Browse content similar to Wingman. Check below for episodes and series from the same categories and more!
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This programme contains some violent scenes. | 0:00:02 | 0:00:07 | |
-Ever hear of Black Sands? -Next time, it's not me there, and you're already dead. You need to stop. | 0:00:07 | 0:00:11 | |
They're going to kill me. Now you're a witness, they'll kill you too. | 0:00:11 | 0:00:14 | |
-This is my nephew, Aslam, and now he's missing. -Joe's been arrested. -Joe Abrams? | 0:00:14 | 0:00:18 | |
-Threatened you? I... I can help you. -Like you helped Gentry? | 0:00:18 | 0:00:20 | |
-Where have you been? -Sorry, we were looking for my phone. | 0:00:20 | 0:00:23 | |
-Who do you work for? -Dad! -What are you doing here? | 0:00:23 | 0:00:25 | |
-Peter, what are you doing? -What are you doing with my daughter? | 0:00:25 | 0:00:28 | |
Do you have any orange juice? | 0:00:37 | 0:00:40 | |
I don't know. | 0:00:40 | 0:00:41 | |
How could you not know if you have any orange juice? | 0:00:45 | 0:00:48 | |
We could go out. | 0:00:56 | 0:00:57 | |
What's the matter? | 0:00:59 | 0:01:01 | |
This was a mistake. | 0:01:02 | 0:01:05 | |
No, it's... It's not that I don't like you. | 0:01:05 | 0:01:08 | |
Because I do. | 0:01:08 | 0:01:10 | |
I really like you, too. | 0:01:10 | 0:01:12 | |
-So? -Maya, I'm 21. You're 17. | 0:01:12 | 0:01:17 | |
You're still in high school. | 0:01:17 | 0:01:20 | |
Technically, what we just did was against the law. | 0:01:20 | 0:01:23 | |
Felt so good, it should be. | 0:01:23 | 0:01:25 | |
I'm serious. I could go to jail. | 0:01:25 | 0:01:28 | |
-Don't be melodramatic. -You're dad's a lawyer | 0:01:28 | 0:01:31 | |
and psychotically overprotective. I'm screwed. | 0:01:31 | 0:01:34 | |
You're sincerely overreacting. | 0:01:34 | 0:01:36 | |
He just doesn't know you. | 0:01:38 | 0:01:40 | |
And the way you guys met was so... | 0:01:40 | 0:01:42 | |
random and terrible. | 0:01:42 | 0:01:45 | |
Plus, he's been freaking out about work and stuff. | 0:01:45 | 0:01:48 | |
Come to my house for dinner. | 0:01:48 | 0:01:50 | |
My parents are psychopaths, | 0:01:50 | 0:01:52 | |
but they're nice psychopaths. | 0:01:52 | 0:01:55 | |
I promise. | 0:01:55 | 0:01:56 | |
SHE GRUNTS | 0:02:05 | 0:02:08 | |
TRANSLATION: | 0:02:12 | 0:02:14 | |
The boy on television last night, that's why you're leaving? | 0:02:17 | 0:02:20 | |
Yes, he is my friend. I thought he was dead. I have to find him. | 0:02:20 | 0:02:23 | |
Then he will understand why it is not safe for you. | 0:02:23 | 0:02:26 | |
When you are better, I'll find him and bring him to you. | 0:02:26 | 0:02:29 | |
Please, understand. I thank you for your kindness, but I have to go. | 0:02:42 | 0:02:45 | |
Yeah. | 0:03:01 | 0:03:03 | |
Merci. | 0:03:03 | 0:03:05 | |
OK. | 0:03:05 | 0:03:06 | |
Monsieur Girard. | 0:03:09 | 0:03:11 | |
How is Bamako's favourite candy man? | 0:03:11 | 0:03:14 | |
Drug trade treating you well? | 0:03:14 | 0:03:15 | |
Flourishing, as always. | 0:03:15 | 0:03:18 | |
Touching show last night. | 0:03:18 | 0:03:19 | |
You watched my show? A man of your sophistication? | 0:03:19 | 0:03:22 | |
I'm touched. | 0:03:22 | 0:03:24 | |
-That true? That stuff about your nephew? -Of course. I never lie. | 0:03:24 | 0:03:28 | |
You should know that, my smuggling friend. | 0:03:28 | 0:03:31 | |
So why the sudden interest in my show? In me? | 0:03:31 | 0:03:34 | |
I think this is the longest conversation we have had. | 0:03:34 | 0:03:37 | |
It's my nephew, isn't it? You know something. | 0:03:40 | 0:03:42 | |
I could find something out. | 0:03:42 | 0:03:44 | |
But I would need help from you on something. | 0:03:44 | 0:03:47 | |
You've spoken to Aslam? Where is he? Tell me now. | 0:03:56 | 0:03:58 | |
See, now you are scaring the children. | 0:03:59 | 0:04:02 | |
No. | 0:04:12 | 0:04:13 | |
Seydou? | 0:04:51 | 0:04:53 | |
Seydou, what's wrong? What happened? | 0:04:57 | 0:04:59 | |
Nothing. Aslam not there. | 0:04:59 | 0:05:01 | |
Hasn't come back. | 0:05:01 | 0:05:02 | |
And? | 0:05:02 | 0:05:04 | |
Seydou? | 0:05:06 | 0:05:07 | |
There was a man. Someone I didn't know. | 0:05:09 | 0:05:12 | |
He was suspicious. I may have said something. | 0:05:12 | 0:05:15 | |
