Episode 4 Peaky Blinders


Episode 4

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Transcript


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This progamme contains violent scenes, strong and racial language,

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and scenes of a sexual nature.

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A vacancy has appeared and you're going to fill it.

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From now on, Mr Shelby, you shut your Gypsy mouth

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and listen to your instructions.

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I know it was you who carried out the murder of Mr Duggan.

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-GUNSHOT

-You are on my hook, Mr Shelby.

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-Name?

-Harold Hancox.

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-Have you ever been arrested?

-No.

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Arthur, we can stand him up.

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'Last night, one of our men had his throat cut in Winson Green.'

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I'm not real!

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'Gentlemen, this is your cousin. Polly's son, Michael.'

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-I want to go with them.

-Over my dead body.

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Do we hear 800 guineas? 850.

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'May Carleton. I breed racehorses and train them.'

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-So, will you consider me?

-I will consider you.

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Thomas Shelby?

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GUNSHOT

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'Did they behave themselves?'

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They were really amazing.

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# Take a little walk to the edge of town

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# And go across the tracks

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# Where the viaduct looms, like a bird of doom

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# As it shifts and cracks

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# Where secrets lie in the border fires

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# In the humming wires

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# Hey, man, you know you're never coming back

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# Past the square, past the bridge, past the mills, past the stacks

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# On a gathering storm comes a tall handsome man

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# In a dusty black coat with a red right hand... #

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BELLS RING

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You might think this is a curious place for me to suggest a meeting,

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but...

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your surprises have only just begun.

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You look a little unsteady, Mr Shelby.

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Take a seat.

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You're working together.

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Blowing up the Garrison was your idea.

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You who chose me.

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It's funny, I thought the Fenians had a policy...

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-Enough.

-..of not mixing the personal with the political.

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-I said enough.

-I think I will decide on what is enough.

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Who's in charge here then, eh? Who's in charge?

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Right, let me understand this.

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-You answer to an agent of the Crown.

-Perhaps we can just...

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-Very interesting.

-Perhaps we can stick to the agenda.

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-Whose agenda?

-There is a form of words here.

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-Whose words?

-Arrogant bastard.

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-I'm not accustomed to being spoken to like that.

-Just come to order

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I am here to listen, but not to the fucking infantry.

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Enough! Jesus!

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Now...

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..some weeks ago, Mr Shelby carried out a military mission

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on behalf of pro-treaty Republicans here in Birmingham.

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You...

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working for the King.

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-There is a unique political situation.

-Yeah? How does that feel?

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-Let us...

-Tell me. How does that fucking feel?

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..stick to the form of words.

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-Temporarily, we have a shared interest.

-Oh, I see.

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-Shall we just stop him laughing?

-You want me to stop laughing?

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-Explain this, pal.

-Following the success of your mission...

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-We're going to make you do it again.

-Will you shut up?

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Can we just conduct ourselves here, please?

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-Conduct ourselves!

-Please.

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No-one in this room wants to breathe the same air as anyone else.

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-Nevertheless...

-Nevertheless the pro-treaty Paddies

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and the King want the same man dead.

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Am I right?

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-Why him?

-Did you ask why in France?

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-Yeah.

-So, it's the same answer - because.

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Why me?

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-Because.

-Because.

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Because if anybody connects me to this,

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it will be assumed that it was a criminal act

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and not a political one.

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No, you need not fear being connected to the killing

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because I will see to it that no connection is ever made.

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You will have complete immunity after the fact.

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But, in the execution, you will get no help from agents of the Crown.

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And we can't be seen to be involved.

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You have been chosen, Mr Shelby,

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and there really is no choice.

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No equals bang,

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and your man here will shed no tears as he looks the other way.

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Nevertheless...

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I say no.

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Mr Shelby?

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What about your export licence, Mr Shelby?

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You had a deal with Mr Churchill.

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The one with the mouth, Donal Henry, he is a spy.

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He is working for the Irregulars against the pro-treaty Paddies.

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He reports every fucking word back to them.

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No, it's not possible.

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They've both been security vetted by my own department.

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I have men in places your men can't go.

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Donal Henry meets the anti-treaty Paddies in the back room

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of the Mother Red Cap in Saltley sometimes twice a week.

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These Irish enemies are fucking brothers and cousins.

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You are stepping into a world you don't understand.

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If what you're saying is true, he'll be dealt with.

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Bring me proof the spy is dead and we have a deal.

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-Mr Shelby.

-Billy boy.

-Watch it.

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Now on you go.

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SEARING STRINGS DROWN SOUND

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Right, boys, let's go!

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SCREAMING

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GLASS SMASHES

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Fuck you!

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Mario!

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Mario!

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WOMAN SCREAMS

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Mario!

