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I intend to do business with Billy Kimber. | 0:00:02 | 0:00:04 | |
Is there any man here named Shelby? | 0:00:04 | 0:00:06 | |
I am planning an expansion. Onto the racetracks. | 0:00:06 | 0:00:09 | |
It would be an honour to work with you, Mr Kimber. | 0:00:09 | 0:00:12 | |
Nobody works with me. | 0:00:12 | 0:00:15 | |
People work FOR me. | 0:00:15 | 0:00:17 | |
'Danny, you are a good man and a good soldier.' | 0:00:17 | 0:00:20 | |
Yes, Sergeant Major. | 0:00:20 | 0:00:22 | |
Freddie Thorne is at the very top of my list. | 0:00:25 | 0:00:28 | |
Well, cross him off. He won't be returning to this city. | 0:00:28 | 0:00:32 | |
We're not going anywhere, Ada. | 0:00:32 | 0:00:33 | |
We are going to stay here and we'll marry here, with our baby. | 0:00:33 | 0:00:36 | |
I'm not afraid of Tommy Shelby. | 0:00:36 | 0:00:38 | |
Thomas, you sell those guns to anyone who has use for them, | 0:00:38 | 0:00:41 | |
you will hang. | 0:00:41 | 0:00:43 | |
Dump them somewhere the police can find them. | 0:00:43 | 0:00:45 | |
No. | 0:00:45 | 0:00:47 | |
Thomas Shelby is now the beginning, middle and end of your mission. | 0:00:47 | 0:00:51 | |
So what shall I do? | 0:00:51 | 0:00:53 | |
You must do everything you can to get close to him. | 0:00:53 | 0:00:57 | |
Dig out a nice dress. | 0:00:57 | 0:00:59 | |
I want to take you to the races. | 0:00:59 | 0:01:01 | |
I warn you, I'll break your heart. | 0:01:01 | 0:01:03 | |
Already broken. | 0:01:04 | 0:01:06 | |
This programme contains some violent scenes and some strong language. | 0:01:06 | 0:01:13 | |
MUSIC: "Red Right Hand" by Nick Cave and The Bad Seeds | 0:01:13 | 0:01:16 | |
# Take a little walk To the edge of town | 0:01:22 | 0:01:25 | |
# And go across the tracks | 0:01:25 | 0:01:27 | |
# Where the viaduct looms Like a bird of doom | 0:01:30 | 0:01:34 | |
# As it shifts and cracks | 0:01:34 | 0:01:38 | |
# Where secrets lie | 0:01:38 | 0:01:40 | |
# In the border fires | 0:01:40 | 0:01:42 | |
# In the humming wires | 0:01:42 | 0:01:45 | |
# You know you're never coming back | 0:01:45 | 0:01:48 | |
# Past the square, past the bridge Past the mills, past the stacks | 0:01:48 | 0:01:53 | |
# On a gathering storm Comes a tall handsome man | 0:01:54 | 0:01:59 | |
# In a dusty black coat With a red right hand... # | 0:01:59 | 0:02:03 | |
Give me a bottle of whiskey and three glasses please. | 0:02:03 | 0:02:06 | |
-Scotch or Irish? -Irish. | 0:02:06 | 0:02:07 | |
I've decided not to go. | 0:02:10 | 0:02:12 | |
To the races. | 0:02:12 | 0:02:14 | |
Not unless you give me two pounds, ten shillings towards the dress. | 0:02:14 | 0:02:17 | |
I've already given you three. | 0:02:18 | 0:02:20 | |
How much did you pay for the suit you'll be wearing? | 0:02:20 | 0:02:22 | |
Oh, I don't pay for suits. | 0:02:22 | 0:02:24 | |
My suits are on the house or the house burns down. | 0:02:24 | 0:02:27 | |
So you want me to go looking like a flower girl? | 0:02:28 | 0:02:31 | |
What I want makes no difference. | 0:02:31 | 0:02:33 | |
It's not me you're dressing up for. | 0:02:37 | 0:02:39 | |
You'll forgive me, Mr Shelby, if I indulge a little. | 0:03:10 | 0:03:13 | |
Please. | 0:03:13 | 0:03:14 | |
It takes a lot for a man from Sparkbrook | 0:03:15 | 0:03:17 | |
to step inside this pub. | 0:03:17 | 0:03:20 | |
Anyone with money and good intentions | 0:03:20 | 0:03:22 | |
is welcome in the Garrison. | 0:03:22 | 0:03:23 | |
Now...you said you had business. | 0:03:27 | 0:03:30 | |
It's delicate, Mr Shelby. | 0:03:34 | 0:03:35 | |
It's a question of who knows what about what. | 0:03:37 | 0:03:39 | |
It concerns the factory down the road, at the BSA. | 0:03:41 | 0:03:44 | |
As you might know, | 0:03:46 | 0:03:47 | |
most of the paint shop there is Irish. | 0:03:47 | 0:03:49 | |
Big old place like that, rumours get started. | 0:03:50 | 0:03:54 | |
Rumours that there was a robbery. | 0:03:54 | 0:03:55 | |
Robbery of what? | 0:03:59 | 0:04:00 | |
Guns, Mr Shelby. A serious amount of guns. | 0:04:00 | 0:04:05 | |
What business is that of mine? | 0:04:07 | 0:04:09 | |
When it comes to speculation, you can't beat a factory night shift. | 0:04:09 | 0:04:13 | |
Some say there was word from the proofing bay | 0:04:13 | 0:04:17 | |
it was the Peaky Blinders who took them. | 0:04:17 | 0:04:19 | |
Your night shift must be dreaming. | 0:04:20 | 0:04:23 | |
-Maybe they are. -Maybe they're not. | 0:04:23 | 0:04:25 | |
What we are trying to say is, Mr Shelby, | 0:04:25 | 0:04:28 | |
that if you were to hear about the whereabouts of said items... | 0:04:28 | 0:04:31 | |
..we'd pay good money. | 0:04:33 | 0:04:34 | |
-You have good money? -We have collections from the pubs. | 0:04:34 | 0:04:37 | |
For who do you speak? | 0:04:40 | 0:04:42 | |
-The people of Ireland. -The Irish Republican Army. | 0:04:42 | 0:04:44 | |
-For a fact? -For a fucking fact. | 0:04:44 | 0:04:47 | |
You think we're jokers? | 0:04:53 | 0:04:55 | |
Am I laughing? | 0:04:55 | 0:04:56 | |
