Browse content similar to Tango Uniform. Check below for episodes and series from the same categories and more!
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This programme contains some violent scenes. | 0:00:02 | 0:00:05 | |
I want to show you something. | 0:00:05 | 0:00:07 | |
Financial dealings that I find disturbing. | 0:00:07 | 0:00:09 | |
The colonel is lying. You were right, son. | 0:00:09 | 0:00:11 | |
Got a source. Let me talk to him. | 0:00:11 | 0:00:12 | |
-What do you have on Ballard? -You can't. It's too hot. | 0:00:12 | 0:00:15 | |
GUNSHOT | 0:00:15 | 0:00:16 | |
Al-Qaeda. They only think of one thing - vengeance. | 0:00:16 | 0:00:19 | |
Hamid can't even look at you without seeing red. | 0:00:19 | 0:00:21 | |
I'm different... I'm your only friend in the world. | 0:00:21 | 0:00:23 | |
You will never know the truth unless you stop this! | 0:00:23 | 0:00:26 | |
Hamid was a fool, short-sighted. | 0:00:41 | 0:00:45 | |
By killing him, I have done the Azawad Liberation Movement a favour. | 0:00:45 | 0:00:48 | |
So now what? | 0:00:48 | 0:00:49 | |
Now we wait to see if you live or die. | 0:00:49 | 0:00:51 | |
Aslam? | 0:00:51 | 0:00:53 | |
Pray they find him | 0:00:53 | 0:00:54 | |
and he has this flash drive you say is so valuable. | 0:00:54 | 0:00:57 | |
They will. | 0:00:57 | 0:00:59 | |
Speak English. | 0:01:08 | 0:01:11 | |
Others may disagree about him, and they'll be angry. | 0:01:11 | 0:01:14 | |
And if it turns out I've killed him over nothing, | 0:01:14 | 0:01:16 | |
I promise you... | 0:01:16 | 0:01:18 | |
..there will be no end to your suffering. | 0:01:20 | 0:01:22 | |
On your feet. | 0:01:29 | 0:01:31 | |
On your feet. | 0:01:33 | 0:01:34 | |
You have one day. | 0:01:36 | 0:01:37 | |
My men don't find the boy, you're dead. | 0:01:37 | 0:01:40 | |
HE SPEAKS OWN LANGUAGE | 0:01:51 | 0:01:52 | |
Ngh! | 0:02:26 | 0:02:27 | |
-Yah! -Agh! | 0:02:32 | 0:02:33 | |
You promised. | 0:02:57 | 0:02:58 | |
You said you'd quit, give notice. | 0:02:58 | 0:03:01 | |
I know. | 0:03:01 | 0:03:03 | |
Things are different now. | 0:03:03 | 0:03:05 | |
I have proof of what SOC has done, | 0:03:05 | 0:03:08 | |
what they're hiding. | 0:03:08 | 0:03:11 | |
Peter. | 0:03:11 | 0:03:12 | |
They're funding terrorism, Sarah. | 0:03:12 | 0:03:15 | |
They're killing our own troops for profit. | 0:03:15 | 0:03:18 | |
Now, I have no idea how high up this goes, | 0:03:18 | 0:03:20 | |
but I have to find out. | 0:03:20 | 0:03:21 | |
What happened? | 0:03:23 | 0:03:25 | |
How do you all of a sudden know all of this? | 0:03:25 | 0:03:29 | |
Who have you been talking to? | 0:03:29 | 0:03:31 | |
That doesn't matter. | 0:03:31 | 0:03:32 | |
It matters to me. | 0:03:32 | 0:03:34 | |
HE SIGHS | 0:03:38 | 0:03:39 | |
She reached out to me. | 0:03:40 | 0:03:43 | |
Sophia. | 0:03:43 | 0:03:44 | |
You spoke to her. | 0:03:46 | 0:03:49 | |
After everything we've been through? | 0:03:49 | 0:03:51 | |
I was doing my job, Sarah. | 0:03:51 | 0:03:53 | |
Societele asked me to arrange a meeting with her. | 0:03:53 | 0:03:56 | |
Now I know why. | 0:03:56 | 0:03:57 | |
She has hard evidence, and now I have it. | 0:03:57 | 0:04:01 | |
She asked for you specifically. | 0:04:01 | 0:04:04 | |
What... What do you want...? What am I supposed to do? | 0:04:04 | 0:04:06 | |
Say no. | 0:04:06 | 0:04:07 | |
-You know I can't. -Say no. | 0:04:07 | 0:04:08 | |
-You know I can't do that. -Say... Let her find someone else. | 0:04:08 | 0:04:11 | |
You know I can't do that. | 0:04:11 | 0:04:12 | |
Yes, you can. | 0:04:12 | 0:04:13 | |
Yes, you can. | 0:04:13 | 0:04:15 | |
You have to. | 0:04:15 | 0:04:18 | |
Haven't you two done enough harm already? | 0:04:18 | 0:04:21 | |
I made a mistake four years ago. | 0:04:21 | 0:04:24 | |
This has nothing to do with that. | 0:04:24 | 0:04:27 | |
Give it all to Ed Dixon. | 0:04:30 | 0:04:32 | |
You let the Justice Department handle it, | 0:04:33 | 0:04:35 | |
and then you walk away. | 0:04:35 | 0:04:36 | |
I already spoke to Ed. | 0:04:36 | 0:04:37 | |
I'm meeting with him tomorrow. | 0:04:37 | 0:04:39 | |
OK? Hey, OK? | 0:04:39 | 0:04:42 | |
Good. | 0:04:42 | 0:04:43 | |
DOORBELL RINGS | 0:04:54 | 0:04:55 | |
Hey, I just heard. | 0:05:03 | 0:05:04 | |
Oh, Anna. | 0:05:12 | 0:05:14 | |
I'm so sorry. | 0:05:14 | 0:05:15 | |
-SOBS: -Oh. | 0:05:17 | 0:05:19 | |
Will you get her something to drink? | 0:05:19 | 0:05:21 | |