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Come here.

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Sabini's day is done.

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I'll protect you now.

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Oh, shut up!

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Stop fucking whingeing.

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Due to my razor blade

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and a few complaints from the neighbours

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about the terrible fucking music...

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Do you want to tell them or should I?

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This place is under new management...

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..by order of the Peaky Blinders.

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LOUD ROCK MUSIC

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WOMEN GIGGLE

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HE LAUGHS

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HE CLEARS HIS THROAT

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KNOCKING ON DOOR

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Yes?

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Somebody to see you, Mr Shelby.

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He says he's come about the position of accounts clerk.

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Send him in.

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-Just through here, sir.

-Thank you.

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Michael...

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..vacancy's been filled.

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Not according to this morning's paper.

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At school, I was top of the class in mathematics

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and I did a night-school course in accountancy at Worcester College.

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Mum says you've had six different accountant clerks

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in the last six months.

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When respectable men see the other things you do, they leave.

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But I, like Lizzie out there, already know what you do.

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Mum says you want to be 80% legal within two years.

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-Three.

-I can help.

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I know both sides and you know you can trust me.

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I want to help you, Tommy, become legal.

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Do the right thing.

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I want to be proud of this family.

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Does Polly know you're here, Michael?

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I'm 18 on Friday - I go where I please.

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You phone your mother.

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Good luck.

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KNOCKING ON DOOR

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We're not open for winnings yet.

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I'm here to see Thomas Shelby.

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I have an appointment.

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Come in.

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-May Carleton.

-Mr Shelby has his proper meetings

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in his other office.

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This was the address that he gave me.

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-He gave you THIS address?

-He said it was a gambling den.

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I told him that I've wanted to see one

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since I'm always reading about them in the papers.

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Quite the big scandal in the Telegraph lately.

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Anyway, he said that I could come and have a look.

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And now I feel like a bit of an idiot

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because I'm early and he's late and I have no idea how to behave.

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In a gambling den?

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I'll wait in the car.

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If I open the door again, they'll all want to come in...

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like flies.

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So what are you?

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W-what am I?

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To Thomas?

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I'm going to train his racehorse...for Epsom.

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You know horses?

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Yes. You?

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Born riding.

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I slept in a manger when I was a baby.

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I was born riding, too.

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DOOR OPENS

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There's a fucking great Riley parked out there

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and nobody's watching it.

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John, this woman says she's training Thomas' horse.

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He's told us a lot about you.

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Don't know where he is, do you?

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DOOR OPENS

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Sorry I'm late. There was a family matter.

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Esme, keep it locked up for a minute.

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-Yes, Thomas.

-I'll show you around.

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So...be my guest.

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That's my brother Arthur's office.

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Down there is my brother John's office -

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that's where we slate the runners and riders.

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It's so out in the open. What about the police?

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What about them?

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When I drove into Small Heath,

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I thought I was going to get murdered...

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then I mentioned your name.

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It was like being escorted to see a king.

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-You came here to get my girl, right?

-Right.

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She looks in very good condition,

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considering she's not been out on the gallops.

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Curly's the best horseman in England.

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I have a man called Mickey who'd argue the point.

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Ah, but Curly here is half horse himself.

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She's blessed. Very blessed.

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Well, she's from the best stock.

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But I'd rather have a coloured pony. Mixed blood is stronger.

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Not to win the Derby, Curly.

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Don't like them racing, Tommy, not the way they beat them.

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-She's all yours.

-Thank you.

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He gets sad when one leaves.

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-What time is your box van coming?

-Midday.

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Maybe you've got time to take the lady to the Garrison,

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show her the spa and the tearooms.

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I'd like that, why not?

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I just had it done up. There was a fire.

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It's...

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Yeah.

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What do you drink?

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So early, but gin.

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Goodness. With something?

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Like what?

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Tonic water or...

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Erm...we have...cordial.

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There's not much room in there but...

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You want to fuck me, Mrs Carleton?

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Perhaps because I...

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Perhaps because I represent something to you?

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We should have this conversation before the booze

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starts talking for us.

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You have a horse.

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Yes, I have a horse.

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The horse is why I'm here...

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purely that.

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And because you're paying me a lot of money to train your horse,

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that's why I'm here,

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purely that.

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Good.

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Good. Well, a toast, then.

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To the horse, to the Derby.

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-Cheers.

-Cheers.

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So is that what you say to women?

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Only if I don't know what they want.

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And what if they don't want to fuck?

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Then life is simpler.

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You want a simple life?

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Do I look like a man who wants a simple life, eh?

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So what do you want?

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For what I'm paying you, Mrs Carleton,

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I want a horse that'll pay out at Epsom on an each-way bet.

