Browse content similar to Episode 4. Check below for episodes and series from the same categories and more!
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This progamme contains violent scenes, strong and racial language, | 0:00:02 | 0:00:06 | |
and scenes of a sexual nature. | 0:00:06 | 0:00:08 | |
A vacancy has appeared and you're going to fill it. | 0:00:08 | 0:00:10 | |
From now on, Mr Shelby, you shut your Gypsy mouth | 0:00:10 | 0:00:12 | |
and listen to your instructions. | 0:00:12 | 0:00:14 | |
I know it was you who carried out the murder of Mr Duggan. | 0:00:14 | 0:00:17 | |
-GUNSHOT -You are on my hook, Mr Shelby. | 0:00:17 | 0:00:19 | |
-Name? -Harold Hancox. | 0:00:19 | 0:00:21 | |
-Have you ever been arrested? -No. | 0:00:21 | 0:00:24 | |
Arthur, we can stand him up. | 0:00:24 | 0:00:26 | |
'Last night, one of our men had his throat cut in Winson Green.' | 0:00:26 | 0:00:29 | |
I'm not real! | 0:00:29 | 0:00:30 | |
'Gentlemen, this is your cousin. Polly's son, Michael.' | 0:00:30 | 0:00:35 | |
-I want to go with them. -Over my dead body. | 0:00:35 | 0:00:37 | |
Do we hear 800 guineas? 850. | 0:00:37 | 0:00:40 | |
'May Carleton. I breed racehorses and train them.' | 0:00:40 | 0:00:42 | |
-So, will you consider me? -I will consider you. | 0:00:42 | 0:00:45 | |
Thomas Shelby? | 0:00:45 | 0:00:47 | |
GUNSHOT | 0:00:47 | 0:00:49 | |
'Did they behave themselves?' | 0:00:50 | 0:00:52 | |
They were really amazing. | 0:00:52 | 0:00:55 | |
# Take a little walk to the edge of town | 0:01:26 | 0:01:30 | |
# And go across the tracks | 0:01:30 | 0:01:34 | |
# Where the viaduct looms, like a bird of doom | 0:01:34 | 0:01:38 | |
# As it shifts and cracks | 0:01:38 | 0:01:42 | |
# Where secrets lie in the border fires | 0:01:42 | 0:01:46 | |
# In the humming wires | 0:01:46 | 0:01:49 | |
# Hey, man, you know you're never coming back | 0:01:49 | 0:01:51 | |
# Past the square, past the bridge, past the mills, past the stacks | 0:01:51 | 0:01:57 | |
# On a gathering storm comes a tall handsome man | 0:01:59 | 0:02:03 | |
# In a dusty black coat with a red right hand... # | 0:02:03 | 0:02:08 | |
BELLS RING | 0:02:19 | 0:02:23 | |
You might think this is a curious place for me to suggest a meeting, | 0:02:45 | 0:02:49 | |
but... | 0:02:49 | 0:02:51 | |
your surprises have only just begun. | 0:02:51 | 0:02:54 | |
You look a little unsteady, Mr Shelby. | 0:03:04 | 0:03:08 | |
Take a seat. | 0:03:08 | 0:03:10 | |
You're working together. | 0:03:16 | 0:03:18 | |
Blowing up the Garrison was your idea. | 0:03:19 | 0:03:22 | |
You who chose me. | 0:03:23 | 0:03:25 | |
It's funny, I thought the Fenians had a policy... | 0:03:28 | 0:03:32 | |
-Enough. -..of not mixing the personal with the political. | 0:03:32 | 0:03:35 | |
-I said enough. -I think I will decide on what is enough. | 0:03:35 | 0:03:38 | |
Who's in charge here then, eh? Who's in charge? | 0:03:38 | 0:03:40 | |
Right, let me understand this. | 0:03:40 | 0:03:43 | |
-You answer to an agent of the Crown. -Perhaps we can just... | 0:03:43 | 0:03:46 | |
-Very interesting. -Perhaps we can stick to the agenda. | 0:03:46 | 0:03:49 | |
-Whose agenda? -There is a form of words here. | 0:03:49 | 0:03:51 | |
-Whose words? -Arrogant bastard. | 0:03:51 | 0:03:53 | |
-I'm not accustomed to being spoken to like that. -Just come to order | 0:03:55 | 0:03:58 | |
I am here to listen, but not to the fucking infantry. | 0:03:58 | 0:04:00 | |
Enough! Jesus! | 0:04:00 | 0:04:02 | |
Now... | 0:04:02 | 0:04:04 | |
..some weeks ago, Mr Shelby carried out a military mission | 0:04:06 | 0:04:10 | |
on behalf of pro-treaty Republicans here in Birmingham. | 0:04:10 | 0:04:14 | |
You... | 0:04:14 | 0:04:15 | |
working for the King. | 0:04:15 | 0:04:17 | |
-There is a unique political situation. -Yeah? How does that feel? | 0:04:17 | 0:04:20 | |
