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Mr Churchill... | 0:00:02 | 0:00:03 | |
If there are bodies to be buried, | 0:00:03 | 0:00:06 | |
dig holes and dig them deep. | 0:00:06 | 0:00:09 | |
Don't do this in here. | 0:00:09 | 0:00:10 | |
You're taking me away from my baby! | 0:00:10 | 0:00:12 | |
-Freddie! -Ada! | 0:00:12 | 0:00:14 | |
It wasn't me who shopped Freddie Thorne. | 0:00:14 | 0:00:17 | |
He trusts me. I told you that. | 0:00:17 | 0:00:20 | |
I think I know where the guns are hidden. | 0:00:20 | 0:00:22 | |
I want your word that Thomas Shelby will not be harmed | 0:00:22 | 0:00:26 | |
if the guns are recovered. | 0:00:26 | 0:00:27 | |
It would be an honour to work with you, Mr Kimber. | 0:00:30 | 0:00:33 | |
Nobody works with me. People work FOR me. | 0:00:33 | 0:00:37 | |
A black star? What does that mean? | 0:00:38 | 0:00:41 | |
Black star day is the day we take out Billy Kimber and his men. | 0:00:41 | 0:00:45 | |
Grace...will you marry me? | 0:00:47 | 0:00:51 | |
You deserve better. | 0:00:51 | 0:00:52 | |
Is it him?! | 0:00:52 | 0:00:55 | |
-Where is he? -He left. | 0:00:55 | 0:00:57 | |
With the barmaid. | 0:00:58 | 0:00:59 | |
This programme contains some violent scenes | 0:01:02 | 0:01:09 | |
This programme contains some strong language | 0:01:09 | 0:01:16 | |
This programme contains scenes of a sexual nature | 0:01:16 | 0:01:23 | |
Service. | 0:02:24 | 0:02:26 | |
HE KNOCKS AT DOOR | 0:02:26 | 0:02:28 | |
We don't open two more hours. You come back later. | 0:02:28 | 0:02:31 | |
Police. | 0:02:32 | 0:02:34 | |
Inspector Campbell, sir. | 0:02:40 | 0:02:42 | |
Any trouble, sir? | 0:02:42 | 0:02:45 | |
Look... | 0:02:45 | 0:02:47 | |
I know. | 0:02:47 | 0:02:49 | |
I know. | 0:02:49 | 0:02:51 | |
That is, I am given to understand by several of my officers... | 0:02:53 | 0:02:57 | |
HE CLEARS HIS THROAT | 0:02:57 | 0:02:58 | |
..several of my officers, that people come here... | 0:02:58 | 0:03:02 | |
..that men come here for... | 0:03:04 | 0:03:07 | |
a certain purpose. | 0:03:07 | 0:03:09 | |
MUSIC: "Red Right Hand" by Nick Cave and The Bad Seeds | 0:03:12 | 0:03:15 | |
Arthur? Arthur, wake up. | 0:03:24 | 0:03:26 | |
Get home, get bathed. | 0:03:27 | 0:03:29 | |
Check your kit, check your weapons. | 0:03:29 | 0:03:31 | |
Why? | 0:03:34 | 0:03:35 | |
What's going on? | 0:03:37 | 0:03:39 | |
We're doing it today. | 0:03:40 | 0:03:42 | |
# Where secrets lie in the border fires | 0:03:45 | 0:03:49 | |
# In the humming wires | 0:03:49 | 0:03:51 | |
# Hey man, you know you're never coming back... # | 0:03:51 | 0:03:55 | |
Fetch the wagons, Charlie. | 0:03:55 | 0:03:57 | |
It's today. | 0:03:57 | 0:03:59 | |
# On a gathering storm comes a tall handsome man | 0:04:02 | 0:04:06 | |
# In a dusty black coat | 0:04:06 | 0:04:08 | |
# With a red right hand... # | 0:04:08 | 0:04:10 | |
-BOY: -Dad? Our Katie's done a wee in the bed again. | 0:04:20 | 0:04:24 | |
I'll be there in a minute, mate. | 0:04:25 | 0:04:27 | |
BANGING AT DOOR | 0:04:27 | 0:04:30 | |
John, I've told you to keep the doors locked. | 0:04:30 | 0:04:32 | |
I could've been anyone. | 0:04:32 | 0:04:34 | |
Get dressed. | 0:04:34 | 0:04:35 | |
We're doing it today. | 0:04:35 | 0:04:36 | |
As a matter of fact, he's doing me today. | 0:04:36 | 0:04:39 | |
Make sure he's done you by nine. | 0:04:39 | 0:04:40 | |
You should learn to knock! | 0:04:40 | 0:04:41 | |
It's not a day for knocking. | 0:04:41 | 0:04:43 | |
Dear Lord, make this day pass well. | 0:04:46 | 0:04:48 | |
Let none get hurt | 0:04:49 | 0:04:51 | |
and make them that do not Shelbys. | 0:04:51 | 0:04:54 | |
Watch John, | 0:04:56 | 0:04:58 | |
cos he has so many depending on him. | 0:04:58 | 0:05:00 | |
Watch Arthur | 0:05:01 | 0:05:03 | |
because he's as likely to hurt himself as anyone else. | 0:05:03 | 0:05:07 | |
Watch Thomas. | 0:05:07 | 0:05:09 | |
I know how he is. | 0:05:11 | 0:05:13 | |
But he does what he does for us. | 0:05:13 | 0:05:15 | |
I think. | 0:05:18 | 0:05:20 | |
Amen. | 0:05:20 | 0:05:21 | |
I used to do that every morning during the war. | 0:05:28 | 0:05:31 | |
I hoped I'd done it for the last time. | 0:05:31 | 0:05:33 | |
Today will be the last time, Poll. | 0:05:33 | 0:05:35 | |
After today, there'll be no need for prayers. | 0:05:37 | 0:05:40 | |
We'll be set. | 0:05:40 | 0:05:41 | |
Family meeting, half ten. | 0:05:44 | 0:05:46 | |
I'm sorry I kept you. It is so early. | 0:06:00 | 0:06:03 | |
Yes. I-I... | 0:06:04 | 0:06:06 | |
I didn't sleep last night. | 0:06:06 | 0:06:08 | |
Mr Zhang said you are special, special customer. | 0:06:11 | 0:06:14 | |
Do you want to sit? | 0:06:26 | 0:06:28 | |
Do you want to take off your boots? | 0:06:36 | 0:06:38 | |
Yes. | 0:06:40 | 0:06:41 | |
And...this. | 0:06:50 | 0:06:52 | |
So tight. | 0:06:58 | 0:06:59 | |
We can also clean and press your shirt while we do this. | 0:07:12 | 0:07:16 | |
That's a very efficient service. | 0:07:16 | 0:07:18 | |
You never been to a place like this before? | 0:07:21 | 0:07:23 | |
It's OK. | 0:07:26 | 0:07:27 | |