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Before I took your account,

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I did some credit checks on you.

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Apparently, you don't exist.

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My existence is questionable.

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Gypsies don't like registers.

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You see, I'm not a Gypsy like you mean.

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But you did register for France.

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I also sent your name to the War Office -

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I have friends there.

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You won two medals for gallantry.

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Does that really impress you, Mrs Carleton?

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Call me May.

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Charlie says the box van is here.

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Thank you, Finn.

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You know, I still don't know what you're going to call your horse.

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The horse will be called Grace's Secret.

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Grace's Secret.

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I told him he definitely can't take the job.

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He said "All right, I'll move to London, then."

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I said, "I won't give in to blackmail. No is no."

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Well...that settles it, then.

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I'll give the job to the other candidate.

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He's much better qualified anyway.

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Michael did City And Guilds - six months.

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Yeah, but he doesn't know racing, Poll.

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He knows horses, but he doesn't know racing.

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This other boy, he knows racing.

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He's good. He's a fast learner.

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What if Michael really leaves?

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You just got to let him go, Poll.

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He'll get a job in an office in London.

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I'm sure he'll write to you.

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He made a big speech

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about wanting to help you build up a respectable business.

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Oh, he's like his dad, he could make me cry.

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There are trains to London.

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So I just let him leave?

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Every month or so he'd be back...

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..unless of course he meets a girl.

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Then, who knows?

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Oh, my God.

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You want him to do this job.

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Polly, I want what you want.

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What about this other more qualified candidate?

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Mmm...

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Well, I lied, there isn't one.

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How much are you paying?

0:24:340:24:36

-The advertised rate.

-Like hell.

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-Three bob.

-Like hell.

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-Three and six.

-Four.

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Four it is.

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-I love him, Tom.

-I know.

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That's why I'll keep him away from the old business,

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put him charge of the new. Agreed?

0:24:590:25:02

Agreed.

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Well, Finn, you've got two choices - mild or mild.

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-Mild.

-There you go.

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-DOOR OPENS

-Here he is, look.

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CHEERING

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Happy birthday, Michael.

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18 years old. You're a man today.

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-Give him a drink, John Boy.

-There you go, lad.

-And after that,

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we'll go to find you a lady of the night.

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Arthur!

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Michael.

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What's that?

0:25:430:25:45

So you're never late for work.

0:25:450:25:47

Welcome to the business, Michael.

0:25:520:25:54

-Welcome to the business.

-Thank you.

0:25:540:25:57

Right, come on, let's get him drunk. Come here, you.

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All right, whisky.

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No whisky, he's at work tomorrow. Give him only dark mild.

0:26:010:26:05

-A toast.

-Toast.

-To Michael.

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ALL: To Michael.

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DOOR OPENS

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Are you all right?

0:26:270:26:28

-What is it? Just us?

-Just us.

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Are we celebrating?

0:26:390:26:41

Just taste this.

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What do you think, Arthur?

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Yeah, it's good. Good stuff, really nice.

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Too good for the Garrison.

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I suppose we could shift it to the toffs at the Eden Club.

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Why? What is it?

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That is part of an export drive.

0:27:120:27:14

We now have a secure warehouse in Camden Town

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and secure passage to the Poplar Docks.

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So, on Monday morning,

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we'll be sending out our first export crate.

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A crate of Riley car spares...

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bound for Halifax, Nova Scotia.

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Where there's prohibition.

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Where there is prohibition.

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All over Canada and America,

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people are making their own booze in bathtubs.

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But rich people in New York, in Toronto and Boston

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are still paying a lot of money for the real stuff.

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So, on Monday, the first Shelby company crate

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will contain a thousand Riley carburettors.

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But hidden in the packing will be 500 bottles

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of the finest quality single malt Scotch whisky.

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And we, Shelby's, have a licence

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granted by the Minister Of The Empire himself,

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which means our crates won't be searched.

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And, Polly, all of the whisky will be packed at the docks,

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so Michael can do the books without being involved.

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Like I've been telling you all for a year now...

0:28:250:28:29

motor cars are the future.

0:28:290:28:30

So, how is your life then, Tom?

0:28:340:28:37

On the up, Johnny, on the up.

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But, Tom, really, come on, how is it?

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You know I hate to see you not even married yet.

0:28:430:28:47

I have a fine looking cousin, she'll make your life hell.

0:28:470:28:50

You deserve her!

0:28:500:28:52

HE CHUCKLES

0:28:520:28:54

We haven't had a good old wedding in a long time.

0:28:540:28:57

Have you had a look inside these boxes, then, Johnny?

0:29:000:29:02

What do I want to look at car parts, Tommy,

0:29:020:29:05

when I haven't even got a car?