# Oh, father, why are you so sad | 0:05:00 | 0:05:07 | |
# On this bright Easter morn'... # | 0:05:07 | 0:05:11 | |
Maguire, will you shut up? | 0:05:11 | 0:05:12 | |
# When Irishmen are proud and glad | 0:05:12 | 0:05:18 | |
# Of the land Where they were born? # | 0:05:18 | 0:05:22 | |
Maguire, away and shite man, we're trying to talk business... | 0:05:22 | 0:05:25 | |
# Oh, son, I see sad mem'ries view | 0:05:25 | 0:05:29 | |
# Of far-off distant days | 0:05:29 | 0:05:33 | |
# When being just a boy like you | 0:05:33 | 0:05:39 | |
# I joined the IRA. # | 0:05:40 | 0:05:47 | |
Bravo! | 0:05:49 | 0:05:50 | |
-# Where are the lads... # -All right, boys. | 0:05:51 | 0:05:54 | |
If I hear anything about who knows what about what, I'll let you know. | 0:05:54 | 0:05:58 | |
# Gra mo chree, I long to see | 0:05:58 | 0:06:01 | |
# The boys of the old IRA... # | 0:06:01 | 0:06:03 | |
I thought you only allowed singing on a Saturday. | 0:06:07 | 0:06:10 | |
Whiskey is good proofing water. | 0:06:10 | 0:06:12 | |
It tells you who's real and who isn't. | 0:06:12 | 0:06:14 | |
And what did my countrymen want? | 0:06:14 | 0:06:16 | |
They're nobodies. | 0:06:16 | 0:06:17 | |
They drink in The Black Swan in Sparkbrook. | 0:06:18 | 0:06:20 | |
They're only rebels because they like the songs. | 0:06:20 | 0:06:23 | |
You have sympathies with them? | 0:06:23 | 0:06:25 | |
I have no sympathies of any description. | 0:06:25 | 0:06:27 | |
Their accents were so thick, | 0:06:27 | 0:06:29 | |
it's a wonder you could understand them. | 0:06:29 | 0:06:31 | |
-Next time, I could translate. -You'd work for me? | 0:06:31 | 0:06:34 | |
-I thought I already was. -So you are coming to the races? | 0:06:35 | 0:06:39 | |
Two pounds, ten shillings. | 0:06:41 | 0:06:43 | |
Ten shillings. | 0:06:47 | 0:06:48 | |
Buy something red. | 0:06:50 | 0:06:52 | |
To match his handkerchief. | 0:06:52 | 0:06:53 | |
Whose handkerchief? | 0:06:53 | 0:06:55 | |
Ada, what the hell? | 0:07:19 | 0:07:21 | |
I dared myself to run through their territory in my dress. | 0:07:21 | 0:07:24 | |
-Are you mad? -Yeah. Mad as hell with all of them. | 0:07:24 | 0:07:27 | |
I love you. | 0:07:27 | 0:07:28 | |
I love you too. | 0:07:31 | 0:07:32 | |
The more they try to stop us, the madder I'll be. | 0:07:32 | 0:07:34 | |
-Come on, princess, the vicar's waiting. -Wait... | 0:07:34 | 0:07:36 | |
How do I look? | 0:07:38 | 0:07:39 | |
Like an angel. | 0:07:44 | 0:07:46 | |
KNOCKING ON THE DOOR | 0:07:55 | 0:07:57 | |
DOOR OPENS | 0:07:57 | 0:07:58 | |
Moss? | 0:08:01 | 0:08:02 | |
What do we know about The Black Swan? | 0:08:04 | 0:08:07 | |
An operative has provided intelligence | 0:08:07 | 0:08:10 | |
that it is a place where IRA men gather. | 0:08:10 | 0:08:13 | |
It's just a lot of drunken navigators singing songs, sir. | 0:08:13 | 0:08:16 | |
The IRA wouldn't go near them. | 0:08:17 | 0:08:20 | |
Then why are two of them looking to buy guns? | 0:08:20 | 0:08:22 | |
Do you have names? | 0:08:25 | 0:08:26 | |
Must she do everything for you? | 0:08:28 | 0:08:30 | |
"She", sir? | 0:08:30 | 0:08:31 | |
One female operative has proved more useful | 0:08:31 | 0:08:36 | |
than any of you great lumps of men. | 0:08:36 | 0:08:38 | |
We are regular police officers, sir. Not spies. | 0:08:40 | 0:08:44 | |
We can only act when a crime has been committed. | 0:08:45 | 0:08:47 | |
Perhaps I should send some men down to The Black Swan to ask questions. | 0:08:47 | 0:08:52 | |
And scare them all into hiding? | 0:08:52 | 0:08:54 | |
Not the best of tactics, Sergeant. | 0:08:54 | 0:08:56 | |
My tactics come from my experiences in France. | 0:08:56 | 0:08:59 | |
Most of my great lumps of men served in France too, sir. | 0:09:00 | 0:09:04 | |
I serve my country every day. | 0:09:07 | 0:09:10 | |
That will be all, Sergeant. | 0:09:12 | 0:09:13 | |
IRISH FIDDLE TUNE PLAYS | 0:09:23 | 0:09:25 | |
DOG BARKS | 0:10:03 | 0:10:04 | |
Away and shite! | 0:10:04 | 0:10:06 | |
Fancy me, do ya? | 0:10:43 | 0:10:44 | |
What are you? A copper? | 0:10:46 | 0:10:48 | |
Oh! | 0:10:49 | 0:10:51 | |
Proddy bitch! | 0:10:51 | 0:10:53 | |
I've seen you. I've seen your face, serving in the Garrison. | 0:10:54 | 0:10:58 | |
Come here... | 0:10:58 | 0:11:00 | |
I am taking you in for interrogation on behalf of the Irish Free State. | 0:11:00 | 0:11:04 | |
GUNSHOT | 0:11:06 | 0:11:07 | |
DOOR OPENS | 0:11:28 | 0:11:30 | |
All right? | 0:11:30 | 0:11:32 | |
Are you armed? | 0:11:34 | 0:11:35 | |
No. | 0:11:37 | 0:11:38 | |
Then I'll tell you. | 0:11:40 | 0:11:41 | |
Ada and Freddie Thorne were married today. | 0:11:44 | 0:11:46 | |
They defied your orders, they haven't left the city. | 0:11:46 | 0:11:49 | |
I'll deal with it. | 0:12:02 | 0:12:03 | |
Thomas...I'll deal with it. | 0:12:06 | 0:12:09 | |
Where are they? | 0:12:11 | 0:12:12 | |
Freddie's comrades have safe houses. Why do you want to know? | 0:12:13 | 0:12:16 | |
I want to send them flowers. Why do you think? | 0:12:16 | 0:12:18 | |
Would it be so bad if they stayed? | 0:12:18 | 0:12:20 | |
I promised I'd run Freddie out of town. | 0:12:22 | 0:12:24 | |