-I'm... I'm fine. -You came at the perfect time. | 0:05:21 | 0:05:23 | |
We were just going over the funeral details. | 0:05:23 | 0:05:25 | |
Everything needs to be just right. | 0:05:25 | 0:05:26 | |
Hey, it...it will be. | 0:05:26 | 0:05:28 | |
I haven't even thought about the eulogy. | 0:05:28 | 0:05:31 | |
Harrison, you... You'll write it. | 0:05:31 | 0:05:33 | |
Me? I wouldn't... | 0:05:33 | 0:05:34 | |
I wouldn't know what to say. | 0:05:34 | 0:05:35 | |
Well, just talk from your heart, dear. | 0:05:35 | 0:05:39 | |
-SIGHS: -The newspapers. | 0:05:39 | 0:05:41 | |
Ho, ho, ho, they'll be brutal. | 0:05:41 | 0:05:42 | |
Killed by a jilted mistress. | 0:05:42 | 0:05:44 | |
Such a cliche. | 0:05:44 | 0:05:46 | |
If that's really how he died. | 0:05:46 | 0:05:49 | |
What are you talking about? | 0:05:49 | 0:05:51 | |
He wasn't having an affair. | 0:05:53 | 0:05:55 | |
He and I were working on something. | 0:05:55 | 0:05:56 | |
It was...a story. | 0:05:56 | 0:05:58 | |
He was... He was killed because I... | 0:05:58 | 0:05:59 | |
Harrison, | 0:05:59 | 0:06:01 | |
he was... | 0:06:01 | 0:06:03 | |
having an affair. | 0:06:03 | 0:06:05 | |
Your father had been seeing her for a while. | 0:06:05 | 0:06:08 | |
-Um, I should go. -No, no, no, don't be silly. | 0:06:08 | 0:06:11 | |
The whole world will know soon enough. | 0:06:11 | 0:06:14 | |
I wasn't happy about it, Harrison. | 0:06:14 | 0:06:17 | |
That said, | 0:06:17 | 0:06:19 | |
we will celebrate his life. | 0:06:19 | 0:06:22 | |
Your father did great things. | 0:06:22 | 0:06:26 | |
He was a good man down deep. | 0:06:26 | 0:06:29 | |
You think about that, | 0:06:29 | 0:06:32 | |
and you write him a beautiful eulogy. | 0:06:32 | 0:06:35 | |
Suzanne. NEWS ON TV | 0:06:38 | 0:06:40 | |
I thought we had a deal. | 0:06:40 | 0:06:42 | |
No news. | 0:06:42 | 0:06:44 | |
They're not talking about her any more anyways. | 0:06:44 | 0:06:49 | |
You think you might be able to go back to school tomorrow? | 0:06:49 | 0:06:53 | |
-Do I have to? -PHONE RINGS | 0:06:53 | 0:06:55 | |
-Hello? -'Ron? | 0:06:58 | 0:07:00 | |
'This is Stephen Glen. | 0:07:00 | 0:07:01 | |
'Is this a good time?' | 0:07:01 | 0:07:03 | |
Uh, sure - hang on. | 0:07:03 | 0:07:06 | |
Go ahead. | 0:07:11 | 0:07:13 | |
'We've recovered more remains. | 0:07:13 | 0:07:15 | |
'The last three soldiers, including Odelle. | 0:07:15 | 0:07:18 | |
'They're being flown to Dover Air Base now.' | 0:07:18 | 0:07:21 | |
Are you certain it's her? | 0:07:22 | 0:07:24 | |
'Tissue samples and dental records confirm. | 0:07:24 | 0:07:27 | |
'I'm truly sorry, Ron, | 0:07:27 | 0:07:29 | |
'but at least now you have closure.' | 0:07:29 | 0:07:31 | |
When can I see her? | 0:07:33 | 0:07:34 | |
'My advice, you don't. | 0:07:34 | 0:07:36 | |
'There's nothing recognisable, I'm afraid. | 0:07:36 | 0:07:40 | |
'May I make a suggestion?' | 0:07:40 | 0:07:42 | |
OK? | 0:07:42 | 0:07:44 | |
'Authorise the Army to cremate her remains. | 0:07:44 | 0:07:47 | |
'It'll save you and Suzanne the torment.' | 0:07:47 | 0:07:50 | |
All right. | 0:07:50 | 0:07:51 | |
I mean, wait... Let me think on it, OK? | 0:07:51 | 0:07:54 | |
Is that OK? | 0:07:54 | 0:07:55 | |
-'That's fine.' -What's going on? | 0:07:55 | 0:07:57 | |
'Just let me know.' | 0:07:57 | 0:07:59 | |
I'll call you. | 0:07:59 | 0:08:01 | |
Come on. | 0:08:07 | 0:08:10 | |
SHE GRUNTS | 0:08:10 | 0:08:11 | |
TAPPING | 0:08:28 | 0:08:30 | |
SHE COUGHS | 0:08:43 | 0:08:44 | |
WOMEN CHATTER | 0:09:21 | 0:09:23 | |
OK. | 0:09:37 | 0:09:39 | |
Long-lost nephew. | 0:09:39 | 0:09:41 | |
How does a young boy such as yourself | 0:09:41 | 0:09:43 | |
arrive at my doorstep with a bullet wound in his arm? | 0:09:43 | 0:09:46 | |
-There was an accident. -Oh. | 0:09:46 | 0:09:47 | |
Talk to me. I can keep a secret. | 0:09:50 | 0:09:52 | |
Oh, beastly people. | 0:09:55 | 0:09:57 | |
No style at all. | 0:09:57 | 0:09:58 | |
What did you do, steal? | 0:09:58 | 0:10:00 | |
Good to know. | 0:10:02 | 0:10:03 | |
What then? | 0:10:03 | 0:10:04 | |
If I tell you, will you help me? | 0:10:04 | 0:10:07 | |
Depends on the story. But - yes, probably. | 0:10:07 | 0:10:11 | |
The Ansar Dine hold my friend prisoner. | 0:10:11 | 0:10:14 | |
She is in trouble. | 0:10:14 | 0:10:16 | |
She? | 0:10:16 | 0:10:18 | |
Do you have a computer? | 0:10:18 | 0:10:19 | |
MEN CHATTER | 0:10:21 | 0:10:23 | |