That... That's OK. Just... Can you describe him? What did he look like? | 0:05:15 | 0:05:18 | |
White, medium tall, French. | 0:05:18 | 0:05:21 | |
Yes. You must leave. | 0:05:34 | 0:05:36 | |
BUZZER SOUNDS | 0:05:36 | 0:05:37 | |
You must leave. This way. | 0:05:41 | 0:05:43 | |
DOOR CLOSES | 0:06:04 | 0:06:06 | |
Sergeant Ballard, at long last. | 0:06:13 | 0:06:15 | |
I don't think so. | 0:06:16 | 0:06:18 | |
Hello, Odelle. | 0:06:21 | 0:06:22 | |
-I don't know you. -No. | 0:06:23 | 0:06:26 | |
We have so much to discuss. | 0:06:26 | 0:06:27 | |
Where is he? | 0:06:27 | 0:06:29 | |
The boy is safe and sound. | 0:06:29 | 0:06:30 | |
You can see him if you like, as soon as you explain to me why... | 0:06:30 | 0:06:33 | |
Give it to me. | 0:06:37 | 0:06:39 | |
You take me to the boy or I kill you. | 0:06:44 | 0:06:47 | |
-How far? -Ten minutes. | 0:06:49 | 0:06:51 | |
Takes any longer than that, I shoot your face off. | 0:06:51 | 0:06:53 | |
-I'll keep that in mind. -What did you do to him? | 0:06:53 | 0:06:55 | |
He didn't just give you the flash drive. | 0:06:55 | 0:06:58 | |
I saved his ass, for your information. | 0:06:58 | 0:07:00 | |
I nursed him back to health, when I found him almost dead in the desert. | 0:07:00 | 0:07:03 | |
-I need a cellphone. -Why? | 0:07:03 | 0:07:05 | |
-I need a cellphone! -Here. | 0:07:05 | 0:07:07 | |
You're a drug dealer? | 0:07:14 | 0:07:15 | |
I prefer the term "facilitator". | 0:07:15 | 0:07:18 | |
One that works. | 0:07:18 | 0:07:19 | |
-Who the hell are you calling? -Home. | 0:07:23 | 0:07:26 | |
That's a big mistake. You'll get us killed. | 0:07:26 | 0:07:28 | |
OVERLAPPING RADIO CHATTER | 0:07:31 | 0:07:34 | |
-Are you listening? -'This is Colonel Glen. | 0:07:36 | 0:07:39 | |
'Odelle, is that you? | 0:07:39 | 0:07:40 | |
-'Odelle, we've been extremely worried.' -No, I was talk... | 0:07:40 | 0:07:43 | |
'I was...' | 0:07:43 | 0:07:44 | |
We intercepted the call. Odelle, we need to get you to safety. | 0:07:44 | 0:07:48 | |
'You are in grave danger, Sergeant.' | 0:07:48 | 0:07:50 | |
I'm the only one who can protect you. | 0:07:50 | 0:07:53 | |
Tell me exactly where you are in Bamako. | 0:07:53 | 0:07:56 | |
Shame on you. | 0:07:59 | 0:08:00 | |
NSA, yes? | 0:08:06 | 0:08:07 | |
-TYRES SCREECH -What are you doing? | 0:08:07 | 0:08:09 | |
Congratulations. Now they now you're alive and where you are. | 0:08:09 | 0:08:12 | |
Come on, no more calls, not on my phone. | 0:08:12 | 0:08:14 | |
I said not on my phone! | 0:08:14 | 0:08:16 | |
RINGING TONE | 0:08:16 | 0:08:18 | |
Listen to me. You may want the world to know you're alive, but I don't. | 0:08:23 | 0:08:26 | |
-Trust me, the world treats you better when you're dead. -Drive! | 0:08:26 | 0:08:28 | |
'And finally this week, the story that has stirred | 0:08:33 | 0:08:36 | |
'so much controversy is put to rest. | 0:08:36 | 0:08:38 | |
'Sergeant Odelle Ballard is buried with honour.' | 0:08:38 | 0:08:40 | |
That poor family. | 0:08:40 | 0:08:42 | |
It's so tragic. | 0:08:42 | 0:08:44 | |
PHONE BEEPS | 0:08:45 | 0:08:48 | |
-I thought you were going in late today? -Meeting. Just got word. | 0:08:54 | 0:08:58 | |
So this is over? | 0:09:00 | 0:09:02 | |
Things'll be getting better now? | 0:09:02 | 0:09:04 | |
I am still not convinced. Are you? | 0:09:15 | 0:09:19 | |
They buried her. Full military honours. | 0:09:19 | 0:09:21 | |
I've seen reports of Osela Security operating in Bamako, Mali. | 0:09:21 | 0:09:26 | |
-They're still looking for her. -You don't know that. | 0:09:26 | 0:09:29 | |
Where are you headed now? | 0:09:32 | 0:09:35 | |
SOC. Alex Baker wants to talk to me. | 0:09:35 | 0:09:38 | |
-About you. -Face to face? | 0:09:38 | 0:09:39 | |
-He sounds desperate. -He's anything but. | 0:09:39 | 0:09:43 | |
Alex is vulnerable. | 0:09:43 | 0:09:45 | |
Odelle Ballard is still alive. | 0:09:45 | 0:09:47 | |
He still wants to meet with you. | 0:09:47 | 0:09:49 | |
Tell him that the next prime minister of Greece | 0:09:49 | 0:09:52 | |
doesn't meet with criminals. | 0:09:52 | 0:09:54 | |
Peter, thanks for coming. | 0:10:01 | 0:10:04 | |
Have a seat. | 0:10:04 | 0:10:05 | |
You are a busy man. | 0:10:05 | 0:10:08 | |
Busy attacking me and my company. | 0:10:08 | 0:10:10 | |
