:43

Ah, here she is.

0:32:430:32:45

-Hi.

-Hi. Are you all right?

0:32:480:32:52

Yeah, I'm fine. I'm just...

0:32:520:32:55

..being silly. Overactive imagination, I expect.

0:32:560:33:01

Ladies and gentlemen, please welcome Luke Oswald.

0:33:030:33:06

This isn't what I wanted when I set out to be a poet. Not at all.

0:33:150:33:21

My, um, my friend died tragically young

0:33:230:33:27

before his talent could flourish

0:33:270:33:30

and, uh, there's not a day goes by

0:33:300:33:33

that I don't...

0:33:330:33:35

This poem "Rainsong"

0:33:390:33:43

is a true expression of Sean Docherty¹s genius.

0:33:440:33:48

"Summer rain drums the heads of broken yeomen...º

0:33:510:33:54

"Mud-black horses shiver mouth-on-mouth,

0:34:020:34:05

"Gaunt and quick as drunken wind..."

0:34:050:34:07

-Enjoying it?

-I'm loving it. Very surprising.

0:34:090:34:14

Ooh, ooh!

0:34:170:34:19

Gotcha!

0:34:350:34:36

- Find what you wanted? - There was a lot to wade through.

0:34:380:34:41

Sorry I couldn't be more help.

0:34:410:34:44

We did find this. A letter you wrote to Oswald in November 2001.

0:34:440:34:50

You thank him for sending in his material,

0:34:500:34:53

but you can't represent him because you think his poetry

0:34:530:34:56

is "immature and lacklustre".

0:34:560:34:59

-There's no point mincing words.

-It's a bit confusing -

0:34:590:35:02

we also found a terms-of-engagement letter between the two of you

0:35:020:35:07

from April the following year.

0:35:070:35:09

Yes. So?

0:35:090:35:11

You turn Oswald away, then after Docherty dies, you represent him.

0:35:110:35:16

I had a spare place on my list.

0:35:160:35:18

-That simple?

-Luke sent me some new work. It was much stronger.

0:35:180:35:23

-Really?

-Poets mature at different moments.

0:35:230:35:27

Some, like Dryden and Donne, get better with age.

0:35:270:35:30

Some hit a couple of hot spots over 40 years

0:35:300:35:33

and others, like Wordsworth, never recapture the glory of their youth.

0:35:330:35:37

Have you ever read The Prelude?

0:35:370:35:40

No.

0:35:400:35:41

Don't.

0:35:410:35:44

"Saved by what I am and pulled by what will be,

0:35:440:35:47

"Hollow dusk widens every day..."

0:35:470:35:50

-MOBILE PHONE CHIMES

-Ooh...

0:35:500:35:52

Hello?

0:35:560:35:57

-Is Oswald with you?

-Yeah. He's been going for hours.

0:35:570:36:01

His agent is a liar and his poetry's transformed since Docherty died.

0:36:010:36:04

-It's time we had a chat. Will you ask him to come in?

-With pleasure.

0:36:040:36:09

Are you insinuating I killed my dearest friend to steal his poetry?

0:36:090:36:14

It's something we're considering.

0:36:140:36:17

Your poem "Wild Strawberries"

0:36:170:36:20

contains the line "Naked, we were pure in rapture

0:36:200:36:23

"Let me be still in your heart."

0:36:230:36:25

It does.

0:36:250:36:28

Sean Docherty wrote that in 1998.

0:36:280:36:30

-Says who?

-You're denying you stole the line?

0:36:300:36:33

Sarah Powell told you that, didn't she?

0:36:330:36:36

You do know she's slightly conflicted when it comes to Sean?

0:36:360:36:39

-So you knew about their affair?

-I was too polite to say, but seeing as she's telling tales...

0:36:390:36:46

Were you jealous of Sean's talent?

0:36:460:36:48

Yes.

0:36:480:36:50

He was a natural. You had to work harder. Did that make you angry?

0:36:500:36:56

It made me full of admiration. And proud to be his friend.