Sometimes old men who have lost their wives, they come here... | 0:07:27 | 0:07:31 | |
all the time. | 0:07:31 | 0:07:33 | |
Old men? | 0:07:33 | 0:07:34 | |
I am so old? | 0:07:34 | 0:07:36 | |
No! I mean I am young. | 0:07:36 | 0:07:39 | |
Anyway... | 0:07:39 | 0:07:42 | |
I'll make you young as well. | 0:07:42 | 0:07:44 | |
Whore. | 0:08:45 | 0:08:46 | |
'Dear Grace. | 0:08:59 | 0:09:01 | |
'I write this letter to you with a heavy heart. | 0:09:01 | 0:09:05 | |
'I know exactly what you did, and with whom. | 0:09:05 | 0:09:10 | |
'I will not mention any of it in my report. | 0:09:10 | 0:09:13 | |
'However, you should be aware that I know you gave yourself to the man | 0:09:13 | 0:09:19 | |
'who is our sworn enemy. | 0:09:19 | 0:09:21 | |
'That is not only treason, | 0:09:21 | 0:09:23 | |
'it is disgusting beyond all measure. | 0:09:23 | 0:09:28 | |
'Your father would be ashamed of you. | 0:09:28 | 0:09:30 | |
'And as for myself... I am beyond desolation. | 0:09:30 | 0:09:34 | |
'You have betrayed every principle | 0:09:34 | 0:09:37 | |
'and standard of honour that was your birthright. | 0:09:37 | 0:09:41 | |
'And for what?' | 0:09:41 | 0:09:43 | |
THEY GASP | 0:09:43 | 0:09:45 | |
Love. | 0:09:45 | 0:09:46 | |
Oh, my God, I'm sorry. Did I do that? | 0:10:09 | 0:10:11 | |
It's OK. You are special, special customer. | 0:10:11 | 0:10:15 | |
Would you sit with me for a moment? | 0:10:16 | 0:10:18 | |
Please. | 0:10:18 | 0:10:19 | |
ZHANG AND CHIN SPEAK IN CHINESE | 0:10:41 | 0:10:44 | |
For the suits. | 0:10:54 | 0:10:55 | |
You want to hear something funny? | 0:10:55 | 0:10:57 | |
-WHISPERS: -Campbell was in the back room with one of my girls. | 0:11:09 | 0:11:12 | |
GUN COCKS | 0:11:21 | 0:11:22 | |
I am unarmed. | 0:11:24 | 0:11:26 | |
It's curious, Inspector. | 0:11:30 | 0:11:33 | |
I thought you came here to clean up the city. | 0:11:33 | 0:11:36 | |
Not to sleep with its whores. | 0:11:36 | 0:11:38 | |
You're no different from any other copper that came before you. | 0:11:40 | 0:11:44 | |
I'm no different from those who would follow | 0:11:44 | 0:11:46 | |
should I choose to leave. | 0:11:46 | 0:11:48 | |
You've no reason to stay. | 0:11:48 | 0:11:50 | |
You have what you came for. | 0:11:50 | 0:11:52 | |
Yes. I have what I came for. | 0:11:52 | 0:11:54 | |
I have a meeting with Mr Winston Churchill at midday. | 0:11:55 | 0:11:59 | |
And no doubt he intends to congratulate me | 0:11:59 | 0:12:02 | |
on finding those stolen guns. | 0:12:02 | 0:12:05 | |
And you still don't know how we found them, do you? | 0:12:05 | 0:12:09 | |
Good. | 0:12:09 | 0:12:11 | |
Oh, you got lucky. | 0:12:11 | 0:12:12 | |
Did I? | 0:12:12 | 0:12:14 | |
Yeah. | 0:12:14 | 0:12:15 | |
One thing I have learned... | 0:12:16 | 0:12:18 | |
..is that you and I are opposites, | 0:12:20 | 0:12:23 | |
but also just the same. | 0:12:23 | 0:12:24 | |
Like an image in a mirror. | 0:12:27 | 0:12:28 | |
We hate people. | 0:12:31 | 0:12:33 | |
And they in turn hate us. | 0:12:36 | 0:12:38 | |
And fear us. | 0:12:40 | 0:12:41 | |
Before the day is over, your heart will be broken... | 0:12:46 | 0:12:49 | |
..just the same as mine. | 0:12:51 | 0:12:53 | |
Men like us, Mr Shelby... | 0:12:57 | 0:12:59 | |
..will always be alone. | 0:13:00 | 0:13:02 | |
And what love we get... | 0:13:04 | 0:13:05 | |
..we will have to pay for. | 0:13:07 | 0:13:08 | |
You forget, Inspector. | 0:13:10 | 0:13:12 | |
I have my family. | 0:13:14 | 0:13:15 | |
Enjoy your day. | 0:13:19 | 0:13:21 | |
BABY CRIES | 0:13:28 | 0:13:30 | |
Oh, little one... | 0:13:33 | 0:13:34 | |
You're much better with him than I am. | 0:13:34 | 0:13:37 | |
He settles quicker with me cos he can't smell the milk. | 0:13:38 | 0:13:42 | |
You're tired. Let's put him down. | 0:13:42 | 0:13:44 | |
Mine were terrors for the tit. | 0:13:50 | 0:13:53 | |
Both of them. | 0:13:53 | 0:13:54 | |
Well, you never knew my children, did you? | 0:13:55 | 0:13:58 | |
No, I was a child myself, then. | 0:13:58 | 0:14:00 | |
You never talk about them. | 0:14:02 | 0:14:04 | |
Never had reason to. | 0:14:04 | 0:14:06 | |
My heart breaks even when I think about them. | 0:14:10 | 0:14:12 | |
But today... | 0:14:16 | 0:14:19 | |
I do have reason to. | 0:14:19 | 0:14:21 | |
Sit down, Ada. | 0:14:21 | 0:14:23 | |
They were three and five years old. | 0:14:32 | 0:14:34 | |
Sally was three, Michael was five. Well... | 0:14:35 | 0:14:39 | |
two weeks away from being six. | 0:14:39 | 0:14:41 | |
It was Sunday morning. I was at church. | 0:14:44 | 0:14:47 | |
"You're not forgiven." | 0:14:51 | 0:14:54 | |
This...pinch-faced bitch said to me, "You're not forgiven." | 0:14:54 | 0:14:59 | |
You see, some sheets I washed and hung on the line | 0:14:59 | 0:15:02 | |
had the name of a hotel on them. | 0:15:02 | 0:15:04 | |
They'd been stolen in a robbery, | 0:15:04 | 0:15:06 | |
and they said some porter at the hotel had been coshed. | 0:15:06 | 0:15:10 | |
And a woman from round here told the police about the sheets - | 0:15:10 | 0:15:13 | |
