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Your mother was a very brave woman. I am so sorry. | 0:00:02 | 0:00:04 | |
The Ansar Dine hold my friend prisoner. She is in trouble. | 0:00:04 | 0:00:06 | |
I have a friend, he is a general in the Malian army. | 0:00:06 | 0:00:09 | |
I got my hands on a document, a transfer from SOC to Al-Qaeda. | 0:00:09 | 0:00:12 | |
Joe. I need to light a fire. | 0:00:12 | 0:00:13 | |
They killed your father. Any one of us could be next. | 0:00:13 | 0:00:16 | |
If you think something happened with your dad, I could help. | 0:00:16 | 0:00:19 | |
Omar, I know this man. He's dangerous. | 0:00:19 | 0:00:20 | |
We're not safe. None of us are. | 0:00:20 | 0:00:22 | |
Colonel Glen. | 0:00:22 | 0:00:24 | |
Colonel? It's Odelle. | 0:00:24 | 0:00:26 | |
I'm alive. | 0:00:26 | 0:00:27 | |
This programme contains some violent scenes | 0:00:27 | 0:00:31 | |
PHONE RINGS | 0:00:31 | 0:00:33 | |
-Colonel Glen. -Colonel? | 0:00:33 | 0:00:35 | |
It's Odelle. | 0:00:35 | 0:00:37 | |
I'm alive. | 0:00:37 | 0:00:39 | |
My God. | 0:00:41 | 0:00:42 | |
Odelle. | 0:00:43 | 0:00:45 | |
But your entire unit was...was... | 0:00:45 | 0:00:47 | |
Yes, they were. | 0:00:47 | 0:00:48 | |
-All of them. -But you had... | 0:00:48 | 0:00:49 | |
Yeah, I'm...I'm a little banged up, but I'm...I'm fine. | 0:00:49 | 0:00:52 | |
Listen, Colonel, you need to understand. | 0:00:52 | 0:00:54 | |
The people that attacked us, they were not insurgents. | 0:00:54 | 0:00:56 | |
They were Osela. | 0:00:56 | 0:00:58 | |
The same people that were sent for SSE after we killed Abdul Abbas. | 0:00:58 | 0:01:02 | |
Colonel? | 0:01:03 | 0:01:04 | |
I hear you, Sergeant, I'm just... | 0:01:04 | 0:01:06 | |
You're certain they were Osela? | 0:01:06 | 0:01:08 | |
Yes, I'm positive, sir. | 0:01:08 | 0:01:09 | |
I can fill in the details at the debrief. | 0:01:09 | 0:01:11 | |
Sir, my...my family. | 0:01:11 | 0:01:15 | |
Yes, yes, we need to get you home immediately. | 0:01:15 | 0:01:18 | |
-Will you let them know that I'm OK? -Of course. | 0:01:18 | 0:01:21 | |
That'll be the first call I make. | 0:01:21 | 0:01:23 | |
Thank you, and tell them that I'll call them | 0:01:23 | 0:01:26 | |
the minute I get to the embassy. | 0:01:26 | 0:01:27 | |
Embassy? | 0:01:27 | 0:01:28 | |
Yes, I'm with... | 0:01:28 | 0:01:30 | |
I'm with Colonel... | 0:01:30 | 0:01:31 | |
-General. -I'm with General... | 0:01:31 | 0:01:33 | |
-Diallo. -General Diallo. | 0:01:33 | 0:01:34 | |
He's escorting me to the American Embassy | 0:01:34 | 0:01:36 | |
here in Bamako. | 0:01:36 | 0:01:37 | |
Isn't that SOP? | 0:01:37 | 0:01:39 | |
Not in this case. | 0:01:39 | 0:01:40 | |
We need to exercise extreme caution here, Sergeant. | 0:01:40 | 0:01:43 | |
Extreme caution. | 0:01:43 | 0:01:44 | |
I don't understand. | 0:01:44 | 0:01:45 | |
Most of our diplomatic security in the region | 0:01:45 | 0:01:47 | |
has been outsourced to private military corporations. | 0:01:47 | 0:01:50 | |
-Osela? -Among others. | 0:01:50 | 0:01:52 | |
The embassy isn't safe. | 0:01:52 | 0:01:53 | |
You need to get... Stand by one. | 0:01:53 | 0:01:56 | |
You need to get to number nine Avenue Sheikh Zayed on the Fariko River. | 0:02:00 | 0:02:04 | |
Can you remember that? Do not repeat. | 0:02:04 | 0:02:06 | |
Just say yes if you can. | 0:02:06 | 0:02:08 | |
Yes. | 0:02:08 | 0:02:09 | |
It's a classified safe house, | 0:02:09 | 0:02:10 | |
so you'll have to extricate yourself from the Malians, | 0:02:10 | 0:02:13 | |
including that general. | 0:02:13 | 0:02:14 | |
-Understood. -Excellent. | 0:02:14 | 0:02:15 | |
Contact me when you arrive. | 0:02:15 | 0:02:17 | |
I'll send an extraction team for you ASAP. | 0:02:17 | 0:02:19 | |
Copy that. | 0:02:19 | 0:02:21 | |
Odelle... | 0:02:21 | 0:02:23 | |
..you've been brave. | 0:02:24 | 0:02:26 | |
Extremely brave. | 0:02:26 | 0:02:29 | |
Now it's my job to bring you home. | 0:02:29 | 0:02:32 | |
Thank you, sir. | 0:02:32 | 0:02:34 | |
You will tell them it was me that saved you, eh? | 0:02:39 | 0:02:41 | |
-At the embassy? -Yes. Yes. | 0:02:41 | 0:02:44 | |
HE CHUCKLES | 0:02:44 | 0:02:45 | |
KNOCK AT DOOR | 0:02:45 | 0:02:46 | |
Who the hell is David Tenant? | 0:02:50 | 0:02:51 | |
Are you crazy? Why don't we just broadcast it on the evening news? | 0:02:51 | 0:02:54 | |
You said he killed my father. I've never even heard of him. | 0:02:54 | 0:02:57 | |
Your father did. | 0:02:57 | 0:02:58 | |
I was able to access his cellphone records | 0:02:58 | 0:03:01 | |
from the day he was killed. | 0:03:01 | 0:03:02 | |
What? How? | 0:03:02 | 0:03:04 | |
You know what, never mind. And? | 0:03:04 | 0:03:06 | |
-And? -Just before he died, your dad made several phone calls | 0:03:06 | 0:03:09 | |
to one person outside of his typical pattern. | 0:03:09 | 0:03:11 | |
-Tenant? -Yes. | 0:03:11 | 0:03:13 | |
He's a Senior VP at GBR Industries. | 0:03:13 | 0:03:15 | |
All right, but what's he got to do with... | 0:03:15 | 0:03:17 | |
OK, I'll get to that, but first we need some ground rules. | 0:03:17 | 0:03:19 | |
No reporters - especially that Ruby woman. | 0:03:19 | 0:03:22 | |
-She... she... she could be helpful. -Trust me. She isn't. | 0:03:22 | 0:03:24 | |
OK, no reporters. Go on. | 0:03:24 | 0:03:28 | |
Well, like I said, Tenant works for GBR, | 0:03:28 | 0:03:31 | |
and GBR provides infrastructure for the military. | 0:03:31 | 0:03:34 | |
You know, laundry, recreational equipment, basketball courts. | 0:03:34 | 0:03:37 | |
So...? | 0:03:37 | 0:03:38 | |
They do business in Mali. | 0:03:38 | 0:03:41 | |
Mali, Harrison, where those soldiers, | 0:03:41 | 0:03:43 | |
including Odelle Ballard, were killed - | 0:03:43 | 0:03:45 | |
