Episode 2 Peaky Blinders


Episode 2

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This programme contains some violent scenes, strong language and scenes of a sexual nature

0:00:020:00:06

What happened to the pub is Irish business.

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-Shut your gypsy mouth and listen to your instructions.

-Eamonn Duggan?

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My son and my daughter were taken from me when they were very small.

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We're planning an expansion. I'm taking premises in London.

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The Italian gangs and the Jewish gangs have been at war in London.

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The Jews have had the worst of it. They need allies.

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We take the opportunity to show our hand.

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That arrived an hour ago.

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There's no name on it, but it comes from Camden Town.

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Well done, Tommy. Now you're at war with Sabini.

0:00:320:00:36

-Ada Shelby?

-No.

-Your brother broke the rules.

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Sabini.

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My face is the last thing you'll ever see on earth.

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See if the bastard's still alive.

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# Please don't reproach me

0:00:520:00:57

# For, for how empty

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# My life has become

0:01:030:01:08

# I don't know what really happened

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# I watched your disappointment

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# At being misunderstood

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# I-I-I...

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# Forgive you. #

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SHOUTING

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SCREECH OF BRAKES

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It's all right, Miss Shelby. We work with Tommy.

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We're Peaky Blinders.

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My name is not Shelby!

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Ready for a visitor, Mr Shelby?

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No.

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I'm here on the King's orders.

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I'm afraid I must insist.

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Ah, you paid extra for daylight.

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The racketeering business must be booming.

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HE CHUCKLES

0:02:390:02:41

Are you not going to thank me for saving your life?

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Pass my cigarettes?

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Three nights ago,

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at the co-operative stables in Montague Street,

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there was a murder.

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A man named Duggan.

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The Oxfordshire constabulary found his body in a shallow grave.

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I need to piss.

0:03:240:03:25

Nurse?

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I know that it was you who carried out the murder of Mr Duggan.

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Oh, by the way...

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Grace, she went to New York.

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A place called, er...

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Poughkeepsie.

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She's married now.

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To a banker. He's rich.

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I am sure she is very happy.

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You have been under my microscope for some weeks now.

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I have been observing every move you make.

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That is why I was on hand to save your life.

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I imagine being shot by a woman

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hurts the same as being shot by a man.

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Just a bit more shameful.

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You know, Mr Campbell, when I got shot they gave me a medal.

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Yeah.

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(No medal for you I bet.)

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Mr Shelby...

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our reunion...

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..is part of a very carefully worked out plan,

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which has been in place for some time now.

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Every time you lean on that stick I bet you see her face.

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As a result of the information in my possession,

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I can charge you with murder at any time

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and provide two impeccable crown witnesses

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whose testimony will lead you directly to the gallows.

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You are on my hook, Mr Shelby.

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And from this moment forward...

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..you belong to me.

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So, get well quickly.

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I'll be in touch the moment I hear you can piss standing up.

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Then I will send you your instructions.

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Curly, you left the gate open?

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No, I locked it. I pinched myself when I did it.

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Get this stuff under cover.

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Hey!

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Who goes there?

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Tommy?

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Curly, get that oil you put on the legs when they go lame.

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Are you fucking mad, Doyle?

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The yellow stuff. Go on.

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They said you'd be in for another three weeks.

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I need to get on a boat to London.

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Tonight.

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You discharged yourself?

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I'm a fucking sitting duck in there, Charlie.

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Sabini could send a man at any time.

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I need to get some things done.

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You're burning up.

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-Here.

-Oh, Tommy! That stuff's for rubbing into fucking horses.

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Ha! I am a horse.

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If you were a horse, they'd shoot you with this many broken bones.

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Get the black powder, Curly. Go. The black powder.

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You pay for a bloody hospital and you're using witchcraft?

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I need to sleep in the open air and feel the boat under me, Charlie.

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Oh, Tommy. You're just like your mother.

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Do you have a boat here?

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Only the January. She's heavy.

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London will take four days.

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That'll do. Can you spare Curly?

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He'll be my doctor.

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Then God help you.

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You have tobacco, Curly?

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And tea and whisky. We'll have you running around like a colt.

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Get him aboard. I'll fill her up.

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If I sleep all the way, it's Camden Town we're heading for.

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What business do you have in Camden Town, Tommy?

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Tell Polly she's in charge while I'm away.

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If I don't come back, tell her she's in charge for good.

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# The ceiling is moving

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# Moving in time

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# Like a conveyor belt

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# Above my eyes

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# When under ether

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# The mind comes alive

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# But conscious of nothing

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# But the will to survive

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# Something's inside me

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# Unborn and unblessed

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# Disappears in the ether

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# This world to the next

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# Disappears in the ether

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# One world to the next

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# Human kindness. #

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You hungry yet, Tommy?

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You know what, Curly?

