Browse content similar to Episode 5. Check below for episodes and series from the same categories and more!
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This programme contains some violent scenes, | 0:00:02 | 0:00:04 | |
strong language, and scenes which some viewers may find upsetting | 0:00:04 | 0:00:09 | |
Guns, Mr Shelby. We'd pay good money. | 0:00:10 | 0:00:13 | |
For who do you speak? | 0:00:13 | 0:00:14 | |
The Irish Republican Army. | 0:00:14 | 0:00:16 | |
What are you? Copper? | 0:00:19 | 0:00:20 | |
GUNSHOT | 0:00:20 | 0:00:21 | |
You went after him because he was IRA. | 0:00:23 | 0:00:25 | |
I followed him because I thought he might have information. | 0:00:25 | 0:00:29 | |
The difficulty with undercover work, Grace, is to remember what you are. | 0:00:29 | 0:00:34 | |
Your sister's in there giving birth. There's one man who should be here. | 0:00:35 | 0:00:38 | |
You are right, Poll. On my oath. | 0:00:38 | 0:00:40 | |
Tell Freddie it's safe. | 0:00:40 | 0:00:42 | |
Welcome to the world, son. | 0:00:44 | 0:00:46 | |
Freddie. | 0:00:47 | 0:00:49 | |
Pol! | 0:00:49 | 0:00:50 | |
The police came and took his father away. | 0:00:50 | 0:00:53 | |
You liar! | 0:00:53 | 0:00:54 | |
MUSIC: "Red Right Hand" by Nick Cave and the Bad Seeds | 0:01:01 | 0:01:05 | |
# Take a little walk to the edge of town and go across the tracks | 0:01:17 | 0:01:23 | |
# Where the viaduct looms, like a bird of doom | 0:01:25 | 0:01:29 | |
# As it shifts and cracks | 0:01:29 | 0:01:32 | |
# Where secrets lie in the border fires | 0:01:33 | 0:01:38 | |
# In the humming wires | 0:01:38 | 0:01:40 | |
# Hey, man, you know you're never coming back | 0:01:40 | 0:01:43 | |
# Past the square, past the bridge, past the mills, past the stacks | 0:01:43 | 0:01:47 | |
# On a gathering storm comes a tall, handsome man | 0:01:50 | 0:01:54 | |
# In a dusty black coat with a red right hand. # | 0:01:54 | 0:01:59 | |
SHE KNOCKS DOOR | 0:02:24 | 0:02:25 | |
Open up, love. I brought more things for you and the baby. | 0:02:25 | 0:02:29 | |
I've got some fresh eggs and bread... | 0:02:29 | 0:02:32 | |
I'll leave it here. | 0:02:32 | 0:02:34 | |
BABY CRIES | 0:02:34 | 0:02:35 | |
Ada, think of the little one. | 0:02:35 | 0:02:37 | |
Babies don't have principles. | 0:02:39 | 0:02:42 | |
BABY CRIES | 0:02:42 | 0:02:44 | |
BABY CRIES | 0:02:48 | 0:02:50 | |
DISTANT SHOUTING | 0:02:54 | 0:02:56 | |
DOOR SLAMS SHUT | 0:03:03 | 0:03:05 | |
Did you speak to her? | 0:03:10 | 0:03:13 | |
She didn't speak back. | 0:03:13 | 0:03:14 | |
Well, did you tell her? | 0:03:18 | 0:03:20 | |
I'll only tell her what I know to be true. | 0:03:20 | 0:03:24 | |
It's the last time I am going to say this. | 0:03:25 | 0:03:28 | |
It wasn't me who shopped Freddie Thorne. | 0:03:28 | 0:03:31 | |
Tommy... | 0:03:33 | 0:03:35 | |
I'd ask you to swear on the Bible, | 0:03:35 | 0:03:37 | |
but you can't swear on that, can you? | 0:03:37 | 0:03:39 | |
Nothing you hold is sacred. | 0:03:40 | 0:03:41 | |
There's tea. | 0:03:52 | 0:03:53 | |
The new system... | 0:03:59 | 0:04:00 | |
..everything in the diary, eh? | 0:04:01 | 0:04:03 | |
Mm-hm. | 0:04:03 | 0:04:04 | |
A black star? What does that mean? | 0:04:10 | 0:04:12 | |
The black star day... | 0:04:12 | 0:04:13 | |
..is the day we take out Billy Kimber and his men. | 0:04:15 | 0:04:19 | |
No-one knows this! | 0:04:19 | 0:04:20 | |
Not even your family? | 0:04:21 | 0:04:23 | |
Grace... | 0:04:24 | 0:04:25 | |
..everyone in my family hates me. Why would I tell them? | 0:04:28 | 0:04:32 | |
He's off the bloody rails, is what he is. | 0:04:35 | 0:04:38 | |
If he'll turn nose on his best mate... | 0:04:38 | 0:04:40 | |
Bloody neighbours, John. Snitch behind the curtain. | 0:04:40 | 0:04:44 | |
If you think that, you're the only one who does. | 0:04:44 | 0:04:47 | |
Look at this, look. Bloody raking it in. | 0:04:47 | 0:04:51 | |
Who's running this carny? | 0:04:51 | 0:04:52 | |
Name of Marston. Intends on wintering in Smallheath with this ring. | 0:04:52 | 0:04:56 | |
-Does he! -Ain't he heard nobody in Smallheath craps in a pot | 0:04:56 | 0:05:00 | |
without the decree of Tommy Almighty? | 0:05:00 | 0:05:03 | |
Mr Marston, I believe? The ringmaster? | 0:05:03 | 0:05:06 | |
Proud I am to say so. | 0:05:06 | 0:05:07 | |
Yes, well, these here are civilised parts. | 0:05:07 | 0:05:11 | |
Man wants to set his stall up with fellas lamping each other, | 0:05:11 | 0:05:14 | |
he needs himself a licence. | 0:05:14 | 0:05:16 | |
A licence. | 0:05:16 | 0:05:17 | |
For a fee. From those in charge. | 0:05:18 | 0:05:22 | |
I'll tell you what. | 0:05:23 | 0:05:25 | |
How about I keep my money, and you shove a licence up your arsecrack? | 0:05:25 | 0:05:28 | |
