Episode 1 Peaky Blinders


Episode 1

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This programme contains graphic violent scenes, strong language and some scenes of a sexual nature.

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I'll be in London one week, at this address. Finish your business here and join me.

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'Dear Grace...

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'Before the war, when I had an important decision to make,

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'I used to flip a coin.

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'Perhaps that is what I will do again.'

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# I've lain with the devil

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# Cursed God above

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# Forsaken heaven

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# To bring you my love

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# To bring you my love

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# To bring you my love

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# To bring you my love. #

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THEME: "Red Right Hand" by Nick Cave & The Bad Seeds

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# Take a little walk to the edge of town

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# And go across the tracks

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# Where the viaduct looms Like a bird of doom

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# As it shifts and cracks

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# Where secrets lie in the border fires

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# In the humming wires

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# Hey man, you know you're never coming back

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# Past the square Past the bridge

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# Past the mills Past the stacks

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# On a gathering storm comes a tall, handsome man

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# In a dusty black coat

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# With a red right hand. #

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..and give him peace. Amen.

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-ALL:

-Amen.

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HE CLEARS HIS THROAT

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I promised my friend Freddie Thorne

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that I'd say a few words over his grave

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if he should pass before me.

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I made this promise before he became me brother-in-law -

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when we were in France, fighting for the King.

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Amen.

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And in the end it wasn't war that took Freddie.

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-BABY CRIES

-Pestilence took him.

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Come here.

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But Freddie passed on his soul and his spirit to a new generation

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before he was cruelly taken.

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We thought, now Freddie's gone,

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you might come back to Birmingham.

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God, do you know how funny it is

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that you've got chauffeurs in uniform now?

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It's just for the occasion, Ada.

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Do you know how unfair it is

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that you've got four Bugattis when half the country's starving?

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So now they've made you ashamed of us, eh?

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Sometimes when I think how I used to be, it makes me embarrassed.

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Karl's with his cousins.

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I caught 'em trying to pinch flowers off a grave.

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Ada, are you coming home?

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I'm going home.

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It's all right, Poll. We make Ada embarrassed.

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That's not what I said.

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There's another reason we want you home.

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We're planning an expansion.

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I'm taking premises in London...

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-Tommy, it's a funeral, business can wait.

-Polly,

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if Ada was weeping then I'd stop.

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But she's not.

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The expansion means it's going to be dangerous

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to be a Shelby in London for a while.

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Yeah, well, I'm not a Shelby anymore.

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And I'm not a Thorne now, either.

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I'm free.

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I've got to get Karl home.

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I told you. Let me do it.

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It's all right.

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I'll have some men watch her house till the danger passes.

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"Till the danger passes"?

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That'll be the bloody day.

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THE CHILDREN SHOUT

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It happened at exactly 7am.

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Nobody saw anything. Our patrols were not in the area.

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Mr Shelby, have you got any idea who might've done it?

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I'd say it was something to do with the gas.

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It's just been fitted.

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Madam, the structure's not yet declared safe.

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-DEBRIS CRUNCHES

-Madam!

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This is all over the place.

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Confetti.

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You can go.

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Right.

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Who?

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Who did this to us?

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Whisky. Irish.

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I heard there was a bit of a bang in your part of town.

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Gas and electric don't mix.

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Who'd have thought they would, eh?

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How's business otherwise, Mr Shelby?

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You know something?

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In these times of hunger and hardship,

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business is surprisingly good.

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Which one of you is the Peaky Blinder devil?

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Gentlemen.

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# I drank some dirty water

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# Shook evil hands

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# I done some bad things

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# They get easier to do

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# And then I wrote a nasty letter

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# And I sent it to the Lord

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# I said, "Don't you dare come and bother me no more"

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# Oh

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# Oh, oh, oh

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# Oh

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# Oh, oh, oh... #

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INDISTINCT CHATTER

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MUSIC DROWNS SPEECH

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Finn! Get in here.

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Finn! Hold the phone. Come here.

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-Take the odds.

-Yeah, sure.

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MUSIC DROWNS CHATTER

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Polly.

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Did he say who did it?

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He's gone to the Black Lion.

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On his own?

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Tommy does everything on his own.

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-Should I go to the Black Lion?

-What?

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-Should I go there and see him?

-No.

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Where the fuck is Arthur?