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I think I am.

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Where are we?

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Heathrow. One more day and we'll be there.

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I'll put something in the pan. Can you steer?

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Give it a go.

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You're almost there, too, Tommy.

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TRAINS WHISTLE SOUNDS

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Fucking hell, lads. Calm down.

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Put him down, Ollie. Put him down, mate.

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He's only little.

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You on your own?

0:10:300:10:32

Seems so.

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You're a brave lad, ain't you? You want to take a look at my bakery?

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We bake all sorts here mate, yeah.

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Did you know we bake over 10,000 loaves a week?

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Can you believe it?

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We bake the white bread, we bake the brown bread.

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We bake all sorts. Would you like to try some?

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Bread? Yeah?

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All right.

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What would you like, brown or white?

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Try the brown.

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Brown, right.

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Not bad...

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"Not bad," eh? "Not bad."

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It's fucking awful, that stuff.

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The fucking brown stuff is for the workers.

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The white stuff, now that IS for the bosses. Come look.

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I've heard very bad, bad, bad things

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about you Birmingham people.

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HE TUTS

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You're Gypsies, right?

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So what, do you live in a fucking tent or a caravan?

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I came here to discuss business with you, Mr Solomons.

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Well rum's for fun and fucking, innit?

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So, whisky, now that...

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That is for business.

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Let's talk first, eh?

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Suit yourself.

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They say you had your life saved by a policeman.

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I have policemen on my payroll.

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I don't like policemen because policemen, they can't be trusted.

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Mr Sabini uses policeman all the time.

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That's why he's winning the war in London and you are losing it.

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A war ain't over until it's over, mate.

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You were in the war?

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I once carried out my own personal form of stigmata on an Italian.

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I pushed his face up against the trench and shoved a six-inch

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nail up his fucking nose and I hammered it home with a duck board.

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It was fucking biblical, mate.

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So don't come in here and sit there in my chair and tell me

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that I'm losing my war to a fucking wop.

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That war was a long time ago.

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You need to be more realistic.

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"Realistic", yeah?

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Realistic?

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Well, if you weren't losing the war, then you wouldn't have sent me

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the telegram.

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Really? You forget your fucking telegram.

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The telegram just said, "Hello."

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Very simple, you want to sell me something.

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What?

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-We join forces.

-Fuck off.

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No!

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Categorical.

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Fucking ridiculous.

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Mr Solomons.

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Your distillery provides one-tenth of your income.

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Protection is another 10%.

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And the rest you make from the race tracks.

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I know you keep a gun in the drawer.

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I know you keep it beside the whiskey.

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I know you offer a deal or death.

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I know what I'm saying makes you angry.

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But I am offering you a solution. You see, Mr Sabini is running

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all your bookies off your courses.

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And he is closing down the premises that take your rum.

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And people don't trust your protection any more.

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You're the bloke who shot Billy Kimber, right?

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You did, you fucking shot him. That's you.

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You fucking betrayed him, mate.

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So it'd be entirely appropriate to do what

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I am thinking in my head to you right now.

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I can offer you 100 good men. All with weapons.

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And a new relationship with the police.

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Intelligence. Intelligence is a very valuable thing, innit, my friend?

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And usually it comes far too fucking late.

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Let's say I shot you already, right, in the fucking face.

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And the bullet goes bone, mush, bone, cabinet over there.

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Which is a shame, innit,

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cos that cabinet's fucked now and I got to get shot of it.

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So, what I'd do is this...

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It's fucking simple, mate.

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I cut that cabinet in half, don't I?

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I do I just literally... I cut...

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I cut the cabinet literally in half, mate.

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And I take one half of the cabinet, all right,

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and put it into a barrel and I take the other half of the cabinet

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in all its pieces and I put that into another barrel, right?

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And I send this barrel off to Mandalay.

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And the other barrel off to somewhere like...

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I don't know...

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Timbuktu.

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-You ever been?

-No.

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No?

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Would you like to go?

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No.

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You know, I always thought

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that you'd have a great, big, fucking gold ring in your nose.

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I'm sorry, go on.

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Tell us your plan.

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HORN HONKS

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Ada.

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How the fuck did you find me?

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What, are you reading Polly's letters?

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Polly showed me the letter.

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Look, you think you're safe because you moved flat, but you're not.

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-Polly thinks the same.

-When will you understand?

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-I just want you all out of my life.

-Ada, look at us, eh?

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-And it'll happen again.

-Yeah, well, next time I'll be ready.

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In fact, I want them to try again cos I'll shoot their balls off!

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-Ada, put the fucking gun away.

-Get away from me, I'm late for work.

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All right, fine. Fine.

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Just take this. Take it.

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Where you're living now is right on the edge of Sabini's territory

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and all the coppers round there work for him.

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I've got a lot of money coming in that I can't put through the banks.

