Browse content similar to Beneath the Surface. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
They've found your girl, Grace. She was murdered, Bill. | 0:00:03 | 0:00:05 | |
Her and Adam Elliot. | 0:00:05 | 0:00:07 | |
I need to get to Braeston, finish something that I started. | 0:00:07 | 0:00:11 | |
This is the man that killed Adam and Gracie. | 0:00:11 | 0:00:13 | |
So what now? | 0:00:13 | 0:00:14 | |
The old dog cages up at Bill's barn. | 0:00:14 | 0:00:16 | |
He's right. We could keep him in there and we'd be safe. | 0:00:16 | 0:00:18 | |
One of us did this. | 0:00:20 | 0:00:22 | |
One of us, right here. | 0:00:23 | 0:00:25 | |
Papa Smurfs LSD. 75 sheets. | 0:00:26 | 0:00:30 | |
We have to take precautions. Someone like you. | 0:00:30 | 0:00:32 | |
The Elliot case. A local cop got a sighting of Lee Walsh. | 0:00:32 | 0:00:35 | |
Get him on the phone now. | 0:00:35 | 0:00:37 | |
A detective's coming from Edinburgh. OK. What are we going to do? | 0:00:37 | 0:00:40 | |
Look, whoever did this just has to say so. | 0:01:48 | 0:01:52 | |
You just have to admit it. | 0:01:52 | 0:01:54 | |
I'm not so sure it matters. | 0:01:57 | 0:01:58 | |
What that man did... | 0:02:01 | 0:02:02 | |
..he hurt all of us. | 0:02:03 | 0:02:05 | |
So we deal with this ourselves. | 0:02:06 | 0:02:07 | |
We all carry it on our shoulders. | 0:02:11 | 0:02:13 | |
Look, we don't even know why that man came here. | 0:02:13 | 0:02:16 | |
We don't know why he had our postcode in his pocket. | 0:02:16 | 0:02:19 | |
What matters is what we do now. | 0:02:19 | 0:02:21 | |
And I just keep asking myself, | 0:02:24 | 0:02:26 | |
am I sorry that this man is dead? | 0:02:26 | 0:02:29 | |
After what he did? | 0:02:31 | 0:02:32 | |
Mm? | 0:02:34 | 0:02:35 | |
I honestly cannot say that I am. | 0:02:38 | 0:02:39 | |
Mum... | 0:02:44 | 0:02:45 | |
You're just in shock. | 0:02:46 | 0:02:48 | |
DISTANT VOICE: Hello? | 0:02:49 | 0:02:50 | |
Hello! | 0:03:21 | 0:03:22 | |
Do you know them, Bill? No. | 0:03:22 | 0:03:24 | |
Excuse me, can I help you? | 0:03:24 | 0:03:27 | |
Hey! No, I'm sorry. Hey, put your camera down! | 0:03:27 | 0:03:29 | |
Who do you think you are? | 0:03:29 | 0:03:31 | |
It wasn't my intention to barge in like this. | 0:03:31 | 0:03:33 | |
Who are you? Monica Grant. Edinburgh Times. | 0:03:33 | 0:03:35 | |
I assure you, we won't be using those photographs. | 0:03:35 | 0:03:38 | |
Then what are you doing here? Are you Bill Douglas? | 0:03:38 | 0:03:40 | |
We've nothing to say to you. This is a private matter. | 0:03:40 | 0:03:43 | |
All we want is to give you a place to really talk about | 0:03:43 | 0:03:45 | |
your daughter, to tell her story. | 0:03:45 | 0:03:47 | |
This is private land. Get lost. | 0:03:47 | 0:03:50 | |
I understand. Really. Sorry to have disturbed you. | 0:03:50 | 0:03:52 | |
You've got to be joking! | 0:03:57 | 0:03:58 | |
Who were they? The press. What did they want to know? | 0:03:58 | 0:04:01 | |
What do you think they wanted to know? | 0:04:01 | 0:04:02 | |
Well, I'm just asking. What did they want? | 0:04:02 | 0:04:04 | |
What if more come? | 0:04:04 | 0:04:06 | |
We should call Charlie Fuller. | 0:04:06 | 0:04:09 | |
Tell him to keep the press at the gate. | 0:04:09 | 0:04:11 | |
We can't have them up here. I'll go. | 0:04:11 | 0:04:12 | |
Aye, and after that, Alastair, you can go on home. | 0:04:12 | 0:04:15 | |
You've done enough. Sal will be wondering where you are. | 0:04:15 | 0:04:18 | |
You know, the police could be here any minute. | 0:04:21 | 0:04:23 | |
What are we going to do? | 0:04:23 | 0:04:24 | |
And that's last night's footage? | 0:05:05 | 0:05:07 | |
Aye. | 0:05:08 | 0:05:09 | |
Let me know if you want to join in at any point. | 0:05:15 | 0:05:18 | |
18 miles from where the families live. | 0:05:23 | 0:05:26 | |
No way Lee Walsh being out here was a coincidence. | 0:05:26 | 0:05:28 | |
Are we sure the families are safe? | 0:05:28 | 0:05:30 | |
The liaison in Braeston's a local, he knows the Douglases | 0:05:30 | 0:05:33 | |
and the Elliots well. He's got all his men keeping their eyes open. | 0:05:33 | 0:05:37 | |
This is the shittiest petrol station I've ever been to. | 0:05:44 | 0:05:47 | |
Where the hell even is this? | 0:05:47 | 0:05:49 | |
What? | 0:05:50 | 0:05:51 | |
Lee Walsh's medical records. | 0:05:51 | 0:05:53 | |
Guy's been in and out of facilities since he was a teenager. | 0:05:53 | 0:05:57 | |
Diagnosed paranoid schizophrenic. | 0:05:57 | 0:06:00 | |
A homeless schizophrenic in a stolen Lexus. | 0:06:00 | 0:06:03 | |
Wouldn't have thought he'd be too hard to find. | 0:06:03 | 0:06:07 | |
Question is, if he was here last night, | 0:06:07 | 0:06:10 | |
why didn't he make it to Braeston? | 0:06:10 | 0:06:13 | |
That storm did a lot of damage. | 0:06:13 | 0:06:15 | |
People having to evacuate their houses, | 0:06:15 | 0:06:17 | |
emergency services phones ringing off the hook. Maybe... | 0:06:17 | 0:06:20 | |
Maybe he came off the road. | 0:06:20 | 0:06:23 | |