allegedly by insurgents. | 0:03:45 | 0:03:46 | |
I... I don't follow. | 0:03:46 | 0:03:47 | |
-Lookit, you tell your father there's a conspiracy in Mali. -Right. | 0:03:47 | 0:03:50 | |
He talks to Colonel Glen about Odelle Ballard, | 0:03:50 | 0:03:52 | |
and then he talks to this guy, | 0:03:52 | 0:03:53 | |
who just so happens to do military business in Mali? | 0:03:53 | 0:03:55 | |
-Wait, in Mali and how many other countries? -24. | 0:03:55 | 0:03:58 | |
But that's not the point. | 0:03:58 | 0:03:59 | |
There... There's more. | 0:03:59 | 0:04:01 | |
I hacked into Tenant's e-mail. | 0:04:01 | 0:04:02 | |
Bob, you can't just hack into people's e-mails. | 0:04:02 | 0:04:04 | |
The guy uses AOL! | 0:04:04 | 0:04:06 | |
What is it, like, 1991? | 0:04:06 | 0:04:08 | |
Anyway, Randall e-mailed Tenant | 0:04:08 | 0:04:09 | |
asking him questions about Ballard. | 0:04:09 | 0:04:11 | |
Told him he wanted to set up a meet. | 0:04:11 | 0:04:13 | |
Tenant agreed. | 0:04:13 | 0:04:15 | |
Said there was a lot to talk about. | 0:04:15 | 0:04:17 | |
Four hours later... | 0:04:19 | 0:04:21 | |
My father's dead. | 0:04:21 | 0:04:22 | |
Get in the car. | 0:04:26 | 0:04:28 | |
What do you want? | 0:04:33 | 0:04:34 | |
For you to stop acting like a lunatic and start answering my questions. | 0:04:34 | 0:04:38 | |
Then you will let me go? | 0:04:38 | 0:04:39 | |
It depends. | 0:04:39 | 0:04:40 | |
Why does the Ansar Dine give a crap about you? | 0:04:40 | 0:04:43 | |
What do you have that they want? | 0:04:43 | 0:04:44 | |
Look, I have one of them on speed dial. | 0:04:46 | 0:04:48 | |
Want me to call him? | 0:04:48 | 0:04:50 | |
Fine. | 0:04:51 | 0:04:53 | |
PHONE DIALS | 0:04:53 | 0:04:55 | |
Cos that's what the Ansar Dine want, OK? It's this. | 0:04:57 | 0:05:01 | |
That's what they want. | 0:05:01 | 0:05:02 | |
-'Hello.' -Rasha, it's Amar. | 0:05:02 | 0:05:04 | |
Oui! | 0:05:07 | 0:05:10 | |
What's on it? | 0:05:15 | 0:05:17 | |
I don't know. | 0:05:17 | 0:05:18 | |
Why does the Ansar Dine want it? | 0:05:18 | 0:05:20 | |
I don't know. | 0:05:20 | 0:05:21 | |
OK. | 0:05:21 | 0:05:23 | |
I got a computer that works now. | 0:05:30 | 0:05:31 | |
Guess we'll find out together. | 0:05:31 | 0:05:34 | |
CROWD SHOUTS AND CHANTS | 0:05:34 | 0:05:37 | |
Degage! | 0:05:41 | 0:05:43 | |
Protestors. | 0:05:43 | 0:05:44 | |
HORN HONKS | 0:05:46 | 0:05:48 | |
Ah. | 0:05:52 | 0:05:54 | |
Don't worry. I will get you to the embassy, eh? | 0:06:01 | 0:06:03 | |
Embassy! | 0:06:07 | 0:06:09 | |
HE SHOUTS IN FRENCH | 0:06:09 | 0:06:11 | |
What are you doing? What are you doing? | 0:06:20 | 0:06:23 | |
What are you doing? | 0:06:23 | 0:06:24 | |
GUNSHOTS | 0:06:29 | 0:06:31 | |
HE SHOUTS IN FRENCH | 0:06:43 | 0:06:45 | |
Damn it! | 0:06:50 | 0:06:53 | |
It's a simple question. | 0:06:53 | 0:06:56 | |
Do you work for me, or do you still work for the Justice Department? | 0:06:56 | 0:06:59 | |
SOC broke the law. | 0:06:59 | 0:07:00 | |
I have to do what's right no matter where I work. | 0:07:00 | 0:07:02 | |
No-one's telling you not to do what's right. | 0:07:02 | 0:07:04 | |
In fact, had you spoken with me first, | 0:07:04 | 0:07:06 | |
you would know, not only do I agree with you, | 0:07:06 | 0:07:08 | |
but so does Alex Baker. | 0:07:08 | 0:07:09 | |
He hired outside consultants to conduct a full investigation | 0:07:09 | 0:07:12 | |
of both SOC and Simons-Wachtel. | 0:07:12 | 0:07:14 | |
Who are these outside consultants? | 0:07:14 | 0:07:16 | |
Chuck Lees and Jack Levy of Morgan Jacobson. | 0:07:16 | 0:07:17 | |
-You're familiar? -Of course. | 0:07:17 | 0:07:19 | |
I'd like to speak with them. | 0:07:19 | 0:07:20 | |
That's always been my intention, Peter. | 0:07:20 | 0:07:22 | |
I hired you for your intelligence savvy | 0:07:25 | 0:07:27 | |
and your moral compass. | 0:07:27 | 0:07:29 | |
But none of that is useful to us without your trust. | 0:07:29 | 0:07:32 | |
I understand. | 0:07:32 | 0:07:34 | |
Now you need to repair your relationship with Alex Baker. | 0:07:34 | 0:07:36 | |
He's even angrier than I am. | 0:07:36 | 0:07:38 | |
Oh, and by the way... | 0:07:43 | 0:07:45 | |
I hear you been speaking with Sophia Tsaldari. | 0:07:45 | 0:07:48 | |
I have. | 0:07:48 | 0:07:49 | |
So far she's not interested in meeting with Mr Baker. | 0:07:49 | 0:07:53 | |
I'm sure you'll persuade her. | 0:07:53 | 0:07:55 | |
Black Sands. | 0:08:08 | 0:08:10 | |
What's that? | 0:08:10 | 0:08:11 | |
I don't know. | 0:08:11 | 0:08:13 | |
It's got something to do with oilfields in Pakistan. | 0:08:13 | 0:08:17 | |
It's weird. There's no final copy. | 0:08:17 | 0:08:19 | |
No article with the notes. | 0:08:19 | 0:08:21 | |
-Well, maybe he never finished it. -PHONE VIBRATES | 0:08:21 | 0:08:25 | |
Hey, Bob, what's up? | 0:08:28 | 0:08:29 | |
So did you find anything? | 0:08:29 | 0:08:31 | |
Yeah, so my father mentions Tenant as a source | 0:08:31 | 0:08:33 | |
for an unfinished article about Pakistani oilfields. | 0:08:33 | 0:08:38 | |
-You ever hear of Black Sands? -No, but an unfinished article | 0:08:38 | 0:08:40 | |
could be the reason Tenant killed your father. | 0:08:40 | 0:08:43 | |
What's it got to do with Odelle Ballard and Colonel Glen? | 0:08:43 | 0:08:46 | |
Uh, nothing yet. | 0:08:46 | 0:08:48 | |
But everything's linked, Harrison. | 0:08:48 | 0:08:50 | |
-Everything. -OK. I should go. | 0:08:50 | 0:08:52 | |
No, wait, wait, wait, wait, wait. | 0:08:52 | 0:08:54 | |
I called to tell that you right now as we speak, | 0:08:54 | 0:08:57 | |
Tenant is having lunch at a place called the Edison Club. | 0:08:57 | 0:09:00 | |
If you leave now, I can meet you there. | 0:09:00 | 0:09:01 | |
And do what? Pull up a chair? | 0:09:01 | 0:09:03 | |
