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They found your girl - Grace. She was murdered, Bill. | 0:00:03 | 0:00:05 | |
Her and Adam Elliot. | 0:00:05 | 0:00:07 | |
SOBBING: It's my son. My little boy was murdered. | 0:00:07 | 0:00:10 | |
I need to get to Braeston - finish something that I started. | 0:00:10 | 0:00:13 | |
THUNDER CRASHES | 0:00:13 | 0:00:15 | |
One of us did this. | 0:00:15 | 0:00:16 | |
One of us right here. | 0:00:16 | 0:00:19 | |
Our prime suspect is Lee Walsh. Do any of you know him? Sorry. | 0:00:19 | 0:00:23 | |
We have to get rid of the body. What about the car? | 0:00:23 | 0:00:26 | |
75 sheets. | 0:00:29 | 0:00:31 | |
Those sheets of acid you got me, the Papa Smurfs, they're flying off the shelves. | 0:00:31 | 0:00:36 | |
Come down, join the fun. Join the party, come on. | 0:00:36 | 0:00:39 | |
I've found the money, sweetheart, for the operation. | 0:00:41 | 0:00:44 | |
I knew that you would. | 0:00:44 | 0:00:47 | |
I'm going to tell the police what happened. | 0:00:47 | 0:00:49 | |
I found something last night... | 0:00:49 | 0:00:53 | |
in Rob's room. | 0:00:53 | 0:00:54 | |
Robert Elliot? | 0:01:01 | 0:01:03 | |
Yeah. How can I help you? | 0:01:51 | 0:01:53 | |
This isn't a call we wanted to make... | 0:01:54 | 0:01:57 | |
what with everything you must be going through right now. | 0:01:57 | 0:02:00 | |
DS told us you're the boy's brother - off the news. | 0:02:02 | 0:02:07 | |
So? | 0:02:09 | 0:02:10 | |
Graham Harris. | 0:02:13 | 0:02:15 | |
We received a complaint. He says you've been following him. | 0:02:15 | 0:02:18 | |
And he's complained? About me? | 0:02:18 | 0:02:23 | |
He wanted us to come round and have a word before taking it any further. | 0:02:23 | 0:02:26 | |
What do you mean "take it further"? | 0:02:26 | 0:02:28 | |
If you carry on, you could be liable to prosecution. | 0:02:28 | 0:02:31 | |
We understand, officer... Are you serious? | 0:02:31 | 0:02:33 | |
Mm. Mm. | 0:02:36 | 0:02:39 | |
Do you know what he did? Rob, don't. | 0:02:39 | 0:02:42 | |
We know about the allegations, and we know it didn't get to court. | 0:02:42 | 0:02:46 | |
What went on there, that's CID, that's none of my business. | 0:02:46 | 0:02:50 | |
You want my advice, try and leave it behind you. | 0:02:52 | 0:02:55 | |
That's your advice? Leave it behind me? | 0:02:55 | 0:02:58 | |
Calm down, calm down, calm down. | 0:02:58 | 0:03:00 | |
After what he did?! Rob, stop it! | 0:03:00 | 0:03:02 | |
Look, you're going to have to calm down, OK? | 0:03:02 | 0:03:04 | |
I'll stay away. | 0:03:17 | 0:03:18 | |
I'll stay away. | 0:03:22 | 0:03:24 | |
I'll show you out. | 0:03:24 | 0:03:25 | |
Thank you. | 0:03:27 | 0:03:28 | |
LOW CONVERSATIONS | 0:03:55 | 0:03:57 | |
Take your coat off. Relax. I'm fine. | 0:03:59 | 0:04:02 | |
Come on. Really. I'm fine. | 0:04:03 | 0:04:05 | |
Have a drink. | 0:04:08 | 0:04:10 | |
It's too early for me. | 0:04:10 | 0:04:11 | |
Suit yourself. | 0:04:12 | 0:04:13 | |
I know better than to try and make Moira Douglas do anything she doesn't want to do. | 0:04:13 | 0:04:18 | |
I only came here as a courtesy, Alastair. | 0:04:18 | 0:04:21 | |
It's like I said on the phone, I can't do this any more. | 0:04:22 | 0:04:27 | |
It's done. | 0:04:27 | 0:04:28 | |
I burned your letters. | 0:04:33 | 0:04:34 | |
Ever since Gracie... | 0:04:37 | 0:04:38 | |
I... | 0:04:40 | 0:04:41 | |
It made me think about my family. | 0:04:43 | 0:04:46 | |
If they knew what I was doing... | 0:04:48 | 0:04:50 | |
I'm sorry. | 0:04:53 | 0:04:55 | |
It's torn us all apart, hasn't it? | 0:04:57 | 0:05:01 | |
Ever since Gracie. | 0:05:01 | 0:05:02 | |
It's like that storm just... ripped us all to pieces. | 0:05:04 | 0:05:08 | |
How do you put the pieces back together? | 0:05:11 | 0:05:14 | |
Maybe I will have that drink. | 0:05:23 | 0:05:25 | |
MOANING | 0:05:29 | 0:05:32 | |
GASPING | 0:05:32 | 0:05:34 | |
PHONE VIBRATES | 0:05:56 | 0:05:57 | |
Hello? | 0:06:03 | 0:06:04 | |
You picked up. | 0:06:06 | 0:06:07 | |
What do you want, Dad? | 0:06:10 | 0:06:11 | |
How are you doing? You and Rob? | 0:06:13 | 0:06:15 | |
Don't. | 0:06:15 | 0:06:16 | |
Don't pretend like you suddenly care. | 0:06:16 | 0:06:18 | |
Adam and Grace have been gone for three days now. | 0:06:19 | 0:06:23 | |
I wanted to call earlier. | 0:06:23 | 0:06:24 | |
I...just didn't know how to... | 0:06:24 | 0:06:27 | |
'What do you want?' | 0:06:29 | 0:06:31 | |
Honestly? | 0:06:33 | 0:06:35 | |
HE SCOFFS | 0:06:35 | 0:06:37 | |
I don't know. | 0:06:37 | 0:06:38 | |
I've been driving all night. I was coming up to Braeston to see you all. | 0:06:40 | 0:06:44 | |
I stopped off here... | 0:06:46 | 0:06:47 | |
for a break, keep my eyes open, and... | 0:06:47 | 0:06:50 | |
never left. Just...been sitting here. | 0:06:50 | 0:06:54 | |
I never knew the sunrise on the M8 could be so beautiful. | 0:06:57 | 0:07:00 | |
What do you want me to say? | 0:07:02 | 0:07:04 | |
'You don't have to say anything.' | 0:07:04 | 0:07:07 | |
Look, Dad, turn around and go home. | 0:07:07 | 0:07:11 | |
We don't need you. We've managed this long by ourselves. | 0:07:11 | 0:07:14 | |
I miss him, too, Claire. | 0:07:16 | 0:07:17 | |
He WAS my son. | 0:07:19 | 0:07:20 | |
'Was he? | 0:07:20 | 0:07:23 | |