HE SHOUTS IN OWN LANGUAGE | 0:10:58 | 0:10:59 | |
THEY SHOUT | 0:11:20 | 0:11:21 | |
Here, here, here! | 0:11:37 | 0:11:39 | |
ENGAGED TONE | 0:12:12 | 0:12:13 | |
AUTOMATED MESSAGE IN FRENCH | 0:12:15 | 0:12:17 | |
MAN SHOUTS IN OWN LANGUAGE | 0:12:42 | 0:12:44 | |
MEN SHOUT | 0:13:10 | 0:13:11 | |
THEY SHOUT IN OWN LANGUAGE | 0:13:34 | 0:13:35 | |
She was with the Americans who killed Abdul Abbas. | 0:13:55 | 0:13:58 | |
Abdul Abbas? | 0:13:58 | 0:14:00 | |
Why on earth is she here in Bamako? | 0:14:02 | 0:14:04 | |
She was left alone. | 0:14:04 | 0:14:05 | |
My father found her. | 0:14:05 | 0:14:07 | |
He wanted me to sell her to the Ansar Dine. | 0:14:07 | 0:14:09 | |
But you refused, and they shot you. | 0:14:09 | 0:14:12 | |
Sounds heroic. | 0:14:12 | 0:14:14 | |
Yeah, something like that. | 0:14:14 | 0:14:16 | |
But she's my friend. | 0:14:26 | 0:14:27 | |
She helped me. | 0:14:27 | 0:14:29 | |
I have a friend... | 0:14:39 | 0:14:41 | |
he's a general in the Malian Army. | 0:14:41 | 0:14:44 | |
If anyone can find her, he can. | 0:14:44 | 0:14:46 | |
How fast can he get here? | 0:14:46 | 0:14:48 | |
Wow, there's the Pulitzer. | 0:14:56 | 0:14:59 | |
Hah. | 0:14:59 | 0:15:00 | |
Your dad knew Bill Clinton? | 0:15:02 | 0:15:05 | |
Yeah. | 0:15:05 | 0:15:07 | |
Guess they had more in common than I thought. | 0:15:07 | 0:15:09 | |
Hmm, no family pictures? | 0:15:12 | 0:15:14 | |
Exactly. | 0:15:14 | 0:15:15 | |
How the hell am I going to write this eulogy? | 0:15:15 | 0:15:18 | |
I mean, what...what am I going to say? | 0:15:18 | 0:15:20 | |
"My father loved two things - his work and...cheating on my mom"? | 0:15:20 | 0:15:23 | |
He wasn't that bad. | 0:15:23 | 0:15:25 | |
Don't you have one happy memory of him? | 0:15:25 | 0:15:29 | |
There's got to be something. | 0:15:29 | 0:15:31 | |
My... My, er... My father loved fishing | 0:15:36 | 0:15:39 | |
almost as much as he loved his work. | 0:15:39 | 0:15:41 | |
So, when I was a kid, he used to drag me up to this lake. | 0:15:41 | 0:15:44 | |
I hated it. | 0:15:44 | 0:15:46 | |
My father loved every minute of it. | 0:15:46 | 0:15:48 | |
He used to try so hard to catch those fish, | 0:15:48 | 0:15:50 | |
but he never caught anything - and then one time, | 0:15:50 | 0:15:53 | |
I just completely refused to put my line in the water. | 0:15:53 | 0:15:56 | |
I just kind of dangled it off the side of the boat, | 0:15:56 | 0:15:58 | |
and all of a sudden, this gigantic fish | 0:15:58 | 0:16:01 | |
jumped out of the water and right onto my hook. | 0:16:01 | 0:16:05 | |
My dad was so pissed at me. | 0:16:05 | 0:16:07 | |
Hey, I thought this was a happy memory. | 0:16:07 | 0:16:09 | |
It is for me. | 0:16:09 | 0:16:11 | |
Hey, John Updike. I love him. | 0:16:14 | 0:16:17 | |
Oh, yeah, so did my dad. | 0:16:17 | 0:16:19 | |
Rabbit series was his favourite. | 0:16:19 | 0:16:21 | |
Yeah, I can see that. | 0:16:21 | 0:16:24 | |
Rabbit, Run. You ever read it? | 0:16:24 | 0:16:26 | |
No, it's not for me. | 0:16:26 | 0:16:28 | |
I loved it. | 0:16:28 | 0:16:30 | |
I'm tired. | 0:16:30 | 0:16:31 | |
I'm going to bed. | 0:16:31 | 0:16:33 | |
You remember where the guest room is? | 0:16:33 | 0:16:34 | |
Oh, yeah. How could I forget? | 0:16:34 | 0:16:36 | |
Your father and his rules of the house. | 0:16:36 | 0:16:39 | |
Good night. | 0:16:42 | 0:16:43 | |
Your man attacked me. He would have raped me. | 0:17:28 | 0:17:30 | |
I had no choice but to protect myself. | 0:17:30 | 0:17:32 | |
Seriously - a spoon? | 0:17:32 | 0:17:33 | |
You... You... | 0:17:33 | 0:17:35 | |
You killed my man and escaped with a spoon. | 0:17:35 | 0:17:37 | |
I'd kill you right now if I wasn't so deeply impressed. | 0:17:37 | 0:17:40 | |
-English. -Why do you think I came back? | 0:17:43 | 0:17:45 | |
I told you to speak English. | 0:17:47 | 0:17:48 | |
Ask your men what happened out there. | 0:17:48 | 0:17:51 | |
I surrendered myself. Why would I do that? | 0:17:51 | 0:17:53 | |
Osela's your private military. | 0:17:53 | 0:17:54 | |
Guns for hire. Why are they here? | 0:17:54 | 0:17:56 | |
Because they want to kill me - | 0:17:56 | 0:17:58 | |
and now they know where I am, your men are in danger. | 0:17:58 | 0:18:01 | |
We're not safe. | 0:18:01 | 0:18:02 | |
None of us are. | 0:18:02 | 0:18:03 | |
You're... They killed my entire unit! | 0:18:03 | 0:18:07 | |
Are you freaked out about this? | 0:18:26 | 0:18:28 | |