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My accountant says the best thing is to buy property for cash

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and put it in the name of a family member.

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A house? A whole house?

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It's all yours.

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Four storeys, eight bedrooms, kitchen, scullery...

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Rooms for a maid, if your political conscience will allow.

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At least go and have a look, eh?

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Shoot the fucking lot of them.

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-SEWELL CLEARS THROAT

-Mr Sabini? The police are here.

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Tell them to wipe their feet.

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So why do I have to tell YOU everything?

0:18:480:18:52

We can't search every train that comes into London.

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They don't use trains, they use boats.

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The boatmen are all Gypsies. He's a fucking Gypsy.

0:18:590:19:02

Why do we have to tell them everything?

0:19:020:19:04

OK, we can't search every boat.

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Lucky for me...

0:19:100:19:12

I have a boy in the Jews' rum house.

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The Gypsy went to meet Solomons.

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And after, they drank whisky and shook hands...

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and then Alfie gave him some salt or...

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some such kike thing that means peace.

0:19:240:19:27

What exactly d'you want us to do, Mr Sabini?

0:19:270:19:31

HE SNIFFS

0:19:340:19:36

Did you bring dog shit in here on your shoes?

0:19:390:19:42

HE SCOFFS

0:19:430:19:46

Check, have a look.

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-SABINI SNIFFS

-I can smell something.

0:19:480:19:50

You've got photographs of this Tommy Shelby, though, right?

0:19:500:19:53

We have military ID photographs

0:19:530:19:55

from his time with the Warwickshire Yeomanry.

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Shelby won medals.

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OK, so you've got his fucking photo.

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If he shows his face in Camden Town, your coppers lift him. All right?

0:20:150:20:21

-You know...

-SABINI SNIFFS

0:20:220:20:24

..sometimes when I smell something, it's something that's not real,

0:20:240:20:27

it's something more like a... Like a premonition.

0:20:270:20:31

It's like sometimes I smell something,

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but it's not a smell, it's just...

0:20:340:20:36

..something isn't right.

0:20:370:20:39

Mr Sabini, we'll do everything we can to deal with this man.

0:20:390:20:43

Deal?

0:20:440:20:45

Did you say, "Do a deal"?

0:20:470:20:49

I didn't mean that.

0:20:500:20:52

Fuck.

0:20:520:20:53

Fuck.

0:20:550:20:56

-You've been fucking got at.

-No, you're being ridiculous.

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Somebody's fucking sat you down.

0:21:030:21:05

-SHOUTS:

-Somebody's fucking sat you down and talked to you!

0:21:050:21:08

-Mr Sabini...

-We should go.

0:21:080:21:09

This fucking Gypsy has sat down with the fucking coppers!

0:21:090:21:13

-Mr Sabini.

-You fucking...

-SMASHED GLASS DROWNS OUT SABINI

0:21:130:21:16

..and you're taking with both fucking hands -

0:21:160:21:18

off of me and off of him!

0:21:180:21:20

OK. So now YOU fucking follow Shelby.

0:21:220:21:25

You fucking follow him and you finish him!

0:21:250:21:28

SABINI SHOUTS IN ITALIAN

0:21:300:21:32

BELL TOLLS Oh...

0:21:320:21:34

SHE MUTTERS

0:21:360:21:38

Oh, shit!

0:21:460:21:48

SHE SIGHS

0:22:010:22:03

CHILDREN CHATTER AND YELL

0:22:070:22:10

PEOPLE CHATTER

0:22:160:22:18

-MAN:

-I told yous, boys, 'ere she is.

0:22:180:22:22

ALL APPLAUD

0:22:220:22:24

What the bloody hell is going on?

0:22:240:22:26

When did you get back?

0:22:280:22:31

I didn't want to miss your birthday, Pol.

0:22:310:22:34

-ARTHUR:

-Back to work.

0:22:340:22:35

How d'you know it's my birthday? Nobody ever knows.

0:22:350:22:38

Ah, it's different this year. John, Finn, bring the car round.

0:22:380:22:42

-Where are we going?

-To unwrap your birthday present. After you.

0:22:420:22:46

Good morning!

0:22:560:22:58

-You said you were gonna buy Ada a house.

-Yep, that's right, I did.

0:23:110:23:15

Just had a bit of cash left over.

0:23:170:23:18

This is ours?

0:23:210:23:22

No, Polly...

0:23:230:23:25

..this is yours.

0:23:260:23:27

Cos you deserve it.

0:23:300:23:31

What would I do with all these rooms?

0:23:390:23:42

Well, you could...relax for one.

0:23:450:23:49

Come here at weekends.

0:23:500:23:52

It has a garden, eh?

0:23:540:23:56

You love gardens. You can grow roses, Pol.

0:23:580:24:01

I don't know, have a piano.