-Let us... -Tell me. How does that fucking feel? | 0:04:20 | 0:04:23 | |
..stick to the form of words. | 0:04:23 | 0:04:24 | |
-Temporarily, we have a shared interest. -Oh, I see. | 0:04:24 | 0:04:26 | |
-Shall we just stop him laughing? -You want me to stop laughing? | 0:04:26 | 0:04:30 | |
-Explain this, pal. -Following the success of your mission... | 0:04:30 | 0:04:34 | |
-We're going to make you do it again. -Will you shut up? | 0:04:34 | 0:04:36 | |
Can we just conduct ourselves here, please? | 0:04:36 | 0:04:39 | |
-Conduct ourselves! -Please. | 0:04:39 | 0:04:40 | |
No-one in this room wants to breathe the same air as anyone else. | 0:04:40 | 0:04:44 | |
-Nevertheless... -Nevertheless the pro-treaty Paddies | 0:04:47 | 0:04:50 | |
and the King want the same man dead. | 0:04:50 | 0:04:52 | |
Am I right? | 0:04:53 | 0:04:55 | |
-Why him? -Did you ask why in France? | 0:05:17 | 0:05:21 | |
-Yeah. -So, it's the same answer - because. | 0:05:21 | 0:05:25 | |
Why me? | 0:05:32 | 0:05:35 | |
-Because. -Because. | 0:05:35 | 0:05:37 | |
Because if anybody connects me to this, | 0:05:40 | 0:05:42 | |
it will be assumed that it was a criminal act | 0:05:42 | 0:05:44 | |
and not a political one. | 0:05:44 | 0:05:46 | |
No, you need not fear being connected to the killing | 0:05:46 | 0:05:50 | |
because I will see to it that no connection is ever made. | 0:05:50 | 0:05:54 | |
You will have complete immunity after the fact. | 0:05:54 | 0:05:57 | |
But, in the execution, you will get no help from agents of the Crown. | 0:05:57 | 0:06:02 | |
And we can't be seen to be involved. | 0:06:02 | 0:06:04 | |
You have been chosen, Mr Shelby, | 0:06:05 | 0:06:09 | |
and there really is no choice. | 0:06:09 | 0:06:11 | |
No equals bang, | 0:06:11 | 0:06:13 | |
and your man here will shed no tears as he looks the other way. | 0:06:13 | 0:06:16 | |
Nevertheless... | 0:06:22 | 0:06:24 | |
I say no. | 0:06:24 | 0:06:26 | |
Mr Shelby? | 0:06:32 | 0:06:34 | |
What about your export licence, Mr Shelby? | 0:06:39 | 0:06:43 | |
You had a deal with Mr Churchill. | 0:06:43 | 0:06:45 | |
The one with the mouth, Donal Henry, he is a spy. | 0:06:50 | 0:06:54 | |
He is working for the Irregulars against the pro-treaty Paddies. | 0:06:54 | 0:06:57 | |
He reports every fucking word back to them. | 0:06:57 | 0:06:59 | |
No, it's not possible. | 0:06:59 | 0:07:00 | |
They've both been security vetted by my own department. | 0:07:00 | 0:07:03 | |
I have men in places your men can't go. | 0:07:03 | 0:07:06 | |
Donal Henry meets the anti-treaty Paddies in the back room | 0:07:06 | 0:07:09 | |
of the Mother Red Cap in Saltley sometimes twice a week. | 0:07:09 | 0:07:12 | |
These Irish enemies are fucking brothers and cousins. | 0:07:13 | 0:07:16 | |
You are stepping into a world you don't understand. | 0:07:16 | 0:07:19 | |
If what you're saying is true, he'll be dealt with. | 0:07:22 | 0:07:26 | |
Bring me proof the spy is dead and we have a deal. | 0:07:26 | 0:07:31 | |
-Mr Shelby. -Billy boy. -Watch it. | 0:07:48 | 0:07:51 | |
Now on you go. | 0:07:59 | 0:08:01 | |
SEARING STRINGS DROWN SOUND | 0:08:18 | 0:08:22 | |
Right, boys, let's go! | 0:08:53 | 0:08:56 | |
SCREAMING | 0:08:59 | 0:09:02 | |
GLASS SMASHES | 0:09:10 | 0:09:12 | |
Fuck you! | 0:09:30 | 0:09:32 | |
Mario! | 0:09:32 | 0:09:34 | |
Mario! | 0:09:35 | 0:09:37 | |
WOMAN SCREAMS | 0:09:41 | 0:09:44 | |
Mario! | 0:09:44 | 0:09:46 | |
Come here. | 0:09:46 | 0:09:48 | |
Sabini's day is done. | 0:09:52 | 0:09:55 | |
I'll protect you now. | 0:09:56 | 0:09:58 | |
Oh, shut up! | 0:10:01 | 0:10:03 | |
Stop fucking whingeing. | 0:10:03 | 0:10:05 | |
Due to my razor blade | 0:10:07 | 0:10:10 | |
and a few complaints from the neighbours | 0:10:10 | 0:10:13 | |
about the terrible fucking music... | 0:10:13 | 0:10:16 | |
Do you want to tell them or should I? | 0:10:21 | 0:10:24 | |
This place is under new management... | 0:10:24 | 0:10:28 | |