You don't want to speak to me like that. | 0:05:28 | 0:05:30 | |
And who the bloody hell do you think you are? | 0:05:30 | 0:05:33 | |
My name is Arthur Shelby. | 0:05:33 | 0:05:35 | |
Dad? | 0:05:36 | 0:05:38 | |
Jesus. | 0:05:44 | 0:05:45 | |
Thank you. You are a good boy. | 0:05:51 | 0:05:52 | |
Bless you, Father, for these bounties we are about to receive... | 0:05:56 | 0:05:59 | |
Jesus Christ... | 0:05:59 | 0:06:00 | |
Please, woman... | 0:06:00 | 0:06:01 | |
..not in vain. | 0:06:02 | 0:06:04 | |
Finish your sandwich and sling your hook. | 0:06:04 | 0:06:06 | |
Pollyanna. | 0:06:08 | 0:06:09 | |
I'm the guest of the head of this family, | 0:06:09 | 0:06:11 | |
so why don't you tend to your mangle or your scuttle? | 0:06:11 | 0:06:15 | |
The head of the family ain't here. | 0:06:15 | 0:06:17 | |
Tommy...he sometimes helps me with business. | 0:06:21 | 0:06:25 | |
Ah. Well. Speak of the devil. | 0:06:29 | 0:06:31 | |
How are you, son? | 0:06:33 | 0:06:34 | |
Get out. | 0:06:36 | 0:06:37 | |
Come on, son. I'm a changed man. | 0:06:38 | 0:06:41 | |
This family needed you ten years ago when you walked out on it. | 0:06:43 | 0:06:47 | |
Not now. Get out of this house. | 0:06:48 | 0:06:51 | |
Tommy, he's different... | 0:06:51 | 0:06:52 | |
You shut up. | 0:06:52 | 0:06:53 | |
It's all right, son. | 0:06:56 | 0:06:57 | |
Arthur Shelby never stays where he is not welcome. | 0:06:59 | 0:07:03 | |
Quite something you've become. | 0:07:09 | 0:07:11 | |
Bye, son. | 0:07:17 | 0:07:18 | |
He's our dad. | 0:07:30 | 0:07:31 | |
He's a selfish bastard. | 0:07:33 | 0:07:35 | |
You calling someone a selfish bastard? | 0:07:37 | 0:07:39 | |
That's a bit rich, Tommy. | 0:07:41 | 0:07:43 | |
I mean, thanks to you... | 0:07:43 | 0:07:46 | |
..we're already down a bloody sister. | 0:07:46 | 0:07:49 | |
If you want to see him, Arthur... | 0:07:49 | 0:07:51 | |
You want to see him? You can go with him. | 0:07:51 | 0:07:54 | |
Grace... | 0:08:24 | 0:08:25 | |
I am taking five pounds from petty cash all right? | 0:08:25 | 0:08:29 | |
We don't have five pounds in petty cash. | 0:08:29 | 0:08:30 | |
Then I'll take what we've got. | 0:08:30 | 0:08:32 | |
Count it and leave a receipt. | 0:08:32 | 0:08:34 | |
Arthur, there are some things in the books that I don't understand. | 0:08:36 | 0:08:40 | |
-Likewise. -Every week we pay one pound and ten shillings | 0:08:40 | 0:08:43 | |
by postal order to a "Daniel Owen" in London. | 0:08:43 | 0:08:47 | |
Danny Whizz Bang, hangs round the pubs in Camden Town Wharf for us. | 0:08:47 | 0:08:51 | |
He keeps his ears open for business. | 0:08:51 | 0:08:53 | |
He's a good man. | 0:08:53 | 0:08:55 | |
I thought Danny Whizz Bang was dead. | 0:08:55 | 0:08:56 | |
Then you thought wrong, didn't you? | 0:08:56 | 0:08:58 | |
But I've seen his grave. He was shot. | 0:08:58 | 0:09:01 | |
That was a show to satisfy the wops. | 0:09:01 | 0:09:04 | |
Tommy just shot some sheep's brains at him. | 0:09:04 | 0:09:06 | |
Who is buried in his grave? | 0:09:08 | 0:09:09 | |
Now look, Grace, if you know what's good for you, | 0:09:14 | 0:09:18 | |
you don't ask questions about things that don't concern you. | 0:09:18 | 0:09:22 | |
Never. Right! | 0:09:22 | 0:09:23 | |
And that's for you. | 0:09:23 | 0:09:25 | |
And don't tell Tommy I took this. | 0:09:26 | 0:09:28 | |
The boy needs a hiding, if you ask me. | 0:09:58 | 0:10:00 | |
Yeah, well, Aunt Polly's close to giving him one. | 0:10:00 | 0:10:03 | |
John and Ada too, it sounds like. | 0:10:03 | 0:10:05 | |
John moans on bloody principle - but if you saw his Mrs... | 0:10:05 | 0:10:09 | |
You have a girl yourself, son? | 0:10:12 | 0:10:14 | |
P'raps when it suits Tommy, eh? | 0:10:18 | 0:10:19 | |
Yeah, well... | 0:10:22 | 0:10:24 | |
..he's been different, you know, since the war. | 0:10:24 | 0:10:26 | |
Yeah, well... | 0:10:26 | 0:10:28 | |
the war can change a man. | 0:10:28 | 0:10:31 | |
Speaking for myself, anyway. | 0:10:31 | 0:10:32 | |
Where did you fight, Dad? | 0:10:32 | 0:10:35 | |
All over, son, all over. | 0:10:35 | 0:10:37 | |
Yeah, all over. | 0:10:37 | 0:10:39 | |
Then the salvation of Jesus Christ spread his light over me, | 0:10:39 | 0:10:45 | |
and, as a pilgrim, I come to visit the New World... | 0:10:45 | 0:10:50 | |
America. | 0:10:50 | 0:10:51 | |
..where I beheld the future. | 0:10:51 | 0:10:54 | |
Casinos! Money factories, son. | 0:10:56 | 0:11:00 | |
Look, I've been studying the competition, | 0:11:00 | 0:11:04 | |
their schemes, their systems. | 0:11:04 | 0:11:07 | |
-Look at that... -Show me. | 0:11:07 | 0:11:10 | |
It's all there. There's a fortune to be made here. | 0:11:10 | 0:11:13 | |
I'm an old man, and my heart's a battered vessel. But within... | 0:11:15 | 0:11:19 | |