He was the last person to speak to your father | 0:09:03 | 0:09:05 | |
before he was killed. | 0:09:05 | 0:09:07 | |
He's hiding something. I can feel it. | 0:09:07 | 0:09:09 | |
-So 20 minutes? -OK. | 0:09:09 | 0:09:11 | |
So maybe you should go talk to this guy with him. | 0:09:11 | 0:09:14 | |
Wait, hello? | 0:09:14 | 0:09:16 | |
Is there... Hello? Are you there? | 0:09:16 | 0:09:17 | |
Is there somebody else on the line? | 0:09:17 | 0:09:19 | |
-You know, I'm hanging up. -Bob, Bob, it's just... | 0:09:19 | 0:09:21 | |
It's just Anna. | 0:09:21 | 0:09:22 | |
-Hi, Bob. -Oh. | 0:09:22 | 0:09:24 | |
Have I been on speaker this whole time? | 0:09:24 | 0:09:26 | |
Hey, Bob, thanks for the tip. | 0:09:26 | 0:09:28 | |
Really, it's great. So I'll go talk to Tenant. | 0:09:28 | 0:09:31 | |
No, no, I don't mind. Wait, but with...with Anna? | 0:09:31 | 0:09:34 | |
Yeah, I think it's better. | 0:09:34 | 0:09:36 | |
-Better? -You know, I'll fill you in later, Bob, all right? | 0:09:36 | 0:09:39 | |
I promise. | 0:09:39 | 0:09:40 | |
-Bob OK? -PHONE CHIMES | 0:09:44 | 0:09:46 | |
He'll be fine. | 0:09:46 | 0:09:48 | |
Hey, I keep getting these texts from Odelle Ballard's daughter | 0:09:48 | 0:09:52 | |
asking about her mom, do I think if she's still alive. | 0:09:52 | 0:09:55 | |
I don't know what to tell her any more. | 0:09:55 | 0:09:57 | |
Who are you texting? | 0:09:59 | 0:10:01 | |
No-one. | 0:10:01 | 0:10:02 | |
Are... Are you really going to have these people come to our house? | 0:10:03 | 0:10:07 | |
It might help. | 0:10:08 | 0:10:10 | |
Even if Mom's dead, which she's not... | 0:10:10 | 0:10:13 | |
Darling, we went to her funeral. | 0:10:13 | 0:10:15 | |
Do you really think hanging around a bunch of strangers who are sad | 0:10:15 | 0:10:18 | |
is going to make me not sad? | 0:10:18 | 0:10:19 | |
I don't know. | 0:10:19 | 0:10:21 | |
I'm trying. | 0:10:21 | 0:10:22 | |
Me too. | 0:10:25 | 0:10:26 | |
DOORBELL RINGS | 0:10:33 | 0:10:34 | |
LOCK BUZZES | 0:10:34 | 0:10:35 | |
Sergeant Ballard. | 0:10:40 | 0:10:42 | |
I'm Rich. | 0:10:42 | 0:10:43 | |
I'm with the agency. | 0:10:43 | 0:10:45 | |
Are you here alone? | 0:10:49 | 0:10:50 | |
Yeah, yeah, but... But now you're here. | 0:10:50 | 0:10:53 | |
Alive. | 0:10:53 | 0:10:55 | |
-Not dead. -I just need a phone. | 0:10:55 | 0:10:58 | |
My daughter's just getting home from school right now. | 0:10:58 | 0:11:00 | |
Yeah, I understand, but... | 0:11:00 | 0:11:02 | |
How do I get an outside line? | 0:11:02 | 0:11:04 | |
You're not... You're not authorised. | 0:11:04 | 0:11:06 | |
It's a security protocol. | 0:11:06 | 0:11:07 | |
Once you're airborne, you can call any one you want to. | 0:11:07 | 0:11:10 | |
It's just you can't do it now. | 0:11:10 | 0:11:12 | |
So... I was supposed to debrief you - | 0:11:16 | 0:11:18 | |
unless you need to sleep. | 0:11:18 | 0:11:20 | |
No. Let's... | 0:11:20 | 0:11:22 | |
Let's get it over with. | 0:11:22 | 0:11:25 | |
SHE COUGHS | 0:11:25 | 0:11:27 | |
OK, let's start when your unit | 0:11:27 | 0:11:30 | |
was attacked by the insurgents. | 0:11:30 | 0:11:31 | |
That's not what happened. | 0:11:31 | 0:11:33 | |
Of course it is. | 0:11:34 | 0:11:36 | |
No, it's not, Rich. I was there. | 0:11:36 | 0:11:38 | |
Yeah, well, so was an RK151 stealth reconnaissance aircraft. | 0:11:38 | 0:11:43 | |
We've got the entire thing in living colour. | 0:11:43 | 0:11:48 | |
This is not what happened. | 0:11:48 | 0:11:50 | |
It's not us. | 0:11:50 | 0:11:53 | |
Are you sure that you don't need to take that rest? | 0:11:53 | 0:11:55 | |
And how'd you first become aware of SOC's financial misdealings? | 0:11:56 | 0:12:00 | |
The IRS investigation. | 0:12:00 | 0:12:01 | |
I saw the file. | 0:12:01 | 0:12:03 | |
SOC established an improper slush fund. | 0:12:03 | 0:12:05 | |
It was used to pay off a drone pilot, Danny Gentry. | 0:12:05 | 0:12:08 | |
And how did you get your hands on that IRS file? | 0:12:08 | 0:12:12 | |
What... What difference does that make? | 0:12:12 | 0:12:14 | |
You know about Danny Gentry, right? | 0:12:14 | 0:12:16 | |
The drone pilot who was murdered? | 0:12:16 | 0:12:17 | |
How long have you known Joe Abrams? | 0:12:17 | 0:12:20 | |
What... What does Joe have to do with...? | 0:12:20 | 0:12:22 | |
Let us tell you what we do know, Mr Decker. | 0:12:22 | 0:12:24 | |
There is a cancer here, a financial one, | 0:12:24 | 0:12:26 | |
the scope and source of which lies within SOC and Simons-Wachtel. | 0:12:26 | 0:12:30 | |
From what we can tell, and this is highly confidential, | 0:12:30 | 0:12:33 | |
Joe is the scope and source of this cancer rolled up in one. | 0:12:33 | 0:12:37 | |
You're on the wrong path here. | 0:12:39 | 0:12:40 | |
Stay with the facts. | 0:12:40 | 0:12:41 | |
SOC funded terrorists. | 0:12:41 | 0:12:44 | |
A Special Forces unit discovered this, | 0:12:44 | 0:12:45 | |
and SOC had them killed by a drone, | 0:12:45 | 0:12:48 | |
and when that drone pilot tried to go public, he was murdered. | 0:12:48 | 0:12:51 | |
Why are you going after Joe Abrams? | 0:12:51 | 0:12:52 | |
Are you aware that Joe Abrams formerly worked | 0:12:52 | 0:12:54 | |
at the Middle East investment desk in Riyadh? | 0:12:54 | 0:12:56 | |
So what I just told you won't be part of the investigation? | 0:13:00 | 0:13:03 | |
We issue our report tomorrow. | 0:13:03 | 0:13:05 | |
You'll find that we've been very thorough. | 0:13:05 | 0:13:08 | |
-Thanks. -Joe. | 0:13:12 | 0:13:14 | |
Hey, hey. I'm on my way to a meeting. | 0:13:14 | 0:13:16 | |
Hey, hey, hey. | 0:13:16 | 0:13:18 | |
-What, what...? Whoa. -You're being set up. | 0:13:18 | 0:13:21 | |
What? What are you talking about? | 0:13:21 | 0:13:23 | |