Promised who? | 0:12:26 | 0:12:27 | |
I told the coppers Freddie wouldn't come back. | 0:12:39 | 0:12:41 | |
It's part of the deal. | 0:12:41 | 0:12:43 | |
What bloody deal? | 0:12:43 | 0:12:45 | |
What happened to family votes? What happened to meetings? | 0:12:45 | 0:12:49 | |
If you let me deal with Ada and Freddie, | 0:12:51 | 0:12:53 | |
it'll end in peace. | 0:12:53 | 0:12:55 | |
Christ knows you've had your fill of war. | 0:12:58 | 0:13:00 | |
You get Freddie out of town, Poll. | 0:13:06 | 0:13:09 | |
Or else I'll deal with it myself. | 0:13:09 | 0:13:11 | |
SHE VOMITS | 0:13:24 | 0:13:26 | |
The victim had been drinking in The Black Swan pub, sir - | 0:14:09 | 0:14:12 | |
the pub you told me about. | 0:14:12 | 0:14:14 | |
And a neighbour said she saw a young woman | 0:14:14 | 0:14:16 | |
leaving the street where the body was found. | 0:14:16 | 0:14:18 | |
A woman, sir. I was wondering if there was a connection. | 0:14:20 | 0:14:24 | |
A connection with what, Sergeant? | 0:14:24 | 0:14:27 | |
You said your spy was a woman, sir. | 0:14:27 | 0:14:31 | |
I wondered if now there was now a policy. | 0:14:31 | 0:14:33 | |
Shoot to kill. Like there was in Belfast. | 0:14:37 | 0:14:41 | |
The Republicans are famously factional. | 0:14:43 | 0:14:46 | |
He was killed by one of his own. | 0:14:46 | 0:14:49 | |
That will be all, Sergeant. | 0:14:51 | 0:14:52 | |
And they're not called spies. | 0:14:55 | 0:14:58 | |
They're called operatives. | 0:14:58 | 0:14:59 | |
Operatives, sir. Right, sir. | 0:14:59 | 0:15:01 | |
-< It's how you say things. -Yeah... | 0:15:06 | 0:15:08 | |
What the bloody hell is she doing here? | 0:15:11 | 0:15:14 | |
£200, Freddie. | 0:15:14 | 0:15:15 | |
For what? | 0:15:18 | 0:15:19 | |
For us. For a honeymoon that goes on for ever. | 0:15:19 | 0:15:24 | |
-Where did it come from? -Family fund. | 0:15:29 | 0:15:31 | |
The pockets of widows and desperate men. | 0:15:31 | 0:15:34 | |
See sense, Freddie. | 0:15:34 | 0:15:36 | |
Tommy is not going to let this rest. | 0:15:36 | 0:15:38 | |
Times like these, a communist in the family is bad for business. | 0:15:38 | 0:15:42 | |
You have to leave the city. | 0:15:42 | 0:15:43 | |
-You think I can't handle Tommy Shelby? -You can't. | 0:15:43 | 0:15:47 | |
I'm having trouble these days and I'm twice the man you are. | 0:15:47 | 0:15:50 | |
HE SCOFFS | 0:15:50 | 0:15:52 | |
I went into town. | 0:15:54 | 0:15:55 | |
The Cunard office. | 0:15:57 | 0:15:58 | |
I booked you both tickets on the next boat | 0:15:59 | 0:16:02 | |
from Liverpool to New York. | 0:16:02 | 0:16:04 | |
America, Freddie. | 0:16:04 | 0:16:05 | |
They've already had their revolution. | 0:16:05 | 0:16:07 | |
You won't have to bother. | 0:16:07 | 0:16:08 | |
Will you ladies at least let a man sleep on it? | 0:16:16 | 0:16:19 | |
You had no business... | 0:16:52 | 0:16:54 | |
Observe and report. That is your remit. | 0:16:57 | 0:17:00 | |
I decided we needed to know where he lived. | 0:17:00 | 0:17:02 | |
I warned you not to let your personal history | 0:17:02 | 0:17:06 | |
cloud your judgment. | 0:17:06 | 0:17:07 | |
You went after him because he was IRA. | 0:17:07 | 0:17:09 | |
I followed him because I thought he might have information. | 0:17:09 | 0:17:12 | |
According to the rules, | 0:17:13 | 0:17:14 | |
I should pull you out of Garrison Lane immediately. | 0:17:14 | 0:17:17 | |
No. Cheltenham is tomorrow. | 0:17:17 | 0:17:19 | |
You take too much upon yourself. | 0:17:21 | 0:17:23 | |
This is an active military mission - your words. | 0:17:25 | 0:17:29 | |
I'm doing my job. | 0:17:29 | 0:17:31 | |
Grace, the death of a base Fenian doesn't concern me. | 0:17:31 | 0:17:36 | |
Your welfare does. | 0:17:36 | 0:17:38 | |
Killing a man affects the heart. | 0:17:39 | 0:17:41 | |
And as for my heart... | 0:17:44 | 0:17:45 | |
I know that because of our family connections, | 0:17:46 | 0:17:49 | |
you take my progress personally. | 0:17:49 | 0:17:51 | |
But I don't need you to be my father. | 0:17:52 | 0:17:54 | |
I will be thinking of you. | 0:17:57 | 0:17:59 | |
-Mr Shelby, sir. -Mr Zhang. | 0:18:25 | 0:18:27 | |
That suit is sold, sir. It's being collected this morning. | 0:18:29 | 0:18:33 | |
I know. | 0:18:33 | 0:18:34 | |
Please, gentlemen. No fighting in here. | 0:18:40 | 0:18:42 | |
It's all right. I come as a friend. | 0:18:42 | 0:18:44 | |
You're collecting your suit for Cheltenham - it's very nice. | 0:18:46 | 0:18:49 | |
-How the bloody hell do you know? -I know a lot of things, Mr Kimber. | 0:18:49 | 0:18:53 | |
And as I told you before, I know the Lee brothers. | 0:18:54 | 0:18:57 | |
And I know they're going to be at the Cheltenham races as well. | 0:18:57 | 0:19:00 | |
They're going to lose a lot of money on fast women and slow nags. | 0:19:00 | 0:19:03 | |
No. They're planning on showing up in numbers and robbing your bookies. | 0:19:03 | 0:19:07 | |
Running chalk and rafflers. | 0:19:07 | 0:19:09 | |
You think I can't handle the Lees? | 0:19:09 | 0:19:11 | |
Just a word of warning from a friend. That's all. | 0:19:11 | 0:19:14 | |