0:36:560:37:01

So how come his words are in your work?

0:37:010:37:04

This is ridiculous. Sean was 22 when he died. Brilliant though he was,

0:37:040:37:09

no poet produces real quality until they¹re much older.

0:37:090:37:12

Wordsworth was best when he was young. Have you read The Prelude?

0:37:120:37:16

Course I have.

0:37:160:37:18

-Boring, isn't it?

-What I mean is

0:37:180:37:20

it's hardly worth me killing him for a few pages of juvenilia.

0:37:200:37:25

Hm? Wouldn't it be better to wait till he's older

0:37:250:37:28

to get my hands on a real, decent body of work?

0:37:280:37:32

Why did you run away when we started asking you questions?

0:37:320:37:37

I went away to write.

0:37:370:37:39

You've got a habit of heading for the hills. When I first met you,

0:37:390:37:44

you were very chatty until my colleague

0:37:440:37:46

started asking you about Gourkan Ozil.

0:37:460:37:49

-I told you, I don't know him.

-You left as soon as

0:37:490:37:52

-his name was mentioned.

-I had a taxi waiting.

0:37:520:37:55

-Where did you go to write?

-I'm not telling you.

0:37:550:37:57

I'd advise that cooperation is the best strategy here.

0:37:570:38:00

I've never told anybody. That's the point of having somewhere secret.

0:38:000:38:05

-I don't want you disappearing again, is that understood?

-You can't stop me from working.

0:38:050:38:10

If I need to go away, I'll go away.

0:38:100:38:14

You approached Roxanne Guthrie in September 2001.

0:38:160:38:21

She turned you down. But she signed Sean.

0:38:210:38:24

Six weeks after his death, you approached her again and she agreed.

0:38:240:38:29

Why the change?

0:38:290:38:32

-You'd have to ask HER that.

-She said you got better.

0:38:320:38:35

She'd be right. The first pieces I sent her were... insipid.

0:38:350:38:41

I was impatient, immature. A callow, coltish, privileged boy.

0:38:410:38:46

Unlike Sean.

0:38:460:38:49

He'd lived! That's what was inspiring about him.

0:38:510:38:56

He made you a better writer?

0:38:560:38:58

-Yes!

-Because you stole his work.

-Because I loved him so fiercely that when he died, I became a man!

0:38:580:39:05

And I used my despair to become a better poet.

0:39:050:39:10

That quality suffuses my work today.

0:39:100:39:13

But I'd trade all my success and plaudits in a heartbeat,...

0:39:150:39:20

..if I knew it would bring Sean back.

0:39:210:39:24

It's annoying, but I think he's genuine.

0:39:290:39:33

He clearly adored the bloke.

0:39:330:39:36

-Didn¹t stop him nicking his poetry though, did it?

-That's going to be hard to prove.

0:39:360:39:40

If you ask me who's a more likely killer - Oswald or Topal and Ozil..

0:39:400:39:45

What about Sarah Powell? Mara? Roxanne?

0:39:450:39:49

-She rubbed you up the wrong way.

-I'm surprised she hasn't married her own reflection.

0:39:490:39:53

She's got a career, plenty of cash - why would she want to kill Sean?

0:39:530:39:57

She was his rebound lover after Powell. Maybe he chucked her.

0:39:570:40:01

She wouldn't take rejection well.

0:40:010:40:03

She might hurt him in a moment of passion,

0:40:030:40:05

but bash him on the head, douse him in petrol?

0:40:050:40:09

-If she hated him badly enough...

-You'd have to put Powell in the loop too.

0:40:090:40:13

Maybe she killed him after she found him dipping his pen with Roxanne.

0:40:130:40:17

Pardon my metaphor.

0:40:170:40:20

Any luck?

0:40:210:40:24

-I don't know. Women today.

-Maybe it's your technique, Gerry.

0:40:240:40:27

Nothing wrong with my technique, thistleface.

0:40:270:40:30

-PHONE RINGS

-Try a bit of poetry on her.

0:40:320:40:35

-Do what?