..by order of the Peaky Blinders. | 0:10:34 | 0:10:37 | |
LOUD ROCK MUSIC | 0:10:37 | 0:10:41 | |
WOMEN GIGGLE | 0:10:47 | 0:10:52 | |
HE LAUGHS | 0:10:52 | 0:10:54 | |
HE CLEARS HIS THROAT | 0:11:37 | 0:11:39 | |
KNOCKING ON DOOR | 0:12:22 | 0:12:24 | |
Yes? | 0:12:24 | 0:12:26 | |
Somebody to see you, Mr Shelby. | 0:12:27 | 0:12:29 | |
He says he's come about the position of accounts clerk. | 0:12:29 | 0:12:31 | |
Send him in. | 0:12:31 | 0:12:33 | |
-Just through here, sir. -Thank you. | 0:12:36 | 0:12:39 | |
Michael... | 0:12:43 | 0:12:44 | |
..vacancy's been filled. | 0:12:47 | 0:12:49 | |
Not according to this morning's paper. | 0:12:51 | 0:12:54 | |
At school, I was top of the class in mathematics | 0:13:02 | 0:13:04 | |
and I did a night-school course in accountancy at Worcester College. | 0:13:04 | 0:13:09 | |
Mum says you've had six different accountant clerks | 0:13:09 | 0:13:11 | |
in the last six months. | 0:13:11 | 0:13:13 | |
When respectable men see the other things you do, they leave. | 0:13:15 | 0:13:19 | |
But I, like Lizzie out there, already know what you do. | 0:13:20 | 0:13:24 | |
Mum says you want to be 80% legal within two years. | 0:13:26 | 0:13:30 | |
-Three. -I can help. | 0:13:30 | 0:13:34 | |
I know both sides and you know you can trust me. | 0:13:34 | 0:13:39 | |
I want to help you, Tommy, become legal. | 0:13:39 | 0:13:44 | |
Do the right thing. | 0:13:45 | 0:13:47 | |
I want to be proud of this family. | 0:13:51 | 0:13:52 | |
Does Polly know you're here, Michael? | 0:14:00 | 0:14:02 | |
I'm 18 on Friday - I go where I please. | 0:14:04 | 0:14:06 | |
You phone your mother. | 0:14:22 | 0:14:24 | |
Good luck. | 0:14:27 | 0:14:29 | |
KNOCKING ON DOOR | 0:14:35 | 0:14:37 | |
We're not open for winnings yet. | 0:14:37 | 0:14:40 | |
I'm here to see Thomas Shelby. | 0:14:40 | 0:14:42 | |
I have an appointment. | 0:14:47 | 0:14:49 | |
Come in. | 0:14:49 | 0:14:50 | |
-May Carleton. -Mr Shelby has his proper meetings | 0:15:03 | 0:15:06 | |
in his other office. | 0:15:06 | 0:15:08 | |
This was the address that he gave me. | 0:15:10 | 0:15:12 | |
-He gave you THIS address? -He said it was a gambling den. | 0:15:12 | 0:15:16 | |
I told him that I've wanted to see one | 0:15:16 | 0:15:18 | |
since I'm always reading about them in the papers. | 0:15:18 | 0:15:21 | |
Quite the big scandal in the Telegraph lately. | 0:15:21 | 0:15:23 | |
Anyway, he said that I could come and have a look. | 0:15:23 | 0:15:26 | |
And now I feel like a bit of an idiot | 0:15:29 | 0:15:31 | |
because I'm early and he's late and I have no idea how to behave. | 0:15:31 | 0:15:34 | |
In a gambling den? | 0:15:34 | 0:15:35 | |
I'll wait in the car. | 0:15:37 | 0:15:40 | |
If I open the door again, they'll all want to come in... | 0:15:40 | 0:15:44 | |
like flies. | 0:15:44 | 0:15:46 | |
So what are you? | 0:15:50 | 0:15:52 | |
W-what am I? | 0:15:53 | 0:15:54 | |
To Thomas? | 0:15:54 | 0:15:56 | |
I'm going to train his racehorse...for Epsom. | 0:15:58 | 0:16:01 | |
You know horses? | 0:16:02 | 0:16:04 | |
Yes. You? | 0:16:05 | 0:16:07 | |
Born riding. | 0:16:07 | 0:16:09 | |
I slept in a manger when I was a baby. | 0:16:10 | 0:16:13 | |
I was born riding, too. | 0:16:15 | 0:16:17 | |
DOOR OPENS | 0:16:17 | 0:16:19 | |
There's a fucking great Riley parked out there | 0:16:20 | 0:16:23 | |
and nobody's watching it. | 0:16:23 | 0:16:24 | |
John, this woman says she's training Thomas' horse. | 0:16:24 | 0:16:28 | |
He's told us a lot about you. | 0:16:32 | 0:16:33 | |
Don't know where he is, do you? | 0:16:36 | 0:16:37 | |
DOOR OPENS | 0:16:37 | 0:16:40 | |
Sorry I'm late. There was a family matter. | 0:16:42 | 0:16:44 | |
Esme, keep it locked up for a minute. | 0:16:44 | 0:16:46 | |
-Yes, Thomas. -I'll show you around. | 0:16:46 | 0:16:48 | |
So...be my guest. | 0:16:56 | 0:16:59 | |