..there still beats the fluttering pulse of a dream... | 0:11:21 | 0:11:24 | |
The Shelby Casino and Hotel... | 0:11:26 | 0:11:29 | |
Gents and dames will come flocking from all corners - | 0:11:30 | 0:11:35 | |
New York, Chicago, Boston - | 0:11:35 | 0:11:38 | |
to The Shelby, where I can stand proudly | 0:11:38 | 0:11:41 | |
with my dear children by my side. | 0:11:41 | 0:11:45 | |
And the women there! | 0:11:45 | 0:11:46 | |
Like fresh peaches. | 0:11:48 | 0:11:51 | |
Thou could have a dozen. | 0:11:51 | 0:11:52 | |
We'd all of us be kings! | 0:11:55 | 0:11:57 | |
How much, how much to get started? | 0:11:57 | 0:11:59 | |
The oak needs but an acorn. | 0:12:00 | 0:12:03 | |
Let's do it. | 0:12:05 | 0:12:07 | |
Let's do it. Let's bloody do it. | 0:12:07 | 0:12:09 | |
It would make my heart beam... | 0:12:09 | 0:12:11 | |
but I don't want to cause any discord between the brothers. | 0:12:11 | 0:12:14 | |
So, please, why don't you talk to Tommy first...? | 0:12:14 | 0:12:17 | |
I'm sick of taking orders from him. | 0:12:17 | 0:12:20 | |
Tommy's not the only one in the family with a head for business, | 0:12:20 | 0:12:25 | |
and Shelby money is Shelby money. | 0:12:25 | 0:12:29 | |
I thank God for my wonderful sons. | 0:12:29 | 0:12:33 | |
This is cause for a celebration! | 0:12:35 | 0:12:38 | |
-Yeah. -Slange. -Slange. | 0:12:38 | 0:12:41 | |
On your feet, soldier! | 0:12:47 | 0:12:48 | |
On your feet. | 0:12:50 | 0:12:51 | |
Dad, I don't want to fight you, Dad. | 0:12:59 | 0:13:01 | |
Come on, boy! I'm old enough to be thy father. | 0:13:01 | 0:13:04 | |
Hit him! Hit him! That's it! Hit him! | 0:13:04 | 0:13:07 | |
On your feet. | 0:13:13 | 0:13:15 | |
Get up. | 0:13:15 | 0:13:18 | |
All right! | 0:13:18 | 0:13:19 | |
That's it! | 0:13:21 | 0:13:23 | |
Is that all you've got, boy? | 0:13:30 | 0:13:32 | |
Get up. | 0:13:39 | 0:13:40 | |
This here is Arthur Shelby Junior! My son. | 0:13:53 | 0:13:56 | |
I love him, and I'm proud of him, | 0:13:58 | 0:13:59 | |
and he can fight any one of yous in here. | 0:13:59 | 0:14:02 | |
CHEERING AND APPLAUSE | 0:14:02 | 0:14:04 | |
-You did good, son. -You did good. | 0:14:11 | 0:14:14 | |
I love you, Dad. I love you. | 0:14:14 | 0:14:16 | |
Mr Shelby? | 0:14:35 | 0:14:36 | |
Who's asking? | 0:14:38 | 0:14:39 | |
My name is Byrne. | 0:14:40 | 0:14:41 | |
I had word from your man in Camden Town that you wanted to parley. | 0:14:43 | 0:14:46 | |
Then parley it is. | 0:14:48 | 0:14:49 | |
A few months ago a man named Ryan came to this place with | 0:14:52 | 0:14:54 | |
a view to buying some goods from you. | 0:14:54 | 0:14:57 | |
Mr Ryan met with an accident. He was shot. | 0:14:57 | 0:15:00 | |
-I heard... -He was a man with a quick mouth. I know that. | 0:15:00 | 0:15:04 | |
I wondered if he had made any enemies in here. | 0:15:04 | 0:15:07 | |
None that I know of. | 0:15:07 | 0:15:08 | |
It's not the kind of place to make enemies. | 0:15:08 | 0:15:11 | |
All are welcome here, Mr Byrne... | 0:15:11 | 0:15:12 | |
Including Irish? | 0:15:12 | 0:15:14 | |
Especially Irish. | 0:15:14 | 0:15:15 | |
Ryan told you he was a member of the Irish Republican Army. | 0:15:17 | 0:15:20 | |
Was he still welcome? | 0:15:20 | 0:15:22 | |
Like I say, any man that buys beer is welcome. | 0:15:23 | 0:15:25 | |
Perhaps you didn't believe him. | 0:15:25 | 0:15:27 | |
In pubs sometimes people say things | 0:15:33 | 0:15:36 | |
and sometimes it's the whisky talking. | 0:15:36 | 0:15:38 | |
It's hard to tell which is which. | 0:15:38 | 0:15:39 | |
As a teetotal man I find it amusing. | 0:15:41 | 0:15:44 | |
Except when it ends in tragedy. | 0:15:44 | 0:15:47 | |
Would you like some cordial and water, Mr Byrne? | 0:15:47 | 0:15:49 | |
You see, Mr Shelby, Ryan, for all his quick mouth, | 0:15:49 | 0:15:54 | |
was indeed connected. | 0:15:54 | 0:15:55 | |
Very well connected...to our brotherhood. | 0:15:56 | 0:16:00 | |
By membership and blood. He was my cousin. | 0:16:00 | 0:16:02 | |
I am from South Armagh. | 0:16:04 | 0:16:06 | |
I am a man of influence there. | 0:16:08 | 0:16:10 | |
Cordial and water would be grand, Mr Shelby. | 0:16:11 | 0:16:13 | |
Grace. Bring some water and cordial to the snug. | 0:16:17 | 0:16:20 | |
Yes, Mr Shelby. | 0:16:20 | 0:16:21 | |
My cousin came to buy guns. | 0:16:34 | 0:16:36 | |
And I told him I had none. | 0:16:36 | 0:16:37 | |
Your man Danny Owen talks a lot when he's drunk. | 0:16:39 | 0:16:41 | |
He says the Peaky Blinders do have the guns. | 0:16:44 | 0:16:46 | |
Robbed from the factory down the road. | 0:16:46 | 0:16:48 | |
He boasts about a stack of Lewis machine guns. | 0:16:48 | 0:16:50 | |
And enough belts of ammunition to hold up God's trousers. | 0:16:50 | 0:16:54 | |