-Worked wonders for me and Esther.

-Yeah?

0:40:350:40:40

I read her a bit of Marvell's Coy Mistress and...

0:40:400:40:45

-And what?

-Poetry can be very effective.

0:40:450:40:49

Sarah Powell's called the station. She claims she¹s being stalked.

0:40:520:40:57

-Sorry to cause all this trouble.

-What happened?

0:40:570:41:00

-Someone followed me home.

-Why would they want to do that?

0:41:000:41:04

-I don't know.

-Did you get a look at him?

0:41:040:41:07

No, I just ran in here and locked myself in.

0:41:070:41:10

When I looked out, he was by that tree.

0:41:100:41:13

When he saw me pick up the phone to call you, he ran away.

0:41:130:41:18

OK, thank you.

0:41:180:41:20

There's a few shops further up the road.

0:41:240:41:26

See if you can harvest CCTV from any of those

0:41:260:41:29

and the ones en route from the tube.

0:41:290:41:31

Brian... Can you stay for a bit?

0:41:310:41:35

Ah, thank you.

0:41:380:41:41

Well, these are Sean's.

0:41:410:41:43

Ah, thanks.

0:41:430:41:46

Aha. "Rainsong" again.

0:41:470:41:50

Think there's any significance in Oswald reading that today?

0:41:500:41:54

It's one of Sean¹s best poems.

0:41:540:41:57

Are there any clues in Sean's work

0:41:570:42:01

as to what he was feeling or doing before he died?

0:42:010:42:04

I've looked. Analysed every verse, metre, metaphor, rhyming scheme,

0:42:040:42:09

-tried every sort of acrostic, numerology.

-Numerology?

0:42:090:42:13

You can find a "hidden" message in anything if you want to enough.

0:42:130:42:17

You know, like the Bible Code fanatics

0:42:170:42:20

or literary conspiracy theorists

0:42:200:42:22

who say there's a hidden sentence in Shakespeare¹s sonnets

0:42:220:42:25

that proclaims "Kit Marlowe wrote this."

0:42:250:42:28

-HE CHUCKLES

-But there¹s none of that in Sean¹s?

0:42:280:42:31

Sean didn't go in for layered ambiguity. His work is very direct.

0:42:310:42:35

Sadly, there's no hidden secrets from beyond the grave.

0:42:350:42:38

Oswald's pretty good though, isn't he?

0:42:380:42:43

Mm. Yes, I'd dismissed him as a media construct,

0:42:430:42:47

but I've enjoyed what I've heard of his work so far.

0:42:470:42:50

Here, you can borrow this if you like.

0:42:500:42:54

-Oh.

-There's a terrific tension in his work.

0:42:540:42:57

He's very big on identity, redemption,

0:42:570:43:02

the healing power of nature.

0:43:020:43:04

I think he's exploring...

0:43:040:43:06

Sorry. Would you mind going? I feel a bit tired.

0:43:060:43:12

But soft, what bike from yonder copper breaks?

0:43:180:43:22

How was your damsel in distress?

0:43:220:43:24

"Brian, Brian, wherefore art thou, Brian?"

0:43:240:43:28

Have you found that stalker yet?

0:43:280:43:31

I've got your professor coming out the tube

0:43:310:43:33

and I've got her walk home from bars, chemists, even a hairdresser.

0:43:330:43:38

But it's hard to identify anyone who looks like they're following her.

0:43:380:43:42

I bet it was Oswald. He's not answering. Nor is his bloody agent.

0:43:420:43:46

Yeah, that makes sense. He was rattled.

0:43:460:43:49

He probably left us and went straight to find Powell.

0:43:490:43:52

-Worked out she told us about the missing poetry.

-And he wanted to shut her up.

0:43:520:43:57

Yeah, so he's stalking her, planning his next move...

0:43:570:44:00

And we turn up mob-handed.

0:44:000:44:02

-Right, issue a picture.

-Hold it, hold it. Take a look at this.

0:44:020:44:08

What?

