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-Where the hell are you going? -Home. | 0:00:01 | 0:00:03 | |
Not on my phone! You'll get us both killed. | 0:00:03 | 0:00:05 | |
INDISTINCT SPEECH | 0:00:05 | 0:00:07 | |
Yeah, I can get you into SOC's mainframe, | 0:00:07 | 0:00:09 | |
but you're not going to find anything good there. | 0:00:09 | 0:00:11 | |
-They use data centres now. -You know where SOC's data centre is? -For the right price, I do. | 0:00:11 | 0:00:15 | |
Somebody there? | 0:00:15 | 0:00:17 | |
-You wanted me to find out about that cleric, Yusuf Qasim. -That's him? | 0:00:18 | 0:00:21 | |
-What do you say to a terrorist? -Where did he go? | 0:00:21 | 0:00:24 | |
Hey! Who are you? What do you want? | 0:00:24 | 0:00:25 | |
This programme contains some violent scenes | 0:00:25 | 0:00:31 | |
HEAVY BREATHING | 0:00:31 | 0:00:35 | |
She's dead? | 0:00:35 | 0:00:36 | |
Four men, American military, looking for you, trying to kill you. | 0:00:38 | 0:00:41 | |
-Why? -I... -Why?! -Sorry, I don't know. | 0:00:41 | 0:00:43 | |
-Give it to me. Give it to me, I'll find out myself. -What? | 0:00:43 | 0:00:46 | |
-The jump drive, give it to me! -No... -Give it to me now! | 0:00:46 | 0:00:49 | |
That is not going to happen! | 0:00:49 | 0:00:50 | |
-What are you doing? -I'm calling home, just like you did. | 0:00:53 | 0:00:56 | |
Who knows? Maybe this time someone will answer. Your husband, maybe. | 0:00:56 | 0:00:59 | |
-LINE RINGS -No, you don't want to do this. | 0:00:59 | 0:01:01 | |
Guess not. | 0:01:06 | 0:01:08 | |
Time to die. | 0:01:08 | 0:01:09 | |
My name is Harrison Walters. | 0:01:13 | 0:01:16 | |
You're following me. Why? | 0:01:16 | 0:01:17 | |
-No, we're not...following you. -Listen, we just have some questions. | 0:01:17 | 0:01:20 | |
Questions? For me? Why? | 0:01:20 | 0:01:22 | |
Because you are Yusuf Qasim and you're supposed to be dead. | 0:01:22 | 0:01:25 | |
You are mistaken. | 0:01:27 | 0:01:29 | |
My name is Sunil Chhetri. I am an auto mechanic. | 0:01:29 | 0:01:32 | |
Must be a dangerous job. | 0:01:32 | 0:01:33 | |
You have the wrong man. | 0:01:35 | 0:01:36 | |
Listen, you knew my dad. | 0:01:39 | 0:01:41 | |
He was writing a story about Black Sands - you were his source. | 0:01:41 | 0:01:44 | |
Tell me your name again. | 0:01:47 | 0:01:48 | |
I'm Harrison Walters. My dad was Randall Walters. | 0:01:48 | 0:01:52 | |
I read about him in the paper. I'm sorry for your loss. | 0:01:52 | 0:01:54 | |
The papers got it wrong - | 0:01:54 | 0:01:56 | |
it wasn't an affair, it was about Odelle Ballard. | 0:01:56 | 0:01:58 | |
And my dad and I were working on a story about her | 0:01:58 | 0:02:00 | |
and we got too close, | 0:02:00 | 0:02:02 | |
so they killed him. | 0:02:02 | 0:02:03 | |
I need to know why. | 0:02:05 | 0:02:06 | |
I don't like it. | 0:02:08 | 0:02:10 | |
He's nervous, jumpy. | 0:02:11 | 0:02:13 | |
Hey, are you sure you don't want to give Rhys your access codes, | 0:02:13 | 0:02:15 | |
so you can stop being nervous about you being nervous? | 0:02:15 | 0:02:18 | |
You can stay out of the building, | 0:02:18 | 0:02:20 | |
keep clean. | 0:02:20 | 0:02:22 | |
-I can't trust him with that - no offence. -None taken. | 0:02:22 | 0:02:25 | |
-Damn. -Yeah, wait till you see it from the inside. | 0:02:25 | 0:02:28 | |
Wall-to-wall servers, literally hundreds of them. | 0:02:28 | 0:02:31 | |
How do we find the right one? | 0:02:31 | 0:02:32 | |
Ours will be centre-punched, in the middle. | 0:02:32 | 0:02:34 | |
Clear, clean and off-line. | 0:02:34 | 0:02:36 | |
RADIO CHATTER | 0:02:36 | 0:02:38 | |
-What the hell? -Yes, they have security. | 0:02:38 | 0:02:41 | |
Patrol pattern, makes a loop every 18 minutes. | 0:02:41 | 0:02:44 | |
Gives us 17 minutes to freeze the video, get in and out. | 0:02:44 | 0:02:47 | |
Freeze time - piece of cake(!) | 0:02:47 | 0:02:50 | |
I don't remember you telling me about security guards, | 0:02:52 | 0:02:55 | |
as in actual people. | 0:02:55 | 0:02:57 | |
They'll never even know we were here. | 0:02:57 | 0:02:59 | |
Come on. | 0:02:59 | 0:03:01 | |
Ah! | 0:03:21 | 0:03:24 | |
There she is. | 0:03:24 | 0:03:25 | |
OK, you're up, big shot. | 0:03:36 | 0:03:37 | |
CAMERA WHIRRS | 0:03:50 | 0:03:52 | |
I thought you said you froze them? | 0:03:52 | 0:03:54 | |
Must be on a separate system. | 0:03:56 | 0:03:57 | |
They weren't supposed to have separate systems. | 0:03:59 | 0:04:02 | |