jealous, you see, of the new sheets. | 0:15:13 | 0:15:16 | |
And when the police came, | 0:15:16 | 0:15:18 | |
they found a spirit still for making a few drops of gin. | 0:15:18 | 0:15:23 | |
And for that... | 0:15:26 | 0:15:28 | |
..they took my children from me. | 0:15:31 | 0:15:33 | |
And they never told me where they took them. | 0:15:35 | 0:15:38 | |
And they did it cos they could. And cos I was weak. | 0:15:38 | 0:15:42 | |
But they will never take your baby away from you. | 0:15:42 | 0:15:45 | |
Do you know why? | 0:15:45 | 0:15:47 | |
Cos Tommy wouldn't let them. | 0:15:48 | 0:15:50 | |
Cos Tommy won't let them walk all over us. | 0:15:50 | 0:15:53 | |
Now it is Tommy who has given strength and power to this family. | 0:15:53 | 0:15:57 | |
Cos he knows... | 0:15:58 | 0:16:00 | |
..you have to be as bad as them above in order to survive. | 0:16:01 | 0:16:04 | |
I'm telling you this cos I want you to forgive him. | 0:16:06 | 0:16:10 | |
How can I? | 0:16:10 | 0:16:11 | |
When my Freddie's rotting in jail because of him. | 0:16:11 | 0:16:14 | |
There's something about today you need to know. | 0:16:14 | 0:16:17 | |
KEY CLANKS IN LOCK | 0:16:25 | 0:16:26 | |
All right, Freddie, time to go. | 0:16:32 | 0:16:34 | |
I want to get a message to Campbell. | 0:16:34 | 0:16:36 | |
I can't let them move me to Brixton. | 0:16:36 | 0:16:38 | |
If I go to Brixton, they'll kill me. | 0:16:40 | 0:16:43 | |
Freddie. | 0:16:43 | 0:16:44 | |
You're not going to get as far as Brixton prison. | 0:16:44 | 0:16:47 | |
On your feet. | 0:16:49 | 0:16:51 | |
I told the Prime Minister personally that the guns had been retrieved | 0:16:51 | 0:16:55 | |
and he actually heard me and listened, | 0:16:55 | 0:16:57 | |
and I'm pretty sure he gave me a half smile. | 0:16:57 | 0:17:01 | |
He never usually smiles unless a political opponent dies. | 0:17:01 | 0:17:04 | |
HE CHUCKLES | 0:17:04 | 0:17:06 | |
I plan to put your name forward in the New Year's Honours list... | 0:17:06 | 0:17:11 | |
That would be too much, sir. | 0:17:11 | 0:17:12 | |
Nonsense. You deserve it. | 0:17:12 | 0:17:15 | |
As I recall, you wrote to me several times about an undercover operative. | 0:17:15 | 0:17:19 | |
A woman. | 0:17:19 | 0:17:20 | |
Was she involved in the discovery? | 0:17:23 | 0:17:25 | |
Does she deserve some kind of commendation? | 0:17:29 | 0:17:32 | |
Yes. | 0:17:39 | 0:17:40 | |
She was instrumental. | 0:17:40 | 0:17:42 | |
A truly loyal servant of the crown. | 0:17:42 | 0:17:45 | |
And that is what the record should state. | 0:17:45 | 0:17:47 | |
And what of the men who actually stole the guns? | 0:17:49 | 0:17:51 | |
The Peaky... | 0:17:51 | 0:17:53 | |
Blinders, sir. | 0:17:53 | 0:17:54 | |
If we were to make arrests, | 0:17:57 | 0:17:59 | |
the whole thing would end up in open court, | 0:17:59 | 0:18:01 | |
and I know we wish to keep this matter confidential. | 0:18:01 | 0:18:05 | |
So they'll go free? | 0:18:05 | 0:18:06 | |
Not quite, sir. | 0:18:06 | 0:18:08 | |
You see, I have plans for the Peaky Blinders. | 0:18:10 | 0:18:13 | |
All right. | 0:18:17 | 0:18:18 | |
-All right. -All right, mate? | 0:18:20 | 0:18:22 | |
Leave that, boys, come back to it later. | 0:18:22 | 0:18:24 | |
Right. | 0:18:24 | 0:18:25 | |
I've brought you all here today | 0:18:25 | 0:18:27 | |
because this is the day we replace Billy Kimber. | 0:18:27 | 0:18:31 | |
This is the day we become respectable. | 0:18:31 | 0:18:34 | |
The day we join the official National Association... | 0:18:34 | 0:18:38 | |
of Race Course Bookmakers. | 0:18:38 | 0:18:40 | |
But first... | 0:18:42 | 0:18:44 | |
we do the dirty work. | 0:18:44 | 0:18:46 | |
We've all known it's been coming. | 0:18:46 | 0:18:48 | |
I just haven't told anyone the date. | 0:18:48 | 0:18:50 | |
We're going to the Worcester races. | 0:18:53 | 0:18:56 | |
The track opens at one, we get there at two. | 0:18:56 | 0:18:58 | |
Now, Kimber thinks we're going there to help him fight the Lee brothers. | 0:18:58 | 0:19:02 | |
But thanks to the efforts of our John, | 0:19:02 | 0:19:05 | |
and his lovely new wife Esme, the Lees are now our kin. | 0:19:05 | 0:19:09 | |
I interrupted those efforts this morning, and, er... | 0:19:09 | 0:19:12 | |
LAUGHTER I can assure you all, | 0:19:12 | 0:19:14 | |
John is making great sacrifices in the cause of peace. | 0:19:14 | 0:19:18 | |
Yeah, all right. | 0:19:18 | 0:19:19 | |
So, it'll be us and the Lees against Kimber's boys. | 0:19:19 | 0:19:23 | |
We take them out, then leave the bookies. | 0:19:24 | 0:19:27 | |
I expect a swift victory which will send a signal all the way to London, | 0:19:27 | 0:19:30 | |
that we believe in letting legitimate businesses run peacefully. | 0:19:30 | 0:19:35 | |
And, er... What about Kimber himself? | 0:19:37 | 0:19:39 | |
I'll deal with Kimber. | 0:19:40 | 0:19:43 | |
Any other questions? | 0:19:43 | 0:19:44 | |
Yes. | 0:19:45 | 0:19:47 | |
Oh, does anyone object if I bring a newcomer to the meeting? | 0:19:50 | 0:19:53 | |
Come on. | 0:19:57 | 0:19:58 | |