No, not at all. | 0:18:28 | 0:18:31 | |
Glad this happened. | 0:18:31 | 0:18:32 | |
Are you? | 0:18:32 | 0:18:34 | |
No, I'm good. | 0:18:34 | 0:18:36 | |
-KNOCK AT DOOR -'Harrison? | 0:18:36 | 0:18:38 | |
'Are you awake?' | 0:18:38 | 0:18:39 | |
It's almost... Oh! | 0:18:39 | 0:18:40 | |
I'm sorry, Mrs Walters. | 0:18:40 | 0:18:42 | |
Looks like we broke the house rule. | 0:18:42 | 0:18:44 | |
Come down for breakfast. | 0:18:44 | 0:18:45 | |
I'm making French toast. | 0:18:45 | 0:18:47 | |
I need to get dressed. | 0:18:51 | 0:18:52 | |
Mm-hm. | 0:18:52 | 0:18:53 | |
PHONE RINGS | 0:18:58 | 0:19:00 | |
MUSIC BLARES | 0:19:06 | 0:19:07 | |
Why is the music so loud? | 0:19:19 | 0:19:21 | |
Best sounds in Bamako. | 0:19:21 | 0:19:24 | |
You don't like it? | 0:19:24 | 0:19:25 | |
No. | 0:19:25 | 0:19:26 | |
Are you sure we're related? | 0:19:27 | 0:19:31 | |
-'Hello, my darling!' -Ah, there's my general. | 0:19:31 | 0:19:35 | |
What's the problem? | 0:19:35 | 0:19:37 | |
Who is this? | 0:19:38 | 0:19:40 | |
Somebody upstairs really doesn't like you. | 0:20:03 | 0:20:06 | |
What do you mean? | 0:20:06 | 0:20:08 | |
Close the door. | 0:20:08 | 0:20:10 | |
I got an e-mail this morning | 0:20:10 | 0:20:11 | |
from the Senate Judiciary Oversight Committee. | 0:20:11 | 0:20:14 | |
-It's a sanction. -I know it's a sanction. | 0:20:20 | 0:20:23 | |
You might be used to those, but that's the first one of my career. | 0:20:23 | 0:20:26 | |
They just put a target on my back. HE SIGHS | 0:20:26 | 0:20:28 | |
It's non-specific. How do you know it's because of me? | 0:20:28 | 0:20:30 | |
Because it happened after I told Sanchez about your SOC document. | 0:20:30 | 0:20:34 | |
Could be a coincidence. | 0:20:34 | 0:20:36 | |
There's no such thing as coincidence in the Justice Department. | 0:20:36 | 0:20:39 | |
-SIGHS: -So, what are you going to do? | 0:20:39 | 0:20:42 | |
Sanchez set a meeting with me for next week. | 0:20:44 | 0:20:45 | |
-We'll get into it. -No, no. | 0:20:45 | 0:20:47 | |
That's... That's too late. SOC is on notice. | 0:20:47 | 0:20:50 | |
They... They're probably destroying evidence as we speak. | 0:20:50 | 0:20:52 | |
We got to press 'em today. Now. | 0:20:52 | 0:20:54 | |
I will press them when the time is right. | 0:20:54 | 0:20:57 | |
-Oh, come on. -We got a paper trail. -Ed... | 0:20:57 | 0:20:59 | |
-If there's a case today... -Ed! | 0:20:59 | 0:21:00 | |
-There'll be one next week too! -You... | 0:21:00 | 0:21:03 | |
You're scared. | 0:21:03 | 0:21:05 | |
I'm sensible. | 0:21:05 | 0:21:07 | |
Maybe that's why I still work here. | 0:21:07 | 0:21:09 | |
Psst! | 0:21:53 | 0:21:54 | |
Speak English? | 0:21:59 | 0:22:01 | |
HE REPEATS | 0:22:10 | 0:22:12 | |
Omar, I know this man. He's dangerous. | 0:22:20 | 0:22:22 | |
English, Odelle Ballard. | 0:22:27 | 0:22:28 | |
-You're talking to me, not my men! -We have to go. | 0:22:28 | 0:22:31 | |
No, you can't do that. | 0:22:37 | 0:22:38 | |
You put me out there, he'll kill me. You'll never get the flash drive. | 0:22:38 | 0:22:41 | |
I can still find the boy and the flash drive. | 0:22:41 | 0:22:44 | |
He doesn't know what to look for. | 0:22:44 | 0:22:46 | |
I'm the only one who knows. | 0:22:46 | 0:22:48 | |
Perhaps - but is what you're offering worth the risk? | 0:22:48 | 0:22:52 | |
Hmm? | 0:22:52 | 0:22:54 | |
MEN SHOUT | 0:22:54 | 0:22:55 | |
GUNSHOT | 0:22:55 | 0:22:56 | |
ENGINE STARTS | 0:23:10 | 0:23:11 | |
How does a boy like you come to know an American woman soldier? | 0:23:21 | 0:23:25 | |
I met her in the desert. | 0:23:25 | 0:23:28 | |
We helped each other. | 0:23:28 | 0:23:30 | |
She's not in Bamako. | 0:23:30 | 0:23:32 | |
An American woman soldier? | 0:23:32 | 0:23:34 | |
Believe me, I would know. | 0:23:34 | 0:23:36 | |
But the Ansar Dine said they were bringing her here. | 0:23:36 | 0:23:38 | |
If the Ansar Dine have her, then she's already dead. | 0:23:38 | 0:23:41 | |
If she's alive and with the Ansar Dine, | 0:23:41 | 0:23:43 | |
would you know where she is? | 0:23:43 | 0:23:45 | |
The safe house. | 0:23:45 | 0:23:47 | |
He's not speaking to you. | 0:23:47 | 0:23:49 | |
You know I'm right. | 0:23:49 | 0:23:50 | |
The Ansar Dine have very little say in Bamako, | 0:23:50 | 0:23:53 | |
but there is one place they go to hide. | 0:23:53 | 0:23:55 | |
Tell him. | 0:23:55 | 0:23:56 | |
Why are you being so stubborn? | 0:23:58 | 0:24:01 | |
