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# It's all right It's OK | 0:00:02 | 0:00:04 | |
# Doesn't really matter If you're old and grey | 0:00:04 | 0:00:06 | |
# It's all right I say it's OK | 0:00:06 | 0:00:08 | |
# Listen to what I say | 0:00:08 | 0:00:11 | |
# It's all right, doing fine | 0:00:11 | 0:00:13 | |
# Doesn't really matter If the sun don't shine | 0:00:13 | 0:00:16 | |
# It's all right I say it's OK | 0:00:16 | 0:00:19 | |
# We're gettin' to the end of the day. # | 0:00:19 | 0:00:22 | |
Look at that! | 0:00:25 | 0:00:27 | |
Where'd you get all this gear? | 0:00:27 | 0:00:29 | |
Your old department sent them down. | 0:00:29 | 0:00:30 | |
They've been digitising all their archive files | 0:00:30 | 0:00:33 | |
so they don't need these hard copies any more. | 0:00:33 | 0:00:35 | |
Oh! Look, look, look. | 0:00:35 | 0:00:37 | |
That bloke was nicked two minutes after this picture was taken. | 0:00:37 | 0:00:41 | |
Mind you, it took six of us to get him down to the station. | 0:00:41 | 0:00:43 | |
Yeah, he thought he was my best mate and all. | 0:00:43 | 0:00:46 | |
-Didn't know what was coming. -What was coming? | 0:00:46 | 0:00:48 | |
Ten years for possession. | 0:00:48 | 0:00:50 | |
-And silverfish. -Eh? | 0:00:50 | 0:00:53 | |
These tiny perforations. They're made by silverfish. | 0:00:53 | 0:00:56 | |
Tiny little insects that live in records offices and libraries. | 0:00:56 | 0:00:59 | |
Like a good read, do they? | 0:00:59 | 0:01:01 | |
No, they like the starch in paper. | 0:01:01 | 0:01:03 | |
Didn't know you were a shell suit man, Gerry? | 0:01:03 | 0:01:05 | |
THEY LAUGH | 0:01:05 | 0:01:06 | |
Yeah, well, I was undercover, wasn't I. | 0:01:06 | 0:01:08 | |
In luminous green and purple? | 0:01:08 | 0:01:09 | |
THEY LAUGH | 0:01:09 | 0:01:10 | |
Yeah, it was the '80s. | 0:01:10 | 0:01:11 | |
But where was the op? The local leisure centre? | 0:01:11 | 0:01:13 | |
Now, it was a big drugs bust, if you must know. | 0:01:13 | 0:01:16 | |
He looks like such a babyface. | 0:01:16 | 0:01:18 | |
Look, you think Scarface and double it, eh. | 0:01:18 | 0:01:20 | |
-I tell you, the whole gang were wearing that gear. -Morning. | 0:01:20 | 0:01:23 | |
-Hello, Guv'nor. -Morning. -What have you got there? | 0:01:23 | 0:01:26 | |
Electricity bills, bank statements, letters. | 0:01:26 | 0:01:28 | |
-All belonging to different people, and all recovered in a raid on a lock-up. -What were they doing there? | 0:01:28 | 0:01:32 | |
Serious and Organised were acting on a tip-off | 0:01:32 | 0:01:34 | |
and they found a huge heroin stash, | 0:01:34 | 0:01:36 | |
but also discovered a whole stockpile of documents. | 0:01:36 | 0:01:38 | |
-These are just a sample. -Why pass them onto us? | 0:01:38 | 0:01:41 | |
Well, several are covered with the fingerprints of a man murdered five years ago. | 0:01:41 | 0:01:45 | |
Friday the 13th. Unlucky for some, | 0:01:45 | 0:01:47 | |
and particularly unlucky for Max Klein. | 0:01:47 | 0:01:49 | |
A 55-year-old East German immigrant | 0:01:51 | 0:01:54 | |
who was something of a mystery. | 0:01:54 | 0:01:56 | |
After his murder, an appeal for information brought eyewitness reports | 0:01:56 | 0:01:59 | |
of Max standing at this location, | 0:01:59 | 0:02:01 | |
which led the investigators to look at CCTV. | 0:02:01 | 0:02:04 | |
A review of the footage found that, prior to his death, | 0:02:04 | 0:02:07 | |
Max was at the same spot every morning for nearly six months | 0:02:07 | 0:02:11 | |
from 7am to 10am. | 0:02:11 | 0:02:12 | |
Every morning? | 0:02:12 | 0:02:14 | |
What was he looking for? | 0:02:14 | 0:02:15 | |
Or who was he looking for? | 0:02:15 | 0:02:17 | |
They never found that out. | 0:02:17 | 0:02:18 | |
They also didn't find out why on this particular day, he left early. | 0:02:18 | 0:02:23 | |
Four hours later, a passer-by stumbled upon him bleeding to death. | 0:02:25 | 0:02:28 | |
He was about half a mile from a set of communal garages | 0:02:28 | 0:02:31 | |
where later, traces of his blood were found. | 0:02:31 | 0:02:33 | |
So he was stabbed at the garages, then tried to get away. | 0:02:33 | 0:02:36 | |
Yeah. When the paramedics got to him, he was still conscious. | 0:02:36 | 0:02:39 | |
Don't suppose he mentioned who stabbed him? | 0:02:39 | 0:02:41 | |
Must have slipped his mind. | 0:02:41 | 0:02:42 | |
However, he did keep repeating the same two words again and again until he died, in German. | 0:02:42 | 0:02:47 | |
They translated as - "blue flower." | 0:02:47 | 0:02:49 | |
-What does that mean? -Maybe he wanted irises at his funeral. | 0:02:49 | 0:02:52 | |
"Blue flower" brought up several thousand results, | 0:02:52 | 0:02:54 | |
-but nothing conclusive, and nothing connected to Klein. -What about the knife he was stabbed with? | 0:02:54 | 0:02:59 | |
No murder weapon recovered. No eyewitnesses. | 0:02:59 | 0:03:01 | |
-No friends or relatives? -None. | 0:03:01 | 0:03:04 | |
This guy was like a ghost before he even died, eh? | 0:03:04 | 0:03:06 | |
So what's going on here? | 0:03:06 | 0:03:07 | |
These documents have all been torn up and stuck back together again. | 0:03:07 | 0:03:11 | |
Yeah, Max worked at a recycling centre. | 0:03:11 | 0:03:13 | |
So people tear up their confidential papers, recycle them | 0:03:13 | 0:03:16 | |
and Max here is, what, piecing them together? | 0:03:16 | 0:03:18 | |
Well, he had the skills because, before he came to the UK in 2005, | 0:03:18 | 0:03:22 | |
he worked for the German Government as a puzzler. | 0:03:22 | 0:03:24 | |
Puzzler? | 0:03:24 | 0:03:26 | |
I've read about them. | 0:03:26 | 0:03:28 | |
When the Berlin Wall fell, they went into panic mode on the Eastern side. | 0:03:28 | 0:03:32 | |
And the Stasi started shredding all the documents | 0:03:32 | 0:03:34 | |
they'd been keeping on their own citizens. | 0:03:34 | 0:03:36 | |
Trying to bury their secrets. | 0:03:36 | 0:03:37 | |
Yeah, and the puzzlers were East German civil servants | 0:03:37 | 0:03:40 | |
whose job it was to reassemble those files. | 0:03:40 | 0:03:42 | |
What, by hand? Must've taken them years. | 0:03:42 | 0:03:44 | |
Yeah, it did. | 0:03:44 | 0:03:45 | |
So Max was a dab hand at reading the garbage. | 0:03:45 | 0:03:48 | |
So let me get this straight, this guy tries to piece together | 0:03:48 | 0:03:51 | |
the truth about one of the most repressive regimes in the world. | 0:03:51 | 0:03:53 | |
Then, he comes here and uses those same skills to...steal people's bank statements? | 0:03:53 | 0:03:57 | |
It seems like it, yeah. | 0:03:57 | 0:03:59 | |
Yeah, but he's been dead for five years. Why was all that stuff still in the lock-up? | 0:03:59 | 0:04:03 | |
Well, street gangs are now diversifying into ID theft. | 0:04:03 | 0:04:05 | |
So they can stockpile documents for several years. | 0:04:05 | 0:04:08 | |
Before garnering the information they find in them | 0:04:08 | 0:04:11 | |
to take out fraudulent loans and buy stuff. | 0:04:11 | 0:04:14 | |
So Max was supplying this stuff to whoever owned the lock-up? | 0:04:14 | 0:04:17 | |
It's possible. | 0:04:17 | 0:04:19 | |
Right, this station is close to several office blocks, | 0:04:21 | 0:04:24 | |
housing estates, amenities... | 0:04:24 | 0:04:26 | |
That's a lot of footfall every morning. | 0:04:26 | 0:04:28 | |
Literally thousands during the peak hours. | 0:04:28 | 0:04:30 | |
And yet, none of the eyewitnesses who came forward had actually spoken to Max. | 0:04:30 | 0:04:33 | |
Why would they? This is a place you pass through, isn't it? | 0:04:33 | 0:04:36 | |
You barely hang around long enough to breathe, let alone talk. | 0:04:36 | 0:04:40 | |
-Let's take a look at that. -What? | 0:04:40 | 0:04:42 | |
Look at the date. | 0:04:47 | 0:04:48 | |
-2006. -Yeah, and Max was here every morning from January to July 2007. | 0:04:48 | 0:04:53 | |
So someone connected with this might have seen him? | 0:04:53 | 0:04:56 | |
Excuse me, can I help you? | 0:04:56 | 0:04:57 | |
I am allowed to put flowers here. And the poster. | 0:04:57 | 0:04:59 | |
It's a beautiful tribute. | 0:04:59 | 0:05:01 | |
-My solicitor's written to the Council about this. -Oh, we're not from the Council. | 0:05:01 | 0:05:04 | |
I'm Detective Superintendent Pullman and this is Steve McAndrew. | 0:05:04 | 0:05:08 | |
-Hello. -It's a bit heavy-handed, isn't it? | 0:05:08 | 0:05:10 | |
No, no. We're not here to stop you from doing anything. | 0:05:10 | 0:05:12 | |
What are you doing, then? | 0:05:12 | 0:05:13 | |
We're looking into the murder of a man named Max Klein. | 0:05:13 | 0:05:17 | |
Oh, yeah. | 0:05:17 | 0:05:19 | |
You knew him? | 0:05:19 | 0:05:20 | |
A little. We talked from time to time. | 0:05:20 | 0:05:24 | |
My name's Grace Cusack. | 0:05:24 | 0:05:26 | |
-I'm sorry for being a bit short with you. -Don't worry. | 0:05:26 | 0:05:29 | |
My last experience with the police wasn't exactly what you'd call positive. | 0:05:29 | 0:05:32 | |
Why not? | 0:05:32 | 0:05:33 | |
They let a murderer go free. | 0:05:33 | 0:05:36 | |
Really, who was that? | 0:05:36 | 0:05:37 | |
Damon Rapley. He was driving the cab that killed my son. | 0:05:37 | 0:05:42 | |
And he's still driving it, can you believe that? | 0:05:42 | 0:05:45 | |
He's still out there. | 0:05:45 | 0:05:47 | |
Living a normal life, like nothing happened. | 0:05:47 | 0:05:49 | |