What do we do? | 0:04:02 | 0:04:04 | |
I'll take care of it. | 0:04:04 | 0:04:06 | |
-We-we need to leave. -Too late. Already on tape, my nervous friend. | 0:04:13 | 0:04:16 | |
Relax. They'll only check the tape if they think someone's been here, | 0:04:16 | 0:04:19 | |
and they'll only think someone's been here | 0:04:19 | 0:04:21 | |
if they find out someone screwed with the system, | 0:04:21 | 0:04:24 | |
but they're not going to find that out because I'm good. | 0:04:24 | 0:04:26 | |
Now stop screwing around and finish with the damn access code. | 0:04:26 | 0:04:30 | |
HE CHUCKLES | 0:04:41 | 0:04:45 | |
-They've already seen y... -HE SIGHS | 0:04:45 | 0:04:47 | |
Moron. | 0:04:47 | 0:04:49 | |
-What the hell did you just do? -I took care of it. | 0:04:57 | 0:04:59 | |
What happened to "They'll never know we were here"? | 0:04:59 | 0:05:01 | |
-Our faces are on that camera. Hey, can you erase those tapes?! -Can you get Al Capone out of here? | 0:05:01 | 0:05:05 | |
-I can't concentrate. -OK, go to the woods, we'll meet you there in five. | 0:05:05 | 0:05:08 | |
-You said this was going to be clean - in and out, no problems. -Go. | 0:05:08 | 0:05:11 | |
Go. | 0:05:14 | 0:05:15 | |
Hello, Mr Decker. | 0:05:29 | 0:05:30 | |
HE DIALS | 0:05:33 | 0:05:35 | |
LINE RINGS | 0:05:35 | 0:05:36 | |
'Is Decker there?' | 0:05:36 | 0:05:38 | |
Yes, he is. | 0:05:38 | 0:05:40 | |
They're inside. | 0:05:40 | 0:05:41 | |
After that, you want me to kill them? | 0:05:43 | 0:05:45 | |
You were going to tell my father something. What was it? | 0:05:48 | 0:05:51 | |
Why are you labelled the Jack of Spades? | 0:05:51 | 0:05:53 | |
What does it all have to do with Odelle Ballard? I... | 0:05:53 | 0:05:55 | |
Look, I know you're interested in her - | 0:05:55 | 0:05:57 | |
you were at her funeral. | 0:05:57 | 0:05:59 | |
If you can tell me, maybe I can find out why they killed my father. | 0:05:59 | 0:06:02 | |
He's a soccer player, isn't he? | 0:06:04 | 0:06:06 | |
Sunil Chhetri, he plays for Nepal, right? | 0:06:06 | 0:06:10 | |
-How do you know that? -I love soccer. Come on, you know that. | 0:06:10 | 0:06:13 | |
Your father was a good man. | 0:06:20 | 0:06:23 | |
He was trying to do the right thing. | 0:06:23 | 0:06:26 | |
But, no, I will not help you. | 0:06:26 | 0:06:28 | |
I have my life now - | 0:06:30 | 0:06:31 | |
it is a simple one. | 0:06:31 | 0:06:33 | |
My friends gave me this job, | 0:06:35 | 0:06:37 | |
a simple place to live. | 0:06:37 | 0:06:39 | |
How did you find me? | 0:06:42 | 0:06:44 | |
A picture from Odelle's funeral. | 0:06:45 | 0:06:47 | |
So stupid. | 0:06:47 | 0:06:49 | |
-I should have never gone. -Why did you? | 0:06:49 | 0:06:53 | |
Yeah, you know, I used some facial recognition software | 0:06:53 | 0:06:55 | |
I got off Amazon. You weren't that hard to find. | 0:06:55 | 0:06:58 | |
I mean, that is if somebody's looking for you. | 0:06:58 | 0:07:01 | |
-So you were the one who found me? -Yeah. | 0:07:01 | 0:07:03 | |
It wasn't that hard. | 0:07:03 | 0:07:05 | |
Of course, I... | 0:07:07 | 0:07:10 | |
I could make you disappear, too. | 0:07:10 | 0:07:11 | |
Wipe out that photo...any trace of it, just like that. Boom, gone. | 0:07:11 | 0:07:15 | |
That is if... If you help us. | 0:07:15 | 0:07:17 | |
OK. | 0:07:20 | 0:07:22 | |
One name. | 0:07:23 | 0:07:26 | |
I will give you one name, that is all. | 0:07:26 | 0:07:28 | |
But then I will never see you again, is that understood? | 0:07:28 | 0:07:32 | |
-Absolutely. -Depends on the name. | 0:07:32 | 0:07:34 | |
Thomas Darnell. | 0:07:37 | 0:07:39 | |
Who's Thomas Darnell? | 0:07:39 | 0:07:40 | |
Diallo, my sweet, are my messages not clear? I'm in danger. I'm afraid. | 0:07:44 | 0:07:49 | |
I need to hear from you, please. | 0:07:49 | 0:07:51 | |
Are you still mad at me? | 0:07:51 | 0:07:53 | |
-What is this? -We've waited long enough. It's not safe. | 0:08:02 | 0:08:06 | |
-You should come with us. -But the reporter from The New York Times is coming. | 0:08:06 | 0:08:09 | |
The reporter will come, she'll see that we're not here, | 0:08:09 | 0:08:12 | |
-she'll meet us in Paris. -Or... | 0:08:12 | 0:08:14 | |
I could tell the reporter myself, tell her all about you. | 0:08:14 | 0:08:17 | |
And we can make a tape. | 0:08:17 | 0:08:20 | |
You can tell her directly. | 0:08:20 | 0:08:21 | |