0:24:010:24:03

Have people round, they can have a singsong, eh?

0:24:030:24:06

-God help the bloody neighbours(!)

-Fuck the neighbours.

0:24:060:24:10

Welcome home, Pol.

0:24:130:24:15

Arthur, why don't you take the boys outside and wait by the car.

0:24:280:24:32

-TOMMY CLEARS THROAT

-Pol...

0:24:420:24:44

I know you haven't been happy for a while.

0:24:460:24:48

And I know why.

0:24:520:24:53

Esme is all right, you know?

0:24:590:25:00

She's got a good heart, she has.

0:25:030:25:06

I've spoken to her...

0:25:080:25:09

..and she told me.

0:25:110:25:12

Told you what?

0:25:170:25:18

She told me what it is that would make you happy.

0:25:190:25:22

I've spoken to our contacts in the police.

0:25:260:25:28

They have contacts in the council,

0:25:280:25:31

and they have contacts with the people who keep the parish records.

0:25:310:25:34

Records of adoptions...

0:25:360:25:37

..and of confidential forced removals.

0:25:390:25:41

Now, with your permission...

0:25:420:25:44

..I'd like to grease a few palms

0:25:450:25:46

and take a look at the records they never showed you.

0:25:460:25:49

Pol...

0:25:550:25:57

I am going to find your son and daughter

0:25:570:25:58

and I'm gonna bring them home.

0:25:580:26:00

That's what this house is for.

0:26:010:26:03

So that YOU can bring your family home where they belong.

0:26:030:26:07

We're moving up, Pol.

0:26:180:26:21

KARL LAUGHS

0:26:420:26:44

Go have a look what you think.

0:26:470:26:48

KARL GIGGLES

0:26:520:26:55

Can you hear that?

0:26:550:26:57

KARL: 'Gah!'

0:26:570:26:58

Silence at last.

0:26:580:27:00

-And it belongs to us.

-KARL: 'Gah...'

0:27:020:27:05

KARL: 'Mummy...'

0:27:060:27:08

What's in there?

0:27:080:27:10

MUSIC: Pull A U by The Kills

0:27:100:27:13

# Black magic and your two dollar

0:27:230:27:28

# Black magic and your two dollar All right

0:27:280:27:33

# Oh

0:27:350:27:36

# Uh

0:27:380:27:39

# Ooh. #

0:27:400:27:41

Still here?

0:27:420:27:44

Well, there's a lot coming in and a lot going out.

0:27:440:27:47

Well, as long as there's more coming in, we're all right.

0:27:470:27:51

This came for you today.

0:27:520:27:53

It's all the way from America, New York.

0:27:540:27:56

Somewhere called Poughkeepsie?

0:27:560:27:58

And the decorators doing The Garrison want paying.

0:27:590:28:02

Arthur forgot and pulled a gun when they asked, so...

0:28:020:28:04

they've stopped and everything's green.

0:28:040:28:06

All right, well, just pay it.

0:28:060:28:08

Oh, and we need to put an advert in the Mail -

0:28:080:28:10

"Garrison: Grand Reopening."

0:28:100:28:12

Oh, and you said there's a letter that had to go today.

0:28:120:28:15

Special delivery. I wrote it in the diary.

0:28:150:28:18

Yes...I haven't written it out yet.

0:28:190:28:23

Well, you can just tell me and I'll write it down.

0:28:230:28:25

I've learnt shorthand.

0:28:250:28:27

-Fair enough.

-HE CLEARS THROAT

0:28:280:28:31

Dear Mr Churchill...

0:28:320:28:33

Has your pencil broken?

0:28:380:28:40

No. No, do go on. SHE CLEARS THROAT

0:28:410:28:44

Dear Mr Churchill...

0:28:440:28:46

I've been approached by an agent of the Crown to carry out a task,

0:28:470:28:53

as yet unspecified.

0:28:530:28:56

'His name is Major Campbell and I believe he reports to you.'

0:28:560:29:00

'Therefore, I decided to make direct contact with you

0:29:020:29:05

'to make sure that certain things are clearly understood.'

0:29:050:29:09

' "Mr Churchill, you should know that I am a former British soldier

0:29:100:29:14

' "and if you look at my war record,

0:29:140:29:16

' "you will see that I fought bravely at Verdun and at the Somme'

0:29:160:29:20

"Also, you will see that my actions at Mons

0:29:200:29:23

"saved thousands of Allied lives.

0:29:230:29:25

"I know that you resigned your ministerial position

0:29:250:29:28

"and the safety of an office

0:29:280:29:30

"to go and fight on the front line with the men.

0:29:300:29:33

"I read that you fought bravely, Mr Churchill.

0:29:330:29:36

"Therefore, I hope I will be treated in any dealings we have

0:29:360:29:40

"with a degree of respect, soldier to soldier.