Yep. That sounds like our Danny. | 0:16:54 | 0:16:57 | |
He has an imagination. | 0:16:57 | 0:16:58 | |
Like I said, sometimes it's the whisky that does the talking. | 0:16:59 | 0:17:02 | |
He says only the brothers know where the guns are kept. | 0:17:13 | 0:17:16 | |
Well, Danny also says he sees German infantrymen on the backs | 0:17:16 | 0:17:20 | |
of milk carts. And he shoots them with his broomstick. | 0:17:20 | 0:17:24 | |
We have men in the BSA factory. | 0:17:26 | 0:17:28 | |
They say it's you who has them. | 0:17:30 | 0:17:32 | |
And we have men who work in the police station. | 0:17:32 | 0:17:34 | |
Every finger, Mr Shelby, every finger in this city, | 0:17:35 | 0:17:40 | |
points in one direction. | 0:17:40 | 0:17:41 | |
Please don't mistake me for a fool. | 0:17:44 | 0:17:46 | |
Let me get to the point. | 0:18:02 | 0:18:04 | |
I don't care what kind of half-arsed tinker operation | 0:18:04 | 0:18:07 | |
you have going here. | 0:18:07 | 0:18:09 | |
But I can assure you, | 0:18:09 | 0:18:12 | |
I represent a very different category of organization. | 0:18:12 | 0:18:15 | |
My cousin was shot. | 0:18:17 | 0:18:19 | |
I am judge, jury and executioner. | 0:18:21 | 0:18:23 | |
I find you guilty and I pass sentence. | 0:18:25 | 0:18:27 | |
You deliver the guns to me | 0:18:28 | 0:18:31 | |
or I deliver death and hell's fury | 0:18:31 | 0:18:33 | |
to you and your little tribe of heathens. | 0:18:33 | 0:18:36 | |
Am I making myself clear? | 0:18:37 | 0:18:39 | |
Let me confess something to you. | 0:18:52 | 0:18:55 | |
And only to you. | 0:18:55 | 0:18:56 | |
I have the guns... | 0:18:58 | 0:19:01 | |
..but they have become a burden to me. | 0:19:01 | 0:19:03 | |
Perhaps it is time to unload that burden. | 0:19:05 | 0:19:08 | |
For the right price. | 0:19:10 | 0:19:12 | |
CHATTERING | 0:19:24 | 0:19:25 | |
MAN CLEARS THROAT | 0:19:27 | 0:19:28 | |
Malachi Byrne. | 0:19:37 | 0:19:39 | |
Brigade commander of the South Armagh IRA. | 0:19:40 | 0:19:43 | |
You've hooked yourself a big fish there. | 0:19:44 | 0:19:46 | |
With these guns as bait who knows what we'll catch? | 0:19:46 | 0:19:49 | |
'We'? | 0:19:49 | 0:19:51 | |
Are you suggesting that you and I could work together as a team? | 0:19:51 | 0:19:55 | |
Perhaps we have more in common than you think, Inspector. | 0:19:55 | 0:19:58 | |
Can you deliver him? | 0:19:59 | 0:20:01 | |
With your help. | 0:20:01 | 0:20:03 | |
And I want word put out in Ireland that I was not involved. | 0:20:03 | 0:20:06 | |
So, I would be solving a problem for you. | 0:20:08 | 0:20:10 | |
And I would be winning you that medal. | 0:20:10 | 0:20:13 | |
If I get a medal I will have your initials engraved on the backside. | 0:20:14 | 0:20:18 | |
My initials on your backside. Now, that's quite an image. | 0:20:21 | 0:20:25 | |
Inspector, since we are getting along so well, | 0:20:27 | 0:20:29 | |
can you answer me a question? | 0:20:29 | 0:20:31 | |
Who gave you Freddie Thorne? | 0:20:32 | 0:20:34 | |
As everyone in the city knows. | 0:20:35 | 0:20:37 | |
It was you, Mr Shelby. | 0:20:39 | 0:20:40 | |
KNOCKS ON DOOR | 0:20:56 | 0:20:57 | |
MUSIC: "Ball and Biscuit" by The White Stripes | 0:20:59 | 0:21:02 | |
Hello, son. | 0:21:09 | 0:21:11 | |
It's all there. | 0:21:12 | 0:21:13 | |
It is indeed. | 0:21:16 | 0:21:17 | |
We're going to build something with this, son. Something magnificent. | 0:21:18 | 0:21:22 | |
When do we sail, Dad? | 0:21:22 | 0:21:24 | |
-Hungry for work, are you? -Yeah. | 0:21:24 | 0:21:26 | |
A ship sails Friday. Meet me at the boxing ring. | 0:21:26 | 0:21:28 | |
Right. Friday. | 0:21:28 | 0:21:30 | |
Friday. | 0:21:30 | 0:21:31 | |
KNOCKS ON DOOR | 0:21:49 | 0:21:50 | |
KNOCKS CONTINUE | 0:21:56 | 0:21:57 | |
Leave that open. | 0:22:05 | 0:22:07 | |
No. | 0:22:18 | 0:22:19 | |
-Are you expecting trouble? -Yeah. | 0:22:19 | 0:22:22 | |
-At this hour? -Midnight is as good an hour as any. | 0:22:22 | 0:22:24 | |
What the hell is going on? | 0:22:24 | 0:22:26 | |
When the St Andrew's bell strikes midnight, | 0:22:26 | 0:22:28 | |
two IRA men are going to come through that door. | 0:22:28 | 0:22:32 | |
When they have what they want, they plan to kill me. | 0:22:32 | 0:22:35 | |
It's your job to stop that happening. | 0:22:35 | 0:22:36 | |
You could have given me some warning. | 0:22:36 | 0:22:38 | |
I just got the message myself. | 0:22:38 | 0:22:40 | |
They want to meet me here alone. | 0:22:40 | 0:22:41 | |
-And barmaids don't count? -No. Barmaids don't count. | 0:22:41 | 0:22:44 | |
Now, you're going to be in the back room. | 0:22:44 | 0:22:46 | |
I am going to be sitting there. | 0:22:46 | 0:22:48 | |
When I make a toast, you're going to come out with that thing raised. | 0:22:48 | 0:22:51 | |