A tape she can take with her. No-one will be able to doubt that. | 0:08:21 | 0:08:24 | |
We'll make it like the terrorists, with today's newspaper. | 0:08:24 | 0:08:27 | |
-OK, but I really think you should come with us. -I'm not afraid. | 0:08:27 | 0:08:31 | |
I'm a celebrity and my lover is my general. | 0:08:31 | 0:08:34 | |
He will protect me. | 0:08:34 | 0:08:36 | |
And now, if you'll excuse moi. | 0:08:36 | 0:08:38 | |
Where is your friend? | 0:08:47 | 0:08:50 | |
-What friend? -Don't screw with me. | 0:08:50 | 0:08:52 | |
Give me the jump drive now. | 0:08:52 | 0:08:55 | |
Right now. | 0:08:55 | 0:08:56 | |
Once more, where's your friend? | 0:09:03 | 0:09:06 | |
GRUNTING | 0:09:28 | 0:09:31 | |
GRUNTING, SQUISHING | 0:09:31 | 0:09:34 | |
THUDDING, SQUISHING | 0:09:34 | 0:09:38 | |
Stop. Stop. Jenji, stop it! Stop it! | 0:09:38 | 0:09:42 | |
JENJI YELLS | 0:09:42 | 0:09:44 | |
You will never... | 0:10:00 | 0:10:02 | |
ever see me again. | 0:10:02 | 0:10:04 | |
Have a nice life. | 0:10:06 | 0:10:07 | |
My name's Sergeant Odelle Ballard, | 0:10:19 | 0:10:22 | |
serial number 913840090. | 0:10:22 | 0:10:26 | |
As you can see by the date, this is... | 0:10:26 | 0:10:29 | |
Well, it's now. | 0:10:29 | 0:10:32 | |
And, erm, contrary to what you may have heard, | 0:10:32 | 0:10:34 | |
I am very much alive. | 0:10:34 | 0:10:36 | |
Unfortunately, the rest of my unit is not, | 0:10:36 | 0:10:40 | |
having been killed by a drone. | 0:10:40 | 0:10:42 | |
Since then, I have been pursued by Osela, | 0:10:43 | 0:10:46 | |
killing many in their path as they hunt and try to kill me... | 0:10:46 | 0:10:50 | |
..and it's all because of what's on this. | 0:10:52 | 0:10:54 | |
See, this is proof of millions of dollars of payments | 0:10:56 | 0:10:59 | |
from a company called SOC to various terrorist groups, | 0:10:59 | 0:11:04 | |
including Al-Qaeda. | 0:11:04 | 0:11:06 | |
For what purpose, I don't know, | 0:11:06 | 0:11:09 | |
but I'm going to get this to you in your office in... | 0:11:09 | 0:11:13 | |
in Paris somehow. | 0:11:13 | 0:11:14 | |
Now, if you could... | 0:11:16 | 0:11:18 | |
show this to my family, | 0:11:18 | 0:11:21 | |
Erm, Ron... | 0:11:21 | 0:11:25 | |
Suzanne... | 0:11:25 | 0:11:27 | |
I know you th... | 0:11:27 | 0:11:29 | |
Come on. I know that you thought I was dead. | 0:11:33 | 0:11:37 | |
You even went to my funeral | 0:11:37 | 0:11:39 | |
and that must have been so horrible for you. And... | 0:11:39 | 0:11:42 | |
I'm sorry. I'm so sorry for that pain. | 0:11:42 | 0:11:45 | |
But I am alive and I will continue to stay alive, | 0:11:47 | 0:11:51 | |
and I will get home to you somehow, | 0:11:51 | 0:11:53 | |
I promise. | 0:11:53 | 0:11:54 | |
And I love you very much. | 0:11:57 | 0:11:59 | |
He's in the hospital, Mom, the hospital! School can wait! | 0:12:21 | 0:12:24 | |
I know it's hard, but, Maya, you can't just leave... Peter?! | 0:12:24 | 0:12:27 | |
-I'm not a child any more, you can't tell me what to do. -Hey! | 0:12:32 | 0:12:35 | |
-Excuse me! You come back here right now! -He's in the hospital! | 0:12:35 | 0:12:38 | |
-I am sorry he's in the hosp... -Dad, Cameron was attacked last night. -Can you please help here? | 0:12:38 | 0:12:42 | |
-In his own apartment. He's in the hospital. -..out of control. | 0:12:42 | 0:12:45 | |
Sorry, kiddo, I'm with your mum on this. School comes first. | 0:12:45 | 0:12:50 | |
You don't even care that he was attacked? | 0:12:50 | 0:12:52 | |
I hate you both. | 0:12:55 | 0:12:57 | |
Thank you. | 0:13:00 | 0:13:02 | |
DOOR CLOSES | 0:13:02 | 0:13:04 | |
You OK? | 0:13:08 | 0:13:09 | |
Suzanne, breakfast. | 0:13:12 | 0:13:14 | |
FOOTSTEPS APPROACH | 0:13:48 | 0:13:50 | |
-What are you doing? -Nothing. I made you cinnamon rolls. -What's wrong? | 0:13:52 | 0:13:57 | |
Oh, I was just... Lucy, you know, her fiance was in Mom's unit? | 0:13:57 | 0:14:00 | |
-She's coming over for lunch today. -Do I have to come? | 0:14:00 | 0:14:03 | |
-Of course not. Only if you want to. -Good. I don't. | 0:14:03 | 0:14:07 | |
Damn it. | 0:14:17 | 0:14:19 | |
Flight's on time. | 0:14:20 | 0:14:22 | |
You sure she's coming? | 0:14:25 | 0:14:28 | |
It's The New York Times. | 0:14:28 | 0:14:29 | |
They won't miss an opportunity like this. PHONE RINGS | 0:14:29 | 0:14:33 | |
Uh-huh. | 0:14:33 | 0:14:34 | |
It's Ballard. She made another call home. We've got her coordinates. | 0:14:36 | 0:14:39 | |