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Protecting the Garrison's whisky from the police.

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For fuck's sake!

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Polly, it feels a little bit to me like things are getting out of hand.

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So get 'em in hand.

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Do you know what Ada said to me this morning?

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She said we all look like we work in a factory under the ground.

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She said we look like ghosts.

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She'll be back.

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When?

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When she needs us.

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And anyway, who the fuck would blow up our pub?

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-Six.

-Six what?

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Six questions since you walked through the door.

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Soon you're going to have to start being the man with the answers.

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Why?

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Seven.

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Because when London happens, you'll have to hold up your end

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or we'll find somebody else who can.

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-IRISH ACCENT:

-Thomas Shelby.

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You blew up my pub.

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Anger defeats fear, good.

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You blew up my pub.

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Tommy has a reputation to uphold.

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A reputation for not being scared of anything.

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In all the world, violent men are the easiest to deal with.

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So tell me, which brand of rebel are you, eh?

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I read somewhere that you Paddies

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started fighting amongst yourselves, now.

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The King offers you a peace treaty and you start a war about it.

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That's funny, don't you think?

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A war about peace.

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So are you for the treaty or against the treaty?

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Forgive me, I get confused.

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You are one decision away from death, Mr Shelby.

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So stop fucking smiling.

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Your name is Irene O'Donnell.

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You have a son at the Cherry Wood Road School in Harborne.

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He has irons on his legs, his name is Sean,

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he comes last in every race, poor boy.

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Poor boy if the race was important.

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Do you know what I mean, Irene O'Donnell?

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There are other ways of carrying out this mission.

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Please allow me to put a bullet in this scum tinker's head.

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No.

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He researches his enemies,

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that's why he's been chosen.

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I am chosen?

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I'm chosen.

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Can the chosen one smoke?

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A vacancy has appeared and you're going to fill it.

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Chosen by whom?

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By an informed consensus.

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I have things to do.

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So perhaps you could tell the chosen one

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what he's been chosen for.

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From now on, Mr Shelby,

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you shut your fucking Gypsy mouth and listen to your instructions.

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Fuck!

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I need the area round the co-operative stables

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clear of coppers between midnight and four tonight.

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Right. Could I ask why?

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Well, whatever it is you're going to do, don't start any fires.

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The firemen go out on strike at midnight.

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That's all. You can go.

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I've got some information you might be interested in.

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No charge.

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There's an old friend of ours coming back to the city.

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Just passing through, he says.

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He's very grand these days.

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He's head of some secret department -

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the Irish Desk.

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So I doubt he'll be bothering with the likes of us, eh?

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I'll say good night, Tom.

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I want to speak to a representative!

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MAN CALLS OUT

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Father! Father!

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It was the Ulsterman, the man with the wolf head!

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Get the fuck off me!

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You must reconcile yourself with the fate that awaits.

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I demand to speak to a representative of His Majesty the King!

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Make your peace with God.

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A representative of His Majesty the King!

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-Father.

-Come on.

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Where are you going?

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Does someone here have business with the King?

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Major Campbell.

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-SHOUTING CONTINUES

-About time.

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I am a very busy man, Governor.

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In seven and a half minutes,

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the man in that cell is due to be hanged for murder.

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The murder of an Irish activist in Whitechapel.

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Does the case ring any bells, Major Campbell?

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No, Governor,

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I hear no bells.

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Since yesterday morning,

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he's been claiming that the murder was ordered

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by the British Secret Intelligence Service.

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It's a little late to be coming up with nonsense like that,

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don't you think?

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He was told if he kept his mouth shut

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there would be a last-minute pardon,

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which has not materialised.

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Forgive me, Governor,

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but what business is this of mine?

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He says the man who hired him

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was an Intelligence Service Chief of Staff,

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an Ulsterman.

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Carries a cane with a wolf-head handle,

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a bullet wound in his right leg.

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No...

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Still no bells. Governor...

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..you have a very clear remit.

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Part of that remit is to oversee the smooth completion

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of executions sanctioned by the Crown.

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And in the next four minutes it is your duty to escort that man...

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..to the gates of hell.

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Is that clear?

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And...if you should ever have the desire

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to discuss this matter with anyone else...

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..I know where you live.

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Arthur, Tommy's called a family meeting.

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Arthur!

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He just beat the shit out of an apprentice.