McDonald is setting you up to take the blame | 0:13:23 | 0:13:25 | |
for SOC's payments to Abdul Abbas. | 0:13:25 | 0:13:28 | |
Why would I do that? | 0:13:28 | 0:13:29 | |
How would I do that? | 0:13:29 | 0:13:30 | |
I mean, no offence to any particular ethnic group, | 0:13:30 | 0:13:33 | |
-but do I look like a terrorist?! -They need a scapegoat. | 0:13:33 | 0:13:36 | |
Wait, who have you been talking to? | 0:13:36 | 0:13:39 | |
SOC and Simons are conducting an investigation. | 0:13:39 | 0:13:41 | |
Why me? | 0:13:41 | 0:13:42 | |
What'd you say to them? | 0:13:42 | 0:13:43 | |
Nothing. | 0:13:43 | 0:13:45 | |
You told them about the IRS file, didn't you? | 0:13:45 | 0:13:47 | |
Jesus. Peter, you're the one that got me involved. | 0:13:47 | 0:13:50 | |
-I defended you. -No, you threw me under the bus | 0:13:50 | 0:13:53 | |
and you saved your own ass. DIAL PAD BEEPS | 0:13:53 | 0:13:55 | |
-What are you doing? Joe... -Shh, shh. | 0:13:55 | 0:13:57 | |
'Alex Baker's office.' | 0:14:01 | 0:14:02 | |
Hey, it's Joe. Is Mr Baker there? | 0:14:02 | 0:14:04 | |
'Er, he's busy. Can I have a return?' | 0:14:04 | 0:14:06 | |
-Yeah, when he gets a chance. Thanks. Bye. -'Bye.' | 0:14:06 | 0:14:09 | |
-It's a set up. -No. | 0:14:09 | 0:14:11 | |
-You got to listen to me. -This is your mess, Peter. Your mess. | 0:14:11 | 0:14:13 | |
You're not dragging me into it. | 0:14:13 | 0:14:15 | |
..and he said, "Not on my watch!" | 0:14:18 | 0:14:21 | |
-All right, next time drinks are on me, eh? -OK. | 0:14:21 | 0:14:23 | |
Mr Tenant, could I just have a moment of your time? | 0:14:23 | 0:14:25 | |
I'm... I'm Harrison Walters, Randall Walters's son. | 0:14:25 | 0:14:30 | |
Harrison. Ah, my condolences. | 0:14:30 | 0:14:33 | |
Your father was a good man and a great journalist. | 0:14:33 | 0:14:37 | |
You were the last person to speak to him | 0:14:37 | 0:14:39 | |
before he was killed. | 0:14:39 | 0:14:40 | |
Uh...from what I hear, he was with someone else when he died. | 0:14:40 | 0:14:44 | |
The police got it wrong. It wasn't a murder-suicide. | 0:14:44 | 0:14:46 | |
My father was killed because of what he was investigating. | 0:14:46 | 0:14:50 | |
On that last call, what were you two talking about? | 0:14:50 | 0:14:53 | |
Uh...I don't remember exactly. | 0:14:53 | 0:14:57 | |
Your father and I were friends. | 0:14:57 | 0:14:59 | |
We spoke all the time. | 0:14:59 | 0:15:00 | |
If you'll excuse me. | 0:15:00 | 0:15:02 | |
Was... Was it about Black Sands? | 0:15:02 | 0:15:06 | |
I mean, what...what IS Black Sands? | 0:15:06 | 0:15:09 | |
Wow, that was creepy. | 0:15:17 | 0:15:19 | |
Yeah. | 0:15:19 | 0:15:21 | |
It's just so arbitrary. | 0:15:22 | 0:15:23 | |
You need to let it go. No. | 0:15:23 | 0:15:25 | |
-It's not that big of a deal. -It's a big deal. | 0:15:25 | 0:15:27 | |
-Hey, hey. -You... | 0:15:27 | 0:15:28 | |
-What's going on? -Dad, my God. | 0:15:28 | 0:15:29 | |
Can you please tell Mom it's not 1952? | 0:15:29 | 0:15:31 | |
There's this concert tomorrow night and... | 0:15:31 | 0:15:33 | |
Please explain to our daughter | 0:15:33 | 0:15:35 | |
she can't go into the city on a school night | 0:15:35 | 0:15:37 | |
with some older guy that she met at a coffee house. | 0:15:37 | 0:15:39 | |
-PHONE RINGS -Wait. How much older? | 0:15:39 | 0:15:40 | |
She's making it sound like he's 40 or something. | 0:15:40 | 0:15:42 | |
-Cameron's a freshman at NYU. -Can you please not get that? | 0:15:42 | 0:15:45 | |
I have to take this. Hey, Gracie. Wait, wait. Slow down. What? | 0:15:45 | 0:15:47 | |
-You don't have to be such a big deal... -You need to let it go, Maya. | 0:15:47 | 0:15:50 | |
-You can't keep... -What?! | 0:15:50 | 0:15:51 | |
-'..they took him away in handcuffs!' SIGHS: -OK. OK, don't worry. | 0:15:51 | 0:15:54 | |
I'll... I'll... I'll be right there. | 0:15:54 | 0:15:57 | |
What's going on? | 0:15:57 | 0:15:59 | |
Joe's been arrested. | 0:15:59 | 0:16:01 | |
Joe Abrams? For what? | 0:16:01 | 0:16:02 | |
I'll explain later. I'll be... | 0:16:02 | 0:16:04 | |
I'll be back as soon as I can. | 0:16:04 | 0:16:06 | |
I'm sorry about earlier. | 0:16:08 | 0:16:12 | |
Don't even think about it. | 0:16:12 | 0:16:14 | |
I'm getting you out of this. | 0:16:14 | 0:16:15 | |
Dixon's already on it. | 0:16:15 | 0:16:18 | |
I need to tell you something. | 0:16:18 | 0:16:19 | |
When you were first hired, | 0:16:22 | 0:16:24 | |
McDonald and Baker told me to keep an eye on you. | 0:16:24 | 0:16:27 | |
What do you mean "keep an eye"? | 0:16:27 | 0:16:28 | |
Well, they said they weren't sure that you could be trusted. | 0:16:28 | 0:16:31 | |
-You were spying on me? -I'm sorry. | 0:16:31 | 0:16:34 | |
I really am, but all I did was report back to them, | 0:16:34 | 0:16:36 | |
you know, tell them what you were doing. I swear. | 0:16:36 | 0:16:39 | |
You told them about Gentry? | 0:16:39 | 0:16:40 | |
-Yeah. -They killed him right in front of me. | 0:16:40 | 0:16:42 | |
I know - but they promised they had nothing to do with that. They said... | 0:16:42 | 0:16:45 | |
And you believed them? | 0:16:45 | 0:16:47 | |
I never thought they'd go that far. No way. | 0:16:47 | 0:16:49 | |
Why are they doing this to me? | 0:16:52 | 0:16:55 | |
Hmm? | 0:16:55 | 0:16:56 | |
Because they can. | 0:16:56 | 0:16:58 | |
You want in so badly. | 0:17:02 | 0:17:05 | |
And everyone can see it. | 0:17:05 | 0:17:07 | |
How do you think you got on | 0:17:07 | 0:17:08 | |
the Middle Eastern investments desk anyway? | 0:17:08 | 0:17:10 | |
You know anything about the Middle East? | 0:17:10 | 0:17:12 | |
Speak Arabic? Take courses in Middle Eastern economics? | 0:17:12 | 0:17:15 | |