So he wasn't convicted? | 0:05:49 | 0:05:51 | |
No. | 0:05:51 | 0:05:52 | |
It was nearly six years ago and I still come here every morning. | 0:05:52 | 0:05:57 | |
You probably think I'm mad. | 0:05:57 | 0:05:58 | |
Not at all. | 0:05:58 | 0:06:00 | |
Grace, is there somewhere we can talk properly? | 0:06:00 | 0:06:04 | |
I'm just on my way to work. | 0:06:04 | 0:06:05 | |
But you can come with me, if you like. Have a cup of tea. | 0:06:05 | 0:06:08 | |
-Thank you. -Great. | 0:06:08 | 0:06:10 | |
Did you know Max Klein well, Mr Armitage? | 0:06:15 | 0:06:18 | |
He was a picker. | 0:06:18 | 0:06:19 | |
Don't really get out on the shop floor myself. | 0:06:21 | 0:06:23 | |
I tend to stay in here. Being strategic, see? | 0:06:23 | 0:06:26 | |
What's a picker? | 0:06:26 | 0:06:28 | |
They refine the recycling once it's been through the main sift. | 0:06:28 | 0:06:31 | |
Sort the paper from the plastics, | 0:06:31 | 0:06:33 | |
the wood from the glass and the metal. | 0:06:33 | 0:06:35 | |
So he would have got his hands on all sorts of stuff? | 0:06:35 | 0:06:37 | |
What's brought all this up again? | 0:06:37 | 0:06:39 | |
We spoke to the police just after he died. | 0:06:39 | 0:06:42 | |
Some new evidence has come to light. | 0:06:42 | 0:06:44 | |
-What new evidence? -We're not at liberty to say. | 0:06:44 | 0:06:46 | |
It's nothing to do with one of our other Eastern Europeans, is it? | 0:06:46 | 0:06:49 | |
We employ a lot of them, you know. | 0:06:49 | 0:06:51 | |
How come? | 0:06:51 | 0:06:52 | |
They're bloody good workers. | 0:06:52 | 0:06:54 | |
But who knows what baggage they bring with them from over there? | 0:06:54 | 0:06:57 | |
Actually, I tell you one thing they do bring. | 0:06:57 | 0:07:00 | |
What's that? | 0:07:00 | 0:07:01 | |
Bed bugs. Especially the Poles. | 0:07:01 | 0:07:03 | |
They seem to be riddled with them. | 0:07:03 | 0:07:06 | |
Bugs are probably getting pissed up on all that vodka in their blood, eh? | 0:07:06 | 0:07:09 | |
HE CHUCKLES | 0:07:09 | 0:07:11 | |
Actually, unlike some parasites you come across, | 0:07:11 | 0:07:13 | |
the insect Cimex Lectularius is incapable of discrimination. | 0:07:13 | 0:07:19 | |
Is it all right if we take a look around? | 0:07:21 | 0:07:23 | |
Not at such short notice. | 0:07:23 | 0:07:25 | |
Why not? | 0:07:25 | 0:07:26 | |
This is a dangerous facility. We have strict regulations. | 0:07:26 | 0:07:29 | |
How strict? | 0:07:29 | 0:07:30 | |
You're talking Risk Assessments, Health and Safety forms. | 0:07:30 | 0:07:34 | |
Yeah, that's just red tape, innit? | 0:07:34 | 0:07:36 | |
Put a foot wrong out there and you could lose an arm. | 0:07:36 | 0:07:39 | |
Let me get everything sorted and you can come back next week. | 0:07:43 | 0:07:47 | |
Why? What's not going to be here next week? | 0:07:47 | 0:07:50 | |
I'll go and find our Site Manager, Corey. | 0:07:52 | 0:07:55 | |
He knew Max and he can show you round. | 0:07:55 | 0:07:58 | |
Thank you. | 0:07:58 | 0:07:59 | |
Oh, thank you. | 0:08:03 | 0:08:05 | |
Thank you. Thanks a lot. | 0:08:05 | 0:08:06 | |
Is this your business? | 0:08:06 | 0:08:08 | |
No. But I am the manager. | 0:08:08 | 0:08:10 | |
Well, manage myself, in truth. | 0:08:10 | 0:08:13 | |
A whole team of one. | 0:08:13 | 0:08:14 | |
Must get a bit lonely. | 0:08:14 | 0:08:16 | |
Not really. | 0:08:16 | 0:08:17 | |
There's a flower for every occasion, | 0:08:17 | 0:08:19 | |
so I get to meet all kinds of people in this job. | 0:08:19 | 0:08:21 | |
How did you meet Max Klein? | 0:08:21 | 0:08:23 | |
He saw me one day. | 0:08:23 | 0:08:25 | |
At the station? | 0:08:25 | 0:08:26 | |
Asked if I knew his daughter. | 0:08:26 | 0:08:28 | |
His daughter? | 0:08:28 | 0:08:29 | |
That's the reason he came to this country. | 0:08:29 | 0:08:32 | |
He last saw her when she was a baby in 1987. | 0:08:32 | 0:08:34 | |
Why was that? | 0:08:34 | 0:08:36 | |
I only know what he told me. | 0:08:36 | 0:08:38 | |
Max and his wife tried to escape from East Germany. | 0:08:39 | 0:08:41 | |
They didn't know it would only be two years | 0:08:55 | 0:08:57 | |
before the Berlin Wall came down. | 0:08:57 | 0:08:59 | |
Sie kommen. | 0:09:00 | 0:09:02 | |
Imagine how that must have felt. | 0:09:02 | 0:09:04 | |
The most delicate and precious thing in the whole world | 0:09:04 | 0:09:06 | |
and it's surround by barbed wire and watchtowers. | 0:09:06 | 0:09:09 | |
DOGS BARKING | 0:09:09 | 0:09:11 | |
THEY SPEAK IN GERMAN | 0:09:11 | 0:09:16 | |
'His wife knew it wouldn't be long before they were found.' | 0:09:17 | 0:09:20 | |
DOGS BARKING | 0:09:20 | 0:09:22 | |
'They had to do something.' | 0:09:22 | 0:09:23 | |
SIREN WAILING | 0:09:23 | 0:09:25 | |
'The hole wasn't big enough for an adult and then the alarm went up. | 0:09:25 | 0:09:28 | |
'They had to make a choice.' | 0:09:28 | 0:09:29 | |
PEOPLE SHOUTING | 0:09:29 | 0:09:31 | |
BABY CRIES | 0:09:31 | 0:09:33 | |
'They only had time to get their baby out? | 0:09:38 | 0:09:41 | |
'Takes a bit of doing. Give your baby away like that. | 0:09:41 | 0:09:45 | |
'They were desperate.' | 0:09:45 | 0:09:46 | |
They were going to be arrested. The baby would have been taken into state care, | 0:09:46 | 0:09:49 | |
which would have meant suffering and abuse. | 0:09:49 | 0:09:53 | |
Max's wife made him promise to stay alive | 0:09:53 | 0:09:57 | |
in the hope that one day he'd be free to come after their daughter. | 0:09:57 | 0:10:01 | |
The Stasi held them for nearly two years. | 0:10:01 | 0:10:03 | |
Max survived, but his wife died in a police cell. | 0:10:03 | 0:10:08 | |
So he lost his whole family? | 0:10:08 | 0:10:10 | |
I could always see it in his eyes burning away. | 0:10:11 | 0:10:14 | |
Takes one to know one. | 0:10:16 | 0:10:17 | |
What made him think that he'd find his daughter at the station? | 0:10:18 | 0:10:22 | |
After the Wall came down, he went looking for her. | 0:10:22 | 0:10:24 | |
Worked in some kind of government office... | 0:10:24 | 0:10:28 | |
He was a puzzler. | 0:10:28 | 0:10:29 | |
That's it. | 0:10:29 | 0:10:31 | |
He used the access that job gave him | 0:10:31 | 0:10:32 | |
to try and find out where she'd gone. | 0:10:32 | 0:10:34 | |
But the trail had gone cold. | 0:10:34 | 0:10:36 | |
It took him 15 years to wade through all of the files | 0:10:36 | 0:10:39 | |
and the paperwork until he found out they'd brought her to this country. | 0:10:39 | 0:10:44 | |
So that's why he came here in 2005? | 0:10:44 | 0:10:46 | |
Yes, by that time, one of the parents had died | 0:10:46 | 0:10:49 | |
and the other had gone back to Germany. | 0:10:49 | 0:10:52 | |
And the daughter? | 0:10:52 | 0:10:53 | |
She got herself into all kinds of trouble, I think. | 0:10:55 | 0:10:58 | |
But he did find someone who knew her | 0:10:58 | 0:11:00 | |
and said she was living in Shepherds Bush. | 0:11:00 | 0:11:04 | |
So that's why he went to the station every day | 0:11:04 | 0:11:06 | |
when it was at its busiest. What was his daughter's name? | 0:11:06 | 0:11:08 | |
First name...Mia. | 0:11:08 | 0:11:11 | |
-Can't remember the surname. -Do you know if he ever found her? | 0:11:12 | 0:11:15 | |
No. He died trying. | 0:11:15 | 0:11:17 | |
I'll get onto the DNA guys. | 0:11:17 | 0:11:19 | |
See if there were any hits between the original investigation and now. | 0:11:19 | 0:11:22 | |
OK. | 0:11:22 | 0:11:23 | |
TELEPHONE RINGS | 0:11:24 | 0:11:26 | |
Can you think of any reason why somebody would want to kill Max? | 0:11:26 | 0:11:30 | |
No. | 0:11:30 | 0:11:31 | |
DOOR CLOSES | 0:11:31 | 0:11:33 | |
That last Friday, he only stayed at the junction for ten minutes or so, | 0:11:33 | 0:11:36 | |
whereas, all the other days, he'd been there for three hours. | 0:11:36 | 0:11:39 | |
Did he seem different to you? | 0:11:39 | 0:11:41 | |
I wasn't there that day. I wish I had been. | 0:11:41 | 0:11:44 | |
Were you interviewed at the time? | 0:11:44 | 0:11:46 | |
I was away for a few weeks. | 0:11:48 | 0:11:49 | |
And when I got back, well, they'd done everything they were ever going to do, | 0:11:49 | 0:11:53 | |
they'd given him one of those terrible public health funerals. | 0:11:53 | 0:11:57 | |
Probably just assumed he was another knife crime. | 0:11:57 | 0:11:59 | |
I must say, Mr Murgins, as a keen recycler, | 0:12:04 | 0:12:07 | |
it's very encouraging to see that something actually happens to all this stuff. | 0:12:07 | 0:12:12 | |
Yeah, but, in the end, it all goes to China, doesn't it? | 0:12:12 | 0:12:15 | |
It goes to whoever pays the most. | 0:12:15 | 0:12:17 | |
Look at this lot. | 0:12:17 | 0:12:19 | |
How many items do you reckon you get through here in an hour? | 0:12:19 | 0:12:23 | |
I don't know. Thousands. | 0:12:23 | 0:12:25 | |
It's a lot of paper, isn't it? | 0:12:25 | 0:12:26 | |
Where did Max Klein work? | 0:12:28 | 0:12:30 | |
Up there. | 0:12:30 | 0:12:32 | |
Are there any pickers still around that would have known him then? | 0:12:33 | 0:12:37 | |
None that'd be any good to you. | 0:12:37 | 0:12:39 | |
Why not? | 0:12:39 | 0:12:41 | |
Speak Polish, do you? Or Punjabi? | 0:12:41 | 0:12:44 | |
Yeah, must be hard making yourself understood | 0:12:44 | 0:12:46 | |
with all these different nationalities. | 0:12:46 | 0:12:48 | |
They understand me all right. | 0:12:48 | 0:12:51 | |
Did Max Klein understand you? | 0:12:51 | 0:12:53 | |