'What music did he like, then? | 0:07:23 | 0:07:24 | |
'What was the last film he saw?' | 0:07:25 | 0:07:28 | |
What job did he not get a few months ago that he was desperate to get? | 0:07:28 | 0:07:32 | |
It's my fault, Claire. | 0:07:36 | 0:07:38 | |
It's all my fault. | 0:07:40 | 0:07:41 | |
PHONE RINGS | 0:07:55 | 0:07:57 | |
Hi, darling. | 0:08:00 | 0:08:02 | |
DOOR CLOSES, FOOTSTEPS | 0:08:14 | 0:08:16 | |
DOOR OPENS | 0:08:16 | 0:08:18 | |
Hey, sweetheart. What is it? | 0:08:18 | 0:08:21 | |
What's the matter? | 0:08:21 | 0:08:22 | |
It's nothing. | 0:08:24 | 0:08:25 | |
Really, you didn't have to come up, I'm fine. Just tell me. | 0:08:26 | 0:08:30 | |
Er... | 0:08:32 | 0:08:33 | |
Well, a friend of mine from school... | 0:08:35 | 0:08:40 | |
she's dead. | 0:08:40 | 0:08:41 | |
She jumped off her balcony. | 0:08:44 | 0:08:46 | |
Oh, dear, her poor family. | 0:08:46 | 0:08:49 | |
And she, she took something, | 0:08:50 | 0:08:53 | |
and she sent a picture to her friends saying that she was going to try it. | 0:08:53 | 0:08:58 | |
They made it look like a Smurf. It's sick. | 0:08:58 | 0:09:02 | |
I feel like I should send a text to her brother. | 0:09:03 | 0:09:06 | |
What would you say? | 0:09:07 | 0:09:09 | |
DISTANT: No-one knows what to do, it's just so horrible... | 0:09:13 | 0:09:17 | |
CLEAR: Mum? | 0:09:21 | 0:09:23 | |
Mummy? Are you OK? | 0:09:24 | 0:09:27 | |
Yeah. | 0:09:27 | 0:09:29 | |
Yeah, I'm OK. | 0:09:29 | 0:09:30 | |
Yeah, fine, sweetheart. | 0:09:31 | 0:09:32 | |
SHE SNIFFS | 0:09:35 | 0:09:36 | |
Oh, darling, I'm so sorry. | 0:09:36 | 0:09:40 | |
PHONE VIBRATES | 0:10:24 | 0:10:27 | |
'Hi. This is Claire. Leave me a message. | 0:10:27 | 0:10:29 | |
'BEEP' The Beatles. He loved the Beatles. | 0:10:29 | 0:10:33 | |
A Day In The Life. | 0:10:35 | 0:10:37 | |
That was his favourite song. | 0:10:38 | 0:10:40 | |
Well, it was when he was younger, anyway. | 0:10:40 | 0:10:43 | |
I'm really... | 0:10:45 | 0:10:47 | |
truly sorry, Claire. | 0:10:47 | 0:10:50 | |
You have to believe that. | 0:10:52 | 0:10:53 | |
HORN BLASTS | 0:10:53 | 0:10:55 | |
INDISTINCT PA ANNOUNCEMENT | 0:12:02 | 0:12:04 | |
You didn't have to come. | 0:12:07 | 0:12:08 | |
Yes, I did. | 0:12:08 | 0:12:09 | |
Hey. | 0:12:14 | 0:12:15 | |
Hey. Sorry, I know it's freezing, but do you mind if I finish? | 0:12:15 | 0:12:19 | |
Go ahead. | 0:12:19 | 0:12:21 | |
Are you all right? You look terrible. Thanks. | 0:12:21 | 0:12:24 | |
No, I mean it, Claire. Have you slept? | 0:12:24 | 0:12:26 | |
There's nothing you could have done about Dad, OK? | 0:12:29 | 0:12:32 | |
Do you really think if you'd gone to meet him, things would have been any different? | 0:12:32 | 0:12:36 | |
We'll never know. | 0:12:36 | 0:12:38 | |
It was selfish. He was always selfish. | 0:12:38 | 0:12:41 | |
He was still our dad. I'm going to go and sit in the car. | 0:12:43 | 0:12:46 | |
I won't be a sec. | 0:12:48 | 0:12:50 | |
Are you OK? | 0:12:53 | 0:12:55 | |
I've been wanting to talk to you for days, | 0:12:55 | 0:12:57 | |
but I had to look you in the eye. | 0:12:57 | 0:12:59 | |
We found it, Rob. | 0:13:06 | 0:13:08 | |
Mum found the knife. | 0:13:08 | 0:13:11 | |
Knife? What are you talking about? | 0:13:13 | 0:13:16 | |
The bloodstained knife you hid in your bedroom, in the fireplace. | 0:13:16 | 0:13:19 | |
Mum found it. | 0:13:19 | 0:13:21 | |
And... | 0:13:21 | 0:13:23 | |
I threw it to the bottom of Glenarvon Loch | 0:13:23 | 0:13:26 | |
because I didn't want to lose the only brother I have left. | 0:13:26 | 0:13:29 | |
I helped cover up that man's murder, | 0:13:29 | 0:13:32 | |
so the least you can do is admit it, admit you killed Lee Walsh. | 0:13:32 | 0:13:36 | |
Claire, I don't know what you're talking about. | 0:13:36 | 0:13:38 | |
Don't lie to me. I'm not. | 0:13:38 | 0:13:40 | |
It was in your room, Rob. Mum found it in your room. | 0:13:44 | 0:13:48 | |
It wasn't me, I never hid anything there. | 0:13:48 | 0:13:51 | |
Like being in a slalom, driving on these roads. | 0:14:26 | 0:14:29 | |
How is she - Maddy? | 0:14:36 | 0:14:38 | |
As you'd expect. | 0:14:42 | 0:14:44 | |
Bloody tragedy, that girl, eh? I don't want to talk about it. | 0:14:44 | 0:14:46 | |
Huh. | 0:15:11 | 0:15:13 | |
What? | 0:15:13 | 0:15:14 | |
HE KNOCKS | 0:15:22 | 0:15:23 | |
Morning. | 0:15:36 | 0:15:37 | |
Good morning. What is it? | 0:15:37 | 0:15:40 | |
I... I just wanted to let you know, at the funeral, | 0:15:40 | 0:15:44 | |
there will be CID officers, | 0:15:44 | 0:15:46 | |
just to keep an eye on things in case Walsh shows up. | 0:15:46 | 0:15:49 | |
They'll be plainclothes. | 0:15:49 | 0:15:51 | |
Right. | 0:15:51 | 0:15:53 | |
Well, thank you. Er... | 0:15:54 | 0:15:56 | |
And thank you very much for releasing the... | 0:15:57 | 0:16:00 | |
the bodies so quickly. | 0:16:00 | 0:16:03 | |
It means a lot to us. | 0:16:03 | 0:16:04 | |
Mrs Elliot, I heard about your ex-husband. I'm... | 0:16:04 | 0:16:08 | |
I'm very sorry about what happened. | 0:16:08 | 0:16:10 | |
Well... | 0:16:11 | 0:16:12 | |
..he always managed to let the world get on top of him. | 0:16:13 | 0:16:16 | |
Did you know Adam called him while he was on his honeymoon? | 0:16:18 | 0:16:22 | |
No. | 0:16:24 | 0:16:24 | |