In the normal course of due diligence, | 0:10:11 | 0:10:13 | |
I found evidence of illegal activity. | 0:10:13 | 0:10:15 | |
And Sophia Tsaldari gave you a document, as well, didn't she? | 0:10:15 | 0:10:19 | |
About a certain wire transfer? | 0:10:19 | 0:10:21 | |
We've cooperated with the relevant authorities. | 0:10:21 | 0:10:24 | |
We've isolated the source of the problem. | 0:10:24 | 0:10:27 | |
-HE SCOFFS -Joe Abrams? | 0:10:27 | 0:10:29 | |
You're aware of the stakes. | 0:10:29 | 0:10:31 | |
The SOC's debt holdings in Greece. | 0:10:31 | 0:10:33 | |
That Sophia plans to cancel once she becomes prime minister. | 0:10:33 | 0:10:36 | |
Well, she can't do anything without a legal basis. | 0:10:36 | 0:10:38 | |
If Sophia associates the SOC with terrorists... | 0:10:38 | 0:10:41 | |
So you're saying it's not true? | 0:10:41 | 0:10:43 | |
You didn't make a deal with Abdul Abbas | 0:10:43 | 0:10:45 | |
and then murder and lie to cover it up? | 0:10:45 | 0:10:47 | |
I'm saying... | 0:10:47 | 0:10:49 | |
that we're not the only ones making deals with terrorists. | 0:10:49 | 0:10:52 | |
This was taken four years ago | 0:10:54 | 0:10:56 | |
at a crude oil exploration site in Pakistan called Black Sands. | 0:10:56 | 0:11:00 | |
You recognise Sophia, with her late husband, Christos. | 0:11:00 | 0:11:04 | |
Reportedly killed by terrorists at Black Sands. | 0:11:04 | 0:11:07 | |
His company, Athena Oil, had staked a claim there. | 0:11:07 | 0:11:10 | |
The other man is Yusuf Qasim, a terrorist. | 0:11:12 | 0:11:16 | |
The Defence Department labelled him as the Jack of Spades. | 0:11:16 | 0:11:20 | |
-Where'd you get this? -It's authentic. | 0:11:20 | 0:11:24 | |
Sophia's husband wasn't killed for being a terrorist. | 0:11:24 | 0:11:26 | |
He was killed because he was in bed with them. | 0:11:26 | 0:11:29 | |
So was his wife. | 0:11:29 | 0:11:31 | |
They gave him money, | 0:11:31 | 0:11:32 | |
travel documents, | 0:11:32 | 0:11:34 | |
violated international law. | 0:11:34 | 0:11:36 | |
The situation is anything but simple, Peter. | 0:11:36 | 0:11:40 | |
What about Danny Gentry? Hm? Odelle Ballard? | 0:11:42 | 0:11:46 | |
Those soldiers? Joe? | 0:11:46 | 0:11:48 | |
I take no responsibility for Lieutenant Gentry | 0:11:48 | 0:11:51 | |
or the soldiers. As for Joe, | 0:11:51 | 0:11:54 | |
if you persuade Sophia to negotiate with us in good faith... | 0:11:54 | 0:11:57 | |
-..it all goes away. -It's that simple? | 0:11:58 | 0:12:02 | |
It can be. Talk to her. | 0:12:02 | 0:12:04 | |
Remind her how the timely release of this photo to Greek newspapers | 0:12:07 | 0:12:13 | |
could dramatically affect the election. | 0:12:13 | 0:12:16 | |
She'll meet. | 0:12:17 | 0:12:18 | |
She has to. | 0:12:18 | 0:12:20 | |
This is the game, Peter. | 0:12:21 | 0:12:24 | |
One we can all win. | 0:12:26 | 0:12:28 | |
Harrison? | 0:12:35 | 0:12:36 | |
Hey, what are you doing here? | 0:12:36 | 0:12:38 | |
Hey, uh, The Times is doing an obituary for, uh, my dad, | 0:12:38 | 0:12:42 | |
and my mom wanted me to talk some guy named Emerson about it. | 0:12:42 | 0:12:45 | |
-You? -I pitched a story. | 0:12:45 | 0:12:47 | |
They weren't interested. | 0:12:47 | 0:12:49 | |
So, your, uh, father's obituary? | 0:12:49 | 0:12:50 | |
Yeah. A friend of my dad's is writing it for The Times. | 0:12:50 | 0:12:54 | |
You, uh, want some company? | 0:12:54 | 0:12:56 | |
Excuse me, I'm, uh, I'm looking for Emerson's office. | 0:12:57 | 0:13:00 | |
Thank you. | 0:13:02 | 0:13:03 | |
-KNOCKING ON DOOR -Oh, Harrison, right? | 0:13:03 | 0:13:05 | |
Yeah, I remember you... | 0:13:05 | 0:13:07 | |
as a kid, running around like an idiot. | 0:13:07 | 0:13:09 | |
Nothing's changed, huh? | 0:13:09 | 0:13:12 | |
I'm sorry your dad's dead. | 0:13:12 | 0:13:13 | |
-Thanks. -Who's this? Girlfriend? | 0:13:13 | 0:13:15 | |
Just a friend. Ruby Simms. | 0:13:15 | 0:13:18 | |
Such a waste. | 0:13:18 | 0:13:19 | |
Your father was a bastard. | 0:13:20 | 0:13:23 | |
He treated me like dirt. I hated him. | 0:13:23 | 0:13:25 | |
Everyone did. But I was desperate to work with him | 0:13:25 | 0:13:28 | |
cos he was so damn good. | 0:13:28 | 0:13:30 | |
FYI, the obit they're writing about your dad | 0:13:31 | 0:13:34 | |
is a load of crap. | 0:13:34 | 0:13:36 | |