You don't shoot, you just point, I'll do the rest. | 0:22:51 | 0:22:54 | |
Will you kill them? | 0:22:55 | 0:22:56 | |
-No, the police want them alive... -The police know about this? | 0:22:56 | 0:22:59 | |
Look, you just hold it up | 0:22:59 | 0:23:00 | |
and you just point. Right? | 0:23:00 | 0:23:03 | |
BELL BEGINS TO RING | 0:23:03 | 0:23:04 | |
Right, go, go. Go on, go. | 0:23:05 | 0:23:07 | |
BELL TOLLS MIDNIGHT | 0:23:22 | 0:23:24 | |
We'll hold back here. | 0:23:33 | 0:23:35 | |
If damage is done to either side, it's no concern of ours. | 0:23:35 | 0:23:39 | |
BELL CONTINUES TO TOLL | 0:23:39 | 0:23:41 | |
Lost your thirst, eh? | 0:24:12 | 0:24:13 | |
Just show us where. | 0:24:14 | 0:24:15 | |
Give me the cash. | 0:24:21 | 0:24:22 | |
You're going to need a shovel. | 0:24:33 | 0:24:35 | |
HE LAUGHS | 0:24:44 | 0:24:46 | |
You thick fucking tinker. | 0:24:48 | 0:24:50 | |
Did you think we'd let you live? | 0:24:50 | 0:24:52 | |
Make your peace, Mr Shelby. | 0:24:54 | 0:24:56 | |
I will make my peace my own way. | 0:24:59 | 0:25:01 | |
To barmaids who don't count... | 0:25:07 | 0:25:09 | |
Why did you shoot? | 0:27:04 | 0:27:06 | |
Why did you shoot, Grace? | 0:27:07 | 0:27:09 | |
I didn't know I had it in me like that. | 0:27:09 | 0:27:11 | |
So, now you've seen me. | 0:27:14 | 0:27:15 | |
And you've seen me... | 0:27:19 | 0:27:21 | |
..and I'm sorry. | 0:27:23 | 0:27:25 | |
You were supposed to come on the sixth chime. | 0:27:42 | 0:27:45 | |
You were supposed to come on the fucking sixth chime. | 0:27:45 | 0:27:48 | |
They refused to surrender. | 0:27:55 | 0:27:56 | |
They fought well. They were brave men. | 0:27:58 | 0:28:00 | |
Well, he looks like he was killed by a wild fucking animal. | 0:28:03 | 0:28:06 | |
Still... | 0:28:08 | 0:28:10 | |
This never happened and they were never here, who cares? | 0:28:10 | 0:28:15 | |
Will you get the bodies out of here. | 0:28:15 | 0:28:17 | |
All right, are they...? Are they making the lady uncomfortable? | 0:28:17 | 0:28:20 | |
I'll leave you two love birds to it then, eh? | 0:28:21 | 0:28:23 | |
Thank you. | 0:29:12 | 0:29:13 | |
I'm sorry. | 0:29:17 | 0:29:19 | |
First of all, let me say I had no idea he would | 0:29:57 | 0:30:01 | |
involve you in this ugly business. | 0:30:01 | 0:30:03 | |
If I had, I never would have let it happen. | 0:30:03 | 0:30:06 | |
He trusts me. I told you that. | 0:30:06 | 0:30:08 | |
You didn't believe me. | 0:30:08 | 0:30:10 | |
Sergeant Moss made a report. Which, of course, I have burnt. | 0:30:13 | 0:30:16 | |
He said that when he entered the room, you were embracing. | 0:30:16 | 0:30:20 | |
Is that your primary concern? An embrace? | 0:30:21 | 0:30:24 | |
My...my concern is your welfare. | 0:30:26 | 0:30:29 | |
It was me who killed them. | 0:30:29 | 0:30:30 | |
I had no control. | 0:30:33 | 0:30:34 | |
You have been living with beasts. | 0:30:35 | 0:30:37 | |
It was the beast that tried to stop me. | 0:30:38 | 0:30:40 | |
I believe last night something inside me changed. | 0:30:48 | 0:30:51 | |
I no longer feel the need to avenge my father. | 0:30:52 | 0:30:55 | |
The hatred that I brought with me here has gone. | 0:30:55 | 0:30:58 | |
And therefore my reasons for joining the service. | 0:31:00 | 0:31:03 | |
You want to resign? | 0:31:03 | 0:31:04 | |
I think our mission has come to a natural end. | 0:31:06 | 0:31:08 | |
I think I know where the guns are hidden. | 0:31:11 | 0:31:13 | |
You do? So? Tell me where. | 0:31:13 | 0:31:15 | |
If I am right, and the guns are found, | 0:31:15 | 0:31:17 | |
you will have no more business with Thomas Shelby. | 0:31:17 | 0:31:19 | |
Is that not so? Our military mission will be over. | 0:31:19 | 0:31:22 | |
And we can leave the city as we found it. | 0:31:22 | 0:31:24 | |
Are you trying to... do a deal with me? | 0:31:26 | 0:31:28 | |
Because if you are, you must be explicit. | 0:31:28 | 0:31:32 | |
I want your word that Thomas Shelby will not be harmed | 0:31:32 | 0:31:36 | |
if the guns are recovered. | 0:31:36 | 0:31:37 | |
Your word as a gentleman. | 0:31:37 | 0:31:39 | |
Will you give it? | 0:31:40 | 0:31:41 | |
Why...would you want to save him? | 0:31:41 | 0:31:43 | |
A residue of sympathy. | 0:31:45 | 0:31:47 | |
Sympathy? You mean sentiment? | 0:31:47 | 0:31:49 | |
Yes. | 0:31:51 | 0:31:53 | |
In his way, he has been kind to me. | 0:31:53 | 0:31:55 | |
Sentiment. | 0:31:56 | 0:31:57 | |
Yes. | 0:31:57 | 0:31:58 | |
You are too good-hearted for this work. | 0:32:05 | 0:32:07 | |
Perhaps. | 0:32:08 | 0:32:09 | |
So, for my sake, will you spare him? | 0:32:11 | 0:32:13 | |
You have my word. | 0:32:16 | 0:32:17 | |
A week after the robbery there was a burial at St Andrews' churchyard. | 0:32:21 | 0:32:26 | |