That's my brother Arthur's office. | 0:17:10 | 0:17:12 | |
Down there is my brother John's office - | 0:17:16 | 0:17:19 | |
that's where we slate the runners and riders. | 0:17:19 | 0:17:21 | |
It's so out in the open. What about the police? | 0:17:24 | 0:17:27 | |
What about them? | 0:17:28 | 0:17:30 | |
When I drove into Small Heath, | 0:17:32 | 0:17:33 | |
I thought I was going to get murdered... | 0:17:33 | 0:17:35 | |
then I mentioned your name. | 0:17:35 | 0:17:37 | |
It was like being escorted to see a king. | 0:17:39 | 0:17:41 | |
-You came here to get my girl, right? -Right. | 0:17:44 | 0:17:47 | |
She looks in very good condition, | 0:18:03 | 0:18:04 | |
considering she's not been out on the gallops. | 0:18:04 | 0:18:07 | |
Curly's the best horseman in England. | 0:18:07 | 0:18:09 | |
I have a man called Mickey who'd argue the point. | 0:18:09 | 0:18:11 | |
Ah, but Curly here is half horse himself. | 0:18:11 | 0:18:14 | |
She's blessed. Very blessed. | 0:18:14 | 0:18:16 | |
Well, she's from the best stock. | 0:18:16 | 0:18:18 | |
But I'd rather have a coloured pony. Mixed blood is stronger. | 0:18:18 | 0:18:21 | |
Not to win the Derby, Curly. | 0:18:21 | 0:18:23 | |
Don't like them racing, Tommy, not the way they beat them. | 0:18:23 | 0:18:25 | |
-She's all yours. -Thank you. | 0:18:25 | 0:18:28 | |
He gets sad when one leaves. | 0:18:32 | 0:18:34 | |
-What time is your box van coming? -Midday. | 0:18:34 | 0:18:37 | |
Maybe you've got time to take the lady to the Garrison, | 0:18:37 | 0:18:40 | |
show her the spa and the tearooms. | 0:18:40 | 0:18:43 | |
I'd like that, why not? | 0:18:45 | 0:18:47 | |
I just had it done up. There was a fire. | 0:18:53 | 0:18:57 | |
It's... | 0:18:57 | 0:18:58 | |
Yeah. | 0:18:58 | 0:19:01 | |
What do you drink? | 0:19:01 | 0:19:02 | |
So early, but gin. | 0:19:03 | 0:19:05 | |
Goodness. With something? | 0:19:22 | 0:19:24 | |
Like what? | 0:19:26 | 0:19:28 | |
Tonic water or... | 0:19:29 | 0:19:31 | |
Erm...we have...cordial. | 0:19:33 | 0:19:37 | |
There's not much room in there but... | 0:19:39 | 0:19:41 | |
You want to fuck me, Mrs Carleton? | 0:19:52 | 0:19:54 | |
Perhaps because I... | 0:19:57 | 0:19:59 | |
Perhaps because I represent something to you? | 0:19:59 | 0:20:02 | |
We should have this conversation before the booze | 0:20:04 | 0:20:07 | |
starts talking for us. | 0:20:07 | 0:20:09 | |
You have a horse. | 0:20:12 | 0:20:13 | |
Yes, I have a horse. | 0:20:15 | 0:20:18 | |
The horse is why I'm here... | 0:20:18 | 0:20:22 | |
purely that. | 0:20:22 | 0:20:24 | |
And because you're paying me a lot of money to train your horse, | 0:20:24 | 0:20:27 | |
that's why I'm here, | 0:20:27 | 0:20:29 | |
purely that. | 0:20:29 | 0:20:30 | |
Good. | 0:20:34 | 0:20:36 | |
Good. Well, a toast, then. | 0:20:37 | 0:20:40 | |
To the horse, to the Derby. | 0:20:40 | 0:20:42 | |
-Cheers. -Cheers. | 0:20:46 | 0:20:47 | |
So is that what you say to women? | 0:20:52 | 0:20:55 | |
Only if I don't know what they want. | 0:20:58 | 0:21:00 | |
And what if they don't want to fuck? | 0:21:00 | 0:21:02 | |
Then life is simpler. | 0:21:04 | 0:21:06 | |
You want a simple life? | 0:21:06 | 0:21:07 | |
Do I look like a man who wants a simple life, eh? | 0:21:11 | 0:21:14 | |
So what do you want? | 0:21:15 | 0:21:17 | |
For what I'm paying you, Mrs Carleton, | 0:21:20 | 0:21:22 | |
I want a horse that'll pay out at Epsom on an each-way bet. | 0:21:22 | 0:21:26 | |
Before I took your account, | 0:21:32 | 0:21:35 | |
I did some credit checks on you. | 0:21:35 | 0:21:37 | |
Apparently, you don't exist. | 0:21:39 | 0:21:42 | |
My existence is questionable. | 0:21:47 | 0:21:49 | |
Gypsies don't like registers. | 0:21:52 | 0:21:54 | |
You see, I'm not a Gypsy like you mean. | 0:21:55 | 0:21:59 | |
But you did register for France. | 0:21:59 | 0:22:01 | |