Do I need to remind you what life would be like | 0:24:04 | 0:24:06 | |
if the Ansar Dine had power? | 0:24:06 | 0:24:08 | |
The Sharia law? | 0:24:08 | 0:24:09 | |
-How they treat people like us? -I am not like you. | 0:24:09 | 0:24:12 | |
Right. | 0:24:13 | 0:24:15 | |
I live the truth, and you don't. | 0:24:15 | 0:24:17 | |
Makes things easier. | 0:24:17 | 0:24:19 | |
I say it in just the way you like it. | 0:24:19 | 0:24:21 | |
Don't be like this. | 0:24:21 | 0:24:22 | |
Do this because you love me. | 0:24:22 | 0:24:25 | |
I... I do love you... | 0:24:25 | 0:24:29 | |
but that's not a good enough reason for me reason to send... | 0:24:29 | 0:24:32 | |
Then do it for yourself. | 0:24:32 | 0:24:33 | |
If you find this American woman soldier, | 0:24:33 | 0:24:36 | |
if you rescue her, you'll be on the news around the world. | 0:24:36 | 0:24:39 | |
Why settle for General Diallo? | 0:24:41 | 0:24:44 | |
You could be so much more. | 0:24:44 | 0:24:46 | |
THUNDER RUMBLES | 0:24:46 | 0:24:47 | |
RAIN PATTERS | 0:24:47 | 0:24:49 | |
Hey - hey, Peter! | 0:25:10 | 0:25:12 | |
Where you been? | 0:25:12 | 0:25:13 | |
What do you want, Joe? | 0:25:13 | 0:25:14 | |
Oh, nothing. | 0:25:14 | 0:25:15 | |
Just thought you might want to see this. | 0:25:15 | 0:25:19 | |
What is that? | 0:25:19 | 0:25:20 | |
It's the file on the Gentry murder. | 0:25:20 | 0:25:22 | |
Take a look. | 0:25:22 | 0:25:23 | |
Where the hell did you get this? | 0:25:30 | 0:25:31 | |
My buddy works the evidence room at the 15th precinct. | 0:25:31 | 0:25:34 | |
Does this guy look familiar? | 0:25:34 | 0:25:36 | |
He's the one who broke into my car and took Gentry's diary. | 0:25:36 | 0:25:39 | |
All right, so maybe I get you together with my buddy, | 0:25:39 | 0:25:41 | |
and we ID this scumbag. | 0:25:41 | 0:25:42 | |
Look, I told you, I'm not the bad guy here. | 0:25:47 | 0:25:51 | |
I want to help. | 0:25:51 | 0:25:52 | |
That'd be great. | 0:25:54 | 0:25:56 | |
Anything more on Alex Baker? | 0:25:56 | 0:25:59 | |
Yeah, it's huge. | 0:25:59 | 0:26:00 | |
Yeah? | 0:26:00 | 0:26:01 | |
I got my hands on a document. | 0:26:04 | 0:26:06 | |
A transfer of 35 million US from SOC | 0:26:06 | 0:26:09 | |
-to al-Qaeda in North Africa. -Oh... -Yeah. | 0:26:09 | 0:26:12 | |
Those Special Ops must have found out about it. | 0:26:12 | 0:26:14 | |
SOC used Gentry to have them killed. | 0:26:14 | 0:26:16 | |
Are you serious? | 0:26:18 | 0:26:19 | |
Yeah - I threw in the evidence over to the DOJ, | 0:26:19 | 0:26:21 | |
but they...they're just sitting on it. They're afraid. | 0:26:21 | 0:26:24 | |
My friend got sanctioned by the Senate Judiciary. | 0:26:24 | 0:26:27 | |
Baker's got influence. | 0:26:27 | 0:26:29 | |
I need to light a fire, let them know I know. | 0:26:29 | 0:26:32 | |
See what that stirs up. | 0:26:32 | 0:26:34 | |
Thomas Darnell from South Carolina runs that subcommittee. | 0:26:36 | 0:26:40 | |
Is that the Tom Darnell who ran GBR Industries | 0:26:40 | 0:26:42 | |
before he got elected? | 0:26:42 | 0:26:44 | |
Yeah, pretty sure. Why? | 0:26:44 | 0:26:46 | |
I know how to get to him. | 0:26:46 | 0:26:47 | |
Tonight. | 0:26:47 | 0:26:49 | |
You own a tux? | 0:26:49 | 0:26:51 | |
Bob, are you there? | 0:26:51 | 0:26:53 | |
Are you insane? | 0:26:56 | 0:26:57 | |
You have no idea who could be watching. | 0:26:57 | 0:27:00 | |
-Nobody's watching. -You don't know that. | 0:27:00 | 0:27:02 | |
They killed your father. Any one of us could be next. | 0:27:02 | 0:27:04 | |
I'm... I'm deeply sorry for your loss, by the way. | 0:27:04 | 0:27:07 | |
The police said my father's lover killed him. | 0:27:07 | 0:27:09 | |
-The police don't know anything. -'Who's there?' | 0:27:09 | 0:27:11 | |
-Hi, Mrs Offer. -'Harrison!' | 0:27:11 | 0:27:14 | |
You two talking business? | 0:27:14 | 0:27:16 | |
Bob, did you offer him cake? | 0:27:16 | 0:27:18 | |
Oh, he was just leaving, Ma. | 0:27:18 | 0:27:20 | |
You... You can't be here! | 0:27:21 | 0:27:23 | |
You'll get us all killed. | 0:27:23 | 0:27:25 | |
Bob, who are you talking about when you say "they" killed my father? | 0:27:25 | 0:27:28 | |
I mean, do you even know this, or is this just...? | 0:27:28 | 0:27:30 | |
The police think your father's lady friend killed him, OK? | 0:27:30 | 0:27:33 | |
How do they explain this? | 0:27:33 | 0:27:35 | |
-What am I looking at? -Your father's mistress. | 0:27:35 | 0:27:37 | |