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I had to take half the kid away in buckets.

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Arthur!

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2,000.

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Come on.

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Sit down, Finn.

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-Where the bloody hell is Tommy?

-He's on his way.

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All right then, while we're waiting patiently...

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Whisky - left over from the explosion.

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It's good stuff, as well.

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Right...

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Before Tommy gets here,

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I think there's a few things we need to get straight

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between the rest of us.

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YOU think?

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Yeah.

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Yeah, I do. I want to know...

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..when did we all take a vote on this expansion south?

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If you have anything to say, you wait for Thomas.

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Polly's fucking right.

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I see all the books.

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Legal and off track.

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Sort of stuff you don't see.

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And in the past year

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the Shelby Company Limited

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has been making £150...

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a day.

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Right? A fucking day.

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Sometimes more.

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So what I want to know

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is why are we changing things?

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Polly, look what's happened already.

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We haven't even set foot in London yet

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and they've already blown up our fucking pub.

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-Who said anything about cockneys?

-Who else?

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Do you know who did it, do you?

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No, she doesn't know who did it.

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I'm told only family are allowed to speak.

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Everyone's allowed to speak.

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On your feet, Esme, let's hear what you have to say.

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I speak for our household.

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-So...

-John, this company is a modern enterprise

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and believes in equal rights for women.

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On your feet, Esme.

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I'm not a blood member of this family

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but perhaps, indeed, because I'm NOT a member

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I can see things in a different light.

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So I'll get to my point.

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That would be nice.

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As my husband said,

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Shelby Company Limited is now very successful.

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But London...

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I have kin in Shepherd's Bush and Portobello.

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It's more like wars between armies down there.

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And the coppers fight side-by-side with them.

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And there are foreigners of every description...

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..and the use of bombs is the least of it.

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I have a child,

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blessed with the Shelby family good looks.

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I want John to see him grow up.

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I want us to someday live somewhere with fresh air and trees

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and keep chickens or something.

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But London is just smoke and trouble, Thomas.

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"Thomas"?

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That's all I have to say.

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-ARTHUR:

-That was a lot of words, a lot of words.

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Wash them down with a nice drink.

0:24:470:24:49

Thank you, Esme.

0:24:490:24:51

Firstly, the bang in the pub was nothing to do with London.

0:24:530:24:57

Understood?

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The bang is something I'm dealing with on my own.

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Secondly, we've nothing to fear from the proposed business expansion

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so long as we stick together.

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And after the first few weeks,

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nine tenths of what we do in London will be legal.

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The other tenth is in good hands. Isn't that right, Arthur?

0:25:120:25:15

That's right.

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Now, some of you in this room have expressed their reservations.

0:25:180:25:21

Fair enough.

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Any of you who want no part in the future of this company,

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walk out the door...

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..right now.

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Go raise your chickens.

0:25:340:25:36

For those of you with ambition...

0:25:380:25:40

..the expansion process begins tomorrow.

0:25:410:25:44

Tomorrow?

0:25:560:25:59

I'm company treasurer, you should speak to me first.

0:25:590:26:02

It's Newmarket tomorrow, third busiest day of the year.

0:26:030:26:07

We have 18 staff.

0:26:070:26:08

Who you trust with 200 quid takings?

0:26:080:26:11

Oh, I changed the combination.

0:26:110:26:13

So what's going on, Thomas?

0:26:170:26:20

Who'd you meet at the Black Lion?

0:26:210:26:23

Give me the combination, Polly.

0:26:250:26:27

Polly, give me the combination!

0:26:330:26:36

What happened to the pub is Irish business.

0:26:430:26:46

We're in a situation where, for everyone's safety,

0:26:460:26:48

it's best if some things remain undisclosed.

0:26:480:26:51

So why tomorrow?

0:26:520:26:53

Like you say, tomorrow's Newmarket.

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All the London bosses will be at the races.

0:26:580:27:01

What, so you just roll up and take the city?

0:27:010:27:03

No, we take the opportunity to show our hand.

0:27:030:27:06

The Italian gangs and the Jewish gangs

0:27:090:27:11

have been at war in London for six months.

0:27:110:27:13

It's not our war.

0:27:130:27:15

The Jews have been having the worst of it. They need allies.

0:27:150:27:17

-Yeah, but we don't.