I also sent your name to the War Office - | 0:22:03 | 0:22:06 | |
I have friends there. | 0:22:06 | 0:22:08 | |
You won two medals for gallantry. | 0:22:08 | 0:22:10 | |
Does that really impress you, Mrs Carleton? | 0:22:13 | 0:22:16 | |
Call me May. | 0:22:20 | 0:22:22 | |
Charlie says the box van is here. | 0:22:29 | 0:22:32 | |
Thank you, Finn. | 0:22:32 | 0:22:33 | |
You know, I still don't know what you're going to call your horse. | 0:22:37 | 0:22:40 | |
The horse will be called Grace's Secret. | 0:22:41 | 0:22:45 | |
Grace's Secret. | 0:22:48 | 0:22:49 | |
I told him he definitely can't take the job. | 0:22:55 | 0:22:58 | |
He said "All right, I'll move to London, then." | 0:23:00 | 0:23:02 | |
I said, "I won't give in to blackmail. No is no." | 0:23:02 | 0:23:06 | |
Well...that settles it, then. | 0:23:08 | 0:23:12 | |
I'll give the job to the other candidate. | 0:23:12 | 0:23:15 | |
He's much better qualified anyway. | 0:23:15 | 0:23:17 | |
Michael did City And Guilds - six months. | 0:23:17 | 0:23:21 | |
Yeah, but he doesn't know racing, Poll. | 0:23:21 | 0:23:24 | |
He knows horses, but he doesn't know racing. | 0:23:24 | 0:23:27 | |
This other boy, he knows racing. | 0:23:27 | 0:23:30 | |
He's good. He's a fast learner. | 0:23:30 | 0:23:31 | |
What if Michael really leaves? | 0:23:35 | 0:23:37 | |
You just got to let him go, Poll. | 0:23:38 | 0:23:40 | |
He'll get a job in an office in London. | 0:23:40 | 0:23:43 | |
I'm sure he'll write to you. | 0:23:43 | 0:23:46 | |
He made a big speech | 0:23:46 | 0:23:47 | |
about wanting to help you build up a respectable business. | 0:23:47 | 0:23:52 | |
Oh, he's like his dad, he could make me cry. | 0:23:52 | 0:23:54 | |
There are trains to London. | 0:23:54 | 0:23:57 | |
So I just let him leave? | 0:23:57 | 0:23:59 | |
Every month or so he'd be back... | 0:23:59 | 0:24:01 | |
..unless of course he meets a girl. | 0:24:02 | 0:24:04 | |
Then, who knows? | 0:24:04 | 0:24:06 | |
Oh, my God. | 0:24:12 | 0:24:15 | |
You want him to do this job. | 0:24:15 | 0:24:17 | |
Polly, I want what you want. | 0:24:17 | 0:24:20 | |
What about this other more qualified candidate? | 0:24:21 | 0:24:25 | |
Mmm... | 0:24:25 | 0:24:28 | |
Well, I lied, there isn't one. | 0:24:28 | 0:24:30 | |
How much are you paying? | 0:24:34 | 0:24:36 | |
-The advertised rate. -Like hell. | 0:24:37 | 0:24:40 | |
-Three bob. -Like hell. | 0:24:40 | 0:24:42 | |
-Three and six. -Four. | 0:24:43 | 0:24:46 | |
Four it is. | 0:24:46 | 0:24:48 | |
-I love him, Tom. -I know. | 0:24:54 | 0:24:56 | |
That's why I'll keep him away from the old business, | 0:24:56 | 0:24:59 | |
put him charge of the new. Agreed? | 0:24:59 | 0:25:02 | |
Agreed. | 0:25:03 | 0:25:04 | |
Well, Finn, you've got two choices - mild or mild. | 0:25:14 | 0:25:17 | |
-Mild. -There you go. | 0:25:17 | 0:25:20 | |
-DOOR OPENS -Here he is, look. | 0:25:20 | 0:25:22 | |
CHEERING | 0:25:24 | 0:25:27 | |
Happy birthday, Michael. | 0:25:27 | 0:25:28 | |
18 years old. You're a man today. | 0:25:28 | 0:25:31 | |
-Give him a drink, John Boy. -There you go, lad. -And after that, | 0:25:31 | 0:25:34 | |
we'll go to find you a lady of the night. | 0:25:34 | 0:25:36 | |
Arthur! | 0:25:36 | 0:25:37 | |
Michael. | 0:25:41 | 0:25:43 | |
What's that? | 0:25:43 | 0:25:45 | |
So you're never late for work. | 0:25:45 | 0:25:47 | |
Welcome to the business, Michael. | 0:25:52 | 0:25:54 | |
-Welcome to the business. -Thank you. | 0:25:54 | 0:25:57 | |
Right, come on, let's get him drunk. Come here, you. | 0:25:57 | 0:25:59 | |
All right, whisky. | 0:25:59 | 0:26:01 | |
No whisky, he's at work tomorrow. Give him only dark mild. | 0:26:01 | 0:26:05 | |
-A toast. -Toast. -To Michael. | 0:26:05 | 0:26:08 | |
ALL: To Michael. | 0:26:08 | 0:26:09 | |
DOOR OPENS | 0:26:21 | 0:26:23 | |
Are you all right? | 0:26:27 | 0:26:28 | |
-What is it? Just us? -Just us. | 0:26:37 | 0:26:39 | |