Yeah, we'll find him soon enough. | 0:06:23 | 0:06:25 | |
Right, come on. We've got to go and see the families. | 0:06:25 | 0:06:27 | |
PHONE RINGS | 0:06:27 | 0:06:29 | |
Yep? | 0:06:31 | 0:06:32 | |
OK. | 0:06:33 | 0:06:34 | |
Sounds like we might have a connection | 0:06:37 | 0:06:39 | |
between Walsh and the victims. | 0:06:39 | 0:06:40 | |
Yeah, go on. | 0:06:42 | 0:06:43 | |
Some of this stuff here, put it around, just make it look like... | 0:07:25 | 0:07:28 | |
What? It's been here for ages. OK? | 0:07:28 | 0:07:30 | |
We're doing the right thing. | 0:07:40 | 0:07:42 | |
How can you be so sure? | 0:07:42 | 0:07:43 | |
Because Rob's sure. | 0:07:45 | 0:07:47 | |
And... | 0:07:47 | 0:07:49 | |
I believe in him. | 0:07:49 | 0:07:51 | |
After everything that happened, he looked after me. | 0:07:52 | 0:07:55 | |
I trust him. | 0:07:57 | 0:07:58 | |
I loved Adam and Grace too. | 0:08:02 | 0:08:05 | |
Two weeks ago I was Grace's bridesmaid and now... | 0:08:06 | 0:08:11 | |
..she's gone. | 0:08:12 | 0:08:13 | |
As far as I'm concerned, | 0:08:16 | 0:08:18 | |
Lee Walsh getting killed - that is karma. | 0:08:18 | 0:08:21 | |
I'm going to go and help the others. | 0:08:26 | 0:08:28 | |
Yeah? Yeah, OK. Right. | 0:08:57 | 0:08:58 | |
The fence. | 0:09:02 | 0:09:03 | |
What can we do? | 0:09:04 | 0:09:06 | |
Car's done, the tyre tracks are pretty well covered, | 0:09:06 | 0:09:09 | |
but we just need to move that branch out the road | 0:09:09 | 0:09:11 | |
then get this fence back up. | 0:09:11 | 0:09:12 | |
Mum, wait, wait. Let's do the branch first. | 0:09:12 | 0:09:14 | |
DI Juliet Wallis, my partner, DS Andrew Barker. | 0:09:26 | 0:09:29 | |
We spoke on the phone. | 0:09:29 | 0:09:30 | |
Lift! | 0:09:30 | 0:09:31 | |
Further. | 0:09:35 | 0:09:37 | |
OK, that'll do. OK. That's it. | 0:09:37 | 0:09:40 | |
Ow! Shit! | 0:09:40 | 0:09:41 | |
What happened? Ow! | 0:09:41 | 0:09:43 | |
I cut it on a branch, it's fine. | 0:09:43 | 0:09:45 | |
You've got to put something on it. No, when we're done. | 0:09:45 | 0:09:47 | |
DISTANT CAR MOTOR | 0:09:47 | 0:09:49 | |
They're here. | 0:09:54 | 0:09:55 | |
They're here! | 0:09:56 | 0:09:57 | |
Run, run. | 0:09:57 | 0:09:59 | |
No, leave them. | 0:09:59 | 0:10:01 | |
Come on. Don't, just run. | 0:10:01 | 0:10:03 | |
KNOCKING | 0:10:26 | 0:10:28 | |
Louise Elliot? | 0:10:33 | 0:10:34 | |
Yes, that's me. | 0:10:34 | 0:10:35 | |
Detective Wallis and Barker. | 0:10:35 | 0:10:38 | |
Yes, of course. Yes, Charlie told me you were coming. | 0:10:38 | 0:10:42 | |
Come in, come in. | 0:10:42 | 0:10:44 | |
As Officer Fuller has told you, our prime suspect is Lee Walsh. | 0:10:46 | 0:10:51 | |
His fingerprints were found at the crime scene. | 0:10:51 | 0:10:53 | |
Do any of you know him? Have a good look. | 0:10:53 | 0:10:56 | |
Sorry. | 0:11:05 | 0:11:06 | |
Why? | 0:11:14 | 0:11:16 | |
I mean, do you have any idea why he would do something like this? | 0:11:16 | 0:11:19 | |
Nothing for sure. | 0:11:19 | 0:11:21 | |
We did get a call from Edinburgh on the way here. | 0:11:21 | 0:11:24 | |
Walsh is currently homeless | 0:11:24 | 0:11:25 | |
and used to go to a couple of soup kitchens in Edinburgh. | 0:11:25 | 0:11:29 | |
We're wondering if Grace and Walsh maybe came into contact there. | 0:11:29 | 0:11:33 | |
Did she or Adam maybe ever talk about someone she might have | 0:11:33 | 0:11:36 | |
met there on one of her shifts? | 0:11:36 | 0:11:38 | |
No. | 0:11:38 | 0:11:39 | |
Again, why? | 0:11:41 | 0:11:42 | |
It doesn't make sense. Even if their paths crossed, | 0:11:44 | 0:11:46 | |
why would he go round to their house...? We can't be sure. | 0:11:46 | 0:11:49 | |
Walsh is a diagnosed schizophrenic with a history of drug use. | 0:11:49 | 0:11:52 | |
Always coming off his medication. | 0:11:52 | 0:11:54 | |
It wouldn't be the first time he's had delusional thoughts | 0:11:54 | 0:11:57 | |
and became hostile. | 0:11:57 | 0:11:58 | |
He's got a bunch of serious assault charges on his sheet. | 0:11:58 | 0:12:01 | |
This is just a theory right now, nothing more. | 0:12:01 | 0:12:04 | |
Where do you think he is now? | 0:12:06 | 0:12:08 | |
As of this morning, | 0:12:08 | 0:12:09 | |
we have CCTV footage placing him very close to here - | 0:12:09 | 0:12:12 | |
in a service station off the A87. | 0:12:12 | 0:12:15 | |
With him being this close to the house, | 0:12:15 | 0:12:17 | |
we have to entertain the idea that Lee Walsh maybe was coming here. | 0:12:17 | 0:12:22 | |
Why? | 0:12:22 | 0:12:24 | |
Why would he do that? | 0:12:24 | 0:12:26 | |
Right now, we just don't know. | 0:12:26 | 0:12:27 | |
We're thinking some kind of delusional hostility towards Grace, | 0:12:27 | 0:12:32 | |
extending to the new husband, the families... | 0:12:32 | 0:12:34 | |
At this stage, anything we say can only be...speculation. | 0:12:34 | 0:12:39 | |
What you need to know is we're not going to take any chances. | 0:12:39 | 0:12:42 | |
We're going to have an iron fence up, | 0:12:42 | 0:12:44 | |