-Maybe I didn't go to Harvard like you - or Yale. -I'm not judging you. | 0:17:15 | 0:17:17 | |
-I'm just trying to get you to understand. -Hey, look, I get it, OK? | 0:17:17 | 0:17:20 | |
I'm unqualified to be in my position, | 0:17:20 | 0:17:22 | |
but I worked my ass off, | 0:17:22 | 0:17:24 | |
and I thought I was finally being rewarded. | 0:17:24 | 0:17:26 | |
OK? | 0:17:26 | 0:17:27 | |
Little did I know I was being set up. | 0:17:27 | 0:17:30 | |
Got to get me out of this. | 0:17:33 | 0:17:35 | |
You got to help me. | 0:17:35 | 0:17:37 | |
Please. You got to help me. | 0:17:37 | 0:17:39 | |
I'll do what I can. | 0:17:42 | 0:17:44 | |
So the American is alive. | 0:17:47 | 0:17:49 | |
You found her, | 0:17:49 | 0:17:51 | |
had her in your truck sitting right next to you, | 0:17:51 | 0:17:53 | |
and you let her just walk away in the middle of the street?! | 0:17:53 | 0:17:56 | |
-Enough! -Wait, wait, wait. | 0:17:56 | 0:17:59 | |
Diallo, Diallo, please. | 0:17:59 | 0:18:01 | |
Please. | 0:18:02 | 0:18:04 | |
You were going to be a hero with the Americans. | 0:18:07 | 0:18:10 | |
It would have been so good for you - | 0:18:10 | 0:18:12 | |
for us, and for my poor little nephew. | 0:18:12 | 0:18:14 | |
He was the first family | 0:18:17 | 0:18:18 | |
who was even willing to speak to me since... | 0:18:18 | 0:18:21 | |
I don't know. | 0:18:21 | 0:18:23 | |
I actually thought that maybe we could work things out | 0:18:23 | 0:18:26 | |
as a family. | 0:18:26 | 0:18:27 | |
Hush now, my sweet. | 0:18:27 | 0:18:30 | |
Hush. | 0:18:30 | 0:18:31 | |
You are so much more than you know. | 0:18:39 | 0:18:42 | |
I'm just a talk show host. | 0:18:43 | 0:18:45 | |
What good is that in finding my nephew? | 0:18:45 | 0:18:47 | |
Maybe you could use your television show to find him. | 0:18:50 | 0:18:53 | |
-You wouldn't mind? -No. | 0:18:55 | 0:18:57 | |
My general. My general. | 0:19:01 | 0:19:05 | |
My handsome, handsome general. | 0:19:05 | 0:19:06 | |
THEY CHUCKLE | 0:19:06 | 0:19:08 | |
We captured the Osela operative, | 0:19:09 | 0:19:10 | |
but before we could get anything out of him, | 0:19:10 | 0:19:12 | |
the Malian army blew the place wide open. | 0:19:12 | 0:19:14 | |
I don't even know what happened to him. | 0:19:14 | 0:19:15 | |
Wait - by "we", do you mean that you... | 0:19:15 | 0:19:17 | |
you collaborated with Ansar Dine terrorists? | 0:19:17 | 0:19:19 | |
I had no choice but to work with them, no. | 0:19:19 | 0:19:22 | |
I was trying to stay alive. | 0:19:22 | 0:19:24 | |
Is there a problem? | 0:19:27 | 0:19:28 | |
LAUGHS: "Is there a problem"! | 0:19:28 | 0:19:30 | |
Um... | 0:19:30 | 0:19:32 | |
I'm going to be honest. | 0:19:32 | 0:19:35 | |
I've only been with the agency for three years. | 0:19:35 | 0:19:37 | |
Nothing much happens here, and then suddenly I get a call, | 0:19:37 | 0:19:42 | |
and you show up with this crazy story about drones, | 0:19:42 | 0:19:45 | |
and Osela's killing special ops forces, | 0:19:45 | 0:19:47 | |
and chasing you to an Ansar Dine safe house to kill you? | 0:19:47 | 0:19:50 | |
-I mean, does any of it even make sense to you? -No. | 0:19:50 | 0:19:53 | |
But that's what happened. | 0:19:55 | 0:19:57 | |
Yeah, well, I'm sure you believe that. | 0:19:57 | 0:20:00 | |
Can you turn that up, please? | 0:20:05 | 0:20:07 | |
'Her family mourns with a grateful nation. | 0:20:10 | 0:20:12 | |
'Now back to you in the studio.' | 0:20:12 | 0:20:14 | |
No, I need... I need to use the computer. | 0:20:14 | 0:20:16 | |
-No, no, you're not authorised. -Fine, then you use it. | 0:20:16 | 0:20:19 | |
-Just go to their website and look up my name. -Fine. | 0:20:19 | 0:20:21 | |
'One last American hero laid to rest today in Arlington, | 0:20:28 | 0:20:31 | |
'the final chapter to this tragedy | 0:20:31 | 0:20:33 | |
'dashing the hopes of many Americans that Sergeant Odelle Ballard | 0:20:33 | 0:20:38 | |
'might still be alive. | 0:20:38 | 0:20:39 | |
-'From Arlen...' -Oh, my God. | 0:20:39 | 0:20:42 | |
It's... It's probably for your own protection | 0:20:42 | 0:20:44 | |
-that they haven't informed them yet. -They haven't informed them yet?! | 0:20:44 | 0:20:49 | |
They have my... | 0:20:49 | 0:20:50 | |
My dog tags, my ring! | 0:20:50 | 0:20:53 | |
They've manufactured evidence to make them think that I'm dead! | 0:20:53 | 0:20:56 | |
Why would they...? | 0:20:56 | 0:20:57 | |
Because I saw something that I wasn't supposed to see. | 0:20:57 | 0:21:00 | |
-I need to talk to Glen. -No, I've... I've got orders. | 0:21:00 | 0:21:03 | |
Rich, my husband and my daughter | 0:21:03 | 0:21:04 | |
think that I'm dead, that I'm never coming home! | 0:21:04 | 0:21:06 | |
You don't think I deserve to know why? | 0:21:06 | 0:21:09 | |
Yes. Yes, you do. | 0:21:10 | 0:21:13 | |
No, I have his direct. | 0:21:13 | 0:21:15 | |
PHONE RINGS | 0:21:22 | 0:21:24 | |
Colonel Glen. | 0:21:24 | 0:21:26 | |
Sir, I'm calling from the grave, apparently, | 0:21:26 | 0:21:28 | |
since according to the news, I'm dead. | 0:21:28 | 0:21:30 | |
What's going on? | 0:21:30 | 0:21:33 | |
Odelle. | 0:21:33 | 0:21:35 | |
You said that you would tell them. | 0:21:35 | 0:21:37 | |
You lied to me, and you lied to my family. Why? | 0:21:37 | 0:21:39 | |
It's for their protection and yours. | 0:21:39 | 0:21:41 | |
Protection from who? | 0:21:41 | 0:21:42 | |
That's classified. | 0:21:42 | 0:21:44 | |
It'll all become clear to you at the debrief. | 0:21:44 | 0:21:46 | |
What do you mean, "protecting them?" | 0:21:46 | 0:21:48 | |
How is staging my funeral along with fake dog tags | 0:21:48 | 0:21:50 | |
and fake remains protecting them? | 0:21:50 | 0:21:51 | |
Odelle, I know things seem very peculiar here, | 0:21:51 | 0:21:54 | |
