Episode 4 Peaky Blinders


Episode 4

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Transcript


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This programme contains strong language.

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-I'll tell you where to find the guns.

-What shall I do?

-Find out where the guns are hidden.

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Raise a hand if you want to strike! CHEERING

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Freddie Thorne is at the very top of my list.

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Well, cross him off. I'll make him part of our deal.

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To hell with them.

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The more they try to stop us, the madder I'll be.

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Times like these, a communist in the family is bad for business.

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You have to leave the city.

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You are also at war with the Lees, Mr Kimber, am I right?

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Together we can beat them. Divided, maybe not.

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SHOUTING

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MUSIC: "Red Right Hand" by Nick Cave and The Bad Seeds

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God, he's getting big now.

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-Do you still love me even though I am fat?

-No.

-Not at all?

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You married me, now you're stuck with me.

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# Where the viaduct looms

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# Like a bird of doom

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# As it shifts and cracks

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# Where secrets lie in the border fires

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# In the humming wires... #

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So, how was London?

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It's crackling with revolution.

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The Poplar docks are on strike.

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Did our friends give us what we asked for?

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-How much?

-£200.

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Who did you meet?

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An attache from the Russian embassy.

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In a Chinese restaurant.

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Our revolution is international.

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And it grows by the day.

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Jeremiah, Jeremiah... What do you see?

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Your sister and Freddie got back this morning.

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I tried following them...

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but Freddie's so good at getting away.

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He's like a fish.

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Right, well, keep fishing, eh?

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Last bets now! Don't spend your rent money, Charlie!

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That's your starters, gentlemen.

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No more bets.

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-I was here on time.

-Finished.

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I've had a tip-off, I need this bet.

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-The race has started.

-Please.

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No!

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Fine.

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Get rid of him.

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-We said, "no", now get out!

-All right. All right, I'm off. I'm off.

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Night, lads. See you tomorrow.

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It's a good day.

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Where's John?

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John is in the Garrison.

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He says he wants a meeting about a family matter.

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After he's said his piece

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he'll come back and take his place with Scudboat.

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-Scudboat? John will be here in ten minutes.

-All right.

-Five.

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Wait.

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Good boy.

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John?

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SCREAMING

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Put that down! Put that down!

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This is for Cheltenham.

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We're just taking back what's ours.

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There's money here. Search everywhere.

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All right, John. There's only one right... No.

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There's only one man guarding the house.

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What's troubling you?

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Polly, you know what it's been like since Martha died.

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God takes the best first.

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The truth is, my kids have been running bloody rings around me.

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Running barefoot with the dogs until all hours.

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Pol, give him ten bob, some shoes. Is that it, John?

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Tommy, we'd be better doing this without you.

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Now, what's your point?

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What the kids need is a mother.

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So, that's why I'm getting married.

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Does this poor girl know you're going to marry her

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or are you going to spring it on her all of a sudden?

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I've already proposed and she said "yes".

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I think there's a shell about to land and go bang.

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It's, er... It's Lizzie Stark.

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THEY CHUCKLE

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John, Lizzie Stark's a strong woman

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and I am sure she provides a fine service for her customers.

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I WON'T hear the word.

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Understand? Do not use that word.

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What word is that, John?

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You know what word that is.

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Everybody bloody knows...

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Everybody can go to hell...

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"Whore"? That word? Or "prostitute"?

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How about that one?

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Right, I want it known...

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if anyone calls her a "whore" again,

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I will push the barrel of my revolver

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down their throats and blow the word back down into their hearts.

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Men and their cocks never cease to amaze me.

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John, Lizzie Stark never did a day's work vertical.

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She's changed. All right. People change.

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Like wi-wi-with religion.

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Oh, Lizzie Stark has got religion, eh?

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No, no, she doesn't have religion. But...

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Well, she loves me.

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Now, listen, Tommy. I won't do it without your blessing.

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But of all the people in the world...

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..I want you to see it...

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..as brave.

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It's brave all right.

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"Brave" is going where no man has gone before.

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With Lizzy Stark, John, that is REALLY not what you'll be doing.

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Listen, Tommy. Welcome her to the family.

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As someone who's had a hard life.

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All right? Because, I need someone.

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All right, the kids need someone.

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-CHILD:

-Tommy! We've been done over!

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What?

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Jesus Christ.

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What the bloody hell happened here?

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The Lees. All of them.

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Cousins, nephews, even the bastards.

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They've taken anything they can lay their hands on.

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Four cash boxes.

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They left these....

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Wire cutters. Why would they leave wire cutters?

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Nobody move.

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I think our friends are playing the game.

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-What game?

-Aunt Pol. Don't touch anything.

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Erasmus Lee was in France.

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Shit.

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When we gave up ground to the Germans...

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..we'd leave behind booby traps, set up with wires.

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And we'd leave wire cutters as part of the joke.