0:29:050:29:06

Faith in family's a fine thing, eh?

0:29:080:29:12

And I wouldn't even be counting.

0:29:120:29:15

25 becomes 24, then 24 it is.

0:29:150:29:17

Oh, you know I'm no good with numbers, Tom.

0:29:170:29:21

And if 24 ever became 23...

0:29:210:29:26

then that'd be tax.

0:29:260:29:28

We don't pay tax.

0:29:280:29:30

No, Tom.

0:29:300:29:32

Good man.

0:29:340:29:35

I put an iron door on,

0:29:450:29:47

and we've put iron bars on the windows and across the skylights.

0:29:470:29:50

-Good.

-So what will you be keeping in here, Tommy?

0:29:500:29:54

Temptation, Billy. Temptation.

0:29:540:29:56

DOOR OPENS

0:30:080:30:10

Morning, Arthur. I was just passing.

0:30:100:30:12

I think I'm in fucking love.

0:30:180:30:20

HE SNAPS HIS FINGERS Drink!

0:30:200:30:22

She don't know where to look.

0:30:270:30:29

Whisky, Tommy?

0:30:310:30:32

No, I've got a long drive ahead.

0:30:330:30:35

You off home?

0:30:350:30:37

Mm-hmmm. Eventually.

0:30:370:30:40

To Birmingham.

0:30:400:30:42

What's this?

0:30:470:30:49

Olives.

0:30:510:30:52

Yes, it's miscellaneous.

0:30:520:30:54

It's, erm, olives.

0:30:550:30:57

Sticks, you know, with little bits of fucking onion and things.

0:30:570:31:01

That's what that is.

0:31:030:31:05

We've taken 600 pounds on olives.

0:31:070:31:09

Yeah, with little bits of onion.

0:31:100:31:12

I told you, Arthur...

0:31:190:31:21

..the dealers sell the cocaine, we take a cut.

0:31:240:31:27

We don't sell direct.

0:31:270:31:30

The Home Secretary's cracking down

0:31:300:31:31

-and I don't want this...

-HE TAPS THE DESK

0:31:310:31:34

..to fuck up everything else, you understand?

0:31:340:31:36

I understand.

0:31:370:31:40

How much of that 600 came out of your pocket?

0:31:400:31:42

It's under control.

0:31:500:31:52

I put you down here cos people are scared of you, Arthur.

0:31:520:31:55

But if you don't straighten up, it'll be John's turn in London.

0:31:570:32:01

No need.

0:32:020:32:04

I can handle it.

0:32:040:32:05

It's under control?

0:32:070:32:08

It's under control.

0:32:090:32:11

Fucking tidy profit, though, eh?

0:32:210:32:23

It's happening, Tom.

0:32:270:32:28

Good.

0:32:310:32:32

Good.

0:32:340:32:35

Straighten up, soldier.

0:32:400:32:42

Yes, sir, Sergeant Major.

0:32:540:32:56

What's your business?

0:33:250:33:27

Sorry, I'm, er, I'm lost here.

0:33:280:33:31

-Yeah, well, you can't stop here. Move on.

-All right.

0:33:320:33:35

ENGINE STARTS

0:33:370:33:39

23 seconds.

0:33:450:33:47

It's all right, Ada, it'll be Andrew for me.

0:33:560:33:59

Oh.

0:34:030:34:04

I'm looking for Ada.

0:34:050:34:07

Who are you?

0:34:070:34:08

Ada.

0:34:150:34:17

I asked you a question.

0:34:170:34:19

It's all right, James.

0:34:190:34:21

This is my brother.

0:34:210:34:23

Who's he?

0:34:230:34:25

He rents a room.

0:34:250:34:26

You need to rent out rooms?

0:34:260:34:28

Actually, she doesn't charge rent.

0:34:280:34:30

He's a writer, which means he's skint.

0:34:300:34:33

You get up late these days, Ada.

0:34:350:34:37

Mm. I go to bed late.

0:34:370:34:39

Yeah? Where's Karl?

0:34:390:34:41

What do you want, Tommy?

0:34:410:34:42

Oh, God, before you start sizing him up for a wedding suit,

0:34:440:34:47

he's not interested in me...

0:34:470:34:49

-or in girls of any kind.

-Ada!

0:34:490:34:52

What? Tommy won't judge you.

0:34:520:34:53

He sure as hell won't go to the police.

0:34:530:34:55

Look, I'll go and get dressed.

0:34:570:34:59

James...

0:34:590:35:01

I'm Thomas.

0:35:010:35:02

Pleased to meet you.

0:35:020:35:04

Can I have a minute with my sister, please?

0:35:080:35:10

Yes, of course.

0:35:120:35:13

So, does your lodger know your name?