Are you sure? | 0:16:26 | 0:16:28 | |
Phone records showed a call. It seemed unusual. | 0:16:28 | 0:16:31 | |
Your daughter said nobody spoke to him. | 0:16:31 | 0:16:33 | |
But if anybody was going to give Peter a chance, | 0:16:33 | 0:16:36 | |
it would be Adam, I suppose. | 0:16:36 | 0:16:37 | |
What's any of this got to do with what's happened? | 0:16:39 | 0:16:42 | |
Why are you here? | 0:16:42 | 0:16:43 | |
Just tying up loose ends. I wanted to ask you... | 0:16:43 | 0:16:47 | |
When I saw you that day, you said... | 0:16:47 | 0:16:50 | |
you hadn't left the house all morning. | 0:16:50 | 0:16:51 | |
But here, in this picture, you're over at the Douglas farm. | 0:16:51 | 0:16:55 | |
Still wearing your slippers. | 0:16:55 | 0:16:58 | |
Oh, right. Yeah, well, I mean... | 0:16:58 | 0:17:02 | |
Listen, I was all over the place, | 0:17:02 | 0:17:04 | |
you know, I mean, I'd just lost my son. You know, I wasn't... | 0:17:04 | 0:17:06 | |
I wasn't exactly, er... | 0:17:06 | 0:17:08 | |
I understand. | 0:17:08 | 0:17:10 | |
Yeah, I mean... | 0:17:10 | 0:17:12 | |
It was...early and we couldn't sleep, | 0:17:13 | 0:17:18 | |
so all of us went for a walk. | 0:17:18 | 0:17:21 | |
It was a tradition that the two families... | 0:17:21 | 0:17:25 | |
We used to do it together, you know? | 0:17:25 | 0:17:27 | |
So I... I suppose we did it to honour Adam and Grace. | 0:17:27 | 0:17:31 | |
Where did you walk? | 0:17:34 | 0:17:35 | |
Oh. Well, we just... | 0:17:36 | 0:17:38 | |
We met at the barn or near the barn, and we, er... | 0:17:38 | 0:17:41 | |
We just circled the property. We, er... | 0:17:41 | 0:17:44 | |
Down at the back at the foot of the hill and then round. | 0:17:44 | 0:17:48 | |
Why does it matter? | 0:17:48 | 0:17:50 | |
And the slippers? | 0:17:50 | 0:17:52 | |
As I said, I wasn't with it. | 0:17:52 | 0:17:54 | |
There was a car when I was last here. | 0:17:57 | 0:17:59 | |
Under some tarpaulin, on the left just past the fork there. | 0:18:01 | 0:18:05 | |
Oh, Rob's. That was Rob's. Yeah, he took it to be scrapped. | 0:18:06 | 0:18:11 | |
Just a piece of old junk, really. It's... | 0:18:11 | 0:18:14 | |
Detective, what do you want? | 0:18:15 | 0:18:19 | |
I'm very sorry to have disturbed you. | 0:18:19 | 0:18:23 | |
We'll let you know if we get anything on Walsh. | 0:18:23 | 0:18:26 | |
Thank you. | 0:18:26 | 0:18:28 | |
SHE GASPS | 0:18:33 | 0:18:35 | |
Oh, my God, oh, my God. Oh, my God. | 0:18:35 | 0:18:38 | |
Oh! | 0:18:44 | 0:18:46 | |
PHONE RINGS | 0:18:54 | 0:18:57 | |
LOUD MUSIC FROM HEADPHONES | 0:18:57 | 0:19:00 | |
PHONE CONTINUES RINGING | 0:19:34 | 0:19:37 | |
We actually came by to ask Mrs Elliot a few questions about her ex. | 0:19:42 | 0:19:46 | |
Aye, it's an awful thing. Awful. | 0:19:46 | 0:19:49 | |
And while we're here, there was something I was going to ask you. | 0:19:49 | 0:19:53 | |
Mrs Elliot said that you all went for a walk together the other day | 0:19:53 | 0:19:57 | |
and I just wanted to check with you where it was that you went. | 0:19:57 | 0:20:00 | |
It was that day that we came to see you. | 0:20:00 | 0:20:03 | |
Why does it matter where we walked? | 0:20:03 | 0:20:05 | |
Dad! Not now, Jamie. No, Dad, you need to... | 0:20:05 | 0:20:07 | |
Jamie, go back inside. I won't ask you again! | 0:20:07 | 0:20:11 | |
Now go on! | 0:20:11 | 0:20:13 | |
You were saying... Where you walked that morning...? | 0:20:13 | 0:20:16 | |
Aye. Er... | 0:20:16 | 0:20:18 | |
Right, let me think. Er... | 0:20:18 | 0:20:20 | |
We... We met at the stile up there between our two houses | 0:20:20 | 0:20:24 | |
and then came down by the barn. | 0:20:24 | 0:20:26 | |
Then round the house there and up the path between the fields. | 0:20:26 | 0:20:30 | |
Why? | 0:20:31 | 0:20:33 | |
Just clearing up a few things. | 0:20:33 | 0:20:35 | |
I'm going to leave you in peace. | 0:20:35 | 0:20:37 | |
I don't understand - what's this about? | 0:20:37 | 0:20:39 | |
I'm just trying to be thorough. | 0:20:39 | 0:20:41 | |
If you can, er, think of anything that might help, | 0:20:41 | 0:20:43 | |
please get in touch. | 0:20:43 | 0:20:44 | |
Tenner for your thoughts? | 0:21:00 | 0:21:02 | |
You heard it. | 0:21:02 | 0:21:04 | |
Both of them said they went for that walk in completely different directions. | 0:21:04 | 0:21:07 | |
Yeah. I heard it. But... | 0:21:07 | 0:21:09 | |
If it's a family tradition like she said, that's not something they'd get wrong. | 0:21:09 | 0:21:13 | |
Between that and the car that was there the morning we came... | 0:21:13 | 0:21:17 | |
You still think we're wasting our time? | 0:21:17 | 0:21:19 | |
You think Walsh made it here that night? | 0:21:20 | 0:21:23 | |
What would you do... | 0:21:24 | 0:21:26 | |
if the man who murdered your children | 0:21:26 | 0:21:28 | |
ended up on your doorstep that same day? | 0:21:28 | 0:21:32 | |
Call the police. | 0:21:32 | 0:21:33 | |
SHE SIGHS HEAVILY | 0:21:33 | 0:21:36 | |
That's easy to say, but put yourself in their shoes. | 0:21:36 | 0:21:39 | |
Really put yourself in them. | 0:21:39 | 0:21:42 | |
You don't have a clue what you'd do. | 0:21:42 | 0:21:44 | |
When it comes down to it, | 0:21:47 | 0:21:49 | |
people are capable of doing things they never thought they could do. | 0:21:49 | 0:21:53 | |