I've already told you, I've got an alibi for that night. | 0:12:56 | 0:12:59 | |
That wasn't my question. | 0:12:59 | 0:13:01 | |
Max Klein worked here for 18 months. | 0:13:01 | 0:13:04 | |
In that time, I didn't say more than two words to him. | 0:13:04 | 0:13:07 | |
Perfect employee, then? | 0:13:07 | 0:13:09 | |
For this line of work. | 0:13:09 | 0:13:11 | |
Do you mind if we have a look inside? | 0:13:11 | 0:13:13 | |
Why would I? | 0:13:13 | 0:13:14 | |
What happens if you find something confidential, like a bank statement? | 0:13:29 | 0:13:34 | |
See it, shred it. Standard regulation. | 0:13:34 | 0:13:38 | |
And Max Klein would've done that, would he? | 0:13:38 | 0:13:40 | |
Should've done. | 0:13:40 | 0:13:42 | |
But, as his supervisor, it was your responsibility to make sure he did. | 0:13:42 | 0:13:46 | |
What are you saying? | 0:13:46 | 0:13:48 | |
Well, I'm saying that... | 0:13:48 | 0:13:50 | |
what if some of the pickers don't follow the regulations? | 0:13:50 | 0:13:54 | |
What's to stop them just stashing a load of stuff | 0:13:54 | 0:13:57 | |
and taking it home with them later? | 0:13:57 | 0:13:58 | |
We don't just leave stuff lying around. | 0:13:58 | 0:14:01 | |
They get checked when they clock off their shift. | 0:14:01 | 0:14:03 | |
Who by? | 0:14:03 | 0:14:05 | |
Me. | 0:14:05 | 0:14:06 | |
Yeah, well, thanks, it's been very helpful. Is there a gents' nearby? | 0:14:08 | 0:14:13 | |
This way. | 0:14:13 | 0:14:14 | |
Thanks. | 0:14:14 | 0:14:16 | |
It's through there. | 0:14:21 | 0:14:22 | |
All right, thanks. Won't be a moment. | 0:14:22 | 0:14:25 | |
You're going in together? | 0:14:26 | 0:14:28 | |
Unless there's a regulation about that as well. | 0:14:28 | 0:14:31 | |
Bloody hell, there's only one bog. | 0:14:34 | 0:14:36 | |
Get in. | 0:14:36 | 0:14:38 | |
Have you noticed how Stig of the hump's watching us all the time? | 0:14:40 | 0:14:43 | |
I'm surprised he's not in here making sure we shoot straight. | 0:14:43 | 0:14:46 | |
-He's just being conscientious about health and safety, isn't he? -He's hiding something. And Armitage. | 0:14:46 | 0:14:51 | |
Mind you, we haven't seen anything to suggest | 0:14:51 | 0:14:53 | |
that Max Klein wasn't acting alone. | 0:14:53 | 0:14:55 | |
Brian, how much stuff was stashed in that locker, that started all this? | 0:14:55 | 0:14:58 | |
You don't honestly think that Max could have got all that out | 0:14:58 | 0:15:01 | |
without Murgins turning a blind eye, do you? | 0:15:01 | 0:15:03 | |
No, you're right. Murgins must be in on it. | 0:15:05 | 0:15:07 | |
Or running it. | 0:15:07 | 0:15:09 | |
Look, there's an awful lot of very valuable personal information | 0:15:09 | 0:15:13 | |
going through this place. | 0:15:13 | 0:15:14 | |
It wouldn't be hard to take the odd bit out now and again, would it? | 0:15:14 | 0:15:17 | |
And sell it on the side to a gang who then use it when the dust's settled? | 0:15:17 | 0:15:20 | |
Exactly. So we've got to find out what Murgins's hiding. | 0:15:20 | 0:15:24 | |
Have a look at his office. | 0:15:24 | 0:15:26 | |
How do we do that with him on us all the time? | 0:15:26 | 0:15:28 | |
Dunno yet. Come on. | 0:15:31 | 0:15:33 | |
This place looks like it wandered out of Drumchapel, | 0:15:33 | 0:15:35 | |
went on a bender and ended up at the wrong end of the M6. | 0:15:35 | 0:15:38 | |
Asbestos towers. They're pulling it down in three days' time. | 0:15:38 | 0:15:41 | |
They're doing it a favour. | 0:15:41 | 0:15:42 | |
Maybe it reminded Max of East Berlin, eh? | 0:15:42 | 0:15:45 | |
Corey give you everything you need? | 0:15:50 | 0:15:52 | |
-Yes. -Yes, very, very helpful. Very helpful indeed. | 0:15:52 | 0:15:56 | |
I...I have further questions to ask, but my colleague needs to get back | 0:15:56 | 0:16:02 | |
to the office to do some...office stuff. | 0:16:02 | 0:16:07 | |
Of course. | 0:16:07 | 0:16:09 | |
I'll see myself out. Thanks very much. | 0:16:10 | 0:16:13 | |
HE CLEARS HIS THROAT | 0:16:14 | 0:16:15 | |
HE CHUCKLES | 0:16:16 | 0:16:18 | |
VOICES IN THE BACKGROUND | 0:17:04 | 0:17:08 | |
< You're all right, give him a couple of minutes. | 0:17:08 | 0:17:10 | |
So they found nothing in here first time around, eh? | 0:17:24 | 0:17:27 | |
No. And that was a bit odd, | 0:17:27 | 0:17:29 | |
because it was almost as empty then as it is now. | 0:17:29 | 0:17:32 | |
You know, it's the French philosopher Pascal said | 0:17:32 | 0:17:36 | |
that all man's misery derives from not being able | 0:17:36 | 0:17:39 | |
to sit in one room alone. | 0:17:39 | 0:17:40 | |
You've been spending too much time with Brian Lane. | 0:17:40 | 0:17:43 | |
HE CHUCKLES | 0:17:43 | 0:17:44 | |
So look, Max's body is found half a mile away | 0:17:44 | 0:17:47 | |
-from the garages where he was stabbed, right? -Yes. | 0:17:47 | 0:17:50 | |
Well, half a mile's a marathon when you're suffering from a stab wound. | 0:17:50 | 0:17:53 | |
-He must have been in agony. -What's your point? -Why didn't he stay put? | 0:17:53 | 0:17:56 | |
Cry out for help. He must have been so desperate to get somewhere, | 0:17:56 | 0:17:58 | |
-he put up with that amount of pain. -Maybe he was going for help. | 0:17:58 | 0:18:02 | |
OK, would you say, from where he was found, | 0:18:02 | 0:18:04 | |
he was trying to get back to here? | 0:18:04 | 0:18:06 | |
-I suppose so. But coming back to what? -Yeah. | 0:18:07 | 0:18:10 | |
HE SIGHS | 0:18:12 | 0:18:13 | |
Silverfish? | 0:18:13 | 0:18:14 | |
Pardon? | 0:18:14 | 0:18:16 | |
Oh, yeah, Brian was telling us they're tiny little insects, right? | 0:18:16 | 0:18:20 | |
And they live off... | 0:18:20 | 0:18:22 | |
You're right, I've been working with Brian for too long. | 0:18:22 | 0:18:24 | |
-OK, let's try looking at things from a broader perspective. -OK. | 0:18:24 | 0:18:28 | |
Max Klein loses his wife, loses Mia. | 0:18:28 | 0:18:33 | |
He spends two years in a Stasi cell until the Berlin Wall comes down. | 0:18:33 | 0:18:36 | |
And then, he spends the next 15 years at a government office | 0:18:36 | 0:18:40 | |
trying to work out where Mia's gone. | 0:18:40 | 0:18:42 | |
-He makes his way to the UK. -Gets a job in the recycling centre. | 0:18:42 | 0:18:44 | |
Continues his search for Mia... | 0:18:44 | 0:18:46 | |
Whilst ripping off electricity bills in his spare time. | 0:18:46 | 0:18:50 | |
Is there something else driving this guy? | 0:18:50 | 0:18:53 | |
Let's go and check out those garages. | 0:18:54 | 0:18:56 | |
-This place gives me the creeps. -OK. | 0:18:56 | 0:18:59 | |
-Was he meeting someone? -Whoever's picking up those bills? | 0:19:04 | 0:19:07 | |
Could be. | 0:19:07 | 0:19:08 | |
Now, traces of his blood were found all around here. | 0:19:08 | 0:19:11 | |
OK, so there's a struggle. Maybe a dispute over money, | 0:19:11 | 0:19:14 | |
Max gets stabbed, takes off that way. | 0:19:14 | 0:19:16 | |
Now, that, look, that cut through, that could lead you back towards Max's flat. | 0:19:16 | 0:19:20 | |
He could have been going back, but it doesn't alter the fact there was nothing to go back for. | 0:19:20 | 0:19:24 | |
There's got to be. What about the lock-ups? They must be rented to people in the estate. | 0:19:24 | 0:19:27 | |
No. The leaseholder list was checked and no connection was found. | 0:19:27 | 0:19:30 | |
TELEPHONE BEEPS | 0:19:30 | 0:19:31 | |
I see why they had so much trouble with this one. | 0:19:31 | 0:19:33 | |
Let's hope the boys come up with something. | 0:19:33 | 0:19:35 | |
Amen to that. Hey, Strickland's looking for you. | 0:19:35 | 0:19:37 | |
Ah, great(!) | 0:19:37 | 0:19:39 | |
This is DCI Rosser from the Economic and Specialist Crime Unit. | 0:19:39 | 0:19:42 | |
Detective Superintendent Pullman. | 0:19:42 | 0:19:44 | |
To what do I owe the pleasure? | 0:19:44 | 0:19:45 | |
There's been something of an administrative mix-up between them, | 0:19:45 | 0:19:50 | |
Serious and Organised and ourselves. | 0:19:50 | 0:19:51 | |
-Mix-up? -A parallel investigation. | 0:19:51 | 0:19:54 | |
We haven't been informed about the recovery of documents from that lock-up. | 0:19:54 | 0:19:57 | |
-I don't follow. -I understand that after studying the documents, | 0:19:57 | 0:20:00 | |
you've taken a keen interest in the Clays Lane Recycling Centre. | 0:20:00 | 0:20:03 | |
And how do you know that? | 0:20:03 | 0:20:04 | |
Because I've had a man inside there for three weeks now. | 0:20:04 | 0:20:07 | |
-Everything had been going smoothly until two of your pensioners came this morning. -Pensioners? | 0:20:07 | 0:20:11 | |
That's what they are, aren't they? | 0:20:11 | 0:20:13 | |
They're professionals doing a job and you'd do well to remember that, DCI Rosser. | 0:20:13 | 0:20:17 | |
I don't mean any disrespect, Detective Superintendent. | 0:20:17 | 0:20:20 | |
But your professionals are jeopardising a major investigation | 0:20:20 | 0:20:23 | |
into what could be one of the UK's leading identity fraud rings. | 0:20:23 | 0:20:27 | |
They're asking legitimate questions about a murder. | 0:20:27 | 0:20:29 | |
My priority is with the living. | 0:20:29 | 0:20:31 | |
I'm sorry about your German. But he's been gone five years. | 0:20:31 | 0:20:34 | |
I don't know how you run things in your unit, DCI Rosser. | 0:20:36 | 0:20:39 | |
But here, compassion for the dead doesn't just disappear | 0:20:39 | 0:20:42 | |
because a few years have passed. | 0:20:42 | 0:20:44 | |