I have found out the man supposed to be buried is alive. | 0:32:26 | 0:32:29 | |
Arthur is quite transparent. | 0:32:30 | 0:32:32 | |
I learned that the funeral was attended only by the brothers. | 0:32:32 | 0:32:37 | |
And the grave that was dug was far deeper than your average | 0:32:37 | 0:32:40 | |
and was lined with lead... | 0:32:40 | 0:32:41 | |
..to keep out the damp. | 0:32:42 | 0:32:44 | |
The guns are buried in that grave. | 0:32:47 | 0:32:49 | |
Then, tonight, we will dig up the grave. | 0:32:51 | 0:32:54 | |
# When my family thinks that I'm safely in my bed | 0:32:56 | 0:33:04 | |
# Oh, from morn until night | 0:33:04 | 0:33:08 | |
# I am stretched out at your head | 0:33:08 | 0:33:12 | |
# Calling out unto the earth | 0:33:12 | 0:33:17 | |
# With tears hot and wild | 0:33:17 | 0:33:20 | |
# For the loss of a boy | 0:33:20 | 0:33:24 | |
# That I loved as a child... # | 0:33:26 | 0:33:31 | |
Please, please go to sleep. | 0:33:31 | 0:33:33 | |
# So, I am stretched on your grave | 0:33:33 | 0:33:36 | |
# And I'll lie here for ever | 0:33:36 | 0:33:40 | |
# If your hands were in mine | 0:33:40 | 0:33:43 | |
# I'd be sure they would not sever | 0:33:43 | 0:33:48 | |
# My apple tree, my brightness | 0:33:48 | 0:33:53 | |
# It's time we were together... # | 0:33:53 | 0:33:56 | |
Well done, boys! | 0:33:56 | 0:33:58 | |
# For I smell of the earth | 0:33:58 | 0:34:02 | |
# And I'm worn by the weather. # | 0:34:02 | 0:34:07 | |
All, but one gun accounted for. | 0:34:16 | 0:34:18 | |
Then, Sir, I resign my commission. | 0:34:29 | 0:34:31 | |
Good. | 0:34:33 | 0:34:36 | |
Good. | 0:34:36 | 0:34:37 | |
So, I am no longer your superior officer and | 0:34:39 | 0:34:44 | |
you are no longer my subordinate. | 0:34:44 | 0:34:46 | |
And therefore... | 0:34:48 | 0:34:49 | |
..regulations permit me... | 0:34:52 | 0:34:53 | |
to offer you this. | 0:34:55 | 0:34:56 | |
I am...I am a simple man, but a good man. | 0:35:04 | 0:35:08 | |
And my admiration for you... | 0:35:09 | 0:35:11 | |
..has turned to love. | 0:35:13 | 0:35:14 | |
I don't ask for love in return. Just... | 0:35:16 | 0:35:19 | |
..recognition that we are like minds... | 0:35:20 | 0:35:23 | |
..with shared values. | 0:35:24 | 0:35:26 | |
Grace... | 0:35:27 | 0:35:28 | |
..will you marry me? | 0:35:30 | 0:35:31 | |
Mr Campbell... | 0:35:45 | 0:35:46 | |
..you deserve better. | 0:35:51 | 0:35:52 | |
Is it him between us? | 0:36:04 | 0:36:05 | |
Is it the beast that dug that grave? Is it him? | 0:36:06 | 0:36:10 | |
My resignation will be with you in the morning... | 0:36:12 | 0:36:14 | |
WHISTLE BLOWS | 0:36:27 | 0:36:29 | |
Dad! | 0:36:34 | 0:36:35 | |
Hullo, son. May I ask who gave my whereabouts? | 0:36:40 | 0:36:44 | |
Marston. | 0:36:44 | 0:36:46 | |
Said you left him last night with a bill for your whores. | 0:36:46 | 0:36:49 | |
Well, at least we got to say goodbye, son. | 0:36:49 | 0:36:52 | |
And bid a fond adieu to your dear brothers, would you? | 0:36:52 | 0:36:55 | |
How...how could you do this to us? | 0:36:57 | 0:36:58 | |
Do what, son? | 0:36:58 | 0:36:59 | |
All that stuff you said about...the Shelby Casino... | 0:36:59 | 0:37:04 | |
..and Atlantic City. | 0:37:06 | 0:37:08 | |
Well, if the truth be told, I've not been | 0:37:08 | 0:37:10 | |
so acquainted with that promised land as I had thee believe. | 0:37:10 | 0:37:14 | |
You're a fucking liar and a thief. | 0:37:17 | 0:37:22 | |
You give me back my fucking money. | 0:37:22 | 0:37:24 | |
"Do not despise the thief, if he steals to | 0:37:25 | 0:37:28 | |
"satisfy his starvation" | 0:37:28 | 0:37:31 | |
That's in the Holy Bible, son. | 0:37:32 | 0:37:34 | |
And I've starved for so very long. | 0:37:35 | 0:37:38 | |
Fare thee well, son. | 0:37:40 | 0:37:43 | |
I waited for you. | 0:37:46 | 0:37:48 | |
I waited. | 0:37:50 | 0:37:51 | |
Listen to me, boy. You are not in the prize ring now. | 0:37:55 | 0:38:00 | |
If you ever put your hands on me again, | 0:38:00 | 0:38:02 | |
I'll cut your fucking throat and spread you on these tracks. | 0:38:02 | 0:38:06 | |
DOOR OPENS | 0:38:38 | 0:38:40 | |
Where's your father? | 0:38:47 | 0:38:48 | |
I'm assuming he's busy frittering the 500 you took from us | 0:38:54 | 0:38:56 | |
and put in his thieving, whore-groping hands. | 0:38:56 | 0:38:59 | |
What were you thinking? | 0:39:02 | 0:39:04 | |
How dare you do something like that without talking to Thomas or me? | 0:39:04 | 0:39:08 | |
Does Tommy know? | 0:39:12 | 0:39:13 | |
No. But you're going to tell him. | 0:39:22 | 0:39:25 | |
You might take satisfaction in a great victory. | 0:39:27 | 0:39:32 | |
A terrible consequence has been avoided. | 0:39:32 | 0:39:35 | |
'Those guns that we dug up will never be used to murder the innocent | 0:39:37 | 0:39:42 | |