I'll see you at Cheltenham. | 0:19:17 | 0:19:19 | |
I'll wave at you from my box. | 0:19:19 | 0:19:21 | |
If you're coming to the races, bring that pretty barmaid of yours. | 0:19:22 | 0:19:25 | |
Already invited. | 0:19:25 | 0:19:27 | |
CHEERING | 0:19:30 | 0:19:32 | |
Comrades - | 0:19:33 | 0:19:35 | |
as you know, to even gather like this today is illegal. | 0:19:35 | 0:19:39 | |
Chief Inspector Campbell has ordered that we are not allowed to assemble | 0:19:39 | 0:19:44 | |
in groups of more than three people. | 0:19:44 | 0:19:46 | |
So, to comply with the law, | 0:19:46 | 0:19:48 | |
please now clump together in groups of three. | 0:19:48 | 0:19:51 | |
LAUGHTER | 0:19:51 | 0:19:53 | |
WHISTLE BLOWS | 0:19:53 | 0:19:54 | |
You hear that, boys? | 0:19:54 | 0:19:56 | |
The same whistles they used to blow to send us over the top, | 0:19:56 | 0:19:59 | |
they now blow to try and break us up. | 0:19:59 | 0:20:02 | |
So before the Specials get here, | 0:20:02 | 0:20:04 | |
raise a hand, all those who want to strike... | 0:20:04 | 0:20:07 | |
THEY CHEER | 0:20:07 | 0:20:10 | |
Now disperse! Disperse and take the message home! | 0:20:10 | 0:20:15 | |
United, we will never be defeated! | 0:20:15 | 0:20:18 | |
APPLAUSE | 0:20:18 | 0:20:20 | |
Tommy! Oi, Tommy. | 0:20:28 | 0:20:30 | |
What the hell's been happening? | 0:20:30 | 0:20:33 | |
The police had just raided a rally at the factory. | 0:20:33 | 0:20:35 | |
You thinking Freddie Thorne's back? | 0:20:35 | 0:20:37 | |
I know he is. And he's with Ada. | 0:20:37 | 0:20:39 | |
How hard can it be to find the only girl in Birmingham | 0:20:39 | 0:20:42 | |
with four-inch heels, eh? | 0:20:42 | 0:20:43 | |
She's with the commies. | 0:20:43 | 0:20:45 | |
They have little rat holes all over the city. | 0:20:45 | 0:20:48 | |
I just want to know where she is. | 0:20:48 | 0:20:51 | |
Tommy, you'd best have a word with Arthur as well. | 0:20:51 | 0:20:53 | |
What's wrong with bloody Arthur? | 0:20:53 | 0:20:56 | |
He's got the Flanders blues again. | 0:20:56 | 0:20:58 | |
People keep asking me questions that I don't know the answer to. | 0:21:38 | 0:21:41 | |
"Is it true your Ada got married?" | 0:21:46 | 0:21:48 | |
I say, "I don't know." | 0:21:51 | 0:21:52 | |
"Where is she living now?" | 0:21:54 | 0:21:56 | |
"I don't know." | 0:21:58 | 0:21:59 | |
"Arthur... | 0:22:02 | 0:22:03 | |
"..who killed the Paddy from The Black Swan?" | 0:22:06 | 0:22:08 | |
I go, "What Paddy?" | 0:22:11 | 0:22:13 | |
They say... | 0:22:18 | 0:22:19 | |
.."Is it you, Peaky Blinders, who stole the guns from the BSA?" | 0:22:21 | 0:22:28 | |
What guns, Tommy? | 0:22:36 | 0:22:37 | |
Arthur, after your beating, I thought you needed a break... | 0:22:40 | 0:22:43 | |
What bloody guns, Tommy?! | 0:22:43 | 0:22:46 | |
-Arthur, I was going to tell you. -You were going to tell me. | 0:22:48 | 0:22:51 | |
Arthur, listen to me. | 0:22:51 | 0:22:53 | |
You've had a hard time these past few years. | 0:22:56 | 0:22:58 | |
God knows you have. | 0:22:58 | 0:22:59 | |
You deserve some rest. | 0:23:00 | 0:23:01 | |
We had some luck. Some bloody luck. | 0:23:04 | 0:23:08 | |
It fell off a wagon into our laps. | 0:23:09 | 0:23:12 | |
And all you need to know is, it's us that has the machine guns now. | 0:23:12 | 0:23:17 | |
And it's them that's in the mud. | 0:23:17 | 0:23:19 | |
All right? | 0:23:21 | 0:23:22 | |
Come on. I have a surprise for you. | 0:23:30 | 0:23:34 | |
Come on. | 0:23:35 | 0:23:36 | |
MUSIC: "When I Hear My Name" by The White Stripes | 0:23:36 | 0:23:39 | |
# When I hear my name | 0:23:41 | 0:23:42 | |
# I want to disappear | 0:23:44 | 0:23:45 | |
# Whoa | 0:23:47 | 0:23:48 | |
# Whoa | 0:23:50 | 0:23:51 | |
# Whoa. # | 0:23:53 | 0:23:55 | |
A surprise? Where is she? | 0:24:00 | 0:24:02 | |
What is it you've always wanted, Arthur? Eh? | 0:24:05 | 0:24:10 | |
When we were in France, you used to say, | 0:24:10 | 0:24:13 | |
"When I get back to England, I want to own my own pub." | 0:24:13 | 0:24:17 | |
Well... | 0:24:19 | 0:24:20 | |
You've gone soft. You've gone soft, Tommy. | 0:24:25 | 0:24:28 | |
How do we know it's for sale? | 0:24:31 | 0:24:33 | |
Everything's for sale to us, Arthur. | 0:24:33 | 0:24:37 | |
We're making a lot of money these days. | 0:24:37 | 0:24:40 | |
We need a legitimate business to pass the money from the shop. | 0:24:40 | 0:24:43 | |
I wouldn't know what to do. | 0:24:45 | 0:24:46 | |
You've spent two-thirds of your life in pubs. | 0:24:47 | 0:24:50 | |
Just pour it instead of drinking it. | 0:24:50 | 0:24:53 | |
But I can still drink it, right? | 0:24:54 | 0:24:56 | |
Your pub - you do what you want. | 0:24:56 | 0:24:58 | |
Ah - sorry, gentlemen, I didn't hear you come in. | 0:25:02 | 0:25:07 | |
What can I get you? | 0:25:07 | 0:25:08 | |
# When I hear my name | 0:25:10 | 0:25:12 | |
# I want to disappear | 0:25:13 | 0:25:16 | |
# Whoa. # | 0:25:16 | 0:25:18 | |
Bloody kids. | 0:25:28 | 0:25:30 | |
The other one's punctured as well. | 0:25:30 | 0:25:32 | |