0:29:400:29:43

"My demands are slight and my sacrifice in service of my country

0:29:430:29:48

"will no doubt once again be great.

0:29:480:29:51

"Yours sincerely, Thomas Shelby."

0:29:510:29:53

Military Medal and the DCM...

0:29:550:29:58

Distinguished Conduct Medal.

0:30:000:30:02

Hands up in this room, those who were at the Somme.

0:30:040:30:07

Those who were at the Battle of Verdun?

0:30:090:30:11

Thomas Shelby was a tunneller.

0:30:180:30:20

His demand is rather amusing.

0:30:230:30:25

He has asked that the Colonial Office grant him

0:30:250:30:28

-an Empire export licence.

-MEN SCOFF

0:30:280:30:31

Specifically a licence covering India, Malay Peninsula,

0:30:310:30:36

Canada and Russia.

0:30:360:30:38

He plans to transport certain manufactured goods from Birmingham

0:30:380:30:42

to the Poplar Docks.

0:30:420:30:44

And you plan to agree to this demand?

0:30:440:30:46

Dear God, Major Campbell...

0:30:460:30:49

We will be asking this man to carry out an assassination

0:30:500:30:54

on behalf of the Crown,

0:30:540:30:56

once more risking his life.

0:30:560:30:59

These demands by comparison are slight and easily met

0:30:590:31:04

with a few quiet words over lunch with the appropriate ministers.

0:31:040:31:08

Sir...with the greatest respect...

0:31:080:31:11

Thomas Shelby is a murdering...

0:31:110:31:14

..cut-throat, mongrel, gangster.

0:31:150:31:18

And yet, the tunnels were dug beneath our feet to silence the guns

0:31:190:31:25

pointed at our heads.

0:31:250:31:27

Get Thomas Shelby's details from Campbell

0:31:300:31:32

and get some kind of royal appointment stamp.

0:31:320:31:36

Temporary.

0:31:360:31:38

-Temporary?

-Just until the deed is done.

0:31:380:31:42

Agreed, Major Campbell?

0:31:420:31:45

And then I can... proceed as discussed?

0:31:450:31:48

Agreed, sir.

0:31:510:31:52

-HENRY:

-Come on, let's go in.

0:32:070:32:09

Here, pass the ball!

0:32:110:32:13

HENRY LAUGHS

0:32:140:32:16

Come on.

0:32:160:32:17

MRS JOHNSON: 'Come on in, boys. Did you have a good game?'

0:32:190:32:21

-HENRY:

-'I'm starving, have you done anything for lunch?'

0:32:210:32:24

It'll be on in a minute, in you go.

0:32:240:32:25

Go in and wash your hands, boys, all right?

0:32:250:32:27

'Come on, mister.'

0:32:270:32:28

Mrs Johnson?

0:32:280:32:30

Yes. Who are you?

0:32:320:32:34

I'm from Birmingham Council, Bordesley parish.

0:32:350:32:37

No-one wrote to me. What d'you want?

0:32:380:32:41

I would like to talk about your son, about Henry.

0:32:410:32:44

Can I come in?

0:32:440:32:46

I'd rather you didn't, he doesn't like to talk about this.

0:32:460:32:49

I see.

0:32:490:32:51

So what does Henry know about his real identity, Mrs Johnson?

0:32:530:32:56

I only deal with Mr Ross from the agency and he only ever writes, so...

0:32:570:33:01

Why are you here in person?

0:33:010:33:03

Well, the boy is approaching his 18th birthday.

0:33:030:33:05

This isn't right!

0:33:060:33:08

You're not from the council, something isn't right.

0:33:090:33:11

Hmm. What does he know, Mrs Johnson?

0:33:110:33:14

He knows his mother couldn't cope.

0:33:170:33:18

She drank too much, she used opium... she used to beat him.

0:33:190:33:23

But that isn't the truth, is it?

0:33:250:33:26

Look, I think you should come back when my husband's here.

0:33:260:33:29

Does he know what his real name is?

0:33:290:33:31

His real name is Johnson, Henry Johnson,

0:33:310:33:34

now I would like you to go away and come back when my husband's here.

0:33:340:33:38

The truth is he was taken from his mother without her permission.

0:33:380:33:42

-Henry, go back inside, please.

-Who are you?

0:33:420:33:45

-Please, Henry, go on!

-Your real name is Michael Gray.

0:33:450:33:48

-No!

-Your real mother wants to see you.

0:33:480:33:51

Her address is on the back of this card. She just wants to talk.

0:33:510:33:54

-Go away.

-She just wants to talk.

0:33:540:33:56

Go away and leave us alone. Go away!

0:33:560:33:59

Come on, let's go back inside.

0:34:040:34:06

Come on, I'll get you something to eat.

0:34:060:34:07

Come on, Henry.