I did some research. | 0:27:37 | 0:27:38 | |
The woman just bought a new condo in Dallas. | 0:27:38 | 0:27:41 | |
She listed her house in Connecticut for sale. | 0:27:41 | 0:27:43 | |
She even bought airline tickets to DFW next week, | 0:27:43 | 0:27:46 | |
for crying out loud. | 0:27:46 | 0:27:48 | |
Wait, let me see this. | 0:27:48 | 0:27:49 | |
She's starting a new life. | 0:27:49 | 0:27:52 | |
She wrote e-mails to her friends | 0:27:52 | 0:27:53 | |
about a new beginning without your dad. | 0:27:53 | 0:27:56 | |
A new job. Look. | 0:27:56 | 0:27:57 | |
She even bought a puppy. | 0:27:57 | 0:27:59 | |
Does that sound like a suicidal woman? | 0:27:59 | 0:28:01 | |
I don't know. I mean, she could have... | 0:28:01 | 0:28:03 | |
She was murdered, Harrison. | 0:28:03 | 0:28:05 | |
She was caught in the wrong place at the wrong time. | 0:28:05 | 0:28:07 | |
PHONE RINGS | 0:28:07 | 0:28:09 | |
Don't answer that. | 0:28:09 | 0:28:11 | |
-It's just Ruby. -No, you're not here. | 0:28:11 | 0:28:14 | |
Bob, no, you need to relax. | 0:28:14 | 0:28:15 | |
Look, your father was killed | 0:28:15 | 0:28:16 | |
because he asked too many people too many questions. | 0:28:16 | 0:28:19 | |
You guys even spoke to that colonel. | 0:28:19 | 0:28:22 | |
The whole thing. | 0:28:22 | 0:28:24 | |
I mean, that woman soldier may be alive, but if... | 0:28:24 | 0:28:26 | |
if we keep asking questions, they're going to kill us too. | 0:28:26 | 0:28:28 | |
-Come on. -Bob... | 0:28:28 | 0:28:30 | |
-You need to leave. -I just... Let me... | 0:28:30 | 0:28:31 | |
I'm out. | 0:28:34 | 0:28:35 | |
I'm done. It's too dangerous. | 0:28:35 | 0:28:37 | |
I got my mother to think about. | 0:28:37 | 0:28:39 | |
TV BLARES | 0:28:39 | 0:28:40 | |
OK. | 0:28:41 | 0:28:43 | |
I get it. | 0:28:43 | 0:28:44 | |
I really do. | 0:28:44 | 0:28:46 | |
Take care of your mom. | 0:28:47 | 0:28:50 | |
Seeing her... It's extraordinary. | 0:28:50 | 0:28:52 | |
Terrific. I'm just so sorry you didn't get a chance to...to meet... | 0:28:52 | 0:28:57 | |
Suzanne, you remember Colonel Glen. | 0:28:57 | 0:29:00 | |
Hello, Suzanne. | 0:29:00 | 0:29:02 | |
Your mother was a very brave woman. | 0:29:04 | 0:29:05 | |
I loved her very, very much. | 0:29:05 | 0:29:07 | |
I thought you might want these. | 0:29:09 | 0:29:11 | |
When do I get to see her? | 0:29:20 | 0:29:22 | |
That's not a good idea, sweetie. | 0:29:22 | 0:29:24 | |
Why not? I have to see her. | 0:29:24 | 0:29:26 | |
It's not possible, sweetheart. | 0:29:26 | 0:29:29 | |
Mom was cremated. | 0:29:29 | 0:29:31 | |
How could you... Who told them to do that? | 0:29:34 | 0:29:38 | |
Hey. Here you go. | 0:29:48 | 0:29:49 | |
I have to get this one right. | 0:29:49 | 0:29:51 | |
Are we talking about the eulogy? | 0:29:51 | 0:29:52 | |
Yeah. | 0:29:52 | 0:29:54 | |
Your father loved you. | 0:29:54 | 0:29:55 | |
You know that now more than ever. | 0:29:55 | 0:29:58 | |
What the hell is she doing here? | 0:30:02 | 0:30:04 | |
I'm sorry about your father. Mmm. | 0:30:08 | 0:30:11 | |
Thanks. It's OK. | 0:30:12 | 0:30:14 | |
How's your mom doing with... | 0:30:14 | 0:30:16 | |
Sorry, you remember Anna, right? | 0:30:16 | 0:30:20 | |
Girlfriend. Hey. | 0:30:20 | 0:30:22 | |
I'm sorry to intrude. I just... | 0:30:22 | 0:30:25 | |
you didn't return my calls, and I knew you hung out here, so... | 0:30:25 | 0:30:28 | |
Wait, she called you? | 0:30:28 | 0:30:30 | |
-It... -Just to offer my condolences. | 0:30:30 | 0:30:33 | |
It's just so tragic and unexpected. | 0:30:33 | 0:30:35 | |
Just, you know, it doesn't make any sense. | 0:30:35 | 0:30:37 | |
Well, suicide rarely does. | 0:30:37 | 0:30:39 | |
Well, could be more to it than that. | 0:30:39 | 0:30:40 | |
-Like what? -Like the other woman made plans. | 0:30:40 | 0:30:43 | |
She was moving to a new house, new job. | 0:30:43 | 0:30:46 | |
Wait, how do you know this? | 0:30:46 | 0:30:47 | |
I spoke to Bob. | 0:30:47 | 0:30:48 | |
Can I speak to you outside? | 0:30:50 | 0:30:53 | |
Y... | 0:30:53 | 0:30:54 | |
If you think something happened with your dad, I can help. | 0:30:55 | 0:30:59 | |
Thanks. I... I should... | 0:30:59 | 0:31:01 | |
Security's lax at these things. | 0:31:04 | 0:31:06 | |
Just act like you belong. | 0:31:06 | 0:31:08 | |
Pretend you're worth a few billion. | 0:31:08 | 0:31:10 | |
Look. | 0:31:12 | 0:31:13 | |
Jon Givens from Shearman Brothers. | 0:31:13 | 0:31:15 | |