My point is - his troubles are over. | 0:20:44 | 0:20:46 | |
I'm trying to apprehend criminals who are ruining lives as we speak. | 0:20:46 | 0:20:49 | |
And I'm trying to apprehend a murderer. | 0:20:49 | 0:20:51 | |
-My team are on the frontline of the UK's fastest growing crime. -Blimey, you sound like a salesman. | 0:20:51 | 0:20:56 | |
Identity theft cost the UK economy over a billion pounds last year. | 0:20:56 | 0:20:59 | |
And there were over a hundred thousand victims... | 0:20:59 | 0:21:01 | |
Do you have all this on some kind of colour-coded wall chart? | 0:21:01 | 0:21:04 | |
It's not a wall chart. It's an interactive smart board. | 0:21:04 | 0:21:07 | |
Nice(!) | 0:21:07 | 0:21:08 | |
Are we supposed to stand down, Sir? | 0:21:08 | 0:21:10 | |
Stay away from that place until DCI Rosser's investigation is complete. | 0:21:10 | 0:21:14 | |
I'm sure you have other leads. | 0:21:14 | 0:21:17 | |
HE CHUCKLES | 0:21:18 | 0:21:19 | |
Mr Strickland. | 0:21:21 | 0:21:23 | |
What was all that about? | 0:21:25 | 0:21:28 | |
Ah, Guv'nor, good news. | 0:21:28 | 0:21:30 | |
There's something going on at that recycling centre | 0:21:30 | 0:21:32 | |
and Max Klein is up to his neck in it. | 0:21:32 | 0:21:34 | |
-Bad news. Strickland's warned us off. -Why? | 0:21:34 | 0:21:37 | |
That was the delightful DCI Rosser from Economic and Specialist Crime. | 0:21:37 | 0:21:41 | |
-What's that when it's at home? -One of those fashionable, well-financed units | 0:21:41 | 0:21:45 | |
at the frontier of modern crime, apparently. | 0:21:45 | 0:21:47 | |
Or something beginning with "F." | 0:21:47 | 0:21:48 | |
Anyway, they're already investigating the recycling centre, so we've been told to stay away. | 0:21:48 | 0:21:53 | |
But Guv'nor, I've got utility bills, | 0:21:53 | 0:21:54 | |
bank statements, they're all bundled up there ready to sell on. | 0:21:54 | 0:21:57 | |
Gerry's right. We finally get a decent break in the case | 0:21:57 | 0:22:00 | |
-and we're supposed to ignore it? -Work round it. | 0:22:00 | 0:22:02 | |
I've been looking into Max Klein's last words - "Blue flower." | 0:22:02 | 0:22:05 | |
And? | 0:22:05 | 0:22:06 | |
The original investigation did a blanket search | 0:22:06 | 0:22:09 | |
on the term "Blue flower," | 0:22:09 | 0:22:10 | |
which is why they ended up with poetry groups and estate agents. | 0:22:10 | 0:22:14 | |
But I applied a number of filters to the search, | 0:22:14 | 0:22:17 | |
like "East Germany," "the Berlin Wall," "Cold War..." | 0:22:17 | 0:22:21 | |
Brian, we're not getting any younger here. | 0:22:21 | 0:22:24 | |
The Blue Flower Blog documents the history | 0:22:24 | 0:22:26 | |
of the most successful protest organisation in East Germany. | 0:22:26 | 0:22:31 | |
Blue Flower spies infiltrated all the communist institutions | 0:22:31 | 0:22:35 | |
right up until the regime collapsed. | 0:22:35 | 0:22:37 | |
"Members of Blue Flower married their way into the Government, | 0:22:37 | 0:22:41 | |
-"the military, even the Stasi." -The Stasi? That was ambitious. -They wanted to end the oppression. | 0:22:41 | 0:22:45 | |
TELEPHONE RINGS | 0:22:45 | 0:22:46 | |
-They'd have done anything. -Sorry. | 0:22:46 | 0:22:48 | |
Yeah? Wait a sec. Yeah, go on. | 0:22:48 | 0:22:49 | |
What's this got to do with Max's murder? | 0:22:49 | 0:22:51 | |
Well, he was an East German, wasn't he? | 0:22:51 | 0:22:53 | |
Yeah, and he was arrested when trying to escape. | 0:22:53 | 0:22:55 | |
So maybe he was a member of Blue Flower. | 0:22:55 | 0:22:57 | |
OK, thanks a lot. Guv. | 0:22:57 | 0:23:00 | |
Max's daughter, Mia Adler, she's on the DNA database. | 0:23:00 | 0:23:03 | |
Why wasn't this pointed out before? | 0:23:03 | 0:23:04 | |
-She was arrested for breaking and entering six months after the murder. -Address? | 0:23:04 | 0:23:08 | |
-They gave me the address of where she was at the time of the break-in. -Let's go. -Great. | 0:23:08 | 0:23:11 | |
This is it. | 0:23:17 | 0:23:18 | |
Hi. Mia Adler? | 0:23:27 | 0:23:29 | |
Can you give me a second? | 0:23:30 | 0:23:32 | |
OK. | 0:23:32 | 0:23:34 | |
She's doing one! | 0:23:40 | 0:23:42 | |
Ah! Shit! Wait there. | 0:23:43 | 0:23:45 | |
Mia! | 0:23:51 | 0:23:52 | |
Mia! Come on, running away's never the answer. | 0:23:53 | 0:23:56 | |
I've done it myself, believe me. | 0:23:56 | 0:23:58 | |
Hey, Mia! Hey! Mia, come on. | 0:23:58 | 0:24:00 | |
Come on, talk to me. Come on. | 0:24:00 | 0:24:02 | |
Hey, boys! | 0:24:05 | 0:24:07 | |
Here! | 0:24:07 | 0:24:08 | |
Here's a tenner. I'll give you another one when you catch that girl. Go on! | 0:24:10 | 0:24:13 | |
HE PANTS | 0:24:21 | 0:24:23 | |
She gave us a 50. | 0:24:23 | 0:24:24 | |
Bloody London prices. | 0:24:30 | 0:24:31 | |
Sorry, I lost her. | 0:24:37 | 0:24:39 | |
That girl should wear a T-shirt saying "Troubled and dangerous." | 0:24:39 | 0:24:42 | |
Well, it looks like she took her computer with her, | 0:24:42 | 0:24:44 | |
but she left her insulin behind. | 0:24:44 | 0:24:46 | |
Troubled, dangerous and a diabetic, eh? | 0:24:46 | 0:24:48 | |
Yeah. What on earth is that? | 0:24:48 | 0:24:51 | |
Ah, it dropped out of her bag. | 0:24:51 | 0:24:53 | |
Looks like it was more important for her to take this than her insulin. | 0:24:53 | 0:24:57 | |
What the hell...? What the hell...? | 0:24:57 | 0:24:59 | |
-Hello. -Well, well. | 0:25:02 | 0:25:04 | |
This memory stick contains the back-up files | 0:25:04 | 0:25:06 | |
for the Blue Flower Blog. | 0:25:06 | 0:25:08 | |
Which means that Mia was behind it. | 0:25:08 | 0:25:10 | |
Yes, but I'm more interested | 0:25:10 | 0:25:12 | |
in the folder of unpublished files she's got on here. | 0:25:12 | 0:25:15 | |
They're Stasi reports. | 0:25:15 | 0:25:18 | |
All about one particular member of the Blue Flower group. | 0:25:18 | 0:25:21 | |
A woman who tried to flee the border in 1987 | 0:25:21 | 0:25:23 | |
after they discovered her identity... | 0:25:23 | 0:25:25 | |
That woman was Alicia Klein, Max Klein's wife and Mia's mother. | 0:25:28 | 0:25:33 | |
Only there's a big difference between what's written in these reports | 0:25:33 | 0:25:37 | |
and what Grace Cusack told us. | 0:25:37 | 0:25:40 | |
Alicia was trying to smuggle herself and Mia out. | 0:25:40 | 0:25:43 | |
Max wasn't with them. | 0:25:43 | 0:25:45 | |
So are you saying that Grace lied? | 0:25:45 | 0:25:47 | |
More likely Max lied to her. | 0:25:47 | 0:25:49 | |
-Why would he do that? -To hide the fact that his wife wasn't trying to escape with him. | 0:25:49 | 0:25:53 | |
She was trying to escape from him. | 0:25:53 | 0:25:56 | |
DOGS BARKING | 0:25:57 | 0:25:59 | |
SIREN WAILING | 0:25:59 | 0:26:00 | |
BABY CRIES | 0:26:02 | 0:26:04 | |
Max Klein wrote these reports. These are his words. | 0:26:10 | 0:26:14 | |
He tracked down and arrested his own wife that night. | 0:26:14 | 0:26:17 | |
Max Klein was in the Stasi?! | 0:26:17 | 0:26:19 | |
Imagine the rage he must have felt. | 0:26:21 | 0:26:22 | |
Knowing she'd only married him to get inside information. | 0:26:22 | 0:26:26 | |
And here she was, trying to run. | 0:26:26 | 0:26:28 | |
HE BLOWS THE WHISTLE | 0:26:28 | 0:26:29 | |
Taking away the child they'd had together... | 0:26:29 | 0:26:32 | |
So his marriage, his family... | 0:26:35 | 0:26:37 | |
It was all a lie? | 0:26:37 | 0:26:39 | |
Well, this was a world where children informed on their parents. | 0:26:39 | 0:26:41 | |
Nothing was sacred, anything was possible. | 0:26:41 | 0:26:44 | |
Yeah, but Max was a jigsawrer, wasn't he? | 0:26:44 | 0:26:46 | |
Puzzler. | 0:26:46 | 0:26:48 | |
All right, puzzler. | 0:26:48 | 0:26:49 | |
So, the Berlin Wall comes down and he goes back to the only place | 0:26:49 | 0:26:52 | |
he should have stayed a million miles away from? | 0:26:52 | 0:26:56 | |
The government offices where they're reassembling the files | 0:26:56 | 0:26:59 | |
that the Stasi shredded? | 0:26:59 | 0:27:01 | |
Well, there's lots of stories of Stasi personnel | 0:27:01 | 0:27:03 | |
infiltrating that particular office | 0:27:03 | 0:27:05 | |
to bury their own crimes. | 0:27:05 | 0:27:07 | |
Rewrite history. | 0:27:07 | 0:27:08 | |
So why didn't Mia publish that in her blog? | 0:27:08 | 0:27:11 | |
If you'd just discovered that your father | 0:27:11 | 0:27:13 | |
was responsible for your mother's death, would you publish it? | 0:27:13 | 0:27:16 | |
-Not if you wanted to take revenge. -Exactly. | 0:27:16 | 0:27:19 | |
That's why he stopped looking that day. He'd found her? | 0:27:26 | 0:27:29 | |
Or she'd found him. | 0:27:29 | 0:27:32 | |
Yeah, but hold on, hold on, | 0:27:32 | 0:27:33 | |
if Alicia only had Mia to keep up the illusion | 0:27:33 | 0:27:36 | |
of her marriage to Max, why would he then come looking for her? | 0:27:36 | 0:27:40 | |
Maybe that's something that Mia can tell us. | 0:27:40 | 0:27:42 | |
Where are we on Murgins by the way? | 0:27:42 | 0:27:44 | |
Oh, yeah, I've been checking this out. | 0:27:44 | 0:27:47 | |
-I found it in his office at the recycling centre. -Not this again! | 0:27:47 | 0:27:50 | |
Sandra, this is a well-known hang out for a lot of very dodgy faces. | 0:27:50 | 0:27:55 | |
I mean, it's a perfect place if you're going to sell documents. | 0:27:55 | 0:27:58 | |
What? What is it? | 0:27:58 | 0:27:59 | |
It's just a pub. | 0:27:59 | 0:28:00 | |
But it'd be very easy to pop in there | 0:28:00 | 0:28:02 | |