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-Somewhere in here there's a hand grenade...

-Holy Jesus.

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..attached to a wire.

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Don't move any chairs or open any doors.

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Go easy, John boy. Easy.

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Boys, no. It's not in here.

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If it was in here, it would have blown by now.

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It was my name on that bullet Erasmus sent.

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He's set a trap all right.

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But he's set it up just for me.

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Finn?

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Finn, stay exactly where you are.

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I was pretending I was you.

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Which door did you open to come in, Finn?

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I didn't. I climbed in.

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I want you to climb out exactly the same way you climbed in, OK?

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No, no... Finn!

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Clear!

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-What happened? Are you all right?

-It could have killed us.

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THEY PANT

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That's why you should never pretend to be me.

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OK? OK?

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MUSIC: "I Fought Piranhas" by The White Stripes

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# Well, I hold the rope

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# And I hold the sail

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# And I kept my papers

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# To keep from land in jail

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# And I fought piranhas

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# And I fought the cold... #

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I got you ten minutes with her.

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You can at least say thank you.

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It's easier to get to see the Pope these days.

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Put your hand on the Bible.

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I don't believe.

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Anyway, I didn't come here to lie.

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This war is cutting us all up.

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SHE LAUGHS

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You're all children.

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I say enough.

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Your boys tried to kill me - it didn't work.

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No wonder you won't touch a Bible.

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-I have ambitions.

-You want to play a switch.

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I need your boys.

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For what?

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Kimber's not the brains.

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There's a gadze who runs the races.

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I'm collecting smart people. But I need strong men too.

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Now your boys should know this,

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we now get the winner in one of every three races

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before the race even starts.

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No need for chalkers or rafflers.

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I'm talking certainties.

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You come in here boasting you're going to do someone down

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and in the same breath you ask me to trust you.

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On my mother's side, we are kin.

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Ada, can you do my back?

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Ada?

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I know what was in the envelope.

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I looked. Money.

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And that bloke we met in London who you said was a Frenchman.

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He was Russian. I'm not an idiot, Freddie.

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How is it you take all the risks

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and Stanly Chapman gets the money?

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It's money for the cause.

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You're blind.

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I would be if your brothers had anything to do with it.

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This isn't about them. This is about you.

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And me. And...this.

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You're a dreamer, Freddie.

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You give money away while we rot in here...

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and you talk about revolution.

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I need to know.

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Who are you loyal to, Freddie?

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I said, "Who are you loyal to?"

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DOOR OPENS

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Did you have something to do with this?

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I asked an acquaintance for an address.

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She said she would only give it to me anonymously.

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She was afraid of the consequences.

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-Whose address is it?

-Tommy, I'd like to suggest a strategy.

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Your message said you have an address for me.

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Anonymous tip off.

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The address of Stanly Chapman.

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You promised me Freddie Thorne.

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-This is instead of Freddie Thorne.

-No deal.

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Inspector, Stanly Chapman is a bigger fish than Freddie Thorne.

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He is currently holding £200 in cash.

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Given to the Communist party by the Russian Government.

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That's right,

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Chapman has snow on his boots

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and all you'll need is a shovel.

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If he talks, you'll have proof.

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You might even get that medal.

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Now...

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..before I give you the address...

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..I want your word...

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..that you will let Freddie Thorne and my sister leave the city.

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Very well. You have my word.

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I'd say our little truce is proving productive

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for both of us, Inspector.

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I get the information...

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and protection and you...

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Well...

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..you get Bolsheviks.

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But on a more pressing matter...

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I'm afraid that Mr Churchill is becoming impatient.

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And I fear that...

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..if you don't give back those stolen weapons soon...

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..I will be replaced.

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That would be the finish of me, that's for sure.

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When my business with Kimber is done

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the guns will be returned. That was the deal.

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Then I am in your hands. Completely.

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You hold all the cards.

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But I hope to God that my dismissal

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doesn't come before your decision to hand back those guns.

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I say this for your sake, because...

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..if I were to be fired and it were your fault...

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..I would do things that would shame the devil.

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HE CHUCKLES

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My fury is a thing to behold.

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On my last day in power, for example,

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I would see to it that you and your scum brothers

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have your heads stoved in with mallets and spades.

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And your sister too.

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That baby inside her would be of no consequence to me.

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The only one to be spared...

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..would be your little brother Finn.

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He would however be lifted as a juvenile

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and dumped into that part of the adult prison...

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..where men have most appetite for boys like him.

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That would be a dark day indeed, Mr Shelby.

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If my dismissal comes before YOUR decision.

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Do you understand?

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And know this...

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..the clock is ticking.

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Stanly, it's the police. Stanly, get here!

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-You're under arrest, mate!

-You bastards!

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MAN SCREAMS

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Look what we found.

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It seems Stanly Chapman really does have snow on his boots.

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Mr Chapman...