-We need a foothold

0:27:170:27:20

at the southern end of the Grand Union.

0:27:200:27:22

The Jews control Camden Town.

0:27:220:27:24

Your mother said,

0:27:320:27:34

"It's his cleverness that'll kill him."

0:27:340:27:36

No-one gets killed, Polly.

0:27:380:27:40

We go down tomorrow when it's quiet and we leave our message.

0:27:400:27:43

If Alfie Solomon and his Camden boys come to us,

0:27:430:27:47

we'll negotiate the use of a secure bonded warehouse

0:27:470:27:49

and then our legal activities in London can begin.

0:27:490:27:52

Now please, open the fucking safe.

0:27:520:27:56

Do you know, it was a fine speech you made in there...

0:28:030:28:06

..about this company believing in equal rights for women.

0:28:070:28:10

But when it comes to it,

0:28:110:28:13

you don't listen to a word we say.

0:28:130:28:15

Maybe you don't trust us.

0:28:170:28:18

She was one woman, Thomas.

0:28:210:28:23

Well, maybe it's time you forgot about her.

0:28:300:28:32

Forgot about who?

0:28:320:28:34

SHE SIGHS

0:28:340:28:37

SHE UNLOCKS THE SAFE

0:28:370:28:40

You and the boys, go and get yourselves killed.

0:28:480:28:51

GRUNTING

0:29:030:29:06

HE EXHALES

0:29:270:29:29

Are you going to London now?

0:29:420:29:44

No, there's something I have to do first.

0:29:470:29:50

Oh, I've got a typewriter like that.

0:29:510:29:54

I got it out of a catalogue.

0:29:540:29:56

I'm doing a correspondence course.

0:29:560:29:58

I'm learning to do it with my eyes shut.

0:30:020:30:04

It's a test you have to do.

0:30:040:30:05

Will you come back before you go?

0:30:130:30:15

No.

0:30:190:30:21

I wish, just once, you wouldn't pay me,

0:30:380:30:41

as if we were ordinary people.

0:30:410:30:43

Yeah.

0:30:430:30:44

Let's begin.

0:31:480:31:50

Hands on the table.

0:31:500:31:52

Tonight we have two new pilgrims joining us.

0:32:000:32:02

So, let's welcome them.

0:32:020:32:04

Starting with you.

0:32:100:32:12

Who is it that you're seeking to reach?

0:32:120:32:15

My husband.

0:32:150:32:17

He was taken six months ago by the influenza.

0:32:170:32:21

I tried to reach him through Mrs Breach at Sparkhill

0:32:210:32:24

but she kept getting his middle name wrong.

0:32:240:32:27

Don't talk about Mrs Breach in this house.

0:32:270:32:30

She's an un-sanctified charlatan.

0:32:310:32:34

And you?

0:32:390:32:40

Who do you seek?

0:32:430:32:44

Well, the truth...

0:32:460:32:48

Sorry, the truth is, I'm not even sure she's dead.

0:32:480:32:51

So I came here to find out.

0:32:510:32:53

Er...

0:32:580:32:59

You see, my son and my daughter

0:33:010:33:04

were taken from me when they were very small -

0:33:040:33:07

taken by the parish authorities.

0:33:070:33:08

And I never knew what happened to them.

0:33:080:33:11

But lately...

0:33:110:33:15

I've had a feeling.

0:33:170:33:18

Like, a feeling...

0:33:200:33:21

I can't put it into words.

0:33:260:33:27

And I keep having a dream.

0:33:290:33:31

I see a pretty girl,

0:33:350:33:39

about 18 years old.

0:33:390:33:40

And she's standing across the street...

0:33:420:33:45

..and she tells me she's passed over.

0:33:470:33:51

Now, my daughter would have been 18 this year.

0:33:510:33:55

On May 15th.

0:33:560:33:58

And this girl has dark eyes like mine.

0:34:040:34:07

And she shouts...and shouts.

0:34:120:34:16

And she tells me she wants to talk to me

0:34:180:34:22

because I'm her mother.

0:34:220:34:23

Now, I don't even know what name they gave her

0:34:280:34:33

after they stole her from me.

0:34:330:34:34

But if she does want to say goodbye...

0:34:380:34:40

I thought this would be the place.

0:34:410:34:43

You're wearing the Black Madonna.

0:34:470:34:50

You're Gypsy?