0:44:100:44:11

Blimey, it's Sean Docherty!

0:44:130:44:16

So who's the body in the yard?

0:44:160:44:19

I've got some good news for you, Mara.

0:44:190:44:23

It's not Sean's body in Mehtin Topal's scrap yard.

0:44:230:44:28

But then you knew that all along, didn't you?

0:44:280:44:32

Did you not know she lied to the police? Let us think Sean was dead?

0:44:320:44:35

-He's alive?

-Yeah, she probably knows where he is right now.

0:44:350:44:39

-I don't! I swear I don't!

-Mara...

0:44:390:44:42

He made me do it.

0:44:420:44:44

Listen, son, the Prison Authorities aren't going to let you walk

0:44:440:44:48

with this complication over your head.

0:44:480:44:50

We just want to know what actually happened in that yard.

0:44:500:44:54

It's not Docherty, but the bones were dressed like him.

0:44:540:44:56

He's your suspect, I'm in the clear.

0:44:560:44:58

-So what's his connection with Ozil?

-He owed him money.

0:44:580:45:02

Ozil had been chasing him all day. Sean was terrified.

0:45:020:45:07

Ozil? So he IS involved in this?

0:45:070:45:09

I don't know! Sean said the police would find a body with his stuff

0:45:090:45:14

-and when they did I was to...

-Lie.

0:45:140:45:16

If I didn't help him, he'd tell you lot about the jobs

0:45:160:45:19

that Eoin and him did for Topal.

0:45:190:45:21

-What jobs?

-I knew you'd stop all your bad behaviour

0:45:210:45:27

if Sean wasn¹t around to lead you astray!

0:45:270:45:30

-Where is he now?

-I don't know!

0:45:300:45:33

I just wanted him out of our life!

0:45:330:45:36

Right, how does this sound?

0:45:430:45:46

Ozil is after Sean for his debt.

0:45:460:45:48

Sean comes clean and arranges to meet him at the yard after hours.

0:45:480:45:53

So they get together at the yard. Sean lumps him, swaps his clothes,

0:45:530:45:58

pours petrol all over him and then scarpers.

0:45:580:46:01

Could've been planning the whole thing for months.

0:46:010:46:04

Yeah. All we've got to do now is find the bastard and ask him.

0:46:040:46:08

OK, we're saying that he burns Ozil and runs.

0:46:080:46:11

He's a poet who loves nature, but he's a drinker and a gambler

0:46:110:46:14

-and he likes a Friday-night punch-up, so where would he go?

-Isle of Dogs?

0:46:140:46:18

I can't find Powell. She's skipped her lectures,

0:46:200:46:24

hasn't been seen since last night.

0:46:240:46:26

Sarah!

0:46:280:46:29

-Sarah, are you in there?!

-Not unless she's been murdered.

0:46:290:46:33

-Well, it's what we're all thinking.

-We can¹t wait for backup.

0:46:330:46:37

-OK, I'm concerned for the safety of the person inside. All agree?

-ALL: Yeah.

0:46:370:46:42

Steve, do your thing.

0:46:420:46:45

Oh, OK.

0:46:450:46:47

Here we go. This should do it.

0:46:480:46:52

-Open sesame.

-Well done.

0:46:550:46:57

Sarah!

0:46:570:46:59

-She's not strangled in the bedroom.

-Or chopped up in the bath.

0:46:590:47:03

-So what's happened to her?

-She's with Docherty.

0:47:030:47:06

What happened here last night?

0:47:060:47:08

We talked.

0:47:080:47:10

A wide-ranging literary discussion actually, it was wonderful.

0:47:100:47:15

Although she did suddenly ask me to leave. Her mood just changed.

0:47:150:47:21

I asked her about Docherty's poems

0:47:210:47:23

and if they contained any hidden meaning.

0:47:230:47:27

It's "Rainsong". She's noticed some kind of message in "Rainsong"!

0:47:330:47:38

-What message?

-I'm not sure. Where he is maybe?

