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This programme contains strong language. | 0:00:02 | 0:00:09 | |
-I'll tell you where to find the guns. -What shall I do? -Find out where the guns are hidden. | 0:00:09 | 0:00:12 | |
Raise a hand if you want to strike! CHEERING | 0:00:12 | 0:00:16 | |
Freddie Thorne is at the very top of my list. | 0:00:16 | 0:00:18 | |
Well, cross him off. I'll make him part of our deal. | 0:00:18 | 0:00:21 | |
To hell with them. | 0:00:21 | 0:00:23 | |
The more they try to stop us, the madder I'll be. | 0:00:23 | 0:00:26 | |
Times like these, a communist in the family is bad for business. | 0:00:26 | 0:00:29 | |
You have to leave the city. | 0:00:29 | 0:00:30 | |
You are also at war with the Lees, Mr Kimber, am I right? | 0:00:33 | 0:00:36 | |
Together we can beat them. Divided, maybe not. | 0:00:36 | 0:00:39 | |
SHOUTING | 0:00:39 | 0:00:42 | |
MUSIC: "Red Right Hand" by Nick Cave and The Bad Seeds | 0:00:46 | 0:00:48 | |
God, he's getting big now. | 0:01:00 | 0:01:02 | |
-Do you still love me even though I am fat? -No. -Not at all? | 0:01:03 | 0:01:06 | |
You married me, now you're stuck with me. | 0:01:09 | 0:01:10 | |
# Where the viaduct looms | 0:01:10 | 0:01:12 | |
# Like a bird of doom | 0:01:12 | 0:01:15 | |
# As it shifts and cracks | 0:01:15 | 0:01:17 | |
# Where secrets lie in the border fires | 0:01:19 | 0:01:23 | |
# In the humming wires... # | 0:01:23 | 0:01:25 | |
So, how was London? | 0:01:25 | 0:01:27 | |
It's crackling with revolution. | 0:01:27 | 0:01:29 | |
The Poplar docks are on strike. | 0:01:29 | 0:01:32 | |
Did our friends give us what we asked for? | 0:01:32 | 0:01:34 | |
-How much? -£200. | 0:01:37 | 0:01:39 | |
Who did you meet? | 0:01:39 | 0:01:41 | |
An attache from the Russian embassy. | 0:01:41 | 0:01:44 | |
In a Chinese restaurant. | 0:01:44 | 0:01:45 | |
Our revolution is international. | 0:01:46 | 0:01:49 | |
And it grows by the day. | 0:01:49 | 0:01:50 | |
Jeremiah, Jeremiah... What do you see? | 0:02:06 | 0:02:09 | |
Your sister and Freddie got back this morning. | 0:02:09 | 0:02:12 | |
I tried following them... | 0:02:12 | 0:02:14 | |
but Freddie's so good at getting away. | 0:02:14 | 0:02:16 | |
He's like a fish. | 0:02:16 | 0:02:18 | |
Right, well, keep fishing, eh? | 0:02:18 | 0:02:20 | |
Last bets now! Don't spend your rent money, Charlie! | 0:02:47 | 0:02:49 | |
That's your starters, gentlemen. | 0:02:51 | 0:02:53 | |
No more bets. | 0:02:53 | 0:02:55 | |
-I was here on time. -Finished. | 0:02:57 | 0:02:59 | |
I've had a tip-off, I need this bet. | 0:02:59 | 0:03:00 | |
-The race has started. -Please. | 0:03:00 | 0:03:02 | |
No! | 0:03:02 | 0:03:04 | |
Fine. | 0:03:04 | 0:03:05 | |
Get rid of him. | 0:03:05 | 0:03:07 | |
-We said, "no", now get out! -All right. All right, I'm off. I'm off. | 0:03:07 | 0:03:11 | |
Night, lads. See you tomorrow. | 0:03:27 | 0:03:29 | |
It's a good day. | 0:03:50 | 0:03:51 | |
Where's John? | 0:03:51 | 0:03:53 | |
John is in the Garrison. | 0:03:53 | 0:03:54 | |
He says he wants a meeting about a family matter. | 0:03:54 | 0:03:57 | |
After he's said his piece | 0:03:58 | 0:04:00 | |
he'll come back and take his place with Scudboat. | 0:04:00 | 0:04:03 | |
-Scudboat? John will be here in ten minutes. -All right. -Five. | 0:04:03 | 0:04:07 | |
Wait. | 0:04:36 | 0:04:37 | |
Good boy. | 0:04:45 | 0:04:46 | |
John? | 0:05:04 | 0:05:05 | |
SCREAMING | 0:05:14 | 0:05:16 | |
Put that down! Put that down! | 0:05:16 | 0:05:18 | |
This is for Cheltenham. | 0:05:20 | 0:05:22 | |
We're just taking back what's ours. | 0:05:22 | 0:05:25 | |
There's money here. Search everywhere. | 0:05:25 | 0:05:27 | |
All right, John. There's only one right... No. | 0:05:34 | 0:05:36 | |
There's only one man guarding the house. | 0:05:36 | 0:05:39 | |
What's troubling you? | 0:05:39 | 0:05:40 | |
Polly, you know what it's been like since Martha died. | 0:05:42 | 0:05:46 | |
God takes the best first. | 0:05:46 | 0:05:48 | |
The truth is, my kids have been running bloody rings around me. | 0:05:48 | 0:05:52 | |
Running barefoot with the dogs until all hours. | 0:05:54 | 0:05:56 | |
Pol, give him ten bob, some shoes. Is that it, John? | 0:05:58 | 0:06:01 | |
Tommy, we'd be better doing this without you. | 0:06:01 | 0:06:03 | |
Now, what's your point? | 0:06:05 | 0:06:06 | |
What the kids need is a mother. | 0:06:08 | 0:06:11 | |
So, that's why I'm getting married. | 0:06:14 | 0:06:16 | |
Does this poor girl know you're going to marry her | 0:06:18 | 0:06:20 | |
or are you going to spring it on her all of a sudden? | 0:06:20 | 0:06:23 | |
I've already proposed and she said "yes". | 0:06:23 | 0:06:26 | |
I think there's a shell about to land and go bang. | 0:06:26 | 0:06:29 | |
It's, er... It's Lizzie Stark. | 0:06:33 | 0:06:35 | |
THEY CHUCKLE | 0:06:35 | 0:06:37 | |
John, Lizzie Stark's a strong woman | 0:06:40 | 0:06:43 | |
and I am sure she provides a fine service for her customers. | 0:06:43 | 0:06:46 | |
I WON'T hear the word. | 0:06:46 | 0:06:48 | |
Understand? Do not use that word. | 0:06:48 | 0:06:51 | |
What word is that, John? | 0:06:51 | 0:06:53 | |
You know what word that is. | 0:06:54 | 0:06:55 | |
Everybody bloody knows... | 0:06:55 | 0:06:57 | |
Everybody can go to hell... | 0:06:57 | 0:07:00 | |
"Whore"? That word? Or "prostitute"? | 0:07:00 | 0:07:02 | |
How about that one? | 0:07:02 | 0:07:04 | |
Right, I want it known... | 0:07:04 | 0:07:07 | |
if anyone calls her a "whore" again, | 0:07:07 | 0:07:09 | |
I will push the barrel of my revolver | 0:07:09 | 0:07:12 | |
down their throats and blow the word back down into their hearts. | 0:07:12 | 0:07:15 | |
Men and their cocks never cease to amaze me. | 0:07:15 | 0:07:19 | |