but this is a very sensitive situation. | 0:21:54 | 0:21:57 | |
I cannot ensure your safety till you're back on US soil. | 0:21:57 | 0:22:01 | |
Now, I need you to continue to be a good soldier here. | 0:22:01 | 0:22:03 | |
There is a plan. | 0:22:03 | 0:22:05 | |
Yeah, a plan that you refuse to tell me. | 0:22:05 | 0:22:07 | |
Odelle? | 0:22:11 | 0:22:13 | |
July 12, 1976. | 0:22:13 | 0:22:18 | |
Middlebury Memorial Hospital. | 0:22:18 | 0:22:20 | |
I was there in the waiting room with your father. | 0:22:22 | 0:22:26 | |
We smoked cigars, | 0:22:26 | 0:22:28 | |
and we celebrated his beautiful new daughter. | 0:22:28 | 0:22:31 | |
And right there and then, | 0:22:31 | 0:22:33 | |
he asked me to watch over you when he was gone, | 0:22:33 | 0:22:36 | |
and that is exactly what I'm doing now. | 0:22:36 | 0:22:40 | |
Odelle, I need you to trust me. | 0:22:40 | 0:22:44 | |
Understood? | 0:22:44 | 0:22:45 | |
Yes, sir. | 0:22:48 | 0:22:49 | |
The extraction team is on its way. | 0:22:49 | 0:22:52 | |
They should arrive by 11:00. | 0:22:52 | 0:22:55 | |
Understood, sir. | 0:22:55 | 0:22:57 | |
Now let me talk to the CIA operative. | 0:22:57 | 0:23:00 | |
He wants to talk to you. | 0:23:00 | 0:23:02 | |
Yes, sir? | 0:23:06 | 0:23:08 | |
Uh, yeah. I... I understand. | 0:23:11 | 0:23:13 | |
Um, I've been instructed to keep you here | 0:23:23 | 0:23:27 | |
by any means necessary. | 0:23:27 | 0:23:29 | |
Hey, maybe your mom knows something about Black Sands. | 0:23:31 | 0:23:34 | |
Yeah, it's doubtful. | 0:23:34 | 0:23:35 | |
My mom knows even less about my dad's job than I do. | 0:23:35 | 0:23:37 | |
-Even my dad... -Harrison Walters? | 0:23:37 | 0:23:39 | |
Yes. Hey! | 0:23:39 | 0:23:40 | |
Hey! | 0:23:40 | 0:23:41 | |
Hey, stop! | 0:23:42 | 0:23:44 | |
Wait. Harrison! | 0:23:44 | 0:23:46 | |
How's it feel? | 0:23:48 | 0:23:50 | |
You scared yet? | 0:23:50 | 0:23:52 | |
What's going on? | 0:23:52 | 0:23:54 | |
Next time it's not me sitting here. | 0:23:54 | 0:23:56 | |
It's someone with a gun or a syringe, | 0:23:56 | 0:23:59 | |
and you're already dead. | 0:23:59 | 0:24:00 | |
You need to stop. | 0:24:00 | 0:24:02 | |
What are you talking about? | 0:24:02 | 0:24:04 | |
Your father was not murdered by his mistress. | 0:24:04 | 0:24:07 | |
-So I'm right. -It doesn't matter. | 0:24:07 | 0:24:08 | |
You're just as dead. | 0:24:08 | 0:24:10 | |
The only reason they killed your father instead of you | 0:24:10 | 0:24:12 | |
is because of what he knew. | 0:24:12 | 0:24:13 | |
Now, you keep asking questions | 0:24:13 | 0:24:15 | |
and you're going to end up in the same place. | 0:24:15 | 0:24:17 | |
We - we both will. | 0:24:17 | 0:24:18 | |
So, Black Sands? | 0:24:18 | 0:24:20 | |
-No, are you hearing what I'm saying? -I have to find out who did this. | 0:24:20 | 0:24:22 | |
I'm asking you nicely. | 0:24:22 | 0:24:24 | |
Let it go. | 0:24:24 | 0:24:25 | |
Most of the file's encrypted. | 0:24:32 | 0:24:34 | |
Abdul Abbas. | 0:24:39 | 0:24:41 | |
These files belong to Abdul Abbas. | 0:24:41 | 0:24:43 | |
-Voila. -Merci, cherie. | 0:24:43 | 0:24:46 | |
Your wife should cover her head. | 0:24:52 | 0:24:54 | |
Yeah, she's not my wife. | 0:24:54 | 0:24:56 | |
And her head looks just fine. | 0:24:56 | 0:24:58 | |
Abdul Abbas. | 0:24:59 | 0:25:01 | |
United States Special Forces took him out | 0:25:01 | 0:25:03 | |
in a bunker in Northern Mali. Now they're all dead. | 0:25:03 | 0:25:06 | |
The entire elite team taken out by the Ansar Dine. | 0:25:06 | 0:25:10 | |
Oh, wait a minute. | 0:25:16 | 0:25:17 | |
Attack happened in northern Mali. | 0:25:17 | 0:25:20 | |
That's where you're from. | 0:25:20 | 0:25:21 | |
You wouldn't happen to know anything about this, would you? | 0:25:21 | 0:25:24 | |
No, you're a scavenger. | 0:25:32 | 0:25:34 | |
Did you pull this thumb drive off one of those dead Americans? | 0:25:35 | 0:25:40 | |
No. I would never do that. | 0:25:40 | 0:25:43 | |
Or maybe it was an alive one. | 0:25:44 | 0:25:47 | |
That's why the Ansar Dine after you, isn't it? | 0:25:47 | 0:25:50 | |
They're looking for the American woman, | 0:25:50 | 0:25:51 | |
and you know where she is. | 0:25:51 | 0:25:53 | |
So where the hell is she? | 0:25:53 | 0:25:54 | |
Well, if they had her and she was dead, | 0:26:00 | 0:26:02 | |
there would be something. | 0:26:02 | 0:26:03 | |
A video, a press release. | 0:26:03 | 0:26:05 | |
What's the point of killing an American soldier | 0:26:05 | 0:26:07 | |
if you don't brag about it? | 0:26:07 | 0:26:09 | |
Look, I'm not saying that I don't believe you. | 0:26:11 | 0:26:13 | |
I'm just waiting for the extraction team | 0:26:13 | 0:26:15 | |
to arrive so that you can become someone else's problem. | 0:26:15 | 0:26:18 | |
They are not here to extract me. | 0:26:18 | 0:26:20 | |
They are here to eliminate me! | 0:26:20 | 0:26:22 | |
The US military does not eliminate American citizens. | 0:26:22 | 0:26:25 | |
DOOR BUZZES | 0:26:25 | 0:26:28 | |
Finally. | 0:26:28 | 0:26:29 | |
Rich, Rich, listen to me. | 0:26:29 | 0:26:31 | |
They are going to kill me, and now that you're witness to all of it, | 0:26:31 | 0:26:34 | |
-they're going to kill you too. -Just calm down. | 0:26:34 | 0:26:36 | |
They are going to kill you! | 0:26:36 | 0:26:38 | |
No, no, no, no. | 0:26:52 | 0:26:54 | |
Yah! | 0:27:04 | 0:27:05 | |
MEN SHOUT | 0:27:14 | 0:27:15 | |
Aah! | 0:27:25 | 0:27:26 | |
Ow! | 0:27:26 | 0:27:27 | |
Go. | 0:27:27 | 0:27:28 | |
Aah! | 0:27:28 | 0:27:29 | |
GUNSHOT | 0:27:29 | 0:27:30 | |
Argh! | 0:27:41 | 0:27:42 | |
Go, go, go! | 0:27:42 | 0:27:44 | |
Other side, other side! | 0:27:48 | 0:27:50 | |
ENGINE REVS | 0:27:54 | 0:27:55 | |
THEY SHOUT | 0:27:58 | 0:27:59 | |