and check out who Murgins is actually meeting. | 0:28:02 | 0:28:05 | |
Gerry, we've been told to stay away. How many times?! | 0:28:05 | 0:28:08 | |
From the recycling centre, yeah, but not from Murgins. | 0:28:08 | 0:28:11 | |
He is a suspect. | 0:28:11 | 0:28:13 | |
And whoever he's meeting could be well involved too. | 0:28:13 | 0:28:16 | |
All right. But keep your distance. | 0:28:17 | 0:28:19 | |
Actually, no, Steve, you go with him. And behave yourselves. | 0:28:19 | 0:28:22 | |
As if we wouldn't. | 0:28:23 | 0:28:25 | |
Just a pub, eh? | 0:28:30 | 0:28:31 | |
Well, it's got a bar. | 0:28:31 | 0:28:33 | |
Oh, so there is, how long have we got? | 0:28:33 | 0:28:35 | |
Murgins should be here in about 20 minutes. | 0:28:35 | 0:28:37 | |
That is an eternity in drinking time. | 0:28:37 | 0:28:40 | |
Hi, a couple of large ones, please. | 0:28:40 | 0:28:42 | |
Yeah, and a couple of pints of that London stuff. | 0:28:42 | 0:28:45 | |
That's great, isn't it? | 0:28:45 | 0:28:46 | |
Takes me back to the old days | 0:28:46 | 0:28:48 | |
of stings and stakeouts and secret identities. | 0:28:48 | 0:28:51 | |
You pining for your shell suit? | 0:28:51 | 0:28:53 | |
No, no. I'm just saying, it's good to get your hands dirty now and again. | 0:28:53 | 0:28:56 | |
Reminds you of what it's all about. | 0:28:56 | 0:28:57 | |
-We are, as they say, kicking it old school. -Yeah. | 0:28:57 | 0:29:00 | |
Eh, eh, eh, focus. We're supposed to be behaving ourselves, remember? | 0:29:00 | 0:29:03 | |
Don't you worry about me, | 0:29:03 | 0:29:06 | |
in these situations I was always known as Captain OutStanding. | 0:29:06 | 0:29:10 | |
I'm well focused. | 0:29:10 | 0:29:11 | |
Yeah, but focus on getting that down your neck. "Captain OutStanding?" | 0:29:11 | 0:29:15 | |
Yeah, you know, like those superheroes. | 0:29:15 | 0:29:18 | |
"By day, he was Gerry Standing. | 0:29:18 | 0:29:20 | |
-"At night..." -Yeah, yeah, yeah. I get the picture. Slainte. -Cheers, mate. | 0:29:20 | 0:29:24 | |
Oh, dear. | 0:29:24 | 0:29:25 | |
I wonder how the Guv'nor and Brian are getting on? | 0:29:27 | 0:29:30 | |
On a stakeout, they'll be having a whale of a time. | 0:29:30 | 0:29:32 | |
Sitting back, listening to some music, digging the sounds. | 0:29:32 | 0:29:36 | |
HE CHUCKLES | 0:29:36 | 0:29:38 | |
'I don't know. Is the tagliatelle made with meat?' | 0:29:38 | 0:29:41 | |
Um, ich weiss nicht. | 0:29:41 | 0:29:44 | |
Ist die Tagliatelle mit Fleisch? | 0:29:44 | 0:29:47 | |
'OK, I'll take the tagliatelle.' | 0:29:47 | 0:29:50 | |
OK, ich nehme die Tagliatelle. | 0:29:50 | 0:29:53 | |
Maybe I was wrong. Maybe we've lost her altogether. | 0:29:53 | 0:29:56 | |
'Ah, that is good.' | 0:29:56 | 0:29:58 | |
Ah, das ist gut! | 0:29:58 | 0:30:00 | |
-I was enjoying that. -I could tell. | 0:30:00 | 0:30:02 | |
Well, I've got to practice. | 0:30:02 | 0:30:03 | |
It's been years since my German O-Level. | 0:30:03 | 0:30:06 | |
Brian, we don't even know if she speaks German. | 0:30:06 | 0:30:08 | |
And, even if she does, I very much doubt | 0:30:08 | 0:30:10 | |
that vegetarian tagliatelle will be a topic of our conversation. | 0:30:10 | 0:30:13 | |
I'm just trying to defrost my vocabulary, you know. | 0:30:13 | 0:30:16 | |
-Just leave it in the freezer for now, will you? -Ha-ha, very witty. | 0:30:16 | 0:30:20 | |
Suspect's arrived. | 0:30:20 | 0:30:21 | |
'Copy that.' | 0:30:21 | 0:30:23 | |
Can we talk now, please, Mia? | 0:30:44 | 0:30:46 | |
-So this geezer has got a sawn-off shotgun, right? -Yeah. | 0:30:46 | 0:30:49 | |
But not only that. He's got a parrot on his shoulder. | 0:30:49 | 0:30:52 | |
-What? -You should have heard the language from the parrot. | 0:30:52 | 0:30:55 | |
Honestly, you wouldn't believe this beak on this bird. | 0:30:55 | 0:30:58 | |
The bloke suddenly looks me in the eye and raises the shotgun. | 0:30:58 | 0:31:02 | |
And I'm thinking, "Gerry, this is it for you, son, you've had it." | 0:31:02 | 0:31:06 | |
And, suddenly, the parrot says... | 0:31:06 | 0:31:09 | |
There he is. | 0:31:09 | 0:31:10 | |
"There he is?" What? | 0:31:10 | 0:31:12 | |
No, no. Murgins. There he is. | 0:31:12 | 0:31:14 | |
That must be the guy he's selling to. | 0:31:15 | 0:31:18 | |
Wait a minute, wait a minute. | 0:31:18 | 0:31:20 | |
That's the DCI who was at our place earlier? | 0:31:20 | 0:31:23 | |
Rosser the Tosser! | 0:31:23 | 0:31:24 | |
Hey, Gerry, I think that's a tad judgmental. | 0:31:24 | 0:31:27 | |
You hardly know the bloke. | 0:31:27 | 0:31:28 | |
-The Guv'nor's going to love this. -But what's he doing here? | 0:31:28 | 0:31:31 | |
You don't think he's in on it, do you? | 0:31:31 | 0:31:33 | |
It's a sting. | 0:31:37 | 0:31:38 | |
-They're going to find out who he's doing business with. -Yeah. | 0:31:38 | 0:31:41 | |
HE SHOUTS | 0:31:45 | 0:31:47 | |
Oh, he's off! | 0:31:47 | 0:31:48 | |
Come on, Gerry, you're Captain OutStanding. Do something! | 0:31:49 | 0:31:52 | |
Oh, very smooth. | 0:31:55 | 0:31:57 | |
Mr Murgins. | 0:32:03 | 0:32:05 | |
By-bye, now. | 0:32:05 | 0:32:07 | |
Pullman's pensioners. | 0:32:10 | 0:32:11 | |
You don't have to thank us. We were just passing. | 0:32:11 | 0:32:14 | |
That was a suitably arthritic solution, I suppose. | 0:32:14 | 0:32:16 | |
But don't worry, I won't be thanking you for it. | 0:32:16 | 0:32:19 | |
Don't you speak to Captain OutStanding like that. | 0:32:19 | 0:32:21 | |
I'm afraid I don't speak Clapped Out and Retired at all. | 0:32:21 | 0:32:24 | |
Oh, but you're so fluent in Arsehole. | 0:32:24 | 0:32:26 | |
HE CHUCKLES | 0:32:26 | 0:32:27 | |
You've been instructed to stay away from our operation. | 0:32:27 | 0:32:30 | |
Lucky for you we were around. Otherwise, your man there | 0:32:30 | 0:32:32 | |
would have nipped off on his rather sizeable toes. | 0:32:32 | 0:32:35 | |
I'll be speaking to Strickland in the morning. | 0:32:35 | 0:32:37 | |
Why don't you do that? Bum face! | 0:32:37 | 0:32:40 | |
Are you all right? Gerry, total tosser. | 0:32:40 | 0:32:43 | |
Argh! Smell 'em a mile off. | 0:32:43 | 0:32:45 | |
Tosser radar, mate. | 0:32:45 | 0:32:48 | |
-I say, time for another! -I think so. | 0:32:48 | 0:32:50 | |
Oh, hey, hey, hang on. | 0:32:50 | 0:32:52 | |
So what did the parrot say? At the end of your story? | 0:32:52 | 0:32:55 | |
-Oh, the parrot. -Yeah, yeah! | 0:32:55 | 0:32:56 | |
-He's got the shotgun, right, and parrot here. -Yeah. | 0:32:56 | 0:32:59 | |
And, suddenly, the parrot goes, "Wanker," | 0:32:59 | 0:33:01 | |
and nearly tears his ear off! So I nut him and nick him. | 0:33:01 | 0:33:04 | |
THEY LAUGH | 0:33:04 | 0:33:07 | |
We've read your father's reports. | 0:33:07 | 0:33:09 | |
He wasn't my father. | 0:33:09 | 0:33:10 | |
We've got a DNA test result that says otherwise. | 0:33:10 | 0:33:13 | |
Ooh, well, listen to you - a DNA test result. | 0:33:13 | 0:33:16 | |
We wouldn't have found you without it. | 0:33:16 | 0:33:18 | |
Max Klein wasn't even a human being, so how could he be anyone's father? | 0:33:18 | 0:33:24 | |
All right, then. Your biological father. Is that better? | 0:33:24 | 0:33:27 | |
He was a cancer! | 0:33:27 | 0:33:29 | |
A tumour eating away at people's lives | 0:33:29 | 0:33:33 | |
without them even knowing that he was there. | 0:33:33 | 0:33:35 | |
Till it was too late. | 0:33:35 | 0:33:37 | |
Is that what he did to your mother? Ate away at her life? | 0:33:37 | 0:33:39 | |
No. No, she knew what he was all along. | 0:33:41 | 0:33:44 | |
To think how much it must have hurt him when he found out. | 0:33:45 | 0:33:48 | |
Knowing that she'd almost beaten him at his own game. | 0:33:48 | 0:33:52 | |
Almost wasn't enough there, was it? | 0:33:52 | 0:33:54 | |
He arrested her, had her interrogated. | 0:33:54 | 0:33:56 | |
Sounds like you're doing to me now. | 0:33:56 | 0:33:58 | |
We're asking you questions. That's all. | 0:33:58 | 0:34:00 | |
No. You're trying to exploit my emotions. | 0:34:00 | 0:34:04 | |
You're angry. It's understandable. | 0:34:05 | 0:34:07 | |
I'm not angry. No, I'm ecstatic! | 0:34:07 | 0:34:11 | |
Elated, even. Can't you tell the difference? | 0:34:11 | 0:34:13 | |
Finding out that he's dead. | 0:34:13 | 0:34:15 | |
No, even better, that somebody else killed him. | 0:34:15 | 0:34:18 | |
That he died in pain. | 0:34:18 | 0:34:21 | |
HE BLOWS THE WHISTLE | 0:34:21 | 0:34:22 | |
The thought of him just bleeding to death, all alone. | 0:34:22 | 0:34:27 | |
I only wish I'd been there to watch it happen. | 0:34:27 | 0:34:31 | |
See the light fade in his eyes. | 0:34:31 | 0:34:33 | |
Listen to the last breath as it passed between his lips. | 0:34:35 | 0:34:38 | |
The way you're talking, you sound as though you killed him. | 0:34:38 | 0:34:41 | |
I didn't even know he was in this country until you told me. | 0:34:43 | 0:34:46 | |
You're telling us he never found you? | 0:34:46 | 0:34:48 | |
I didn't want to be found. | 0:34:48 | 0:34:51 | |
Where were you at the time of his death? | 0:34:51 | 0:34:53 | |
Why don't you tell me, uh? | 0:34:53 | 0:34:55 | |
You seem to be such an expert on my movements. | 0:34:55 | 0:34:57 | |
That's important to you, isn't it? | 0:34:57 | 0:35:00 | |
Privacy, anonymity. | 0:35:00 | 0:35:02 | |
Did you search my medical records as well? | 0:35:02 | 0:35:04 | |
Yeah, I bet you did. | 0:35:06 | 0:35:08 | |
Where were you at the time of your father's murder? | 0:35:08 | 0:35:10 | |