John, Lizzie Stark never did a day's work vertical. | 0:07:19 | 0:07:22 | |
She's changed. All right. People change. | 0:07:22 | 0:07:25 | |
Like wi-wi-with religion. | 0:07:25 | 0:07:28 | |
Oh, Lizzie Stark has got religion, eh? | 0:07:28 | 0:07:30 | |
No, no, she doesn't have religion. But... | 0:07:30 | 0:07:34 | |
Well, she loves me. | 0:07:34 | 0:07:36 | |
Now, listen, Tommy. I won't do it without your blessing. | 0:07:36 | 0:07:40 | |
But of all the people in the world... | 0:07:42 | 0:07:44 | |
..I want you to see it... | 0:07:45 | 0:07:47 | |
..as brave. | 0:07:49 | 0:07:50 | |
It's brave all right. | 0:07:50 | 0:07:51 | |
"Brave" is going where no man has gone before. | 0:07:51 | 0:07:54 | |
With Lizzy Stark, John, that is REALLY not what you'll be doing. | 0:07:54 | 0:07:59 | |
Listen, Tommy. Welcome her to the family. | 0:07:59 | 0:08:01 | |
As someone who's had a hard life. | 0:08:02 | 0:08:04 | |
All right? Because, I need someone. | 0:08:06 | 0:08:07 | |
All right, the kids need someone. | 0:08:10 | 0:08:13 | |
-CHILD: -Tommy! We've been done over! | 0:08:13 | 0:08:15 | |
What? | 0:08:15 | 0:08:16 | |
Jesus Christ. | 0:08:22 | 0:08:23 | |
What the bloody hell happened here? | 0:08:23 | 0:08:26 | |
The Lees. All of them. | 0:08:26 | 0:08:28 | |
Cousins, nephews, even the bastards. | 0:08:29 | 0:08:32 | |
They've taken anything they can lay their hands on. | 0:08:33 | 0:08:36 | |
Four cash boxes. | 0:08:38 | 0:08:39 | |
They left these.... | 0:08:41 | 0:08:42 | |
Wire cutters. Why would they leave wire cutters? | 0:08:42 | 0:08:45 | |
Nobody move. | 0:08:45 | 0:08:46 | |
I think our friends are playing the game. | 0:08:49 | 0:08:51 | |
-What game? -Aunt Pol. Don't touch anything. | 0:08:51 | 0:08:55 | |
Erasmus Lee was in France. | 0:08:57 | 0:08:59 | |
Shit. | 0:09:00 | 0:09:01 | |
When we gave up ground to the Germans... | 0:09:06 | 0:09:08 | |
..we'd leave behind booby traps, set up with wires. | 0:09:10 | 0:09:13 | |
And we'd leave wire cutters as part of the joke. | 0:09:14 | 0:09:17 | |
-Somewhere in here there's a hand grenade... -Holy Jesus. | 0:09:19 | 0:09:22 | |
..attached to a wire. | 0:09:24 | 0:09:25 | |
Don't move any chairs or open any doors. | 0:09:28 | 0:09:32 | |
Go easy, John boy. Easy. | 0:09:36 | 0:09:37 | |
Boys, no. It's not in here. | 0:09:39 | 0:09:41 | |
If it was in here, it would have blown by now. | 0:09:43 | 0:09:46 | |
It was my name on that bullet Erasmus sent. | 0:09:46 | 0:09:49 | |
He's set a trap all right. | 0:09:51 | 0:09:52 | |
But he's set it up just for me. | 0:09:56 | 0:09:58 | |
Finn? | 0:10:11 | 0:10:12 | |
Finn, stay exactly where you are. | 0:10:14 | 0:10:15 | |
I was pretending I was you. | 0:10:17 | 0:10:19 | |
Which door did you open to come in, Finn? | 0:10:22 | 0:10:24 | |
I didn't. I climbed in. | 0:10:24 | 0:10:25 | |
I want you to climb out exactly the same way you climbed in, OK? | 0:10:28 | 0:10:33 | |
No, no... Finn! | 0:10:34 | 0:10:36 | |
Clear! | 0:10:37 | 0:10:39 | |
-What happened? Are you all right? -It could have killed us. | 0:10:44 | 0:10:46 | |
THEY PANT | 0:10:46 | 0:10:47 | |
That's why you should never pretend to be me. | 0:11:02 | 0:11:05 | |
OK? OK? | 0:11:05 | 0:11:07 | |
MUSIC: "I Fought Piranhas" by The White Stripes | 0:11:15 | 0:11:19 | |
# Well, I hold the rope | 0:11:23 | 0:11:25 | |
# And I hold the sail | 0:11:27 | 0:11:28 | |
# And I kept my papers | 0:11:30 | 0:11:32 | |
# To keep from land in jail | 0:11:34 | 0:11:36 | |
# And I fought piranhas | 0:11:38 | 0:11:40 | |
# And I fought the cold... # | 0:11:41 | 0:11:44 | |
I got you ten minutes with her. | 0:11:44 | 0:11:46 | |
You can at least say thank you. | 0:11:49 | 0:11:50 | |
It's easier to get to see the Pope these days. | 0:11:50 | 0:11:53 | |
Put your hand on the Bible. | 0:12:24 | 0:12:26 | |
I don't believe. | 0:12:26 | 0:12:27 | |
Anyway, I didn't come here to lie. | 0:12:29 | 0:12:31 | |
This war is cutting us all up. | 0:12:32 | 0:12:34 | |
SHE LAUGHS | 0:12:38 | 0:12:39 | |
You're all children. | 0:12:42 | 0:12:44 | |
I say enough. | 0:12:44 | 0:12:46 | |
Your boys tried to kill me - it didn't work. | 0:12:46 | 0:12:48 | |
No wonder you won't touch a Bible. | 0:13:04 | 0:13:07 | |
-I have ambitions. -You want to play a switch. | 0:13:07 | 0:13:09 | |
I need your boys. | 0:13:09 | 0:13:11 | |
For what? | 0:13:11 | 0:13:12 | |
Kimber's not the brains. | 0:13:12 | 0:13:14 | |
There's a gadze who runs the races. | 0:13:14 | 0:13:17 | |
I'm collecting smart people. But I need strong men too. | 0:13:17 | 0:13:20 | |
Now your boys should know this, | 0:13:21 | 0:13:24 | |
we now get the winner in one of every three races | 0:13:24 | 0:13:26 | |
before the race even starts. | 0:13:26 | 0:13:28 | |
No need for chalkers or rafflers. | 0:13:28 | 0:13:30 | |
I'm talking certainties. | 0:13:30 | 0:13:32 | |
You come in here boasting you're going to do someone down | 0:13:32 | 0:13:34 | |
and in the same breath you ask me to trust you. | 0:13:34 | 0:13:36 | |
On my mother's side, we are kin. | 0:13:39 | 0:13:42 | |
Ada, can you do my back? | 0:13:58 | 0:13:59 | |
Ada? | 0:14:02 | 0:14:03 | |
I know what was in the envelope. | 0:14:06 | 0:14:08 | |
I looked. Money. | 0:14:08 | 0:14:10 | |
And that bloke we met in London who you said was a Frenchman. | 0:14:10 | 0:14:14 | |
He was Russian. I'm not an idiot, Freddie. | 0:14:14 | 0:14:17 | |
How is it you take all the risks | 0:14:17 | 0:14:19 | |
and Stanly Chapman gets the money? | 0:14:19 | 0:14:22 | |
It's money for the cause. | 0:14:22 | 0:14:23 | |
You're blind. | 0:14:24 | 0:14:26 | |
I would be if your brothers had anything to do with it. | 0:14:26 | 0:14:28 | |