0:34:500:34:51

The part of me that dreams is Gypsy.

0:34:530:34:55

My maiden name is Shelby.

0:35:100:35:12

So...

0:35:220:35:23

..perhaps you could do me first.

0:35:250:35:27

No!

0:35:340:35:36

SHE YELLS

0:35:380:35:40

No!

0:35:400:35:42

NO!

0:35:440:35:45

SHE CRIES

0:35:520:35:54

WHIMPERING: No...

0:35:570:35:59

CLANGING

0:36:010:36:03

# But if you come

0:36:390:36:41

# And all the flowers are dying

0:36:410:36:45

# And I am dead

0:36:470:36:49

# As dead I well may be

0:36:490:36:53

# You'll come and find

0:36:560:36:59

# The place where I am lying

0:36:590:37:03

# And kneel and say

0:37:050:37:08

# An "Ave" there for me

0:37:080:37:13

# And I will know

0:37:150:37:18

# Though soft ye tread above me

0:37:180:37:22

# And then my grave

0:37:240:37:26

# Will richer, sweeter be

0:37:260:37:30

# And you'll bend down

0:37:330:37:36

# And tell me that you love me

0:37:360:37:42

# And I will rest in peace

0:37:440:37:47

# Until you come to me. #

0:37:470:37:54

Eamonn Duggan?

0:37:540:37:55

All right, Tommy's here.

0:38:190:38:21

Hang on!

0:38:210:38:23

John!

0:38:290:38:30

I'm coming!

0:38:300:38:31

7 o'clock, 12 o'clock,

0:38:400:38:42

10 if I'm still sober.

0:38:420:38:44

I got it from the doctor -

0:38:440:38:47

it keeps me nice and calm.

0:38:470:38:49

Same thing they gave us in the trenches

0:38:520:38:54

to stop us fucking wanking.

0:38:540:38:56

Polly said it's good for me temper.

0:38:560:38:58

-It slows me down, Tom.

-Arthur...

0:38:580:39:00

there are some things Polly doesn't understand.

0:39:000:39:03

-I need you fast. Not slow, eh?

-DOOR OPENS

0:39:030:39:07

She wouldn't let go of my fucking leg.

0:39:070:39:09

-I bet that's not all she wouldn't let go of!

-Right.

0:39:090:39:11

You know she's against this, Tom. She's got opinions.

0:39:110:39:14

Nothing wrong with opinions, John.

0:39:140:39:16

-Get in the fucking car.

-Shut up!

0:39:160:39:18

-ARTHUR SHOUTS:

-Right!

0:39:230:39:24

The Peaky Blinders are going on fucking holiday!

0:39:240:39:27

Sit down, you mad bastard.

0:39:270:39:29

DOOR CLOSES

0:39:350:39:38

You're against this the same as me, aren't you?

0:39:540:39:57

Look out for anyone putting big money on Divine Star

0:39:590:40:02

in the 3:30 at Newmarket.

0:40:020:40:03

She's one of ours.

0:40:040:40:06

Anything over £1, tell me.

0:40:060:40:09

Polly...

0:40:160:40:17

I don't wish to pry into your business

0:40:190:40:21

but you should know something.

0:40:210:40:24

That woman is a trickster.

0:40:240:40:27

What woman?

0:40:270:40:29

Her sister was in the wash house early,

0:40:290:40:32

boasting there'd been a Shelby at the table.

0:40:320:40:34

What woman?

0:40:380:40:39

Gypsies talk to each other.

0:40:400:40:42

What woman?

0:40:440:40:46

You went to see Mrs Price in the Patch last night.

0:40:490:40:51

I'm sorry...

0:40:570:40:59

So what do you know?

0:40:590:41:00

I know they push the glass.

0:41:000:41:02

The man, it's her cousin. He pushes the glass.

0:41:020:41:05

It's a trick.

0:41:050:41:06

They tell you what you already believe.

0:41:060:41:09

She set up after the war because of all the widows.

0:41:100:41:14

Polly, I just thought you should know.

0:41:140:41:18

And in this fucking wash house,

0:41:180:41:20

did they tell you why I went there?

0:41:200:41:21

You tell a soul in this family,

0:41:280:41:32

and I swear I will cut you.

0:41:320:41:36

I don't need a knife to stop me telling secrets given in confidence.