0:34:090:34:10

Come on... Come on.

0:34:120:34:14

Call yourself a Shelby? Fucking hit him, Finn.

0:34:150:34:19

Hit him, that's right.

0:34:200:34:22

All right, Isiah, your turn.

0:34:220:34:24

Finn! Call yourself a Shelby? Fucking hit him, for fuck's sake!

0:34:240:34:28

Hit him.

0:34:300:34:31

LOUD GROANING

0:34:320:34:35

-MEN ALL YELL

-Get him out of there, get him back!

0:34:370:34:39

Get him back! Arthur, for fuck's sake!

0:34:390:34:41

-Get him out of there!

-ARTHUR GROANS

0:34:410:34:44

ARTHUR GROWLS

0:34:560:34:58

-GENERAL HUBBUB MAN:

-Rockfair is down to sixes...

0:34:580:35:02

NOISE DROWNS OUT CONVERSATION

0:35:070:35:10

FOOTSTEPS APPROACH

0:35:230:35:25

Right, what happened?

0:35:380:35:40

-It was a fair fight.

-Yeah.

0:35:410:35:44

Arthur just caught him with a good 'un.

0:35:440:35:46

I saw the body, don't fucking lie to me.

0:35:500:35:53

I saw the body, what fucking happened?

0:35:530:35:55

I'm not family, I'm saying nothing.

0:35:560:35:59

Arthur...

0:36:040:36:05

..he's blown a few times lately.

0:36:060:36:08

Six, seven.

0:36:090:36:11

It's like he's not there in the head.

0:36:130:36:15

He can't even hear "stop". Even his own name.

0:36:160:36:19

And then he cries.

0:36:220:36:23

Right, listen to me.

0:36:290:36:30

That's two fucking stories.

0:36:320:36:33

Your brother killed a boy.

0:36:350:36:37

There were witnesses, there will be questions,

0:36:370:36:41

get your story straight, it was an accident.

0:36:410:36:44

Fuck off.

0:36:440:36:45

I spoke to the doctor, he said the kid...

0:36:530:36:55

..probably had a weak heart.

0:36:560:36:58

We'll look after his mother.

0:36:580:37:00

It'll be fine.

0:37:010:37:02

Polly said I should have stuck with the medicine.

0:37:040:37:06

I said that you know best.

0:37:080:37:10

It's like a fucking boat, Tommy.

0:37:140:37:16

Full of heavy cargo, like coal or iron.

0:37:190:37:21

Sometimes it slips to one end.

0:37:230:37:25

And the boat tips.

0:37:270:37:28

I can feel it slipping.

0:37:310:37:32

And I can...feel the boat tipping.

0:37:350:37:37

But there ain't nothing I can do about it.

0:37:390:37:41

It's like me fuckin' head's just like this fuckin'...

0:37:440:37:48

black fucking barge!

0:37:480:37:51

And it just fucking...drifts...

0:37:510:37:55

in and out, in and out...

0:37:550:37:58

Well, we're home a long time now, Arthur.

0:37:580:38:01

We've home a long time.

0:38:010:38:03

-I thought you were all right.

-Yeah, well...

0:38:060:38:09

I-I-I don't think I am...Tommy.

0:38:090:38:14

Take this fucking thing away from me.

0:38:170:38:20

Just fuck off, Arthur.

0:38:260:38:28

You know what?

0:38:300:38:31

I've had enough.

0:38:340:38:36

I've fucking had enough. Just fuck off.

0:38:360:38:40

ARTHUR SNIFFLES

0:38:400:38:43

(What?)

0:38:430:38:44

I'm supposed to treat you like a fucking kid again, eh?

0:38:450:38:47

Keep you away from guns and fucking rope, is that it?

0:38:480:38:52

-YELLS:

-You think I haven't got enough on?!

0:38:530:38:55

-Stop it, Tommy.

-Arthur?

0:38:550:38:56

-You think I haven't got enough on?!

-Stop it.

0:38:560:38:59

-The war is done! Shut the door on it!

-Stop it.

0:38:590:39:02

-Shut the door on it, like I did, eh?

-Like you do?

0:39:020:39:05

Can you do that? Yeah?

0:39:050:39:06

-Like I fucking did.

-I'm not fucking you.

0:39:060:39:08

-Shut the fucking door, eh?

-But I'm not fucking you!

0:39:080:39:11

I...am not fucking you!

0:39:110:39:14

-Everyone fucking knows it!

-ARTHUR PANTS

0:39:140:39:17

God!

0:39:170:39:19

Look at yourself. Eh?

0:39:220:39:24

-Look at yourself.

-JUGS CLATTER

0:39:260:39:30

Take a long, hard, fucking look at yourself.