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..you're fucked.

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He still refuses to say where it came from.

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I'm sure, with a little persuasion, he'll tell us everything he knows.

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Including the whereabouts of Freddie Thorne.

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-Sir?

-Your face is a picture.

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I thought you had done a deal.

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Oh, is that is what you thought.

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Well, you gave your word.

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My word?

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Do people still talk about such things this idiotic century?

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My word to who?

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To a Peaky Blinder?

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Now, go and interrogate Mr Chapman

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until he tells us where we can find Freddie Thorne and his wife.

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The source of the money is of secondary importance.

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You think my campaign against Shelby has become personal?

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Correct.

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"Spot-on", as they say in London society.

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Now, go and interrogate Mr Chapman

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and do not make the mistake of being too gentle.

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Right, sir.

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DOOR OPENS

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DOOR CLOSES

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Today's her birthday.

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I know you never miss it.

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Then I'm lucky you're not a copper.

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What do you want?

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I came to warn you.

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They've lifted Stanly Chapman.

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How do you know? Police don't spill that information.

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I know cos it was me and Tommy who tipped them off. Tommy did a deal.

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In return for safe passage for you and Ada he's given them Stanly and the money.

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Money? What money?

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-Who told you about the money?

-Who do you think?

0:23:550:23:57

Yeah, it was Ada's idea. That's how desperate she is

0:23:590:24:02

to get out of that rat-hole you're keeping her in.

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She doesn't mind if you knew she just didn't want to be here when you found out.

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Sometimes the women have to take over. Like in the war.

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Who the hell do you think you are, you fucking Shelbys.

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Don't swear over your mother's grave.

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You play your tune, you expect the whole world to dance to it.

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You don't have time for this, Freddie.

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You did a deal for me?

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Don't flatter yourself. For Ada.

0:24:280:24:30

And you think this copper will keep his word.

0:24:300:24:33

If he does, you're safe. If he doesn't, Chapman will give you up,

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you'll still have to leave town. Same result.

0:24:370:24:39

-So neat(!)

-So leave.

0:24:410:24:43

Except there's one thing that you got wrong.

0:24:430:24:45

Stanly won't be able to give up my address because he doesn't know it.

0:24:450:24:49

That's how it works.

0:24:490:24:51

None of us know each other's addresses.

0:24:510:24:53

So, you've wasted your fucking time.

0:24:540:24:56

They'll keep beating him and beating him for information he doesn't have.

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All you've done is sign the death warrant of a good man.

0:25:020:25:05

So, you won't leave.

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No! I won't fucking leave!

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If you want me out of Birmingham it'll have to be in a wooden box.

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You lay a hand on our Ada, I'll put you in a wooden box myself.

0:25:200:25:23

You raised a stubborn one there, Irene.

0:25:340:25:36

You told me to carry on. I wanted to stop.

0:26:040:26:07

He had some kind of seizure.

0:26:080:26:11

So, you killed him?

0:26:160:26:18

Did he give you an address?

0:26:190:26:21

What's the matter with you? He fell down some stairs.

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This is not bloody Belfast!

0:26:240:26:27

Not yet, but if men like him get their way, it soon will be.

0:26:270:26:31

So, find some stairs, throw him down, and call the coroner.

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Use Grayson.

0:26:370:26:39

If he has any awkward questions

0:26:390:26:41

ask about the welfare of his mistress in Saltley.

0:26:410:26:44

That'll shut him up.

0:26:450:26:46

To think I used to live in a shit-hole like this.

0:26:520:26:55

Bloody animals.

0:26:550:26:57

But the Shelbys really are doing an excellent job for us.

0:26:570:26:59

We haven't lost a single penny to rafflers or chalkers

0:27:010:27:03

in eight race meetings.

0:27:030:27:05

The bookies are purring.

0:27:050:27:07

So, we throw the dog a bone.

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I think so.

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Mr Kimber. Mr Roberts. Come and have a look around.

0:27:170:27:21

After you.

0:27:290:27:30

Come on, Fred.

0:27:300:27:31

You can feed half of Birmingham with what you have had for lunch.

0:27:310:27:34

Get back to work.

0:27:340:27:36

We heard the Lees had turned you over.

0:27:390:27:41

You shouldn't listen to gossip, Mr Kimber. This way.

0:27:410:27:43

Business is good.

0:27:470:27:48

Especially since now you know which horse is going to win

0:27:490:27:52

-before you set the odds.

-Your information is very much appreciated.

0:27:520:27:56

Right, well, where are they?

0:27:580:28:00

John, Lovelock, Scudboat, in here.

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This is my team.

0:28:090:28:11

They will take up their pitch at your convenience, Mr Kimber.

0:28:110:28:15

John is the book. Scudboat is the bag man.

0:28:150:28:17

And, of course, we bring our own protection.