There's nothing that you won't exploit to get what you want, is there? | 0:35:10 | 0:35:14 | |
Memories, tragedies, even chronic illnesses. | 0:35:14 | 0:35:18 | |
We just want to discover the truth. | 0:35:18 | 0:35:20 | |
People like you don't care about discovering the truth! | 0:35:20 | 0:35:23 | |
You only care about bending it, distorting it, making it all fit. | 0:35:23 | 0:35:27 | |
Hang on a minute. If the truth is so important to you, | 0:35:27 | 0:35:30 | |
why didn't you publish your father's reports on the blog? | 0:35:30 | 0:35:33 | |
Because there are days | 0:35:38 | 0:35:40 | |
when I still don't want to believe that it's true. | 0:35:40 | 0:35:42 | |
She's got the motive. | 0:35:48 | 0:35:49 | |
-And the aggression. -She wishes she had killed him. | 0:35:49 | 0:35:52 | |
Yeah, but that's just it. She wishes she had. | 0:35:52 | 0:35:55 | |
See if you can trace her movements over the past five years. | 0:35:55 | 0:35:58 | |
Maybe we can get her alibi, even if she doesn't want to give us one. | 0:35:58 | 0:36:01 | |
What are you going to do? | 0:36:01 | 0:36:03 | |
Get her to see that she can trust us. | 0:36:03 | 0:36:05 | |
Good luck. | 0:36:07 | 0:36:08 | |
Cheers. | 0:36:08 | 0:36:09 | |
Thank you. | 0:36:12 | 0:36:13 | |
Would you like him back? | 0:36:19 | 0:36:21 | |
I know he means a lot to you. | 0:36:24 | 0:36:26 | |
Did you have him when you were little? | 0:36:29 | 0:36:31 | |
It's the only thing of hers that I've got left. | 0:36:31 | 0:36:34 | |
Your mum? | 0:36:34 | 0:36:35 | |
She was very beautiful. I saw her photo in the report. | 0:36:37 | 0:36:40 | |
There's nothing beautiful about that. | 0:36:40 | 0:36:42 | |
They took it. | 0:36:42 | 0:36:44 | |
The Stasi? | 0:36:44 | 0:36:46 | |
On the night he arrested her. | 0:36:47 | 0:36:49 | |
You know, I don't even know what she looked like when she smiled. | 0:36:50 | 0:36:54 | |
How did you get hold of those reports? | 0:36:56 | 0:36:58 | |
-Are you going to arrest me for that, too? -Just help me, Mia. | 0:36:58 | 0:37:01 | |
In 2006, the German government started to digitise | 0:37:05 | 0:37:08 | |
all the Stasi archives, | 0:37:08 | 0:37:10 | |
but they have to be careful about what they put online. | 0:37:10 | 0:37:12 | |
Why? | 0:37:12 | 0:37:13 | |
A lot of ex-Stasi are CEOs now. They're respectable men. | 0:37:13 | 0:37:18 | |
If their names were out there in the public domain. | 0:37:19 | 0:37:21 | |
If people knew what they'd done... | 0:37:21 | 0:37:23 | |
So you hacked them? | 0:37:23 | 0:37:24 | |
I wanted to know the truth. | 0:37:24 | 0:37:26 | |
I want to know the truth, too. | 0:37:26 | 0:37:28 | |
About what happened to your father. | 0:37:28 | 0:37:30 | |
-Stop calling him that. -Sorry. | 0:37:30 | 0:37:32 | |
Could the people who smuggled you out have caught up with him? | 0:37:34 | 0:37:38 | |
They were friends of my mother's, but they were still traffickers. | 0:37:38 | 0:37:42 | |
The first thing they did | 0:37:43 | 0:37:45 | |
was give me up to the West German adoption agency. | 0:37:45 | 0:37:47 | |
Your father could... | 0:37:47 | 0:37:49 | |
Sorry. Max Klein couldn't have known about your blog, could he? | 0:37:49 | 0:37:54 | |
No. I post anonymously. | 0:37:54 | 0:37:56 | |
Then, why do you think his last words were "Blue Flower?" | 0:37:56 | 0:38:00 | |
Could have been some Stasi codeword. | 0:38:01 | 0:38:04 | |
Or maybe he was full of regret over what he did to your mother. | 0:38:04 | 0:38:08 | |
He wasn't capable of that. | 0:38:08 | 0:38:10 | |
You read his reports. | 0:38:10 | 0:38:12 | |
She became nothing more than an object to him. | 0:38:12 | 0:38:15 | |
Something to be ground down, defeated. | 0:38:15 | 0:38:19 | |
You know, I met someone who knew Max | 0:38:22 | 0:38:25 | |
and he didn't sound at all like the monster you're describing. | 0:38:25 | 0:38:29 | |
SHE SIGHS | 0:38:30 | 0:38:32 | |
You really don't know who you're dealing with, do you? | 0:38:32 | 0:38:35 | |
OK. | 0:38:36 | 0:38:37 | |
If you can think of anything | 0:38:40 | 0:38:44 | |
that might explain what your father's last words meant, | 0:38:44 | 0:38:47 | |
I want you to contact me, OK? | 0:38:47 | 0:38:49 | |
All right, you can go now. | 0:38:53 | 0:38:54 | |
What were Gerry and Steve doing in that place, Sandra? | 0:39:04 | 0:39:07 | |
Following a legitimate lead. | 0:39:07 | 0:39:09 | |
And I told you to keep your distance. | 0:39:09 | 0:39:11 | |
Yeah, from the recycling centre. Not from Murgins. | 0:39:11 | 0:39:14 | |
Max Klein was a picker for the racket that Murgins is running there. | 0:39:14 | 0:39:17 | |
Alongside scores of other equally unremarkable immigrants. | 0:39:17 | 0:39:20 | |
Yesterday, we discovered that Klein was an ex-Stasi officer. | 0:39:20 | 0:39:25 | |
I can assure you there was nothing unremarkable about him. | 0:39:25 | 0:39:28 | |
With respect, you're reaching here. | 0:39:28 | 0:39:29 | |
There could have been conflict between Murgins and Klein, especially if Murgins put him under pressure. | 0:39:29 | 0:39:34 | |
I'd be happy to ask him about it for you. | 0:39:34 | 0:39:36 | |
I'll do my own asking, thank you. Let me speak to Armitage and Murgins. | 0:39:36 | 0:39:39 | |
-They're my suspects. -And mine. | 0:39:39 | 0:39:41 | |
And it's my decision. | 0:39:41 | 0:39:42 | |
Sir, I need to know who Murgins has been selling these things to. | 0:39:45 | 0:39:48 | |
And I am sure that Murgins has information on Klein's murder. | 0:39:48 | 0:39:51 | |
Talk to Murgins and Armitage. See what you can find. | 0:39:55 | 0:39:58 | |
DOOR CLOSES | 0:40:00 | 0:40:01 | |
So what really happened to Max Klein, Mr Armitage? | 0:40:04 | 0:40:08 | |
I've given you an alibi. | 0:40:08 | 0:40:09 | |
More of a lullaby, really. A baby might believe it. | 0:40:09 | 0:40:12 | |
If it didn't fall asleep first. | 0:40:12 | 0:40:13 | |
So what's between you and Murgins? Did you start this scam or did he? | 0:40:13 | 0:40:17 | |
I never meant for it to go this far. | 0:40:17 | 0:40:19 | |
Ah, diddums. | 0:40:19 | 0:40:20 | |
Straight up. I didn't know what he was up to. | 0:40:20 | 0:40:24 | |
Not at first. | 0:40:25 | 0:40:26 | |
Not until I needed the money. | 0:40:28 | 0:40:29 | |
Why did you need money? | 0:40:29 | 0:40:31 | |
One of the girls on the floor got herself into trouble. | 0:40:31 | 0:40:33 | |
You mean you got herself into trouble? | 0:40:33 | 0:40:36 | |
If you like. | 0:40:36 | 0:40:37 | |
Well, either you did or you didn't. | 0:40:37 | 0:40:39 | |
I didn't have the money for her to... | 0:40:39 | 0:40:42 | |
take care of it, so Corey loaned it to me. | 0:40:42 | 0:40:45 | |
That was big of him. | 0:40:45 | 0:40:46 | |
I didn't know where he'd got it from until it was too late. | 0:40:46 | 0:40:49 | |
So he was blackmailing you, was he? You're a poor soul, right enough. | 0:40:49 | 0:40:52 | |
Said if he ever went down, I was going down too. | 0:40:52 | 0:40:55 | |
Made you turn a blind eye? | 0:40:55 | 0:40:57 | |
At first, he was just skimming one or two things off the line, but... | 0:40:57 | 0:41:01 | |
as it got bigger, he needed me to keep the bosses off our backs, | 0:41:01 | 0:41:04 | |
so that he could run the pickers. | 0:41:04 | 0:41:06 | |
Bit off a bit more than he could chew with Max Klein, though? | 0:41:06 | 0:41:08 | |
I knew that man was trouble the moment he arrived. | 0:41:08 | 0:41:12 | |
Two days before he died, he had a row with Corey. | 0:41:12 | 0:41:14 | |
-What about? -Don't know. | 0:41:14 | 0:41:16 | |
Threats were exchanged. | 0:41:16 | 0:41:19 | |
Then it got physical. | 0:41:19 | 0:41:20 | |
How physical? | 0:41:20 | 0:41:22 | |
It's the first time I've ever seen anyone stand up to Corey. | 0:41:22 | 0:41:25 | |
But Max put him in his place, did he? | 0:41:25 | 0:41:27 | |
Black eye. The works. | 0:41:27 | 0:41:29 | |
Corey was bloody furious. | 0:41:31 | 0:41:33 | |
You had a fight with Max Klein two days before he was murdered, | 0:41:34 | 0:41:37 | |
why was that? | 0:41:37 | 0:41:38 | |
Armitage told you? | 0:41:38 | 0:41:39 | |
-Afraid so. -He also told us it was the first time that anybody had got the better of you. | 0:41:39 | 0:41:43 | |
Did that hurt your pride? | 0:41:43 | 0:41:44 | |
It was nothing. | 0:41:44 | 0:41:46 | |
Nothing? You told us that you'd barely had two words with Max Klein. | 0:41:46 | 0:41:51 | |
I bet that row had more than two words in it, didn't it? | 0:41:51 | 0:41:54 | |
Was it over money? | 0:41:54 | 0:41:56 | |
He never wanted money, all right? | 0:41:56 | 0:41:57 | |
Why was that? | 0:41:57 | 0:41:59 | |
I don't know. | 0:41:59 | 0:42:00 | |
All the pickers get a taste. | 0:42:00 | 0:42:02 | |
Not much, but a fiver's a fortune to them. | 0:42:02 | 0:42:05 | |
But he wouldn't even take that. | 0:42:05 | 0:42:07 | |
He just drew his basic salary. | 0:42:07 | 0:42:08 | |
Hold on, hold on. So why was he helping put back together torn-up bills | 0:42:08 | 0:42:12 | |
if he wasn't earning out of it? | 0:42:12 | 0:42:14 | |
Cos he knew if he didn't do the work, I wouldn't trust him. | 0:42:14 | 0:42:17 | |
Besides, it was the best job he could get in this country. | 0:42:19 | 0:42:22 | |
Did he ever have any contact with the people you sell to? | 0:42:22 | 0:42:26 | |
No. Why would he? | 0:42:26 | 0:42:27 | |
So why did you have a fight? | 0:42:27 | 0:42:29 | |