No, there were at least two men. | 0:28:10 | 0:28:12 | |
Yes, a black town car. | 0:28:12 | 0:28:15 | |
KNOCK AT DOOR Hold on. | 0:28:15 | 0:28:17 | |
Have you seen him? | 0:28:19 | 0:28:20 | |
No, I just came over to... | 0:28:20 | 0:28:23 | |
What's going on? | 0:28:23 | 0:28:24 | |
They took him. | 0:28:24 | 0:28:25 | |
No, I didn't get the licence plate. | 0:28:25 | 0:28:27 | |
-Anna, what happened? -Some guys in a car. I don't know. | 0:28:27 | 0:28:30 | |
Yes, that's right. 48th Street. | 0:28:30 | 0:28:32 | |
OK. | 0:28:34 | 0:28:36 | |
Hello? | 0:28:41 | 0:28:43 | |
What did you do? | 0:28:43 | 0:28:45 | |
Is there a problem? | 0:28:45 | 0:28:47 | |
You tell me. | 0:28:47 | 0:28:48 | |
You went after my mark? | 0:28:48 | 0:28:50 | |
You're mistaken. | 0:28:50 | 0:28:51 | |
What's going on? | 0:28:54 | 0:28:56 | |
Nothing. | 0:28:56 | 0:28:57 | |
Everything's under control. | 0:28:57 | 0:28:59 | |
It doesn't sound like it. | 0:29:05 | 0:29:06 | |
It's fine. | 0:29:08 | 0:29:09 | |
I'll be in touch. | 0:29:09 | 0:29:11 | |
I mean, exactly how did Tommy die? | 0:29:15 | 0:29:16 | |
They say it was an ambush, but they wouldn't let me see his body. | 0:29:16 | 0:29:19 | |
They're not being straight with us, | 0:29:19 | 0:29:21 | |
like with that football player Tillman. | 0:29:21 | 0:29:23 | |
Not everything is like Pat Tillman. | 0:29:23 | 0:29:24 | |
Not everything is like what they say it is either. | 0:29:24 | 0:29:27 | |
The military makes mistakes. | 0:29:27 | 0:29:28 | |
I just wish they'd admit it. | 0:29:28 | 0:29:30 | |
What kind of mistakes? | 0:29:30 | 0:29:31 | |
Sorry. Everyone, this is Lucy. | 0:29:31 | 0:29:33 | |
She was Rich Worthington's fiancee. | 0:29:33 | 0:29:35 | |
I wish I was meeting you all under better circumstances. | 0:29:35 | 0:29:38 | |
So are you saying the military's lying to us? | 0:29:38 | 0:29:41 | |
I don't know, maybe. | 0:29:41 | 0:29:42 | |
Well, whatever happened over there, it doesn't change things. | 0:29:42 | 0:29:46 | |
What difference does it make? | 0:29:46 | 0:29:47 | |
It makes all the difference. We should know the truth. | 0:29:47 | 0:29:49 | |
Either way, he's gone. | 0:29:49 | 0:29:51 | |
Just like my Richard and Ron's wife. | 0:29:51 | 0:29:55 | |
Unless she's still alive. | 0:29:55 | 0:29:57 | |
What? I'm just saying what everyone's thinking. | 0:29:59 | 0:30:01 | |
You don't believe she's still alive, do you, Ron? | 0:30:01 | 0:30:04 | |
Well, I think we're all emotional right now. | 0:30:06 | 0:30:10 | |
We'll probably never know exactly what happened, | 0:30:10 | 0:30:12 | |
and probably the best thing, | 0:30:12 | 0:30:14 | |
really the only thing, is for us to just move forward. | 0:30:14 | 0:30:16 | |
I'll be right back. | 0:30:20 | 0:30:21 | |
Suzanne? | 0:30:21 | 0:30:23 | |
Sorry to bring everybody down. | 0:30:23 | 0:30:25 | |
KNOCK AT DOOR | 0:30:25 | 0:30:26 | |
MUSIC PLAYS THROUGH HEADPHONES | 0:30:26 | 0:30:29 | |
Leave me alone. | 0:30:29 | 0:30:30 | |
MUSIC STOPS | 0:30:32 | 0:30:34 | |
-There's no sense... -Nothing makes sense. | 0:30:37 | 0:30:40 | |
I just don't see the point in... | 0:30:40 | 0:30:42 | |
You don't... It's like you don't feel anything. | 0:30:42 | 0:30:44 | |
That's not fair. | 0:30:44 | 0:30:45 | |
You think she's dead, and you don't care who killed her. | 0:30:45 | 0:30:48 | |
You don't care how it happened, | 0:30:48 | 0:30:49 | |
-and you don't even care that she's gone. -That's not true. | 0:30:49 | 0:30:51 | |
You don't even miss her. | 0:30:51 | 0:30:53 | |
'Ron? Is everything all right?' | 0:30:53 | 0:30:57 | |
I'll be down in a minute! | 0:30:59 | 0:31:01 | |
Just go. | 0:31:01 | 0:31:03 | |
Go tell everyone to move on with their lives. | 0:31:03 | 0:31:06 | |
MUSIC RESUMES | 0:31:08 | 0:31:10 | |
We've got a photograph and a description of the vehicle. | 0:31:13 | 0:31:16 | |
We've got an APB on the street. | 0:31:16 | 0:31:19 | |
Harrison? | 0:31:19 | 0:31:21 | |
Is this him? | 0:31:21 | 0:31:22 | |
Well, you don't look injured. | 0:31:24 | 0:31:25 | |
-You want to tell me about where you've been? -Uh...no, sir. | 0:31:25 | 0:31:28 | |
Sorry. I'm sorry for the misunderstanding. | 0:31:28 | 0:31:30 | |
Everything's fine. Really. | 0:31:30 | 0:31:32 | |
Thank you. | 0:31:32 | 0:31:33 | |
Uh...thank you, officer. | 0:31:33 | 0:31:35 | |
-Yeah, you're welcome. Let's go. -Are you OK? | 0:31:35 | 0:31:38 | |
You scared the hell out of me. Are you all right? | 0:31:38 | 0:31:41 | |
-It was Tenant. -What? | 0:31:41 | 0:31:43 | |
It's OK. He was just trying to scare me. | 0:31:43 | 0:31:45 | |
Well, he did a pretty good job. | 0:31:45 | 0:31:47 | |
Listen, he admitted it. | 0:31:47 | 0:31:49 | |
Tenant knows my father was killed. He knows it. I was right. | 0:31:49 | 0:31:52 | |
Hey, glad to know you're OK. | 0:31:58 | 0:32:00 | |
Thank you. | 0:32:00 | 0:32:02 | |
Sit. Shh. | 0:32:02 | 0:32:04 | |
Whoever set you up knew what they were doing. | 0:32:04 | 0:32:05 | |
These transactions are impossible to trace. | 0:32:05 | 0:32:08 | |
We can't prove that you weren't involved. | 0:32:08 | 0:32:09 | |
We can account for every move you made on the Middle East desk. | 0:32:09 | 0:32:12 | |
Don't bother. | 0:32:12 | 0:32:14 | |
Joe, I think we could build a case for lack of probable cause. | 0:32:14 | 0:32:17 | |
I confessed. | 0:32:17 | 0:32:19 | |
-You what? -I did it. | 0:32:19 | 0:32:21 | |
I screwed up, and I got in over my head. | 0:32:21 | 0:32:23 | |
No, you didn't. | 0:32:26 | 0:32:29 | |
Let it go. | 0:32:29 | 0:32:30 | |
Let it go. | 0:32:34 | 0:32:35 | |
OK. OK. | 0:32:35 | 0:32:38 | |
Fine. | 0:32:38 | 0:32:39 | |
Congratulations. | 0:32:39 | 0:32:41 | |