What do you think? | 0:14:39 | 0:14:41 | |
No. | 0:14:43 | 0:14:45 | |
This time, we wait. | 0:14:45 | 0:14:46 | |
She'll lead us to her. | 0:14:48 | 0:14:49 | |
Perhaps I'm not being clear, this is Shakir Khan. | 0:14:56 | 0:14:59 | |
In case you don't know who I am... | 0:14:59 | 0:15:00 | |
But this is a life and death emergency. | 0:15:04 | 0:15:06 | |
Can I at least speak to his lieutenant, Karim, please? | 0:15:06 | 0:15:09 | |
Karim? | 0:15:12 | 0:15:14 | |
Well, then, why...? | 0:15:14 | 0:15:15 | |
-Yes, I know, but... -I will ask. | 0:15:18 | 0:15:20 | |
He will not speak to you directly. | 0:15:35 | 0:15:38 | |
LINE GOES DEAD | 0:15:38 | 0:15:40 | |
Did you speak to the general? | 0:15:45 | 0:15:46 | |
Yes, of course. He'll protect me. I told you not to worry. | 0:15:46 | 0:15:49 | |
There, you see, you're going to stay here with Shakir, it's safe. | 0:15:49 | 0:15:52 | |
But what will you do? How will you get out of Bamako? | 0:15:52 | 0:15:55 | |
-How will you get out of Africa? -Aslam is right - | 0:15:55 | 0:15:57 | |
the desert is no place to be alone. Where will you take her? | 0:15:57 | 0:16:00 | |
Tienfala. | 0:16:00 | 0:16:01 | |
-Clever boy. My clever, clever boy. -What? What's going on? | 0:16:04 | 0:16:07 | |
You'll find your way to Europe from Tienfala. | 0:16:07 | 0:16:09 | |
Aslam will take you there. Now you must go. | 0:16:09 | 0:16:12 | |
I have your tape. I will get to this New York Times reporter. | 0:16:12 | 0:16:16 | |
We'll get your story out, I promise. | 0:16:16 | 0:16:18 | |
And, you, my sweet, sweet boy... | 0:16:18 | 0:16:21 | |
..promise me you won't disappear from me this time, hmm? | 0:16:24 | 0:16:27 | |
You are my only family. You will protect yourself, hmm? | 0:16:27 | 0:16:31 | |
All right, big boy. | 0:16:35 | 0:16:38 | |
Now, last question, how will you get there? | 0:16:38 | 0:16:41 | |
When it's over, you will come back to see me, yes? | 0:16:44 | 0:16:46 | |
-GBR Industries. -GBR Industries. | 0:17:18 | 0:17:21 | |
-I'm back. -Can I help you? -I need to see Mr Tennant...still. | 0:17:21 | 0:17:25 | |
-Do you have an appointment? -Erm, no. That would still be a no. | 0:17:25 | 0:17:30 | |
Please... | 0:17:30 | 0:17:32 | |
tell him it's about Yusuf, Darnell and the Jack of Spades. | 0:17:32 | 0:17:36 | |
Can you repeat that for me? | 0:17:36 | 0:17:39 | |
Please. It's important. | 0:17:39 | 0:17:41 | |
Yusuf, Darnell and the Jack of Spades. | 0:17:41 | 0:17:43 | |
-Your name? -Harrison Walters...still. | 0:17:43 | 0:17:46 | |
Good morning. | 0:17:49 | 0:17:50 | |
A Harrison Walters to see Mr Tennant. | 0:17:50 | 0:17:52 | |
He says it's about Yusuf, Darnell and the Jack of Spades. | 0:17:52 | 0:17:56 | |
-Would you like me to take a message? -Oh... | 0:17:56 | 0:17:59 | |
OK. I'll send him up. | 0:17:59 | 0:18:01 | |
-30th floor. -Yeah, I know. Thanks for your help. | 0:18:02 | 0:18:05 | |
'This better be good.' | 0:18:07 | 0:18:09 | |
Senator Thomas Darnell, your former boss, | 0:18:09 | 0:18:12 | |
what did he have to do with Black Sands? | 0:18:12 | 0:18:15 | |
Black Sands was a GBR project - | 0:18:15 | 0:18:17 | |
Tom Darnell was CEO at the time. | 0:18:17 | 0:18:18 | |
And what's he got to do with Yusuf Qasim? | 0:18:18 | 0:18:20 | |
What makes you think he has anything to do with a dead terrorist? | 0:18:23 | 0:18:26 | |
Yusuf? | 0:18:30 | 0:18:32 | |
You found him. | 0:18:33 | 0:18:35 | |
He's alive, isn't he? | 0:18:36 | 0:18:39 | |
He needs to know. You need to tell him... | 0:18:39 | 0:18:42 | |
that we did not double-cross him - | 0:18:42 | 0:18:44 | |
it was Amir Alamara - | 0:18:44 | 0:18:46 | |
-you tell him that. -Who's Amir Alamara? | 0:18:46 | 0:18:49 | |
He'll know. | 0:18:51 | 0:18:52 | |
What about Senator Darnell? | 0:18:52 | 0:18:54 | |
How is he mixed up in all this? | 0:18:54 | 0:18:56 | |
Is it true? | 0:18:58 | 0:19:01 | |
Is Yusuf alive? | 0:19:01 | 0:19:02 | |
Tell me about Darnell. | 0:19:03 | 0:19:06 | |
You tell me about Yusuf and I'll tell you about Darnell. | 0:19:06 | 0:19:10 | |
Otherwise, this meeting is over. | 0:19:10 | 0:19:12 | |
What are you doing here? You look like crap. | 0:19:20 | 0:19:23 | |
-Can I come in? -No. | 0:19:24 | 0:19:26 | |
Michelle, I'll be right back. | 0:19:28 | 0:19:31 | |
-What happened? -What do you mean? -Well, I don't know, Peter, | 0:19:31 | 0:19:35 | |
the last time I saw you, you asked me for Jenji's number | 0:19:35 | 0:19:37 | |