He wanted that Friday off. | 0:42:31 | 0:42:32 | |
-The Friday he died? -Yeah. He said it was vital. | 0:42:32 | 0:42:36 | |
-But you wouldn't let him? -No. | 0:42:36 | 0:42:38 | |
Why did it get physical? | 0:42:38 | 0:42:40 | |
Why do you think? | 0:42:40 | 0:42:42 | |
He threatened to expose you, didn't he? | 0:42:42 | 0:42:44 | |
But you must have climbed down, | 0:42:44 | 0:42:46 | |
because he was supposed to be working at the time of his death. | 0:42:46 | 0:42:48 | |
I didn't climb down. | 0:42:48 | 0:42:51 | |
He never showed up for his shift. | 0:42:51 | 0:42:52 | |
I never saw him again. | 0:42:54 | 0:42:55 | |
Why was that particular Friday so important to Max? | 0:42:57 | 0:43:00 | |
I don't know. I always thought it might be something to do with the cabbie. | 0:43:00 | 0:43:04 | |
Cabbie? | 0:43:04 | 0:43:06 | |
Yeah, he came down to the centre looking for Max. | 0:43:06 | 0:43:09 | |
A day or two before we had our... | 0:43:09 | 0:43:11 | |
disagreement. | 0:43:11 | 0:43:14 | |
Geezer seemed pretty steamed up. They started pushing each other about. | 0:43:14 | 0:43:17 | |
Can you remember his name? | 0:43:17 | 0:43:19 | |
Ripley? | 0:43:20 | 0:43:22 | |
No, Rapley. Something Rapley. | 0:43:22 | 0:43:26 | |
Grace Cusack told us that her son was run over | 0:43:29 | 0:43:32 | |
by a cabbie called Damon Rapley. | 0:43:32 | 0:43:35 | |
But why would Rapley go and see Max at the recycling centre? | 0:43:35 | 0:43:38 | |
Well, Grace is obviously the connection, | 0:43:38 | 0:43:40 | |
but I haven't got a clue where or how or why. | 0:43:40 | 0:43:43 | |
Grace's boy was playing chicken across the road with his pals. | 0:43:44 | 0:43:47 | |
And this Damon Rapley | 0:43:47 | 0:43:49 | |
just happened to be in the wrong place at the wrong time. | 0:43:49 | 0:43:52 | |
It says here that he's a leaseholder on one of those garages. | 0:43:52 | 0:43:55 | |
-There was a black cab parked there, remember? -Oh, yeah. | 0:43:55 | 0:43:58 | |
Yeah, Murgins said he saw Rapley at the recycling centre with Max. | 0:43:58 | 0:44:01 | |
And he parks his cab close to where Max was stabbed. | 0:44:01 | 0:44:04 | |
What's this about an injunction? | 0:44:04 | 0:44:06 | |
Grace could never accept the accident verdict and she threatened Rapley. | 0:44:06 | 0:44:09 | |
Letters, phone calls, the works. | 0:44:09 | 0:44:12 | |
Grace talked a lot to Max. Could she have told him about all this? | 0:44:12 | 0:44:15 | |
Well, she volunteered quite a bit when we met her, didn't she. | 0:44:15 | 0:44:18 | |
Even called Rapley a murderer. | 0:44:18 | 0:44:20 | |
Maybe Max got Rapley to go to the recycling centre, | 0:44:22 | 0:44:25 | |
to get revenge for Grace. | 0:44:25 | 0:44:27 | |
Would you describe yourself and Max as close? | 0:44:27 | 0:44:31 | |
Not close, exactly. | 0:44:31 | 0:44:33 | |
Then what? | 0:44:33 | 0:44:34 | |
I think we understood each other. | 0:44:34 | 0:44:36 | |
How do you mean? | 0:44:36 | 0:44:37 | |
In a way, we'd both had the same experience. | 0:44:39 | 0:44:42 | |
We'd both lost a child. | 0:44:42 | 0:44:44 | |
Only, he had the chance to try and find his again. | 0:44:44 | 0:44:47 | |
Where is this going? | 0:44:47 | 0:44:48 | |
Did you ever tell Max how you felt about Damon Rapley? | 0:44:48 | 0:44:51 | |
Of course. | 0:44:51 | 0:44:53 | |
But how does me telling him how I felt have to do with his murder? | 0:44:53 | 0:44:56 | |
Well, we think he might have gone after Rapley. | 0:44:56 | 0:45:00 | |
Why? | 0:45:00 | 0:45:01 | |
You wanted revenge, didn't you? | 0:45:01 | 0:45:03 | |
I never told Max that. | 0:45:04 | 0:45:06 | |
Yeah, but you might not have needed to. | 0:45:06 | 0:45:08 | |
SHE SIGHS | 0:45:09 | 0:45:11 | |
I've learned to live with what he did to my son. | 0:45:11 | 0:45:15 | |
I can't deal with the thought of him hurting Max, too. | 0:45:15 | 0:45:18 | |
-My governor said you wanted a word. -Mr Rapley? -Yep. | 0:45:20 | 0:45:23 | |
Detective Superintendent Pullman. This is Brian Lane, UCOS. | 0:45:23 | 0:45:27 | |
-Yeah, got you a cup of tea, mate. -Great, thanks for that. Look, I don't mean to be rude, | 0:45:27 | 0:45:30 | |
but if we can we make this quick, I've got an airport pick-up. | 0:45:30 | 0:45:33 | |
Do you remember going to this man's place of work | 0:45:33 | 0:45:36 | |
on the 12th of July 2007? | 0:45:36 | 0:45:38 | |
-Is this about her? -Who do you mean by "her"? | 0:45:38 | 0:45:41 | |
Grace Cusack. He kept pestering me about her. | 0:45:41 | 0:45:43 | |
Why? | 0:45:43 | 0:45:44 | |
Wanted me to apologise. | 0:45:44 | 0:45:46 | |
Had this mad idea it would make things better. | 0:45:46 | 0:45:49 | |
Why didn't you do it? | 0:45:49 | 0:45:50 | |
Because it would have had the opposite effect. | 0:45:50 | 0:45:53 | |
-How so? -She'd have seen it as an admission of guilt. | 0:45:53 | 0:45:55 | |
And we'd never have been over it. She's not the only one who's suffered, you know? | 0:45:55 | 0:45:59 | |
She lost her only child. | 0:45:59 | 0:46:01 | |
Yeah, who stepped out in front of me. | 0:46:01 | 0:46:03 | |
I couldn't do anything about it. | 0:46:05 | 0:46:07 | |
You said that Max had been pestering you. | 0:46:07 | 0:46:09 | |
How long had that gone on before you went to his recycling centre? | 0:46:09 | 0:46:12 | |
Couple of weeks, give or take. He got more threatening. | 0:46:12 | 0:46:16 | |
I went to warn him off. | 0:46:16 | 0:46:18 | |
But if you knew he was speaking to you on Grace's behalf, | 0:46:18 | 0:46:20 | |
why didn't you call it in? Let the police handle it? | 0:46:20 | 0:46:23 | |
It was a breach of the injunction, wasn't it? | 0:46:23 | 0:46:25 | |
He was very clever about that. | 0:46:25 | 0:46:27 | |
He said he was doing it all without her knowledge. | 0:46:27 | 0:46:29 | |
That she didn't know anything about it. | 0:46:29 | 0:46:31 | |
Did he say why he'd taken up her cause? | 0:46:31 | 0:46:34 | |
He was sure there was going be a disaster if I didn't apologise. | 0:46:34 | 0:46:37 | |
What with the anniversary of her son's death. One year. | 0:46:37 | 0:46:40 | |
What kind of disaster? | 0:46:40 | 0:46:41 | |
She was going to do something drastic. | 0:46:41 | 0:46:43 | |
-To herself? -I don't know. | 0:46:43 | 0:46:45 | |
Why didn't you say anything about this at the time? | 0:46:45 | 0:46:47 | |
I mean, you must have been aware of Max Klein's murder. | 0:46:47 | 0:46:50 | |
Because I'm not stupid. I know what it looks like. | 0:46:50 | 0:46:53 | |
What does it look like? | 0:46:53 | 0:46:56 | |
Are you going to charge me with something? | 0:46:56 | 0:46:58 | |
Otherwise, I really have to go. | 0:46:58 | 0:47:00 | |
Can you tell us where you were on the day he died? | 0:47:00 | 0:47:02 | |
-Working. -We'll be checking that. -Fine. | 0:47:02 | 0:47:05 | |
Thanks for the tea. | 0:47:05 | 0:47:06 | |
Grace said that she always goes to the junction first thing. | 0:47:13 | 0:47:17 | |
But not on the day Max was murdered. | 0:47:17 | 0:47:19 | |
Well, what about this? | 0:47:19 | 0:47:21 | |
Max is waiting and he sees that Grace isn't there, | 0:47:21 | 0:47:25 | |
so he goes after Rapley, | 0:47:25 | 0:47:27 | |
there's a struggle, but it's Max who gets stabbed. | 0:47:27 | 0:47:30 | |
Why didn't Rapley just own up? Say it was self-defence? | 0:47:30 | 0:47:32 | |
Cos he was seen at the recycling centre a couple of days before. | 0:47:32 | 0:47:35 | |
That and his history with Grace could all add up to premeditation. | 0:47:35 | 0:47:38 | |
So we need something more than this. Something that puts Max and Rapley together at those garages. | 0:47:38 | 0:47:43 | |
Well, I've talked to his cab company, and they're sending over the records for that day. | 0:47:43 | 0:47:47 | |
What did the original investigation turn up at Max's flat? | 0:47:47 | 0:47:50 | |
Just a bed and a few possessions. And some of your silverfish. | 0:47:50 | 0:47:53 | |
Silverfish? Well, that makes sense. | 0:47:53 | 0:47:55 | |
It does? | 0:47:55 | 0:47:57 | |
When a Stasi man goes after somebody, | 0:47:57 | 0:47:59 | |
they usually have a system, a method. | 0:47:59 | 0:48:02 | |
They gather all kinds of material before they confront them. | 0:48:02 | 0:48:05 | |
Observation reports. Photographs. | 0:48:05 | 0:48:07 | |
Even scent samples. | 0:48:07 | 0:48:09 | |
What's scent got to do with it? | 0:48:09 | 0:48:11 | |
Well, my point is that Max was looking for his daughter. | 0:48:11 | 0:48:14 | |
And he had a surveillance routine at that junction. | 0:48:14 | 0:48:17 | |
And he stuck to it like clockwork. | 0:48:17 | 0:48:19 | |
So if Max was going after Rapley on Grace's behalf, | 0:48:19 | 0:48:22 | |
there would have been material, surveillance research, that kind of thing. | 0:48:22 | 0:48:25 | |
And paperwork. | 0:48:25 | 0:48:26 | |
Max's flat was virtually empty. | 0:48:26 | 0:48:28 | |
-But the original team didn't know he was Stasi, did they? -So? | 0:48:28 | 0:48:32 | |
So they didn't know that the one thing a Stasi man would do | 0:48:32 | 0:48:35 | |
is go to incredible lengths to hide things. | 0:48:35 | 0:48:39 | |
Walls, pipes, floorboards. | 0:48:39 | 0:48:41 | |
Secrecy was a way of life for these people. | 0:48:41 | 0:48:44 | |
So it hasn't changed since Klein lived here. | 0:48:44 | 0:48:47 | |
No. | 0:48:47 | 0:48:48 | |
Oh! | 0:48:48 | 0:48:49 | |
HE LAUGHS | 0:48:49 | 0:48:51 | |