officers at various checkpoints, monitoring the road in | 0:12:44 | 0:12:46 | |
to ensure you're not in any danger. Now... | 0:12:46 | 0:12:48 | |
Was there anything unusual about Adam and Grace's behaviour | 0:12:50 | 0:12:54 | |
in recent months? | 0:12:54 | 0:12:56 | |
Anything at all out of the ordinary? | 0:12:56 | 0:12:59 | |
Doesn't matter how small it seems. | 0:12:59 | 0:13:01 | |
I'm sorry, I don't get this. | 0:13:01 | 0:13:03 | |
Why? | 0:13:03 | 0:13:04 | |
I mean, a man walked into their flat and killed them. | 0:13:04 | 0:13:08 | |
Aren't they the victims here? | 0:13:08 | 0:13:10 | |
Mrs Elliot, please. | 0:13:10 | 0:13:11 | |
I'm just trying to get the full picture here. | 0:13:11 | 0:13:13 | |
I'm sorry. We've been... | 0:13:13 | 0:13:15 | |
You know, we've been stuck in the house all morning, | 0:13:15 | 0:13:19 | |
since we got up, and, you know, | 0:13:19 | 0:13:21 | |
we're just staring at the television and hearing report after report | 0:13:21 | 0:13:25 | |
and hearing it all out loud, it's just too much. | 0:13:25 | 0:13:27 | |
I'm sorry, I'm sorry. | 0:13:27 | 0:13:29 | |
Oh, Mum. | 0:13:44 | 0:13:45 | |
She was always trying to do good things, Grace. | 0:13:54 | 0:13:57 | |
Always trying to save the world. | 0:13:59 | 0:14:01 | |
One lost soul at a time. | 0:14:02 | 0:14:04 | |
And what does she get? | 0:14:06 | 0:14:07 | |
Some psychopath, obsessed with her because she's kind enough | 0:14:07 | 0:14:11 | |
to hand him some free food. | 0:14:11 | 0:14:12 | |
You can't keep thinking about that. | 0:14:12 | 0:14:14 | |
So if that detective is right, | 0:14:19 | 0:14:21 | |
and that man was coming here to hurt us, | 0:14:21 | 0:14:24 | |
just like he did Adam and Grace, then... | 0:14:24 | 0:14:27 | |
Then we did the right thing. | 0:14:27 | 0:14:29 | |
Mum, was it you? | 0:14:33 | 0:14:36 | |
Did you go into the barn last night? | 0:14:38 | 0:14:41 | |
Me? | 0:14:44 | 0:14:46 | |
Why would you say that? | 0:14:50 | 0:14:51 | |
You do realise that we are not made for this. | 0:14:51 | 0:14:55 | |
You just told the police we were here all morning, | 0:14:55 | 0:14:57 | |
even though we were at Bill and Moira's | 0:14:57 | 0:15:00 | |
and people saw us there. | 0:15:00 | 0:15:01 | |
Well, no-one's stopping you. | 0:15:04 | 0:15:06 | |
If you want to go back into that room | 0:15:06 | 0:15:08 | |
and tell the detective what happened, | 0:15:08 | 0:15:10 | |
no-one's going to stand in your way. | 0:15:10 | 0:15:12 | |
I saw Grace about once a week. | 0:15:25 | 0:15:28 | |
I'm sorry. | 0:15:28 | 0:15:30 | |
I, erm... | 0:15:30 | 0:15:31 | |
I, uh... | 0:15:35 | 0:15:37 | |
Um, I have a shift at work. Excuse me. | 0:15:40 | 0:15:44 | |
They can't expect you to work today. | 0:15:44 | 0:15:46 | |
There's no-one to cover. If that's all, detectives... | 0:15:46 | 0:15:48 | |
Of course. | 0:15:48 | 0:15:50 | |
Just before you go, while I have you all here, | 0:15:50 | 0:15:53 | |
you haven't heard from your dad, have you? | 0:15:53 | 0:15:55 | |
We can't get through. | 0:15:55 | 0:15:57 | |
Me neither. I tried calling after we heard but... | 0:15:57 | 0:16:00 | |
..we don't speak to him any more. | 0:16:03 | 0:16:05 | |
Haven't for a long time. | 0:16:05 | 0:16:06 | |
THEY SHOUT | 0:16:33 | 0:16:35 | |
PHONE RINGS OUT | 0:16:49 | 0:16:52 | |
'Hi, you've reached Adam Elliot. | 0:16:52 | 0:16:54 | |
'Go crazy, leave a message.' | 0:16:54 | 0:16:56 | |
I miss you. | 0:16:59 | 0:17:00 | |
OK, let's talk to the Douglases and get back to Edinburgh, | 0:17:15 | 0:17:18 | |
follow up on that soup kitchen lead. | 0:17:18 | 0:17:20 | |
Christ, that was full-on, wasn't it? | 0:17:20 | 0:17:22 | |
Don't think I'll ever get used to it. What? | 0:17:22 | 0:17:25 | |
Being around it, that amount of grief. It's just exhausting. | 0:17:25 | 0:17:29 | |
Imagine living in a house that much bloody tragedy. | 0:17:29 | 0:17:32 | |
PHONE RINGS | 0:17:32 | 0:17:34 | |
Hello? | 0:17:34 | 0:17:35 | |
'It's Jay.' | 0:17:35 | 0:17:36 | |
What the hell are you doing calling me? | 0:17:36 | 0:17:38 | |
Chill out, Grandma. | 0:17:38 | 0:17:40 | |
Look, I just thought you should know, | 0:17:40 | 0:17:42 | |
those sheets of acid you got me, | 0:17:42 | 0:17:44 | |
the Papa Smurfs, flying off the shelves. | 0:17:44 | 0:17:48 | |
It's like the late '80s out there. | 0:17:48 | 0:17:51 | |
I'm looking at the numbers on my screen now, | 0:17:51 | 0:17:53 | |
I'm pulling down bigger than I thought and I need more. | 0:17:53 | 0:17:57 | |
Screen? What, are you running a bloody spreadsheet? | 0:17:57 | 0:17:59 | |
JAY LAUGHS 'What? | 0:17:59 | 0:18:01 | |
'Cos you think I make money selling drugs I'm a dumb shit?' | 0:18:01 | 0:18:05 | |
Well, a dumb shit who I reckon makes double what you earn | 0:18:05 | 0:18:08 | |
in half the time. | 0:18:08 | 0:18:09 | |
Tell me - what do they pay you, Grandma? | 0:18:09 | 0:18:13 | |
We're not doing this. We're not having a conversation. | 0:18:13 | 0:18:16 | |
Get that through your head. That's not what this is. | 0:18:16 | 0:18:19 | |