I'd like to introduce the newest member of the Shelby clan. | 0:20:01 | 0:20:05 | |
Welcome home, Ada. | 0:20:15 | 0:20:16 | |
We named him Karl. | 0:20:18 | 0:20:20 | |
After Karl Marx. | 0:20:20 | 0:20:21 | |
-LAUGHTER -Karl bloody Marx? | 0:20:21 | 0:20:23 | |
Let me get a look at him. | 0:20:23 | 0:20:25 | |
Oh, here we go. | 0:20:25 | 0:20:26 | |
Eh, look. He looks just like me, look. | 0:20:26 | 0:20:30 | |
LAUGHTER | 0:20:30 | 0:20:31 | |
-That's his arse looks like you, Arthur. -He's all right. | 0:20:31 | 0:20:34 | |
He's a Shelby. | 0:20:34 | 0:20:35 | |
Well, Ada? | 0:20:35 | 0:20:37 | |
Am I forgiven? | 0:20:39 | 0:20:40 | |
If what Aunt Polly says is true, you are. | 0:20:40 | 0:20:44 | |
It's true. | 0:20:46 | 0:20:47 | |
Thank you, Tommy. | 0:20:50 | 0:20:51 | |
So, who the hell are you? | 0:20:56 | 0:20:58 | |
Someone who wants to keep his eyes. | 0:20:58 | 0:21:01 | |
They came to my house. | 0:21:01 | 0:21:03 | |
Told me to volunteer for this. | 0:21:03 | 0:21:06 | |
Who did? | 0:21:06 | 0:21:07 | |
Peaky blinders. | 0:21:08 | 0:21:10 | |
MUSIC: "The Prowl" by Dan Auerbach | 0:21:12 | 0:21:14 | |
Tommy, Tommy, Tommy... | 0:21:17 | 0:21:19 | |
# I see you walkin after dark | 0:21:39 | 0:21:43 | |
# Trading looks with other men | 0:21:43 | 0:21:49 | |
# But I'm the only one you need | 0:21:50 | 0:21:54 | |
# And I know just where you've been | 0:21:55 | 0:21:59 | |
# Oh, can't you see the tears I cried | 0:22:01 | 0:22:05 | |
# And soak them up like a towel... # | 0:22:06 | 0:22:12 | |
Get out of the way! | 0:22:12 | 0:22:13 | |
What the bloody hell is that? | 0:22:16 | 0:22:18 | |
Looks like your friends are here. | 0:22:18 | 0:22:19 | |
Stay down on the ground. | 0:22:24 | 0:22:26 | |
Or the next one's for you. | 0:22:26 | 0:22:28 | |
Make it look good. | 0:22:33 | 0:22:34 | |
I am sorry about this, comrade. | 0:22:34 | 0:22:36 | |
Holy shit. | 0:22:38 | 0:22:39 | |
Danny, you're dead. | 0:22:39 | 0:22:41 | |
Nah. I've been living in London. Same thing. | 0:22:41 | 0:22:44 | |
In you get. | 0:22:44 | 0:22:45 | |
All right, lads, listen up. | 0:22:53 | 0:22:54 | |
You have a pint and a chaser, no more. | 0:22:54 | 0:22:56 | |
On the house. | 0:22:56 | 0:22:58 | |
Right. Let's get pouring. | 0:22:59 | 0:23:02 | |
Do you have the enclosure tickets? | 0:23:03 | 0:23:05 | |
And the register of book-keepers on the track? | 0:23:05 | 0:23:07 | |
In me coat. | 0:23:07 | 0:23:09 | |
You did a good job, Grace. | 0:23:09 | 0:23:11 | |
That's what it is, innit? | 0:23:11 | 0:23:13 | |
The next family meeting, I'll make sure you're there. | 0:23:16 | 0:23:20 | |
If I were family. But I'm not. | 0:23:20 | 0:23:24 | |
That could change. | 0:23:25 | 0:23:26 | |
-Tommy... -We'll talk about it more when I get back. All right? | 0:23:28 | 0:23:31 | |
When will you be back? | 0:23:31 | 0:23:32 | |
Oh, is this how it's going to be, eh? | 0:23:32 | 0:23:35 | |
You waiting at home for me, saying, "What time do you call this?" | 0:23:35 | 0:23:39 | |
The barrel needs changing. | 0:23:40 | 0:23:42 | |
Go on, Tommy, go out the back, | 0:23:45 | 0:23:47 | |
give her a good seeing to before we go. | 0:23:47 | 0:23:49 | |
THEY CHUCKLE | 0:23:49 | 0:23:52 | |
Grace... | 0:23:57 | 0:23:59 | |
Hey, Grace, I was joking. | 0:23:59 | 0:24:02 | |
-JOHN BANGS ON THE BAR -Tommy, we need more mild! | 0:24:02 | 0:24:04 | |
Just help yourselves. | 0:24:04 | 0:24:06 | |
Tommy, the truth is | 0:24:09 | 0:24:10 | |
when you come back from the races, I won't be here. | 0:24:10 | 0:24:13 | |
What are you talking about? | 0:24:14 | 0:24:15 | |
All right, look. | 0:24:18 | 0:24:19 | |
Grace, I know you weren't born to be with a man like me... | 0:24:19 | 0:24:22 | |
But I'm turning things around. | 0:24:24 | 0:24:26 | |
And when I get back here tonight... | 0:24:26 | 0:24:29 | |
I will have one of the biggest legal racetrack syndicates in the country. | 0:24:29 | 0:24:35 | |
And I'm going to close down some of that other stuff. | 0:24:37 | 0:24:39 | |
Maybe open a club, hey? | 0:24:41 | 0:24:45 | |
Like in London. | 0:24:45 | 0:24:46 | |
And another thing. | 0:24:47 | 0:24:49 | |
You have a contract of employment. | 0:24:51 | 0:24:54 | |
With a real limited company. You remember? | 0:24:54 | 0:24:58 | |
I remember everything, Tommy. | 0:24:58 | 0:25:01 | |
I am going to make a success of this. | 0:25:01 | 0:25:03 | |
I am going to make a success of it. | 0:25:03 | 0:25:06 | |
-I am. -I know. I know. | 0:25:06 | 0:25:08 | |
And I'm not talking about marriage. | 0:25:10 | 0:25:13 | |
I'm... | 0:25:13 | 0:25:14 | |
We know each other. We can talk. | 0:25:15 | 0:25:18 | |
We're the same... | 0:25:19 | 0:25:21 | |
Tommy, I have done something terrible to you. | 0:25:21 | 0:25:24 | |
DOOR OPENS | 0:25:26 | 0:25:27 | |
Right, tell him what you just told me. | 0:25:27 | 0:25:30 | |
Just heard there's two vans driving up the Stratford Road. | 0:25:30 | 0:25:33 | |
An old corporal of mine said he recognised some of the men. | 0:25:33 | 0:25:35 | |
He said it's Kimber boys, and they're heading this way. | 0:25:35 | 0:25:38 | |