and now you show up on my doorstep looking like you've seen a ghost. | 0:19:37 | 0:19:40 | |
What happened, Joe, is that we got evidence, evidence that can bury SOC. | 0:19:40 | 0:19:44 | |
-Good, so use it. -I can't, | 0:19:44 | 0:19:46 | |
-which is why I need your help. I... -Why can't you use it? | 0:19:46 | 0:19:49 | |
I just need you to come forward with what you know, testify, | 0:19:49 | 0:19:52 | |
and then they can... They can subpoena SOC, | 0:19:52 | 0:19:54 | |
-find out what I've got and use it in court. -Wait. | 0:19:54 | 0:19:56 | |
Why can't you use what you've got in court? What happened? | 0:19:58 | 0:20:01 | |
It didn't exactly go as planned. | 0:20:01 | 0:20:04 | |
How bad? | 0:20:07 | 0:20:08 | |
HE SIGHS | 0:20:09 | 0:20:12 | |
Jenji? Holy crap. | 0:20:12 | 0:20:14 | |
-We're this close. -No, no, no. No, Peter. No, Peter. | 0:20:14 | 0:20:17 | |
If this is anything close to what I think it is, you need to go | 0:20:17 | 0:20:20 | |
home and wait for the cops. You're screwed. | 0:20:20 | 0:20:22 | |
-Joe? Joe? Joe? -Stay away from me. | 0:20:24 | 0:20:26 | |
-Wait... -See you in prison, Peter. | 0:20:26 | 0:20:28 | |
-Joe? -Stay away. | 0:20:28 | 0:20:30 | |
SHE SINGS IN LOCAL LANGUAGE | 0:20:35 | 0:20:38 | |
'Why haven't you called me back?' | 0:20:54 | 0:20:56 | |
I'm scared, my general, so scared. Please come. | 0:20:56 | 0:21:00 | |
Please tell me you work for The New York Times. | 0:21:11 | 0:21:14 | |
-And who are you? -I'm a reporter, just like you. | 0:21:14 | 0:21:17 | |
Well, maybe not The New York Times like you, | 0:21:17 | 0:21:19 | |
but I do have a show here in Bamako. Shakir Khan. | 0:21:19 | 0:21:22 | |
-Where is Odelle Ballard? -She had to leave. | 0:21:22 | 0:21:25 | |
Some soldiers, American, have been chasing her. | 0:21:25 | 0:21:27 | |
-What soldiers? -Oselas, here in Bamako, and they are killing people, | 0:21:27 | 0:21:31 | |
and are trying to track down Odelle to kill her. | 0:21:31 | 0:21:33 | |
You've seen them? The Oselas. | 0:21:33 | 0:21:35 | |
Well, no, not personally, | 0:21:35 | 0:21:37 | |
but it is the reason she had to leave. | 0:21:37 | 0:21:40 | |
I-I'm not lying! | 0:21:40 | 0:21:42 | |
She made a tape for you, for you to take with you. | 0:21:42 | 0:21:45 | |
Please, come to my apartment, it's just upstairs, | 0:21:45 | 0:21:47 | |
and I'll give it to you. | 0:21:47 | 0:21:48 | |
No, I think the better idea is for you to bring it to me...here. | 0:21:48 | 0:21:52 | |
Oh, of course. | 0:21:52 | 0:21:53 | |
You think that maybe I'm... I'll bring it right away. | 0:21:53 | 0:21:57 | |
SINGING CONTINUES | 0:22:08 | 0:22:11 | |
CAR DOOR CLOSES | 0:22:37 | 0:22:39 | |
DOOR OPENS | 0:22:40 | 0:22:42 | |
Peter? | 0:22:42 | 0:22:44 | |
Peter? | 0:22:50 | 0:22:51 | |
Oh, I wasn't feeling well, | 0:22:54 | 0:22:56 | |
so I decided to work from home for a bit. | 0:22:56 | 0:22:58 | |
-Where are you going? -I'll be right back. | 0:22:58 | 0:23:01 | |
Amir Alamra, a storekeeper at Nabisco Manufacturing in Malaysia - | 0:23:24 | 0:23:27 | |
it's got to be him. | 0:23:27 | 0:23:29 | |
PHONE BUZZES | 0:23:29 | 0:23:31 | |
Anna, what's up? | 0:23:33 | 0:23:34 | |
-Harrison, you were supposed to meet us here. -Er, where? "Us"? | 0:23:34 | 0:23:38 | |
What do you mean? | 0:23:38 | 0:23:39 | |
My friends from work, I wanted you to meet them. | 0:23:39 | 0:23:42 | |
You don't remember. | 0:23:42 | 0:23:44 | |
Right, what if it's not a name? What if it means something, the word? | 0:23:44 | 0:23:47 | |
-I think you're pronouncing it wrong. -'Wait, who are you talking to?' | 0:23:47 | 0:23:51 | |
-I just don't think he said Alamra... -'Let me guess,' | 0:23:51 | 0:23:53 | |
it's Bob. Harrison, this is getting pathetic. | 0:23:53 | 0:23:55 | |
-It's Amir Ul-Amara! -I've got to go. | 0:23:55 | 0:23:57 | |
-It means "leader of leaders" in Arabic. -PHONE BEEPS | 0:23:57 | 0:24:01 | |
Try "Leaders in Punjab Province, Pakistan 2010." | 0:24:01 | 0:24:03 | |
-Doing it. Already doing it. Done. -OK. | 0:24:03 | 0:24:05 | |
Hello. | 0:24:07 | 0:24:09 | |
Is that...? | 0:24:11 | 0:24:13 | |
Yusuf was betrayed by Abdul Abbas? | 0:24:15 | 0:24:17 | |
-Why would a terrorist betray a terrorist? -We've got to talk to him. | 0:24:19 | 0:24:23 | |
You mean, the guy who said he never wanted to see us again? | 0:24:25 | 0:24:27 | |
-The guy with the gun? -We need to go. | 0:24:27 | 0:24:29 | |