0:35:210:35:24

Yeah. Thorne.

0:35:240:35:26

You think I'd tell anybody anything else?

0:35:260:35:29

Your Brummie boys are all over the papers.

0:35:290:35:32

Just one last push, eh? Then you'll go legit?

0:35:320:35:35

Just one more obstacle to get round then it'll all be straight?

0:35:350:35:38

Actually, yes.

0:35:380:35:40

SHE GIGGLES

0:35:400:35:41

Personally, I find it quite amusing.

0:35:410:35:43

Men like you are becoming very fashionable down here.

0:35:430:35:46

No society party in London is complete without a gangster

0:35:460:35:50

for the girls to go giddy for.

0:35:500:35:51

Anyway, what is it that you want?

0:35:530:35:56

I don't have any children, Ada...

0:35:570:35:59

..so I have set up a trust fund.

0:36:010:36:04

The beneficiaries will be John's kids and Karl.

0:36:060:36:09

In order for Karl to benefit, I need your signature.

0:36:110:36:15

I've...

0:36:180:36:19

set up an account.

0:36:190:36:21

Money will be transferred in the event of my death.

0:36:210:36:25

It'll set them up for a new life.

0:36:270:36:30

Are you sick?

0:36:370:36:39

I'm just doing what any ordinary man would,

0:36:390:36:41

putting my affairs in order.

0:36:410:36:43

'Did you know they was going to take the Eden club?

0:37:130:37:15

'I know about the Eden club, yes.'

0:37:150:37:18

Did you know they were going to do it before they did it?

0:37:180:37:21

Because that's the one who's in charge, isn't it?

0:37:210:37:23

The one who knows before it happens.

0:37:230:37:26

I know what I know, you know.

0:37:260:37:28

If you don't know, then you don't fucking know, do you?

0:37:280:37:33

Did you know they was going to take Wimbledon dogs?

0:37:330:37:37

Harringay? The trotting tracks?

0:37:370:37:39

Talk, all right? I genuinely want to hear you.

0:37:410:37:46

You've lost control, Alfie.

0:37:460:37:47

Have I?

0:37:470:37:49

Everybody knows.

0:37:490:37:50

-Talk to me, Alfie.

-Talk to you?

0:37:530:37:56

All right, I'll talk to you. I'll fucking tell you how it was, right?

0:37:570:38:00

What happened was this.

0:38:000:38:02

All the time you were talking about dirty fucking Jews.

0:38:030:38:07

All the fucking time - dirty fucking Jews, dirty Kikes,

0:38:070:38:10

-dirty dustbin lids...

-Everyone makes jokes.

-You want to talk about

0:38:100:38:13

-not getting into places?

-Everybody makes fucking jokes.

0:38:130:38:16

I didn't know you had no sense of humour!

0:38:160:38:18

And I ain't going to FUCKING mention, right,

0:38:180:38:21

the great big fuck off elephant in the room.

0:38:210:38:26

Look, Alfie...

0:38:270:38:29

How many of my bookies worked Epsom this last May?

0:38:290:38:32

None. None.

0:38:320:38:34

Not one.

0:38:340:38:36

So, for a few fucking jokes and Epsom,

0:38:360:38:40

you fucking invite a tribe of savages into the city

0:38:400:38:43

and just fucking unlock the fucking gates!

0:38:430:38:46

I'm sorry, what are you saying, mate?

0:38:510:38:54

I'm saying...

0:38:540:38:56

I'm sorry about the Jew thing.

0:38:570:38:59

-Are you saying you're sorry?

-Yeah.

0:39:010:39:04

-You're sorry about the Jew thing?

-Yeah.

0:39:040:39:07

-Really?

-Yeah.

0:39:070:39:09

I want that in writing. Write that down. He said, "I'm sorry".

0:39:090:39:12

And also write down

0:39:140:39:16

that all our bookies can go back to Epsom.

0:39:160:39:19

-He didn't say that.

-Who's asking you?

-No.

0:39:190:39:22

Write it down.

0:39:230:39:25

It's all right. Come on.

0:39:250:39:27

Alfie's an old friend.

0:39:270:39:29

My friend.

0:39:310:39:33

Now, admit it,

0:39:350:39:36

the Peaky Blinders is out of control.

0:39:360:39:40

Yeah, they're out of fucking control, mate.

0:39:400:39:42

They come down the canal, they spread like the fucking clap.

0:39:420:39:46

-Right. So now they're everybody's problem.

-Yeah.

0:39:470:39:49

-Alfie.

-Mm.

0:39:510:39:52

-You and me, we've been fighting since we was at school.

-Yeah.

0:39:520:39:56

-All right? Now, also, we've been friends.

-Mm, yeah.