Ada, wake up. | 0:25:46 | 0:25:47 | |
You and the baby get into the Bull Ring, where there's lots of people. | 0:25:47 | 0:25:50 | |
-What's going on? -We've been fucking betrayed. | 0:25:50 | 0:25:52 | |
Someone let slip. Kimber's men are on their way here. | 0:25:52 | 0:25:55 | |
-Yeah, but you can handle them, Tommy? -It's just us. | 0:25:55 | 0:25:58 | |
All the Lees are on their way to Worcester. We're outnumbered. | 0:25:58 | 0:26:00 | |
Fuck! | 0:26:00 | 0:26:02 | |
Who else knew today was the day you were moving on Kimber? | 0:26:02 | 0:26:05 | |
You said you kept it a secret. Who else did you tell? | 0:26:05 | 0:26:08 | |
There's only one thing can blind a man as smart as you, Tommy. | 0:26:11 | 0:26:14 | |
Love. | 0:26:14 | 0:26:15 | |
It was that barmaid. | 0:26:15 | 0:26:17 | |
I'll deal with Grace. | 0:26:20 | 0:26:22 | |
If you set eyes on her again, you might kill her. | 0:26:22 | 0:26:24 | |
Going for good? | 0:26:42 | 0:26:43 | |
I heard there was trouble. | 0:26:43 | 0:26:45 | |
Instinct's a funny thing. | 0:26:45 | 0:26:47 | |
See, normally I can tell about a person. But with you... | 0:26:48 | 0:26:51 | |
Look, the fighting's about to begin. We should get out of here. | 0:26:51 | 0:26:54 | |
We know who you are. | 0:26:54 | 0:26:56 | |
Tommy knows as well. | 0:26:59 | 0:27:01 | |
Turned out that copper as good as told him this morning. | 0:27:01 | 0:27:04 | |
But I wanted to hear it from your own lips. | 0:27:04 | 0:27:06 | |
I am an agent of the crown. | 0:27:12 | 0:27:13 | |
I have the power to arrest and the right to use force. | 0:27:13 | 0:27:17 | |
So, please, step out of my way. | 0:27:17 | 0:27:20 | |
Like I say, instinct's a funny thing. | 0:27:20 | 0:27:22 | |
You fell for Tommy for real, didn't you? | 0:27:22 | 0:27:25 | |
This gun is loaded. | 0:27:25 | 0:27:27 | |
I'm not afraid of you. | 0:27:27 | 0:27:29 | |
I feel sorry for you. | 0:27:29 | 0:27:31 | |
Slip of a thing. | 0:27:32 | 0:27:34 | |
Thought you'd come in here and stitch us all up. | 0:27:34 | 0:27:36 | |
I mean, we've had some copper's narks in here, but you? | 0:27:36 | 0:27:40 | |
You're the queen of them all. | 0:27:40 | 0:27:41 | |
So, who are you? | 0:27:44 | 0:27:45 | |
Rich girl, I'd guess. Unionist. | 0:27:47 | 0:27:52 | |
Ulster Volunteer. | 0:27:52 | 0:27:54 | |
You thought Fenians, communists, low people... | 0:27:54 | 0:28:00 | |
they're all the same. | 0:28:00 | 0:28:02 | |
Scum. | 0:28:02 | 0:28:05 | |
Then you met Tommy. | 0:28:05 | 0:28:06 | |
I'll fight you with my fists and show you how a rich girl fights. | 0:28:11 | 0:28:15 | |
I'm from a tough family, too. | 0:28:15 | 0:28:17 | |
Nah. | 0:28:24 | 0:28:26 | |
We women have more sense. | 0:28:28 | 0:28:29 | |
Why don't you pour us both a drink? | 0:28:31 | 0:28:33 | |
So, am I right? | 0:28:46 | 0:28:47 | |
Did you fall for Tommy? | 0:28:51 | 0:28:53 | |
-Yes. -Then I pity you. | 0:29:02 | 0:29:04 | |
I think he'll try to kill me. | 0:29:06 | 0:29:08 | |
-He's too soft. -Soft? | 0:29:08 | 0:29:10 | |
Soft. Like you. | 0:29:10 | 0:29:14 | |
You saved his life the night the coppers came. | 0:29:14 | 0:29:17 | |
That's why we're drinking, not fighting. | 0:29:17 | 0:29:20 | |
We owe you. | 0:29:20 | 0:29:22 | |
What was he like...before France? | 0:29:28 | 0:29:32 | |
He laughed, a lot. | 0:29:33 | 0:29:36 | |
He wanted to work with horses. | 0:29:38 | 0:29:40 | |
He won medals. | 0:29:42 | 0:29:44 | |
Threw them in the cut. | 0:29:44 | 0:29:45 | |
Ah, not a single man came back the same. | 0:29:46 | 0:29:49 | |
You know, after all this is over... | 0:29:51 | 0:29:54 | |
..he might forgive you. | 0:29:56 | 0:29:58 | |
He might take you in. | 0:29:58 | 0:29:59 | |
You can never tell with men. | 0:29:59 | 0:30:01 | |
They go for whoever their dicks point at, | 0:30:01 | 0:30:03 | |
and there's no changing their minds. | 0:30:03 | 0:30:05 | |
But I should tell you something. | 0:30:05 | 0:30:06 | |
I will never forgive you. | 0:30:08 | 0:30:10 | |
Or accept you. | 0:30:11 | 0:30:12 | |
Or take you in. | 0:30:13 | 0:30:15 | |
And it's me who runs the business of the heart in this family. | 0:30:16 | 0:30:21 | |
And as far as I'm concerned, you're a snitch from the Parish. | 0:30:21 | 0:30:25 | |
And if you're not gone from this city by tomorrow... | 0:30:26 | 0:30:30 | |
I'll kill you myself. | 0:30:30 | 0:30:32 | |
Now, go. | 0:30:38 | 0:30:39 | |
Maybe what really upsets you | 0:30:54 | 0:30:56 | |
is the thought that one day you might lose him. | 0:30:56 | 0:30:59 | |
Tommy. | 0:31:10 | 0:31:12 | |
We've had word from Nipper at Hay Mills, | 0:31:12 | 0:31:14 | |
and he says the police are letting them through. | 0:31:14 | 0:31:16 | |
And how come all our police have disappeared? | 0:31:16 | 0:31:18 | |
Because it was the police who told Kimber about our plan. | 0:31:18 | 0:31:20 | |
And who told the police? | 0:31:20 | 0:31:22 | |
You know what, John? | 0:31:22 | 0:31:23 | |
For all I think I'm the smart one... | 0:31:23 | 0:31:25 | |