Are we celebrating? | 0:26:39 | 0:26:41 | |
Just taste this. | 0:26:42 | 0:26:44 | |
What do you think, Arthur? | 0:26:59 | 0:27:00 | |
Yeah, it's good. Good stuff, really nice. | 0:27:00 | 0:27:04 | |
Too good for the Garrison. | 0:27:04 | 0:27:06 | |
I suppose we could shift it to the toffs at the Eden Club. | 0:27:06 | 0:27:09 | |
Why? What is it? | 0:27:10 | 0:27:12 | |
That is part of an export drive. | 0:27:12 | 0:27:14 | |
We now have a secure warehouse in Camden Town | 0:27:15 | 0:27:18 | |
and secure passage to the Poplar Docks. | 0:27:18 | 0:27:21 | |
So, on Monday morning, | 0:27:21 | 0:27:23 | |
we'll be sending out our first export crate. | 0:27:23 | 0:27:26 | |
A crate of Riley car spares... | 0:27:26 | 0:27:30 | |
bound for Halifax, Nova Scotia. | 0:27:30 | 0:27:33 | |
Where there's prohibition. | 0:27:33 | 0:27:34 | |
Where there is prohibition. | 0:27:36 | 0:27:39 | |
All over Canada and America, | 0:27:39 | 0:27:40 | |
people are making their own booze in bathtubs. | 0:27:40 | 0:27:44 | |
But rich people in New York, in Toronto and Boston | 0:27:44 | 0:27:49 | |
are still paying a lot of money for the real stuff. | 0:27:49 | 0:27:52 | |
So, on Monday, the first Shelby company crate | 0:27:52 | 0:27:56 | |
will contain a thousand Riley carburettors. | 0:27:56 | 0:27:59 | |
But hidden in the packing will be 500 bottles | 0:27:59 | 0:28:03 | |
of the finest quality single malt Scotch whisky. | 0:28:03 | 0:28:08 | |
And we, Shelby's, have a licence | 0:28:11 | 0:28:13 | |
granted by the Minister Of The Empire himself, | 0:28:13 | 0:28:16 | |
which means our crates won't be searched. | 0:28:16 | 0:28:18 | |
And, Polly, all of the whisky will be packed at the docks, | 0:28:18 | 0:28:21 | |
so Michael can do the books without being involved. | 0:28:21 | 0:28:25 | |
Like I've been telling you all for a year now... | 0:28:25 | 0:28:29 | |
motor cars are the future. | 0:28:29 | 0:28:30 | |
So, how is your life then, Tom? | 0:28:34 | 0:28:37 | |
On the up, Johnny, on the up. | 0:28:37 | 0:28:40 | |
But, Tom, really, come on, how is it? | 0:28:40 | 0:28:43 | |
You know I hate to see you not even married yet. | 0:28:43 | 0:28:47 | |
I have a fine looking cousin, she'll make your life hell. | 0:28:47 | 0:28:50 | |
You deserve her! | 0:28:50 | 0:28:52 | |
HE CHUCKLES | 0:28:52 | 0:28:54 | |
We haven't had a good old wedding in a long time. | 0:28:54 | 0:28:57 | |
Have you had a look inside these boxes, then, Johnny? | 0:29:00 | 0:29:02 | |
What do I want to look at car parts, Tommy, | 0:29:02 | 0:29:05 | |
when I haven't even got a car? | 0:29:05 | 0:29:06 | |
Faith in family's a fine thing, eh? | 0:29:08 | 0:29:12 | |
And I wouldn't even be counting. | 0:29:12 | 0:29:15 | |
25 becomes 24, then 24 it is. | 0:29:15 | 0:29:17 | |
Oh, you know I'm no good with numbers, Tom. | 0:29:17 | 0:29:21 | |
And if 24 ever became 23... | 0:29:21 | 0:29:26 | |
then that'd be tax. | 0:29:26 | 0:29:28 | |
We don't pay tax. | 0:29:28 | 0:29:30 | |
No, Tom. | 0:29:30 | 0:29:32 | |
Good man. | 0:29:34 | 0:29:35 | |
I put an iron door on, | 0:29:45 | 0:29:47 | |
and we've put iron bars on the windows and across the skylights. | 0:29:47 | 0:29:50 | |
-Good. -So what will you be keeping in here, Tommy? | 0:29:50 | 0:29:54 | |
Temptation, Billy. Temptation. | 0:29:54 | 0:29:56 | |
DOOR OPENS | 0:30:08 | 0:30:10 | |
Morning, Arthur. I was just passing. | 0:30:10 | 0:30:12 | |
I think I'm in fucking love. | 0:30:18 | 0:30:20 | |
HE SNAPS HIS FINGERS Drink! | 0:30:20 | 0:30:22 | |
She don't know where to look. | 0:30:27 | 0:30:29 | |
Whisky, Tommy? | 0:30:31 | 0:30:32 | |
No, I've got a long drive ahead. | 0:30:33 | 0:30:35 | |
You off home? | 0:30:35 | 0:30:37 | |
Mm-hmmm. Eventually. | 0:30:37 | 0:30:40 | |
To Birmingham. | 0:30:40 | 0:30:42 | |
What's this? | 0:30:47 | 0:30:49 | |
Olives. | 0:30:51 | 0:30:52 | |