0:39:300:39:34

DOOR BANGS

0:39:450:39:47

ARTHUR SOBS

0:39:470:39:50

GLASS SMASHES

0:39:570:39:59

DOOR OPENS AND BANGS SHUT

0:39:590:40:02

HE MOUTHS

0:40:060:40:08

Time for lunch, sir.

0:40:230:40:24

I thought we could eat at the desk, like the old days.

0:40:240:40:28

HE CHUCKLES You remembered.

0:40:320:40:36

Tongue and pickle, sir.

0:40:360:40:38

But it's the single stroke of mustard, that's the thing.

0:40:380:40:42

-Hmm.

-The fine detail.

0:40:420:40:44

Speaking of detail...

0:40:470:40:49

How much is Thomas Shelby paying you in bribes per week? Hm?

0:40:500:40:56

Actually, I already know - £2 a week, £8 a month,

0:40:590:41:04

plus extras for specific favours.

0:41:040:41:06

When I left, you were an honest man.

0:41:080:41:11

And now you're on the Peaky Blinders' payroll.

0:41:110:41:14

Shelby is a worm and feeds off the rotten parts of your mind.

0:41:170:41:23

He gets in through your ear, with a whisper.

0:41:230:41:26

He crawls in over your tongue as you lie to the judge and the pastor.

0:41:260:41:32

Mr Moss...

0:41:330:41:34

We are entering a bloody phase of a bloody war

0:41:360:41:40

with no quarter asked or given.

0:41:400:41:42

But as of this moment, you are now back on the side of the angels.

0:41:440:41:50

Shelby thinks you work for him, but in truth, you work for me.

0:41:510:41:56

And I will use you mercilessly.

0:41:570:42:00

Polly, these are the files for Michael and Anna Gray.

0:42:500:42:53

As you can see, one is white...

0:42:550:42:56

..and one is black.

0:42:580:42:59

What you saw in your dreams...

0:43:050:43:06

..was right.

0:43:070:43:09

Your daughter is dead.

0:43:110:43:13

Um... You do it, I can't read it.

0:43:250:43:29

After Anna was taken from you, she was put with a...

0:43:330:43:36

With a family of a... railway station master in Stafford.

0:43:370:43:41

She...never settled.

0:43:440:43:47

So she kept running away.

0:43:470:43:49

She got on a train to Birmingham once...

0:43:520:43:54

Eventually they sent her to Australia...

0:43:540:43:57

..where she died of something called spring fever.

0:43:590:44:01

So my little Anna...

0:44:180:44:20

..travelled all the way back across the world

0:44:220:44:24

to be with me in my dreams?

0:44:240:44:26

She came all by herself.

0:44:290:44:31

Well...that's one train they couldn't get her off.

0:44:330:44:37

But, Pol...

0:44:460:44:47

..Michael is alive.

0:44:480:44:49

SHE EXHALES SHARPLY

0:44:520:44:54

-He's in England...

-SHE PANTS

0:44:570:45:00

..and I know where he lives, I went there.

0:45:010:45:04

-But, Pol...

-And?

0:45:060:45:07

OK, Polly, listen to me.

0:45:090:45:11

Just listen to me, please.

0:45:130:45:14

Pol!

0:45:170:45:18

The woman that he calls "mother" will never let him come here.

0:45:180:45:23

Just tell me where he is, Tommy.

0:45:250:45:27

Polly, if you go there and you get mad

0:45:290:45:32

and she gets mad and she calls the police,

0:45:320:45:35

they will never let you anywhere near him

0:45:350:45:38

and the boy will get scared.

0:45:380:45:40

That's what will happen, Pol.

0:45:410:45:43

Polly.

0:45:440:45:46

-Polly...

-You just tell me where he is, Thomas.

0:45:470:45:49

SHE COCKS GUN

0:45:510:45:53

-Tell me where he is, Thomas!

-Polly...

0:45:540:45:57

Pulling the gun...

0:46:010:46:02

Pulling the gun is why I can't tell you.

0:46:030:46:05

Pol, I'm sorry, you're going to have to wait till he's 18.

0:46:090:46:14

Till he's old enough to make his own decision.

0:46:140:46:16

Wait?!

0:46:210:46:23

You tell me where he is!

0:46:240:46:26

If you shoot me, you'll never know.

0:46:320:46:34

GUNSHOT

0:46:390:46:41

MUSIC: I Want Some More by Dan Auerbach

0:46:450:46:47

# You got the tenderness that I been searchin' for

0:47:060:47:11

# Oh, oh, oh, I want some more... #

0:47:110:47:15

FINN: Mickey! Hurry up, the party's starting.

0:47:150:47:17

-Good, carry on.

-Finn, where you going?

0:47:230:47:25

-To talk to Arthur.

-Right.

0:47:250:47:27

ALL CHATTER AND LAUGH

0:47:290:47:32

-Arthur?

-Go away.