I'm guessing it was me. | 0:31:25 | 0:31:27 | |
All right, men... | 0:31:30 | 0:31:32 | |
..you were mostly in the war, | 0:31:34 | 0:31:36 | |
so you know that battle plans always change and get fucked up. | 0:31:36 | 0:31:39 | |
Well, here it is. Things have changed. | 0:31:39 | 0:31:42 | |
We fight them here. Today. Alone. | 0:31:42 | 0:31:45 | |
Now, they're going to come for the pub. | 0:31:45 | 0:31:47 | |
They're going to try to break us up for good. | 0:31:47 | 0:31:49 | |
And we'll have no help from the law today. | 0:31:49 | 0:31:52 | |
That pub there is called the Garrison. | 0:31:53 | 0:31:55 | |
Well, now it really is one. | 0:31:55 | 0:31:57 | |
And it belongs to us, right? | 0:31:57 | 0:32:00 | |
-ALL: -Right! | 0:32:00 | 0:32:01 | |
How many are there? | 0:32:01 | 0:32:02 | |
Jeremiah says two Riley vans. | 0:32:02 | 0:32:05 | |
So I reckon we're outnumbered three to one. | 0:32:05 | 0:32:07 | |
Ah... Fuck. | 0:32:07 | 0:32:09 | |
But it's us, boys. It's us. The Small Heath Rifles. | 0:32:09 | 0:32:13 | |
-Never lost a fight yet, did we? ALL: -No! | 0:32:13 | 0:32:16 | |
All right. Jeremiah. | 0:32:16 | 0:32:18 | |
I know you vowed to God to never pick up a weapon again. | 0:32:18 | 0:32:21 | |
But can you ask him from me if you can help us today? | 0:32:21 | 0:32:26 | |
God says he don't deal with Small Heath, sir. | 0:32:26 | 0:32:28 | |
Good man. | 0:32:28 | 0:32:29 | |
Arthur, Scudboat. You take the flanks. | 0:32:29 | 0:32:31 | |
-Just like at St Marie. -Sir. | 0:32:31 | 0:32:33 | |
Curly, if any Shelby man dies here today, you bury us side by side. | 0:32:33 | 0:32:38 | |
All right. We've about ten minutes. Make your peace with whoever. | 0:32:39 | 0:32:44 | |
We've had a report of a large group of men in vehicles | 0:32:47 | 0:32:50 | |
heading towards the city. | 0:32:50 | 0:32:52 | |
Most of them are known to the police, sir. | 0:32:52 | 0:32:55 | |
We think a gang fight's about to break out. | 0:32:55 | 0:32:58 | |
I want all officers and constables stood down in the following areas. | 0:32:58 | 0:33:03 | |
Bordesley, Small Heath, Shard End, Greet...and Hay Mills. | 0:33:03 | 0:33:08 | |
-Stood down, sir? -Immediately. | 0:33:08 | 0:33:10 | |
And the vehicles approaching the city should not be impeded. | 0:33:10 | 0:33:13 | |
What the hell is going on? | 0:33:13 | 0:33:15 | |
Let dog eat dog. | 0:33:15 | 0:33:16 | |
Let the beasts devour each other. | 0:33:18 | 0:33:20 | |
And then we shall pick the bones. | 0:33:22 | 0:33:24 | |
She's gone, then? | 0:33:39 | 0:33:40 | |
You're not accustomed to not getting what you want, are you, Tommy? | 0:33:47 | 0:33:50 | |
You wanted my pub and you took it. | 0:33:53 | 0:33:55 | |
You got a fair price. | 0:34:06 | 0:34:07 | |
What I got was an ultimatum. | 0:34:11 | 0:34:13 | |
Like you give to everybody. | 0:34:14 | 0:34:16 | |
Do it, or else. | 0:34:16 | 0:34:17 | |
And yet, it's funny. | 0:34:19 | 0:34:21 | |
Everybody round here, they want you to win this battle. | 0:34:21 | 0:34:25 | |
I think, what it is... | 0:34:28 | 0:34:30 | |
you're bad men, but you're our bad men. | 0:34:30 | 0:34:33 | |
Will you go looking for her? | 0:34:37 | 0:34:39 | |
She's in the past. | 0:34:43 | 0:34:44 | |
The past is not my concern. | 0:34:48 | 0:34:50 | |
The future is no longer my concern, either. | 0:34:54 | 0:34:57 | |
What is your concern, Tommy? | 0:34:57 | 0:34:59 | |
The one minute. | 0:35:01 | 0:35:02 | |
The soldier's minute. | 0:35:06 | 0:35:07 | |
In a battle, that's all you get. | 0:35:09 | 0:35:11 | |
One minute of everything at once. | 0:35:14 | 0:35:16 | |
And anything before is nothing. | 0:35:21 | 0:35:23 | |
Everything after... | 0:35:25 | 0:35:28 | |
nothing. | 0:35:28 | 0:35:29 | |
Nothing in comparison... | 0:35:31 | 0:35:34 | |
to that one minute. | 0:35:34 | 0:35:35 | |
Didn't you get enough minutes over there? | 0:35:42 | 0:35:44 | |
Seems not, doesn't it? | 0:35:50 | 0:35:52 | |
DOOR OPENS | 0:35:54 | 0:35:55 | |
Tommy, they're here. | 0:35:55 | 0:35:57 | |
Get your weapons out, boys, and load 'em up. | 0:36:42 | 0:36:45 | |
Take your time. | 0:36:49 | 0:36:50 | |
Hold 'em up in the air so as they can see what we've got. | 0:36:52 | 0:36:55 | |
All guns and no balls, right, Billy boy? | 0:37:03 | 0:37:06 | |
So, what do we do now? | 0:37:15 | 0:37:17 | |
Just give the order. | 0:37:17 | 0:37:18 | |
The men that have arrived in Garrison Lane are armed with rifles. | 0:37:42 | 0:37:46 | |
Did you hear me? | 0:37:47 | 0:37:49 | |
Their methods of self-destruction are not my concern. | 0:37:49 | 0:37:53 | |
Well, we've also had report of machine gun fire in Saltleigh. | 0:37:53 | 0:37:57 | |
The ravings of an old soldier with shell shock. | 0:37:57 | 0:38:00 | |
We only found 24 of those 25 Lewis guns. | 0:38:00 | 0:38:03 | |
If they were to get to use the one... | 0:38:03 | 0:38:05 | |
You know, when, er... | 0:38:09 | 0:38:11 | |
when you came here from Belfast I was overjoyed. | 0:38:11 | 0:38:14 | |
I was sick of this force, and I was sick of all the corruption. | 0:38:15 | 0:38:19 | |