0:41:380:41:42

It is a matter of honour.

0:41:430:41:45

Look at this! Look.

0:42:060:42:08

I love it.

0:42:080:42:09

Your Esme was right about one thing -

0:42:090:42:12

you can't beat the countryside.

0:42:120:42:15

You know, I think I want to live in the country one day...

0:42:150:42:19

..and keep chickens.

0:42:200:42:21

Yeah, we'll see you in London, Arthur.

0:42:210:42:24

-Oh, for fuck's sake!

-Take these.

0:42:290:42:31

We need to bury him.

0:42:340:42:36

Who the fuck is that?

0:42:360:42:38

It's Irish business.

0:42:380:42:39

I thought it best if I deal with it on my own.

0:42:390:42:42

Come on, we did a thousand of these in France.

0:42:420:42:45

John, grab his head.

0:42:450:42:46

So, we're not really going to London?

0:42:460:42:49

Once we bury him,

0:42:490:42:51

then the holiday begins.

0:42:510:42:54

GIGGLING

0:43:000:43:02

CAR HORN TOOTS

0:43:020:43:05

Much obliged.

0:43:190:43:20

BAND PLAYS ENERGETICALLY

0:43:230:43:25

It's a fucking freak show.

0:43:290:43:32

What the fuck is that racket?

0:43:510:43:54

-This is what they call music these days, brother.

-Music?!

0:43:540:43:57

Oi!

0:44:150:44:16

Oi! Put it away.

0:44:160:44:18

Fuck off!

0:44:180:44:20

Fucking look at this spot, eh?

0:44:250:44:27

It's all right, isn't it?

0:44:270:44:29

Irish whisky - a bottle.

0:44:330:44:37

And hurry up!

0:44:370:44:38

MUSIC DROWNS SPEECH

0:44:410:44:42

Fucking hell,

0:44:420:44:44

I recognise a few of these lads.

0:44:440:44:46

That's Sabini's cousin, over there.

0:44:490:44:51

That's right, Arthur, it's Sabini's club.

0:44:510:44:54

Jesus Christ, everybody in here's a fucking face.

0:44:540:44:57

Just the lieutenants, John. No sign of the officers.

0:44:570:45:01

Right, let's line them up.

0:45:030:45:05

Holiday!

0:45:070:45:08

Gentlemen, there's been a mistake.

0:45:100:45:12

I'm afraid you're going to have to leave.

0:45:120:45:14

We just bought a fucking bottle.

0:45:150:45:17

Some of the men here recognise you from the racetracks in the north.

0:45:170:45:20

Yeah, we get that a lot.

0:45:200:45:23

They say you have no business coming south of the line

0:45:230:45:26

without prior agreement.

0:45:260:45:28

And what line would that be, my friend?

0:45:280:45:30

They say this is provocation.

0:45:320:45:34

Right, well, you tell them we're on holiday.

0:45:350:45:39

You're breaking the rules.

0:45:410:45:42

They say you are the Peaky Blinders...

0:45:440:45:47

-MAN SHOUTS:

-Peaky scum!

0:45:470:45:49

BAND CONTINUES PLAYING

0:45:530:45:55

-HE LAUGHS

-Who the fuck's next?

0:46:100:46:14

Come here!

0:46:170:46:19

PEOPLE SHRIEK

0:46:250:46:27

Put some ice on 'em!

0:46:270:46:29

Get out.

0:46:330:46:35

Yeah?

0:46:380:46:40

Yeah?

0:46:420:46:44

Are you going to use that?

0:46:440:46:45

Didn't think so.

0:46:500:46:51

We came here...

0:47:080:47:10

not to make enemies...

0:47:100:47:12

No!

0:47:140:47:15

We came here to make new friends.

0:47:160:47:19

Those of you who are last

0:47:230:47:26

will soon be first.

0:47:260:47:28

And those of you who are downtrodden

0:47:320:47:35

will rise up.

0:47:350:47:36

Yip.

0:47:380:47:39

You know where to find us.

0:47:410:47:42

I think I've lost a tooth.

0:47:510:47:53

I'll have none left at this rate!

0:47:530:47:55

Some fucking holiday this is.

0:47:570:47:58

Yeah? You all right without your fucking medicine, Arthur?

0:47:580:48:02

-Here, this'll fix you.

-Give me that!