DOOR UNLOCKS | 0:22:12 | 0:22:14 | |
HE PANTS | 0:22:14 | 0:22:17 | |
Your mum ironed it. | 0:22:24 | 0:22:26 | |
Where is she? | 0:22:28 | 0:22:29 | |
I don't know. I think I heard her go out, | 0:22:29 | 0:22:31 | |
and Claire went back to work. | 0:22:31 | 0:22:34 | |
HE KISSES | 0:22:36 | 0:22:37 | |
It'll all be over tomorrow, at least. | 0:22:37 | 0:22:40 | |
That's what they say, isn't it? | 0:22:40 | 0:22:43 | |
You say goodbye to people at funerals. | 0:22:43 | 0:22:45 | |
Some shit about closure. | 0:22:46 | 0:22:48 | |
Huh. | 0:22:48 | 0:22:50 | |
Wouldn't it be nice if that were true? | 0:22:50 | 0:22:52 | |
Anna, what's going on with you? What does that mean? | 0:22:54 | 0:22:58 | |
It means... | 0:22:58 | 0:22:59 | |
Since everything happened, you've barely spoken a word to me. | 0:23:00 | 0:23:03 | |
There's nothing left to say. | 0:23:03 | 0:23:06 | |
What happened... | 0:23:06 | 0:23:08 | |
happened. | 0:23:08 | 0:23:09 | |
You can talk to me. You can trust me. I know. | 0:23:09 | 0:23:12 | |
Haven't I always tried to protect you? I don't need protecting. | 0:23:12 | 0:23:17 | |
Is there something you want to tell me? What are you getting at? | 0:23:19 | 0:23:22 | |
I'm getting at you being honest with me. | 0:23:22 | 0:23:25 | |
You hid it in the fireplace, didn't you? | 0:23:27 | 0:23:31 | |
What? The knife. | 0:23:31 | 0:23:33 | |
The bloody knife that Mum found, | 0:23:33 | 0:23:34 | |
the one that slit Lee Walsh's throat. | 0:23:34 | 0:23:37 | |
There was no-one else in the room with me, Anna. | 0:23:37 | 0:23:39 | |
Look, I'm not angry. Look at me. | 0:23:39 | 0:23:42 | |
I just want you to tell the truth. Oh! | 0:23:42 | 0:23:44 | |
Just tell me. | 0:23:44 | 0:23:46 | |
It's been a week now. | 0:23:51 | 0:23:53 | |
We all need is to keep our nerve, keep silent... | 0:23:53 | 0:23:56 | |
But what if they come in and search the place? What if they find the... | 0:23:56 | 0:24:00 | |
They need more than suspicion to get a search warrant, Louise. | 0:24:00 | 0:24:03 | |
You need to calm down. OK. | 0:24:05 | 0:24:08 | |
Don't let it get the better of you, Louise. For all our sakes. | 0:24:08 | 0:24:11 | |
OK. Right? Yeah. DOOR OPENS | 0:24:11 | 0:24:13 | |
A word, Bill? | 0:24:14 | 0:24:17 | |
Aye. | 0:24:17 | 0:24:18 | |
Louise Elliot OK? | 0:24:28 | 0:24:29 | |
Her world's falling apart at the seams. | 0:24:29 | 0:24:32 | |
You heard what happened to Peter. | 0:24:32 | 0:24:33 | |
Aye. Can't say I'll be losing any sleep over it, mind. | 0:24:33 | 0:24:38 | |
A good man, but a weak one. | 0:24:38 | 0:24:41 | |
What brings you here, Alastair? | 0:24:41 | 0:24:44 | |
I gave you time off. | 0:24:44 | 0:24:46 | |
I want more. | 0:24:46 | 0:24:48 | |
More money. | 0:24:48 | 0:24:51 | |
You came to me and asked me for what you were owed. | 0:24:51 | 0:24:55 | |
I gave you what I had. | 0:24:55 | 0:24:58 | |
I'm sorry, | 0:24:58 | 0:25:00 | |
but I need the money. | 0:25:00 | 0:25:03 | |
Sal and me... Ah. So this is Sal's idea, is it? | 0:25:03 | 0:25:07 | |
This is a woman who couldn't be bothered to send as much as a postcard when we lost wee Grace. | 0:25:07 | 0:25:11 | |
No, listen, we were just... Sal and me were... | 0:25:11 | 0:25:13 | |
So this is what it comes to, is it, Alastair? | 0:25:13 | 0:25:16 | |
This is what it boils down to, huh? | 0:25:16 | 0:25:20 | |
30 years of friendship. | 0:25:20 | 0:25:22 | |
It's nothing I haven't worked for. You know that. | 0:25:22 | 0:25:25 | |
I'm not Peter Elliot. | 0:25:25 | 0:25:28 | |
I'm not a weak man. | 0:25:28 | 0:25:31 | |
And I'm not going to let you bleed me dry. | 0:25:31 | 0:25:33 | |
You've lied along with the rest of us. | 0:25:34 | 0:25:37 | |
You've had every opportunity to go to the police and tell them what happened. | 0:25:37 | 0:25:41 | |
And I'm willing to take my chances that you'll continue to keep your mouth shut, to save your own hide. | 0:25:41 | 0:25:46 | |
Because I know you, Alastair, | 0:25:48 | 0:25:51 | |
and that's the mistake you've made. | 0:25:51 | 0:25:53 | |
You see, I just don't understand all this Facebooking nonsense. | 0:26:00 | 0:26:03 | |
How can you have a proper relationship with someone so far away? | 0:26:03 | 0:26:07 | |
Well... | 0:26:09 | 0:26:10 | |
Something like this. | 0:26:12 | 0:26:13 | |
Oh, my, I don't need to see that! THEY LAUGH | 0:26:19 | 0:26:22 | |
That's the first time I've heard you laugh since it happened. | 0:26:24 | 0:26:27 | |
I almost feel guilty. | 0:26:29 | 0:26:31 | |
What's wrong? | 0:26:33 | 0:26:34 | |
My brother Rob did something... | 0:26:37 | 0:26:40 | |
No, erm... It doesn't matter. I shouldn't. | 0:26:42 | 0:26:46 | |
Whatever it is you're carrying around, | 0:26:46 | 0:26:48 | |
you will have to talk to someone. | 0:26:48 | 0:26:51 | |
You should talk to that boy Sam about it. | 0:26:51 | 0:26:54 | |
You'll feel better, trust me. | 0:26:54 | 0:26:56 | |
But tell him to put some trousers on. | 0:26:59 | 0:27:02 | |
Nobody needs to see that, horrible little chicken legs... | 0:27:02 | 0:27:05 | |
You old bat! | 0:27:05 | 0:27:07 | |
Right, you're going in a ditch! Oh, no! | 0:27:07 | 0:27:09 | |
SHE LAUGHS | 0:27:09 | 0:27:10 | |
HE SIGHS | 0:27:15 | 0:27:17 | |