This isn't about them. This is about you. | 0:14:28 | 0:14:31 | |
And me. And...this. | 0:14:31 | 0:14:34 | |
You're a dreamer, Freddie. | 0:14:38 | 0:14:39 | |
You give money away while we rot in here... | 0:14:41 | 0:14:45 | |
and you talk about revolution. | 0:14:45 | 0:14:47 | |
I need to know. | 0:14:49 | 0:14:50 | |
Who are you loyal to, Freddie? | 0:14:54 | 0:14:56 | |
I said, "Who are you loyal to?" | 0:14:59 | 0:15:01 | |
DOOR OPENS | 0:15:21 | 0:15:22 | |
Did you have something to do with this? | 0:15:40 | 0:15:43 | |
I asked an acquaintance for an address. | 0:15:44 | 0:15:47 | |
She said she would only give it to me anonymously. | 0:15:47 | 0:15:50 | |
She was afraid of the consequences. | 0:15:50 | 0:15:52 | |
-Whose address is it? -Tommy, I'd like to suggest a strategy. | 0:15:53 | 0:15:57 | |
Your message said you have an address for me. | 0:16:19 | 0:16:21 | |
Anonymous tip off. | 0:16:27 | 0:16:28 | |
The address of Stanly Chapman. | 0:16:30 | 0:16:31 | |
You promised me Freddie Thorne. | 0:16:33 | 0:16:36 | |
-This is instead of Freddie Thorne. -No deal. | 0:16:36 | 0:16:39 | |
Inspector, Stanly Chapman is a bigger fish than Freddie Thorne. | 0:16:39 | 0:16:43 | |
He is currently holding £200 in cash. | 0:16:46 | 0:16:49 | |
Given to the Communist party by the Russian Government. | 0:16:50 | 0:16:53 | |
That's right, | 0:16:55 | 0:16:57 | |
Chapman has snow on his boots | 0:16:57 | 0:16:59 | |
and all you'll need is a shovel. | 0:16:59 | 0:17:00 | |
If he talks, you'll have proof. | 0:17:02 | 0:17:04 | |
You might even get that medal. | 0:17:05 | 0:17:07 | |
Now... | 0:17:09 | 0:17:10 | |
..before I give you the address... | 0:17:12 | 0:17:14 | |
..I want your word... | 0:17:15 | 0:17:16 | |
..that you will let Freddie Thorne and my sister leave the city. | 0:17:18 | 0:17:22 | |
Very well. You have my word. | 0:17:26 | 0:17:28 | |
I'd say our little truce is proving productive | 0:17:34 | 0:17:36 | |
for both of us, Inspector. | 0:17:36 | 0:17:37 | |
I get the information... | 0:17:40 | 0:17:42 | |
and protection and you... | 0:17:42 | 0:17:44 | |
Well... | 0:17:46 | 0:17:47 | |
..you get Bolsheviks. | 0:17:49 | 0:17:50 | |
But on a more pressing matter... | 0:17:55 | 0:17:57 | |
I'm afraid that Mr Churchill is becoming impatient. | 0:17:59 | 0:18:03 | |
And I fear that... | 0:18:05 | 0:18:06 | |
..if you don't give back those stolen weapons soon... | 0:18:09 | 0:18:11 | |
..I will be replaced. | 0:18:12 | 0:18:14 | |
That would be the finish of me, that's for sure. | 0:18:14 | 0:18:17 | |
When my business with Kimber is done | 0:18:17 | 0:18:20 | |
the guns will be returned. That was the deal. | 0:18:20 | 0:18:22 | |
Then I am in your hands. Completely. | 0:18:22 | 0:18:24 | |
You hold all the cards. | 0:18:26 | 0:18:28 | |
But I hope to God that my dismissal | 0:18:29 | 0:18:33 | |
doesn't come before your decision to hand back those guns. | 0:18:33 | 0:18:37 | |
I say this for your sake, because... | 0:18:37 | 0:18:39 | |
..if I were to be fired and it were your fault... | 0:18:41 | 0:18:44 | |
..I would do things that would shame the devil. | 0:18:47 | 0:18:49 | |
HE CHUCKLES | 0:18:51 | 0:18:52 | |
My fury is a thing to behold. | 0:18:52 | 0:18:54 | |
On my last day in power, for example, | 0:18:56 | 0:19:00 | |
I would see to it that you and your scum brothers | 0:19:00 | 0:19:03 | |
have your heads stoved in with mallets and spades. | 0:19:03 | 0:19:07 | |
And your sister too. | 0:19:09 | 0:19:10 | |
That baby inside her would be of no consequence to me. | 0:19:12 | 0:19:15 | |
The only one to be spared... | 0:19:16 | 0:19:18 | |
..would be your little brother Finn. | 0:19:19 | 0:19:21 | |
He would however be lifted as a juvenile | 0:19:22 | 0:19:27 | |
and dumped into that part of the adult prison... | 0:19:27 | 0:19:29 | |
..where men have most appetite for boys like him. | 0:19:30 | 0:19:34 | |
That would be a dark day indeed, Mr Shelby. | 0:19:36 | 0:19:39 | |
If my dismissal comes before YOUR decision. | 0:19:41 | 0:19:43 | |
Do you understand? | 0:19:45 | 0:19:46 | |
And know this... | 0:19:49 | 0:19:51 | |
..the clock is ticking. | 0:19:53 | 0:19:55 | |
Stanly, it's the police. Stanly, get here! | 0:20:43 | 0:20:47 | |
-You're under arrest, mate! -You bastards! | 0:20:49 | 0:20:52 | |
MAN SCREAMS | 0:20:53 | 0:20:55 | |
Look what we found. | 0:21:02 | 0:21:03 | |
It seems Stanly Chapman really does have snow on his boots. | 0:21:05 | 0:21:08 | |
Mr Chapman... | 0:21:18 | 0:21:19 | |
..you're fucked. | 0:21:20 | 0:21:22 | |
He still refuses to say where it came from. | 0:21:37 | 0:21:40 | |
I'm sure, with a little persuasion, he'll tell us everything he knows. | 0:21:42 | 0:21:47 | |
Including the whereabouts of Freddie Thorne. | 0:21:48 | 0:21:51 | |
-Sir? -Your face is a picture. | 0:21:52 | 0:21:54 | |
I thought you had done a deal. | 0:21:55 | 0:21:57 | |
Oh, is that is what you thought. | 0:21:57 | 0:21:59 | |
Well, you gave your word. | 0:21:59 | 0:22:01 | |
My word? | 0:22:02 | 0:22:03 | |
Do people still talk about such things this idiotic century? | 0:22:07 | 0:22:10 | |
My word to who? | 0:22:10 | 0:22:13 | |
To a Peaky Blinder? | 0:22:14 | 0:22:15 | |
Now, go and interrogate Mr Chapman | 0:22:17 | 0:22:21 | |
until he tells us where we can find Freddie Thorne and his wife. | 0:22:21 | 0:22:24 | |
The source of the money is of secondary importance. | 0:22:25 | 0:22:28 | |
You think my campaign against Shelby has become personal? | 0:22:30 | 0:22:34 | |
Correct. | 0:22:35 | 0:22:37 | |
"Spot-on", as they say in London society. | 0:22:37 | 0:22:39 | |
Now, go and interrogate Mr Chapman | 0:22:40 | 0:22:45 | |
and do not make the mistake of being too gentle. | 0:22:45 | 0:22:48 | |