It was a one-off thing. End of. | 0:18:19 | 0:18:21 | |
Do not call this number again. | 0:18:21 | 0:18:22 | |
What's happening? | 0:19:05 | 0:19:07 | |
You need to tell me. Never you mind. You've done enough. | 0:19:09 | 0:19:11 | |
Moira... No, I'm sick and tired of it. | 0:19:11 | 0:19:14 | |
Just... | 0:19:14 | 0:19:15 | |
Just go up to your room, Jamie, and stay out of the way. | 0:19:15 | 0:19:18 | |
You wish it was me, don't you? | 0:19:18 | 0:19:21 | |
Me that wasn't here, instead of Grace. | 0:19:21 | 0:19:23 | |
Jamie, stop provoking your mother. | 0:19:23 | 0:19:25 | |
How dare you? | 0:19:25 | 0:19:26 | |
After we lied for you! | 0:19:27 | 0:19:29 | |
I wasn't trying... | 0:19:29 | 0:19:30 | |
Do you not think the police are going to look at you | 0:19:30 | 0:19:32 | |
after the things that you've done? | 0:19:32 | 0:19:34 | |
They're going to find out that you took your father's shotgun | 0:19:34 | 0:19:37 | |
into school and they're going to start digging. | 0:19:37 | 0:19:39 | |
I was trying to scare someone, that's all I did. | 0:19:39 | 0:19:42 | |
I didn't kill that man out there. | 0:19:42 | 0:19:43 | |
So you say! Jamie, I... Stop it. Stop! | 0:19:43 | 0:19:45 | |
Let's just...let's just try and get through the next hour or so, OK? | 0:19:50 | 0:19:54 | |
And then what? | 0:19:54 | 0:19:55 | |
Dad... Go on. | 0:20:07 | 0:20:09 | |
Go on, get your arse upstairs. | 0:20:09 | 0:20:10 | |
Dad, is it happening again? | 0:20:10 | 0:20:11 | |
Jamie, do as you're told. | 0:20:11 | 0:20:13 | |
You told me you'd say something. | 0:20:15 | 0:20:17 | |
And you told me that it would stay between us. | 0:20:17 | 0:20:20 | |
It will. | 0:20:24 | 0:20:25 | |
Everything will be all right. | 0:20:27 | 0:20:29 | |
KNOCKING | 0:20:46 | 0:20:48 | |
Ant, mate, jump in. | 0:20:50 | 0:20:51 | |
This is for you. | 0:20:57 | 0:20:58 | |
I'd go round my nan's if I wanted an antique, brother. | 0:20:59 | 0:21:02 | |
No, no, no, no, no. | 0:21:02 | 0:21:04 | |
You see, the battery lasts forever, and most importantly, | 0:21:04 | 0:21:08 | |
the coppers can't track you. | 0:21:08 | 0:21:09 | |
Right, take that. | 0:21:09 | 0:21:11 | |
OK... | 0:21:12 | 0:21:14 | |
I'm going to give you four of these. | 0:21:15 | 0:21:17 | |
?2k, right? 400 a sheet. | 0:21:17 | 0:21:20 | |
What did I say? 2k. | 0:21:20 | 0:21:22 | |
How much a sheet? 400 a sheet. Good. | 0:21:22 | 0:21:24 | |
Have a nice day at the office, then, sweetheart. | 0:21:28 | 0:21:30 | |
So, how are Bill and Moira? | 0:21:35 | 0:21:37 | |
As you'd expect. | 0:21:39 | 0:21:40 | |
I still can't believe it, and having to put you up for the night's | 0:21:40 | 0:21:43 | |
the last thing they needed, I imagine. | 0:21:43 | 0:21:46 | |
There was no choice, love. | 0:21:48 | 0:21:49 | |
Aye. | 0:21:50 | 0:21:52 | |
The high street here was half underwater. | 0:21:54 | 0:21:56 | |
Cars all went for a swim. | 0:21:56 | 0:21:58 | |
Something happened, love. | 0:21:58 | 0:22:00 | |
Last night. | 0:22:02 | 0:22:03 | |
And you ought to know. | 0:22:05 | 0:22:07 | |
KNOCKING | 0:22:10 | 0:22:12 | |
DOOR OPENS | 0:22:12 | 0:22:14 | |
What on earth are you doing here? | 0:22:17 | 0:22:19 | |
I had a shift. | 0:22:19 | 0:22:21 | |
I saw it on the news this morning, | 0:22:21 | 0:22:23 | |
about your brother and sister-in-law. | 0:22:23 | 0:22:26 | |
You shouldn't be here. | 0:22:26 | 0:22:28 | |
I wanted to. | 0:22:28 | 0:22:29 | |
How are you coping? | 0:22:33 | 0:22:34 | |
I, erm... | 0:22:36 | 0:22:38 | |
I honestly don't know. | 0:22:38 | 0:22:39 | |
There's no sense to be found in loss. | 0:22:40 | 0:22:42 | |
Especially one as awful and downright senseless as yours. | 0:22:44 | 0:22:47 | |
SHE SOBS | 0:22:53 | 0:22:55 | |
Oh, darling... | 0:22:55 | 0:22:57 | |
Oh... | 0:23:01 | 0:23:02 | |
And the body is still there now? | 0:23:09 | 0:23:11 | |
Aye. In the barn. | 0:23:11 | 0:23:13 | |
So... | 0:23:15 | 0:23:16 | |
Nobody has any idea why he came to the farm? | 0:23:18 | 0:23:21 | |
Nobody recognised him. | 0:23:21 | 0:23:22 | |
But you saw Jamie go in there. | 0:23:24 | 0:23:26 | |
Do you think he could've done it? | 0:23:26 | 0:23:28 | |
I honestly don't know, love. I don't know. | 0:23:28 | 0:23:32 | |
What were you doing outside? How did you come to see him? | 0:23:32 | 0:23:34 | |
I... | 0:23:34 | 0:23:36 | |
I went outside for a smoke. | 0:23:39 | 0:23:40 | |
You didn't go into that barn, did you? | 0:23:42 | 0:23:44 | |
Of course not. | 0:23:46 | 0:23:47 | |
You've killed before. | 0:23:47 | 0:23:49 | |
It meant nothing, you've said it yourself. | 0:23:49 | 0:23:51 | |
In war. It's different in war. It's not the same. | 0:23:51 | 0:23:54 | |
You know it's not the... OK. OK, then. | 0:23:57 | 0:23:59 | |
I just had to be sure. | 0:23:59 | 0:24:01 | |
Because if you didn't do it... | 0:24:04 | 0:24:06 | |
..I know what you need to do now. | 0:24:08 | 0:24:10 | |
If you've got the stomach for it. | 0:24:12 | 0:24:14 | |
Bill. What happened? What did they say? | 0:24:54 | 0:24:56 | |