When you made that speech about cleaning this place up, | 0:38:19 | 0:38:22 | |
I gave a little cheer inside. | 0:38:22 | 0:38:24 | |
You said it was the devil's work to look the other way. | 0:38:27 | 0:38:31 | |
I am not looking the other way, Sergeant Moss. | 0:38:31 | 0:38:34 | |
I am looking directly at the events of the day. | 0:38:34 | 0:38:37 | |
And I like what I see. | 0:38:37 | 0:38:39 | |
It doesn't have to be like this, Kimber. | 0:38:47 | 0:38:49 | |
Too late for all that. | 0:38:49 | 0:38:51 | |
You've bit off more than you can chew, you little toerag. | 0:38:51 | 0:38:53 | |
-And now I'm going to take over this shithole. -Oh? | 0:38:53 | 0:38:56 | |
We have to use guns... | 0:38:57 | 0:39:00 | |
let's use proper guns. | 0:39:00 | 0:39:02 | |
Sergeant Thorne reporting for duty, sir. | 0:39:09 | 0:39:12 | |
You were saying something about being out-gunned. | 0:39:14 | 0:39:17 | |
-ADA: -Move! | 0:39:32 | 0:39:33 | |
BABY CRIES | 0:39:36 | 0:39:37 | |
What are you doing? | 0:39:37 | 0:39:39 | |
I believe you boys call this "no-man's land." | 0:39:39 | 0:39:41 | |
-Ada... -Shut up and listen. | 0:39:41 | 0:39:42 | |
-Have you lost your mind? -I said shut up! | 0:39:42 | 0:39:45 | |
Now, most of you were in France. | 0:39:47 | 0:39:50 | |
So you all know what happens next. | 0:39:50 | 0:39:53 | |
I've got brothers and a husband here | 0:39:53 | 0:39:55 | |
but you've all got somebody waiting for you. | 0:39:55 | 0:39:58 | |
Now, I'm wearing black in preparation. | 0:39:58 | 0:40:00 | |
I want you to look at me. | 0:40:03 | 0:40:05 | |
I want you all to look at me. | 0:40:07 | 0:40:10 | |
Who'll be wearing black for you? | 0:40:10 | 0:40:12 | |
Think about them. | 0:40:14 | 0:40:16 | |
Think about them right now. | 0:40:16 | 0:40:19 | |
And fight if you want to, but that baby ain't moving anywhere. | 0:40:19 | 0:40:24 | |
And neither am I. | 0:40:25 | 0:40:27 | |
-KIMBER: -She's right, you know. | 0:40:32 | 0:40:34 | |
Why should all you men die? | 0:40:35 | 0:40:37 | |
It should just be them who's caused it. | 0:40:37 | 0:40:39 | |
VOICES ECHO | 0:40:44 | 0:40:46 | |
Don't shoot! | 0:40:46 | 0:40:48 | |
You're all right, son. You're all right. | 0:40:48 | 0:40:51 | |
Ada, move away. | 0:40:51 | 0:40:53 | |
Don't shoot! | 0:40:53 | 0:40:54 | |
Hold your guns up! | 0:40:57 | 0:40:58 | |
Enough. | 0:41:01 | 0:41:02 | |
Kimber and me fought this battle one on one. | 0:41:10 | 0:41:13 | |
It's over. | 0:41:14 | 0:41:16 | |
Go home to your families. | 0:41:22 | 0:41:23 | |
Scudboat, Curly...pick him up. | 0:41:54 | 0:41:57 | |
DOOR OPENS | 0:42:18 | 0:42:19 | |
I want to ask you one question. Then I'll leave. | 0:42:29 | 0:42:32 | |
Tommy knows who I am. What did you say to him? | 0:42:33 | 0:42:36 | |
What did you say to him? | 0:42:38 | 0:42:40 | |
I told him... | 0:42:45 | 0:42:46 | |
..that his heart would be broken before the day was over. | 0:42:48 | 0:42:51 | |
So, it seems... | 0:42:54 | 0:42:55 | |
..you've broken two hearts, Grace. | 0:42:57 | 0:42:59 | |
As well as my own. | 0:43:02 | 0:43:04 | |
That's it, Tommy, that's it. | 0:43:15 | 0:43:17 | |
Bite it, Tommy. | 0:43:17 | 0:43:19 | |
Take it. Take it! | 0:43:19 | 0:43:20 | |
-Hold him still. -That's it, lad. | 0:43:20 | 0:43:23 | |
Come on. Come on! | 0:43:23 | 0:43:24 | |
That's it. | 0:43:24 | 0:43:27 | |
There! I still have the knack. | 0:43:29 | 0:43:31 | |
Have a drink. | 0:43:34 | 0:43:35 | |
Right, deep breath. | 0:43:39 | 0:43:41 | |
Augh! | 0:43:41 | 0:43:43 | |
That's it. It's done. | 0:43:43 | 0:43:44 | |
Now we can bury him properly | 0:44:08 | 0:44:10 | |
in the grave we dug for him. | 0:44:10 | 0:44:12 | |
Yeah. | 0:44:14 | 0:44:16 | |
It's high on a hill. He'll like that. | 0:44:16 | 0:44:19 | |
-To Danny Whizz-Bang. -Danny. | 0:44:28 | 0:44:30 | |
May we all die twice. | 0:44:30 | 0:44:31 | |
To Danny Whizz-Bang. | 0:44:35 | 0:44:36 | |
Danny Whizz-Bang. | 0:44:40 | 0:44:41 | |
Come on. | 0:45:01 | 0:45:03 | |
The day is ours, let's celebrate. | 0:45:03 | 0:45:05 | |
Well? | 0:45:28 | 0:45:30 | |
Who won? | 0:45:30 | 0:45:32 | |
A Mr William Kimber has been found dead with a gunshot wound. | 0:45:33 | 0:45:39 | |
So, I'm guessing that means the Peaky Blinders won. | 0:45:39 | 0:45:43 | |
Sir. | 0:45:43 | 0:45:44 | |
Also, the communist agitator Freddie Thorne | 0:45:46 | 0:45:50 | |
was taken from his transport by armed men. | 0:45:50 | 0:45:53 | |
Since there were no police officers on the street at the time... | 0:45:55 | 0:45:58 | |
following your orders... | 0:45:58 | 0:45:59 | |
he managed to escape easily and is now at large. | 0:45:59 | 0:46:02 | |
The prison officers said they recognised the men. | 0:46:03 | 0:46:06 | |
They were Peaky Blinders as well, sir. | 0:46:06 | 0:46:09 | |
I mean, we could go down there and make a few arrests | 0:46:11 | 0:46:13 | |
but, er, no-one will have seen anything. | 0:46:13 | 0:46:16 | |
And there were no officers there to witness, so... | 0:46:16 | 0:46:19 | |
..the Shelbys will get away with murder. | 0:46:21 | 0:46:24 | |