Right, sir. | 0:22:49 | 0:22:50 | |
DOOR OPENS | 0:22:52 | 0:22:54 | |
DOOR CLOSES | 0:22:54 | 0:22:56 | |
Today's her birthday. | 0:23:22 | 0:23:24 | |
I know you never miss it. | 0:23:27 | 0:23:28 | |
Then I'm lucky you're not a copper. | 0:23:29 | 0:23:32 | |
What do you want? | 0:23:32 | 0:23:33 | |
I came to warn you. | 0:23:33 | 0:23:34 | |
They've lifted Stanly Chapman. | 0:23:36 | 0:23:38 | |
How do you know? Police don't spill that information. | 0:23:38 | 0:23:41 | |
I know cos it was me and Tommy who tipped them off. Tommy did a deal. | 0:23:41 | 0:23:46 | |
In return for safe passage for you and Ada he's given them Stanly and the money. | 0:23:46 | 0:23:50 | |
Money? What money? | 0:23:50 | 0:23:51 | |
-Who told you about the money? -Who do you think? | 0:23:55 | 0:23:57 | |
Yeah, it was Ada's idea. That's how desperate she is | 0:23:59 | 0:24:02 | |
to get out of that rat-hole you're keeping her in. | 0:24:02 | 0:24:05 | |
She doesn't mind if you knew she just didn't want to be here when you found out. | 0:24:07 | 0:24:11 | |
Sometimes the women have to take over. Like in the war. | 0:24:11 | 0:24:14 | |
Who the hell do you think you are, you fucking Shelbys. | 0:24:14 | 0:24:16 | |
Don't swear over your mother's grave. | 0:24:16 | 0:24:18 | |
You play your tune, you expect the whole world to dance to it. | 0:24:20 | 0:24:23 | |
You don't have time for this, Freddie. | 0:24:23 | 0:24:26 | |
You did a deal for me? | 0:24:26 | 0:24:28 | |
Don't flatter yourself. For Ada. | 0:24:28 | 0:24:30 | |
And you think this copper will keep his word. | 0:24:30 | 0:24:33 | |
If he does, you're safe. If he doesn't, Chapman will give you up, | 0:24:33 | 0:24:37 | |
you'll still have to leave town. Same result. | 0:24:37 | 0:24:39 | |
-So neat(!) -So leave. | 0:24:41 | 0:24:43 | |
Except there's one thing that you got wrong. | 0:24:43 | 0:24:45 | |
Stanly won't be able to give up my address because he doesn't know it. | 0:24:45 | 0:24:49 | |
That's how it works. | 0:24:49 | 0:24:51 | |
None of us know each other's addresses. | 0:24:51 | 0:24:53 | |
So, you've wasted your fucking time. | 0:24:54 | 0:24:56 | |
They'll keep beating him and beating him for information he doesn't have. | 0:24:58 | 0:25:02 | |
All you've done is sign the death warrant of a good man. | 0:25:02 | 0:25:05 | |
So, you won't leave. | 0:25:07 | 0:25:09 | |
No! I won't fucking leave! | 0:25:09 | 0:25:11 | |
If you want me out of Birmingham it'll have to be in a wooden box. | 0:25:11 | 0:25:15 | |
You lay a hand on our Ada, I'll put you in a wooden box myself. | 0:25:20 | 0:25:23 | |
You raised a stubborn one there, Irene. | 0:25:34 | 0:25:36 | |
You told me to carry on. I wanted to stop. | 0:26:04 | 0:26:07 | |
He had some kind of seizure. | 0:26:08 | 0:26:11 | |
So, you killed him? | 0:26:16 | 0:26:18 | |
Did he give you an address? | 0:26:19 | 0:26:21 | |
What's the matter with you? He fell down some stairs. | 0:26:22 | 0:26:24 | |
This is not bloody Belfast! | 0:26:24 | 0:26:27 | |
Not yet, but if men like him get their way, it soon will be. | 0:26:27 | 0:26:31 | |
So, find some stairs, throw him down, and call the coroner. | 0:26:31 | 0:26:35 | |
Use Grayson. | 0:26:37 | 0:26:39 | |
If he has any awkward questions | 0:26:39 | 0:26:41 | |
ask about the welfare of his mistress in Saltley. | 0:26:41 | 0:26:44 | |
That'll shut him up. | 0:26:45 | 0:26:46 | |
To think I used to live in a shit-hole like this. | 0:26:52 | 0:26:55 | |
Bloody animals. | 0:26:55 | 0:26:57 | |
But the Shelbys really are doing an excellent job for us. | 0:26:57 | 0:26:59 | |
We haven't lost a single penny to rafflers or chalkers | 0:27:01 | 0:27:03 | |
in eight race meetings. | 0:27:03 | 0:27:05 | |
The bookies are purring. | 0:27:05 | 0:27:07 | |
So, we throw the dog a bone. | 0:27:07 | 0:27:09 | |
I think so. | 0:27:10 | 0:27:11 | |
Mr Kimber. Mr Roberts. Come and have a look around. | 0:27:17 | 0:27:21 | |
After you. | 0:27:29 | 0:27:30 | |
Come on, Fred. | 0:27:30 | 0:27:31 | |
You can feed half of Birmingham with what you have had for lunch. | 0:27:31 | 0:27:34 | |
Get back to work. | 0:27:34 | 0:27:36 | |
We heard the Lees had turned you over. | 0:27:39 | 0:27:41 | |
You shouldn't listen to gossip, Mr Kimber. This way. | 0:27:41 | 0:27:43 | |
Business is good. | 0:27:47 | 0:27:48 | |
Especially since now you know which horse is going to win | 0:27:49 | 0:27:52 | |
-before you set the odds. -Your information is very much appreciated. | 0:27:52 | 0:27:56 | |
Right, well, where are they? | 0:27:58 | 0:28:00 | |
John, Lovelock, Scudboat, in here. | 0:28:01 | 0:28:05 | |
This is my team. | 0:28:09 | 0:28:11 | |
They will take up their pitch at your convenience, Mr Kimber. | 0:28:11 | 0:28:15 | |
John is the book. Scudboat is the bag man. | 0:28:15 | 0:28:17 | |
And, of course, we bring our own protection. | 0:28:17 | 0:28:19 | |
Warwick, next Saturday. At least fifty yards from the beer tent. | 0:28:22 | 0:28:26 | |
Gentlemen... | 0:28:53 | 0:28:54 | |
And lady. | 0:28:56 | 0:28:57 | |
I have in my hand a legal betting licence. | 0:28:59 | 0:29:03 | |
Issued by the board of control. | 0:29:03 | 0:29:04 | |
The Shelby family has its first legal racetrack pitch. | 0:29:06 | 0:29:13 | |
CHEERING | 0:29:13 | 0:29:15 | |
We're a business, Pol. | 0:29:20 | 0:29:22 | |
-Congratulations. -There you go. | 0:29:22 | 0:29:25 | |
Congratulations. | 0:29:27 | 0:29:28 | |
30, 40, 50... | 0:29:28 | 0:29:31 | |
These cigarettes have a strange smell, Arthur. | 0:29:38 | 0:29:41 | |
They smell like rotting water. And look. | 0:29:41 | 0:29:45 | |
Rats have gotten some of them. | 0:29:45 | 0:29:48 | |
They're stolen, are they not? | 0:29:48 | 0:29:49 | |