0:48:020:48:04

You, John boy...eh? How are you?

0:48:040:48:06

-Or should I ask your fucking wife?

-Oh, give over!

0:48:060:48:09

No more talk of chickens, do you hear me?

0:48:090:48:11

Fuck the chickens.

0:48:110:48:12

I've 50 quid in me pocket.

0:48:120:48:14

Let's paint the town, eh?

0:48:140:48:16

JOHN CHEERS

0:48:160:48:18

-KNOCK ON DOOR

-Come.

0:48:180:48:20

-Oh, dear God!

-Good Lord, I assumed it was Betty with tea.

0:48:230:48:29

Forgive me, sir, but your secretary was not at the desk.

0:48:290:48:32

No, because she takes lunch - like normal people.

0:48:320:48:36

And you can turn around,

0:48:360:48:37

this lady is a professional life model.

0:48:370:48:40

She does this for a living.

0:48:400:48:41

I'm more than happy to come back later, sir.

0:48:430:48:46

No, no, no. Later on I'm in the house. Just, erm...

0:48:460:48:49

..keep your back turned, if you must.

0:48:500:48:53

MAJOR CAMPBELL MUMBLES

0:48:530:48:55

I would guess you haven't been exposed to Bohemian society, Major?

0:48:580:49:02

Well, I...I...play cards on occasion.

0:49:040:49:07

You're a stranger to cocaine and exotic dancing, too, I imagine.

0:49:070:49:12

I find the more obvious vices the easiest to resist.

0:49:120:49:16

It's the sneaky little obscure ones that bring you to your knees, yes?

0:49:160:49:20

So what business is so urgent it trumps lunch?

0:49:210:49:26

Well, sir, our man in Birmingham

0:49:260:49:28

has passed his first test with flying colours.

0:49:280:49:30

Oh, I'm horrible at faces.

0:49:300:49:32

So I think we can begin to prepare him for the bigger task.

0:49:320:49:37

-Expressions elude me, I think too much.

-Sir?

0:49:370:49:41

I need your authority to proceed with all urgency

0:49:410:49:47

in preparing the new man for the bigger task.

0:49:470:49:51

You're talking about your bookmaker.

0:49:510:49:54

Yes, sir.

0:49:540:49:55

You have a history with this man. Why did you choose him?

0:49:550:49:58

To apply pressure on a man for this type of work

0:50:000:50:04

you have to know his weaknesses

0:50:040:50:05

and I know this man's weaknesses intimately.

0:50:050:50:09

And after "mission accomplished",

0:50:090:50:12

do we trust him to keep his mouth shut?

0:50:120:50:15

Absolutely not, sir.

0:50:150:50:16

So when he's served his purpose,

0:50:180:50:20

he will be consigned to history

0:50:200:50:22

in exactly the same way as his predecessor.

0:50:220:50:24

You mean at the end of a rope?

0:50:240:50:28

Well, the end of the rope

0:50:280:50:30

has been this man's destiny since the night he was born.

0:50:300:50:34

DOOR OPENS

0:51:000:51:03

You're early.

0:51:030:51:04

Shut your eyes, Lizzie.

0:51:060:51:08

What?

0:51:080:51:09

Shut your eyes. Go on, shut your eyes.

0:51:090:51:12

Good.

0:51:140:51:15

Now, come with me.

0:51:150:51:17

No, shut your eyes!

0:51:170:51:18

-SHE LAUGHS

-This way.

-What are you doing, Tom?

0:51:180:51:22

You've got to sit down here. Right...

0:51:220:51:24

Sit down. Now, OK...

0:51:250:51:29

-Type this.

-Why?

0:51:290:51:31

Lizzie, type this.

0:51:310:51:33

"If wi..." Put your cigarette down.

0:51:330:51:36

Right. "If winter comes..."

0:51:360:51:38

-SHE STARTS TYPING

-"..then can spring be far behind?"

0:51:380:51:43

Why?! Did you say spring?

0:51:430:51:46

Lizzie, what comes after winter?

0:51:460:51:49

Let's see.

0:51:520:51:54

That's a question. Where's the question mark?

0:51:540:51:56

Put in the question mark.

0:51:560:51:59

Now type this.

0:51:590:52:00

"Wanted - secretary for expanding business."

0:52:000:52:04

Slow down!