When did you and my father stop working together? | 0:13:36 | 0:13:38 | |
Who says we did? | 0:13:38 | 0:13:40 | |
So, what, you were working with him when he wrote about Black Sands? | 0:13:40 | 0:13:44 | |
-Black Sands? -Er, it's... | 0:13:44 | 0:13:47 | |
It's got something to do with my father's murder. | 0:13:47 | 0:13:49 | |
I thought the old man's libido got him killed. | 0:13:49 | 0:13:51 | |
Just before his death, he spoke to a man named David Tennant. | 0:13:51 | 0:13:55 | |
Tennant? GBR? | 0:13:55 | 0:13:57 | |
He's an idiot. | 0:13:57 | 0:13:58 | |
Black Sands... Black Sands... I remember Black Sands. | 0:13:58 | 0:14:02 | |
We were in Pakistan doing a story on private military contractors. | 0:14:02 | 0:14:06 | |
Erm, Blackwater, DynCorp, Osela. | 0:14:06 | 0:14:09 | |
Erm, American oil and mineral companies had assets in Black Sands. | 0:14:09 | 0:14:12 | |
PMCs were sent in to keep the peace, | 0:14:12 | 0:14:14 | |
protect assets and asses. | 0:14:14 | 0:14:18 | |
This guy... | 0:14:18 | 0:14:19 | |
was at the centre of it. | 0:14:19 | 0:14:21 | |
Yusuf Qasim. The Jack of Spades. | 0:14:21 | 0:14:24 | |
Your dad's source. | 0:14:24 | 0:14:27 | |
-His source was a terrorist? -Not according to your dad. | 0:14:27 | 0:14:29 | |
He said the whole thing was a lie. | 0:14:29 | 0:14:32 | |
Well, who knows? Special forces raided the place. | 0:14:32 | 0:14:35 | |
Yusuf was killed. The story died. | 0:14:35 | 0:14:37 | |
-Mind if I take this? -Nope. | 0:14:37 | 0:14:40 | |
Now, about your dad's obituary. | 0:14:40 | 0:14:43 | |
Got anything nice to say? | 0:14:44 | 0:14:46 | |
'I'm sorry to be so sceptical, | 0:14:46 | 0:14:49 | |
'but, frankly, since your funeral, Odelle Ballard,' | 0:14:49 | 0:14:51 | |
quite a few people around the world | 0:14:51 | 0:14:53 | |
called to say THEY are Odelle Ballard, | 0:14:53 | 0:14:55 | |
or that Odelle Ballard is still alive. | 0:14:55 | 0:14:57 | |
Most of them certain your death | 0:14:57 | 0:14:58 | |
-is part of some conspiracy. -I AM Odelle Ballard. | 0:14:58 | 0:15:01 | |
Isn't all the information I've given you so far correct? | 0:15:01 | 0:15:04 | |
Yes, and also easily obtained from the internet. | 0:15:04 | 0:15:07 | |
'Right, call home, I'll give you the number. Speak to Ron.' | 0:15:07 | 0:15:10 | |
Ask him, if Suzanne were a boy, what we would have called her. | 0:15:10 | 0:15:14 | |
He'll say Jefferson, after her grandfather. | 0:15:14 | 0:15:16 | |
No. I'm not contacting a grieving family. | 0:15:16 | 0:15:19 | |
'OK, my commanding officer' | 0:15:19 | 0:15:21 | |
on the task force was called Richard Worthington. | 0:15:21 | 0:15:24 | |
'Before we bugged out, he was... He was... He got engaged. | 0:15:24 | 0:15:27 | |
'I'm the only person that knows.' | 0:15:27 | 0:15:29 | |
Her name was Lucy McGrath. Now, if that checks out, | 0:15:29 | 0:15:32 | |
what time can I meet you in Bamako? | 0:15:32 | 0:15:34 | |
Well, IF it checks out, I can be there by, erm... | 0:15:34 | 0:15:38 | |
noon tomorrow. | 0:15:38 | 0:15:39 | |
'Where will you be?' | 0:15:39 | 0:15:41 | |
Erm, I need a public place. | 0:15:41 | 0:15:45 | |
Somewhere crowded. Safe. | 0:15:45 | 0:15:47 | |
A public place, somewhere crowded! | 0:15:47 | 0:15:50 | |
Club Cachette, Rue Pasteur. | 0:15:50 | 0:15:52 | |
Club Cachette, Rue Pasteur. | 0:15:52 | 0:15:55 | |
12 o'clock, noon. | 0:15:55 | 0:15:56 | |
'OK, Odelle Ballard...' | 0:15:56 | 0:15:58 | |
Please be Odelle Ballard, | 0:15:58 | 0:16:00 | |
if I'm coming all the way to Bamako. | 0:16:00 | 0:16:02 | |
Well, we'll see. | 0:16:02 | 0:16:04 | |
Serena, Odelle. Odelle, Serena. | 0:16:30 | 0:16:32 | |
-You're alive after all. -Where's the boy? | 0:16:36 | 0:16:38 | |
Well, yes, he got hungry rather suddenly... | 0:16:38 | 0:16:41 | |
..right after he saw Shakir's show about him. | 0:16:42 | 0:16:45 | |
Yeah, I know where he lives. | 0:16:48 | 0:16:50 | |
And I should just tell you, after what you did? | 0:17:04 | 0:17:06 | |
Fine, yes. | 0:17:07 | 0:17:09 | |
My general friend found her alive, | 0:17:09 | 0:17:11 | |
but it's complicated. KNOCKING ON DOOR | 0:17:11 | 0:17:13 | |
Aslam? | 0:17:37 | 0:17:39 | |
You're alive! | 0:17:43 | 0:17:44 | |
-I thought you were dead. -Very close. | 0:17:58 | 0:18:01 | |