Steve Myers from Stone and Hopkins. | 0:31:15 | 0:31:17 | |
Every CEO in New York is here. | 0:31:17 | 0:31:20 | |
Including Alex Baker of SOC. | 0:31:20 | 0:31:23 | |
Oh, damn it. | 0:31:23 | 0:31:25 | |
We're going to be here all night, folks. | 0:31:25 | 0:31:27 | |
Keep drinking and eating! | 0:31:27 | 0:31:28 | |
There's Darnell. Shameless. | 0:31:28 | 0:31:30 | |
Are you kidding? This place is crawling with congressmen. | 0:31:30 | 0:31:33 | |
It's how government works these days. They're all shameless. | 0:31:33 | 0:31:36 | |
No, no, no! Not so fast. | 0:31:36 | 0:31:38 | |
Pete... Hmph... | 0:31:38 | 0:31:39 | |
But I don't know if I'll win this year! | 0:31:39 | 0:31:42 | |
-Recognise me, Senator? -Should I? | 0:31:42 | 0:31:45 | |
Tried to have you brought up on charges last year. | 0:31:45 | 0:31:47 | |
Selective prosecution. | 0:31:47 | 0:31:49 | |
Payback for sending your friends to jail | 0:31:49 | 0:31:50 | |
for defrauding investors. | 0:31:50 | 0:31:53 | |
Well, hell's bells, if it isn't... | 0:31:53 | 0:31:57 | |
Peter Decker. | 0:31:57 | 0:31:59 | |
Who the hell let you in here? You look terrible. | 0:31:59 | 0:32:01 | |
Private sector not agreeing with you? | 0:32:01 | 0:32:03 | |
I'm doing just fine. | 0:32:03 | 0:32:04 | |
Business intelligence with Simons-Wachtel. | 0:32:04 | 0:32:06 | |
Good firm. | 0:32:06 | 0:32:08 | |
Well paid, I assume. | 0:32:08 | 0:32:09 | |
I've been investigating Societele Mining - | 0:32:09 | 0:32:11 | |
SOC. Alex Baker. | 0:32:11 | 0:32:14 | |
Baker's the best, isn't he? | 0:32:14 | 0:32:15 | |
Did you know he's a scratch golfer? | 0:32:15 | 0:32:18 | |
He's also a criminal. | 0:32:18 | 0:32:20 | |
Funds terrorists. | 0:32:20 | 0:32:22 | |
Conspired to murder American soldiers - | 0:32:22 | 0:32:24 | |
but you know all that already, don't you? | 0:32:24 | 0:32:27 | |
I beg your pardon? | 0:32:27 | 0:32:28 | |
That's why you're pressuring my friends at the Justice Department. | 0:32:28 | 0:32:33 | |
I just wanted to put you on notice that I know, | 0:32:33 | 0:32:37 | |
and this time... | 0:32:37 | 0:32:38 | |
This time, Senator... | 0:32:40 | 0:32:43 | |
I am going to win. | 0:32:43 | 0:32:45 | |
Well, guess what, Peter Decker. | 0:32:51 | 0:32:54 | |
I do not care. | 0:32:54 | 0:32:56 | |
You want to know why? | 0:32:56 | 0:32:57 | |
Because none of this makes a difference. | 0:32:57 | 0:32:59 | |
Not to these people, | 0:32:59 | 0:33:02 | |
and these people are the only ones that matter. | 0:33:02 | 0:33:05 | |
Pete, Pete. | 0:33:10 | 0:33:11 | |
Pete, Pete, Pete. | 0:33:11 | 0:33:13 | |
Come on, we got to go. Go. | 0:33:14 | 0:33:16 | |
HE GIVES COMMAND | 0:33:37 | 0:33:38 | |
Oui, General. | 0:33:38 | 0:33:39 | |
You are harbouring a fugitive of the United States government. | 0:33:48 | 0:33:52 | |
Any interference will bring you great suffering. | 0:33:52 | 0:33:55 | |
The United States will employ every weapon in its arsenal | 0:33:55 | 0:33:59 | |
to retaliate. | 0:33:59 | 0:34:01 | |
That's good. | 0:34:01 | 0:34:02 | |
That's good. | 0:34:05 | 0:34:06 | |
You're a gifted soldier. | 0:34:06 | 0:34:09 | |
A gifted soldier, | 0:34:10 | 0:34:13 | |
but you overestimate yourself. | 0:34:13 | 0:34:15 | |
You see, your military will terrorise my people | 0:34:15 | 0:34:21 | |
whether I kill you or not, | 0:34:21 | 0:34:25 | |
so as you can imagine, | 0:34:25 | 0:34:27 | |
your life is hanging on by a very thin thread. | 0:34:27 | 0:34:29 | |
He's not US military. He's a gun for hire. | 0:34:29 | 0:34:32 | |
He's a mercenary. | 0:34:32 | 0:34:33 | |
I work for a private contractor. | 0:34:33 | 0:34:36 | |
They work for the US government. | 0:34:36 | 0:34:39 | |
This woman is a traitor. | 0:34:39 | 0:34:41 | |
Release her, | 0:34:41 | 0:34:43 | |
or you face the consequences. | 0:34:43 | 0:34:45 | |
-SCOFFS: -OK. -Osela wants the flash drive. | 0:34:45 | 0:34:48 | |
That's why you killed my entire unit to get it. | 0:34:48 | 0:34:50 | |
Ask him who he really works for. Is it SOC? | 0:34:50 | 0:34:52 | |
Is it? Is it SOC? | 0:34:52 | 0:34:54 | |
You're a dead woman. | 0:34:54 | 0:34:55 | |
THEY COUGH | 0:35:00 | 0:35:02 | |
Omar. | 0:35:24 | 0:35:26 | |
My name is Odelle Ballard, | 0:35:31 | 0:35:33 | |
Sergeant First Class of the United States Army... | 0:35:33 | 0:35:35 | |
Praise Allah! | 0:35:35 | 0:35:37 | |
You are alive! | 0:35:37 | 0:35:40 | |