There's nothing in the financials as far as I can see. | 0:27:17 | 0:27:21 | |
Anything in the phone records? | 0:27:21 | 0:27:23 | |
Not really. | 0:27:23 | 0:27:26 | |
Just the calls from the hotel phone to Adam's dad | 0:27:26 | 0:27:29 | |
and a few from his mobile to Bill Douglas. | 0:27:29 | 0:27:32 | |
Could be Grace. Calling her dad. | 0:27:32 | 0:27:34 | |
Absolutely nothing to tie any of them to Lee Walsh. | 0:27:34 | 0:27:38 | |
Weird. Yeah, Andrew, it's weird. | 0:27:38 | 0:27:42 | |
My ex hated dogs. | 0:27:42 | 0:27:44 | |
But when one come up to her on the street, | 0:27:44 | 0:27:47 | |
she'd stroke it and smile at the owner, "Oh, nice boy," you know? | 0:27:47 | 0:27:52 | |
What? | 0:27:52 | 0:27:53 | |
People do weird things, is my point. | 0:27:53 | 0:27:56 | |
There's not always a neat explanation. | 0:27:56 | 0:27:59 | |
Maybe Walsh was just a nutjob with a psycho thing for Grace Elliot. | 0:27:59 | 0:28:03 | |
HE SIGHS | 0:28:05 | 0:28:07 | |
Goodnight. | 0:28:07 | 0:28:08 | |
Night. | 0:28:12 | 0:28:14 | |
TV: 'Here he is. Any words for the bride and groom?' | 0:28:28 | 0:28:33 | |
'Er...' 'Words of wisdom?' | 0:28:33 | 0:28:35 | |
'Well, we already wrote something in the card. It's in the card...' | 0:28:35 | 0:28:38 | |
'We wish you the best, both of you.' | 0:28:38 | 0:28:42 | |
'Can't say fairer than that. You look wonderful.' | 0:28:42 | 0:28:45 | |
'Ah. Mother.' | 0:28:45 | 0:28:46 | |
ORGAN MUSIC ON TV: Bridal Chorus by Wagner | 0:28:47 | 0:28:54 | |
SHE SNIFFS | 0:29:08 | 0:29:11 | |
PHONE VIBRATES, MESSAGE ALERT | 0:29:11 | 0:29:14 | |
Hey. | 0:30:10 | 0:30:12 | |
I just got off the phone with Leah. | 0:30:13 | 0:30:16 | |
Dad's new wife. | 0:30:19 | 0:30:21 | |
Jesus. | 0:30:21 | 0:30:22 | |
Yeah. She seemed quite nice. | 0:30:24 | 0:30:26 | |
Wanted to talk about arrangements and stuff but... | 0:30:26 | 0:30:30 | |
Then she said... | 0:30:31 | 0:30:33 | |
She asked me why - like, why he did it. | 0:30:33 | 0:30:37 | |
As if I know. | 0:30:38 | 0:30:39 | |
I just keep thinking maybe he knew something | 0:30:41 | 0:30:45 | |
about what happened to Adam and Grace. Claire. | 0:30:45 | 0:30:48 | |
The way he was talking when he called me | 0:30:48 | 0:30:50 | |
and he was coming up here. | 0:30:50 | 0:30:52 | |
It sounded like he wanted to tell me something. | 0:30:52 | 0:30:55 | |
And on his honeymoon, Adam calls him. | 0:30:55 | 0:30:58 | |
Why, after all these years? | 0:30:58 | 0:30:59 | |
Claire, we've been down this road. | 0:30:59 | 0:31:01 | |
We hardly knew Dad, not any more. | 0:31:01 | 0:31:03 | |
What if he was the reason? Stop. | 0:31:05 | 0:31:07 | |
OK. Just stop. | 0:31:08 | 0:31:10 | |
We'll drive ourselves mad thinking like this. | 0:31:10 | 0:31:13 | |
Now where's Mum? We're going to be late. | 0:31:15 | 0:31:17 | |
I'll get her. | 0:31:17 | 0:31:19 | |
HE SIGHS | 0:31:25 | 0:31:27 | |
Mum? | 0:31:32 | 0:31:34 | |
Mum... | 0:31:37 | 0:31:38 | |
We need to go soon, we can't be late. | 0:31:43 | 0:31:46 | |
I know, I know. | 0:31:46 | 0:31:47 | |
I was... | 0:31:51 | 0:31:52 | |
trying to decide what to wear, | 0:31:52 | 0:31:54 | |
and then I realised it doesn't bloody matter. | 0:31:54 | 0:32:00 | |
Adam doesn't give a damn whether I wear the stupid dress | 0:32:02 | 0:32:08 | |
or the skirt or the... | 0:32:08 | 0:32:10 | |
He doesn't give a damn whether I go to his funeral at all. | 0:32:12 | 0:32:16 | |
SHE SOBS | 0:32:18 | 0:32:21 | |
Maybe not. | 0:32:26 | 0:32:28 | |
But I do. | 0:32:30 | 0:32:32 | |
Here, here. | 0:32:39 | 0:32:40 | |
It's, you know... It must be stress or something... | 0:32:40 | 0:32:46 | |
I still can't believe it. | 0:32:49 | 0:32:51 | |
I know... | 0:32:51 | 0:32:52 | |
I know she's gone. | 0:32:54 | 0:32:56 | |
I can't believe it. | 0:32:58 | 0:32:59 | |
Does that make any sense? | 0:33:02 | 0:33:04 | |
They say when you have a limb amputated, you can still feel it. | 0:33:08 | 0:33:11 | |
And even though it's not there, | 0:33:13 | 0:33:15 | |
you can't shake the sensation that it is. | 0:33:15 | 0:33:17 | |
And the worst thing is that it itches. | 0:33:20 | 0:33:23 | |
It itches and it burns and it hurts, and you can't do a thing about it. | 0:33:24 | 0:33:28 | |
It's your brain, apparently. | 0:33:31 | 0:33:33 | |
It's wired to think that your arm or your leg is still there, | 0:33:35 | 0:33:37 | |
and it can't accept that it isn't. | 0:33:37 | 0:33:40 | |
It's like the world doesn't make sense without it. | 0:33:44 | 0:33:47 | |
Screw this. | 0:34:13 | 0:34:15 | |
Don't suppose any of you has a charger on you? | 0:34:18 | 0:34:20 | |
TYRES SCREECH | 0:34:31 | 0:34:34 | |
Get that squatter escaping up the stairs! | 0:34:50 | 0:34:53 | |
POLICE SHOUT | 0:34:57 | 0:34:59 | |
What is it? | 0:35:26 | 0:35:28 | |
They found me, brother. Did you go the garage? | 0:35:28 | 0:35:30 | |
Because I told you I would bring you what you needed! | 0:35:30 | 0:35:33 | |
Nah, nah, some crackheads must have seen me on the estate. | 0:35:33 | 0:35:35 | |
Where are they? | 0:35:35 | 0:35:37 | |
I think I lost them. | 0:35:38 | 0:35:40 | |
Ah, shit. | 0:35:40 | 0:35:42 | |
Chuck the phone, OK? I will sort this. | 0:35:42 | 0:35:44 | |
Trust me, you will walk. | 0:35:44 | 0:35:46 | |
Just keep your mouth shut, OK. | 0:35:46 | 0:35:49 | |