Mr Campbell wants an explanation. | 0:25:34 | 0:25:37 | |
Today, some rabble-rouser Union man brought the BSA out on strike. | 0:25:37 | 0:25:42 | |
It was Freddie Thorne. | 0:25:44 | 0:25:45 | |
I thought you promised he wouldn't come back. | 0:25:47 | 0:25:49 | |
I know he's in town. I'm dealing with it. | 0:25:49 | 0:25:52 | |
Inspector Campbell thought you controlled your territories. | 0:25:52 | 0:25:55 | |
Yeah. | 0:25:55 | 0:25:57 | |
I said I'm dealing with it. | 0:25:58 | 0:26:00 | |
I heard that, er... | 0:26:02 | 0:26:03 | |
..Freddie married your sister. | 0:26:05 | 0:26:07 | |
Some family you've got, eh? | 0:26:07 | 0:26:09 | |
Bet you can't wait for Christmas. | 0:26:09 | 0:26:11 | |
Deliver Freddie Thorne to us | 0:26:14 | 0:26:16 | |
or we'll take your sister in as an accomplice. | 0:26:16 | 0:26:19 | |
She'll get four years for sedition. | 0:26:19 | 0:26:21 | |
Or you can turn him in and your sister goes free. | 0:26:24 | 0:26:27 | |
I'll say good night then, Tom. | 0:26:35 | 0:26:37 | |
Have you seen Freddie Thorne? | 0:27:04 | 0:27:06 | |
-No. -Or Tommy? Ahh! | 0:27:06 | 0:27:08 | |
-I have to find Freddie. -Drink this first. | 0:27:24 | 0:27:26 | |
No, I have to find them, I think they are going to kill each other. | 0:27:26 | 0:27:29 | |
Who is going to kill who? | 0:27:29 | 0:27:30 | |
We need to talk. | 0:27:32 | 0:27:34 | |
What exactly is it that you want, Freddie? | 0:27:41 | 0:27:43 | |
I came to tell you... | 0:27:44 | 0:27:45 | |
..that's not going to work, Tommy. | 0:27:49 | 0:27:51 | |
Polly came round. She gave me that. | 0:27:53 | 0:27:57 | |
Well, Polly must have had a rush of blood. | 0:27:59 | 0:28:03 | |
Or port wine. | 0:28:03 | 0:28:04 | |
Your honesty is appreciated. | 0:28:06 | 0:28:07 | |
Now, if you're not going to use that thing... | 0:28:07 | 0:28:09 | |
I'm not finished. Sit down. | 0:28:09 | 0:28:11 | |
Sit down. Sit. | 0:28:13 | 0:28:14 | |
Talk to me about the guns. | 0:28:20 | 0:28:21 | |
Do you remember we used to jump in here, | 0:28:24 | 0:28:26 | |
-see who could swim the fastest...? -I'm here to talk business, Tommy. | 0:28:26 | 0:28:29 | |
Do you reckon we could still do it? | 0:28:32 | 0:28:34 | |
Ah! | 0:28:38 | 0:28:39 | |
You loaded Ada with your bastard because she's a Shelby. | 0:28:49 | 0:28:53 | |
You thought it'd mean you'd be somebody. | 0:28:54 | 0:28:56 | |
I won't let you fuck up my sister's life for your cause. | 0:28:58 | 0:29:01 | |
My God. | 0:29:06 | 0:29:07 | |
You actually believe that. | 0:29:12 | 0:29:14 | |
I love her, Tommy. | 0:29:21 | 0:29:22 | |
I've loved her since she was nine and I was 12. | 0:29:24 | 0:29:27 | |
And she loves me the same. | 0:29:29 | 0:29:31 | |
You even know the word? | 0:29:39 | 0:29:40 | |
This marriage will not stand. | 0:29:44 | 0:29:46 | |
Shh... | 0:29:56 | 0:29:58 | |
Freddie didn't want your money. | 0:30:18 | 0:30:21 | |
And now the coppers are saying if we don't turn Freddie in, | 0:30:22 | 0:30:26 | |
they'll put Ada on the arrest warrant as well. | 0:30:26 | 0:30:28 | |
That's where your compassion gets you, Poll. | 0:30:28 | 0:30:31 | |
From now on, we do it my way. | 0:30:31 | 0:30:36 | |
Or what? | 0:30:36 | 0:30:37 | |
Ready? | 0:31:16 | 0:31:17 | |
They're getting closer. | 0:31:18 | 0:31:19 | |
-I'll lead. -Watch yourself, Danny. -Tommy. | 0:31:24 | 0:31:27 | |
Be careful, Danny. | 0:31:35 | 0:31:37 | |
SOUNDS OF DIGGING | 0:31:41 | 0:31:43 | |
SOMEONE WHISPERS IN GERMAN | 0:31:50 | 0:31:52 | |
Tommy! | 0:32:06 | 0:32:07 | |
Tommy! | 0:32:08 | 0:32:10 | |
Aargh! | 0:32:11 | 0:32:13 | |
MUFFLED SCREAMING | 0:32:13 | 0:32:16 | |
Arrrggghhh! | 0:32:16 | 0:32:18 | |
Arrrggghhh! | 0:32:20 | 0:32:23 | |
Tommy! | 0:32:23 | 0:32:24 | |
KNOCKING ON DOOR | 0:32:24 | 0:32:25 | |
Tommy? | 0:32:25 | 0:32:27 | |
Tommy! | 0:32:28 | 0:32:29 | |
Tommy? | 0:32:30 | 0:32:31 | |
It's open. | 0:32:38 | 0:32:39 | |
Private Whizz Bang reporting, sir. | 0:32:45 | 0:32:48 | |
At ease. | 0:32:48 | 0:32:49 | |
So, what news from London? | 0:33:04 | 0:33:07 | |
I was in a pub - it was called Mother Redcap. | 0:33:07 | 0:33:10 | |
An Irish pub. | 0:33:10 | 0:33:11 | |
I got talking to some old bloke about Birmingham. | 0:33:13 | 0:33:15 | |
He said there's been trouble. An IRA man shot. | 0:33:16 | 0:33:19 | |
He said a lot, but the only bit I heard...was that their high command | 0:33:21 | 0:33:24 | |
think it's the Peaky Blinders who shot him. | 0:33:24 | 0:33:26 | |
Came up on the next boat to warn you. | 0:33:28 | 0:33:30 | |
Is it true? | 0:33:32 | 0:33:34 | |
No. | 0:33:34 | 0:33:35 | |
But lies travel faster than the truth. | 0:33:37 | 0:33:39 | |
Get a message to them. | 0:33:42 | 0:33:43 | |
Tell them to send someone to parley. | 0:33:44 | 0:33:47 | |
Tell them there's been a misunderstanding | 0:33:47 | 0:33:49 | |
and we don't want any trouble. | 0:33:49 | 0:33:50 | |
You've got enough trouble - right, Tommy? | 0:33:53 | 0:33:56 | |
A whisky and a smoke. | 0:33:58 | 0:34:00 | |
I can smell it in the air. | 0:34:06 | 0:34:07 | |
I use it sometimes myself. | 0:34:11 | 0:34:12 | |