He found me and brought me here to Bamako. | 0:18:02 | 0:18:04 | |
-I was looking for you. -And you're OK? | 0:18:04 | 0:18:07 | |
He took your jump drive. | 0:18:09 | 0:18:10 | |
I took it back. | 0:18:13 | 0:18:15 | |
OK, what do you say we see what else is on there? | 0:18:15 | 0:18:18 | |
Has to be more than what I saw. | 0:18:18 | 0:18:19 | |
I think you should leave. Now. | 0:18:19 | 0:18:21 | |
Ah, come on, you heard the little man. I'm the one who saved him. | 0:18:21 | 0:18:24 | |
That's worth something, is it not? | 0:18:24 | 0:18:26 | |
I'm going to count silently in my head to five. | 0:18:33 | 0:18:36 | |
Can I, erm...? Can I use your computer? | 0:18:46 | 0:18:48 | |
He was a terrorist. | 0:18:50 | 0:18:52 | |
-The Department of Defence said... -He lied. | 0:18:52 | 0:18:54 | |
Though they called him a terrorist in order to kill him. | 0:18:54 | 0:18:57 | |
-SOC controls the Department of Defence? -Politicians do. | 0:18:57 | 0:19:01 | |
What was buried beneath the ground in Black Sands was worth billions. | 0:19:03 | 0:19:06 | |
My husband knew it. So did Alex Baker. | 0:19:06 | 0:19:10 | |
My husband got there first. | 0:19:10 | 0:19:12 | |
Baker needed an advantage. | 0:19:12 | 0:19:15 | |
-So he paid Abbas? -Yes. | 0:19:15 | 0:19:17 | |
He paid him to kill my husband. | 0:19:17 | 0:19:19 | |
It was business. | 0:19:21 | 0:19:23 | |
-Why didn't you tell me that before? -Would you have believed me? | 0:19:25 | 0:19:28 | |
What about Yusuf Qasim? | 0:19:33 | 0:19:35 | |
Yusuf was a good man. He helped us. | 0:19:35 | 0:19:38 | |
So we gave him what he needed to survive. | 0:19:38 | 0:19:41 | |
But he was killed. | 0:19:41 | 0:19:42 | |
The US military tried to kill him, | 0:19:45 | 0:19:49 | |
but they failed. | 0:19:49 | 0:19:50 | |
He was gravely injured in a raid, but he survived. | 0:19:50 | 0:19:54 | |
He isn't dead? | 0:19:54 | 0:19:56 | |
-Where is he? -I wish I knew. | 0:19:56 | 0:19:58 | |
He could tell the world what Societel has done. | 0:19:58 | 0:20:01 | |
And once you prove it, you'll cancel billions in SOC-owned debt. | 0:20:03 | 0:20:08 | |
Makes you a very popular prime minister. | 0:20:08 | 0:20:10 | |
You don't believe me? | 0:20:10 | 0:20:12 | |
You've seen what Alex Baker has done. | 0:20:12 | 0:20:16 | |
The man should be in jail, | 0:20:16 | 0:20:18 | |
and when I am prime minister, I will put him there. | 0:20:18 | 0:20:20 | |
I'm going back to Athens tonight, but we should continue to talk. | 0:20:27 | 0:20:32 | |
Peter? | 0:20:38 | 0:20:39 | |
I'll be right back. | 0:20:42 | 0:20:43 | |
-Are you following me? -Of course not. | 0:20:50 | 0:20:53 | |
I'm here with a friend. | 0:20:53 | 0:20:55 | |
Stay away from me... | 0:20:57 | 0:20:59 | |
and my family. | 0:20:59 | 0:21:00 | |
All due respect, but I think you're losing it, sir. | 0:21:02 | 0:21:05 | |
DOOR OPENS | 0:21:05 | 0:21:08 | |
It was nice seeing you again, Mr Decker. | 0:21:15 | 0:21:17 | |
PHONES RINGS GBR Industries. How may I direct your call? | 0:21:23 | 0:21:25 | |
GBR Industries. How may I direct your call? | 0:21:25 | 0:21:27 | |
-May I help you? -We're here to see David Tennant. | 0:21:27 | 0:21:30 | |
Of course. Do you have an appointment? | 0:21:30 | 0:21:32 | |
Tell him Harrison Walters is here to see him. Okey-dokey. | 0:21:32 | 0:21:35 | |
Harrison Walters for Mr Tennant. | 0:21:35 | 0:21:37 | |
Oh. OK. | 0:21:40 | 0:21:41 | |
Mr Tennant requests that you make an appointment. | 0:21:41 | 0:21:44 | |
He has an opening in six weeks. | 0:21:44 | 0:21:45 | |
Tell Mr Tennant it's regarding Black Sands and Yusuf Qasim. | 0:21:47 | 0:21:51 | |
It's regarding Black Sands and Joseph Qasim... | 0:21:51 | 0:21:54 | |
-YUSUF Qasim. -Yusuf Qasim. | 0:21:54 | 0:21:57 | |
Sorry. Still six weeks. | 0:21:57 | 0:21:58 | |
-He's not going to talk to you. -Tennant was there. | 0:22:01 | 0:22:03 | |
He knows why my father was talking to a terrorist. | 0:22:03 | 0:22:06 | |
I'm not giving up. | 0:22:06 | 0:22:08 | |
-Thanks, Michelle. -Do you two need anything else? | 0:22:11 | 0:22:15 | |
We're good, hon. | 0:22:15 | 0:22:16 | |
She's a good woman. Doesn't deserve any of this. | 0:22:22 | 0:22:25 | |
I know. | 0:22:25 | 0:22:27 | |
Do you know about this? | 0:22:33 | 0:22:34 | |