0:28:170:28:19

Warwick, next Saturday. At least fifty yards from the beer tent.

0:28:220:28:26

Gentlemen...

0:28:530:28:54

And lady.

0:28:560:28:57

I have in my hand a legal betting licence.

0:28:590:29:03

Issued by the board of control.

0:29:030:29:04

The Shelby family has its first legal racetrack pitch.

0:29:060:29:13

CHEERING

0:29:130:29:15

We're a business, Pol.

0:29:200:29:22

-Congratulations.

-There you go.

0:29:220:29:25

Congratulations.

0:29:270:29:28

30, 40, 50...

0:29:280:29:31

These cigarettes have a strange smell, Arthur.

0:29:380:29:41

They smell like rotting water. And look.

0:29:410:29:45

Rats have gotten some of them.

0:29:450:29:48

They're stolen, are they not?

0:29:480:29:49

-Don't ask.

-They smell because you keep them on a boat.

0:29:490:29:53

What do you care? Now, can you come and check my adding up, please?

0:29:530:29:56

You know, you should make a new start with this place.

0:30:020:30:05

Do it properly. These cigarettes are not fit to sell.

0:30:050:30:09

Smells like Gallipoli.

0:30:090:30:10

You should find a new place to store them.

0:30:100:30:13

It has to be far away from coppers.

0:30:130:30:14

-But not rats?

-All the wharves have rats, Grace.

0:30:150:30:18

-What's wrong with a dry warehouse?

-Tommy's orders.

0:30:200:30:23

-What orders?

-Always keep contraband near to petrol boat moorings.

0:30:250:30:29

Don't boats get searched?

0:30:310:30:32

We moor them at junctions...

0:30:320:30:35

so there's more than one way out.

0:30:350:30:37

No locks within a mile so we can move that stuff fast.

0:30:370:30:41

Your brother doesn't obey the law, but he has rules.

0:30:420:30:44

A precise man, your brother.

0:30:440:30:46

-Is my adding up right?

-It is now.

0:30:470:30:49

SERGEANT MOSS: One.

0:30:520:30:54

Two.

0:30:540:30:55

Three...and four.

0:30:550:30:57

And we'll search them one by one.

0:30:590:31:01

MUSIC: "Broken Boy Soldier" by The Raconteurs

0:31:010:31:03

Please, Lord, let that which I seek be found here.

0:31:080:31:12

# I'm pulling my questions from my shelf

0:31:140:31:17

# I'm asking forgiveness

0:31:170:31:21

# I'm asking about it for myself

0:31:210:31:24

# And I want you to know this... #

0:31:240:31:27

Not so much as a bullet, sir. Just more cigarettes and whisky.

0:31:270:31:31

Arthur tells me you've been asking questions...

0:31:410:31:44

..about how we run our business.

0:31:450:31:48

And how we get our booze and where we keep it.

0:31:480:31:50

I am just trying to help.

0:31:500:31:52

Let's you and me go for a walk.

0:31:550:31:57

-Where to?

-Come on.

0:31:580:32:00

Why here?

0:32:100:32:11

You're a good Catholic girl, aren't you?

0:32:130:32:16

-Yes.

-Well, then you know it's here people come to confess.

0:32:180:32:23

After you.

0:32:240:32:26

Well, here it is, Grace.

0:32:370:32:38

I confess.

0:32:400:32:41

I need someone.

0:32:430:32:45

Kimber has an adviser by the name of Roberts.

0:32:470:32:50

He talks well.

0:32:500:32:51

Keeps the accounts.

0:32:510:32:54

-Runs the legal side of the business.

-And you need a Roberts.

0:32:540:32:58

-Arthur tells me you have ideas.

-I'm not an accountant. Nor a lawyer.

0:32:590:33:03

No.

0:33:030:33:04

No, but you have something I need. Class.

0:33:060:33:09

I need someone who looks right at the big meetings.

0:33:120:33:15

Epsom, Ascot...

0:33:150:33:16

-Is a job interview?

-Arthur says you're good with numbers.

0:33:160:33:19

Well, that's relative. He is quite poor.

0:33:190:33:22

-You keep the books in order.

-They were chaotic.

0:33:240:33:26

But you're a liar.

0:33:270:33:29

No Catholic girl would enter a church

0:33:350:33:36

and forget to make the sign of the cross.

0:33:360:33:38

You are very perceptive.

0:33:410:33:42

First, you lied about that pub you used worked in.

0:33:420:33:45

Now I find out you're a Protestant.

0:33:450:33:47

Do you care?

0:33:500:33:51

No.

0:33:510:33:53

I lied to fit in.

0:33:530:33:54

You pull a pint like someone who's thinking about it.

0:33:560:33:59

-This is not an interview, it is an interrogation.

-Sit down.

0:33:590:34:02

Look, Grace...

0:34:080:34:10

HE SIGHS

0:34:110:34:13

You washed up in a place you don't belong for whatever reason.