Now chuck the phone - now. | 0:35:49 | 0:35:51 | |
DOORBELL RINGS | 0:36:04 | 0:36:05 | |
Maddy, can you get that? | 0:36:07 | 0:36:08 | |
I'll get it! | 0:36:08 | 0:36:10 | |
Who was it? | 0:36:18 | 0:36:20 | |
Maddy, go to your room. Why? | 0:36:24 | 0:36:27 | |
Just go. | 0:36:27 | 0:36:29 | |
Nice to meet you, sweetheart. | 0:36:29 | 0:36:30 | |
Me and your mum are going to talk a wee bit of business. | 0:36:30 | 0:36:33 | |
High five. | 0:36:33 | 0:36:35 | |
OK. | 0:36:35 | 0:36:36 | |
What in the hell do you think you're doing? Relax, Grandma, | 0:36:41 | 0:36:44 | |
I only pay housecalls if I've got a good reason. | 0:36:44 | 0:36:46 | |
My boy got hauled in. | 0:36:48 | 0:36:50 | |
And much as I like to think I'm a great boss, | 0:36:50 | 0:36:52 | |
he's going to start singing my name. | 0:36:52 | 0:36:54 | |
What do you expect me to do? | 0:36:54 | 0:36:56 | |
I can't stop your dealer talking. | 0:36:56 | 0:36:58 | |
No. Well, I wouldn't have thought so anyway. | 0:36:58 | 0:37:00 | |
But me and you, we're in this together, like, aren't we? | 0:37:01 | 0:37:06 | |
That stuff you gave me, that killed a lass. | 0:37:08 | 0:37:11 | |
So... | 0:37:12 | 0:37:13 | |
you've got responsibilities here. | 0:37:13 | 0:37:15 | |
That girl stole the LSD from her brother, that's his responsibility. | 0:37:15 | 0:37:18 | |
Not mine. | 0:37:18 | 0:37:20 | |
Are you serious? If I hadn't sold you those tabs, | 0:37:20 | 0:37:22 | |
you'd have found them from somewhere else | 0:37:22 | 0:37:24 | |
and that girl would still be dead. OK. | 0:37:24 | 0:37:26 | |
All I'm saying is, | 0:37:26 | 0:37:29 | |
it's in your interest to make sure I'm not arrested. | 0:37:29 | 0:37:32 | |
I'm going to go to ground, lay low. | 0:37:32 | 0:37:34 | |
But if I get picked up and put in a cage... | 0:37:36 | 0:37:38 | |
..then you sure as shit are, too. | 0:37:41 | 0:37:44 | |
Say goodbye to your daughter for me. | 0:37:46 | 0:37:48 | |
Right, OK, I gotta go, bye. | 0:38:10 | 0:38:13 | |
Hey, I was just about to call you. What's happened? | 0:38:15 | 0:38:18 | |
I take it you've not checked your e-mails. | 0:38:18 | 0:38:20 | |
We both received one this morning from Jamie Douglas. | 0:38:20 | 0:38:23 | |
It's a screen-grab from a messenger chat between Claire Elliot | 0:38:23 | 0:38:26 | |
and her boyfriend. He sent this just now? Mm-hm. | 0:38:26 | 0:38:29 | |
It's not admissible. No. | 0:38:29 | 0:38:31 | |
But it's enough for a warrant. | 0:38:31 | 0:38:32 | |
Already being processed, and I've spoke to Inverness CID, | 0:38:32 | 0:38:35 | |
just in case. | 0:38:35 | 0:38:37 | |
Look who woke up! | 0:38:37 | 0:38:39 | |
"Sunset and evening star | 0:38:59 | 0:39:03 | |
"And one clear call for me! | 0:39:03 | 0:39:06 | |
"And may there be no moaning of the bar, | 0:39:07 | 0:39:10 | |
"When I put out to sea. | 0:39:10 | 0:39:13 | |
"But such a tide as moving seems asleep, | 0:39:15 | 0:39:18 | |
"Too full for sound and foam, | 0:39:18 | 0:39:21 | |
"When that which drew from out the boundless deep... | 0:39:21 | 0:39:25 | |
"Turns again home. | 0:39:26 | 0:39:28 | |
"Twilight and evening bell... | 0:39:33 | 0:39:36 | |
"And after that the dark! | 0:39:38 | 0:39:40 | |
"And may there be no sadness of farewell... | 0:39:41 | 0:39:44 | |
"When I embark. | 0:39:46 | 0:39:48 | |
"For, though from out our bourne of time and place | 0:39:48 | 0:39:52 | |
"The flood may bear me far... | 0:39:52 | 0:39:54 | |
"I hope to see my Pilot face-to-face | 0:39:56 | 0:39:59 | |
"When I have crossed the bar." | 0:39:59 | 0:40:02 | |
So you made it here after all? | 0:40:19 | 0:40:21 | |
Aye, aye, Bill. | 0:40:21 | 0:40:23 | |
Well, you know how much Gracie meant to us - | 0:40:23 | 0:40:25 | |
Sal and Me. | 0:40:25 | 0:40:27 | |
Of course we came. | 0:40:27 | 0:40:29 | |
Aye, she'd have liked that. | 0:40:29 | 0:40:31 | |
Listen, Alastair, there's no need for you to come into work tomorrow. | 0:40:33 | 0:40:36 | |
Or ever again. | 0:40:38 | 0:40:40 | |
Hey. Hey. | 0:41:27 | 0:41:29 | |
Been up for about two years. | 0:41:32 | 0:41:34 | |
PHONE BEEPS | 0:41:34 | 0:41:36 | |
Sam? | 0:41:38 | 0:41:40 | |
What happened to just talking to someone, eh? | 0:41:43 | 0:41:45 | |
It's overrated. | 0:41:45 | 0:41:46 | |
I wasn't lying to you... | 0:41:56 | 0:41:58 | |
..when I said I didn't know about the knife in the fireplace. | 0:41:59 | 0:42:02 | |
It wasn't me. | 0:42:04 | 0:42:05 | |
It wasn't. | 0:42:09 | 0:42:10 | |
So how did it get there? | 0:42:14 | 0:42:17 | |
I wasn't staying in my room alone... | 0:42:20 | 0:42:22 | |
Anna? | 0:42:22 | 0:42:23 | |
No. | 0:42:25 | 0:42:26 | |
Since we came back to Edinburgh she's barely said a word. | 0:42:26 | 0:42:29 | |
This whole thing, she's... | 0:42:31 | 0:42:33 | |
Something's happened to her. | 0:42:35 | 0:42:36 | |
There's a darkness there. | 0:42:38 | 0:42:40 | |
It's a side of her I can't... I can't quite... | 0:42:41 | 0:42:44 | |
Jamie, what do you think you're doing? | 0:42:59 | 0:43:02 | |
Now today's a hard day for all of us but I don't want you drinking! | 0:43:02 | 0:43:05 | |
Ma, I'm 17. | 0:43:05 | 0:43:07 | |
Yes, you're 17, not 18. | 0:43:07 | 0:43:09 | |
Can you hear yourself? | 0:43:09 | 0:43:11 | |