-No. Should I? -That's Tsaldari with her husband | 0:22:36 | 0:22:39 | |
and a known terrorist, Yusuf Qasim. The Jack of Spades. | 0:22:39 | 0:22:43 | |
Yeah, so? | 0:22:43 | 0:22:44 | |
I need to get something on Baker. | 0:22:46 | 0:22:48 | |
Something that'll keep him from using this against Tsaldari. | 0:22:48 | 0:22:51 | |
Maybe he should. | 0:22:51 | 0:22:53 | |
It's a set-up. | 0:22:53 | 0:22:55 | |
The guy's not a terrorist. | 0:22:55 | 0:22:56 | |
HE CHUCKLES | 0:22:56 | 0:22:58 | |
-So, now the Jack of Spades is innocent? -Yes. | 0:22:58 | 0:23:02 | |
I'm not sure. | 0:23:03 | 0:23:05 | |
But he was set up. I do know that. | 0:23:05 | 0:23:07 | |
And I also know Baker's desperate to make a deal with Tsaldari. | 0:23:07 | 0:23:12 | |
He even offered to make the charges against you go away | 0:23:12 | 0:23:14 | |
-if I get her to cooperate. -What...? | 0:23:14 | 0:23:17 | |
This is just a game to you people, isn't it? | 0:23:18 | 0:23:21 | |
-Guess what? This is my life. -If Tsaldari doesn't play ball, | 0:23:21 | 0:23:24 | |
Baker is going to release this photo and take down her campaign. | 0:23:24 | 0:23:27 | |
If that happens, you go to jail, and he gets away with everything. | 0:23:27 | 0:23:30 | |
-All of it. I can't let that happen. -All right, what do you want from me? | 0:23:30 | 0:23:34 | |
A phone number. | 0:23:34 | 0:23:35 | |
I want to meet your friend, the trash man. | 0:23:35 | 0:23:39 | |
He's a criminal. | 0:23:39 | 0:23:40 | |
He's been in and out of jail a dozen times. | 0:23:40 | 0:23:43 | |
You're the one who said, "Nothing illegal." | 0:23:43 | 0:23:45 | |
This is a nuclear bomb. | 0:23:47 | 0:23:49 | |
I have to do this. | 0:23:49 | 0:23:50 | |
Just...give me the number. | 0:23:52 | 0:23:54 | |
Sir? | 0:24:01 | 0:24:02 | |
-What? -Odelle Ballard, she made another call. | 0:24:03 | 0:24:07 | |
Sir, you probably shouldn't... | 0:24:11 | 0:24:13 | |
-Get my clothes. -But, sir... | 0:24:15 | 0:24:17 | |
CLATTERING | 0:24:17 | 0:24:19 | |
Do it now. | 0:24:22 | 0:24:23 | |
If anyone's going to get a kill shot on Ballard, | 0:24:23 | 0:24:26 | |
it'll be me. Do it! | 0:24:26 | 0:24:28 | |
So, Joe gave you my number, huh? | 0:24:37 | 0:24:39 | |
I can get you into SOC's mainframe, | 0:24:39 | 0:24:41 | |
-but you're not going to find anything good there. -Why not? | 0:24:41 | 0:24:45 | |
Multinationals took all of their secure stuff off-line. | 0:24:45 | 0:24:47 | |
Afraid of hackers. They use data centres now. | 0:24:47 | 0:24:51 | |
-Data centres? -Yeah. | 0:24:51 | 0:24:54 | |
Big warehouses, stuck in the middle of nowhere, | 0:24:54 | 0:24:56 | |
filled with computers. | 0:24:56 | 0:24:58 | |
And you know where SOC's data centre is? | 0:24:58 | 0:25:00 | |
For the right price, I do. | 0:25:00 | 0:25:02 | |
Going to cost you five large. | 0:25:02 | 0:25:04 | |
Plus, you're going to need to find someone with credentials | 0:25:04 | 0:25:07 | |
to get me inside. | 0:25:07 | 0:25:08 | |
When I was working on SOC's last merger, | 0:25:08 | 0:25:11 | |
I was given a secure pass code. It's still active. | 0:25:11 | 0:25:13 | |
Great. Problem solved. You'll come with me. | 0:25:13 | 0:25:16 | |
No, I won't. | 0:25:16 | 0:25:18 | |
Would you rather give me your pass code? | 0:25:18 | 0:25:20 | |
I didn't think so. So, when do we do this? | 0:25:22 | 0:25:24 | |
You've got my number. | 0:25:32 | 0:25:33 | |
Give me a call when you have five grand | 0:25:35 | 0:25:36 | |
and the balls to actually do this. | 0:25:36 | 0:25:38 | |
KNOCKING ON DOOR | 0:25:41 | 0:25:43 | |
-Who is it? -Bob, it's me, Harrison. | 0:25:43 | 0:25:45 | |
Hey. You remember, uh, Ruby? | 0:25:48 | 0:25:50 | |
-Who's there? -Nobody, Ma. | 0:25:50 | 0:25:53 | |
Is that your mother, Bob? | 0:25:53 | 0:25:54 | |
Are you going to let us in, or...? | 0:25:54 | 0:25:57 | |
What are you doing? Let them in. | 0:25:57 | 0:25:59 | |
-Hello, Harrison! -Hey, Mrs Offer. | 0:26:03 | 0:26:05 | |
-This is Ruby. -Hi, good to meet you. | 0:26:08 | 0:26:10 | |
Are you friends with my Bob, too? | 0:26:10 | 0:26:12 | |
-Yes, Bob is a special guy. -Yo, Ma, we're... We're... | 0:26:12 | 0:26:15 | |
We're kind of in the middle of something here. | 0:26:15 | 0:26:17 | |