I call it "my sweetheart". | 0:34:14 | 0:34:15 | |
They gave us the worst job, Tommy. | 0:34:19 | 0:34:21 | |
Yeah... | 0:34:22 | 0:34:23 | |
..and we fucking volunteered. | 0:34:25 | 0:34:26 | |
Sometimes, it lasts all night. | 0:34:41 | 0:34:43 | |
I lie here and I listen to the shovels and the picks | 0:34:46 | 0:34:53 | |
against that wall there. | 0:34:53 | 0:34:54 | |
And I pray the sun will come up at the curtains | 0:34:59 | 0:35:02 | |
before they break through. | 0:35:02 | 0:35:04 | |
'No, I don't pray - I hope. | 0:35:06 | 0:35:08 | |
'And sometimes, it happens. | 0:35:11 | 0:35:13 | |
'The sun beats them. | 0:35:13 | 0:35:15 | |
'But mostly... | 0:35:17 | 0:35:18 | |
'..the shovels beat the sun.' | 0:35:21 | 0:35:23 | |
SOUNDS OF DIGGING ECHO | 0:35:23 | 0:35:26 | |
MUSIC: "Abattoir Blues" by Nick Cave and The Bad Seeds | 0:35:36 | 0:35:39 | |
# Sun is high up in the sky And I'm in my car | 0:35:48 | 0:35:53 | |
# Drifting down into the abattoir | 0:35:55 | 0:35:59 | |
# Do you see what I see, dear? | 0:36:00 | 0:36:02 | |
# The air grows heavy | 0:36:04 | 0:36:06 | |
# I listen to your breath | 0:36:06 | 0:36:08 | |
# Entwined together In this culture of death | 0:36:09 | 0:36:15 | |
# Do you see what I see, dear? | 0:36:15 | 0:36:17 | |
# Slide on over here Let me give you a squeeze... # | 0:36:19 | 0:36:23 | |
HE SOBS | 0:36:27 | 0:36:30 | |
# Can you hear what I hear, babe? | 0:36:30 | 0:36:33 | |
# Does it make you feel afraid? | 0:36:34 | 0:36:38 | |
# Abattoir blues... # | 0:36:40 | 0:36:43 | |
Your sister was here. | 0:36:44 | 0:36:46 | |
She was worried. You and Freddie. | 0:36:51 | 0:36:52 | |
It had made her sick... | 0:36:54 | 0:36:55 | |
She's all right, but in her condition, | 0:36:57 | 0:36:59 | |
she needs peace. | 0:36:59 | 0:37:00 | |
Women talk. | 0:37:02 | 0:37:03 | |
That is something they do. | 0:37:03 | 0:37:05 | |
She talked about you. | 0:37:07 | 0:37:08 | |
She said you keep everything locked up. | 0:37:11 | 0:37:13 | |
Well, that's what men do. | 0:37:14 | 0:37:16 | |
Your sister's nice. I like her. | 0:37:18 | 0:37:20 | |
It can't be easy for her. | 0:37:20 | 0:37:22 | |
Her brother and her husband, fighting over the same thing. | 0:37:22 | 0:37:25 | |
Men should talk, too. | 0:37:30 | 0:37:31 | |
To you? | 0:37:33 | 0:37:34 | |
Why not? I'm a barmaid. It's my job. | 0:37:37 | 0:37:41 | |
Men always tell their troubles to a barmaid. | 0:37:41 | 0:37:44 | |
What is it you and Freddie are fighting over? | 0:37:45 | 0:37:48 | |
I'll meet you here at nine o'clock tomorrow morning. | 0:38:01 | 0:38:04 | |
Did you buy a dress? | 0:38:07 | 0:38:08 | |
Yes. I bought a dress. | 0:38:10 | 0:38:11 | |
How does it look? | 0:38:12 | 0:38:14 | |
He's changed the oil and greased her up. | 0:39:32 | 0:39:34 | |
So will it get me all the way to Cheltenham, Curly? | 0:39:35 | 0:39:38 | |
He's good with motors, but it pains him. | 0:39:38 | 0:39:40 | |
No heart in motorcars. I can't talk with them. | 0:39:40 | 0:39:43 | |
Yeah - Tommy might need to make a fast getaway. | 0:39:43 | 0:39:46 | |
The Lees will be all over the track. | 0:39:46 | 0:39:48 | |
And Kimber's men. And his coppers. | 0:39:48 | 0:39:51 | |
They control the law down there, Tommy. | 0:39:51 | 0:39:53 | |
Give her a turn for me, Charlie. | 0:39:53 | 0:39:55 | |
This car only seats four. | 0:40:02 | 0:40:04 | |
You'll need more men than that if you're to come back alive. | 0:40:04 | 0:40:06 | |
It'll be just me and a girl. | 0:40:06 | 0:40:08 | |
Is it just the two of us going to the races? | 0:40:18 | 0:40:20 | |
Something like that. | 0:40:20 | 0:40:21 | |
MUSIC: "St James Infirmary" by The White Stripes | 0:40:21 | 0:40:24 | |
# Well, folks, I'm goin' down To St James Infirmary | 0:40:32 | 0:40:36 | |
# See my little baby there | 0:40:36 | 0:40:40 | |
# She's stretched On a long, white table | 0:40:40 | 0:40:43 | |
# Well, she looks so good So cold, so fair... # | 0:40:43 | 0:40:47 | |
Attention! | 0:40:56 | 0:40:58 | |
Right. | 0:40:58 | 0:40:59 | |
This is what was known as the final briefing before going over the top. | 0:41:00 | 0:41:05 | |
60 miles down that road is Cheltenham racetrack. | 0:41:05 | 0:41:07 | |
Johnny, what's our mission, boy? | 0:41:07 | 0:41:10 | |
To stick it to the Lee family, Arthur. | 0:41:10 | 0:41:13 | |
That's right. The Lees are skimming money off legal bookies. | 0:41:13 | 0:41:18 | |
Running chalk, selling rafflers, beating up them as won't buy. | 0:41:18 | 0:41:23 | |
But today, we're going to stop them. | 0:41:23 | 0:41:26 | |
What about Kimber's men? I thought he had his own protection. | 0:41:26 | 0:41:29 | |
Kimber's let his troops go rotten. | 0:41:29 | 0:41:31 | |
They're on the take from the Lees to look the other way. | 0:41:33 | 0:41:36 | |
We are going to show Kimber how it should be done. | 0:41:37 | 0:41:39 | |
Now take what you're good at. | 0:41:39 | 0:41:41 | |
Those of you with guns, keep them out of it, | 0:41:41 | 0:41:44 | |
unless a gun is pulled on you. | 0:41:44 | 0:41:45 | |