0:52:040:52:05

"Must be able to take dictation and touch-type."

0:52:050:52:08

"Five days a week.

0:52:090:52:12

"Eight pounds and four shillings a month.

0:52:120:52:15

"Must be able to start immediately."

0:52:150:52:17

Are you serious?

0:52:180:52:20

Things are starting to happen, Lizzie.

0:52:230:52:26

I need someone who can look the other way sometimes.

0:52:270:52:30

And you can stop the other work too, Lizzie.

0:52:380:52:40

All of it this time.

0:52:420:52:44

No exceptions.

0:52:460:52:47

Eight o'clock, Monday morning, the upstairs office.

0:52:530:52:56

Don't be late.

0:52:560:52:57

DOOR OPENS

0:53:080:53:10

Newmarket was profitable.

0:53:100:53:12

Arthur told me how you left your message.

0:53:120:53:15

And when I asked him where his medicine was,

0:53:150:53:18

he said you poured it away.

0:53:180:53:20

All I poured away was opium and bromide.

0:53:200:53:23

Oh, that's how it works in London, isn't it?

0:53:230:53:26

Every boss has to have a mad dog at his side.

0:53:260:53:28

Yeah, somebody who can't be predicted, somebody mad in the head.

0:53:280:53:32

But Thomas Shelby uses his own brother.

0:53:320:53:34

-Stop fucking fighting me!

-Somebody has to.

0:53:340:53:37

That arrived an hour ago.

0:53:380:53:40

There's no name on it but it comes from Camden Town.

0:53:400:53:43

I was going to burn it.

0:53:430:53:45

I should have.

0:53:450:53:46

Well done, Tommy, you've picked a side.

0:53:460:53:50

Now you're at war with Sabini.

0:53:500:53:51

Ada, are you coming for a drink?

0:54:310:54:34

No, the woman upstairs is looking after Karl.

0:54:340:54:37

She goes mad if I'm late!

0:54:370:54:38

Ada Shelby?

0:55:090:55:11

No.

0:55:110:55:12

THEY GRUNT

0:55:140:55:16

Your brother broke the rules.

0:55:200:55:22

I don't have a fucking brother.

0:55:220:55:24

Me and my friends here need a bit of female company.

0:55:240:55:26

-Let's go for a drive.

-No!

0:55:260:55:28

-Hold her steady, boys.

-Get off!

0:55:280:55:30

SHE YELLS

0:55:360:55:38

Fucking hold him!

0:55:420:55:43

TOMMY GROANS

0:55:500:55:53

Tommy Shelby, I missed you at my club.

0:56:130:56:17

I was at the races.

0:56:170:56:20

Sabini.

0:56:200:56:21

Don't say my name.

0:56:240:56:25

Jesus!

0:56:260:56:28

Franco, take my name out of his mouth.

0:56:280:56:32

TOMMY GROANS AND GURGLES

0:56:340:56:37

While you're in there, do a bit of digging for gold.

0:56:410:56:44

Pay for the petrol.

0:56:440:56:45

HE MOANS

0:56:450:56:48

HE SPLUTTERS

0:56:520:56:55

You see how much I know about you?

0:57:010:57:03

I even know what's in your fucking mouth.

0:57:030:57:06

Look at me.

0:57:070:57:08

Look at me!

0:57:080:57:10

Look at me.

0:57:100:57:11

You take up with the Jews.

0:57:130:57:15

Yeah, you think that's what London's all about.

0:57:150:57:17

You can just come down, pick a side.

0:57:170:57:20

You fucking clown!

0:57:200:57:22

Now your life is over.

0:57:220:57:24

My face is the last thing you'll ever see on earth.

0:57:250:57:29

Your mistake.

0:57:290:57:31

You remember that when you get to hell.

0:57:310:57:33

Finish him off.

0:57:390:57:40

GUNSHOTS AND SHOUTING

0:57:420:57:45

WHISTLES BLOW

0:57:450:57:48

CAR ENGINE STARTS

0:57:510:57:53

FOOTSTEPS DRAW NEAR

0:57:530:57:55

MAJOR CAMPBELL: I suppose we should see if the bastard's still alive.

0:58:080:58:12

# On a gathering storm comes a tall, handsome man

0:58:370:58:42

# In a dusty black coat

0:58:420:58:44

# With a red right hand. #

0:58:440:58:46

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