-Why don't you go watch your programme, OK? -Well... | 0:26:17 | 0:26:20 | |
-What do you want? -I found out more about Black Sands. | 0:26:23 | 0:26:26 | |
My father had a source, a terrorist, Yusuf Qasim. | 0:26:27 | 0:26:31 | |
-You heard of him? -Uh, I... I don't know. | 0:26:31 | 0:26:33 | |
All right, well, listen, I need you to look into him. | 0:26:33 | 0:26:35 | |
See how he relates to Tennant and my dad, maybe, | 0:26:35 | 0:26:37 | |
-even Odelle Ballard. -I... I can't. | 0:26:37 | 0:26:39 | |
-Computer's shot. -What? -Uh, entire system. Decimated. | 0:26:39 | 0:26:44 | |
I can't help you any more, Harrison. You should leave now. | 0:26:45 | 0:26:48 | |
-Goodbye, Mrs Offer. -Goodbye, dear. | 0:26:54 | 0:26:56 | |
Shukran. | 0:27:06 | 0:27:07 | |
You ever heard of a place called Black Sands? | 0:27:07 | 0:27:09 | |
No. | 0:27:09 | 0:27:11 | |
I don't know. | 0:27:13 | 0:27:15 | |
But if I'd have known how many people | 0:27:15 | 0:27:17 | |
would have been killed by taking that... | 0:27:17 | 0:27:20 | |
I hooked up with a journalist from Paris. | 0:27:21 | 0:27:23 | |
She'll be here tomorrow. Maybe she'll... | 0:27:23 | 0:27:25 | |
-put an end to all of this. -I hope so. | 0:27:25 | 0:27:29 | |
-We have a problem - General Diallo. -But Diallo is your friend. | 0:27:29 | 0:27:32 | |
When he's alone, he's my friend, but not with his soldiers. | 0:27:32 | 0:27:35 | |
You need to hide, quickly. | 0:27:35 | 0:27:37 | |
BANGING ON DOOR | 0:27:37 | 0:27:39 | |
-Yes. -Aslam, take this. | 0:27:42 | 0:27:44 | |
Get inside. | 0:27:44 | 0:27:46 | |
BANGING ON DOOR | 0:27:48 | 0:27:50 | |
BANGING ON DOOR, SHOUTING | 0:27:53 | 0:27:55 | |
-How can I help you, General? -There's been a report | 0:27:59 | 0:28:01 | |
that the American woman soldier is on the premises. | 0:28:01 | 0:28:04 | |
We've come to search the house. | 0:28:04 | 0:28:06 | |
Now step aside. | 0:28:06 | 0:28:08 | |
-There must be some mistake, General. -No mistake. | 0:28:26 | 0:28:29 | |
-Why are you doing this to me? -I am doing my job. | 0:28:44 | 0:28:47 | |
-But we had a plan, my love... -Hey, keep your voice down. | 0:28:47 | 0:28:49 | |
We said that Odelle would appear on my show first... | 0:28:49 | 0:28:52 | |
She can't be on your show. How would that look? | 0:28:52 | 0:28:55 | |
I rescue the American woman and then hand her to you? | 0:28:55 | 0:28:58 | |
Look at you. | 0:28:58 | 0:29:00 | |
Now, give her to me or I will rip this house apart. | 0:29:03 | 0:29:06 | |
If you take her, I will tell. | 0:29:09 | 0:29:11 | |
Tomorrow, on my show, I will broadcast our love to all of Mali. | 0:29:11 | 0:29:14 | |
-You promised you'd never do that. -But we had a plan to be together. | 0:29:14 | 0:29:17 | |
That was never going to happen. | 0:29:17 | 0:29:19 | |
I thought I told you that. | 0:29:19 | 0:29:21 | |
-Yeah, that was real. -I think it gave Josh nightmares for months! | 0:29:56 | 0:30:00 | |
-Did you dream about him a lot? -Yeah, I did. I did, believe me. | 0:30:00 | 0:30:03 | |
-Peter! -What's going on? | 0:30:03 | 0:30:05 | |
You remember Cameron? I invited him for dinner. | 0:30:05 | 0:30:08 | |
(Be nice.) | 0:30:09 | 0:30:11 | |
Hey, Dad. | 0:30:17 | 0:30:19 | |
Hey, bud. | 0:30:20 | 0:30:23 | |
Maya. | 0:30:23 | 0:30:25 | |
Yeah. Oh, thank you. | 0:30:25 | 0:30:28 | |
Mr Decker. | 0:30:28 | 0:30:29 | |
-Thanks for inviting me over to dinner. -Yeah. -I appreciate it. | 0:30:32 | 0:30:35 | |
Thank you, Daddy. | 0:30:35 | 0:30:36 | |
(Josh...) | 0:30:43 | 0:30:45 | |
Hey, you sure you don't want to come? | 0:30:51 | 0:30:54 | |
Food's supposed to be great. | 0:30:54 | 0:30:57 | |
I'm good. | 0:30:57 | 0:30:58 | |
-Is that the terrorist? -My father didn't think so. | 0:31:02 | 0:31:05 | |
Harrison, your friend is here. | 0:31:22 | 0:31:24 | |
What are you doing? | 0:31:29 | 0:31:30 | |
-Come in. -Hi. -Hi, Bob. | 0:31:32 | 0:31:35 | |
Thought your computer was down. | 0:31:41 | 0:31:43 | |
It got...fixed. | 0:31:43 | 0:31:45 | |
Odelle Ballard's funeral? | 0:31:48 | 0:31:51 | |
You wanted me to find out about that cleric, Yusuf Qasim. | 0:31:51 | 0:31:54 | |
-Yeah, but... -Oh, wait for it. | 0:31:54 | 0:31:56 | |
-I found him. -That's him? | 0:31:58 | 0:32:01 | |
-He's alive? -I used face recognition software. | 0:32:01 | 0:32:04 | |