0:34:130:34:15

-My good fortune.

-And perhaps mine.

0:34:170:34:19

-You know that most of what I do is illegal.

-I'm not blind.

0:34:260:34:30

And yet, you'd still be willing to work for me?

0:34:300:34:33

Are you offering me the job?

0:34:350:34:36

Then I accept.

0:34:410:34:43

There's something else you should know.

0:34:440:34:47

A very important detail about my reasons for employing you.

0:34:480:34:51

You disappoint me.

0:35:120:35:13

Do you resign?

0:35:170:35:18

No.

0:35:210:35:22

My appetite for the work has only increased.

0:35:230:35:25

HE CLEARS HIS THROAT

0:35:300:35:32

Tomorrow I'll show you around.

0:35:320:35:34

Lizzie. Hello, Lizzie.

0:35:470:35:49

That bag looks heavy, jump in.

0:35:510:35:54

Kids' teas.

0:35:540:35:55

You like kids?

0:35:550:35:57

-Yeah.

-Good, cos John's got four of them.

0:35:570:36:00

It's all right. I'm not going to try to talk you out of it.

0:36:020:36:05

I just want to talk.

0:36:210:36:24

You're not against us?

0:36:240:36:26

John is his own man.

0:36:260:36:27

And you are your own woman.

0:36:270:36:29

Now, Lizzie...

0:36:340:36:36

since I came back from France, I've come to you on many occasions.

0:36:360:36:39

-Tommy, you didn't tell him?

-No, I didn't tell him.

0:36:410:36:44

Just like you didn't tell him.

0:36:450:36:47

Now, why didn't you tell him, Lizzie?

0:36:480:36:51

Why didn't you tell him

0:36:510:36:53

that you'd been serving his brother for the past two years?

0:36:530:36:56

Because the past is the past.

0:36:570:36:59

I don't want to lose him. He's a good man.

0:37:010:37:03

That was the answer I was hoping you'd give - the past is the past.

0:37:040:37:08

You see our John says you've changed. And I believe him.

0:37:080:37:12

And that's good. Change is good.

0:37:120:37:14

These are new times I'm told.

0:37:160:37:18

So I wish you both every happiness.

0:37:220:37:25

And I want you to see that as my wedding gift to you.

0:37:250:37:30

And our farewell to pleasures gone by.

0:37:310:37:34

You mean...

0:37:470:37:48

..one last time?

0:37:490:37:51

One last time. You and me.

0:37:530:37:55

It's eight bloody pounds.

0:37:580:38:00

So, where shall we go?

0:38:200:38:21

Tommy, shall we go to my lodging?

0:38:240:38:26

So, the past is not the past.

0:38:300:38:32

You can keep the money, Lizzie. Just get out of the car.

0:38:350:38:37

-Tommy, please...

-Get out of the car.

-I love him, Tommy. Really.

0:38:370:38:41

Really.

0:38:430:38:45

John will make his own decision.

0:38:520:38:54

But he will have the facts.

0:38:550:38:57

Your brother is ten times the man you are!

0:38:590:39:02

Of that I have no doubt.

0:39:140:39:16

He is obviously not stupid.

0:39:360:39:37

-All we found was stolen tobacco and whisky.

-Which you left in place.

0:39:380:39:42

Of course.

0:39:420:39:44

I would never endanger you.

0:39:440:39:45

You are doing well, Grace.

0:39:500:39:52

-I've been working on Arthur - he's easier.

-Than Thomas.

-Yes.

0:39:540:39:58

Less intelligent.

0:39:590:40:00

Yes.

0:40:020:40:04

-Is that a word you would use about Thomas?

-It's your word.

0:40:040:40:07

He has promoted me.

0:40:090:40:10

He wants me to be his book-keeper and secretary.

0:40:120:40:14

A cut-throat gangster with a secretary.

0:40:170:40:19

The pretensions of these hoodlums are quite breathtaking!

0:40:200:40:24

Are they not?

0:40:240:40:25

Yes. Quite breathtaking.

0:40:250:40:27

He has obviously fallen quite heavily for you.

0:40:300:40:34

I thought you would be pleased.

0:40:340:40:37

I just hope you remember who you are dealing with here.

0:40:370:40:39

A man who cuts off ears and cuts out tongues.

0:40:390:40:42

I know what he is, sir.

0:40:430:40:44

The difficulty with undercover work, Grace, is to remember what you are.

0:40:470:40:52

I come here with good news and I get this.

0:40:530:40:56

Grace!

0:40:590:41:00

Tommy. I need a favour.

0:41:180:41:22

I want to borrow the car.

0:41:220:41:23

I want to take Lizzie for a ride in the country with the kids.

0:41:230:41:26

-We're going to celebrate getting the licence.

-Not a problem, John.

0:41:260:41:30

I'll need the keys.