We didn't say anything. | 0:24:56 | 0:24:57 | |
Yeah, but how did they seem when they were talking to you? | 0:24:57 | 0:25:00 | |
Concerned. | 0:25:00 | 0:25:01 | |
They were asking about that man, that's all. | 0:25:01 | 0:25:04 | |
What about the car? | 0:25:08 | 0:25:09 | |
We covered it up, they didn't see it. | 0:25:09 | 0:25:12 | |
I said that we were at the house all morning, | 0:25:12 | 0:25:14 | |
and that photographer took a picture of us. | 0:25:14 | 0:25:16 | |
Stop worrying about that. That's fine. Really, Mum, OK? | 0:25:16 | 0:25:19 | |
If they print it we just say that you got it wrong | 0:25:19 | 0:25:21 | |
and we all went for a walk. | 0:25:21 | 0:25:23 | |
We're all upset, OK? | 0:25:24 | 0:25:26 | |
That's the truth. | 0:25:26 | 0:25:28 | |
None of us are thinking right. | 0:25:28 | 0:25:30 | |
Where's Claire? | 0:25:30 | 0:25:31 | |
She went to work, when the police were still there. | 0:25:31 | 0:25:34 | |
And you let her? | 0:25:34 | 0:25:35 | |
She's a grown-up. What am I supposed to do? | 0:25:35 | 0:25:37 | |
Well, it's done now. | 0:25:37 | 0:25:38 | |
Whoever killed that man, it... | 0:25:38 | 0:25:41 | |
It doesn't matter. We've all lied. | 0:25:41 | 0:25:43 | |
We just have to see it through. | 0:25:44 | 0:25:45 | |
What do you mean, see it through? | 0:25:45 | 0:25:49 | |
She's right. | 0:25:53 | 0:25:54 | |
We have to get rid of the body. | 0:25:56 | 0:25:57 | |
What about the car? | 0:26:02 | 0:26:03 | |
Well, we can't just drive it out because the press are by the gate | 0:26:05 | 0:26:08 | |
at the top of the drive and the police said they were putting | 0:26:08 | 0:26:11 | |
officers all round the farm. | 0:26:11 | 0:26:14 | |
Isn't there a lake or something? | 0:26:14 | 0:26:16 | |
Or another gate so we could go through that instead. | 0:26:16 | 0:26:19 | |
No, we're hemmed in by mountains and we're at the deep end of the glen. | 0:26:19 | 0:26:23 | |
The only way out is through that front gate. | 0:26:23 | 0:26:25 | |
MOIRA: Well, can't we just leave it where it is, under the tarpaulin? | 0:26:25 | 0:26:28 | |
But what if the police come back? What if they look around? | 0:26:28 | 0:26:31 | |
I don't know, set it on fire? | 0:26:31 | 0:26:33 | |
What, and let out a smoke signal for people to see? | 0:26:33 | 0:26:36 | |
I'm just trying to... | 0:26:36 | 0:26:37 | |
Even if we set it on fire the thing wouldn't burn | 0:26:37 | 0:26:39 | |
all the way down, Moira. I'm sorry, it's a bad idea. | 0:26:39 | 0:26:42 | |
Oh, Jesus Christ, what are we doing? | 0:26:42 | 0:26:44 | |
This is just... | 0:26:46 | 0:26:48 | |
I can't... | 0:26:48 | 0:26:49 | |
Does that thing still work, Bill? | 0:26:54 | 0:26:56 | |
Well, his sister did IVF, of course. It nearly bankrupted them. | 0:29:12 | 0:29:15 | |
No, last I heard there wasn't any news but... | 0:29:18 | 0:29:20 | |
FAINT SOBS | 0:29:23 | 0:29:25 | |
Lucy, sorry, can I call you back? | 0:29:26 | 0:29:28 | |
OK, thanks. | 0:29:29 | 0:29:30 | |
Peter! | 0:29:38 | 0:29:39 | |
Peter, what? | 0:29:40 | 0:29:41 | |
I was going to tell you. I meant to tell you. | 0:29:43 | 0:29:46 | |
Tell me what? | 0:29:46 | 0:29:48 | |
But things just kept getting in the way. | 0:29:48 | 0:29:50 | |
We were so happy. | 0:29:50 | 0:29:52 | |
Just didn't seem the time. | 0:29:53 | 0:29:55 | |
What? | 0:29:56 | 0:29:57 | |
Peter, what are you on about? You're scaring me. | 0:29:58 | 0:30:02 | |
I love you. | 0:30:02 | 0:30:04 | |
You know that, don't you? | 0:30:04 | 0:30:05 | |
Peter, just tell me what's going on. | 0:30:08 | 0:30:10 | |
Before you... | 0:30:12 | 0:30:14 | |
there was someone else. | 0:30:14 | 0:30:16 | |
Before you, I... | 0:30:18 | 0:30:19 | |
I had a family. | 0:30:23 | 0:30:25 | |
A wife and three kids. | 0:30:27 | 0:30:29 | |
And work was... | 0:30:31 | 0:30:33 | |
It doesn't really matter. | 0:30:34 | 0:30:36 | |
I had a sort of stress breakdown thing | 0:30:36 | 0:30:40 | |
and we moved to Scotland to try and make it work. | 0:30:40 | 0:30:43 | |
It didn't. | 0:30:44 | 0:30:46 | |
I left. | 0:30:50 | 0:30:51 | |
And when I met you I was... | 0:30:54 | 0:30:56 | |
I was just trying start again and move on. | 0:30:56 | 0:30:59 | |
That's all it was. That's the only reason I didn't tell you. | 0:30:59 | 0:31:02 | |
Then when we got back I saw this. | 0:31:07 | 0:31:09 | |
He's my son, Leah. | 0:31:14 | 0:31:15 | |
My little boy was murdered. | 0:31:18 | 0:31:20 | |
All right. | 0:31:48 | 0:31:49 | |
Front? Front, yeah. | 0:31:55 | 0:31:57 | |
That's it. | 0:32:03 | 0:32:04 | |
That's it, I've got him. I've got him. | 0:32:06 | 0:32:09 | |
All right, I've got him. | 0:32:09 | 0:32:10 | |
Let's go. Push! | 0:32:28 | 0:32:30 | |
Argh! | 0:32:46 | 0:32:47 | |
Are you Ant? | 0:33:16 | 0:33:18 | |
So, what are we in the market for? | 0:33:19 | 0:33:21 | |
Sounded proper cryptic on the phone. | 0:33:21 | 0:33:24 | |
Acid. | 0:33:24 | 0:33:25 | |
14 tabs, if you can. | 0:33:25 | 0:33:27 | |