-Don't ask. -They smell because you keep them on a boat. | 0:29:49 | 0:29:53 | |
What do you care? Now, can you come and check my adding up, please? | 0:29:53 | 0:29:56 | |
You know, you should make a new start with this place. | 0:30:02 | 0:30:05 | |
Do it properly. These cigarettes are not fit to sell. | 0:30:05 | 0:30:09 | |
Smells like Gallipoli. | 0:30:09 | 0:30:10 | |
You should find a new place to store them. | 0:30:10 | 0:30:13 | |
It has to be far away from coppers. | 0:30:13 | 0:30:14 | |
-But not rats? -All the wharves have rats, Grace. | 0:30:15 | 0:30:18 | |
-What's wrong with a dry warehouse? -Tommy's orders. | 0:30:20 | 0:30:23 | |
-What orders? -Always keep contraband near to petrol boat moorings. | 0:30:25 | 0:30:29 | |
Don't boats get searched? | 0:30:31 | 0:30:32 | |
We moor them at junctions... | 0:30:32 | 0:30:35 | |
so there's more than one way out. | 0:30:35 | 0:30:37 | |
No locks within a mile so we can move that stuff fast. | 0:30:37 | 0:30:41 | |
Your brother doesn't obey the law, but he has rules. | 0:30:42 | 0:30:44 | |
A precise man, your brother. | 0:30:44 | 0:30:46 | |
-Is my adding up right? -It is now. | 0:30:47 | 0:30:49 | |
SERGEANT MOSS: One. | 0:30:52 | 0:30:54 | |
Two. | 0:30:54 | 0:30:55 | |
Three...and four. | 0:30:55 | 0:30:57 | |
And we'll search them one by one. | 0:30:59 | 0:31:01 | |
MUSIC: "Broken Boy Soldier" by The Raconteurs | 0:31:01 | 0:31:03 | |
Please, Lord, let that which I seek be found here. | 0:31:08 | 0:31:12 | |
# I'm pulling my questions from my shelf | 0:31:14 | 0:31:17 | |
# I'm asking forgiveness | 0:31:17 | 0:31:21 | |
# I'm asking about it for myself | 0:31:21 | 0:31:24 | |
# And I want you to know this... # | 0:31:24 | 0:31:27 | |
Not so much as a bullet, sir. Just more cigarettes and whisky. | 0:31:27 | 0:31:31 | |
Arthur tells me you've been asking questions... | 0:31:41 | 0:31:44 | |
..about how we run our business. | 0:31:45 | 0:31:48 | |
And how we get our booze and where we keep it. | 0:31:48 | 0:31:50 | |
I am just trying to help. | 0:31:50 | 0:31:52 | |
Let's you and me go for a walk. | 0:31:55 | 0:31:57 | |
-Where to? -Come on. | 0:31:58 | 0:32:00 | |
Why here? | 0:32:10 | 0:32:11 | |
You're a good Catholic girl, aren't you? | 0:32:13 | 0:32:16 | |
-Yes. -Well, then you know it's here people come to confess. | 0:32:18 | 0:32:23 | |
After you. | 0:32:24 | 0:32:26 | |
Well, here it is, Grace. | 0:32:37 | 0:32:38 | |
I confess. | 0:32:40 | 0:32:41 | |
I need someone. | 0:32:43 | 0:32:45 | |
Kimber has an adviser by the name of Roberts. | 0:32:47 | 0:32:50 | |
He talks well. | 0:32:50 | 0:32:51 | |
Keeps the accounts. | 0:32:51 | 0:32:54 | |
-Runs the legal side of the business. -And you need a Roberts. | 0:32:54 | 0:32:58 | |
-Arthur tells me you have ideas. -I'm not an accountant. Nor a lawyer. | 0:32:59 | 0:33:03 | |
No. | 0:33:03 | 0:33:04 | |
No, but you have something I need. Class. | 0:33:06 | 0:33:09 | |
I need someone who looks right at the big meetings. | 0:33:12 | 0:33:15 | |
Epsom, Ascot... | 0:33:15 | 0:33:16 | |
-Is a job interview? -Arthur says you're good with numbers. | 0:33:16 | 0:33:19 | |
Well, that's relative. He is quite poor. | 0:33:19 | 0:33:22 | |
-You keep the books in order. -They were chaotic. | 0:33:24 | 0:33:26 | |
But you're a liar. | 0:33:27 | 0:33:29 | |
No Catholic girl would enter a church | 0:33:35 | 0:33:36 | |
and forget to make the sign of the cross. | 0:33:36 | 0:33:38 | |
You are very perceptive. | 0:33:41 | 0:33:42 | |
First, you lied about that pub you used worked in. | 0:33:42 | 0:33:45 | |
Now I find out you're a Protestant. | 0:33:45 | 0:33:47 | |
Do you care? | 0:33:50 | 0:33:51 | |
No. | 0:33:51 | 0:33:53 | |
I lied to fit in. | 0:33:53 | 0:33:54 | |
You pull a pint like someone who's thinking about it. | 0:33:56 | 0:33:59 | |
-This is not an interview, it is an interrogation. -Sit down. | 0:33:59 | 0:34:02 | |
Look, Grace... | 0:34:08 | 0:34:10 | |
HE SIGHS | 0:34:11 | 0:34:13 | |
You washed up in a place you don't belong for whatever reason. | 0:34:13 | 0:34:15 | |
-My good fortune. -And perhaps mine. | 0:34:17 | 0:34:19 | |
-You know that most of what I do is illegal. -I'm not blind. | 0:34:26 | 0:34:30 | |
And yet, you'd still be willing to work for me? | 0:34:30 | 0:34:33 | |
Are you offering me the job? | 0:34:35 | 0:34:36 | |
Then I accept. | 0:34:41 | 0:34:43 | |
There's something else you should know. | 0:34:44 | 0:34:47 | |
A very important detail about my reasons for employing you. | 0:34:48 | 0:34:51 | |
You disappoint me. | 0:35:12 | 0:35:13 | |
Do you resign? | 0:35:17 | 0:35:18 | |
No. | 0:35:21 | 0:35:22 | |
My appetite for the work has only increased. | 0:35:23 | 0:35:25 | |
HE CLEARS HIS THROAT | 0:35:30 | 0:35:32 | |
Tomorrow I'll show you around. | 0:35:32 | 0:35:34 | |
Lizzie. Hello, Lizzie. | 0:35:47 | 0:35:49 | |
That bag looks heavy, jump in. | 0:35:51 | 0:35:54 | |
Kids' teas. | 0:35:54 | 0:35:55 | |
You like kids? | 0:35:55 | 0:35:57 | |
-Yeah. -Good, cos John's got four of them. | 0:35:57 | 0:36:00 | |
It's all right. I'm not going to try to talk you out of it. | 0:36:02 | 0:36:05 | |
I just want to talk. | 0:36:21 | 0:36:24 | |
You're not against us? | 0:36:24 | 0:36:26 | |
John is his own man. | 0:36:26 | 0:36:27 | |
And you are your own woman. | 0:36:27 | 0:36:29 | |
Now, Lizzie... | 0:36:34 | 0:36:36 | |
since I came back from France, I've come to you on many occasions. | 0:36:36 | 0:36:39 | |
-Tommy, you didn't tell him? -No, I didn't tell him. | 0:36:41 | 0:36:44 | |
Just like you didn't tell him. | 0:36:45 | 0:36:47 | |
Now, why didn't you tell him, Lizzie? | 0:36:48 | 0:36:51 | |
Why didn't you tell him | 0:36:51 | 0:36:53 | |