0:41:320:41:33

Look, John, you're my brother...

0:41:350:41:37

There's something I have to tell you.

0:41:390:41:41

Yesterday on the front seat of that car,

0:41:430:41:47

I offered Lizzie some money.

0:41:470:41:48

And, John, she said "yes".

0:41:500:41:53

Now, that's a fact.

0:41:550:41:57

You do with it what want.

0:41:570:41:59

Take the keys.

0:41:590:42:00

Take Lizzie to the country.

0:42:000:42:03

Marry her if you want.

0:42:030:42:05

But you have to know...

0:42:070:42:08

..she said "yes".

0:42:100:42:11

Get another glass.

0:42:540:42:56

Can you make a toast?

0:43:060:43:07

I'm Irish, I can make a million toasts.

0:43:080:43:11

May you be in heaven a full half hour

0:43:110:43:14

before the devil knows you're dead.

0:43:140:43:16

What are we celebrating?

0:43:220:43:24

Contract of employment.

0:43:240:43:26

Book-keeper. Shelby Brothers Limited.

0:43:280:43:31

I don't like that word, "Limited".

0:43:310:43:33

-To be respectable, you have to be "Limited".

-That's what worries me.

0:43:340:43:37

I had the phone put in.

0:43:390:43:41

It's in the back.

0:43:430:43:44

If we knew someone else who had a phone, we could call them.

0:43:470:43:50

And since we are celebrating...

0:43:520:43:54

..I had this delivered from Rackham's Department Store.

0:43:550:43:58

Will you open it?

0:44:020:44:03

No.

0:44:050:44:07

Save it for a special occasion.

0:44:070:44:08

Right, your first job for the company.

0:44:100:44:13

I want you to get that to my sister.

0:44:130:44:16

I don't see her?

0:44:160:44:17

No-one does. She is hiding from me.

0:44:170:44:19

I am told she goes to a bathhouse on Montague Street

0:44:210:44:25

on woman-only days.

0:44:250:44:27

She goes in disguise, so I need to get someone inside.

0:44:270:44:30

What am I delivering?

0:44:300:44:31

It's an invitation to a family occasion. I want her there.

0:44:340:44:38

So, tell her there will be a truce.

0:44:380:44:41

Am I delivering bait for a trap?

0:44:410:44:42

If you check that contract

0:44:430:44:45

I think you'll find it doesn't say anything about asking questions.

0:44:450:44:48

Just give her the invitation.

0:44:480:44:50

And put that in the cupboard until I say.

0:44:520:44:54

DOOR OPENS

0:45:050:45:06

-What the hell, John?

-I couldn't get it lit. Couldn't even do that.

0:45:360:45:40

-Why would you want to be smoking that for?

-Same reason as you.

0:45:400:45:44

Pain in the head.

0:45:440:45:45

I spoke to Lizzie.

0:45:560:45:57

I told her what you told me.

0:45:580:45:59

She said, "Your brother Tommy is a dirty liar."

0:46:020:46:05

But then I spoke to her sister and her cousin.

0:46:060:46:09

Bought them a couple drinks.

0:46:090:46:10

"Just a few of regulars," they said. "That's all."

0:46:120:46:16

"To keep the wolf from the door,

0:46:180:46:20

"she still sees a couple of regulars."

0:46:200:46:23

You must think I'm an idiot.

0:46:240:46:26

I think you're the first Shelby in history...

0:46:360:46:39

to have a legal licence for anything.

0:46:390:46:41

What would our granddad say, eh?

0:46:440:46:46

He'd be turning in his grave.

0:46:470:46:48

HE IMITATES HIS GRANDDAD: "Honest bloody money? Eh?"

0:46:500:46:53

"In this house? Here?"

0:46:530:46:55

You always used to do voices when we were kids.

0:46:550:46:58

We're not kids now, John.

0:47:020:47:03

But we still have to look out for each other, right?

0:47:060:47:09

Yeah.

0:47:120:47:13

Yeah.

0:47:140:47:16

Come on. Go home. Get some sleep.

0:47:160:47:19

We've got a big day tomorrow.

0:47:210:47:23

We have?

0:47:230:47:25

Tomorrow, we finish the war with the Lees for once and for all.

0:47:260:47:29

-Since when?

-Since just now.

0:47:310:47:33

Ten o'clock tomorrow.

0:47:350:47:36

Be ready for anything.

0:47:390:47:40

Out you get, boys.

0:47:490:47:50

Ready, boys?

0:47:530:47:54

-John, ready?

-Yeah. Yeah I'm fine.

-Have a drink.

0:47:560:47:59

What? What are you all staring at me for? What?

0:48:080:48:12

Good. Let's go.

0:48:120:48:13

What?

0:48:150:48:16

Tommy, what you playing at? We're in shotgun range.

0:48:270:48:30

John...

