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# It's all right It's OK | 0:00:02 | 0:00:04 | |
# Doesn't really matter if you're old and grey | 0:00:04 | 0:00:07 | |
# It's all right I say it's OK | 0:00:07 | 0:00:08 | |
# Listen to what I say | 0:00:08 | 0:00:11 | |
# It's all right, doing fine | 0:00:11 | 0:00:13 | |
# Doesn't really matter if the sun don't shine | 0:00:13 | 0:00:16 | |
# It's all right I say it's OK | 0:00:16 | 0:00:19 | |
# We're gettin' to the end of the day. # | 0:00:19 | 0:00:22 | |
-Good morning. -Morning. | 0:02:32 | 0:02:34 | |
-What's this all about? -Don't ask me. | 0:02:37 | 0:02:39 | |
Strickland said eight o'clock. It's eight o'clock. | 0:02:39 | 0:02:41 | |
-Yeah, but why here? -Dodgy cappuccino and a hot dog. | 0:02:41 | 0:02:44 | |
That's not his style. | 0:02:44 | 0:02:45 | |
Here he is, Guv. | 0:02:45 | 0:02:48 | |
Morning, Sir | 0:02:53 | 0:02:55 | |
Morning. | 0:02:55 | 0:02:56 | |
-Where's your car? -It's a long story. Thanks for coming. | 0:02:56 | 0:02:59 | |
Why here? Someone burnt down the office? | 0:02:59 | 0:03:01 | |
-I didn't want to do it in the office. -Why not? | 0:03:01 | 0:03:04 | |
There was an explosion in Central London last night. | 0:03:04 | 0:03:06 | |
Yeah, a gas explosion. It was on the radio this morning. | 0:03:06 | 0:03:09 | |
It was in Stephen Fisher's flat. | 0:03:09 | 0:03:11 | |
And I don't think it was a gas explosion. | 0:03:11 | 0:03:13 | |
Was he killed? | 0:03:13 | 0:03:15 | |
No, no. There's no trace of a body. | 0:03:15 | 0:03:16 | |
Oh, well. | 0:03:16 | 0:03:18 | |
-Was it a bomb? -I have good reason to believe it was deliberate. | 0:03:20 | 0:03:23 | |
Fisher's disappeared, which suggests he's running from someone. | 0:03:23 | 0:03:26 | |
-Who is this Fisher? -Stephen Fisher. | 0:03:26 | 0:03:28 | |
-Intelligence. -Or thereabouts. | 0:03:28 | 0:03:30 | |
A bit shady. Machiavellian. | 0:03:30 | 0:03:32 | |
-The Guv'nor and he are old friends. -So what's this got to do with UCOS? | 0:03:32 | 0:03:36 | |
I believe it may be tangentially connected to an unsolved murder from 30 years ago. | 0:03:36 | 0:03:40 | |
When Stephen Fisher was an officer candidate at Sandhurst, | 0:03:40 | 0:03:43 | |
he was involved in a "black bag" operation | 0:03:43 | 0:03:45 | |
on behalf of the security service. | 0:03:45 | 0:03:46 | |
You mean a burglary. | 0:03:46 | 0:03:48 | |
The target was a freelance journalist called Simon Bisley. | 0:03:48 | 0:03:52 | |
It was believed that Bisley had important information | 0:03:52 | 0:03:55 | |
on some recent IRA arms deals. | 0:03:55 | 0:03:57 | |
So Fisher was approached to put a team together, | 0:03:57 | 0:04:00 | |
break into Bisley's house, photograph the relevant documents | 0:04:00 | 0:04:03 | |
and get out again without leaving a trace. | 0:04:03 | 0:04:06 | |
The operation went according to plan. | 0:04:06 | 0:04:08 | |
Fisher handed over the pictures to his contact, | 0:04:08 | 0:04:11 | |
who promptly disappeared into thin air | 0:04:11 | 0:04:13 | |
as these people have a habit of doing, | 0:04:13 | 0:04:15 | |
and no-one thought any more about it until two weeks later | 0:04:15 | 0:04:18 | |
when Simon Bisley was killed in a hit and run accident. | 0:04:18 | 0:04:20 | |
The driver was never traced. | 0:04:20 | 0:04:22 | |
Maybe the IRA found out that Bisley had dirt on them? | 0:04:22 | 0:04:24 | |
A hit and run wasn't their style. They'd want everyone to know it was them. | 0:04:24 | 0:04:27 | |
When Bisley died, Fisher and his team realised something was going wrong. | 0:04:27 | 0:04:31 | |
Fisher came up with a code-word "Maelstrom", | 0:04:31 | 0:04:34 | |
a warning that was to be circulated to everyone in the team | 0:04:34 | 0:04:38 | |
if anyone suspected they might be in danger. | 0:04:38 | 0:04:40 | |
Three days ago, someone from the team fell overboard | 0:04:40 | 0:04:44 | |
and was drowned whilst sailing alone off the Isle of Wight. | 0:04:44 | 0:04:47 | |
The death isn't being treated as suspicious | 0:04:47 | 0:04:49 | |
but a few minutes before he died, | 0:04:49 | 0:04:51 | |
the man sent out a text consisting of one word... | 0:04:51 | 0:04:54 | |
-"Maelstrom". -Yes. | 0:04:54 | 0:04:55 | |
But if the phone was recovered and he'd sent a text like that | 0:04:55 | 0:04:57 | |
why isn't the death being treated as suspicious? | 0:04:57 | 0:05:00 | |
The phone wasn't recovered. | 0:05:00 | 0:05:01 | |
Then how do we know he sent the text? | 0:05:01 | 0:05:03 | |
Because I received it. | 0:05:03 | 0:05:04 | |
You were part of Fisher's team. | 0:05:07 | 0:05:08 | |
Sandhurst was where we first met. | 0:05:08 | 0:05:11 | |
But if someone is targeting members of that team... | 0:05:11 | 0:05:14 | |
Someone broke into my garage last night. | 0:05:14 | 0:05:16 | |
I think my car's been tampered with. | 0:05:16 | 0:05:18 | |
What can we do to help? | 0:05:20 | 0:05:22 | |
This is off the books. I want to make that very clear. | 0:05:24 | 0:05:26 | |
There is a distinct possibility that being a police officer | 0:05:26 | 0:05:29 | |
or being part of UCOS would afford no protection... | 0:05:29 | 0:05:31 | |
What do you need us to do, Sir? | 0:05:31 | 0:05:34 | |
Right. The murder of the journalist, Simon Bisley. | 0:05:34 | 0:05:39 | |
It's an unsolved case. | 0:05:39 | 0:05:41 | |
Any progress that can be made into who might have been responsible, | 0:05:41 | 0:05:45 | |
or why this has come to light 30 years later, would be very helpful. | 0:05:45 | 0:05:48 | |
We'll get onto it. | 0:05:48 | 0:05:49 | |
Now, look... | 0:05:49 | 0:05:51 | |
Whoever's behind this, | 0:05:51 | 0:05:52 | |
assuming it's someone from the intelligence community, | 0:05:52 | 0:05:56 | |
they don't have access to a pool of assassins. | 0:05:56 | 0:05:58 | |
There's no license to kill at MI5, | 0:05:58 | 0:06:00 | |
so whoever is actually doing the dirty work has been brought in | 0:06:00 | 0:06:03 | |
from outside and is being paid by someone. | 0:06:03 | 0:06:05 | |
We'll take that. | 0:06:05 | 0:06:07 | |
What are you going to do now, Sir? | 0:06:10 | 0:06:11 | |
I need to find the surviving members of the team from 30 years ago | 0:06:11 | 0:06:15 | |
to see if we can work out quite why this is happening. | 0:06:15 | 0:06:18 | |
Is there a chance that a member of the team could be behind all this? | 0:06:18 | 0:06:22 | |
Given that no-one outside our immediate circle | 0:06:22 | 0:06:25 | |
knew about the break-in or who the other participants were, | 0:06:25 | 0:06:29 | |
yeah, I'd say there's a very real chance indeed. | 0:06:29 | 0:06:32 | |
Simon Bisley's case file was updated about three weeks ago. | 0:06:37 | 0:06:41 | |
Really? By who? | 0:06:41 | 0:06:43 | |
His daughter, Ruth. | 0:06:43 | 0:06:45 | |
She can only have been eight or nine at the time he died. | 0:06:45 | 0:06:49 | |
Anyway, she approached police claiming to have new evidence | 0:06:49 | 0:06:52 | |
on her father's death and nothing was done about it. | 0:06:52 | 0:06:55 | |
-Do you think it was deliberately suppressed? -I don't know. | 0:06:55 | 0:06:58 | |
Right, Ruth Bisley's our first port of call. | 0:06:58 | 0:07:00 | |
Who was the original investigating officer? | 0:07:00 | 0:07:03 | |
-Duncan Griffin. -Is he still around? | 0:07:03 | 0:07:05 | |
No, he died about five or six years ago. | 0:07:05 | 0:07:07 | |
-He had a good reputation. -Don't they all?! | 0:07:07 | 0:07:11 | |
SMASHES WINDOWS | 0:08:13 | 0:08:15 | |
-Ruth Bisley? -Yes. | 0:09:00 | 0:09:02 | |
Detective Superintendent Pullman, this is my colleague Brian Lane. | 0:09:02 | 0:09:05 | |
-We're from the Unsolved Crimes and Open Cases Squad. -About my father? | 0:09:05 | 0:09:08 | |
-Yes. -Come in. -Thank you. | 0:09:08 | 0:09:11 | |
I'm afraid there's nowhere to really sit, | 0:09:14 | 0:09:16 | |
I'd offer you a cup of tea but the kitchen's in pieces. | 0:09:16 | 0:09:18 | |
You contacted the police regarding your father's death. | 0:09:18 | 0:09:21 | |
That's right. I was told someone would get back to me. | 0:09:21 | 0:09:24 | |
I guess you must have a backlog. | 0:09:24 | 0:09:26 | |
I understand you have some new information? | 0:09:26 | 0:09:28 | |
Yes. Well, I think so. | 0:09:28 | 0:09:30 | |