I have come to rescue you. | 0:35:40 | 0:35:42 | |
When will you hear from the general? | 0:35:46 | 0:35:49 | |
When he decides to call. | 0:35:49 | 0:35:51 | |
Don't worry. | 0:35:51 | 0:35:53 | |
He always decides to call. | 0:35:53 | 0:35:55 | |
How did you become friends with a general | 0:35:55 | 0:35:58 | |
in the Malian Army? | 0:35:58 | 0:36:00 | |
First answer me, honestly. | 0:36:00 | 0:36:03 | |
Why do you care so much about this female American soldier? | 0:36:03 | 0:36:07 | |
Hmm? | 0:36:07 | 0:36:09 | |
I don't know. | 0:36:09 | 0:36:10 | |
I just do. | 0:36:10 | 0:36:12 | |
Yes. | 0:36:12 | 0:36:14 | |
Not everything fits into a neat little box, Aslam. | 0:36:14 | 0:36:17 | |
Sometimes we care about people that we shouldn't care about. | 0:36:17 | 0:36:20 | |
But what you do with the general is a sin against Allah. | 0:36:20 | 0:36:24 | |
Is that what you think? | 0:36:24 | 0:36:26 | |
I saw you kiss him like a woman. | 0:36:26 | 0:36:29 | |
It's disgusting. | 0:36:29 | 0:36:30 | |
I need to buy cigarettes. | 0:36:39 | 0:36:41 | |
Hello again. | 0:36:58 | 0:37:00 | |
I never wanted to be like my father. | 0:37:04 | 0:37:06 | |
Sure, he was successful... | 0:37:08 | 0:37:11 | |
a celebrated writer, Pulitzer Prize winner. | 0:37:11 | 0:37:14 | |
He had great instincts for finding the truth, | 0:37:16 | 0:37:18 | |
and he dedicated his entire life to it. | 0:37:18 | 0:37:21 | |
Problem was, I barely knew him... | 0:37:24 | 0:37:28 | |
and then suddenly... | 0:37:28 | 0:37:30 | |
..he was gone. | 0:37:32 | 0:37:35 | |
Like my father, | 0:37:35 | 0:37:36 | |
I keep my distance too | 0:37:36 | 0:37:39 | |
from the ones I care about most. | 0:37:39 | 0:37:41 | |
I do love them, | 0:37:42 | 0:37:44 | |
the same way I now know that my father loved me. | 0:37:44 | 0:37:48 | |
He just... | 0:37:48 | 0:37:51 | |
didn't know how to show it. | 0:37:51 | 0:37:53 | |
And now that I understand that, | 0:37:53 | 0:37:54 | |
I'm not going to make the mistakes he made. | 0:37:54 | 0:37:57 | |
I'm going to dedicate my life to showing the people... | 0:37:59 | 0:38:03 | |
..I love how much I love them, | 0:38:05 | 0:38:09 | |
no matter what. | 0:38:09 | 0:38:12 | |
But I'm also like my father in the good ways. | 0:38:14 | 0:38:17 | |
I, too, follow my instincts. | 0:38:17 | 0:38:20 | |
I, too, have a need to find the truth, | 0:38:20 | 0:38:23 | |
and I'll devote my life to finding it... | 0:38:23 | 0:38:28 | |
no matter what. | 0:38:28 | 0:38:30 | |
Thanks, Dad. | 0:38:35 | 0:38:37 | |
I love you too. | 0:38:38 | 0:38:40 | |
Hey, Diane. | 0:38:43 | 0:38:45 | |
I'm so sorry. | 0:38:47 | 0:38:49 | |
That was a hell of a eulogy, young man. | 0:38:50 | 0:38:53 | |
Your father would be very proud. | 0:38:53 | 0:38:54 | |
He certainly will be when I'm done. | 0:38:54 | 0:38:56 | |
Well, you know where to reach me if there's anything I can ever do. | 0:38:56 | 0:39:00 | |
I think I know who killed your father. | 0:39:06 | 0:39:08 | |
I wasn't here. | 0:39:08 | 0:39:10 | |
-VOICEMAIL: -Hey, you've reached Sergeant Odelle Ballard. | 0:39:15 | 0:39:17 | |
I'll be out of touch for the next few weeks, | 0:39:17 | 0:39:19 | |
so leave me a message, and I'll call you back as soon as I can. | 0:39:19 | 0:39:22 | |
And if this is you, Suzie Q, | 0:39:22 | 0:39:24 | |
I miss you, and I'll be home before you know it. | 0:39:24 | 0:39:27 | |
OK, I love you. | 0:39:27 | 0:39:28 | |
Give your dad a big, slobbery kiss for me, OK? | 0:39:28 | 0:39:30 | |
Mwah, mwah, mwah. | 0:39:30 | 0:39:32 | |
BEEP | 0:39:32 | 0:39:33 | |
Hey, it's me again. | 0:39:33 | 0:39:35 | |
I just wanted to say that... | 0:39:35 | 0:39:39 | |
I miss you, Mama, so much... | 0:39:39 | 0:39:43 | |
and Dad says it'll get less and less every day, but... | 0:39:43 | 0:39:49 | |
he's wrong. | 0:39:49 | 0:39:51 | |
It's getting worse. | 0:39:51 | 0:39:53 | |
LINE CRACKLES | 0:39:53 | 0:39:54 | |
Hello? | 0:39:55 | 0:39:58 | |
Is someone there? | 0:39:58 | 0:39:59 | |
Hello? | 0:39:59 | 0:40:01 | |
-Thank you. -You're welcome. | 0:40:05 | 0:40:08 | |
Do you have a cellphone? | 0:40:11 | 0:40:12 | |
Of course! | 0:40:12 | 0:40:14 | |
Who would you like to call? | 0:40:14 | 0:40:16 | |
PHONE RINGS | 0:40:17 | 0:40:19 | |
Colonel Glen. | 0:40:24 | 0:40:27 | |
'Colonel?' | 0:40:27 | 0:40:29 | |
It's Odelle. | 0:40:29 | 0:40:31 | |
I'm alive. | 0:40:31 | 0:40:33 |