I wouldn't have any idea how to hide such a sophisticated transaction. | 0:32:41 | 0:32:45 | |
You must have some pretty impressive computer skills | 0:32:45 | 0:32:47 | |
to fund terrorism via the deep web - or is it the darknet? | 0:32:47 | 0:32:50 | |
What are you calling it nowadays? | 0:32:50 | 0:32:51 | |
How about those bitcoins? | 0:32:51 | 0:32:53 | |
How'd you figure out how to launder bitcoins? | 0:32:53 | 0:32:55 | |
I'm just curious. What was the first step? | 0:32:55 | 0:32:57 | |
Did you use a proxy server relay service on a Tor network, | 0:32:57 | 0:32:59 | |
-an onion router, what? -Pete, Pete, let it go. -Come on, Joe. | 0:32:59 | 0:33:02 | |
You had to ask your assistant how to use PayPal. | 0:33:02 | 0:33:04 | |
You know what? Yeah, I'm ready to go back to my cell. | 0:33:04 | 0:33:07 | |
-Can I go? -Listen to me. Listen to me. | 0:33:07 | 0:33:09 | |
Whatever they threatened you, but I can help you with. Come on. | 0:33:09 | 0:33:12 | |
Like you helped Gentry? | 0:33:12 | 0:33:13 | |
Yeah. | 0:33:13 | 0:33:15 | |
Hey. Hey. | 0:33:15 | 0:33:17 | |
How'd they get to you, Joe? Huh? | 0:33:17 | 0:33:19 | |
How'd they get to you? | 0:33:19 | 0:33:21 | |
OK, Alice. Goodnight. | 0:33:23 | 0:33:26 | |
-Goodnight. -Is everything OK? | 0:33:26 | 0:33:28 | |
Oh, yeah. | 0:33:28 | 0:33:31 | |
She's fine. Really. | 0:33:34 | 0:33:37 | |
I only live ten minutes away if you ever feel like talking. | 0:33:37 | 0:33:41 | |
My cell's on the back. | 0:33:43 | 0:33:45 | |
OK. Thanks. | 0:33:46 | 0:33:48 | |
Bye. | 0:33:48 | 0:33:49 | |
Goodnight. | 0:33:51 | 0:33:54 | |
Goodnight. Night. | 0:33:54 | 0:33:56 | |
Dad? | 0:34:28 | 0:34:29 | |
I miss her so much. | 0:34:59 | 0:35:00 | |
Yeah. | 0:35:00 | 0:35:02 | |
Hey. | 0:35:16 | 0:35:17 | |
SHE GROANS | 0:35:21 | 0:35:22 | |
Shukran. | 0:35:28 | 0:35:30 | |
You are American. | 0:35:31 | 0:35:33 | |
Yes, I'm American. | 0:35:33 | 0:35:36 | |
You need a hospital. | 0:35:36 | 0:35:38 | |
I'm almost done. I will take you. | 0:35:38 | 0:35:39 | |
No, no, no, no hospitals. | 0:35:39 | 0:35:41 | |
If you need help, I will help you. | 0:35:41 | 0:35:44 | |
You just let her go? | 0:35:47 | 0:35:49 | |
I... I thought we decided against it. | 0:35:49 | 0:35:51 | |
Oh, we? I'm sorry. | 0:35:51 | 0:35:53 | |
I remember you getting a phone call and walking out the door. | 0:35:53 | 0:35:55 | |
-Well, did... Did you at least try her cell? -Yes. | 0:35:55 | 0:35:58 | |
Why don't you? | 0:35:58 | 0:35:59 | |
RINGING TONE | 0:36:03 | 0:36:05 | |
-MAN: -Yeah? -Who am I speaking with? | 0:36:09 | 0:36:10 | |
This is my daughter's phone. | 0:36:10 | 0:36:12 | |
Well, tell your daughter to get her ass down here and get it. | 0:36:12 | 0:36:15 | |
I'm tired of listening to it ring. | 0:36:15 | 0:36:16 | |
DOOR CLOSES Oh, my God. Oh! | 0:36:16 | 0:36:19 | |
Finally! | 0:36:19 | 0:36:20 | |
-Where have you been? -Sorry. We were looking for my phone. | 0:36:20 | 0:36:23 | |
-Who are you? -Mr Decker, Maya lost her phone. -Who do you work for? | 0:36:23 | 0:36:25 | |
-What... What? -Dad! -Peter, what are you doing? | 0:36:25 | 0:36:27 | |
-What are you doing with my daughter? -Mom! -Peter? | 0:36:27 | 0:36:29 | |
What are you doing here? | 0:36:29 | 0:36:31 | |
We met at NYU. | 0:36:31 | 0:36:32 | |
I thought she was a freshman. | 0:36:32 | 0:36:33 | |
-You stay away from my family. -Mom! -You hear me? | 0:36:33 | 0:36:36 | |
-You stay away from my family. -Calm down. | 0:36:36 | 0:36:38 | |
-Dad! -Maya... -You stay away. | 0:36:38 | 0:36:40 | |
I hate you. | 0:36:44 | 0:36:46 | |
What happened today? | 0:37:16 | 0:37:19 | |
-Nothing. -Really? | 0:37:23 | 0:37:25 | |
I know that Harrison spoke to David Tenant. | 0:37:28 | 0:37:32 | |
Everything's under control. | 0:37:32 | 0:37:34 | |
You went to his father's funeral. | 0:37:39 | 0:37:41 | |
Just watching my mark. | 0:37:41 | 0:37:43 | |
You're protecting him. | 0:37:43 | 0:37:44 | |
Getting involved. | 0:37:44 | 0:37:46 | |
You've connected to him emotionally. | 0:37:46 | 0:37:50 | |
You know me better than that. | 0:37:50 | 0:37:52 | |
Good. | 0:37:52 | 0:37:53 | |
Because if he finds out about Black Sands, | 0:37:55 | 0:37:58 | |
you'll have to kill him. | 0:37:58 | 0:38:00 | |
ANSWERPHONE BEEPS | 0:38:15 | 0:38:17 | |
Hey, Mom, it's me again. | 0:38:17 | 0:38:19 | |
I, uh... | 0:38:21 | 0:38:23 | |
wanted you to know that Dad misses you too. | 0:38:23 | 0:38:27 | |
He just didn't want to say. | 0:38:27 | 0:38:30 | |
But he wants you to come home, | 0:38:31 | 0:38:34 | |
so you have to, OK? | 0:38:34 | 0:38:36 | |
INTERFERENCE ON LINE | 0:38:36 | 0:38:38 | |
Hello? | 0:38:39 | 0:38:42 | |
Someone there? | 0:38:42 | 0:38:44 | |
'Hello? | 0:38:44 | 0:38:46 | |
'Hello? | 0:38:46 | 0:38:47 | |
'Who are you?' | 0:38:47 | 0:38:49 | |
Hello? LINE CLICKS | 0:38:49 | 0:38:51 | |
Agh... | 0:38:54 | 0:38:56 | |
-'TV: -'Good evening, and welcome to the Shakir Khan Show! | 0:38:59 | 0:39:02 | |
'And here is your hostess, Shakir Khan!' | 0:39:02 | 0:39:06 | |
Good evening, friends. | 0:39:06 | 0:39:08 | |
Tonight's show will begin a bit differently. | 0:39:08 | 0:39:11 | |
Tonight I appeal to my fans all around Mali for your help. | 0:39:11 | 0:39:14 | |
This is my nephew, Aslam. | 0:39:18 | 0:39:21 | |
Aslam came to me from far away. | 0:39:21 | 0:39:23 | |
He needed my help, and now he's missing. | 0:39:23 | 0:39:27 | |
Aslam and I had words yesterday, which I deeply regret. | 0:39:27 | 0:39:30 | |
I would give anything to find him again. | 0:39:30 | 0:39:33 | |
If anyone has seen my nephew, Aslam, | 0:39:33 | 0:39:35 | |
please tell him to come home. | 0:39:35 | 0:39:37 | |
I miss him. | 0:39:37 | 0:39:39 | |
Aslam. | 0:39:42 | 0:39:43 |