My mother died at the end of last year. | 0:09:30 | 0:09:32 | |
-I'm sorry to hear that. -She was ill for a long time, but thank you. | 0:09:32 | 0:09:35 | |
I'd moved home for the last few months, to look after Mum. | 0:09:35 | 0:09:38 | |
When she died, I put the house on the market. | 0:09:38 | 0:09:40 | |
There was a lot of stuff to clear out of there. | 0:09:40 | 0:09:42 | |
A lot of stuff of my dad's that my Mum hadn't wanted to disturb. | 0:09:42 | 0:09:45 | |
His office was always covered in scraps of paper and post-it notes. | 0:09:45 | 0:09:48 | |
I went through everything, | 0:09:48 | 0:09:50 | |
trying to piece together the story he was working on when he died. | 0:09:50 | 0:09:53 | |
And I found something... | 0:09:53 | 0:09:54 | |
These were on the wall of his study, | 0:10:03 | 0:10:05 | |
right above his desk, pinned up exactly like this... | 0:10:05 | 0:10:10 | |
There... | 0:10:14 | 0:10:16 | |
There's a sheet missing. | 0:10:16 | 0:10:17 | |
Could that simply have been misplaced? | 0:10:17 | 0:10:19 | |
I don't think so. | 0:10:19 | 0:10:21 | |
Dad was pretty well organised. Everything was catalogued and cross-referenced... | 0:10:21 | 0:10:25 | |
This is something to do with finance. | 0:10:25 | 0:10:27 | |
Payments in and out of various accounts. | 0:10:27 | 0:10:29 | |
Quite big amounts. | 0:10:29 | 0:10:30 | |
I can't make head nor tail of it. | 0:10:30 | 0:10:32 | |
Numbers just fog my brain. | 0:10:32 | 0:10:34 | |
But I think it's important and I think whatever was on that sheet | 0:10:34 | 0:10:38 | |
must be missing for a reason. | 0:10:38 | 0:10:39 | |
-Carl Dillon. -You know who he is? | 0:10:39 | 0:10:42 | |
You could certainly say that he's someone who's known to the police. | 0:10:42 | 0:10:45 | |
Did you tell anyone else about this? | 0:10:45 | 0:10:47 | |
I spoke to Nigel Baxter. He's a journalist. | 0:10:47 | 0:10:50 | |
He was a friend of my dad's. | 0:10:50 | 0:10:51 | |
He said he didn't know anything about what my father had been | 0:10:51 | 0:10:54 | |
working on at the time but he'd make some calls. | 0:10:54 | 0:10:56 | |
I haven't heard back from him, so I don't suppose he got anywhere. | 0:10:56 | 0:10:59 | |
What makes you so sure that this missing page has something | 0:10:59 | 0:11:03 | |
-to do with your father's death? -It's the timing. | 0:11:03 | 0:11:05 | |
I was nine when my father died, and I didn't really know what he did for a living. | 0:11:05 | 0:11:08 | |
But as I got older I started to read his stuff | 0:11:08 | 0:11:10 | |
and read what other people had written about him. | 0:11:10 | 0:11:13 | |
He was a good journalist. | 0:11:13 | 0:11:14 | |
He broke big stories and he pissed a lot of people off. | 0:11:14 | 0:11:17 | |
Whatever was on that sheet pertains to the story | 0:11:17 | 0:11:20 | |
he was working on at the time. | 0:11:20 | 0:11:21 | |
His death meant that story could never be published | 0:11:21 | 0:11:24 | |
and I think it's safe to say that someone benefited from that. | 0:11:24 | 0:11:27 | |
Unless it really was an accident, and the timing was just a coincidence. | 0:11:28 | 0:11:32 | |
I was there, Mr Lane. Nine years old. | 0:11:32 | 0:11:35 | |
We'd just been to a gallery. The car came out of nowhere. | 0:11:35 | 0:11:39 | |
It was going so fast. | 0:11:39 | 0:11:42 | |
And it swerved towards us just as Dad stepped off the kerb. | 0:11:42 | 0:11:45 | |
A woman grabbed me and pulled me back, | 0:11:47 | 0:11:49 | |
otherwise I wouldn't be talking to you now. | 0:11:49 | 0:11:51 | |
It wasn't an accident. | 0:11:53 | 0:11:55 | |
PHONE RINGS | 0:11:57 | 0:12:02 | |
Yes? | 0:12:07 | 0:12:08 | |
OK, and you've talked to her? | 0:12:11 | 0:12:15 | |
What document? What's it about? | 0:12:18 | 0:12:20 | |
OK, you do that. Let me know when you've spoken to him. | 0:12:22 | 0:12:26 | |
That was Sandra Pullman. | 0:12:30 | 0:12:32 | |
There was a document missing from Simon Bisley's house. | 0:12:33 | 0:12:36 | |
What document, Stephen? We didn't take anything. | 0:12:40 | 0:12:45 | |
No, we didn't. | 0:12:45 | 0:12:47 | |
I'm not sure it was a good idea to bring the UCOS team into this, Robert. | 0:12:47 | 0:12:51 | |
It's all rather dangerous. | 0:12:51 | 0:12:53 | |
Says the man who just held a gun to my head. | 0:12:53 | 0:12:56 | |
Pullman thinks the document might relate to a man named Carl Dillon. | 0:12:56 | 0:13:01 | |
I don't know him. | 0:13:01 | 0:13:02 | |
He's what we call a "key figure in organised crime". | 0:13:02 | 0:13:06 | |
Interesting. | 0:13:07 | 0:13:08 | |
Is it? | 0:13:11 | 0:13:13 | |
I don't know. I'm just playing along. | 0:13:13 | 0:13:15 | |
Stephen... | 0:13:15 | 0:13:18 | |
-His name was on Bisley's documents? -Yes. | 0:13:18 | 0:13:20 | |
Interesting. | 0:13:20 | 0:13:22 | |
What do you make of poor Clive? | 0:13:25 | 0:13:27 | |
It looks like a heart attack, doesn't it? | 0:13:27 | 0:13:31 | |
Although that would be a coincidence too far, I feel. | 0:13:31 | 0:13:34 | |
There's no sign of forced entry. | 0:13:34 | 0:13:36 | |
And yet I'm in here. | 0:13:36 | 0:13:38 | |
He would have let you in. | 0:13:38 | 0:13:40 | |
-Yes, he would. Do you think I killed him? -No. | 0:13:40 | 0:13:43 | |
Well, then you're more trusting than I am, Robert. | 0:13:44 | 0:13:48 | |
-What's going on here, Stephen? -I have absolutely no idea. | 0:13:50 | 0:13:54 | |
-Oh, for God's sake. -Upon my word. | 0:13:54 | 0:13:57 | |
I am, as I believe you're more than aware, | 0:13:58 | 0:14:00 | |
rather senior in this country's intelligence community. | 0:14:00 | 0:14:03 | |
And yet someone just blew up my flat. | 0:14:04 | 0:14:07 | |
I'm not sure I'd consider myself to be "in the loop" right now. | 0:14:09 | 0:14:13 | |
-Hello, Tinker. -Gerry Standing. | 0:14:25 | 0:14:28 | |
We need to know who the new faces in town are. | 0:14:28 | 0:14:32 | |
So, why are you asking me? | 0:14:33 | 0:14:34 | |
The kind of person who can make a bomb in a flat in Pimlico look like a gas explosion. | 0:14:34 | 0:14:38 | |
Ah, that kind of person. | 0:14:38 | 0:14:40 | |
Well? | 0:14:40 | 0:14:42 | |
-You're out of your depth. -Is that a fact? | 0:14:42 | 0:14:45 | |
-This is all rumour and hearsay, you understand. -Go on. | 0:14:45 | 0:14:48 | |
Two new faces. In from abroad. Scarier than usual and proper... | 0:14:48 | 0:14:52 | |
Where are they from? | 0:14:52 | 0:14:54 | |
-Don't know. -Where are they now? | 0:14:55 | 0:14:59 | |
Don't know. | 0:14:59 | 0:15:01 | |
Who hired them? | 0:15:01 | 0:15:02 | |
Good question. | 0:15:02 | 0:15:03 | |
Well? | 0:15:03 | 0:15:05 | |
Don't know. | 0:15:05 | 0:15:07 | |
You don't know me. | 0:15:09 | 0:15:10 | |
-I know him. -I'm not him. | 0:15:10 | 0:15:13 | |
I think I'll have a fag. | 0:15:16 | 0:15:18 | |
Now... | 0:15:28 | 0:15:30 | |
Look, if you're trying to... Aah! | 0:15:33 | 0:15:35 | |
Get up and sit back down. | 0:15:37 | 0:15:38 | |
Now... | 0:15:50 | 0:15:51 | |
Who hired these two killers you've been telling us about? | 0:15:53 | 0:15:59 | |
I don't know. | 0:15:59 | 0:16:00 | |
You know what this reminds me of? | 0:16:02 | 0:16:03 | |
The good old days. Remember the good old days? | 0:16:03 | 0:16:05 | |
Nobody's watching, say what you like after the fact, nobody believes you. | 0:16:05 | 0:16:09 | |
-I don't know who hired them. -I just don't believe you. | 0:16:09 | 0:16:11 | |
You're a tough nut, aren't you? Been around a bit. | 0:16:11 | 0:16:14 | |
Not like these kids nowadays - one finger and they spill their guts. | 0:16:14 | 0:16:17 | |
I bet you - you could take a finger and still stick to your story. | 0:16:17 | 0:16:21 | |
Two maybe, even. | 0:16:21 | 0:16:22 | |
OK, so I'll tell you what we'll do. | 0:16:22 | 0:16:24 | |
Let's say... | 0:16:24 | 0:16:25 | |
..three fingers. | 0:16:27 | 0:16:28 | |
Three fingers, and if you still stick to your story, | 0:16:28 | 0:16:31 | |
hey, I'm on my way. | 0:16:31 | 0:16:33 | |
Ahhh...Ah! | 0:16:35 | 0:16:37 | |
Carl Dillon! He hired them, he paid for it! Carl Dillon! | 0:16:37 | 0:16:41 | |
I can't see how an old school gangster like Carl Dillon | 0:16:41 | 0:16:43 | |
can be connected to anything that Fisher's involved with. | 0:16:43 | 0:16:46 | |
No idea. But we're pretty sure my snout's telling the truth. | 0:16:46 | 0:16:51 | |