You can stay here if you want to. | 0:24:32 | 0:24:34 | |
No, I'll go. | 0:24:35 | 0:24:37 | |
Maybe if he knows I wiped every trace of him from the Internet, | 0:24:37 | 0:24:39 | |
he won't shoot us. | 0:24:39 | 0:24:41 | |
It must be so much harder for you... | 0:24:42 | 0:24:44 | |
with everyone saying she might still be alive. | 0:24:44 | 0:24:48 | |
It must be good to have that over. | 0:24:48 | 0:24:51 | |
Well, I don't know that it is... | 0:24:51 | 0:24:54 | |
certainly not for Suzanne. | 0:24:54 | 0:24:56 | |
What? | 0:24:59 | 0:25:01 | |
I'm sure it's nothing. | 0:25:02 | 0:25:04 | |
-It has to do with Odelle's wedding ring. -What about it? | 0:25:04 | 0:25:07 | |
OK, I'll tell you, | 0:25:11 | 0:25:13 | |
but you have to promise not to make too big a deal of it. | 0:25:13 | 0:25:16 | |
I'm sure there's an explanation. | 0:25:16 | 0:25:18 | |
Odelle and I had our wedding date engraved on our rings | 0:25:20 | 0:25:23 | |
when we got married, but on our honeymoon, Odelle discovered | 0:25:23 | 0:25:26 | |
that the jeweller had got the date wrong on hers. | 0:25:26 | 0:25:29 | |
It was one day off. | 0:25:29 | 0:25:30 | |
We always used to joke that we weren't really married | 0:25:30 | 0:25:33 | |
because it was the wrong date, but this morning, | 0:25:33 | 0:25:35 | |
I looked at Odelle's wedding ring... | 0:25:35 | 0:25:38 | |
The date is right. It's not her ring, they got it wrong. | 0:25:44 | 0:25:47 | |
I'm not sure it means anything. | 0:25:47 | 0:25:50 | |
-Maybe she changed it and just didn't tell you. -Maybe. | 0:25:50 | 0:25:53 | |
Mom would never do that and you know it. | 0:25:53 | 0:25:55 | |
Molly! | 0:25:55 | 0:25:57 | |
Right, come on, what's in Tienfala? | 0:26:11 | 0:26:14 | |
Why was Shakir smiling when you told him about it? | 0:26:14 | 0:26:16 | |
Because it's so far, on the edge of the desert. | 0:26:19 | 0:26:23 | |
And...? | 0:26:23 | 0:26:25 | |
Luc is there. | 0:26:27 | 0:26:28 | |
He just tried to kill us! | 0:26:31 | 0:26:33 | |
Yes, but he's a drug smuggler. | 0:26:33 | 0:26:35 | |
He knows all the routes. | 0:26:35 | 0:26:37 | |
Then you can give your flash drive to the New York Times. | 0:26:43 | 0:26:46 | |
His routes take us all the way back to where I just came from - | 0:26:46 | 0:26:49 | |
I don't want to do that. I'm an American soldier, a white woman. | 0:26:49 | 0:26:51 | |
He's not going to protect me from the Ansar Dine, | 0:26:51 | 0:26:53 | |
-he'll probably try to sell me to them. -So what's your idea? | 0:26:53 | 0:26:57 | |
To buy a plane ticket? Great, where's your passport? | 0:26:57 | 0:27:00 | |
Do you want to just keep making phone calls | 0:27:00 | 0:27:02 | |
until they catch you and kill you? No! | 0:27:02 | 0:27:04 | |
Luc is our only hope! | 0:27:04 | 0:27:06 | |
But the man wants me dead. | 0:27:06 | 0:27:08 | |
How am I going to convince him to try and help us? | 0:27:08 | 0:27:11 | |
It is up to you. | 0:27:15 | 0:27:16 | |
SHE SINGS IN HER OWN LANGUAGE | 0:27:21 | 0:27:26 | |
The next thing I'm going to do to you is take this | 0:27:42 | 0:27:45 | |
and press it against your windpipe until it breaks. | 0:27:45 | 0:27:50 | |
And you will suffocate - | 0:27:50 | 0:27:52 | |
a very, very painful, terrifying way to die. | 0:27:52 | 0:27:59 | |
This is your last chance. | 0:27:59 | 0:28:01 | |
Where did she go? | 0:28:03 | 0:28:05 | |
Tienfala... Tienfala, Tienfala... | 0:28:05 | 0:28:08 | |
If you're lying to me and she's not there, | 0:28:15 | 0:28:18 | |
I will be back | 0:28:18 | 0:28:20 | |
and I will kill you. | 0:28:20 | 0:28:23 | |
SHE SINGS IN HER OWN LANGUAGE | 0:28:52 | 0:28:55 | |
Mr Khan? | 0:29:00 | 0:29:02 | |
Oh, my God! | 0:29:06 | 0:29:09 | |
I'll get help. | 0:29:14 | 0:29:15 | |
DOOR OPENS | 0:29:26 | 0:29:27 | |
What are you doing home from school? Maya? | 0:29:31 | 0:29:33 | |
I'm going to ask you something | 0:29:35 | 0:29:37 | |
and I need you to be completely honest with me. | 0:29:37 | 0:29:39 | |
I saw Cameron at the hospital | 0:29:41 | 0:29:43 | |
and when I asked him what happened, who beat him up, | 0:29:43 | 0:29:45 | |
he told me to ask you. | 0:29:45 | 0:29:47 | |
Why would he do that? | 0:29:48 | 0:29:50 | |
Maya, I have no idea. | 0:29:59 | 0:30:02 | |
Do you honestly think your father | 0:30:02 | 0:30:04 | |
would be involved in something like that? | 0:30:04 | 0:30:07 | |