I scanned everything I had. | 0:32:04 | 0:32:06 | |
Why was he at Ballard's funeral? | 0:32:06 | 0:32:08 | |
I don't know, but he's not dead. | 0:32:08 | 0:32:10 | |
BOB CHUCKLES | 0:32:17 | 0:32:20 | |
-What? -You see the guy next to him? | 0:32:20 | 0:32:23 | |
-Yeah. -Recognise him? | 0:32:23 | 0:32:26 | |
-Wait, is... -Yes! | 0:32:26 | 0:32:28 | |
One of the ones who wanted to build a mosque at Ground Zero! | 0:32:28 | 0:32:30 | |
Imam Khulus. | 0:32:30 | 0:32:32 | |
He's got a mosque in Coney Island. | 0:32:39 | 0:32:41 | |
I thought I told you to stay away. | 0:32:53 | 0:32:55 | |
Your wife invited me. | 0:32:55 | 0:32:57 | |
She wouldn't take no for an answer. | 0:32:58 | 0:33:00 | |
Ah! | 0:33:02 | 0:33:03 | |
Stop! Mr Decker, stop! | 0:33:03 | 0:33:05 | |
You and Mr Baker don't get to mess with my family. | 0:33:05 | 0:33:08 | |
Ah! OK. OK, stop. | 0:33:08 | 0:33:10 | |
Look, he's paying me a lot of money! | 0:33:10 | 0:33:12 | |
Son of a bitch! | 0:33:12 | 0:33:14 | |
You stay the hell away from Maya. | 0:33:18 | 0:33:21 | |
Or what? | 0:33:21 | 0:33:22 | |
You going to tell her the truth about me? | 0:33:24 | 0:33:26 | |
Who do you think she's going to believe? | 0:33:26 | 0:33:30 | |
You or me? | 0:33:30 | 0:33:32 | |
ENGINE STARTS | 0:33:38 | 0:33:41 | |
-It's Decker. I'm in. -'You have the five grand?' | 0:33:58 | 0:34:01 | |
Yes. Five grand. | 0:34:01 | 0:34:04 | |
But there's something you have to do for me first. | 0:34:06 | 0:34:09 | |
No. | 0:34:29 | 0:34:30 | |
PHONE BUZZES | 0:34:31 | 0:34:34 | |
Hello? | 0:34:41 | 0:34:42 | |
GUNSHOT | 0:34:42 | 0:34:45 | |
-Direct hit, sir. -Confirm target. | 0:34:47 | 0:34:50 | |
Let's go. | 0:34:52 | 0:34:54 | |
It's not Ballard. | 0:35:10 | 0:35:12 | |
Move out. | 0:35:15 | 0:35:17 | |
GENTLE KNOCKING ON DOOR | 0:35:18 | 0:35:20 | |
GENTLE KNOCKING ON DOOR | 0:35:23 | 0:35:25 | |
Somebody there? | 0:35:39 | 0:35:40 | |
Who is it? | 0:35:43 | 0:35:45 | |
Hello? | 0:36:00 | 0:36:02 | |
Anyone there? | 0:36:02 | 0:36:03 | |
GENTLE KNOCKING ON DOOR | 0:36:08 | 0:36:11 | |
Who's doing that crap? | 0:36:19 | 0:36:20 | |
Message from Mr Decker. | 0:36:28 | 0:36:29 | |
-BOB: -You see him? -HARRISON: -No. | 0:36:36 | 0:36:38 | |
There's the guy he was with. | 0:36:40 | 0:36:42 | |
-What if your father was wrong? -About what? -About Yusuf. | 0:36:47 | 0:36:50 | |
What if he really is a terrorist? | 0:36:50 | 0:36:52 | |
Is that him? | 0:36:55 | 0:36:56 | |
That's him. What do we do? Do we just go up and talk to him? | 0:36:57 | 0:37:00 | |
-Just... Just wait. -OK, OK, OK. -OK. Go, go, go, go. | 0:37:00 | 0:37:03 | |
-Let's follow him. -Follow? Really? | 0:37:20 | 0:37:22 | |
-What are we going to say to him? -I don't know. | 0:37:32 | 0:37:34 | |
Well, we should think of something. What do you say to a terrorist? | 0:37:34 | 0:37:37 | |
He's not a terrorist. | 0:37:37 | 0:37:38 | |
Damn it. Where did he go? | 0:37:42 | 0:37:44 | |
Hey! Who are you? | 0:37:46 | 0:37:48 | |
What do you want? | 0:37:48 | 0:37:50 | |
SOBBING | 0:37:53 | 0:37:56 | |
-You OK? -I'm sorry. It's Diallo. We had an argument. | 0:38:06 | 0:38:10 | |
-Because of me? -Yes. | 0:38:10 | 0:38:12 | |
He wanted to take you to the embassy, | 0:38:12 | 0:38:15 | |
but I know that's not safe. | 0:38:15 | 0:38:17 | |
I wanted to bring you on my show | 0:38:17 | 0:38:19 | |
and tell the world you are alive. | 0:38:19 | 0:38:21 | |
But that would also show the world me and Diallo. | 0:38:21 | 0:38:24 | |
It's impossible. | 0:38:25 | 0:38:26 | |
Hey... | 0:38:28 | 0:38:30 | |
But the world will know. | 0:38:30 | 0:38:32 | |
I have a reporter from The New York Times coming. | 0:38:32 | 0:38:36 | |
Here at noon tomorrow. | 0:38:36 | 0:38:37 | |
She's going to tell my story. | 0:38:37 | 0:38:40 | |
Is she coming here? | 0:38:40 | 0:38:42 | |
This is perfect. | 0:38:43 | 0:38:44 | |
She'll write your story, then after you can come on my show. | 0:38:44 | 0:38:47 | |
Diallo will have nothing to do with it. This is good. This is good. | 0:38:47 | 0:38:52 | |
BANGING AT DOOR | 0:38:52 | 0:38:55 | |
The soldiers are back. | 0:38:57 | 0:38:59 | |
-Serena is dead. -What? -They shot her. | 0:39:03 | 0:39:07 | |
What the hell did you do? | 0:39:07 | 0:39:09 |