'Steve put the wind right up him.' | 0:16:51 | 0:16:53 | |
I don't want to know, Gerry. | 0:16:53 | 0:16:54 | |
DOOR OPENS | 0:16:54 | 0:16:55 | |
I'll call you when we get back to UCOS. | 0:16:55 | 0:16:57 | |
Bye. | 0:16:57 | 0:16:58 | |
I was told you wanted to see me. | 0:16:58 | 0:17:00 | |
-Nigel Baxter? -Yeah. | 0:17:00 | 0:17:01 | |
Detective Superintendent Pullman. This is my colleague, Brian Lane. | 0:17:01 | 0:17:05 | |
We've been talking to Ruth Bisley about the death of her father. | 0:17:05 | 0:17:08 | |
-Ah, yes. -We understand that you and Bisley were friends, is that right? | 0:17:08 | 0:17:11 | |
We were. A long time ago, obviously. | 0:17:11 | 0:17:13 | |
She also said that she talked to you about a missing document | 0:17:13 | 0:17:16 | |
from some research she was doing at the time of his death. | 0:17:16 | 0:17:19 | |
That's right, yes. | 0:17:19 | 0:17:20 | |
I'm sorry, I'm on a deadline. I have twenty minutes to file. | 0:17:20 | 0:17:22 | |
Is there a question you need to ask me? | 0:17:22 | 0:17:24 | |
Ruth said that you were looking into this missing document. | 0:17:24 | 0:17:27 | |
-Look, whether it was missing or not, I don't think it was important. -Ruth seems to think it was. -I know. | 0:17:27 | 0:17:32 | |
It's some clue into her father's death. | 0:17:32 | 0:17:34 | |
I wish it was, and I can understand why she'd want to make some sense | 0:17:34 | 0:17:37 | |
of what happened, to apportion some blame, but... | 0:17:37 | 0:17:40 | |
You think she's wrong? | 0:17:40 | 0:17:42 | |
I think there's blame. | 0:17:42 | 0:17:43 | |
I think someone hit him with a car and fled the scene. | 0:17:43 | 0:17:45 | |
But I don't think that's the same thing as premeditated murder. Do you? | 0:17:45 | 0:17:48 | |
Well, that's what we're here to find out. | 0:17:48 | 0:17:50 | |
I'm afraid I can't help you out. | 0:17:50 | 0:17:53 | |
-Sorry, I really need... -Does the name Carl Dillon mean... -No. | 0:17:53 | 0:17:57 | |
..mean anything to you? | 0:17:57 | 0:17:59 | |
No, I've never heard of him. | 0:17:59 | 0:18:02 | |
15 minutes left to file this. May I? | 0:18:05 | 0:18:08 | |
DOORBELL RINGS | 0:18:13 | 0:18:15 | |
DOORBELL RINGS REPEATEDLY | 0:18:18 | 0:18:21 | |
-I'll get it, then, shall I? -Thanks. | 0:18:21 | 0:18:24 | |
Hello, Sarah. | 0:18:28 | 0:18:30 | |
Robert? | 0:18:30 | 0:18:31 | |
Hello, Sarah. | 0:18:32 | 0:18:34 | |
Stephen Fisher. | 0:18:34 | 0:18:35 | |
Yes, I remember. | 0:18:35 | 0:18:36 | |
You had more hair then. | 0:18:36 | 0:18:37 | |
Sorry we couldn't call ahead. May we? | 0:18:37 | 0:18:39 | |
Is that a Stanhope? | 0:18:49 | 0:18:50 | |
It is. | 0:18:50 | 0:18:52 | |
I used to play fives with his brother. | 0:18:52 | 0:18:54 | |
Rugby fives, of course, not Eton. | 0:18:54 | 0:18:57 | |
What are you doing here? | 0:18:58 | 0:19:00 | |
Yes, I'm sorry, | 0:19:00 | 0:19:01 | |
I realise it must be awkward for you two after all these years. | 0:19:01 | 0:19:04 | |
We need to speak to Christopher. | 0:19:04 | 0:19:06 | |
He's in his study. | 0:19:06 | 0:19:08 | |
Stephen Fisher? | 0:19:08 | 0:19:10 | |
And Robert Strickland. As I live and breathe! | 0:19:10 | 0:19:12 | |
Mmm... Let's not take that for granted today. | 0:19:12 | 0:19:15 | |
Is there somewhere we can talk? | 0:19:15 | 0:19:17 | |
Yes, of course. | 0:19:17 | 0:19:18 | |
Come upstairs. | 0:19:19 | 0:19:20 | |
I didn't get a text message. | 0:19:27 | 0:19:29 | |
I gave up my work phone when I left the bank, | 0:19:29 | 0:19:31 | |
and got a new one with a different number. | 0:19:31 | 0:19:33 | |
Is this serious? | 0:19:33 | 0:19:34 | |
Marsden died a few minutes after sending out the message. | 0:19:34 | 0:19:37 | |
Someone blew up my flat and tampered with Robert's car. | 0:19:37 | 0:19:41 | |
And then there was Clive. | 0:19:41 | 0:19:43 | |
Poor old queen. | 0:19:43 | 0:19:44 | |
So yes, Christopher, I think it's serious. | 0:19:44 | 0:19:47 | |
And this is about back then? | 0:19:48 | 0:19:51 | |
What do you remember? | 0:19:51 | 0:19:52 | |
Oh... | 0:19:52 | 0:19:54 | |
I was on the bits and pieces in the filing cabinet. | 0:19:55 | 0:19:58 | |
It wasn't like we were old hands at this sort of thing, was it? The adrenaline was pumping. | 0:19:58 | 0:20:03 | |
I was concentrating on keeping my hands steady so I could take the photographs. | 0:20:03 | 0:20:07 | |
Anything at all that you can remember about those files? | 0:20:07 | 0:20:10 | |
Well, it was Irish stuff. | 0:20:10 | 0:20:11 | |
There were news clippings about the IRA, | 0:20:11 | 0:20:13 | |
there were sheets of transcripts, there were some interviews. | 0:20:13 | 0:20:17 | |
There was a document in that room that subsequently went missing. | 0:20:17 | 0:20:21 | |
Well, I didn't take anything. Why would I take something? | 0:20:21 | 0:20:23 | |
Someone believes that the six of us | 0:20:23 | 0:20:25 | |
know something as a result of that night. | 0:20:25 | 0:20:28 | |
Something worth killing us to keep quiet. | 0:20:28 | 0:20:30 | |
Well, I don't know anything. | 0:20:30 | 0:20:31 | |
We may not know what we know. | 0:20:31 | 0:20:33 | |
Well, even if we did know something, | 0:20:33 | 0:20:36 | |
why let us carry it around for 30 years and do nothing until now? | 0:20:36 | 0:20:41 | |
Something has obviously changed in the landscape. | 0:20:41 | 0:20:44 | |
We just don't know what it is yet. | 0:20:46 | 0:20:48 | |
We're trying to track down the others. | 0:20:48 | 0:20:50 | |
I haven't been in touch with any of the old gang for a while. | 0:20:50 | 0:20:53 | |
I've no idea where Hitch would be nowadays. | 0:20:53 | 0:20:56 | |
Except I guess it would be somewhere absurdly dangerous... | 0:20:56 | 0:20:59 | |
Your loo, Chris? | 0:20:59 | 0:21:00 | |
Er, yeah, sure, down the hall, second on the left. | 0:21:00 | 0:21:02 | |
Jane Ross. | 0:21:04 | 0:21:06 | |
I did hear an interesting rumour about Jane. | 0:21:06 | 0:21:08 | |
What did you do? | 0:21:36 | 0:21:37 | |
You were listening at the door. | 0:21:39 | 0:21:40 | |
What do you expect me to do? | 0:21:42 | 0:21:43 | |
After nearly 30 years, | 0:21:43 | 0:21:45 | |
you two turning up was hardly likely to be a social call. | 0:21:45 | 0:21:48 | |
Is Chris in danger? | 0:21:50 | 0:21:51 | |
Yes. | 0:21:53 | 0:21:54 | |
But I hope we'll be able to get to the bottom of this very soon. | 0:21:56 | 0:21:59 | |
And in the meantime? | 0:22:01 | 0:22:02 | |
Is there somewhere you can go? | 0:22:04 | 0:22:05 | |
It's that bad? | 0:22:08 | 0:22:10 | |
Yes. | 0:22:11 | 0:22:13 | |
Do you remember when I used to come down to Sandhurst to visit? | 0:22:15 | 0:22:18 | |
To visit Christopher. | 0:22:18 | 0:22:20 | |
There was a period of a few weeks when you were all skulking around, | 0:22:23 | 0:22:28 | |
being all secretive. | 0:22:28 | 0:22:29 | |
And that was this. | 0:22:30 | 0:22:32 | |
Whatever this is. | 0:22:32 | 0:22:34 | |
Yes. | 0:22:35 | 0:22:36 | |
Stupid boys. | 0:22:38 | 0:22:40 | |
We'll check into a hotel. | 0:22:42 | 0:22:44 | |
That's a good idea. | 0:22:44 | 0:22:45 | |
You used to think so. | 0:22:45 | 0:22:47 | |
What did Maitland say about Jane Ross? | 0:23:03 | 0:23:06 | |
This rumour that he heard. | 0:23:06 | 0:23:08 | |
Ah, the rumour, I suspect, is true. | 0:23:08 | 0:23:10 | |
Jane Ross graduated from Sandhurst, | 0:23:10 | 0:23:13 | |
joined the army for a couple of years, | 0:23:13 | 0:23:15 | |
then bought her way out and went to work for an oil company. | 0:23:15 | 0:23:18 | |
Oil? | 0:23:18 | 0:23:19 | |
Doesn't quite fit with the Jane we knew, does it? | 0:23:19 | 0:23:22 | |
Hence the rumour. | 0:23:26 | 0:23:28 | |
The oil was a front. | 0:23:28 | 0:23:29 | |
Jane was working for TSAR. | 0:23:30 | 0:23:33 | |
What's TSAR? | 0:23:33 | 0:23:34 | |
Stands for Those Shits Across The River. | 0:23:34 | 0:23:37 | |
MI6 to you. | 0:23:37 | 0:23:39 | |
Hunter. | 0:23:40 | 0:23:41 | |
4219 alpha 7. | 0:23:41 | 0:23:45 | |
Go secure. | 0:23:45 | 0:23:46 | |
I need to know from housekeeping | 0:23:47 | 0:23:49 | |
whether any guests have checked into the executive suites | 0:23:49 | 0:23:52 | |
in the last 48 hours. | 0:23:52 | 0:23:53 | |
Really? | 0:23:55 | 0:23:57 | |
OK. Which room is she in? | 0:23:57 | 0:23:59 | |