Having your boyfriend beat up? Seriously? | 0:30:07 | 0:30:10 | |
-So you don't know what he's talking about? -No idea. | 0:30:10 | 0:30:14 | |
You're lying. | 0:30:16 | 0:30:18 | |
GUNSHOTS | 0:30:33 | 0:30:35 | |
Get down, get down! Stop the car. | 0:30:35 | 0:30:38 | |
Stay down, stay down. | 0:30:38 | 0:30:41 | |
Everywhere you go, people die, | 0:30:45 | 0:30:47 | |
but you don't. Why is that, huh? | 0:30:47 | 0:30:50 | |
Why do they always miss you? | 0:30:51 | 0:30:53 | |
-Get down! -I will not miss. | 0:30:53 | 0:30:56 | |
Why did you come here? | 0:31:02 | 0:31:05 | |
Because you're all we've got... | 0:31:05 | 0:31:07 | |
and we need your help. | 0:31:07 | 0:31:09 | |
DOORBELL | 0:31:10 | 0:31:12 | |
-Yes? -Mrs Decker, Detective Watkins. | 0:31:15 | 0:31:18 | |
-How are you? Is your husband home? -Yes. | 0:31:18 | 0:31:21 | |
-What is this about? -I'm sorry, I need to speak with him directly, ma'am. | 0:31:21 | 0:31:25 | |
Peter, the police are here to see you. | 0:31:29 | 0:31:32 | |
We were hoping to catch you home. Sorry to intrude. | 0:31:33 | 0:31:37 | |
-Not at all. -How have you been? -OK. | 0:31:37 | 0:31:41 | |
Working hard. But today, I'm home, | 0:31:41 | 0:31:45 | |
-trying to relax a bit. -We're here on a homicide investigation. | 0:31:45 | 0:31:49 | |
Know him? | 0:31:51 | 0:31:53 | |
-No. -You sure? -Yes, I'm sure. | 0:31:57 | 0:31:59 | |
Why would you think I...? | 0:31:59 | 0:32:01 | |
His prints match the ones found in the van that killed Danny Gentry. | 0:32:01 | 0:32:05 | |
He was the driver. | 0:32:05 | 0:32:07 | |
And since your ID was used to rent the van... | 0:32:07 | 0:32:09 | |
We've been through this. | 0:32:09 | 0:32:11 | |
My ID was stolen, I had nothing to do with it. | 0:32:11 | 0:32:14 | |
I know. | 0:32:14 | 0:32:15 | |
Where was he found? | 0:32:19 | 0:32:20 | |
In a vacant lot off Wythe Avenue. Why? | 0:32:22 | 0:32:26 | |
-Just curious. -And you're certain you don't know this man? | 0:32:28 | 0:32:31 | |
Never seen him before? | 0:32:31 | 0:32:33 | |
I'm sorry I can't be more helpful. | 0:32:33 | 0:32:35 | |
Why are you wasting my time? | 0:32:42 | 0:32:44 | |
You were the one who wanted to know what was on it so badly, | 0:32:44 | 0:32:47 | |
you stole it from Aslam. | 0:32:47 | 0:32:48 | |
That was before. Now, I don't care any more. | 0:32:48 | 0:32:50 | |
The fact that an American company pays terrorists millions of dollars, | 0:32:50 | 0:32:53 | |
that's got to count for something, | 0:32:53 | 0:32:55 | |
surely a lot of something... | 0:32:55 | 0:32:57 | |
And I know you care about that. | 0:32:57 | 0:32:59 | |
All right, Yusuf Qasim, I found his name in the decrypted material. | 0:32:59 | 0:33:03 | |
What do you know about Yusuf Qasim? | 0:33:03 | 0:33:06 | |
Rumours that Qasim was set up by Abbas. | 0:33:06 | 0:33:09 | |
I thought that he was killed by Special Forces. | 0:33:11 | 0:33:14 | |
You see? Do you see why the drive is so valuable? | 0:33:16 | 0:33:20 | |
I can also see why they want to kill you for it. | 0:33:21 | 0:33:23 | |
Why they kill everyone you come into contact with. | 0:33:23 | 0:33:26 | |
Look, I know exactly what you're trying to do here, | 0:33:26 | 0:33:28 | |
but the money is not worth it. | 0:33:28 | 0:33:30 | |
You're in a war, a war I don't care about. | 0:33:30 | 0:33:33 | |
This is between you and them, so tomorrow morning, | 0:33:33 | 0:33:36 | |
you and that little thief are going to leave my house | 0:33:36 | 0:33:39 | |
and get as far away from me as possible. | 0:33:39 | 0:33:41 | |
Got it? | 0:33:43 | 0:33:44 | |
-It went bad. -How bad? | 0:33:51 | 0:33:54 | |
About as bad as it could go. | 0:33:54 | 0:33:57 | |
It was self-defence. | 0:33:57 | 0:33:58 | |
THEY SPEAK GREEK | 0:33:58 | 0:34:01 | |
-Peter... -It wasn't me. I was there. | 0:34:01 | 0:34:04 | |
They have cameras, fingerprints. | 0:34:06 | 0:34:09 | |
They have me. | 0:34:10 | 0:34:12 | |
Felony murder. | 0:34:12 | 0:34:13 | |
Why haven't I been arrested and why would SOC hide the body | 0:34:16 | 0:34:21 | |
-in some vacant lot in Brooklyn? -It must be what you found. | 0:34:21 | 0:34:24 | |
-What did you get? -I don't know, I didn't look. -Why not? | 0:34:24 | 0:34:29 | |
Cos I saw someone get killed right in front of my eyes. | 0:34:29 | 0:34:32 | |
I had to get rid of the evidence, protect myself. | 0:34:33 | 0:34:36 | |
But that information IS your protection. | 0:34:36 | 0:34:38 | |