0:48:340:48:35

..before we go into battle, there's something you are going to need.

0:48:360:48:40

What are you bloody doing, Tommy?

0:48:430:48:44

Smile, John, it's a wedding.

0:48:470:48:49

-Whose bloody wedding?

-Now if we'd told you, you wouldn't have come.

0:48:490:48:52

There's a girl from the Lee family who's going a bit wild.

0:48:530:48:57

-And she needs marrying her off.

-Fuck!

0:48:570:48:59

THEY TALK OVER EACH OTHER

0:48:590:49:01

-John!

-You have no bloody right, Tommy!

0:49:010:49:04

Listen to me. Listen to me.

0:49:040:49:05

A girl who needs a husband. A man who needs a wife.

0:49:080:49:11

Tommy, I'm not bloody marrying some fucking mushroom picker!

0:49:130:49:17

Shh, John boy, come on. Listen.

0:49:170:49:19

I have already betrothed you.

0:49:210:49:23

So if you back out now there's going to be one fucking mighty war

0:49:230:49:26

breaking out here that's going to make the Somme...

0:49:260:49:29

It's going to make the Somme look like a fucking tea party.

0:49:290:49:32

But if you marry her,

0:49:320:49:35

our family and the Lee family will be united for ever.

0:49:350:49:39

And this war will be over. It's up to you John.

0:49:390:49:41

War...?

0:49:420:49:43

..or peace?

0:49:450:49:46

Let go of me.

0:49:490:49:50

Right... You should see the size of her dowry.

0:50:040:50:07

Her what?

0:50:080:50:10

Her dad is giving you a car.

0:50:100:50:12

Will he do?

0:50:210:50:22

He'll do.

0:50:290:50:30

CHEERING

0:50:300:50:31

Here she is.

0:50:380:50:40

She'd better be under 50.

0:50:400:50:42

Come here. Go on.

0:50:420:50:44

We're here today to join in matrimony

0:50:530:50:56

this man and this woman...

0:50:560:50:59

You look well.

0:51:010:51:02

..and harmony and togetherness.

0:51:020:51:04

Which is sanctioned and honoured by the presence and the power

0:51:080:51:10

of these two families around us.

0:51:100:51:12

Do you John Michael Shelby take Esme Martha Lee

0:51:150:51:19

-to be your beautiful wife?

-You got my invitation?

0:51:190:51:22

Grace said there's a truce.

0:51:220:51:23

Family day.

0:51:250:51:26

Your husband couldn't make it?

0:51:280:51:30

He's not speaking to me.

0:51:300:51:32

And when he does he calls me a fucking Shelby

0:51:320:51:35

even though I'm a Thorne now.

0:51:350:51:37

Thorn in my side, that's for sure.

0:51:370:51:39

..to have and hold...

0:51:390:51:42

My God, Tommy.

0:51:420:51:43

You admire him, don't you?

0:51:450:51:46

There remains one more part of the ceremony.

0:51:460:51:49

It's the mingling of the two bloods.

0:51:490:51:51

Where the two families become the one...family.

0:51:520:51:55

I now pronounce you man and wife!

0:51:580:52:00

CHEERING

0:52:000:52:01

Come on, John, kiss the bride will you?

0:52:010:52:04

# Oh, I slept all night

0:52:040:52:06

# In a tinker's arms

0:52:060:52:07

# He put his arms around me

0:52:070:52:09

# Oh, there was folks and there was dance

0:52:090:52:11

# And Paddy here's lost his banjo

0:52:110:52:13

# I wouldn't part from my sweetheart

0:52:130:52:14

# Tuppence, ha'penny or farthing

0:52:140:52:16

# Another load of wagon men

0:52:160:52:18

# Spare a little thought for the wind men. #

0:52:180:52:20

THEY CHEER

0:52:260:52:29

HE RETCHES

0:52:430:52:46

CHEERING

0:52:460:52:48

FIREWORKS CRACKLE AND BANG

0:52:480:52:50

WOMAN SQUEALS

0:52:560:52:58

And again.

0:53:010:53:03

-Come on, spin me round again.

-You should tell Ada to slow down.

0:53:030:53:05

-HE SCOFFS

-You think she'll listen to me?

0:53:050:53:08

I tried to stop her but she's been drinking.

0:53:080:53:11

Been stuck in that little basement for weeks. What do we expect?

0:53:110:53:14

She's going off like a firecracker.

0:53:140:53:15

Oh, Christ, Tommy, please...

0:53:150:53:17

Enough now. Come on. Enough.

0:53:170:53:21

-All right, Ada, come on, have a rest, sit down.

-Come and look, Esme.

0:53:220:53:26

Come and look at the family you've joined. Come and look at the man who runs it.

0:53:260:53:29

Chooses his brother's wives for them. He hunts his own sister down like a rat

0:53:290:53:35

and he tries to kill his own brother-in-law!