Yes, on this number. | 0:24:01 | 0:24:02 | |
Thank you. | 0:24:02 | 0:24:03 | |
Apparently, Jane Ross is in a safehouse. | 0:24:07 | 0:24:11 | |
Somebody's sending me the address now. | 0:24:14 | 0:24:16 | |
Whatever Strickland, Fisher and their mates | 0:24:21 | 0:24:23 | |
were really up to 30 years ago, it's lain dormant for all this time. | 0:24:23 | 0:24:26 | |
So why is the shit hitting the fan now? | 0:24:26 | 0:24:28 | |
It must be because Ruth Bisley came forward with new evidence. | 0:24:28 | 0:24:31 | |
What new evidence, though? | 0:24:31 | 0:24:33 | |
How is a missing page going to be a problem for anyone? | 0:24:33 | 0:24:35 | |
I don't know. | 0:24:35 | 0:24:36 | |
But this story that Bisley was working on | 0:24:36 | 0:24:38 | |
definitely involved Carl Dillon, | 0:24:38 | 0:24:40 | |
cos his name's plastered all over these notes. | 0:24:40 | 0:24:43 | |
There's lots of Irish names too. | 0:24:43 | 0:24:44 | |
Strickland said that they broke in | 0:24:44 | 0:24:46 | |
to gather information that Bisley had on the IRA. | 0:24:46 | 0:24:49 | |
So maybe Dillon was dealing with the IRA, | 0:24:49 | 0:24:53 | |
and maybe that's the story that Bisley was going to write. | 0:24:53 | 0:24:56 | |
It would certainly be enough to get him killed. | 0:24:56 | 0:24:59 | |
MESSAGE TONE | 0:24:59 | 0:25:00 | |
But even if that is it, | 0:25:00 | 0:25:01 | |
why are Strickland and Fisher's team being targeted now? | 0:25:01 | 0:25:04 | |
Well, maybe there's more to it. | 0:25:04 | 0:25:05 | |
Maybe it has to do with the missing page. | 0:25:05 | 0:25:07 | |
If one of Fisher's team photographed that page, | 0:25:07 | 0:25:11 | |
then there's a good chance they clocked what was on it. | 0:25:11 | 0:25:14 | |
The Bisley file is very thin. | 0:25:14 | 0:25:16 | |
Simon Bisley was killed in a hit and run on a London street. | 0:25:16 | 0:25:19 | |
There should be witness statements, | 0:25:19 | 0:25:21 | |
there should be more info on Bisley himself. | 0:25:21 | 0:25:23 | |
Here's an interesting thing. | 0:25:25 | 0:25:26 | |
I've been looking into the records of the station | 0:25:26 | 0:25:28 | |
that the original investigation was based out of. | 0:25:28 | 0:25:31 | |
A week after Bisley died, somebody went into the station, | 0:25:31 | 0:25:35 | |
and Duncan Griffin interviewed them on his own for two hours. | 0:25:35 | 0:25:39 | |
There's no record of that interview anywhere in the file. | 0:25:39 | 0:25:41 | |
Who was it? | 0:25:41 | 0:25:43 | |
-Is that thing on? -No. | 0:25:43 | 0:25:47 | |
No-one else is listening in? | 0:25:47 | 0:25:48 | |
No, just us. | 0:25:48 | 0:25:50 | |
That conversation I had with Griffin... | 0:25:51 | 0:25:54 | |
isn't in the case file, is it? | 0:25:54 | 0:25:55 | |
How do you know that? | 0:25:55 | 0:25:57 | |
Because I saw a copy of the file three weeks ago. | 0:25:57 | 0:25:59 | |
I'm a journalist. There are ways and means. | 0:25:59 | 0:26:01 | |
There's a lot that isn't in that file. | 0:26:01 | 0:26:04 | |
Witness statements? | 0:26:04 | 0:26:05 | |
I know of four that were taken on the day, | 0:26:05 | 0:26:07 | |
of people who saw the car hit Simon. | 0:26:07 | 0:26:09 | |
Did anyone identify the car? | 0:26:09 | 0:26:11 | |
No, don't think so. | 0:26:11 | 0:26:12 | |
So there's no reason to have misplaced the statements. | 0:26:12 | 0:26:15 | |
Depends what they did see, doesn't it? | 0:26:15 | 0:26:16 | |
When I heard that Simon had been killed, I went to the house, | 0:26:16 | 0:26:19 | |
to see his wife and daughter, | 0:26:19 | 0:26:20 | |
see if there was anything I could do for them. | 0:26:20 | 0:26:23 | |
I went into Simon's office. | 0:26:23 | 0:26:24 | |
He was midway through researching a story - notes everywhere. | 0:26:24 | 0:26:28 | |
It was chaos. That was always how he liked to work - | 0:26:28 | 0:26:30 | |
just paper the walls with information | 0:26:30 | 0:26:32 | |
and see what patterns emerged. | 0:26:32 | 0:26:35 | |
I sat at his desk for a while, looked around the room, | 0:26:35 | 0:26:37 | |
trying to work out what the story was going to be. | 0:26:37 | 0:26:40 | |
And it started to come together. | 0:26:40 | 0:26:42 | |
And I understood why someone might want to make sure | 0:26:42 | 0:26:45 | |
that story never saw the light of day. | 0:26:45 | 0:26:47 | |
Why? What was the story about? | 0:26:47 | 0:26:49 | |
Carl Dillon. | 0:26:49 | 0:26:50 | |
Did you know there's ties with the IRA? | 0:26:50 | 0:26:55 | |
Carl Dillon was selling drugs for the IRA, | 0:26:55 | 0:26:57 | |
and the money was going to fund weapons. | 0:26:57 | 0:27:00 | |
And this is the theory that you shared with Inspector Griffin? | 0:27:00 | 0:27:03 | |
There aren't many better motives for murder, are there? | 0:27:03 | 0:27:06 | |
Dillon was an up-and-coming gangster, | 0:27:06 | 0:27:07 | |
and somebody was about to write about his dealings with the IRA. | 0:27:07 | 0:27:10 | |
Not only did that put him firmly in the police's cross-hairs, | 0:27:10 | 0:27:14 | |
that story would have gone down very badly with his Irish friends. | 0:27:14 | 0:27:17 | |
Dillon's facing jail or worse | 0:27:17 | 0:27:20 | |
unless he can stop Simon's story being published. | 0:27:20 | 0:27:23 | |
That's Dillon. The guy with him is Fisk. His right-hand man. | 0:27:25 | 0:27:29 | |
Dillon has a poker game downstairs in the basement, | 0:27:29 | 0:27:32 | |
and Fisk waits upstairs acting as gatekeeper. | 0:27:32 | 0:27:35 | |
-We've got eyeball on Dillon. -'Brian and I are still trying to work stuff out,' | 0:27:35 | 0:27:39 | |
but until we can really connect Dillon to any of this, | 0:27:39 | 0:27:42 | |
-I don't want to tip our hand. -OK, it looks like they're settling in for a while, | 0:27:42 | 0:27:45 | |
we'll stay put till we hear from you. | 0:27:45 | 0:27:47 | |
There's no mention in Dillon's file of any suspected IRA connections. | 0:27:47 | 0:27:50 | |
I don't suppose there would be. | 0:27:50 | 0:27:52 | |
You know, for a major organised crime figure, his file's light too. | 0:27:52 | 0:27:56 | |
There's arrests, a few minor convictions when he was a kid, | 0:27:56 | 0:27:59 | |
but for the past 30 years, | 0:27:59 | 0:28:01 | |
he's barely seen the inside of a courtroom. | 0:28:01 | 0:28:04 | |
Is he just careful? | 0:28:04 | 0:28:05 | |
Well, no, cos I remember him being arrested a lot, | 0:28:05 | 0:28:07 | |
often in connection with major crimes. | 0:28:07 | 0:28:09 | |
But never a conviction. | 0:28:09 | 0:28:11 | |
Which does suggest he's being protected by somebody. | 0:28:11 | 0:28:14 | |
Now, would Griffin have destroyed | 0:28:14 | 0:28:16 | |
everything he didn't put in that file, I wonder? | 0:28:16 | 0:28:19 | |
No. | 0:28:19 | 0:28:20 | |
I'm sure he'd be as wily as anybody else in that situation. | 0:28:20 | 0:28:23 | |
He'd realise he had something of value, | 0:28:23 | 0:28:25 | |
and he would have squirreled it away for a rainy day. | 0:28:25 | 0:28:28 | |
Course, if evidence was hidden, we'd need to know where to look for it. | 0:28:28 | 0:28:31 | |
Did you follow up on any of this with Griffin? | 0:28:31 | 0:28:35 | |
I called him a couple of times, left messages, | 0:28:35 | 0:28:37 | |
but he never got back to me. | 0:28:37 | 0:28:39 | |
Next thing I know, they've shelved the case. | 0:28:39 | 0:28:41 | |
If you thought Simon Bisley was on to something, | 0:28:41 | 0:28:44 | |
something which may have got him killed, why didn't you push it? | 0:28:44 | 0:28:48 | |
Because I was scared. | 0:28:50 | 0:28:53 | |
Like you say, Simon was killed for this. | 0:28:53 | 0:28:55 | |
I'd gone to the police with what I knew, or thought I knew, | 0:28:55 | 0:28:59 | |
and they buried it. | 0:28:59 | 0:29:01 | |
-I left it alone. -Until Ruth Bisley called you three weeks ago. | 0:29:01 | 0:29:04 | |
She said she thought there was a document missing. | 0:29:04 | 0:29:07 | |
One of the notes referring to this mystery document | 0:29:07 | 0:29:10 | |
contained the phrase, "D.Ops". | 0:29:10 | 0:29:12 | |
-"D.Ops"? -Director of Operations. | 0:29:12 | 0:29:15 | |
It's a post within the intelligence community. | 0:29:15 | 0:29:17 | |
And you think that they're involved with this somehow? | 0:29:17 | 0:29:20 | |