0:47:380:47:42

If we can decipher what she saw in this poem, we can find Docherty.

0:47:420:47:48

All right. You stick with that. Boys - with me.

0:47:480:47:53

I reckon Oswald, Docherty and Powell are all in on this.

0:47:530:47:58

-I¹m going to go to Oswald's house.

-He won't be there.

0:47:580:48:01

-No, but it's time his agent helped.

-I'll get on CCTV, see if there's any trace of Powell leaving here.

0:48:010:48:07

-OK.

-What about me?

0:48:070:48:09

-Track her phone, tell us where she went.

-We haven't got time for a triangulation request...

0:48:090:48:14

-You still got that contact at the mobile network?

-Alice? Yeah.

0:48:140:48:19

-Pay her a visit.

-Do I have to? She's a bit overwhelming.

0:48:190:48:23

Take one for the team, Gerry.

0:48:230:48:26

You know, there's a lot of similarities

0:48:280:48:31

between this and the supposed death of Christopher Marlowe in 1593.

0:48:310:48:36

Marlowe had debts, he was in trouble with the state

0:48:360:48:40

and a lot of academics reckon that he didn't die,

0:48:400:48:44

but faked his own death and then...

0:48:440:48:47

-Spare me the literary lecture. This is a manhunt.

-Yeah, but nobody can find them.

0:48:470:48:52

This can show us where they are!

0:48:520:48:54

I know you feel taken for a ride, but let that go, do some policing.

0:48:540:48:58

Look, if we start by running a simple cipher text,

0:48:580:49:04

where we replace each letter with the next letter in the alphabet...

0:49:040:49:09

Alice! Fancy bumping into you.

0:49:140:49:17

You didn't call. You're very rude.

0:49:190:49:23

No. but I've been ever so busy. Been undercover.

0:49:230:49:27

And I've got a booty like Beyonce's.

0:49:270:49:30

No, no, Alice. I've been thinking about you, honestly.

0:49:300:49:34

I've written a poem about us.

0:49:340:49:36

A proper poem?

0:49:370:49:39

Naked,...

0:49:410:49:43

We were pure in rapture,

0:49:430:49:47

Let me be still in your heart...

0:49:470:49:49

It bangs on like that for a bit. I'll tell you the rest later,

0:49:490:49:53

but first, I need a favour.

0:49:530:49:56

No. There's no sign of them. She must have gone out a back exit.

0:50:010:50:08

All is not lost. We could find her with a mono-alphabetic substitution.

0:50:080:50:12

We just identify a "key text" to match against...

0:50:120:50:16

Wait a minute. Wait a minute.

0:50:160:50:19

This is a long shot,

0:50:190:50:21

but if you apply... frequency analysis

0:50:210:50:25

to each letter of the poem,...

0:50:250:50:30

you get a message.

0:50:300:50:32

Yes? Yes! What?!

0:50:320:50:35

DOORBELL

0:50:440:50:47

-Where's Oswald?

-He¹s gone away.

0:50:480:50:50

-And you're going to tell me where.

-I told you, I don't know.

0:50:500:50:54

But Sean phoned me, if that's of any interest.

0:50:540:50:57

He wants to come out of hiding.

0:50:570:51:00

-I presume you told him to hand himself into the police?

-I asked him if he was still writing.

0:51:000:51:06

His renaissance'd be a sensation,

0:51:060:51:08

but only if his poetry was up to snuff.

0:51:080:51:10

You do know that Oswald has been in on this all along. With Sean.

0:51:100:51:14

I suspect they've even been writing together. What do you think?

0:51:140:51:18

This whole affair is becoming tiresome.

0:51:180:51:22

Just find Sean and Luke, do what you have to do to sort this out

0:51:220:51:26

-and let us get on with our lives.

-I could get you ten years for perverting the course of justice.

0:51:260:51:31

-Where is Oswald hiding?

-Suffolk. And that's all I know.

0:51:310:51:37

Oswald is in Suffolk. Any joy with Powell on CCTV?