See, I'm going camping with some mates. | 0:33:27 | 0:33:29 | |
It's one of their birthdays, so... | 0:33:29 | 0:33:31 | |
I didnae ask for your life story, pal. | 0:33:31 | 0:33:33 | |
That'll be 140. | 0:33:33 | 0:33:34 | |
Sorry, I'm not used to doing this. | 0:33:50 | 0:33:53 | |
No, really(?) | 0:33:53 | 0:33:54 | |
Well, buzz me if you need anything else. | 0:33:57 | 0:33:59 | |
Oh, and enjoy your trip. | 0:33:59 | 0:34:01 | |
Both of them. | 0:34:01 | 0:34:03 | |
All right, sis? | 0:34:11 | 0:34:12 | |
I don't know. Jesus, you're like a bloody broken record. | 0:34:14 | 0:34:17 | |
Aye, feel like we're kids again with our first pack of cigarettes. | 0:34:19 | 0:34:23 | |
Right. 14. | 0:34:25 | 0:34:26 | |
They've got a bloody Smurf on them all. | 0:34:29 | 0:34:31 | |
Right. I'll see you tomorrow. | 0:34:34 | 0:34:36 | |
You still going on your trip, then? | 0:34:41 | 0:34:43 | |
Work let me off. | 0:34:43 | 0:34:45 | |
You sure I can't come? | 0:34:45 | 0:34:46 | |
It's just camping. | 0:34:46 | 0:34:48 | |
I know what you're doing there. I don't mind, I can... | 0:34:48 | 0:34:51 | |
No! Anyway, you just want to see Damien. | 0:34:51 | 0:34:54 | |
You know you're a wee bit too young for him, right? | 0:34:54 | 0:34:56 | |
Shut up. | 0:34:56 | 0:34:57 | |
Anyway, Gran will be here tomorrow afternoon. You'll be OK, yeah? | 0:34:57 | 0:35:01 | |
Get yourself a pizza. I'll leave money on the side. | 0:35:01 | 0:35:04 | |
Craig. I don't like Damien. | 0:35:05 | 0:35:07 | |
I just thought it'd be good to hang out with you. | 0:35:07 | 0:35:09 | |
We'll go to the cinema when I'm back. | 0:35:09 | 0:35:11 | |
Anything you want to see. | 0:35:11 | 0:35:13 | |
Right. | 0:35:13 | 0:35:14 | |
CAR TYRES SCREECH | 0:35:44 | 0:35:46 | |
Jesus, are you all right? | 0:35:55 | 0:35:56 | |
Yeah, sorry, I didn't hear you. | 0:35:56 | 0:35:59 | |
What are you doing out here? | 0:35:59 | 0:36:01 | |
Just...walking. | 0:36:01 | 0:36:03 | |
Are you all right? | 0:36:07 | 0:36:08 | |
It's peaceful out here. | 0:36:12 | 0:36:14 | |
With everything that's gone on... | 0:36:28 | 0:36:32 | |
..it's OK if you're not all right, you know? | 0:36:34 | 0:36:38 | |
I miss them both so much. | 0:36:48 | 0:36:50 | |
Yeah. | 0:36:53 | 0:36:54 | |
Grace was like a little sister. | 0:36:56 | 0:36:58 | |
My mum and dad... | 0:37:02 | 0:37:04 | |
..think I killed that man in the barn. | 0:37:05 | 0:37:07 | |
That I went in there, and I... | 0:37:08 | 0:37:09 | |
How could they think that? | 0:37:12 | 0:37:14 | |
About their own son? | 0:37:14 | 0:37:15 | |
Why? | 0:37:18 | 0:37:20 | |
Why would they think it was you? | 0:37:20 | 0:37:22 | |
I went into the barn. | 0:37:24 | 0:37:25 | |
Because I wanted to see him, | 0:37:27 | 0:37:29 | |
to see what he looked like. | 0:37:29 | 0:37:30 | |
But that's all. I didn't... | 0:37:32 | 0:37:35 | |
HE SNIFFS | 0:37:39 | 0:37:41 | |
Jamie... | 0:37:41 | 0:37:42 | |
Jamie... | 0:37:58 | 0:37:59 | |
I didn't mean to. | 0:37:59 | 0:38:00 | |
Oh, shit! | 0:38:02 | 0:38:04 | |
You're upset. It's fine. | 0:38:04 | 0:38:07 | |
I... | 0:38:07 | 0:38:08 | |
I should get back. | 0:38:09 | 0:38:10 | |
The storm really tore up the old McIntyre farm. | 0:38:33 | 0:38:35 | |
Place is a mess. More of a mess than usual. | 0:38:35 | 0:38:37 | |
Wait, you're leaving. | 0:38:40 | 0:38:42 | |
Our cab's on its way. | 0:38:42 | 0:38:44 | |
You can't just go. | 0:38:44 | 0:38:45 | |
What, like you did? | 0:38:45 | 0:38:47 | |
I had to work. | 0:38:47 | 0:38:48 | |
You didn't have to. You chose to. | 0:38:48 | 0:38:51 | |
At least be honest about it. | 0:38:51 | 0:38:52 | |
What's going on? | 0:38:56 | 0:38:57 | |
We had to get rid of them. | 0:38:59 | 0:39:00 | |
The car and the body. | 0:39:02 | 0:39:03 | |
Where? | 0:39:08 | 0:39:10 | |
We buried them. Just beyond the fence. | 0:39:10 | 0:39:14 | |
It was the only way. | 0:39:14 | 0:39:15 | |
Don't pretend like you didn't have a choice. | 0:39:17 | 0:39:19 | |
And don't you pretend that you're not a part of this. | 0:39:21 | 0:39:24 | |
You could have said something to the police. You chose not to. | 0:39:24 | 0:39:28 | |
A lie of omission is still a lie. | 0:39:28 | 0:39:31 | |
He did it. And he paid for it. | 0:39:31 | 0:39:34 | |
Eye for an eye. | 0:39:34 | 0:39:35 | |
Well, maybe that's the way that it should be. | 0:39:35 | 0:39:38 | |
Cos the system as it is right now doesn't work, does it? Eh? | 0:39:38 | 0:39:42 | |
I mean, why else is the man who raped my girlfriend | 0:39:42 | 0:39:45 | |
still walking the streets of Edinburgh? Rob... | 0:39:45 | 0:39:48 | |
Look, answer me that question - how does that work? | 0:39:48 | 0:39:50 | |
Please, Rob, listen, please. | 0:39:50 | 0:39:51 | |
I've already lost my son, you've already lost your brother. | 0:39:51 | 0:39:54 | |
I don't want to see anyone going to prison. | 0:39:54 | 0:39:56 | |
Not us, not the Douglases... No-one. | 0:39:56 | 0:39:59 | |
PHONE RINGS | 0:39:59 | 0:40:01 | |
Must be our cab. We'd better get going. | 0:40:02 | 0:40:04 | |