It would certainly go a long way towards explaining | 0:29:20 | 0:29:22 | |
why your Duncan Griffin would want to bury half the evidence | 0:29:22 | 0:29:26 | |
in his investigation. | 0:29:26 | 0:29:28 | |
I have a contact in Whitehall. | 0:29:28 | 0:29:29 | |
I called him, laid out the whole story, | 0:29:29 | 0:29:32 | |
and asked him if he knew anything. | 0:29:32 | 0:29:33 | |
He said he'd get back to me. I'm still waiting for his call. | 0:29:33 | 0:29:36 | |
What's his name? | 0:29:36 | 0:29:37 | |
I've no idea. | 0:29:37 | 0:29:38 | |
He's just a voice on the end of a phone. | 0:29:38 | 0:29:40 | |
Posh, very dry, sarcastic. | 0:29:40 | 0:29:44 | |
I doubt that narrows it down. | 0:29:45 | 0:29:47 | |
Oh, I don't know so much. | 0:29:47 | 0:29:49 | |
I may have made a few discreet enquiries. | 0:29:49 | 0:29:52 | |
This is your fault, Stephen. | 0:29:52 | 0:29:54 | |
You drew attention to... | 0:29:54 | 0:29:55 | |
I hardly think it's the time to start pointing fingers, | 0:29:55 | 0:29:58 | |
-do you, Robert? -People are dead! | 0:29:58 | 0:30:00 | |
A fact which had not escaped my attention. | 0:30:00 | 0:30:02 | |
Perhaps we could deal with the matter in hand, | 0:30:04 | 0:30:06 | |
and then I'll take care of the internal politics | 0:30:06 | 0:30:09 | |
of the intelligence community. | 0:30:09 | 0:30:11 | |
Which one's the safehouse? | 0:30:11 | 0:30:13 | |
Oh, for God's sake! | 0:30:15 | 0:30:17 | |
There on the corner. | 0:30:17 | 0:30:19 | |
-I'm coming with you. -No. | 0:30:19 | 0:30:20 | |
Stephen... | 0:30:20 | 0:30:22 | |
This is a security service safehouse. | 0:30:22 | 0:30:24 | |
They don't just let anyone in. | 0:30:24 | 0:30:26 | |
What makes you think it's safe? | 0:30:26 | 0:30:27 | |
What makes you think you're not walking straight into a trap? | 0:30:27 | 0:30:30 | |
Well, there being two of us | 0:30:31 | 0:30:33 | |
would hardly make the trap more difficult to spring, | 0:30:33 | 0:30:36 | |
would it? | 0:30:36 | 0:30:38 | |
If I'm wrong... | 0:31:04 | 0:31:05 | |
Well, I suppose I'd like to say sorry | 0:31:07 | 0:31:11 | |
for getting you involved in all this in the first place. | 0:31:11 | 0:31:14 | |
Yeah, well, we all thought we were serving our country, Stephen. | 0:31:14 | 0:31:17 | |
Yes, well... | 0:31:19 | 0:31:20 | |
Naive to think our country would repay the favour. | 0:31:21 | 0:31:24 | |
CLASSICAL MUSIC PLAYS ON RADIO | 0:32:24 | 0:32:28 | |
Oh, bloody hell. | 0:32:32 | 0:32:34 | |
Delightful to see you, Jane. | 0:32:34 | 0:32:36 | |
Is it? | 0:32:36 | 0:32:38 | |
I didn't realise you were in the Service. | 0:32:38 | 0:32:41 | |
Something slipped by the all-seeing eye? | 0:32:41 | 0:32:44 | |
That must bug the shit out of you. | 0:32:44 | 0:32:45 | |
This is bad. | 0:32:52 | 0:32:53 | |
I debriefed an EIJ informant here three years ago. | 0:32:54 | 0:32:58 | |
Sat right over there. | 0:32:58 | 0:32:59 | |
Never thought I'd be checking myself into the bloody place. | 0:32:59 | 0:33:03 | |
You came in last night? | 0:33:03 | 0:33:04 | |
Yeah. | 0:33:04 | 0:33:05 | |
I heard your flat blew up. | 0:33:05 | 0:33:07 | |
So after I got over the initial jubilation, | 0:33:07 | 0:33:09 | |
I thought I'd better take the Maelstrom warning seriously. | 0:33:09 | 0:33:12 | |
Should have known you had some lives left. | 0:33:12 | 0:33:14 | |
You've lost weight. | 0:33:15 | 0:33:16 | |
You were a tubby thing back then. | 0:33:17 | 0:33:20 | |
Yes, I always envied your eating disorder. | 0:33:20 | 0:33:22 | |
I'm pleased to see you've put it behind you now. | 0:33:23 | 0:33:26 | |
THEY LAUGH | 0:33:26 | 0:33:28 | |
So go on. What's all this about, then? | 0:33:28 | 0:33:30 | |
-That's what we're trying to get to the bottom of. -We? | 0:33:30 | 0:33:33 | |
Robert Strickland and I. | 0:33:33 | 0:33:34 | |
Ah, Robert's all right. That's good. | 0:33:34 | 0:33:36 | |
-Someone thinks we know something. -Yeah, I'd got that far. | 0:33:37 | 0:33:40 | |
And there's a document missing. | 0:33:40 | 0:33:42 | |
One of Simon Bisley's documents was taken around the time he was killed. | 0:33:42 | 0:33:46 | |
Which means it was there when we broke in. | 0:33:46 | 0:33:48 | |
Which means one of us photographed it. | 0:33:51 | 0:33:54 | |
Which means one of us saw it. | 0:33:54 | 0:33:56 | |
Yes. | 0:33:56 | 0:33:57 | |
Nice mess you've got everyone into, Stephen. | 0:33:59 | 0:34:01 | |
Thank you. | 0:34:01 | 0:34:03 | |
I think I've got it. | 0:34:19 | 0:34:20 | |
Duncan Griffin opened a case file for a murder that never happened. | 0:34:20 | 0:34:24 | |
When? | 0:34:24 | 0:34:25 | |
A month after Bisley's murder. | 0:34:25 | 0:34:27 | |
-He gave it a crime number and everything. -That's the one. | 0:34:27 | 0:34:30 | |
Pull it. | 0:34:30 | 0:34:32 | |
Thank you. | 0:34:34 | 0:34:35 | |
MOBILE PHONE RINGS | 0:34:39 | 0:34:42 | |
MOBILE PHONE RINGS | 0:35:19 | 0:35:22 | |
'Keep listening.' | 0:35:24 | 0:35:25 | |
HE CLEARS HIS THROAT | 0:35:52 | 0:35:54 | |
Ohh! | 0:35:54 | 0:35:55 | |
Sorry about that! Really sorry. | 0:35:55 | 0:35:57 | |
-No, it's OK. -Let me help you there. | 0:35:57 | 0:35:59 | |
He gave that biker an address. It's Sunderland Avenue. | 0:36:12 | 0:36:16 | |
This thing lies dormant for 30 years. | 0:36:16 | 0:36:19 | |
The Bisley girl discovers a document went missing, | 0:36:19 | 0:36:22 | |
she calls a journalist friend of hers who contacts you, | 0:36:22 | 0:36:25 | |
alleging a connection with the security service. | 0:36:25 | 0:36:28 | |
Yes. | 0:36:28 | 0:36:29 | |
But you already knew that the security service was involved. | 0:36:29 | 0:36:32 | |
In the break-in, yes. | 0:36:32 | 0:36:34 | |
But I didn't know that Bisley | 0:36:34 | 0:36:35 | |
was working on a story that involved them. | 0:36:35 | 0:36:37 | |
Bless your naivete, Stephen. | 0:36:40 | 0:36:42 | |
-So you asked a few questions... -And all hell breaks loose. | 0:36:42 | 0:36:46 | |
And the original contact who set up the break-in? | 0:36:46 | 0:36:51 | |
Long gone. | 0:36:51 | 0:36:52 | |
Are our names on file somewhere? | 0:36:52 | 0:36:55 | |
It's possible. If they are, I don't know where. | 0:36:55 | 0:36:57 | |
-So the chances are... -That one of us is involved in what's happening. | 0:36:57 | 0:37:01 | |
Have you spoken to everyone? | 0:37:01 | 0:37:03 | |
We were too late for Marsden and Clive Bateson. | 0:37:04 | 0:37:06 | |
We spoke to Chris Maitland. | 0:37:06 | 0:37:08 | |
He made a pile, I heard. | 0:37:09 | 0:37:11 | |
He and Sarah seem very comfortable. | 0:37:11 | 0:37:14 | |
Ah, Sarah. | 0:37:14 | 0:37:15 | |
Did Robert go with you? | 0:37:18 | 0:37:19 | |
Yes. | 0:37:19 | 0:37:20 | |
Awkward? | 0:37:20 | 0:37:22 | |
Whatever they had, it was a long time ago. | 0:37:22 | 0:37:24 | |
-It was a little awkward, yes. -SHE CHUCKLES | 0:37:27 | 0:37:29 | |
What's your take on Maitland? | 0:37:32 | 0:37:34 | |
He did the minimum term with the Welsh Guards, | 0:37:34 | 0:37:37 | |
and went off to make money. | 0:37:37 | 0:37:38 | |
-Or that's his cover. -Yes. | 0:37:38 | 0:37:40 | |
It could be me. | 0:37:41 | 0:37:43 | |
No. | 0:37:43 | 0:37:44 | |
Why not? | 0:37:44 | 0:37:45 | |
Because you'd have made extra sure I was dead. | 0:37:45 | 0:37:48 | |
That's true. | 0:37:49 | 0:37:51 | |
Hitch? | 0:37:51 | 0:37:53 | |
He's proving a little harder to track down. | 0:37:53 | 0:37:55 | |
You seen his service record? | 0:37:55 | 0:37:57 | |
I've seen the unredacted version. It's very impressive. | 0:37:57 | 0:38:00 | |
Hitch doesn't want to be found. | 0:38:00 | 0:38:02 | |
Yes. | 0:38:02 | 0:38:03 | |
My concern is whether he's hiding from them, | 0:38:03 | 0:38:07 | |
or from us. | 0:38:07 | 0:38:10 | |
OK, next left, then second right. | 0:38:10 | 0:38:12 | |
'We've got to assume these guys are armed, we're going to need back-up.' | 0:38:12 | 0:38:15 | |
I can't do that without explaining what we're doing. | 0:38:15 | 0:38:17 | |
Guv'nor, they're on the way to a job! | 0:38:17 | 0:38:19 | |
'Yes I understand that.' | 0:38:19 | 0:38:21 | |
If this missing evidence connects Dillon to this, I can make that official and get you back-up. | 0:38:21 | 0:38:25 | |
But until then, | 0:38:25 | 0:38:26 | |
'keep well out of sight, do you understand me?' | 0:38:26 | 0:38:28 | |
MOBILE PHONE RINGS | 0:38:28 | 0:38:30 | |