0:51:370:51:42

Not yet, but she hasn't used her Oyster or credit cards.

0:51:420:51:45

That's coincidence or she knows what she¹s doing.

0:51:450:51:48

-Has she been in contact with him all along?

-She could've helped plan the escape.

0:51:480:51:52

-Maybe she even helped kill Ozil.

-You're being ridiculous!

0:51:520:51:57

God, phone companies! Said it'd take three days to process my request!

0:51:570:52:01

-We haven't got three days, Gerry.

-Fortunately, Alice has hidden skills.

0:52:010:52:07

It took her twenty minutes.

0:52:070:52:09

Powell's mobile phone was last registered yesterday at 11.17.

0:52:090:52:13

Junction 30 of the A12.

0:52:130:52:15

-That's in Suffolk! She's gone to see Oswald.

-Oh, I'm a bloody fool!

0:52:150:52:19

Docherty and Oswald are Marlowe and Shakespeare!

0:52:190:52:23

I'm looking at the wrong poem.

0:52:230:52:25

A lot of people think Marlowe faked his death

0:52:250:52:28

and subsequently fed his verse to Shakespeare.

0:52:280:52:31

-There's meta-textual reference to the arrangement in As You Like It.

-Brian, get to the point.

0:52:310:52:36

Docherty has been alive all this time and giving his work to Oswald.

0:52:360:52:40

So all Oswald's poems are actually Docherty's. D'you see?

0:52:400:52:44

And that's where Powell got her clue from.

0:52:440:52:48

Not from "Rainsong" but from "Liminal Lakes",

0:52:480:52:51

-which, when we broke into her house, was open at this page.

-So what did she see?

0:52:510:52:57

I'm telling you, they're in a cottage nearby.

0:52:570:53:01

There's got to be a thousand cottages in Suffolk.

0:53:010:53:04

Yeah, but there's only one that Yeats rented.

0:53:040:53:07

Docherty and Powell stayed there once ten years ago.

0:53:070:53:11

And it's in his poem!

0:53:110:53:14

"A decade dreaming in a giant's bed" -

0:53:140:53:17

these are Docherty's words in Oswald's guise.

0:53:170:53:20

-Makes all the sense in the world.

-They're the words Powell used to describe their weekend away

0:53:200:53:25

at the cottage that Yeats once rented. Yeats is the giant!

0:53:250:53:30

You see, the poem's describing where Docherty lives.

0:53:300:53:33

It's an autobiographical map if you know they once stayed there.

0:53:330:53:37

And this is the clincher - "a white-bricked prisoner

0:53:370:53:42

"circled by nature's changing crown".

0:53:420:53:45

KNOCK AT DOOR, DOOR OPENS

0:53:540:53:57

Where's Sean Docherty?

0:53:590:54:01

Did you never hear about the man from Porlock?

0:54:010:54:04

The entire poem "Kubla Khan" came to Coleridge in a dream,

0:54:040:54:08

but while writing it down, on line 54, he was interrupted by a visitor.

0:54:080:54:14

The rest of the poem vanished

0:54:140:54:16

-like ripples on the surface of a stream.

-Is there anyone else here with you?

0:54:160:54:20

-Nope.

-Have Powell and Docherty been here?

0:54:200:54:23

No.

0:54:230:54:25

And as you don¹t appear to have a warrant, I have to ask you to leave.

0:54:250:54:31

Did you help fake Docherty's death?

0:54:310:54:33

This feel a lot like harassment.

0:54:330:54:36

- Why don't you answer the question? - I have lots of work to do.

0:54:360:54:39

Arrest me or I promise I'll see you tomorrow to answer your questions.

0:54:390:54:44

-- Tell us about Gourkan Ozil. - Do I need to call my lawyer?

-We know you're alive, Sean!

0:54:440:54:48

-You're starting to look very foolish now.

-We can wait all day.

0:54:480:54:54

This is embarrassing.

0:54:570:54:59

Yes, you do need to call your lawyer.

0:54:590:55:02

It's over, Luke. Don¹t tell them anything. Let me sort this out.