'or usurp the status quo. | 0:39:42 | 0:39:44 | |
'But, even though we have solved a crime, | 0:39:44 | 0:39:47 | |
'we have as yet failed to punish the criminal.' | 0:39:47 | 0:39:51 | |
This man who dug that grave has also dug his own. | 0:39:51 | 0:39:57 | |
He has proved himself a deadly menace to the King's peace. | 0:39:57 | 0:40:01 | |
'And tonight we will strike him down. | 0:40:01 | 0:40:04 | |
'We will drive our swords through his black heart, | 0:40:04 | 0:40:08 | |
'we will pursue him into the rat holes that he infests.' | 0:40:08 | 0:40:12 | |
And, finally, we will rid this city of his kind. | 0:40:12 | 0:40:17 | |
Justice will be done and will be seen to be done. | 0:40:17 | 0:40:22 | |
Amen. | 0:40:23 | 0:40:24 | |
There's going to be trouble now, Finn. | 0:40:27 | 0:40:30 | |
You look after yourself, do you hear me? | 0:40:30 | 0:40:32 | |
I'm going to be going away for a while. Right... Go on. | 0:40:32 | 0:40:35 | |
Right... Who wants to fucking fight? | 0:40:44 | 0:40:48 | |
Fighting's over. We're closing up and moving on. | 0:40:48 | 0:40:52 | |
I said who wants to fucking fight? | 0:40:52 | 0:40:54 | |
My name is Arthur fucking Shelby! | 0:40:54 | 0:40:58 | |
Who dares to fight me?! | 0:41:03 | 0:41:05 | |
Go home, lad. Before you catch yourself a spanking. | 0:41:05 | 0:41:08 | |
My brother in Digbeth just says the police are coming down | 0:41:20 | 0:41:23 | |
from Deritend in numbers. | 0:41:23 | 0:41:25 | |
Asking for Tommy Shelby by name. | 0:41:25 | 0:41:26 | |
Shit. | 0:41:29 | 0:41:30 | |
-I'm going to have to lie low for a while. -Why? | 0:41:40 | 0:41:42 | |
I lost my bargaining power. | 0:41:42 | 0:41:44 | |
This copper, it's just me and him now. | 0:41:44 | 0:41:47 | |
When I get back... | 0:41:47 | 0:41:48 | |
..I'll tell you some things. | 0:41:49 | 0:41:51 | |
Harry said the police are already in Digbeth. | 0:41:51 | 0:41:53 | |
-Yeah. -You took a chance coming here, why? | 0:41:53 | 0:41:57 | |
The police are in the lane, Tommy. | 0:41:57 | 0:42:00 | |
Come with me. | 0:42:00 | 0:42:01 | |
HE SLAMS THE GUN DOWN | 0:43:00 | 0:43:01 | |
I'm looking for Thomas Shelby. | 0:43:15 | 0:43:18 | |
Never heard of him. | 0:43:26 | 0:43:27 | |
You'll never find him. | 0:43:33 | 0:43:35 | |
Go home. | 0:43:43 | 0:43:44 | |
Perhaps I should ask the question again. | 0:43:52 | 0:43:54 | |
On your knees. | 0:43:56 | 0:43:57 | |
Now, understand this, barman. | 0:44:03 | 0:44:06 | |
I don't care if you live or die. | 0:44:07 | 0:44:10 | |
I don't know. | 0:44:10 | 0:44:11 | |
He left... | 0:44:21 | 0:44:22 | |
..with the barmaid. | 0:44:24 | 0:44:25 | |
He left with Grace. | 0:44:27 | 0:44:28 | |
I think they were going to her place. | 0:44:30 | 0:44:32 | |
Call it off. | 0:44:40 | 0:44:41 | |
I don't understand, sir. We should find the barmaid... | 0:44:42 | 0:44:45 | |
Call it all off! | 0:44:45 | 0:44:46 | |
All of it! | 0:44:48 | 0:44:49 | |
Get in. | 0:44:51 | 0:44:52 | |
It's not much of a place. | 0:45:09 | 0:45:10 | |
It's all right. | 0:45:11 | 0:45:13 | |
You want tea? | 0:45:13 | 0:45:14 | |
Tea? No. | 0:45:14 | 0:45:16 | |
I have rum... | 0:45:16 | 0:45:18 | |
Actually, tea it is. | 0:45:18 | 0:45:20 | |
You want to impress me? | 0:45:20 | 0:45:21 | |
Yes. And do you have a biscuit? | 0:45:21 | 0:45:23 | |
No. They attract mice. | 0:45:24 | 0:45:26 | |
People look different at home. | 0:45:28 | 0:45:30 | |
In what way? | 0:45:30 | 0:45:31 | |
Off guard. | 0:45:32 | 0:45:33 | |
Should I be on my guard? | 0:45:36 | 0:45:38 | |
No, I'm a man who drinks tea. | 0:45:38 | 0:45:40 | |
When the trouble dies down, I'll go. | 0:45:55 | 0:45:57 | |
When will it die down, do you think? | 0:46:04 | 0:46:05 | |
Late, I would say. | 0:46:07 | 0:46:08 | |
So, not until the morning then. | 0:46:12 | 0:46:13 | |
Yes. I'd say I'll be here till morning. | 0:46:16 | 0:46:18 | |
You have a gramophone? | 0:46:26 | 0:46:27 | |
It's broken. | 0:46:27 | 0:46:28 | |
We could still dance. | 0:46:28 | 0:46:30 | |
Yes. Why not. | 0:46:35 | 0:46:36 | |
I know you like to be asked properly. | 0:46:41 | 0:46:43 | |
Grace, can I have this dance? | 0:46:47 | 0:46:48 | |
Are you OK? | 0:49:01 | 0:49:02 | |
I don't hear the shovels against the wall. | 0:49:03 | 0:49:05 | |
What shovels? | 0:49:08 | 0:49:09 | |
Will you help me? | 0:49:13 | 0:49:14 | |
Help you with what? | 0:49:17 | 0:49:18 | |
With everything... | 0:49:18 | 0:49:19 | |
..the whole fucking thing. | 0:49:21 | 0:49:23 | |
Fucking life... | 0:49:23 | 0:49:25 | |
..business. | 0:49:25 | 0:49:27 | |
I've found you. | 0:49:29 | 0:49:30 | |
And you found me. | 0:49:33 | 0:49:34 | |
We'll help each other. | 0:49:37 | 0:49:38 | |
MUSIC: "Time" by Tom Waits | 0:49:59 | 0:50:01 | |