Sandra... | 0:38:30 | 0:38:32 | |
Where do they think this bike is heading? | 0:38:34 | 0:38:36 | |
OK, so we take a left here. Should be right in front of us. | 0:38:44 | 0:38:47 | |
-Oh, shit. -'Sir?' | 0:38:48 | 0:38:49 | |
Sir..? | 0:38:49 | 0:38:51 | |
Hello..? | 0:38:52 | 0:38:54 | |
Hey! | 0:38:57 | 0:38:58 | |
Hey! | 0:39:01 | 0:39:03 | |
Hey! | 0:39:04 | 0:39:05 | |
GUNSHOT | 0:39:10 | 0:39:11 | |
Hold on to something. | 0:39:12 | 0:39:13 | |
GUNSHOT | 0:39:15 | 0:39:16 | |
GUNSHOTS | 0:39:20 | 0:39:21 | |
GUNSHOT | 0:39:28 | 0:39:31 | |
Bollocks! | 0:39:35 | 0:39:36 | |
Come on. | 0:39:36 | 0:39:37 | |
Fisher! | 0:39:42 | 0:39:43 | |
Fisher! | 0:39:43 | 0:39:45 | |
-Fisher! -Get an ambulance. | 0:39:45 | 0:39:46 | |
GUNSHOT | 0:40:14 | 0:40:15 | |
GUNSHOTS | 0:40:19 | 0:40:21 | |
You ladies are a bit out of your depth, aren't you? | 0:40:28 | 0:40:30 | |
The paramedics think Fisher's going to be OK. | 0:40:43 | 0:40:45 | |
He took two bullets, but there's no damage to his vital organs. | 0:40:45 | 0:40:48 | |
-The number of lives that man... -I should be out there. | 0:40:48 | 0:40:50 | |
No. The minders will deal with this. | 0:40:50 | 0:40:52 | |
The police need to be put back in their box and encouraged... | 0:40:52 | 0:40:55 | |
-What about the two guys that work for me? -Guv'nor, we're here. | 0:40:55 | 0:40:58 | |
And we are not happy about walking away from a murder scene | 0:40:58 | 0:41:01 | |
on the say-so of laughing boy here, who claims to be a friend of yours. | 0:41:01 | 0:41:04 | |
Hello, Robert. | 0:41:04 | 0:41:05 | |
Hitch! | 0:41:05 | 0:41:06 | |
Jane! | 0:41:06 | 0:41:07 | |
How nice to see you! | 0:41:07 | 0:41:08 | |
What happened? | 0:41:08 | 0:41:09 | |
One of the gunmen got away, | 0:41:09 | 0:41:11 | |
and the other one's brown bread, thanks to your mate here. | 0:41:11 | 0:41:14 | |
You're welcome, by the way. | 0:41:14 | 0:41:15 | |
Whose house is this? | 0:41:15 | 0:41:16 | |
Box. But I rather think it's blown now. | 0:41:16 | 0:41:19 | |
Yes, the question is, how? | 0:41:19 | 0:41:20 | |
Oh, you'd better get a cleaner to the underground car park round the corner. | 0:41:20 | 0:41:23 | |
Hey, hang on, we need to tape that scene off, get some fingerprints done and get an ID on that... | 0:41:23 | 0:41:28 | |
It's not going to happen, dearie. Any search you put on that bloke, DNA, fingerprints, | 0:41:28 | 0:41:32 | |
is going to get you a big fat zero. | 0:41:32 | 0:41:34 | |
They were pros. They're not on anyone's database, trust me. | 0:41:34 | 0:41:37 | |
-We've been looking for you, Hitch. -Yes, I gather I'm quite popular. | 0:41:37 | 0:41:40 | |
I don't know who the hell you are. | 0:41:40 | 0:41:42 | |
It's Brian Hitch. Gerry Standing, Steve McAndrew. They both work for me... | 0:41:42 | 0:41:45 | |
Yes, I've been keeping tabs on you, Robert. | 0:41:45 | 0:41:47 | |
-Nice to meet you, gents. -Hitch is with... -We don't say. | 0:41:47 | 0:41:50 | |
There's been a lot of that going on today. | 0:41:50 | 0:41:52 | |
-Yes, I can imagine there would be. -So you received Marsden's text? -No. | 0:41:52 | 0:41:55 | |
The explosion at Fisher's place got red flagged at our unit. | 0:41:55 | 0:41:58 | |
I put a search on the others, found out that Marsden had gone down. | 0:41:58 | 0:42:01 | |
Doesn't take a genius to start seeing a pattern. | 0:42:01 | 0:42:05 | |
The cleaner's on his way. | 0:42:05 | 0:42:06 | |
We think it's to do with this Bisley thing. | 0:42:06 | 0:42:09 | |
Again, it doesn't take a genius. | 0:42:09 | 0:42:11 | |
There was a document missing from the wall of Bisley's study. | 0:42:11 | 0:42:15 | |
If it was there when we broke in, | 0:42:15 | 0:42:16 | |
then one of us took a photograph of it. | 0:42:16 | 0:42:19 | |
And someone is worried we might remember what was on it. Aah... | 0:42:19 | 0:42:24 | |
They'd be right to worry. | 0:42:24 | 0:42:25 | |
I took the photo. | 0:42:25 | 0:42:27 | |
And I did see the document. | 0:42:29 | 0:42:30 | |
And? | 0:42:30 | 0:42:32 | |
Box, again. | 0:42:32 | 0:42:33 | |
-Oh, shit. -Are you sure? -I'm positive. | 0:42:33 | 0:42:35 | |
Guv'nor... | 0:42:35 | 0:42:37 | |
What does "Box" mean? | 0:42:37 | 0:42:38 | |
It's a slang term for the security service. MI5. | 0:42:38 | 0:42:40 | |
It was financial records. | 0:42:40 | 0:42:42 | |
That page was a statement of money | 0:42:42 | 0:42:44 | |
going in and out of an offshore account held by a company called Ellis Finch. | 0:42:44 | 0:42:47 | |
-Ellis Finch? -You know them? | 0:42:47 | 0:42:49 | |
Stephen Fisher brought us a case a few months ago that ended up concerning them. | 0:42:49 | 0:42:53 | |
They were brokering a deal with the Chinese government over pension funds. | 0:42:53 | 0:42:56 | |
Well, they're also an expediting company for the security service, | 0:42:56 | 0:43:00 | |
channelling undeclared funds, providing cover identities | 0:43:00 | 0:43:02 | |
and fake employment histories for operatives. | 0:43:02 | 0:43:04 | |
How do you know this? | 0:43:04 | 0:43:06 | |
How do any of us know anything? | 0:43:06 | 0:43:07 | |
I've been loaned out to Box on occasions. | 0:43:09 | 0:43:12 | |
And one of those times, | 0:43:12 | 0:43:13 | |
my cover ID was as a sales representative for Ellis Finch. | 0:43:13 | 0:43:17 | |
Well, the name rang a bell after the Bisley break-in, | 0:43:17 | 0:43:20 | |
so I did a little bit of digging. | 0:43:20 | 0:43:22 | |
But you didn't tell anyone? | 0:43:22 | 0:43:23 | |
Look what happens when you rock the boat, Robert. | 0:43:23 | 0:43:26 | |
So Simon Bisley was investigating a financial link | 0:43:26 | 0:43:29 | |
between Carl Dillon, the IRA and the security service. | 0:43:29 | 0:43:32 | |
Well I can see why somebody doesn't want this story | 0:43:32 | 0:43:35 | |
to see the light of day. | 0:43:35 | 0:43:36 | |
This is the Greg Rucka file. | 0:43:36 | 0:43:38 | |
Supposedly an old case of Duncan Griffin. | 0:43:38 | 0:43:40 | |
Except that Greg Rucka never existed. | 0:43:40 | 0:43:42 | |
Within this file are all the missing elements | 0:43:42 | 0:43:44 | |
of the Simon Bisley investigation. And it gives us nothing. | 0:43:44 | 0:43:48 | |
What? | 0:43:48 | 0:43:49 | |
It's just statements from eyewitnesses | 0:43:49 | 0:43:51 | |
who saw Bisley hit by the car. None of them got the registration number, | 0:43:51 | 0:43:55 | |
and they don't agree on the make, the model or even the colour. | 0:43:55 | 0:43:58 | |
Well, there must be something. Otherwise, why hide it for all this time? | 0:43:58 | 0:44:01 | |
Be my guest. | 0:44:01 | 0:44:02 | |
We know this is Dillon, right? | 0:44:02 | 0:44:04 | |
-Yes. -And I watched Fisk, Dillon's right-hand man, | 0:44:04 | 0:44:08 | |
meet up with those two hitmen | 0:44:08 | 0:44:10 | |
directly before they headed off to an MI5 safehouse. | 0:44:10 | 0:44:12 | |
Circumstantial without a recording of that meeting, which we don't have. | 0:44:12 | 0:44:16 | |
The phone call. | 0:44:16 | 0:44:17 | |
-What phone call? -Right before Fisk met them, Fisk had a phone call. | 0:44:17 | 0:44:21 | |
Yeah, but in fairness, that could have been from anyone. | 0:44:21 | 0:44:24 | |
Fisk gave those guys the address, he must have got it from somewhere. | 0:44:24 | 0:44:27 | |
And he must have got it pretty recently, | 0:44:27 | 0:44:29 | |
otherwise why would be risk being seen meeting them in a public place? | 0:44:29 | 0:44:32 | |
So if it wasn't that call... | 0:44:32 | 0:44:35 | |
It was still a call, and it came through on his phone. | 0:44:35 | 0:44:37 | |
Those guys all use pay as you go. | 0:44:37 | 0:44:39 | |
There's no way of tracking calls in or out. | 0:44:39 | 0:44:41 | |
Not without the phone, there isn't, no. | 0:44:41 | 0:44:43 | |
So what are you thinking? | 0:44:43 | 0:44:45 | |
I'm thinking what he's thinking. | 0:44:45 | 0:44:47 | |
I'm thinking it's time we paid Mr Carl Dillon a wee visit. | 0:44:47 | 0:44:50 | |
-You can't be serious?! -Yeah, well I'd say it's worth a go. | 0:44:50 | 0:44:53 | |
What was the point of hiding this bloody thing for three decades | 0:44:56 | 0:45:00 | |
if there's nothing in it?! | 0:45:00 | 0:45:02 | |
Unless that is the point. | 0:45:02 | 0:45:04 | |
This file's been hidden for 30 years, | 0:45:05 | 0:45:08 | |