Leave, then. That's your move, isn't it? | 0:40:04 | 0:40:08 | |
Stick around for the fire and then leave me to sift through the ashes. | 0:40:08 | 0:40:11 | |
Hello? Just like with Dad. | 0:40:11 | 0:40:13 | |
Yeah, yeah, we'll be out in a sec. OK. | 0:40:13 | 0:40:14 | |
Love you. | 0:40:22 | 0:40:23 | |
You've been really quiet. | 0:40:43 | 0:40:46 | |
Are you OK? | 0:40:46 | 0:40:47 | |
I don't want to talk about it. | 0:40:48 | 0:40:50 | |
THUNDER RUMBLES | 0:41:07 | 0:41:09 | |
We need to get someone from the Met round to Peter Elliot's in London. | 0:41:26 | 0:41:30 | |
I can't get through. | 0:41:30 | 0:41:31 | |
The phone records have finally come through from the hotel | 0:41:31 | 0:41:34 | |
where Adam and Grace were staying out in Spain. | 0:41:34 | 0:41:36 | |
A number of outgoing calls were made to Adam's dad from the hotel phone. | 0:41:36 | 0:41:41 | |
It's weird, isn't it? | 0:41:41 | 0:41:42 | |
I mean, given Claire Elliot clearly intimated that none of them | 0:41:42 | 0:41:45 | |
spoke to their father any more. | 0:41:45 | 0:41:47 | |
Trying to understand other people's families is like trying to | 0:41:47 | 0:41:50 | |
get your head around what's going on in the Middle East - | 0:41:50 | 0:41:52 | |
confusing, and they'll end up killing each other anyway, | 0:41:52 | 0:41:55 | |
so what's the point? | 0:41:55 | 0:41:56 | |
We'll send some officers round there first thing in the morning. | 0:42:02 | 0:42:05 | |
But right now, you should go home and get some rest. | 0:42:05 | 0:42:09 | |
Be with your daughter. | 0:42:09 | 0:42:10 | |
'You have two saved messages. First saved message.' | 0:42:17 | 0:42:22 | |
'Dad, it's me, Adam. | 0:42:22 | 0:42:26 | |
''m sorry for shouting earlier. It's just... | 0:42:26 | 0:42:28 | |
'I'm scared. | 0:42:30 | 0:42:32 | |
'I can't... | 0:42:32 | 0:42:34 | |
'Please, Dad, I need to talk to you about this.' | 0:42:34 | 0:42:38 | |
INDISTINCT VOICES ON TV | 0:43:17 | 0:43:19 | |
The wedding video. | 0:43:22 | 0:43:24 | |
It's one of the tapes from when Rob had it edited. | 0:43:27 | 0:43:32 | |
I asked him if I could keep them. | 0:43:35 | 0:43:37 | |
Doesn't he look handsome? | 0:43:41 | 0:43:43 | |
Turn it off. | 0:43:49 | 0:43:51 | |
You shouldn't torture yourself, Mum. | 0:43:51 | 0:43:53 | |
THUNDER RUMBLES | 0:45:07 | 0:45:08 | |
Morning. | 0:48:24 | 0:48:25 | |
Bill. | 0:48:27 | 0:48:28 | |
Set to be a good one. | 0:48:29 | 0:48:32 | |
Aye. | 0:48:32 | 0:48:33 | |
Well, they often start out that way, pal. | 0:48:33 | 0:48:36 | |
True, that's true. | 0:48:36 | 0:48:38 | |
Good to see you. | 0:48:41 | 0:48:43 | |
Aye. | 0:48:43 | 0:48:44 | |
What are you doing here, Alastair? | 0:48:44 | 0:48:46 | |
Sal not give you my message? | 0:48:48 | 0:48:49 | |
She did, aye. | 0:48:49 | 0:48:51 | |
But the thing is... | 0:48:51 | 0:48:53 | |
I can't afford to not come in for work, Bill. | 0:48:53 | 0:48:56 | |
It's paid leave, Alastair. | 0:48:56 | 0:48:57 | |
I didn't expect... | 0:48:59 | 0:49:00 | |
You know that I've been struggling, Bill. Me and Sal... | 0:49:00 | 0:49:03 | |
..we're short of money. | 0:49:04 | 0:49:06 | |
Ever since that damn roof started leaking. | 0:49:07 | 0:49:09 | |
You know, the farm's doing all right, it's... | 0:49:12 | 0:49:15 | |
You know, and I just thought you could... | 0:49:15 | 0:49:17 | |
You'd find it in yourself to helping us out. | 0:49:17 | 0:49:21 | |
Oh, I see. | 0:49:22 | 0:49:24 | |
You want money. | 0:49:25 | 0:49:26 | |
HE SIGHS | 0:49:30 | 0:49:32 | |
I've been loyal all these years, Bill. | 0:49:34 | 0:49:37 | |
You know, and I was just hoping... | 0:49:37 | 0:49:39 | |
And by your loyalty, you mean you'll keep your silence. | 0:49:39 | 0:49:42 | |
About what you saw. | 0:49:42 | 0:49:44 | |
About Jamie. | 0:49:44 | 0:49:46 | |
I'm just saying... I know exactly what you're saying. | 0:49:48 | 0:49:50 | |
You'll get your money. | 0:49:53 | 0:49:54 | |
How long have they been at it? | 0:50:09 | 0:50:11 | |
It's round two. | 0:50:11 | 0:50:12 | |
Already a minute and a half longer than the last round. | 0:50:12 | 0:50:15 | |
Although the first round did last about five seconds, so... | 0:50:15 | 0:50:19 | |
Come on then, Scarface. Let's have a look. | 0:50:19 | 0:50:22 | |
DISTANT MOANING | 0:50:22 | 0:50:23 | |
We're dropping it this afternoon, right? When the rest of them arrive? | 0:50:25 | 0:50:28 | |
We're taking it as soon as those two in there | 0:50:28 | 0:50:30 | |
stop scaring the bloody deer away. | 0:50:30 | 0:50:33 | |
Mate, I thought you got 14. | 0:50:33 | 0:50:34 | |
Yeah, I did. | 0:50:34 | 0:50:36 | |
Shit. | 0:50:42 | 0:50:43 | |
ECHOING VOICE: Come on down. I swear you'll have an amazing time. | 0:51:08 | 0:51:11 | |
Come on, you didn't think I would leave you yourself, did you? | 0:51:11 | 0:51:14 | |
Come on. I'll catch you. | 0:51:14 | 0:51:16 | |
Come on down. | 0:51:16 | 0:51:18 | |
Join us. | 0:51:18 | 0:51:19 | |
It's amazing down here, Jenny. | 0:51:19 | 0:51:21 | |