that you'd been serving his brother for the past two years? | 0:36:53 | 0:36:56 | |
Because the past is the past. | 0:36:57 | 0:36:59 | |
I don't want to lose him. He's a good man. | 0:37:01 | 0:37:03 | |
That was the answer I was hoping you'd give - the past is the past. | 0:37:04 | 0:37:08 | |
You see our John says you've changed. And I believe him. | 0:37:08 | 0:37:12 | |
And that's good. Change is good. | 0:37:12 | 0:37:14 | |
These are new times I'm told. | 0:37:16 | 0:37:18 | |
So I wish you both every happiness. | 0:37:22 | 0:37:25 | |
And I want you to see that as my wedding gift to you. | 0:37:25 | 0:37:30 | |
And our farewell to pleasures gone by. | 0:37:31 | 0:37:34 | |
You mean... | 0:37:47 | 0:37:48 | |
..one last time? | 0:37:49 | 0:37:51 | |
One last time. You and me. | 0:37:53 | 0:37:55 | |
It's eight bloody pounds. | 0:37:58 | 0:38:00 | |
So, where shall we go? | 0:38:20 | 0:38:21 | |
Tommy, shall we go to my lodging? | 0:38:24 | 0:38:26 | |
So, the past is not the past. | 0:38:30 | 0:38:32 | |
You can keep the money, Lizzie. Just get out of the car. | 0:38:35 | 0:38:37 | |
-Tommy, please... -Get out of the car. -I love him, Tommy. Really. | 0:38:37 | 0:38:41 | |
Really. | 0:38:43 | 0:38:45 | |
John will make his own decision. | 0:38:52 | 0:38:54 | |
But he will have the facts. | 0:38:55 | 0:38:57 | |
Your brother is ten times the man you are! | 0:38:59 | 0:39:02 | |
Of that I have no doubt. | 0:39:14 | 0:39:16 | |
He is obviously not stupid. | 0:39:36 | 0:39:37 | |
-All we found was stolen tobacco and whisky. -Which you left in place. | 0:39:38 | 0:39:42 | |
Of course. | 0:39:42 | 0:39:44 | |
I would never endanger you. | 0:39:44 | 0:39:45 | |
You are doing well, Grace. | 0:39:50 | 0:39:52 | |
-I've been working on Arthur - he's easier. -Than Thomas. -Yes. | 0:39:54 | 0:39:58 | |
Less intelligent. | 0:39:59 | 0:40:00 | |
Yes. | 0:40:02 | 0:40:04 | |
-Is that a word you would use about Thomas? -It's your word. | 0:40:04 | 0:40:07 | |
He has promoted me. | 0:40:09 | 0:40:10 | |
He wants me to be his book-keeper and secretary. | 0:40:12 | 0:40:14 | |
A cut-throat gangster with a secretary. | 0:40:17 | 0:40:19 | |
The pretensions of these hoodlums are quite breathtaking! | 0:40:20 | 0:40:24 | |
Are they not? | 0:40:24 | 0:40:25 | |
Yes. Quite breathtaking. | 0:40:25 | 0:40:27 | |
He has obviously fallen quite heavily for you. | 0:40:30 | 0:40:34 | |
I thought you would be pleased. | 0:40:34 | 0:40:37 | |
I just hope you remember who you are dealing with here. | 0:40:37 | 0:40:39 | |
A man who cuts off ears and cuts out tongues. | 0:40:39 | 0:40:42 | |
I know what he is, sir. | 0:40:43 | 0:40:44 | |
The difficulty with undercover work, Grace, is to remember what you are. | 0:40:47 | 0:40:52 | |
I come here with good news and I get this. | 0:40:53 | 0:40:56 | |
Grace! | 0:40:59 | 0:41:00 | |
Tommy. I need a favour. | 0:41:18 | 0:41:22 | |
I want to borrow the car. | 0:41:22 | 0:41:23 | |
I want to take Lizzie for a ride in the country with the kids. | 0:41:23 | 0:41:26 | |
-We're going to celebrate getting the licence. -Not a problem, John. | 0:41:26 | 0:41:30 | |
I'll need the keys. | 0:41:32 | 0:41:33 | |
Look, John, you're my brother... | 0:41:35 | 0:41:37 | |
There's something I have to tell you. | 0:41:39 | 0:41:41 | |
Yesterday on the front seat of that car, | 0:41:43 | 0:41:47 | |
I offered Lizzie some money. | 0:41:47 | 0:41:48 | |
And, John, she said "yes". | 0:41:50 | 0:41:53 | |
Now, that's a fact. | 0:41:55 | 0:41:57 | |
You do with it what want. | 0:41:57 | 0:41:59 | |
Take the keys. | 0:41:59 | 0:42:00 | |
Take Lizzie to the country. | 0:42:00 | 0:42:03 | |
Marry her if you want. | 0:42:03 | 0:42:05 | |
But you have to know... | 0:42:07 | 0:42:08 | |
..she said "yes". | 0:42:10 | 0:42:11 | |
Get another glass. | 0:42:54 | 0:42:56 | |
Can you make a toast? | 0:43:06 | 0:43:07 | |
I'm Irish, I can make a million toasts. | 0:43:08 | 0:43:11 | |
May you be in heaven a full half hour | 0:43:11 | 0:43:14 | |
before the devil knows you're dead. | 0:43:14 | 0:43:16 | |
What are we celebrating? | 0:43:22 | 0:43:24 | |
Contract of employment. | 0:43:24 | 0:43:26 | |
Book-keeper. Shelby Brothers Limited. | 0:43:28 | 0:43:31 | |
I don't like that word, "Limited". | 0:43:31 | 0:43:33 | |
-To be respectable, you have to be "Limited". -That's what worries me. | 0:43:34 | 0:43:37 | |
I had the phone put in. | 0:43:39 | 0:43:41 | |
It's in the back. | 0:43:43 | 0:43:44 | |
If we knew someone else who had a phone, we could call them. | 0:43:47 | 0:43:50 | |
And since we are celebrating... | 0:43:52 | 0:43:54 | |
..I had this delivered from Rackham's Department Store. | 0:43:55 | 0:43:58 | |
Will you open it? | 0:44:02 | 0:44:03 | |
No. | 0:44:05 | 0:44:07 | |
Save it for a special occasion. | 0:44:07 | 0:44:08 | |
Right, your first job for the company. | 0:44:10 | 0:44:13 | |
I want you to get that to my sister. | 0:44:13 | 0:44:16 | |
I don't see her? | 0:44:16 | 0:44:17 | |
No-one does. She is hiding from me. | 0:44:17 | 0:44:19 | |
I am told she goes to a bathhouse on Montague Street | 0:44:21 | 0:44:25 | |
on woman-only days. | 0:44:25 | 0:44:27 | |
She goes in disguise, so I need to get someone inside. | 0:44:27 | 0:44:30 | |
What am I delivering? | 0:44:30 | 0:44:31 | |
It's an invitation to a family occasion. I want her there. | 0:44:34 | 0:44:38 | |
So, tell her there will be a truce. | 0:44:38 | 0:44:41 | |
Am I delivering bait for a trap? | 0:44:41 | 0:44:42 | |
If you check that contract | 0:44:43 | 0:44:45 | |
I think you'll find it doesn't say anything about asking questions. | 0:44:45 | 0:44:48 | |
Just give her the invitation. | 0:44:48 | 0:44:50 | |
And put that in the cupboard until I say. | 0:44:52 | 0:44:54 | |