so we were expecting it to provide the evidence to get Dillon. | 0:45:08 | 0:45:12 | |
That evidence isn't here. | 0:45:12 | 0:45:14 | |
But maybe what isn't here is the point. | 0:45:14 | 0:45:16 | |
These witness statements are useless on the car that hit Bisley. | 0:45:16 | 0:45:20 | |
But they all tally on something else. | 0:45:21 | 0:45:24 | |
It's that something else that's missing here. | 0:45:24 | 0:45:27 | |
I don't understand. | 0:45:32 | 0:45:34 | |
There's no useful consensus amongst the witnesses | 0:45:34 | 0:45:38 | |
as to the make or model of the car that killed your tad. | 0:45:38 | 0:45:41 | |
What they did all see, though, | 0:45:41 | 0:45:43 | |
is the woman who pulled you out of the way of that car. | 0:45:43 | 0:45:46 | |
More than that, several of the witnesses reported | 0:45:46 | 0:45:49 | |
having seen the woman at various points leading up to the event. | 0:45:49 | 0:45:52 | |
You said your dad had taken you to see an art exhibition. | 0:45:52 | 0:45:57 | |
-Canaletto. -This man was at that exhibition. | 0:45:57 | 0:46:00 | |
He remembered seeing you and your father. | 0:46:00 | 0:46:01 | |
But he also claimed to have seen this woman | 0:46:01 | 0:46:04 | |
at the same gallery at the same time. | 0:46:04 | 0:46:06 | |
That could just be a coincidence, though, right? | 0:46:06 | 0:46:08 | |
Of course, it could. | 0:46:08 | 0:46:10 | |
Do you remember where you went after the exhibition? | 0:46:10 | 0:46:12 | |
There was a cafe across the road. | 0:46:12 | 0:46:15 | |
I was hungry. Dad took me in there to get some chips. | 0:46:15 | 0:46:18 | |
See, this man was at that cafe having his lunch. | 0:46:18 | 0:46:21 | |
He describes seeing the same woman hanging around outside | 0:46:21 | 0:46:25 | |
the whole time you and your dad were in there. | 0:46:25 | 0:46:27 | |
You think she was following us? | 0:46:27 | 0:46:29 | |
There's no statement here from this woman. | 0:46:29 | 0:46:32 | |
And she's not named anywhere in the investigation. | 0:46:32 | 0:46:35 | |
We think that she had something to do with your father's death. | 0:46:35 | 0:46:38 | |
We're going to see your boss. | 0:46:39 | 0:46:41 | |
Hey, good to see you again. | 0:46:41 | 0:46:44 | |
I don't remember very much. | 0:46:47 | 0:46:49 | |
He was saying something as we crossed the road. | 0:46:50 | 0:46:52 | |
I was a little bit behind him, | 0:46:52 | 0:46:53 | |
and I couldn't really hear what he was saying. | 0:46:53 | 0:46:55 | |
I called to him to wait. | 0:46:55 | 0:46:56 | |
He stopped and turned as I ran to catch up. | 0:46:58 | 0:47:01 | |
That's why he didn't see it coming, because he was facing the wrong way. | 0:47:03 | 0:47:06 | |
Someone grabbed me, and pulled me back. | 0:47:09 | 0:47:12 | |
I think I screamed. | 0:47:12 | 0:47:13 | |
And then there was this... | 0:47:14 | 0:47:16 | |
..thud. | 0:47:17 | 0:47:18 | |
And he wasn't there anymore. | 0:47:18 | 0:47:20 | |
And the person who grabbed you? | 0:47:20 | 0:47:23 | |
I wasn't looking. | 0:47:23 | 0:47:24 | |
I couldn't understand why he wasn't standing in the road anymore. | 0:47:25 | 0:47:28 | |
And then suddenly there were people all over the place, | 0:47:29 | 0:47:32 | |
and someone was standing in front of me, a passer-by, I think. | 0:47:32 | 0:47:35 | |
I couldn't see past him. | 0:47:35 | 0:47:36 | |
I think that was the idea, | 0:47:36 | 0:47:38 | |
to stop me from seeing what... | 0:47:38 | 0:47:39 | |
This woman, the one who grabbed me, she sat me down. | 0:47:42 | 0:47:45 | |
There was a bench a little way away from the road, | 0:47:45 | 0:47:47 | |
and she sat me down on that. | 0:47:47 | 0:47:48 | |
Told me to wait there, and she'd be right back. | 0:47:48 | 0:47:52 | |
But I never saw her again. | 0:47:52 | 0:47:54 | |
She left you on the bench, and she walked away? | 0:47:54 | 0:47:57 | |
Yes. | 0:47:57 | 0:47:58 | |
No. | 0:47:58 | 0:48:00 | |
She spoke to someone. | 0:48:00 | 0:48:03 | |
She stepped away from the bench, and she spoke to someone. | 0:48:03 | 0:48:06 | |
A man. | 0:48:06 | 0:48:08 | |
I don't remember what he looked like. | 0:48:08 | 0:48:10 | |
Maybe the same sort of age as her. | 0:48:10 | 0:48:12 | |
He was wearing a suit, I think. | 0:48:12 | 0:48:14 | |
Grey. | 0:48:14 | 0:48:15 | |
Dark grey. | 0:48:15 | 0:48:17 | |
They spoke really briefly, and then went in opposite directions. | 0:48:17 | 0:48:21 | |
Do you think that you would recognise them if you saw them now? | 0:48:23 | 0:48:26 | |
After 30 years? | 0:48:26 | 0:48:28 | |
I think I'd recognise her eyes. | 0:48:30 | 0:48:32 | |
The look she gave me. | 0:48:33 | 0:48:34 | |
If I saw that again, I think I'd recognise it. | 0:48:35 | 0:48:38 | |
DOOR OPENS | 0:48:38 | 0:48:39 | |
You're looking for me, I believe. | 0:48:48 | 0:48:50 | |
I am? | 0:48:51 | 0:48:52 | |
Robert Strickland. | 0:48:52 | 0:48:53 | |
You had two friends of mine killed and put another in the hospital. | 0:48:53 | 0:48:56 | |
Deputy Assistant Commissioner Robert Strickland. | 0:48:56 | 0:48:58 | |
Anyone? | 0:48:59 | 0:49:02 | |
I'm sorry, Deputy Assistant Commissioner, | 0:49:02 | 0:49:04 | |
I think you've got the wrong number. | 0:49:04 | 0:49:06 | |
Is that Gerry Standing? | 0:49:08 | 0:49:09 | |
You remember Gerry, fellas. | 0:49:09 | 0:49:11 | |
We all go back, don't we? | 0:49:11 | 0:49:12 | |
Why don't you pull up a pew? | 0:49:12 | 0:49:14 | |
-You think you're protected. Is that it? -I'm just playing cards. | 0:49:14 | 0:49:17 | |
Do the other people round this table know who you really work for? | 0:49:17 | 0:49:21 | |
I'm self-employed. | 0:49:21 | 0:49:23 | |
LAUGHTER | 0:49:23 | 0:49:24 | |
I wonder who else would be interested to know | 0:49:24 | 0:49:27 | |
about your financial dealings with Ellis Finch? | 0:49:27 | 0:49:29 | |
And just what they were paying you for. | 0:49:29 | 0:49:32 | |
I'm sure a lot of water has passed under the bridge by now, | 0:49:32 | 0:49:34 | |
but there must be a few people in Belfast who'd still care. | 0:49:34 | 0:49:37 | |
People who don't take too kindly to being betrayed. | 0:49:37 | 0:49:40 | |
What are you looking at him for? You think he's going to sort this out for you? | 0:49:41 | 0:49:45 | |
I saw you, pal. I saw you meet the guys off the motorbike. You are in this up to your neck. Hey, hey, hey! | 0:49:45 | 0:49:49 | |
Don't look at him, look at me. You think he's going to help you? | 0:49:49 | 0:49:52 | |
He's going to be too busy sorting out his own problems. Steve... Oh! What is that look for? | 0:49:52 | 0:49:56 | |
-Am I supposed to be scared or something? -Steve! -Eh? Am I supposed to be... -Steve! Get off! | 0:49:56 | 0:50:00 | |
-Leave it! -Leave it, leave it! | 0:50:00 | 0:50:02 | |
Is this how you hoped it would play out, | 0:50:02 | 0:50:03 | |
Deputy Assistant Commissioner? | 0:50:03 | 0:50:06 | |
Come on, out. Both of you. | 0:50:07 | 0:50:09 | |
Mugs. | 0:50:11 | 0:50:13 | |
-Did you get it? -Yeah, got it. | 0:50:17 | 0:50:19 | |
DOORBELL RINGS | 0:50:21 | 0:50:23 | |
Carl Dillon is an MI5 asset. | 0:50:29 | 0:50:31 | |
I don't understand what this means. | 0:50:35 | 0:50:37 | |
Simon Bisley was working on a story about IRA financing. | 0:50:38 | 0:50:41 | |
He discovered that Carl Dillon was selling drugs for the IRA, | 0:50:41 | 0:50:45 | |
and the money was going to finance arms deals. | 0:50:45 | 0:50:48 | |
As he dug deeper into those finances, though, | 0:50:48 | 0:50:51 | |
he found out that Dillon was also being bankrolled | 0:50:51 | 0:50:53 | |
by a company called Ellis Finch, | 0:50:53 | 0:50:56 | |
who have very strong connections to the security service. | 0:50:56 | 0:50:58 | |
So we were sent into Bisley's home to find out just how much he knew. | 0:50:58 | 0:51:03 | |
Yeah. One of the documents we photographed was a financial statement | 0:51:03 | 0:51:06 | |
proving the link between Ellis Finch and Carl Dillon. | 0:51:06 | 0:51:08 | |
And Dillon was informing on the IRA. | 0:51:08 | 0:51:11 | |
And in return, MI5 were protecting him from prosecution. | 0:51:11 | 0:51:15 | |
We provided the confirmation that Bisley had evidence of this, | 0:51:15 | 0:51:18 | |
and was going to go public with it. | 0:51:18 | 0:51:19 | |