We want this done quietly. | 0:41:45 | 0:41:47 | |
So when do we share out the cash? | 0:41:50 | 0:41:52 | |
We don't. We're not keeping the cash. | 0:41:52 | 0:41:55 | |
You're in Tommy's army now, boys. | 0:41:55 | 0:41:58 | |
Trust only kin. | 0:41:58 | 0:42:00 | |
Let's go. | 0:42:02 | 0:42:03 | |
Are you sure we're allowed in here? | 0:42:23 | 0:42:25 | |
Well, I prefer to come to the races the back way. | 0:42:25 | 0:42:28 | |
It keeps me out of trouble. Tracks are lawless places. | 0:42:28 | 0:42:33 | |
I can't stand petty criminals. This way. | 0:42:33 | 0:42:35 | |
-Will we get to lay a bet? -No - gambling is for mugs. | 0:42:35 | 0:42:39 | |
This way... | 0:42:39 | 0:42:40 | |
You're lucky you're with me | 0:42:40 | 0:42:42 | |
or you'd be wasting your money on fixed races. | 0:42:42 | 0:42:45 | |
I always wondered, how do you fix a race? | 0:42:45 | 0:42:47 | |
How should I know? | 0:42:47 | 0:42:48 | |
-OK, you do the talking. -What? | 0:42:51 | 0:42:54 | |
Tell security you are Lady Sarah Duggan... | 0:42:54 | 0:42:57 | |
Excuse us, excuse us... | 0:42:57 | 0:43:00 | |
..Lady Sarah Duggan of Connemara. | 0:43:00 | 0:43:02 | |
You got lost when you went to look for the boy | 0:43:02 | 0:43:04 | |
riding your horse - Dandy Flower. | 0:43:04 | 0:43:06 | |
If they ask about me, say I'm Prussian | 0:43:06 | 0:43:08 | |
and don't speak a word of English. | 0:43:08 | 0:43:10 | |
Come on, posh girl. Earn your three quid. | 0:43:11 | 0:43:13 | |
JAZZ MUSIC PLAYS | 0:43:19 | 0:43:22 | |
I still prefer the Garrison. | 0:43:44 | 0:43:45 | |
Do you dance? | 0:43:49 | 0:43:50 | |
If I'm asked properly. | 0:43:52 | 0:43:53 | |
Lady Sarah of Connemara, will you dance with me? | 0:43:56 | 0:43:59 | |
Roberts. The Peaky Blinders are here. | 0:44:58 | 0:45:01 | |
I told you, Mr Kimber. He's got some balls, that one. | 0:45:02 | 0:45:05 | |
And she's got some body, that one. | 0:45:05 | 0:45:07 | |
Chalk for your blackboards. | 0:45:20 | 0:45:22 | |
Five pounds a stick. | 0:45:22 | 0:45:24 | |
It's a pleasure doing business with you. | 0:45:28 | 0:45:31 | |
Hello, Raz. How's business? | 0:45:35 | 0:45:37 | |
Argh! Ugh! | 0:45:37 | 0:45:39 | |
RAZ GRUNTS IN PAIN | 0:45:40 | 0:45:43 | |
Fucking...get up! | 0:45:43 | 0:45:45 | |
Fucking... | 0:45:45 | 0:45:46 | |
ARRGGHH! | 0:45:51 | 0:45:53 | |
Stay still, Raz, or I'll take the whole ear off. | 0:45:55 | 0:45:58 | |
And you're going to need your ears to listen. | 0:45:58 | 0:46:00 | |
No more chalking on Billy Kimber's boys. | 0:46:00 | 0:46:04 | |
Right? | 0:46:04 | 0:46:05 | |
We're the protection now. | 0:46:06 | 0:46:08 | |
I commandeer this stolen money by order of the Peaky Blinders. | 0:46:11 | 0:46:17 | |
Agghh! | 0:46:17 | 0:46:19 | |
Either your left leg is stronger than your right | 0:46:44 | 0:46:46 | |
or we're making a getaway. | 0:46:46 | 0:46:48 | |
-Neither. -I hope this doesn't involve razor blades. | 0:46:48 | 0:46:52 | |
I've decided to move up in the world. | 0:46:52 | 0:46:54 | |
Become a legitimate businessman. | 0:46:54 | 0:46:56 | |
-My gosh. You're serious. -I'm always serious. | 0:46:56 | 0:46:59 | |
We chased the Lees across the track, right the way down the Devon road. | 0:47:02 | 0:47:05 | |
We got every penny back. | 0:47:05 | 0:47:07 | |
Nice dress. You can wear that to my pub. | 0:47:08 | 0:47:11 | |
Buy the boys a drink. Anybody hurt? | 0:47:11 | 0:47:14 | |
A few cuts and bruises. | 0:47:14 | 0:47:15 | |
Off we go, Lady Sarah. | 0:47:16 | 0:47:18 | |
-Steady on... -Excuse me. | 0:47:25 | 0:47:27 | |
Your money, Mr Kimber. | 0:47:35 | 0:47:37 | |
Rescued from the Lee brothers | 0:47:38 | 0:47:41 | |
and returned to you with a request for a fair hearing. | 0:47:41 | 0:47:45 | |
Your own protection is failing, Mr Kimber. | 0:47:46 | 0:47:48 | |
Your boys are taking cuts. | 0:47:48 | 0:47:50 | |
I want to suggest that from now on, | 0:47:52 | 0:47:54 | |
you contract out your racetrack security to the Peaky Blinders. | 0:47:54 | 0:47:58 | |
We would be saving you a lot of money, Mr Kimber. | 0:47:59 | 0:48:02 | |
A lot of money. | 0:48:02 | 0:48:04 | |
In return, you give us... | 0:48:04 | 0:48:05 | |
..5% of the take | 0:48:07 | 0:48:09 | |
and three legal betting pitches | 0:48:09 | 0:48:12 | |
at every race meeting north of the River Severn, | 0:48:12 | 0:48:14 | |
rising to six after one year | 0:48:14 | 0:48:16 | |
if we are all satisfied with the service. | 0:48:16 | 0:48:19 | |
What do you say, Mr Kimber? | 0:48:21 | 0:48:22 | |
I say you talk business to my accountant. | 0:48:27 | 0:48:30 | |
I want to dance. | 0:48:30 | 0:48:31 | |
Your man said it was all right for me to have this dance. | 0:48:43 | 0:48:46 | |
How many men can you put in the field at one time? | 0:49:09 | 0:49:12 | |
There's a lot of men out of work at the moment. | 0:49:12 | 0:49:14 | |
-Two guards for every bookie. -At every meeting? | 0:49:14 | 0:49:17 | |
We have contacts with good people among the gypsies. | 0:49:19 | 0:49:23 | |
We'll always know where the Lees plan to attack. | 0:49:23 | 0:49:26 | |