I'll catch you. Come on. | 0:51:21 | 0:51:23 | |
Come on. Just jump. | 0:51:23 | 0:51:24 | |
Ha-ha, it's amazing down here! | 0:51:26 | 0:51:27 | |
Please, come on. | 0:51:27 | 0:51:29 | |
Come down, join the fun, join the party. | 0:51:30 | 0:51:32 | |
Come on. | 0:51:32 | 0:51:34 | |
Jump. | 0:51:34 | 0:51:35 | |
Why India? | 0:52:02 | 0:52:03 | |
Well, there are only two surgeons in the world who have ever done | 0:52:03 | 0:52:06 | |
an operation like the one you need. | 0:52:06 | 0:52:08 | |
There's a man in America and a man in India and... | 0:52:08 | 0:52:11 | |
Well, we can't afford to do the procedure in America. | 0:52:11 | 0:52:14 | |
Have you ever been there? | 0:52:15 | 0:52:17 | |
To India? | 0:52:17 | 0:52:19 | |
No. | 0:52:19 | 0:52:20 | |
Hadn't even thought of that. | 0:52:20 | 0:52:23 | |
Elsa, do you know my cousin Elsa? | 0:52:23 | 0:52:25 | |
Well, anyway, she went. | 0:52:25 | 0:52:28 | |
She said it was full of the friendliest people you'll ever meet. | 0:52:28 | 0:52:32 | |
Everywhere you go people smile. Proper smiles. | 0:52:32 | 0:52:35 | |
Not like here. | 0:52:37 | 0:52:39 | |
People smile here. | 0:52:39 | 0:52:40 | |
Yeah, people smile here. | 0:52:43 | 0:52:45 | |
KNOCKING | 0:52:47 | 0:52:48 | |
Hey. | 0:52:48 | 0:52:50 | |
Hey, Yuki. | 0:52:50 | 0:52:51 | |
I got this for you on the way over. | 0:52:53 | 0:52:55 | |
What would I do without you? | 0:52:55 | 0:52:57 | |
Everything all right? | 0:53:11 | 0:53:13 | |
Yeah, yeah. | 0:53:13 | 0:53:14 | |
Sorry. | 0:53:14 | 0:53:16 | |
I should probably get into work. | 0:53:16 | 0:53:18 | |
See you later. | 0:53:19 | 0:53:20 | |
I'll leave your money on the side. See you tonight. | 0:53:24 | 0:53:27 | |
Still no word from the Met on getting through to Peter Elliot. | 0:53:32 | 0:53:35 | |
They've sent a uniform round, but... | 0:53:35 | 0:53:37 | |
I had a meeting with the DCI yesterday. He's pissed off. | 0:53:37 | 0:53:40 | |
All the resources we've gone through, | 0:53:40 | 0:53:42 | |
with the media on our backs, and still no Walsh. | 0:53:42 | 0:53:44 | |
We're doing OK. We know it's Walsh, and we know why. | 0:53:44 | 0:53:47 | |
But that's it. What if this isn't just some paranoid schizophrenic | 0:53:47 | 0:53:50 | |
off his medication? What if we're looking at this | 0:53:50 | 0:53:52 | |
from the wrong angle? | 0:53:52 | 0:53:54 | |
What if we should be looking at these two families? | 0:53:54 | 0:53:56 | |
First there's the calls to his dad from Adam, then I saw this. | 0:53:56 | 0:54:00 | |
What? I called the paper when I saw this | 0:54:03 | 0:54:05 | |
and asked them when it was taken. How come? | 0:54:05 | 0:54:07 | |
They said it was taken the morning after the Douglas and Elliot | 0:54:07 | 0:54:10 | |
families found out about their kids. | 0:54:10 | 0:54:12 | |
That day we went there to talk to the families. So? | 0:54:12 | 0:54:15 | |
Louise Elliot said they were there all morning, watching TV. | 0:54:15 | 0:54:18 | |
To be fair, they weren't exactly in their right minds, were they? | 0:54:18 | 0:54:22 | |
I don't get it. How come you called the paper? | 0:54:23 | 0:54:26 | |
Do you notice anything odd about it? | 0:54:26 | 0:54:28 | |
These people have lived in the country for most of their lives | 0:54:28 | 0:54:31 | |
and it's the day after a heavy storm. | 0:54:31 | 0:54:34 | |
I'm not following. | 0:54:34 | 0:54:35 | |
When you live in a place like that, things become second nature, | 0:54:35 | 0:54:38 | |
like brushing your teeth. | 0:54:38 | 0:54:39 | |
There are certain things you just do, you know? | 0:54:39 | 0:54:41 | |
So if it's the day after a storm these fields are going to be | 0:54:41 | 0:54:44 | |
a raindrop away from a mud-slide. | 0:54:44 | 0:54:46 | |
So why the hell would anyone who's lived there for that long | 0:54:46 | 0:54:49 | |
head out into the field wearing a pair of slippers? | 0:54:49 | 0:54:51 | |
Meredith... | 0:55:07 | 0:55:08 | |
Have you ever done something wrong? | 0:55:10 | 0:55:12 | |
Something that you really regret? | 0:55:14 | 0:55:17 | |
Now, why would you ask me such a thing? | 0:55:19 | 0:55:21 | |
I'm just... | 0:55:24 | 0:55:25 | |
I'm rambling. | 0:55:25 | 0:55:27 | |
Ignore me. | 0:55:27 | 0:55:28 | |
Mum. | 0:56:12 | 0:56:13 | |
I'm a wreck, Mum. | 0:56:19 | 0:56:20 | |
I can't stop thinking about it. | 0:56:22 | 0:56:24 | |
And as much as I try and convince myself that it was for the best | 0:56:26 | 0:56:30 | |
and that he... | 0:56:30 | 0:56:32 | |
..deserved to die, I just... | 0:56:33 | 0:56:36 | |
I feel sick. | 0:56:37 | 0:56:39 | |
I can't do it. | 0:56:41 | 0:56:43 | |
I can't keep it a secret. | 0:56:43 | 0:56:44 | |
And Adam, of all people, | 0:56:46 | 0:56:49 | |
he wouldn't have wanted us to. | 0:56:49 | 0:56:51 | |
I'm going to tell the police what happened. | 0:56:53 | 0:56:56 | |
I found something last night in the fireplace. | 0:57:00 | 0:57:04 | |
In Rob's room. | 0:57:05 | 0:57:06 | |
Robert Elliot? | 0:58:13 | 0:58:14 | |
We need to talk to you. | 0:58:24 | 0:58:25 |