# Well, the smart money's on Harlow | 0:50:01 | 0:50:03 | |
# And the moon is in the street | 0:50:03 | 0:50:06 | |
# And the shadow boys are breaking all the laws | 0:50:06 | 0:50:10 | |
# And you're east of East Saint Louis and the wind is making speeches | 0:50:11 | 0:50:17 | |
# And the rain sounds like a round of applause | 0:50:17 | 0:50:21 | |
# And Napoleon is weeping in a carnival saloon | 0:50:22 | 0:50:28 | |
# His invisible fiancee's in the mirror... # | 0:50:28 | 0:50:32 | |
HE SOBS | 0:50:32 | 0:50:33 | |
# And the band is going home, | 0:50:33 | 0:50:35 | |
# It's raining hammers, it's raining nails | 0:50:35 | 0:50:39 | |
# And it's true there's nothing left for him down here. | 0:50:39 | 0:50:44 | |
# And it's time, time, time... | 0:50:44 | 0:50:48 | |
# And it's time, time, time... # | 0:50:50 | 0:50:53 | |
Our Father, who art in heaven. | 0:50:53 | 0:50:57 | |
Hallowed be thy name.... | 0:50:58 | 0:51:00 | |
# And they all pretend they're orphans | 0:51:07 | 0:51:10 | |
# And their memory's like a train | 0:51:10 | 0:51:12 | |
# You can see it getting smaller as it pulls away | 0:51:12 | 0:51:16 | |
# And the things you can't remember | 0:51:18 | 0:51:21 | |
# Tell the things you can't forget | 0:51:21 | 0:51:24 | |
# That history puts a saint in every dream | 0:51:25 | 0:51:27 | |
# Well, she said she'd stick around... # | 0:51:29 | 0:51:32 | |
HE GASPS AND BREATHES | 0:51:32 | 0:51:33 | |
HE COUGHS AND SOBS | 0:51:41 | 0:51:42 | |
# So, close your eyes, son, and this won't hurt a bit... # | 0:51:45 | 0:51:50 | |
PHONE RINGS | 0:51:50 | 0:51:52 | |
Send a telegram to Mr Churchill... | 0:51:58 | 0:52:00 | |
I have news, very good news. | 0:52:02 | 0:52:04 | |
Tell him the business I came to attend to is now complete. | 0:52:06 | 0:52:09 | |
'I'll be leaving the city. | 0:52:10 | 0:52:12 | |
'There's just one matter I need to tidy up first.' | 0:52:13 | 0:52:17 | |
# And it's time, time, time that you love | 0:52:20 | 0:52:22 | |
# And it's time, time, time | 0:52:23 | 0:52:28 | |
# And it's time, time, time... | 0:52:28 | 0:52:33 | |
DOOR OPENS | 0:52:34 | 0:52:36 | |
Polly told you? | 0:52:58 | 0:52:59 | |
Yep. | 0:53:01 | 0:53:03 | |
You should have used a gun. | 0:53:15 | 0:53:17 | |
Are you laughing at me, Tommy? | 0:53:19 | 0:53:21 | |
Yeah. | 0:53:21 | 0:53:22 | |
Just when things are starting to go right, Arthur... | 0:53:25 | 0:53:28 | |
you try and do this. | 0:53:28 | 0:53:29 | |
Don't you like fancy parties? | 0:53:33 | 0:53:35 | |
Or, um... | 0:53:35 | 0:53:36 | |
..champagne or fast cars? | 0:53:38 | 0:53:39 | |
Or how about this...? | 0:53:42 | 0:53:43 | |
Your name on a business card. | 0:53:48 | 0:53:51 | |
Shelby... | 0:53:51 | 0:53:52 | |
..Brothers Limited. | 0:53:53 | 0:53:55 | |
Arthur Shelby. | 0:53:55 | 0:53:57 | |
Associate bookmaker. | 0:53:57 | 0:53:58 | |
I just had them picked up from the printers this morning. | 0:53:59 | 0:54:02 | |
You're one of three shareholders. | 0:54:02 | 0:54:04 | |
Me, you and John, and according to the law, we are equal partners... | 0:54:06 | 0:54:11 | |
and it's written on the paperwork in black and white. | 0:54:11 | 0:54:15 | |
A third, a third, a third. | 0:54:15 | 0:54:17 | |
But the thing is... | 0:54:21 | 0:54:22 | |
well, me and John quite fancy splitting your share so, | 0:54:22 | 0:54:26 | |
just next time, use a gun, man. | 0:54:26 | 0:54:28 | |
Our men at the station tell me that copper is leaving town. | 0:54:33 | 0:54:36 | |
We're in the clear. | 0:54:37 | 0:54:39 | |
We are on our way up in the world, brother. | 0:54:42 | 0:54:44 | |
Believe me. | 0:54:47 | 0:54:48 | |
MUSIC: "Bring It On" by Nick Cave | 0:54:54 | 0:54:56 | |
# This garden that I built for you | 0:54:56 | 0:54:59 | |
# That you sit in now and yearn | 0:55:00 | 0:55:04 | |
# I will never leave it, dear | 0:55:07 | 0:55:10 | |
# I could not bear to return | 0:55:10 | 0:55:13 | |
# And find it all untended | 0:55:15 | 0:55:18 | |
# With the trees all bended low | 0:55:19 | 0:55:23 | |
# This garden is our home, dear | 0:55:25 | 0:55:28 | |
# And I got nowhere else to go | 0:55:28 | 0:55:32 | |
# So, bring it on | 0:55:34 | 0:55:36 | |
# Bring it on | 0:55:41 | 0:55:42 | |
# Every little tear | 0:55:42 | 0:55:45 | |
# Bring it on, every useless fear | 0:55:50 | 0:55:55 | |
# Bring it on, all your shattered dreams | 0:55:59 | 0:56:04 | |
# And I'll scatter them into the sea | 0:56:06 | 0:56:10 | |
# Bring it on | 0:56:16 | 0:56:18 | |
# Bring it on | 0:56:18 | 0:56:21 | |
# Get it on | 0:56:21 | 0:56:22 | |
# Yeah, bring it on | 0:56:22 | 0:56:23 | |
# Every little tear | 0:56:23 | 0:56:28 | |
# And I'll make them disappear. # | 0:56:29 | 0:56:33 | |
Subtitles by Red Bee Media Ltd | 0:56:39 | 0:56:42 |