DOOR OPENS | 0:45:05 | 0:45:06 | |
-What the hell, John? -I couldn't get it lit. Couldn't even do that. | 0:45:36 | 0:45:40 | |
-Why would you want to be smoking that for? -Same reason as you. | 0:45:40 | 0:45:44 | |
Pain in the head. | 0:45:44 | 0:45:45 | |
I spoke to Lizzie. | 0:45:56 | 0:45:57 | |
I told her what you told me. | 0:45:58 | 0:45:59 | |
She said, "Your brother Tommy is a dirty liar." | 0:46:02 | 0:46:05 | |
But then I spoke to her sister and her cousin. | 0:46:06 | 0:46:09 | |
Bought them a couple drinks. | 0:46:09 | 0:46:10 | |
"Just a few of regulars," they said. "That's all." | 0:46:12 | 0:46:16 | |
"To keep the wolf from the door, | 0:46:18 | 0:46:20 | |
"she still sees a couple of regulars." | 0:46:20 | 0:46:23 | |
You must think I'm an idiot. | 0:46:24 | 0:46:26 | |
I think you're the first Shelby in history... | 0:46:36 | 0:46:39 | |
to have a legal licence for anything. | 0:46:39 | 0:46:41 | |
What would our granddad say, eh? | 0:46:44 | 0:46:46 | |
He'd be turning in his grave. | 0:46:47 | 0:46:48 | |
HE IMITATES HIS GRANDDAD: "Honest bloody money? Eh?" | 0:46:50 | 0:46:53 | |
"In this house? Here?" | 0:46:53 | 0:46:55 | |
You always used to do voices when we were kids. | 0:46:55 | 0:46:58 | |
We're not kids now, John. | 0:47:02 | 0:47:03 | |
But we still have to look out for each other, right? | 0:47:06 | 0:47:09 | |
Yeah. | 0:47:12 | 0:47:13 | |
Yeah. | 0:47:14 | 0:47:16 | |
Come on. Go home. Get some sleep. | 0:47:16 | 0:47:19 | |
We've got a big day tomorrow. | 0:47:21 | 0:47:23 | |
We have? | 0:47:23 | 0:47:25 | |
Tomorrow, we finish the war with the Lees for once and for all. | 0:47:26 | 0:47:29 | |
-Since when? -Since just now. | 0:47:31 | 0:47:33 | |
Ten o'clock tomorrow. | 0:47:35 | 0:47:36 | |
Be ready for anything. | 0:47:39 | 0:47:40 | |
Out you get, boys. | 0:47:49 | 0:47:50 | |
Ready, boys? | 0:47:53 | 0:47:54 | |
-John, ready? -Yeah. Yeah I'm fine. -Have a drink. | 0:47:56 | 0:47:59 | |
What? What are you all staring at me for? What? | 0:48:08 | 0:48:12 | |
Good. Let's go. | 0:48:12 | 0:48:13 | |
What? | 0:48:15 | 0:48:16 | |
Tommy, what you playing at? We're in shotgun range. | 0:48:27 | 0:48:30 | |
John... | 0:48:34 | 0:48:35 | |
..before we go into battle, there's something you are going to need. | 0:48:36 | 0:48:40 | |
What are you bloody doing, Tommy? | 0:48:43 | 0:48:44 | |
Smile, John, it's a wedding. | 0:48:47 | 0:48:49 | |
-Whose bloody wedding? -Now if we'd told you, you wouldn't have come. | 0:48:49 | 0:48:52 | |
There's a girl from the Lee family who's going a bit wild. | 0:48:53 | 0:48:57 | |
-And she needs marrying her off. -Fuck! | 0:48:57 | 0:48:59 | |
THEY TALK OVER EACH OTHER | 0:48:59 | 0:49:01 | |
-John! -You have no bloody right, Tommy! | 0:49:01 | 0:49:04 | |
Listen to me. Listen to me. | 0:49:04 | 0:49:05 | |
A girl who needs a husband. A man who needs a wife. | 0:49:08 | 0:49:11 | |
Tommy, I'm not bloody marrying some fucking mushroom picker! | 0:49:13 | 0:49:17 | |
Shh, John boy, come on. Listen. | 0:49:17 | 0:49:19 | |
I have already betrothed you. | 0:49:21 | 0:49:23 | |
So if you back out now there's going to be one fucking mighty war | 0:49:23 | 0:49:26 | |
breaking out here that's going to make the Somme... | 0:49:26 | 0:49:29 | |
It's going to make the Somme look like a fucking tea party. | 0:49:29 | 0:49:32 | |
But if you marry her, | 0:49:32 | 0:49:35 | |
our family and the Lee family will be united for ever. | 0:49:35 | 0:49:39 | |
And this war will be over. It's up to you John. | 0:49:39 | 0:49:41 | |
War...? | 0:49:42 | 0:49:43 | |
..or peace? | 0:49:45 | 0:49:46 | |
Let go of me. | 0:49:49 | 0:49:50 | |
Right... You should see the size of her dowry. | 0:50:04 | 0:50:07 | |
Her what? | 0:50:08 | 0:50:10 | |
Her dad is giving you a car. | 0:50:10 | 0:50:12 | |
Will he do? | 0:50:21 | 0:50:22 | |
He'll do. | 0:50:29 | 0:50:30 | |
CHEERING | 0:50:30 | 0:50:31 | |
Here she is. | 0:50:38 | 0:50:40 | |
She'd better be under 50. | 0:50:40 | 0:50:42 | |
Come here. Go on. | 0:50:42 | 0:50:44 | |
We're here today to join in matrimony | 0:50:53 | 0:50:56 | |
this man and this woman... | 0:50:56 | 0:50:59 | |
You look well. | 0:51:01 | 0:51:02 | |
..and harmony and togetherness. | 0:51:02 | 0:51:04 | |
Which is sanctioned and honoured by the presence and the power | 0:51:08 | 0:51:10 | |
of these two families around us. | 0:51:10 | 0:51:12 | |
Do you John Michael Shelby take Esme Martha Lee | 0:51:15 | 0:51:19 | |
-to be your beautiful wife? -You got my invitation? | 0:51:19 | 0:51:22 | |
Grace said there's a truce. | 0:51:22 | 0:51:23 | |
Family day. | 0:51:25 | 0:51:26 | |
Your husband couldn't make it? | 0:51:28 | 0:51:30 | |
He's not speaking to me. | 0:51:30 | 0:51:32 | |
And when he does he calls me a fucking Shelby | 0:51:32 | 0:51:35 | |
even though I'm a Thorne now. | 0:51:35 | 0:51:37 | |
Thorn in my side, that's for sure. | 0:51:37 | 0:51:39 | |
..to have and hold... | 0:51:39 | 0:51:42 | |
My God, Tommy. | 0:51:42 | 0:51:43 | |
You admire him, don't you? | 0:51:45 | 0:51:46 | |
There remains one more part of the ceremony. | 0:51:46 | 0:51:49 | |
It's the mingling of the two bloods. | 0:51:49 | 0:51:51 | |
Where the two families become the one...family. | 0:51:52 | 0:51:55 | |
I now pronounce you man and wife! | 0:51:58 | 0:52:00 | |
CHEERING | 0:52:00 | 0:52:01 | |
Come on, John, kiss the bride will you? | 0:52:01 | 0:52:04 | |
# Oh, I slept all night | 0:52:04 | 0:52:06 | |
# In a tinker's arms | 0:52:06 | 0:52:07 | |
# He put his arms around me | 0:52:07 | 0:52:09 | |
# Oh, there was folks and there was dance | 0:52:09 | 0:52:11 | |
# And Paddy here's lost his banjo | 0:52:11 | 0:52:13 | |
# I wouldn't part from my sweetheart | 0:52:13 | 0:52:14 | |
# Tuppence, ha'penny or farthing | 0:52:14 | 0:52:16 | |
# Another load of wagon men | 0:52:16 | 0:52:18 | |
# Spare a little thought for the wind men. # | 0:52:18 | 0:52:20 | |
THEY CHEER | 0:52:26 | 0:52:29 | |