0:47:530:47:56

-What's wrong? Why aren't you ready?

-For what?

0:47:580:48:01

The Garrison.

0:48:020:48:03

The reopening of your pub. It's tonight.

0:48:050:48:09

-Tommy don't want me there.

-It was Tommy who told me to get you.

0:48:100:48:14

He says it's your name above that door,

0:48:140:48:16

-so you've got to be there.

-No...

0:48:160:48:18

No, look at me.

0:48:180:48:20

I'm staying away. Go away.

0:48:210:48:24

Get out.

0:48:240:48:25

I told you to go away.

0:48:380:48:40

Sometimes...

0:48:450:48:47

..when we boys are feeling blue...

0:48:490:48:51

This is what we do.

0:48:530:48:54

It's called Tokyo.

0:48:550:48:57

It's good stuff, Arthur. It'll help you.

0:49:220:49:25

For special occasions.

0:49:270:49:29

ARTHUR INHALES

0:49:330:49:36

ARTHUR SNIFFS

0:49:370:49:40

Oh, boys! My fucking Garrison!

0:49:540:49:57

Take that. Take that an' all.

0:49:590:50:01

'Ere you are, Lizzie. Let me get you a light.

0:50:010:50:04

There you go, my darling. Jeremiah, I'll be with you in a second.

0:50:040:50:07

-Oh!

-MAN LAUGHS

0:50:070:50:09

Look at the place!

0:50:090:50:11

-You all right?

-Busier we are, the faster time passes.

0:50:140:50:17

Yeah?

0:50:170:50:18

Arthur... Tokyo, it's fuel for races, eh?

0:50:190:50:25

-But you've seen a doped horse after a race...

-Oh, yeah.

0:50:250:50:28

Grand openings and race days only, brother.

0:50:290:50:31

-All right?

-'Go on then, Tommy!'

0:50:320:50:35

-'There you go, come on, drink up.'

-Boys.

0:50:350:50:37

All right, Mick?

0:50:370:50:38

-Tom.

-Finn! Gimme that.

0:50:380:50:43

Keep him off the whisky, John.

0:50:440:50:46

Pol.

0:52:160:52:17

POLLY LAUGHS

0:52:270:52:30

-Ada! I didn't know you were coming.

-There's Aunt Polly.

0:52:330:52:36

-Aww...

-Hi!

0:52:360:52:38

Hey, who's that?

0:52:390:52:41

-D'you want a cuddle?

-Polly, that's right.

0:52:410:52:44

-Take him.

-Polly...

0:52:440:52:45

-Oh, Ada, why don't you think about coming home?

-Hello, Ada.

0:52:450:52:49

Say you'd...

0:52:490:52:50

-Tommy...

-TOMMY CLEARS THROAT

0:52:530:52:56

-So what do you think, eh?

-It's very...

0:52:560:52:59

-Gold?

-Yeah.

0:52:590:53:00

-Hello, Ada.

-Hello, trouble, how're you doing?

0:53:030:53:06

-Mmmm...

-Oh, you're...spilling my drink!

0:53:060:53:07

SHE GIGGLES Hey, Arthur, look who it is.

0:53:070:53:10

So what d'you want me to say to her?

0:53:100:53:12

Just talk to her. No-one can get through to her.

0:53:120:53:15

Tell her I had no choice.

0:53:150:53:18

I appreciate this.

0:53:190:53:21

-Hello, brother.

-Ada, come here, you!

0:53:280:53:31

-SHE GIGGLES

-You big bear!

0:53:310:53:34

Polly? Why don't you come and join us?

0:53:340:53:37

-What?

-I'm not an idiot.

0:53:440:53:46

He asked you to come, didn't he?

0:53:470:53:48

I don't want conversation, I want an address.

0:53:560:54:00

Until I have that...

0:54:000:54:02

..I've not got anything to say.

0:54:030:54:05

-Now, it's a party!

-Yeah...

0:54:050:54:08

It is! Oh!

0:54:080:54:10

-And I'm going to enjoy myself.

-No, Pol, don't be silly.

0:54:130:54:17

Excuse me?

0:54:190:54:20

Would you care to dance?

0:54:220:54:24

It'd...be my pleasure.

0:54:260:54:28

My love, pleasure hasn't even begun.

0:54:350:54:39

Excuse me?

0:56:520:56:53

I'm looking for someone called Elizabeth Gray.

0:56:550:56:57

I was told she lived here at number 17.

0:56:580:57:00

I came last night but there was nobody here.

0:57:020:57:04

So I waited.

0:57:060:57:07

What do you want with Elizabeth Gray?

0:57:080:57:10

I think she might be my mother.

0:57:130:57:15

# On a gathering storm comes a tall, handsome man

0:58:060:58:10

# In a dusty, black coat with a red right hand. #

0:58:100:58:15

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