0:39:560:40:00

You know, it goes backwards and forwards.

0:40:000:40:03

How much better is it when we're friends?

0:40:050:40:07

Oh, it's much better, mate, yeah.

0:40:070:40:08

You write that down.

0:40:080:40:10

So what we're doing here, right,

0:40:120:40:14

is we're writing down some kind of a deal thing, right?

0:40:140:40:17

-Yeah, a written deal.

-Written deal, good.

0:40:170:40:21

Well, why don't we discuss the border between the Italians

0:40:210:40:25

and the Jews going back to Farringdon Road.

0:40:250:40:28

-Farringdon Road...

-Yeah, Farringdon Road.

-Fuck!

0:40:280:40:31

That's ancient history.

0:40:310:40:32

-Write down Farringdon Road.

-No, no, no, write down Camden Road.

0:40:320:40:35

-Farringdon Road.

-Camden Road.

0:40:350:40:37

-Write down Farringdon.

-Camden.

-Farringdon.

-Camden.

0:40:370:40:39

Write down Camden Road.

0:40:390:40:41

Just write down "peace".

0:40:420:40:44

Just write down "peace", right,

0:40:440:40:46

between the Jews and the Italians.

0:40:460:40:50

And war...

0:40:520:40:54

against the gypsies.

0:40:540:40:56

Fuck.

0:41:200:41:21

DOOR OPENS

0:41:260:41:28

-WOMANS'S VOICE:

-Mr Thomas Shelby, madam.

0:41:280:41:30

Nice house.

0:41:430:41:44

Would you like a whisky?

0:41:490:41:51

Scotch or Irish?

0:41:510:41:52

Irish.

0:41:520:41:54

GLASSES CLINKING

0:41:540:41:56

Sorry for the short notice.

0:42:010:42:02

I was...passing.

0:42:020:42:04

We're not quite on the Birmingham road.

0:42:050:42:08

It was a small diversion.

0:42:080:42:09

60 miles - I checked.

0:42:090:42:12

That's a small diversion these days.

0:42:120:42:14

So, I'm a small diversion.

0:42:160:42:18

Good.

0:42:180:42:20

Your horse is still out on the gallops,

0:42:230:42:24

but I had Mickey prepare this report.

0:42:240:42:26

You can read it now if you'd like, then we can go see her.

0:42:260:42:29

Is there enough light for you to read?

0:42:370:42:40

Yes, it's fine.

0:42:400:42:41

It's getting quite late.

0:42:430:42:45

Mickey says she has the lungs of an elephant.

0:42:550:42:58

She's nimble in the heavy going,

0:42:580:43:00

but bounces a little on the hard ground.

0:43:000:43:02

Sorry, I'll let you read.

0:43:020:43:04

So, he thinks she'll favour good to soft ground, eh?

0:43:070:43:10

-A little juice in the grass.

-Mm.

0:43:100:43:13

Well, that's good for Epsom.

0:43:130:43:15

Does he think she's not good enough for Epsom?

0:43:170:43:20

She needs a lot of work.

0:43:210:43:23

The race board will need convincing.

0:43:230:43:25

-I imagine you have some influence.

-Mm.

0:43:260:43:29

That's the suggested programme for the next two months.

0:43:310:43:34

Your glass is empty.

0:43:370:43:39

It's fine.

0:43:390:43:40

Are you hungry?

0:43:420:43:44

Yes, a bit.

0:43:450:43:48

I can prepare something.

0:43:480:43:49

Do you have engine oil?

0:43:510:43:52

Before I set off for Birmingham, the car needs oil.

0:43:550:43:58

I'm sure my husband kept some in the garage.

0:44:000:44:02

I can someone to do it.

0:44:020:44:04

This evening or tomorrow?

0:44:040:44:06

Well, we're so far from anywhere, people usually stay over.

0:44:100:44:13

Especially before cars, when it was just carriages,

0:44:150:44:17

people used to stay over all the time.

0:44:170:44:19

But I have a car.

0:44:210:44:22

Yes.

0:44:240:44:25

And you have...

0:44:250:44:28

engine oil.

0:44:280:44:29

Probably.

0:44:300:44:32

But it would be very usual.

0:44:350:44:36

What would?

0:44:380:44:40

For a guest to stay.

0:44:420:44:43

We have a whole wing called the guest wing.

0:44:430:44:45

Oh, you...

0:44:450:44:47

You have a guest wing.

0:44:480:44:50

Well...

0:44:520:44:53

May.

0:45:010:45:02

Have a smoke.

0:45:120:45:14

Thank you.

0:45:140:45:15

Ignore this. It's actually all right.

0:45:230:45:25

I put all his photos in a drawer and locked it...