HE RETCHES | 0:52:43 | 0:52:46 | |
CHEERING | 0:52:46 | 0:52:48 | |
FIREWORKS CRACKLE AND BANG | 0:52:48 | 0:52:50 | |
WOMAN SQUEALS | 0:52:56 | 0:52:58 | |
And again. | 0:53:01 | 0:53:03 | |
-Come on, spin me round again. -You should tell Ada to slow down. | 0:53:03 | 0:53:05 | |
-HE SCOFFS -You think she'll listen to me? | 0:53:05 | 0:53:08 | |
I tried to stop her but she's been drinking. | 0:53:08 | 0:53:11 | |
Been stuck in that little basement for weeks. What do we expect? | 0:53:11 | 0:53:14 | |
She's going off like a firecracker. | 0:53:14 | 0:53:15 | |
Oh, Christ, Tommy, please... | 0:53:15 | 0:53:17 | |
Enough now. Come on. Enough. | 0:53:17 | 0:53:21 | |
-All right, Ada, come on, have a rest, sit down. -Come and look, Esme. | 0:53:22 | 0:53:26 | |
Come and look at the family you've joined. Come and look at the man who runs it. | 0:53:26 | 0:53:29 | |
Chooses his brother's wives for them. He hunts his own sister down like a rat | 0:53:29 | 0:53:35 | |
and he tries to kill his own brother-in-law! | 0:53:35 | 0:53:37 | |
-Ada, that's enough. -And now he won't even let me have a fucking dance! | 0:53:37 | 0:53:41 | |
-Not even at a fucking wedding! -Sit her down. | 0:53:41 | 0:53:44 | |
Calm down, Ada. Ada, calm down. | 0:53:44 | 0:53:46 | |
Holy shit! | 0:53:48 | 0:53:50 | |
Water. Right. | 0:53:50 | 0:53:51 | |
ARTHUR: Not now, Ada. Bloody hell, you do pick your times! | 0:53:51 | 0:53:55 | |
ENGINE DRONES | 0:54:02 | 0:54:04 | |
Slow her up. Nice and easy. | 0:54:07 | 0:54:09 | |
Story of your fucking life, Arthur. | 0:54:09 | 0:54:11 | |
Right, we are here. | 0:54:11 | 0:54:12 | |
Come on. | 0:54:15 | 0:54:17 | |
Nice car, John. How's she run? | 0:54:18 | 0:54:21 | |
Yeah, beautiful. Really smooth. | 0:54:21 | 0:54:22 | |
Your sister in there giving birth, you're talking about the bloody car. | 0:54:22 | 0:54:25 | |
-Not much us men can do now, Pol. -Except go get drunk. | 0:54:25 | 0:54:28 | |
-Right, come on. -There's one man should be here. | 0:54:28 | 0:54:30 | |
You are right, Pol, Freddie should be here. | 0:54:35 | 0:54:38 | |
Is that a heartbeat I hear inside that chest? | 0:54:39 | 0:54:42 | |
The truce lasts till sunrise. On my oath. | 0:54:42 | 0:54:45 | |
Tell Freddie it's safe. | 0:54:45 | 0:54:46 | |
-Ada! -Right, boys, let's wet this baby's head. | 0:54:46 | 0:54:50 | |
SHE GROANS | 0:54:53 | 0:54:54 | |
Keep going. That's right. Push. | 0:54:54 | 0:54:56 | |
SHE SCREAMS | 0:54:58 | 0:54:59 | |
I think it might be the wrong way round. | 0:55:02 | 0:55:05 | |
I tended three sisters. | 0:55:05 | 0:55:06 | |
Yeah, I think you're right. | 0:55:09 | 0:55:10 | |
-We should move her forward. -Come on, Ada. | 0:55:10 | 0:55:13 | |
Right, come on. | 0:55:13 | 0:55:14 | |
It's not long to go now, darling. | 0:55:16 | 0:55:18 | |
ADA SCREAMS | 0:55:18 | 0:55:19 | |
Push. Two, three. SHE SCREAMS | 0:55:19 | 0:55:22 | |
Two beautiful women. | 0:55:22 | 0:55:23 | |
I should go. I should go. It's my wedding night. | 0:55:24 | 0:55:28 | |
No, you sit down. | 0:55:28 | 0:55:30 | |
You don't want to be among the women when there's a baby coming. | 0:55:30 | 0:55:33 | |
Have another. | 0:55:33 | 0:55:34 | |
So, do you think her husband will take the same advice and stay away? | 0:55:34 | 0:55:37 | |
Nah. Freddie will be there. Nothing will keep him away. | 0:55:37 | 0:55:41 | |
Tommy's said it's all right for him to be there. | 0:55:41 | 0:55:43 | |
Isn't that right, Tommy? | 0:55:43 | 0:55:45 | |
That's right. I'm all heart tonight. | 0:55:45 | 0:55:47 | |
You know what, John boy? | 0:55:52 | 0:55:54 | |
I think it's that lovely barmaid, | 0:55:54 | 0:55:58 | |
that pretty barmaid that's just walked out | 0:55:58 | 0:56:01 | |
that's made our brother go all soft. | 0:56:01 | 0:56:03 | |
Drinks to that. | 0:56:03 | 0:56:04 | |
NO AUDIO | 0:56:04 | 0:56:08 | |
Ada! | 0:56:20 | 0:56:21 | |
Come on, open up. | 0:56:26 | 0:56:27 | |
There you go, love. | 0:56:32 | 0:56:33 | |
BABY CRIES | 0:56:33 | 0:56:34 | |
Oh, he's beautiful. | 0:56:37 | 0:56:39 | |
DOOR CLOSES | 0:56:39 | 0:56:40 | |
It's a boy, Freddie. | 0:56:43 | 0:56:45 | |
It's a beautiful baby boy. | 0:56:52 | 0:56:54 | |
There you go. | 0:57:06 | 0:57:07 | |
Welcome to the world, Son. | 0:57:08 | 0:57:11 | |
-Welcome. -KNOCK AT DOOR | 0:57:12 | 0:57:15 | |
Open up! Police! | 0:57:15 | 0:57:16 | |
Freddie? | 0:57:17 | 0:57:19 | |
ESME: You can't come in here, there's a baby just been born. | 0:57:19 | 0:57:21 | |
Freddie? | 0:57:21 | 0:57:23 | |
Don't hurt him. Freddie! | 0:57:24 | 0:57:27 | |
You are hurting him, leave him alone. | 0:57:27 | 0:57:29 | |
You're taking me away from my baby? | 0:57:29 | 0:57:32 | |
-Ada! -Freddie! | 0:57:32 | 0:57:34 | |
DISTORTED SOUND | 0:57:34 | 0:57:36 | |
BACKGROUND MUSIC DROWNS SPEECH | 0:57:36 | 0:57:39 | |
MEN SING IN DISTANCE | 0:57:44 | 0:57:47 | |
You want me to open that champagne now? | 0:57:50 | 0:57:53 | |
DOORS OPEN | 0:57:53 | 0:57:55 | |
It's a boy. | 0:57:55 | 0:57:56 | |
Pol? Polly? | 0:57:57 | 0:57:59 | |
Whoa! Whoa! Whoa! | 0:57:59 | 0:58:00 | |
Polly! Polly! | 0:58:00 | 0:58:03 | |
But the police came and took his father away! | 0:58:03 | 0:58:06 | |
Don't you DARE look at me like that! | 0:58:06 | 0:58:08 | |
You liar! | 0:58:16 | 0:58:18 | |
# Take a little walk to the edge of town | 0:58:47 | 0:58:50 | |
# And go across the tracks... # | 0:58:50 | 0:58:53 | |
Subtitles by Red Bee Media Ltd | 0:58:53 | 0:58:56 |