0:55:040:55:08

This is my mess. It's right that it's me who pays the price.

0:55:080:55:12

I'll come with you.

0:55:150:55:18

When did you know?

0:55:250:55:27

Not till I read the poem. Brian, I would've told you...

0:55:270:55:30

You're not living up to the legend, Sean - rock-star poet,

0:55:330:55:38

pursuing the truth - but I'm not getting any sense of that.

0:55:380:55:41

Perhaps you're not so brilliant after all.

0:55:410:55:44

Maybe that's why you killed Ozil.

0:55:470:55:49

You were angry because you couldn't live up to the hype.

0:55:490:55:54

It's OK. You don't have to tell us.

0:55:550:55:59

Sarah's in the next room, sweating on a conspiracy charge.

0:55:590:56:03

-Leave her alone! She's nothing to do with this!

-Then, who is?

0:56:030:56:07

You're in a world of trouble, son.

0:56:070:56:11

I know.

0:56:110:56:13

Tell me from the beginning.

0:56:130:56:16

I did it.

0:56:160:56:18

I...

0:56:180:56:21

killed Gourkan Ozil.

0:56:210:56:23

Right, Sean, Luke says that he did it.

0:56:250:56:29

He wants you to tell us the truth.

0:56:290:56:31

I owed Ozil money.

0:56:350:56:37

It was only a few hundred quid, but...

0:56:370:56:42

..he was determined to get his flesh.

0:56:430:56:47

He'd been following me all day.

0:56:480:56:52

-He was enjoying it, you know?

-What happened?

0:56:520:56:56

I was frantic.

0:56:590:57:01

I ran to Luke's, I thought I¹d be safe there.

0:57:010:57:04

But... Ozil smashed his way in and...

0:57:040:57:08

- What happened then? - I got home.

0:57:080:57:13

I heard Sean... whimpering.

0:57:130:57:16

The smell of blood...

0:57:180:57:21

He'd tied him to a chair.

0:57:210:57:24

He was torturing him.

0:57:240:57:26

He was going to kill me. Be under no doubt about that.

0:57:280:57:32

So what did Luke do?

0:57:320:57:35

Just went for him.

0:57:350:57:37

And then?

0:57:370:57:39

Got him cold with this punch.

0:57:390:57:42

So pure and clean that...

0:57:440:57:47

..just killed him.

0:57:490:57:51

So after he killed Ozil, they just made the rest up on the hoof?

0:57:530:57:58

Pure opportunism.

0:57:580:57:59

And Oswald's got famous on Docherty¹s poems.

0:57:590:58:02

-Oswald saved his life. I expect Sean was happy with the deal.

-Maybe felt safer being "dead"

0:58:020:58:08

-than having half of North London's gangsters after him.

-Anyway,

0:58:080:58:13

Oswald is determined to take the fall.

0:58:130:58:15

He hated his friend being a fugitive because of what he'd done.

0:58:150:58:18

-I'm sure his lawyers will be expensive enough to get him off.

-And sadly Topal's in the clear.

0:58:180:58:23

Doesn't matter, does it? We got a result. All's well that ends well.

0:58:230:58:27

-Ha! That's Shakespeare, you know.

-I know. I bloody love poetry!

0:58:270:58:32

When I went to see Alice, she was ready to give me a right earbashing.

0:58:320:58:36

One line of verse and she melted. It's bloody Viagra that stuff!

0:58:360:58:40

-Told you.

-Wasted on the likes of you.

0:58:400:58:44

# It's all right, it's OK

0:58:470:58:49

# Doesn't really matter if you're old and grey

0:58:490:58:52

# It's all right, I say, it's OK

0:58:520:58:55

# Listen to what I say

0:58:550:58:58

# It's all right, doing fine

0:58:580:59:00

# Doesn't really matter if the sun don't shine

0:59:000:59:03

# It's all right, I say, it's OK

0:59:030:59:06

# We're getting to the end of the day #

0:59:060:59:09

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0:59:100:59:14

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