0:45:280:45:31

..as if that was going to make a difference.

0:45:330:45:35

I'm like a fucking lighthouse keeper...

0:45:380:45:41

..out here on my own...

0:45:440:45:46

..keeping his flame burning.

0:45:480:45:50

But, of course, when anyone sees a lighthouse

0:45:500:45:54

they stay clear, don't they?

0:45:540:45:56

Now, do you have a map?

0:46:080:46:09

Of the house. Do you have a map?

0:46:130:46:15

Because I'm not going to be able to find my way in the dark.

0:46:180:46:22

You see, at midnight,

0:46:260:46:29

I'm going to leave my wing

0:46:290:46:32

and I'm going to come find you.

0:46:320:46:34

And I'm going to turn the handle of your bedroom door

0:46:360:46:39

without making a sound

0:46:390:46:41

and none of the maids will know.

0:46:410:46:43

You don't know maids.

0:46:440:46:46

They hear a pin drop?

0:46:490:46:51

If there's a man in the house, they listen.

0:46:510:46:55

They take turns.

0:46:550:46:56

So, let them listen.

0:46:570:46:59

Right. Day rate, seven shillings. Loading, unloading.

0:47:040:47:08

Night rate, three. Total ten.

0:47:080:47:10

Let's go and get a drink.

0:47:120:47:14

No, I'm all right.

0:47:140:47:15

Come on, it's payday.

0:47:150:47:17

Everybody has a drink on payday.

0:47:170:47:18

Not me.

0:47:180:47:20

You think your mum don't have a drink on payday?

0:47:200:47:23

You think the Lord Almighty don't have a drink on payday?

0:47:230:47:27

Man, it's on fire out there,

0:47:290:47:31

women from the BSA offices, honest.

0:47:310:47:34

They go out on their own without their men these days,

0:47:340:47:37

in twos and threes now.

0:47:370:47:38

Mickey, they go out in twos and threes and buy their own drinks.

0:47:390:47:43

The Marquis, that's where the BSA secretaries go.

0:47:480:47:52

Look, they won't serve a black man without a Shelby by his side.

0:47:560:48:01

So you're using me?

0:48:060:48:08

Yeah.

0:48:110:48:12

Come on.

0:48:120:48:14

LAUGHTER AND CHATTER

0:48:180:48:20

I told you, I fucking told you, this city's gone mad.

0:48:210:48:25

Girls go out on their own now.

0:48:250:48:26

Two pints of dark mild, please.

0:48:300:48:32

Fuck that. We're Peaky boys.

0:48:320:48:33

Two whiskies.

0:48:330:48:35

You get used to it, then you can't stop.

0:48:430:48:45

HE WHISTLES

0:48:490:48:51

I don't drink with blacks.

0:48:520:48:54

Here we fucking go.

0:48:540:48:56

Paddy, they're OK.

0:48:560:48:58

Not with me, they're not.

0:48:580:49:00

I don't drink in pubs with blacks.

0:49:000:49:02

So leave.

0:49:020:49:03

Look, my dad is the preacher round here.

0:49:050:49:07

He has connections, ask anybody.

0:49:070:49:09

I couldn't give a fuck who he is.

0:49:090:49:12

I'm telling you to leave it, Paddy.

0:49:120:49:14

And I'm telling this darkie to get out of here.

0:49:140:49:16

You know something? Fuck off.

0:49:160:49:18

It's all right, Isaiah, come on, leave it.

0:49:180:49:20

-We'll go to my cousin's pub.

-I like it here.

0:49:200:49:22

You fucking nigger.

0:49:240:49:25

SHOUTING AND SCREAMING

0:49:270:49:30

Paddy! The white kid's a Peaky Blinder!

0:49:480:49:50

He's Polly Shelby's son!

0:49:500:49:52

He's Polly Shelby's son! Are you fucking suicidal?!

0:49:530:49:57

Sir...

0:49:570:49:59

Sir, I'm sorry, I didn't know.

0:49:590:50:01

Get out!

0:50:010:50:02

Get out the fucking pub.

0:50:020:50:04

I really didn't know.

0:50:040:50:06

Fuck, let's go. Let's go!

0:50:060:50:08

We ordered some drinks

0:50:100:50:12

and we're going to drink them.

0:50:120:50:14

His face, man. Did you see his fucking face?

0:50:250:50:28

You punch like a fucking kangaroo.

0:50:280:50:29

I seen one once in a circus, you punch like that.

0:50:290:50:32

All right, anyway, I need a fucking drink.

0:50:340:50:36

-It's on you.

-It's on me? You just got paid.

0:50:360:50:38

Yeah, from you.

0:50:380:50:40

Fucking hell, it's packed in here, isn't it?