You think I've never drunk before? | 0:43:11 | 0:43:13 | |
You've got blinkers on. | 0:43:14 | 0:43:16 | |
What if your father sees you? | 0:43:16 | 0:43:19 | |
Right, we should all do what Dad says, | 0:43:19 | 0:43:21 | |
cos he's such a saint. | 0:43:21 | 0:43:22 | |
I know you're upset - we all are - | 0:43:27 | 0:43:31 | |
but there's no need for this, Jamie. | 0:43:31 | 0:43:33 | |
He's been lying to you - did you know that? | 0:43:33 | 0:43:37 | |
Just stop. | 0:43:37 | 0:43:38 | |
Please, just stop, not today. | 0:43:38 | 0:43:41 | |
He's got Parkinson's. | 0:43:41 | 0:43:43 | |
What did you say? You heard me. | 0:43:46 | 0:43:48 | |
He found out months ago. | 0:43:48 | 0:43:50 | |
Then he said me and Grace had to get tested, | 0:43:51 | 0:43:55 | |
to see if we had it too. | 0:43:55 | 0:43:56 | |
It's true. | 0:43:59 | 0:44:00 | |
It's true, and I'm sick and tired of all these lies. | 0:44:00 | 0:44:05 | |
That's why I contacted the police and told them | 0:44:09 | 0:44:12 | |
about what happened to Lee Walsh. | 0:44:12 | 0:44:15 | |
You did what? Don't worry. | 0:44:15 | 0:44:17 | |
I kept us out of it. | 0:44:19 | 0:44:20 | |
I said in my e-mail that all we knew was Rob coming by the house, | 0:44:20 | 0:44:24 | |
talking about someone crashing into the fence. | 0:44:24 | 0:44:28 | |
As far as the police know, we had no idea what went on. | 0:44:28 | 0:44:31 | |
Oh, Jamie, Jamie, Jamie, what have you done? | 0:44:31 | 0:44:35 | |
DOGS BARK | 0:45:19 | 0:45:22 | |
Mrs Elliot. | 0:46:24 | 0:46:26 | |
What are you doing here? | 0:46:30 | 0:46:32 | |
I'm so sorry to do this today. I really am... | 0:46:32 | 0:46:35 | |
Have you found Lee Walsh? | 0:46:35 | 0:46:36 | |
We're going to need to speak to you all down at the station. | 0:46:38 | 0:46:41 | |
But what for? | 0:46:41 | 0:46:42 | |
Let's talk more at the station, eh? I don't understand - | 0:46:42 | 0:46:44 | |
why can't you just tell us what this is all about? | 0:46:44 | 0:46:46 | |
Why don't you just come with us? | 0:46:46 | 0:46:48 | |
Anything you have to say to us, you can say here. | 0:46:48 | 0:46:50 | |
In case you hadn't noticed, I'm burying my brother. | 0:46:50 | 0:46:53 | |
This is about Lee Walsh and it can't wait. | 0:46:53 | 0:46:56 | |
Have you found him? | 0:46:56 | 0:46:57 | |
Just come with us now - let's not make a scene, eh? | 0:46:57 | 0:47:00 | |
There was this, er, crash, | 0:47:27 | 0:47:30 | |
and a car came off the road. | 0:47:30 | 0:47:32 | |
We helped the man inside. | 0:47:33 | 0:47:35 | |
We tried to help him, | 0:47:35 | 0:47:38 | |
then we called an ambulance, but the storm was... | 0:47:38 | 0:47:43 | |
They said it would take a while to come. | 0:47:43 | 0:47:47 | |
I needed some supplies to help him, | 0:47:47 | 0:47:50 | |
so we sent Rob over to Bill's farm. | 0:47:50 | 0:47:54 | |
While he was away we found a note in his pocket. | 0:47:54 | 0:47:58 | |
It had our postcode on it. | 0:47:58 | 0:48:00 | |
We're going to need to see that. | 0:48:01 | 0:48:02 | |
I didn't bring it. | 0:48:04 | 0:48:05 | |
I thought I was only going to my brother's funeral. | 0:48:06 | 0:48:09 | |
And when did you realise who the man from the car was? | 0:48:11 | 0:48:14 | |
We were on our way back from the barn, the news was on. | 0:48:14 | 0:48:17 | |
The suspect in Adam and Gracie's murder. | 0:48:19 | 0:48:21 | |
Rob looked like he'd just seen a ghost. | 0:48:23 | 0:48:26 | |
He said he recognised the man. | 0:48:28 | 0:48:29 | |
He ran out. | 0:48:29 | 0:48:31 | |
Angry. | 0:48:31 | 0:48:33 | |
Mum and Dad went out, following him. | 0:48:33 | 0:48:36 | |
He'd gone to get the guy - | 0:48:37 | 0:48:39 | |
Walsh. | 0:48:39 | 0:48:40 | |
We went to look in on him and he'd gone. Mr Walsh? | 0:48:40 | 0:48:43 | |
So we went out into the storm and we found him. | 0:48:44 | 0:48:48 | |
Did he say anything? | 0:48:49 | 0:48:50 | |
No, he was too unwell, he couldn't speak. | 0:48:52 | 0:48:55 | |
We took him back to the Douglas farm. | 0:48:55 | 0:48:58 | |
Out of the storm, you know. | 0:48:58 | 0:48:59 | |
And did you talk about what you should do, | 0:48:59 | 0:49:03 | |
now that he was here, in your house? | 0:49:03 | 0:49:05 | |
There was an ambulance supposed to be on the way. | 0:49:05 | 0:49:09 | |
And we agreed we'd call the police. | 0:49:09 | 0:49:12 | |
We'd keep Walsh locked up until the police arrived. | 0:49:12 | 0:49:17 | |
Who went to call the police? | 0:49:17 | 0:49:19 | |
I couldn't bring myself to, not for him. | 0:49:19 | 0:49:23 | |
We received an e-mail from Jamie Douglas. | 0:49:23 | 0:49:25 | |
He came into possession of an online conversation your sister had | 0:49:25 | 0:49:29 | |
with a friend - Sam, I think his name was. | 0:49:29 | 0:49:31 | |
She said, "My brother's done something terrible". | 0:49:33 | 0:49:37 | |
What was she talking about? | 0:49:38 | 0:49:40 | |
I think I'd like a lawyer. | 0:49:42 | 0:49:44 | |
If that's the way you want to go, we could do that. | 0:49:44 | 0:49:46 | |
Look, I just want to get to the bottom of what happened | 0:49:46 | 0:49:50 | |
to Adam and Grace. | 0:49:50 | 0:49:52 | |
Why did Lee Walsh come up to your house in the first place? | 0:49:52 | 0:49:56 | |
How was your dad involved? | 0:49:58 | 0:50:00 | |
Did he know Walsh? | 0:50:01 | 0:50:03 | |