With all the strikes and troubles, you can't depend on the police. | 0:49:26 | 0:49:30 | |
Anyway...we're more honest. | 0:49:30 | 0:49:33 | |
Looks like you two are making a deal. | 0:49:34 | 0:49:36 | |
We are making progress. | 0:49:36 | 0:49:38 | |
Then let me throw a small condition into the mix. | 0:49:40 | 0:49:43 | |
So, listen...we're going to go for dinner at Kimber's house. | 0:49:59 | 0:50:03 | |
He has a place a couple of miles away. | 0:50:03 | 0:50:06 | |
I have some business to settle first with his accountant, so... | 0:50:06 | 0:50:09 | |
You go on ahead, with Kimber. | 0:50:09 | 0:50:11 | |
Just me and him? | 0:50:12 | 0:50:14 | |
Yeah...until I'm done here. Is that all right? | 0:50:14 | 0:50:18 | |
I'll throw in an extra three quid for your extra time. | 0:50:21 | 0:50:24 | |
You think I'm a whore? | 0:50:26 | 0:50:28 | |
Everybody's a whore, Grace. | 0:50:30 | 0:50:33 | |
We just sell different parts of ourselves. | 0:50:33 | 0:50:35 | |
You said you wanted to work for me. | 0:50:35 | 0:50:37 | |
To do that, you have to sharpen up. | 0:50:37 | 0:50:39 | |
The deal is I give him two hours with you. | 0:50:39 | 0:50:42 | |
He thinks he's a ladies' man. He thinks he can seduce you. | 0:50:42 | 0:50:45 | |
Whenever you want, just kick him in the balls. | 0:50:45 | 0:50:48 | |
I'm a clause in a contract. | 0:50:48 | 0:50:50 | |
If you want to be part of my organisation, | 0:50:50 | 0:50:52 | |
you have to make sacrifices. | 0:50:52 | 0:50:54 | |
Do we have a deal? | 0:50:57 | 0:50:59 | |
As a sweetener, you can try your luck with mine. | 0:50:59 | 0:51:01 | |
-Yes, we have a deal. -Two hours? -Yeah. | 0:51:03 | 0:51:06 | |
Side bet. Ten pounds says I'll have her fucked in one. | 0:51:06 | 0:51:09 | |
Mademoiselle. | 0:51:11 | 0:51:12 | |
I bet he said you could have me, didn't he? | 0:51:23 | 0:51:25 | |
While he has her. | 0:51:27 | 0:51:29 | |
That's the arrangement, isn't it? | 0:51:29 | 0:51:31 | |
Yours might be a prostitute, | 0:51:34 | 0:51:36 | |
but I'm not. | 0:51:36 | 0:51:37 | |
I was a milliner when I met him. | 0:51:38 | 0:51:40 | |
I was independent. | 0:51:41 | 0:51:43 | |
I made this hat. | 0:51:46 | 0:51:47 | |
I was a good milliner. | 0:51:49 | 0:51:50 | |
It's a very pretty hat. | 0:51:51 | 0:51:53 | |
It really is. | 0:51:55 | 0:51:56 | |
So is she a prostitute? | 0:52:07 | 0:52:08 | |
God's honest truth? | 0:52:10 | 0:52:13 | |
I don't know what she is. | 0:52:13 | 0:52:14 | |
You showed me up back there at the races. | 0:52:23 | 0:52:26 | |
Why don't you teach me how to dance properly? | 0:52:29 | 0:52:32 | |
The music is too slow. Put on a Charleston. | 0:52:33 | 0:52:36 | |
Then we'd be far away. I want to dance like this. | 0:52:36 | 0:52:39 | |
Come on. You weren't so stiff back there, were you? | 0:52:41 | 0:52:43 | |
You ever been in a house this big? | 0:52:45 | 0:52:47 | |
Hm? | 0:52:48 | 0:52:50 | |
Look at you. | 0:52:51 | 0:52:52 | |
You look like a bloody film star. | 0:52:55 | 0:52:58 | |
I want a cigarette. | 0:53:02 | 0:53:03 | |
Oh, look, I dropped something. Pick it up. | 0:53:15 | 0:53:18 | |
Pick it up yourself. | 0:53:18 | 0:53:19 | |
You're a fucking barmaid. | 0:53:19 | 0:53:20 | |
If I drop a glass on the floor, you pick it up. | 0:53:20 | 0:53:23 | |
I want to watch you pick it up. | 0:53:23 | 0:53:25 | |
Right, you little slag. I have tried to be nice. | 0:53:29 | 0:53:33 | |
If I drop a glass on the floor, | 0:53:34 | 0:53:38 | |
you bend over and fucking pick up the fucking glass, OK? | 0:53:38 | 0:53:42 | |
-What?! -No, sir...no. | 0:53:42 | 0:53:44 | |
What are you doing here? I've got another hour. | 0:53:44 | 0:53:47 | |
Just wait - listen to me. Just listen to me. | 0:53:47 | 0:53:51 | |
I was going to let you go through with it, but in the end, | 0:53:51 | 0:53:54 | |
my conscience got the better of me. | 0:53:54 | 0:53:56 | |
She looks good on the outside... | 0:53:56 | 0:53:57 | |
..but she has the clap. | 0:54:00 | 0:54:01 | |
Yeah. Syphilis. | 0:54:04 | 0:54:06 | |
When you took a shine to her, I thought I'd use her. | 0:54:07 | 0:54:09 | |
Somebody told me she had syph and I thought, "What the hell?" | 0:54:09 | 0:54:12 | |
Call it my better nature. | 0:54:15 | 0:54:16 | |
She's...she's a whore. | 0:54:18 | 0:54:19 | |
-Just go and wait in the car. -I can walk on my own! | 0:54:25 | 0:54:28 | |
Can we shake hands and forget this ever happened? | 0:54:33 | 0:54:35 | |
Start of the day, I was Lady Sarah of Connemara. | 0:55:00 | 0:55:02 | |
By the end, I was a whore with the clap. | 0:55:04 | 0:55:07 | |
You're a fucking bastard, offering me like that. | 0:55:09 | 0:55:12 | |
But then you changed your mind. | 0:55:18 | 0:55:19 | |
Why did you change your mind, Thomas? | 0:55:24 | 0:55:26 | |
# Take a little walk To the edge of town | 0:55:48 | 0:55:51 | |
# And go across the tracks | 0:55:51 | 0:55:53 | |
# Where the viaduct looms Like a bird of doom | 0:55:55 | 0:56:00 | |
# As it shifts and cracks... # | 0:56:00 | 0:56:04 | |
Subtitles by Red Bee Media Ltd | 0:56:04 | 0:56:07 |