So Bisley was killed, and the document was stolen. | 0:51:19 | 0:51:21 | |
This was all a long time ago. | 0:51:23 | 0:51:25 | |
Yeah, but Bisley's daughter discovered | 0:51:25 | 0:51:27 | |
that a document had gone missing, | 0:51:27 | 0:51:29 | |
and she talked to another journalist, | 0:51:29 | 0:51:31 | |
a friend of her father's, about it, | 0:51:31 | 0:51:33 | |
and he in turn contacted one of his Whitehall contacts. | 0:51:33 | 0:51:37 | |
Stephen Fisher. | 0:51:38 | 0:51:39 | |
Fisher started asking some uncomfortable questions. | 0:51:39 | 0:51:42 | |
So MI5 gave Dillon the go-ahead | 0:51:42 | 0:51:44 | |
to clean up their mess once and for all. | 0:51:44 | 0:51:46 | |
Gosh, what a nasty business. | 0:51:46 | 0:51:48 | |
Yes, it was. | 0:51:48 | 0:51:49 | |
And it also suggests | 0:51:49 | 0:51:51 | |
that the arrangement MI5 had with Carl Dillon was ongoing, | 0:51:51 | 0:51:54 | |
lasting well beyond the Good Friday Agreement, | 0:51:54 | 0:51:57 | |
and into MI5 re-tasking to organised crime. | 0:51:57 | 0:51:59 | |
So if Carl Dillon had continued to be an informant through that period, | 0:51:59 | 0:52:04 | |
he would have been invaluable. | 0:52:04 | 0:52:05 | |
But it would also mean that MI5 were protecting a man | 0:52:05 | 0:52:07 | |
involved in drug-running, prostitution, robbery, | 0:52:07 | 0:52:13 | |
sex trafficking, | 0:52:13 | 0:52:15 | |
and murder. | 0:52:15 | 0:52:17 | |
-But now that you've got Dillon... -Oh, no, no, we don't have Dillon. | 0:52:17 | 0:52:20 | |
No, MI5 are still protecting him. | 0:52:20 | 0:52:22 | |
And we don't have a shred of evidence on him. | 0:52:22 | 0:52:25 | |
So how can I help? | 0:52:27 | 0:52:28 | |
Dillon's right-hand man was a chap called Fisk. | 0:52:30 | 0:52:33 | |
He was getting instructions from someone | 0:52:33 | 0:52:36 | |
as to where to direct his hitmen. | 0:52:36 | 0:52:38 | |
This someone knew the address of an MI5 safehouse, | 0:52:38 | 0:52:41 | |
which suggests that whoever it is was intrinsic to this plot. | 0:52:41 | 0:52:45 | |
We, er... | 0:52:45 | 0:52:47 | |
we managed to lift Fisk's phone. | 0:52:47 | 0:52:50 | |
So now you can trace the calls? | 0:52:54 | 0:52:56 | |
Yeah, yeah...we tried that. | 0:52:56 | 0:52:58 | |
The number listed on his phone isn't on any service provider. | 0:52:59 | 0:53:03 | |
What a shame. | 0:53:03 | 0:53:05 | |
So I thought I'd just call it... | 0:53:05 | 0:53:07 | |
MOBILE PHONE RINGS FAINTLY | 0:53:18 | 0:53:22 | |
Evening, Sarah. | 0:53:28 | 0:53:30 | |
Good evening, Robert. | 0:53:30 | 0:53:31 | |
They recruited you at Cambridge? | 0:53:33 | 0:53:35 | |
Yes. | 0:53:35 | 0:53:37 | |
So you were already in when we first met. | 0:53:37 | 0:53:40 | |
Ooh, I think "in" is a bit strong. | 0:53:40 | 0:53:42 | |
They had their eye on me. They made an approach. | 0:53:42 | 0:53:44 | |
And in the meantime, you'd already started seeing Christopher, | 0:53:44 | 0:53:47 | |
and you met Fisher and the rest of us through him, | 0:53:47 | 0:53:50 | |
so when MI5 needed someone to break into Simon Bisley's house, | 0:53:50 | 0:53:53 | |
you knew just the people to suggest. | 0:53:53 | 0:53:55 | |
No comment. | 0:53:55 | 0:53:56 | |
Really? | 0:53:56 | 0:53:58 | |
Who do you think you're talking to, Robert? | 0:53:58 | 0:54:00 | |
You're just an assistant commissioner in the Met. | 0:54:00 | 0:54:02 | |
No, no, I'm not even that. I'm a deputy. | 0:54:02 | 0:54:05 | |
Well, then. | 0:54:06 | 0:54:07 | |
I want Carl Dillon for the murder of Simon Bisley. | 0:54:07 | 0:54:11 | |
-You can't have him. -Yes, I can. | 0:54:11 | 0:54:13 | |
How's that? | 0:54:13 | 0:54:14 | |
Because there are some things | 0:54:14 | 0:54:16 | |
you can't crawl out from under, Christopher. | 0:54:16 | 0:54:18 | |
I'm a retired banker, Robert. | 0:54:18 | 0:54:21 | |
A respected member of the financial community. | 0:54:21 | 0:54:24 | |
My wife sits on the board of various charitable trusts. | 0:54:24 | 0:54:28 | |
We have friends in some very high places. | 0:54:28 | 0:54:32 | |
We are not the kind of people that a deputy assistant commissioner | 0:54:34 | 0:54:38 | |
should make accusations about, | 0:54:38 | 0:54:41 | |
unless he has some extremely persuasive evidence. | 0:54:41 | 0:54:44 | |
I have a witness that can place you both | 0:54:44 | 0:54:46 | |
at the scene of an unsolved murder 30 years ago. | 0:54:46 | 0:54:50 | |
Bisley's daughter. | 0:54:50 | 0:54:51 | |
You saved her life. | 0:54:53 | 0:54:54 | |
She remembers you. | 0:54:54 | 0:54:56 | |
So I saved a girl. | 0:54:56 | 0:54:57 | |
That's a good thing, isn't it? | 0:54:57 | 0:54:59 | |
Witness statements have you shadowing Bisley and his daughter | 0:54:59 | 0:55:03 | |
in the run-up to his murder. | 0:55:03 | 0:55:04 | |
We had nothing to do with his murder. | 0:55:04 | 0:55:06 | |
Oh, I believe you. | 0:55:06 | 0:55:07 | |
You're both far too clever to have been there | 0:55:07 | 0:55:09 | |
if you knew what was going to happen. | 0:55:09 | 0:55:11 | |
Now, I think you were shadowing Bisley | 0:55:13 | 0:55:15 | |
while someone further up the food chain | 0:55:15 | 0:55:17 | |
decided what to do about his story. | 0:55:17 | 0:55:19 | |
And I think Carl Dillon took matters into his own hands. | 0:55:19 | 0:55:22 | |
I also have a witness who can testify | 0:55:23 | 0:55:26 | |
to the break-in of Bisley's house, the photographing of his research, | 0:55:26 | 0:55:29 | |
and your involvement in that, | 0:55:29 | 0:55:31 | |
and the more recent plot to cover it all up. | 0:55:31 | 0:55:33 | |
What witness? | 0:55:36 | 0:55:38 | |
Me. | 0:55:39 | 0:55:40 | |
That would be the end of your career. | 0:55:41 | 0:55:43 | |
Oh, you just try me. | 0:55:43 | 0:55:44 | |
And if we let you have Dillon? | 0:55:46 | 0:55:48 | |
You cut Dillon loose, you remove all his protection, | 0:55:48 | 0:55:50 | |
and you do whatever you need to do to ensure any allegation he makes | 0:55:50 | 0:55:54 | |
against the security service can't stick. | 0:55:54 | 0:55:56 | |
That's very considerate of you. | 0:55:56 | 0:55:58 | |
I want all this to stop. Now. | 0:55:58 | 0:56:00 | |
If that means your superiors, whoever they may be, | 0:56:00 | 0:56:02 | |
get to crawl back underneath their ghastly little rocks, then so be it. | 0:56:02 | 0:56:07 | |
I'm a policeman. | 0:56:07 | 0:56:08 | |
I want to prosecute Carl Dillon for the murder of Simon Bisley. | 0:56:08 | 0:56:11 | |
We would still have Fisher to contend with. | 0:56:13 | 0:56:16 | |
I can't protect you from Fisher, and I have no desire to. | 0:56:16 | 0:56:19 | |
But I'd think about taking early retirement | 0:56:20 | 0:56:23 | |
somewhere very far away, if I were you. | 0:56:23 | 0:56:25 | |
He's yours. | 0:56:28 | 0:56:29 | |
-No... -Oh, shut up, Christopher. | 0:56:29 | 0:56:31 | |
Dillon's all yours. | 0:56:33 | 0:56:34 | |
You did what?! | 0:56:49 | 0:56:50 | |
The Maitlands are untouchable, Sandra. | 0:56:50 | 0:56:52 | |
We get Dillon for the murder of Simon Bisley 30 years ago, | 0:56:52 | 0:56:54 | |
-and that's the best possible outcome given the circumstances. -It stinks. | 0:56:54 | 0:56:59 | |
Thanks for what you did. | 0:57:01 | 0:57:03 | |
You and the team. | 0:57:03 | 0:57:04 | |
It was a long way above and beyond the call of duty. | 0:57:04 | 0:57:07 | |
So are you quite sure that you're all in the clear now? | 0:57:09 | 0:57:13 | |
You, Fisher and the others? | 0:57:13 | 0:57:14 | |
Well, now that Dillon's been arrested, | 0:57:14 | 0:57:15 | |
I imagine a lot of people will be covering their tracks. | 0:57:15 | 0:57:18 | |
And if the Maitlands have any sense, they'll be heading for the hills. | 0:57:18 | 0:57:21 | |
-It's over. -And it's back to business as usual for Fisher. -Well... | 0:57:21 | 0:57:24 | |
I'm sure he's been suitably humbled by the experience. | 0:57:24 | 0:57:27 | |
MOBILE PHONE RINGS | 0:57:30 | 0:57:32 | |
Well, that's excellent. | 0:57:36 | 0:57:38 | |
Thank you so much. | 0:57:38 | 0:57:40 | |
No, one does hate to leave loose ends. | 0:57:45 | 0:57:48 | |
Yes, well, let everyone know I'll be back in the office in a few days. | 0:57:48 | 0:57:54 | |
And that there's going to be something of a reshuffle. | 0:57:56 | 0:58:00 | |
Subtitles by Red Bee Media Ltd | 0:58:14 | 0:58:17 |