Yes, it's miscellaneous. | 0:30:52 | 0:30:54 | |
It's, erm, olives. | 0:30:55 | 0:30:57 | |
Sticks, you know, with little bits of fucking onion and things. | 0:30:57 | 0:31:01 | |
That's what that is. | 0:31:03 | 0:31:05 | |
We've taken 600 pounds on olives. | 0:31:07 | 0:31:09 | |
Yeah, with little bits of onion. | 0:31:10 | 0:31:12 | |
I told you, Arthur... | 0:31:19 | 0:31:21 | |
..the dealers sell the cocaine, we take a cut. | 0:31:24 | 0:31:27 | |
We don't sell direct. | 0:31:27 | 0:31:30 | |
The Home Secretary's cracking down | 0:31:30 | 0:31:31 | |
-and I don't want this... -HE TAPS THE DESK | 0:31:31 | 0:31:34 | |
..to fuck up everything else, you understand? | 0:31:34 | 0:31:36 | |
I understand. | 0:31:37 | 0:31:40 | |
How much of that 600 came out of your pocket? | 0:31:40 | 0:31:42 | |
It's under control. | 0:31:50 | 0:31:52 | |
I put you down here cos people are scared of you, Arthur. | 0:31:52 | 0:31:55 | |
But if you don't straighten up, it'll be John's turn in London. | 0:31:57 | 0:32:01 | |
No need. | 0:32:02 | 0:32:04 | |
I can handle it. | 0:32:04 | 0:32:05 | |
It's under control? | 0:32:07 | 0:32:08 | |
It's under control. | 0:32:09 | 0:32:11 | |
Fucking tidy profit, though, eh? | 0:32:21 | 0:32:23 | |
It's happening, Tom. | 0:32:27 | 0:32:28 | |
Good. | 0:32:31 | 0:32:32 | |
Good. | 0:32:34 | 0:32:35 | |
Straighten up, soldier. | 0:32:40 | 0:32:42 | |
Yes, sir, Sergeant Major. | 0:32:54 | 0:32:56 | |
What's your business? | 0:33:25 | 0:33:27 | |
Sorry, I'm, er, I'm lost here. | 0:33:28 | 0:33:31 | |
-Yeah, well, you can't stop here. Move on. -All right. | 0:33:32 | 0:33:35 | |
ENGINE STARTS | 0:33:37 | 0:33:39 | |
23 seconds. | 0:33:45 | 0:33:47 | |
It's all right, Ada, it'll be Andrew for me. | 0:33:56 | 0:33:59 | |
Oh. | 0:34:03 | 0:34:04 | |
I'm looking for Ada. | 0:34:05 | 0:34:07 | |
Who are you? | 0:34:07 | 0:34:08 | |
Ada. | 0:34:15 | 0:34:17 | |
I asked you a question. | 0:34:17 | 0:34:19 | |
It's all right, James. | 0:34:19 | 0:34:21 | |
This is my brother. | 0:34:21 | 0:34:23 | |
Who's he? | 0:34:23 | 0:34:25 | |
He rents a room. | 0:34:25 | 0:34:26 | |
You need to rent out rooms? | 0:34:26 | 0:34:28 | |
Actually, she doesn't charge rent. | 0:34:28 | 0:34:30 | |
He's a writer, which means he's skint. | 0:34:30 | 0:34:33 | |
You get up late these days, Ada. | 0:34:35 | 0:34:37 | |
Mm. I go to bed late. | 0:34:37 | 0:34:39 | |
Yeah? Where's Karl? | 0:34:39 | 0:34:41 | |
What do you want, Tommy? | 0:34:41 | 0:34:42 | |
Oh, God, before you start sizing him up for a wedding suit, | 0:34:44 | 0:34:47 | |
he's not interested in me... | 0:34:47 | 0:34:49 | |
-or in girls of any kind. -Ada! | 0:34:49 | 0:34:52 | |
What? Tommy won't judge you. | 0:34:52 | 0:34:53 | |
He sure as hell won't go to the police. | 0:34:53 | 0:34:55 | |
Look, I'll go and get dressed. | 0:34:57 | 0:34:59 | |
James... | 0:34:59 | 0:35:01 | |
I'm Thomas. | 0:35:01 | 0:35:02 | |
Pleased to meet you. | 0:35:02 | 0:35:04 | |
Can I have a minute with my sister, please? | 0:35:08 | 0:35:10 | |
Yes, of course. | 0:35:12 | 0:35:13 | |
So, does your lodger know your name? | 0:35:21 | 0:35:24 | |
Yeah. Thorne. | 0:35:24 | 0:35:26 | |
You think I'd tell anybody anything else? | 0:35:26 | 0:35:29 | |
Your Brummie boys are all over the papers. | 0:35:29 | 0:35:32 | |
Just one last push, eh? Then you'll go legit? | 0:35:32 | 0:35:35 | |
Just one more obstacle to get round then it'll all be straight? | 0:35:35 | 0:35:38 | |
Actually, yes. | 0:35:38 | 0:35:40 | |
SHE GIGGLES | 0:35:40 | 0:35:41 | |
Personally, I find it quite amusing. | 0:35:41 | 0:35:43 | |
Men like you are becoming very fashionable down here. | 0:35:43 | 0:35:46 | |
No society party in London is complete without a gangster | 0:35:46 | 0:35:50 | |
for the girls to go giddy for. | 0:35:50 | 0:35:51 | |
Anyway, what is it that you want? | 0:35:53 | 0:35:56 | |