0:50:480:50:51

So it's as easy as that?

0:50:510:50:52

Easy as that, John boy. London, you wouldn't believe it.

0:50:520:50:56

Finn, stick your head in a bucket.

0:50:560:50:58

No.

0:50:580:50:59

The women, John boy, the women...

0:50:590:51:02

I've got this one, she's a dancer, right?

0:51:020:51:04

She can do things with her...

0:51:040:51:06

If Finn would just piss off I'd explain a little bit better.

0:51:100:51:13

Well, if it's so good, why are you here?

0:51:130:51:15

A decent pint.

0:51:150:51:17

The cockney's can't get that right.

0:51:170:51:19

He misses us, Finn, that's what it is.

0:51:190:51:21

Here they are, look, junior Peaky boys.

0:51:230:51:26

What's happened to you? You been scrapping?

0:51:290:51:32

Some idiots at the Marquis of Lorne.

0:51:320:51:34

Tried to stop me and Isaiah from drinking, but it's all right.

0:51:340:51:38

We fought them off.

0:51:380:51:39

Arthur, we had to stand our ground and we did.

0:51:390:51:42

The Marquis, eh? Where's your dad?

0:51:420:51:45

-Preaching.

-Right.

0:51:460:51:48

Don't nick any of me chips, Finn!

0:51:510:51:53

-Where are you going?

-We won't be long.

0:51:530:51:55

Where are they going?

0:51:570:51:59

The Marquis of Lorne.

0:51:590:52:00

Shame.

0:52:020:52:03

It was a nice pub.

0:52:030:52:05

# Joseph

0:52:050:52:09

# Walked on and on, The sunset

0:52:090:52:13

# Went down and down, Coldness

0:52:150:52:20

# Cooled their desire, And Dawn said

0:52:210:52:26

# "Let's build a fire"

0:52:290:52:32

# Is this desire

0:52:320:52:35

# Enough, enough

0:52:350:52:38

# To lift us higher

0:52:380:52:42

# To lift above

0:52:420:52:45

# Hour long

0:52:580:53:00

# By hour, may we two stand, When we're dead

0:53:000:53:06

# Between these lands, The sun set

0:53:080:53:11

# Behind his eyes, And Joe said

0:53:150:53:19

# "Is this desire?"

0:53:220:53:24

# Is this desire

0:53:320:53:35

# Enough, enough

0:53:350:53:38

# To lift us higher

0:53:380:53:41

# To lift above?

0:53:410:53:45

# Is this desire

0:53:450:53:48

# Enough, enough

0:53:480:53:52

# Enough inside

0:53:520:53:55

# Is this desire? #

0:53:550:53:58

SHE MOANS

0:53:590:54:00

Ey-up. Bet the big bastard got cut.

0:54:000:54:03

You didn't have to do that for me.

0:54:060:54:08

We didn't do it for you, Michael.

0:54:080:54:09

We did it for the good name of the company.

0:54:090:54:11

None of this happened, all right?

0:54:120:54:15

Come on, let's go and get that drink.

0:54:150:54:17

DOOR THUDS

0:54:270:54:28

FOOTSTEPS APPROACHING

0:54:280:54:30

The date has been set.

0:54:450:54:46

Three weeks from today.

0:54:480:54:50

You checked out his house?

0:54:540:54:55

There's coppers all over it.

0:54:570:54:59

You'll take care of them?

0:55:010:55:02

No. That would arouse suspicion.

0:55:020:55:06

You'll have to deal with them yourself.

0:55:060:55:08

And if a copper gets killed?

0:55:110:55:12

There will be no consequences for you, I have given you my word.

0:55:150:55:19

Which I know to be worthless.

0:55:190:55:20

That is why I have been settling my affairs in the event of my death.

0:55:220:55:27

HE CHUCKLES: And making your peace with God, perhaps?

0:55:300:55:33

Well, good luck with that.

0:55:350:55:37

I have made arrangements with men I trust.

0:55:420:55:46

If I should die,

0:55:480:55:50

then you will die...

0:55:500:55:52

..know that.

0:55:530:55:55

FOOTSTEPS RECEDING

0:55:590:56:03

Ritz Hotel.

0:57:280:57:30

London, Piccadilly.

0:57:300:57:32

PHONE RINGS

0:57:320:57:35

Hello?

0:57:410:57:43

'Hello?'

0:57:440:57:46

-Who was that?

-Call got cut.

0:57:520:57:54

I guess the telephone lines in England are not so good, huh?

0:57:540:57:57

# On the gathering storm

0:58:210:58:23

# Comes a tall handsome man

0:58:230:58:25

# In a dusty black coat

0:58:250:58:27

# With a red right hand. #

0:58:270:58:30

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