Just like they always have. | 0:46:24 | 0:46:26 | |
Some things never change. | 0:46:28 | 0:46:30 | |
Eh, sir? | 0:46:30 | 0:46:32 | |
ROWDY CELEBRATION | 0:46:41 | 0:46:44 | |
Get us some of that! | 0:46:46 | 0:46:48 | |
Come here, son. | 0:46:48 | 0:46:50 | |
-Wey! -Keep it going! | 0:46:50 | 0:46:53 | |
A toast... | 0:46:56 | 0:46:58 | |
A toast, to Shelby Limited! | 0:46:58 | 0:47:01 | |
ALL: Shelby! | 0:47:01 | 0:47:03 | |
He's got sons. Should we find work for them? | 0:47:08 | 0:47:11 | |
No. Let them be. | 0:47:11 | 0:47:13 | |
Let them find ordinary work like ordinary men. | 0:47:13 | 0:47:16 | |
Could you put me through to Mr Churchill, please? | 0:48:02 | 0:48:04 | |
Yes, sir. | 0:48:06 | 0:48:08 | |
Sir... | 0:48:08 | 0:48:10 | |
I have made a decision about my future. | 0:48:10 | 0:48:13 | |
Everyone's leaving town. | 0:48:28 | 0:48:30 | |
-Tommy, you're hurt. -I'm fine. | 0:48:31 | 0:48:33 | |
What exactly can I say? | 0:48:36 | 0:48:38 | |
I don't know, Grace. | 0:48:38 | 0:48:39 | |
I could tell you who I really am. | 0:48:42 | 0:48:44 | |
I think I know who you are. | 0:48:44 | 0:48:46 | |
And you know who I am. | 0:48:47 | 0:48:49 | |
The circumstance is not important. | 0:48:49 | 0:48:51 | |
-Circumstance? -Is all it is. | 0:48:52 | 0:48:55 | |
Just uniform. | 0:48:56 | 0:48:59 | |
Yeah. | 0:48:59 | 0:49:00 | |
Someday I will throw this gun in the canal. | 0:49:05 | 0:49:08 | |
Why not now? | 0:49:09 | 0:49:10 | |
Here it comes, Tommy. | 0:49:21 | 0:49:22 | |
I love you. | 0:49:25 | 0:49:26 | |
And there it goes, Grace. | 0:49:29 | 0:49:31 | |
Away it goes. | 0:49:33 | 0:49:35 | |
We can say it as much as we like... | 0:49:36 | 0:49:38 | |
..but there's no chance. | 0:49:41 | 0:49:42 | |
I'll be in London one week. This address. | 0:49:56 | 0:49:59 | |
Finish your business here and join me. | 0:49:59 | 0:50:02 | |
I have an idea. | 0:50:04 | 0:50:06 | |
DOOR OPENS | 0:50:19 | 0:50:20 | |
-There he is... -Tommy. -Drink? | 0:50:24 | 0:50:26 | |
Not whisky. | 0:50:32 | 0:50:33 | |
If you check behind the bar... | 0:50:36 | 0:50:39 | |
you will find a bottle of champagne. | 0:50:39 | 0:50:42 | |
The one she bought. | 0:50:52 | 0:50:54 | |
Today was a good day. | 0:51:01 | 0:51:02 | |
All of Kimber's men were busy here, | 0:51:07 | 0:51:09 | |
so the Lee boys took all the pitches at the Worcester races. | 0:51:09 | 0:51:13 | |
It couldn't have gone better if we'd planned it. | 0:51:16 | 0:51:19 | |
Shelby Brothers Limited | 0:51:19 | 0:51:21 | |
are now the third largest legal race track operation in the country. | 0:51:21 | 0:51:27 | |
-Cheers! -Only the Sabinis and the Solomons are bigger than us, boys. | 0:51:27 | 0:51:31 | |
And all my family is here to celebrate. | 0:51:36 | 0:51:38 | |
To Shelby Brothers Limited. | 0:51:43 | 0:51:45 | |
-Shelby! -Brothers! | 0:51:45 | 0:51:47 | |
Cheers. | 0:51:47 | 0:51:48 | |
There'll be others. | 0:52:05 | 0:52:06 | |
To the others. | 0:52:15 | 0:52:16 | |
All of them. | 0:52:18 | 0:52:20 | |
MUSIC: "Love Is Blindness" by Jack White | 0:52:22 | 0:52:25 | |
# Love is blindness | 0:52:37 | 0:52:39 | |
# I don't wanna see | 0:52:39 | 0:52:42 | |
# Won't you wrap the night | 0:52:42 | 0:52:44 | |
# Around me | 0:52:44 | 0:52:46 | |
# Oh, my heart | 0:52:46 | 0:52:50 | |
# Love is blindness... # | 0:52:50 | 0:52:52 | |
'Dear Grace... | 0:52:52 | 0:52:54 | |
'Without a secretary, I write my own letters | 0:52:54 | 0:52:57 | |
'and I write without malice. | 0:52:57 | 0:52:58 | |
'I learnt long ago to hate my enemies. | 0:53:00 | 0:53:03 | |
'But I've never loved one before. | 0:53:03 | 0:53:05 | |
'The idea of New York is interesting | 0:53:10 | 0:53:13 | |
'but I have worked so hard for this day, | 0:53:13 | 0:53:16 | |
'for this victory. | 0:53:16 | 0:53:18 | |
'I have responsibilities here | 0:53:18 | 0:53:20 | |
'for people I need to protect and people who I love. | 0:53:20 | 0:53:25 | |
'Before the war, when I had an important decision to make, | 0:53:27 | 0:53:31 | |
'I used to flip a coin. | 0:53:31 | 0:53:33 | |
'Perhaps that is what I will do again. | 0:53:33 | 0:53:35 | |
'Polly tells me you fell in love for real | 0:53:38 | 0:53:40 | |
'and Polly is never wrong about matters of the heart. | 0:53:40 | 0:53:43 | |
'I will give you my decision within three days. | 0:53:47 | 0:53:50 | |
'All my love. Thomas Shelby.' | 0:53:52 | 0:53:55 | |
# Oh, I'm too numb to feel | 0:53:57 | 0:54:00 | |
# Blow out the candle | 0:54:00 | 0:54:04 | |
# Blindness. # | 0:54:04 | 0:54:07 | |
GUNSHOT | 0:54:31 | 0:54:33 | |
# Love is blindness | 0:54:34 | 0:54:36 | |
# I'm so sick of it | 0:54:36 | 0:54:37 | |
# I don't wanna see | 0:54:37 | 0:54:39 | |
# Why don't you just take the night | 0:54:39 | 0:54:41 | |
# Wrap it all around me, now? | 0:54:41 | 0:54:44 | |
# Oh, my love | 0:54:44 | 0:54:48 | |
# Blindness | 0:54:48 | 0:54:51 | |
# Oh, love is blindness | 0:54:51 | 0:54:54 | |
# Oh, I'm too numb to feel. # | 0:54:58 | 0:55:02 | |
Subtitles by Red Bee Media Ltd | 0:55:02 | 0:55:05 |