0:53:350:53:37

-Ada, that's enough.

-And now he won't even let me have a fucking dance!

0:53:370:53:41

-Not even at a fucking wedding!

-Sit her down.

0:53:410:53:44

Calm down, Ada. Ada, calm down.

0:53:440:53:46

Holy shit!

0:53:480:53:50

Water. Right.

0:53:500:53:51

ARTHUR: Not now, Ada. Bloody hell, you do pick your times!

0:53:510:53:55

ENGINE DRONES

0:54:020:54:04

Slow her up. Nice and easy.

0:54:070:54:09

Story of your fucking life, Arthur.

0:54:090:54:11

Right, we are here.

0:54:110:54:12

Come on.

0:54:150:54:17

Nice car, John. How's she run?

0:54:180:54:21

Yeah, beautiful. Really smooth.

0:54:210:54:22

Your sister in there giving birth, you're talking about the bloody car.

0:54:220:54:25

-Not much us men can do now, Pol.

-Except go get drunk.

0:54:250:54:28

-Right, come on.

-There's one man should be here.

0:54:280:54:30

You are right, Pol, Freddie should be here.

0:54:350:54:38

Is that a heartbeat I hear inside that chest?

0:54:390:54:42

The truce lasts till sunrise. On my oath.

0:54:420:54:45

Tell Freddie it's safe.

0:54:450:54:46

-Ada!

-Right, boys, let's wet this baby's head.

0:54:460:54:50

SHE GROANS

0:54:530:54:54

Keep going. That's right. Push.

0:54:540:54:56

SHE SCREAMS

0:54:580:54:59

I think it might be the wrong way round.

0:55:020:55:05

I tended three sisters.

0:55:050:55:06

Yeah, I think you're right.

0:55:090:55:10

-We should move her forward.

-Come on, Ada.

0:55:100:55:13

Right, come on.

0:55:130:55:14

It's not long to go now, darling.

0:55:160:55:18

ADA SCREAMS

0:55:180:55:19

Push. Two, three. SHE SCREAMS

0:55:190:55:22

Two beautiful women.

0:55:220:55:23

I should go. I should go. It's my wedding night.

0:55:240:55:28

No, you sit down.

0:55:280:55:30

You don't want to be among the women when there's a baby coming.

0:55:300:55:33

Have another.

0:55:330:55:34

So, do you think her husband will take the same advice and stay away?

0:55:340:55:37

Nah. Freddie will be there. Nothing will keep him away.

0:55:370:55:41

Tommy's said it's all right for him to be there.

0:55:410:55:43

Isn't that right, Tommy?

0:55:430:55:45

That's right. I'm all heart tonight.

0:55:450:55:47

You know what, John boy?

0:55:520:55:54

I think it's that lovely barmaid,

0:55:540:55:58

that pretty barmaid that's just walked out

0:55:580:56:01

that's made our brother go all soft.

0:56:010:56:03

Drinks to that.

0:56:030:56:04

NO AUDIO

0:56:040:56:08

Ada!

0:56:200:56:21

Come on, open up.

0:56:260:56:27

There you go, love.

0:56:320:56:33

BABY CRIES

0:56:330:56:34

Oh, he's beautiful.

0:56:370:56:39

DOOR CLOSES

0:56:390:56:40

It's a boy, Freddie.

0:56:430:56:45

It's a beautiful baby boy.

0:56:520:56:54

There you go.

0:57:060:57:07

Welcome to the world, Son.

0:57:080:57:11

-Welcome.

-KNOCK AT DOOR

0:57:120:57:15

Open up! Police!

0:57:150:57:16

Freddie?

0:57:170:57:19

ESME: You can't come in here, there's a baby just been born.

0:57:190:57:21

Freddie?

0:57:210:57:23

Don't hurt him. Freddie!

0:57:240:57:27

You are hurting him, leave him alone.

0:57:270:57:29

You're taking me away from my baby?

0:57:290:57:32

-Ada!

-Freddie!

0:57:320:57:34

DISTORTED SOUND

0:57:340:57:36

BACKGROUND MUSIC DROWNS SPEECH

0:57:360:57:39

MEN SING IN DISTANCE

0:57:440:57:47

You want me to open that champagne now?

0:57:500:57:53

DOORS OPEN

0:57:530:57:55

It's a boy.

0:57:550:57:56

Pol? Polly?

0:57:570:57:59

Whoa! Whoa! Whoa!

0:57:590:58:00

Polly! Polly!

0:58:000:58:03

But the police came and took his father away!

0:58:030:58:06

Don't you DARE look at me like that!

0:58:060:58:08

You liar!

0:58:160:58:18

# Take a little walk to the edge of town

0:58:470:58:50

# And go across the tracks... #

0:58:500:58:53

Subtitles by Red Bee Media Ltd

0:58:530:58:56

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