-Do you want to share the joke? -Look at the wallpaper. It's all flowers. | 0:48:51 | 0:48:54 | |
Hello? Gerry calling team? | 0:48:54 | 0:48:56 | |
Blue flower? | 0:48:56 | 0:48:58 | |
They're pink. | 0:48:58 | 0:48:59 | |
Well, maybe there's a blue one somewhere. | 0:48:59 | 0:49:01 | |
HOLLOW BANGING | 0:49:01 | 0:49:03 | |
Hang on a minute. | 0:49:03 | 0:49:04 | |
This is a stud wall, right? | 0:49:04 | 0:49:06 | |
-Yeah. -Well, look, the wall's far too close to the window. | 0:49:06 | 0:49:10 | |
I reckon this room's short by at least four feet. | 0:49:10 | 0:49:13 | |
Gerry, let's get this wardrobe out. | 0:49:13 | 0:49:15 | |
It's on wheels. | 0:49:15 | 0:49:17 | |
Oh, well done, Gerry. Look. | 0:49:20 | 0:49:23 | |
Blue flower. | 0:49:23 | 0:49:25 | |
It's been coloured in with felt tip. | 0:49:27 | 0:49:29 | |
-Oh! -What the... | 0:49:30 | 0:49:32 | |
Careful, Guv'nor. | 0:49:32 | 0:49:35 | |
-Blimey! -Look! -Wow! | 0:49:42 | 0:49:44 | |
Well, he'd been searching for his daughter for 17 years. | 0:49:46 | 0:49:50 | |
He'd need structure, organisation. | 0:49:50 | 0:49:53 | |
He'd want to make sure that this place was free from interference. | 0:49:53 | 0:49:58 | |
Especially detection. | 0:49:58 | 0:49:59 | |
Secrecy was his second nature, wasn't it? | 0:49:59 | 0:50:02 | |
You'd be paranoid about anybody discovering this lot. | 0:50:02 | 0:50:06 | |
Well, I suppose when he knew he was dying, he was desperate for someone to discover the truth. | 0:50:06 | 0:50:10 | |
Hence, the words "Blue flower." | 0:50:10 | 0:50:12 | |
You know, they look really happy in these photos. | 0:50:12 | 0:50:15 | |
Well, we might find some truth in here. | 0:50:19 | 0:50:22 | |
This looks like his journal. It's in German. | 0:50:22 | 0:50:24 | |
Oh, the last entry was on the day he died. | 0:50:26 | 0:50:28 | |
Can you, can you read it? | 0:50:28 | 0:50:31 | |
Give me a chance. My German is still thawing out. | 0:50:31 | 0:50:34 | |
"Ich muss verhindern, | 0:50:34 | 0:50:37 | |
"dass Grace Rapley verletzt." | 0:50:37 | 0:50:40 | |
Verletzt... | 0:50:40 | 0:50:42 | |
Oh, that's "hurting," to hurt. | 0:50:42 | 0:50:45 | |
"I must stop Rapley hurting Grace." | 0:50:45 | 0:50:48 | |
Time to bring him in. | 0:50:48 | 0:50:51 | |
Max Klein attacked you, didn't he? | 0:50:51 | 0:50:53 | |
Why would he do that? | 0:50:53 | 0:50:55 | |
Because Grace Cusack wanted revenge and he was going to get it for her. | 0:50:55 | 0:51:00 | |
-Did he bring the knife or was it yours? -I was working that day, check with my company. | 0:51:00 | 0:51:03 | |
-We did. -You were several minutes late for your first booking | 0:51:03 | 0:51:06 | |
and that delay ties in with the time of Max Klein's murder. | 0:51:06 | 0:51:09 | |
You want to know why I was late? | 0:51:09 | 0:51:11 | |
I took the long way round. | 0:51:11 | 0:51:13 | |
-Why? -I always take the long way round now. -Why? | 0:51:13 | 0:51:16 | |
Ever since the accident, I don't want to go near that road ever again. | 0:51:16 | 0:51:19 | |
Grace Cusack doesn't think I care about what happened to her boy, | 0:51:19 | 0:51:23 | |
but OF COURSE I do. | 0:51:23 | 0:51:25 | |
Then, why haven't you told her that? | 0:51:25 | 0:51:27 | |
She needs someone to blame, don't you understand? | 0:51:27 | 0:51:29 | |
It's the only way she can deal with this. | 0:51:29 | 0:51:33 | |
And avoiding the road helps me forget. | 0:51:33 | 0:51:36 | |
Every time I remember, it's like the guilt comes alive. | 0:51:37 | 0:51:43 | |
I can feel it swirling around me now every time I talk about it. | 0:51:43 | 0:51:45 | |
It's like, like...a big, black hole. But it's not inside me. | 0:51:45 | 0:51:50 | |
I'm outside it. | 0:51:50 | 0:51:52 | |
And one day, it's going to swallow me whole. | 0:51:53 | 0:51:57 | |
But the accident investigation found you weren't at fault. | 0:51:59 | 0:52:02 | |
You ever run over a child? | 0:52:05 | 0:52:07 | |
It empties you. | 0:52:11 | 0:52:12 | |
Whether it's your fault or not. | 0:52:14 | 0:52:16 | |
How did it go with Rapley? | 0:52:21 | 0:52:23 | |
His alibi checks out. We've had to let him go. | 0:52:23 | 0:52:25 | |
Poor sod's in bits. | 0:52:25 | 0:52:27 | |
So now, we're back to square one. | 0:52:27 | 0:52:28 | |
Stille! Stille! Mein Kopf ist geplatzt! | 0:52:28 | 0:52:31 | |
Was ist das, Herr Brian? | 0:52:31 | 0:52:32 | |
Look, with German, you can't just translate word by word, | 0:52:32 | 0:52:36 | |
from left to right, | 0:52:36 | 0:52:38 | |
you have to isolate the verb and work backwards. | 0:52:38 | 0:52:40 | |
-It's like being back in school, innit? -Go on, Brian. | 0:52:40 | 0:52:42 | |
So the verb "verletzt" would be used in both "Rapley hurts Grace" | 0:52:42 | 0:52:46 | |
and "Rapley is hurt by Grace." | 0:52:46 | 0:52:49 | |
Max wasn't trying to stop Rapley hurting Grace. | 0:52:49 | 0:52:52 | |
He was trying to stop Grace hurting Rapley. | 0:52:52 | 0:52:55 | |
Well, there's his cab, but where's he? | 0:52:58 | 0:53:02 | |
-Something's wrong. -Eh? | 0:53:02 | 0:53:04 | |
KNOCKING ON DOOR | 0:53:06 | 0:53:08 | |
Grace? Grace? | 0:53:08 | 0:53:10 | |
-It's locked. -Break it down. | 0:53:10 | 0:53:11 | |
BANGING SOUND | 0:53:11 | 0:53:14 | |
Grace? Grace, can you hear me? | 0:53:14 | 0:53:17 | |
Have you taken these, Grace? | 0:53:18 | 0:53:20 | |
I'll get the medics. | 0:53:20 | 0:53:22 | |
SHE SOBS | 0:53:22 | 0:53:23 | |
-Is he gone? -Who? | 0:53:23 | 0:53:25 | |
Is Rapley gone? | 0:53:25 | 0:53:27 | |
-He's still got a pulse. -Yeah, I'll get an ambulance. | 0:53:28 | 0:53:31 | |
Max knew what I wanted to do. | 0:53:34 | 0:53:37 | |
SHE CRIES | 0:53:37 | 0:53:38 | |
He kept trying to talk me out of it. | 0:53:38 | 0:53:40 | |
I was trying to avoid him. | 0:53:42 | 0:53:45 | |
And that's why he didn't go to the junction that morning. | 0:53:45 | 0:53:48 | |
I was waiting at the garages for Rapley, but Max caught up with me. | 0:53:48 | 0:53:53 | |
He tried to take the knife. | 0:53:55 | 0:53:57 | |
I just wouldn't let it go. | 0:53:59 | 0:54:01 | |
The next thing I knew, he was on the floor... | 0:54:03 | 0:54:08 | |
saying those words. | 0:54:08 | 0:54:10 | |
Blue flower. | 0:54:10 | 0:54:12 | |
He was a good man. | 0:54:12 | 0:54:14 | |
I didn't want to hurt him. | 0:54:14 | 0:54:16 | |
-They're on their way. -OK. | 0:54:18 | 0:54:21 | |
-You think she's going to be all right? -She'll live. | 0:54:24 | 0:54:27 | |
Is that enough? | 0:54:27 | 0:54:28 | |
I wanted to bring you here | 0:54:40 | 0:54:41 | |
so that I could show you what your father's last words meant. | 0:54:41 | 0:54:44 | |
He, he just wanted someone to know the truth. | 0:54:44 | 0:54:47 | |
What truth? | 0:54:47 | 0:54:48 | |
That he secretly tried to smuggle you and your mother into West Germany | 0:54:48 | 0:54:52 | |
so that you could get your insulin. | 0:54:52 | 0:54:54 | |
No, she was running from him. | 0:55:10 | 0:55:12 | |
With him. Not from him. | 0:55:12 | 0:55:14 | |
He was part of Blue Flower too. | 0:55:14 | 0:55:16 | |
And that's why he joined the Stasi in the first place. | 0:55:16 | 0:55:20 | |
She's smiling. | 0:55:36 | 0:55:37 | |
They obviously loved each other very much. | 0:55:39 | 0:55:41 | |
And you. | 0:55:41 | 0:55:43 | |
But all the files. all the arrest reports... | 0:55:47 | 0:55:49 | |
Part of his cover-up. | 0:55:49 | 0:55:51 | |
It's all in here. | 0:55:51 | 0:55:53 | |
Your father's account of what really happened. | 0:55:53 | 0:55:55 | |
THEY SPEAK IN GERMAN | 0:56:05 | 0:56:09 | |
DOGS BARKING | 0:56:12 | 0:56:13 | |
Your parents knew that if they were both arrested, | 0:56:17 | 0:56:20 | |
then they'd never be set free to come look for you, | 0:56:20 | 0:56:22 | |
they'd never see you again. | 0:56:22 | 0:56:24 | |
SIREN WAILING | 0:56:28 | 0:56:30 | |
BABY CRIES | 0:56:30 | 0:56:32 | |
But then, your mother had an idea... | 0:56:37 | 0:56:39 | |
No. | 0:56:43 | 0:56:45 | |
THEY SPEAK IN GERMAN | 0:56:45 | 0:56:48 | |
"Arrest me." | 0:56:52 | 0:56:54 | |
DOGS BARKING | 0:56:56 | 0:56:57 | |
HE BLOWS THE WHISTLE | 0:56:57 | 0:56:59 | |
'When the Border Police caught them,' | 0:57:06 | 0:57:08 | |
she made him act like he'd played no part in the escape plan, | 0:57:08 | 0:57:11 | |
like he'd just been following her. | 0:57:11 | 0:57:13 | |
-Like she was part of the Blue Flower and he wasn't? -Yeah. | 0:57:13 | 0:57:17 | |
'She made him swear to keep up the illusion, | 0:57:17 | 0:57:20 | |
'no matter what they did to her. | 0:57:20 | 0:57:22 | |
'And he knew that was the only way he'd stay free to come and find you.' | 0:57:24 | 0:57:28 | |
But he never found me. | 0:57:35 | 0:57:37 | |
This room is all about you, Mia. | 0:57:40 | 0:57:42 | |
He never stopped looking until the day he died. | 0:57:42 | 0:57:45 | |
No, but these are just words. | 0:57:49 | 0:57:51 | |
Your father was a good man. | 0:57:52 | 0:57:55 | |
How do you know that for sure? | 0:57:55 | 0:57:58 | |
Because he died trying to stop somebody | 0:57:58 | 0:58:02 | |
from making the biggest mistake of their life. | 0:58:02 | 0:58:05 | |
You OK? | 0:58:24 | 0:58:25 | |
SHE SIGHS | 0:58:25 | 0:58:26 | |
I've got one hell of a story to tell on my blog. | 0:58:26 | 0:58:29 | |
I look forward to reading it. | 0:58:29 | 0:58:30 | |
Thank you. | 0:58:32 | 0:58:34 | |
For everything. | 0:58:35 | 0:58:37 | |
Subtitles by Red Bee Media Ltd | 0:59:07 | 0:59:11 |