We're going to find out what happened. | 0:50:03 | 0:50:06 | |
Forensics have been there for hours, we'll find the truth. | 0:50:06 | 0:50:10 | |
Isn't it better to get in front of it... | 0:50:14 | 0:50:17 | |
OK, I did it. | 0:50:17 | 0:50:18 | |
OK? | 0:50:18 | 0:50:20 | |
I killed him. | 0:50:21 | 0:50:23 | |
Well, ladies and gentlemen, thank you very much for travelling with us. | 0:50:38 | 0:50:42 | |
We're now arriving at Victoria Coach Station. | 0:50:42 | 0:50:44 | |
Welcome to London, ladies and gentlemen. Have a nice day... | 0:50:44 | 0:50:47 | |
Thank you. | 0:51:08 | 0:51:09 | |
Your brother just confessed to the murder of Lee Walsh. | 0:51:16 | 0:51:19 | |
You, your mum and Anna, and the Douglas family, | 0:51:24 | 0:51:27 | |
you'll be kept here overnight and you'll be charged in the morning | 0:51:27 | 0:51:30 | |
with attempting to pervert the course of justice. | 0:51:30 | 0:51:33 | |
Most likely you'll be granted bail. | 0:51:33 | 0:51:35 | |
This probably won't come to trial for a few months. | 0:51:35 | 0:51:39 | |
Even with all of this... | 0:51:41 | 0:51:43 | |
..I'm glad that the man that murdered my brother... | 0:51:46 | 0:51:51 | |
..is dead. | 0:51:54 | 0:51:55 | |
How are you holding up? | 0:52:10 | 0:52:12 | |
I ordered us a taxi to take us to the station - shouldn't be too long. | 0:52:12 | 0:52:15 | |
So do I get an apology, then? | 0:52:17 | 0:52:18 | |
I think you've got that the wrong way round. | 0:52:20 | 0:52:23 | |
You both thought I did it. | 0:52:23 | 0:52:24 | |
But neither of you believed me, | 0:52:25 | 0:52:27 | |
no matter how many times I tried to tell you. | 0:52:27 | 0:52:29 | |
And now you know, so you owe me an apology. Not now, Jamie. | 0:52:29 | 0:52:33 | |
So when? When are you going to stop treating me like I'm still | 0:52:33 | 0:52:36 | |
the same person I was when I was 13? | 0:52:36 | 0:52:38 | |
You listen to me. | 0:52:38 | 0:52:40 | |
You shut your mouth and you keep it shut! | 0:52:40 | 0:52:43 | |
No matter what your mother and me thought, we believed in you, | 0:52:43 | 0:52:46 | |
we tried to protect you. And what do you do in return? | 0:52:46 | 0:52:49 | |
You tell your mother about my condition | 0:52:49 | 0:52:51 | |
on the day of Gracie's funeral. | 0:52:51 | 0:52:52 | |
Is that how she needed to find out that I was dying? | 0:52:52 | 0:52:56 | |
I don't need protecting, Bill! That's not what I was doing. | 0:52:56 | 0:52:58 | |
You know, I am a lot tougher than you give me credit for. I know that! | 0:52:58 | 0:53:02 | |
I wanted to tell you... | 0:53:05 | 0:53:07 | |
..but I couldn't. All right, love? | 0:53:08 | 0:53:12 | |
I just didn't know how. | 0:53:12 | 0:53:14 | |
You lied to me. | 0:53:15 | 0:53:16 | |
And you had Jamie lie to me, too - and Gracie. | 0:53:18 | 0:53:21 | |
You happy now? | 0:53:22 | 0:53:24 | |
I wanted the police to know the truth. | 0:53:24 | 0:53:26 | |
Yeah, by sending them Claire's private e-mails... | 0:53:26 | 0:53:29 | |
It wasn't e-mails, Dad. I knew her password - that's all. | 0:53:29 | 0:53:32 | |
You violated someone's privacy because of a pathetic schoolboy crush. | 0:53:32 | 0:53:36 | |
Now you listen to me and you listen to me good - | 0:53:36 | 0:53:39 | |
you keep your mouth shut. Keep it shut, | 0:53:39 | 0:53:42 | |
and don't you have the gall to lecture me about trust any more. | 0:53:42 | 0:53:46 | |
Do you hear me? | 0:53:46 | 0:53:47 | |
I'm going to the prison. | 0:54:43 | 0:54:45 | |
That's where they said they've taken Rob. | 0:54:45 | 0:54:49 | |
Good. | 0:54:50 | 0:54:51 | |
You should go. | 0:54:51 | 0:54:53 | |
LAUGHTER AND CHATTER ON TV | 0:55:16 | 0:55:20 | |
MUSIC ON TV: Gimme! Gimme! Gimme! (A Man After Midnight) by ABBA | 0:55:20 | 0:55:25 | |
ON TV: 'Can you do me a favour? | 0:55:34 | 0:55:37 | |
'Can you just go outside and... | 0:55:38 | 0:55:42 | |
'get some shots of the building | 0:55:42 | 0:55:45 | |
'and the car and just stuff, so that when I put it all together | 0:55:45 | 0:55:49 | |
'it'll be easier, it'll be easier to edit. | 0:55:49 | 0:55:52 | |
'Is that OK?' | 0:55:52 | 0:55:54 | |
ON TV: 'Here, take it with you. | 0:56:06 | 0:56:09 | |
'Read it.' | 0:56:09 | 0:56:11 | |
'If you carry on you're going straight to hell.' | 0:56:15 | 0:56:18 | |
Bill! | 0:56:33 | 0:56:34 | |
Bill. | 0:56:38 | 0:56:40 | |
Bill! | 0:56:42 | 0:56:45 | |
You remember Rob taped Adam and Grace's wedding - | 0:56:45 | 0:56:47 | |
him and a bunch of friends, they filmed the whole thing. | 0:56:47 | 0:56:50 | |
I've been watching it - me and Mum have - | 0:56:50 | 0:56:51 | |
and it's full of things that never made it into the final version. | 0:56:51 | 0:56:54 | |
All right, slow down, slow down. I saw something on that tape. | 0:56:54 | 0:56:58 | |
You and Adam having an argument. | 0:56:58 | 0:57:00 | |
You handed him something and you told him he was going straight to hell. | 0:57:00 | 0:57:03 | |
Why? Does it matter? | 0:57:03 | 0:57:06 | |
Tell me the truth, Bill. | 0:57:06 | 0:57:08 | |
Is this something to do with why Adam was killed? | 0:57:10 | 0:57:14 | |
The case against you is too strong. | 0:57:50 | 0:57:52 | |
It's not a question of whether you'll be found guilty, but when. | 0:57:52 | 0:57:55 |