The fact that you have that evidence | 0:34:38 | 0:34:40 | |
is the only reason you're not in jail right now. | 0:34:40 | 0:34:43 | |
They're afraid. You need to hang onto it. Protect it with your life. | 0:34:43 | 0:34:48 | |
I have to go. | 0:34:52 | 0:34:53 | |
INAUDIBLE | 0:35:04 | 0:35:05 | |
He's not going to help us, is he? | 0:35:20 | 0:35:21 | |
No, he is not and he wants us to leave by the morning. | 0:35:22 | 0:35:26 | |
And I don't know where we are going to go. | 0:35:28 | 0:35:32 | |
Maybe back to Bamako. | 0:35:32 | 0:35:34 | |
I could try to get a passport, even though it's a risk. | 0:35:34 | 0:35:37 | |
Get on a plane and fly away from all this. | 0:35:37 | 0:35:40 | |
Your picture is everywhere from al-Jazeera photo. | 0:35:42 | 0:35:47 | |
And people who make fake passports work with Ansar Dine, | 0:35:47 | 0:35:51 | |
who are still looking for you. | 0:35:51 | 0:35:53 | |
And even if you were able to do that, what would happen to me? | 0:35:53 | 0:35:59 | |
And then we will talk about what you should do with me. | 0:36:15 | 0:36:18 | |
Hey, you. | 0:36:38 | 0:36:39 | |
Take it easy with this, OK? | 0:36:40 | 0:36:43 | |
It doesn't mean anything yet. | 0:36:43 | 0:36:45 | |
But you're not sure she's dead any more, are you? | 0:36:45 | 0:36:48 | |
I'll make some calls tomorrow, OK? | 0:36:50 | 0:36:52 | |
Now, get some sleep. | 0:36:54 | 0:36:55 | |
Yes! | 0:37:04 | 0:37:05 | |
'Hey, you've reached Sergeant Odelle Ballard. | 0:37:10 | 0:37:12 | |
'I'll be out of touch for the next few weeks, so leave me a message | 0:37:12 | 0:37:15 | |
'and I'll call you back as soon as I can. | 0:37:15 | 0:37:17 | |
'And if this is you, Suzy Q, I miss you | 0:37:17 | 0:37:20 | |
'and I'll be home before you know it. Mwah-mwah-mwah!' | 0:37:20 | 0:37:23 | |
Whoever is listening to this, whoever you are, guess what? | 0:37:23 | 0:37:29 | |
You screwed up! You got the ring wrong. We know she's alive. | 0:37:29 | 0:37:33 | |
What are you doing? | 0:37:38 | 0:37:39 | |
What's that in your hand? | 0:37:44 | 0:37:46 | |
Work. | 0:37:51 | 0:37:53 | |
What kind of work are you doing down here in the middle of the night? | 0:37:53 | 0:37:57 | |
And why does it involve washing a jump drive in the kitchen sink? | 0:37:57 | 0:38:01 | |
I can't tell you everything right now, | 0:38:03 | 0:38:05 | |
-but I've got it under control. -Peter... | 0:38:05 | 0:38:08 | |
When Maya asked you earlier if you had anything to do | 0:38:10 | 0:38:14 | |
with Cameron getting attacked and you said no, were you telling the truth? | 0:38:14 | 0:38:19 | |
Yes. | 0:38:20 | 0:38:21 | |
I'm not sure I believe you. | 0:38:22 | 0:38:25 | |
Believe what you want, OK? | 0:38:25 | 0:38:26 | |
This is not good. | 0:38:36 | 0:38:38 | |
-Hey, what's going on? -Nothing. -Doesn't look like nothing. | 0:38:46 | 0:38:50 | |
Nothing to worry about, false tip. | 0:38:50 | 0:38:54 | |
-Anyone arrested? -Not yet. | 0:38:54 | 0:38:56 | |
Someone must have tipped them off about Yusuf. | 0:39:02 | 0:39:04 | |
And I know who. | 0:39:04 | 0:39:06 | |
PHONE BUZZES | 0:39:10 | 0:39:14 | |
-Harrison, what's going on? -I trusted you about Yusuf. How could you? | 0:39:22 | 0:39:25 | |
-What? -To call the police! | 0:39:25 | 0:39:28 | |
I was this close to finding out who killed my father and you blew it. | 0:39:28 | 0:39:31 | |
You had no right to do that. | 0:39:31 | 0:39:33 | |
Hello? | 0:39:35 | 0:39:36 | |
-Hello? -Yeah, I'm here. | 0:39:38 | 0:39:40 | |
-Harrison, he's a terrorist. -See, you don't know that. | 0:39:41 | 0:39:45 | |
DOORBELL It doesn't matter what I know or don't know. | 0:39:45 | 0:39:49 | |
-According to the US Government, he's a terrorist. -Harrison? -Just... -POUNDING AT DOOR | 0:39:49 | 0:39:53 | |
Harrison? Harrison, what's happening? Harrison? | 0:39:55 | 0:40:00 | |
-Harrison Walters? -Yes? | 0:40:00 | 0:40:03 | |
-Homeland Security. -What's going on? | 0:40:03 | 0:40:04 | |
-We found your prints in the home of a known terror suspect. -What? -You're under arrest. | 0:40:04 | 0:40:08 | |
-Where are you taking my son? -Keep her back. | 0:40:08 | 0:40:10 | |
-Where are you taking my son?! -You have the right to remain silent. | 0:40:10 | 0:40:13 | |
Anything you say... | 0:40:13 | 0:40:15 | |
You can't just walk into our house and take our child! | 0:40:15 | 0:40:18 | |
-Harrison?! -Harrison?! | 0:40:18 | 0:40:21 |