I don't have any children, Ada... | 0:35:57 | 0:35:59 | |
..so I have set up a trust fund. | 0:36:01 | 0:36:04 | |
The beneficiaries will be John's kids and Karl. | 0:36:06 | 0:36:09 | |
In order for Karl to benefit, I need your signature. | 0:36:11 | 0:36:15 | |
I've... | 0:36:18 | 0:36:19 | |
set up an account. | 0:36:19 | 0:36:21 | |
Money will be transferred in the event of my death. | 0:36:21 | 0:36:25 | |
It'll set them up for a new life. | 0:36:27 | 0:36:30 | |
Are you sick? | 0:36:37 | 0:36:39 | |
I'm just doing what any ordinary man would, | 0:36:39 | 0:36:41 | |
putting my affairs in order. | 0:36:41 | 0:36:43 | |
'Did you know they was going to take the Eden club? | 0:37:13 | 0:37:15 | |
'I know about the Eden club, yes.' | 0:37:15 | 0:37:18 | |
Did you know they were going to do it before they did it? | 0:37:18 | 0:37:21 | |
Because that's the one who's in charge, isn't it? | 0:37:21 | 0:37:23 | |
The one who knows before it happens. | 0:37:23 | 0:37:26 | |
I know what I know, you know. | 0:37:26 | 0:37:28 | |
If you don't know, then you don't fucking know, do you? | 0:37:28 | 0:37:33 | |
Did you know they was going to take Wimbledon dogs? | 0:37:33 | 0:37:37 | |
Harringay? The trotting tracks? | 0:37:37 | 0:37:39 | |
Talk, all right? I genuinely want to hear you. | 0:37:41 | 0:37:46 | |
You've lost control, Alfie. | 0:37:46 | 0:37:47 | |
Have I? | 0:37:47 | 0:37:49 | |
Everybody knows. | 0:37:49 | 0:37:50 | |
-Talk to me, Alfie. -Talk to you? | 0:37:53 | 0:37:56 | |
All right, I'll talk to you. I'll fucking tell you how it was, right? | 0:37:57 | 0:38:00 | |
What happened was this. | 0:38:00 | 0:38:02 | |
All the time you were talking about dirty fucking Jews. | 0:38:03 | 0:38:07 | |
All the fucking time - dirty fucking Jews, dirty Kikes, | 0:38:07 | 0:38:10 | |
-dirty dustbin lids... -Everyone makes jokes. -You want to talk about | 0:38:10 | 0:38:13 | |
-not getting into places? -Everybody makes fucking jokes. | 0:38:13 | 0:38:16 | |
I didn't know you had no sense of humour! | 0:38:16 | 0:38:18 | |
And I ain't going to FUCKING mention, right, | 0:38:18 | 0:38:21 | |
the great big fuck off elephant in the room. | 0:38:21 | 0:38:26 | |
Look, Alfie... | 0:38:27 | 0:38:29 | |
How many of my bookies worked Epsom this last May? | 0:38:29 | 0:38:32 | |
None. None. | 0:38:32 | 0:38:34 | |
Not one. | 0:38:34 | 0:38:36 | |
So, for a few fucking jokes and Epsom, | 0:38:36 | 0:38:40 | |
you fucking invite a tribe of savages into the city | 0:38:40 | 0:38:43 | |
and just fucking unlock the fucking gates! | 0:38:43 | 0:38:46 | |
I'm sorry, what are you saying, mate? | 0:38:51 | 0:38:54 | |
I'm saying... | 0:38:54 | 0:38:56 | |
I'm sorry about the Jew thing. | 0:38:57 | 0:38:59 | |
-Are you saying you're sorry? -Yeah. | 0:39:01 | 0:39:04 | |
-You're sorry about the Jew thing? -Yeah. | 0:39:04 | 0:39:07 | |
-Really? -Yeah. | 0:39:07 | 0:39:09 | |
I want that in writing. Write that down. He said, "I'm sorry". | 0:39:09 | 0:39:12 | |
And also write down | 0:39:14 | 0:39:16 | |
that all our bookies can go back to Epsom. | 0:39:16 | 0:39:19 | |
-He didn't say that. -Who's asking you? -No. | 0:39:19 | 0:39:22 | |
Write it down. | 0:39:23 | 0:39:25 | |
It's all right. Come on. | 0:39:25 | 0:39:27 | |
Alfie's an old friend. | 0:39:27 | 0:39:29 | |
My friend. | 0:39:31 | 0:39:33 | |
Now, admit it, | 0:39:35 | 0:39:36 | |
the Peaky Blinders is out of control. | 0:39:36 | 0:39:40 | |
Yeah, they're out of fucking control, mate. | 0:39:40 | 0:39:42 | |
They come down the canal, they spread like the fucking clap. | 0:39:42 | 0:39:46 | |
-Right. So now they're everybody's problem. -Yeah. | 0:39:47 | 0:39:49 | |
-Alfie. -Mm. | 0:39:51 | 0:39:52 | |
-You and me, we've been fighting since we was at school. -Yeah. | 0:39:52 | 0:39:56 | |
-All right? Now, also, we've been friends. -Mm, yeah. | 0:39:56 | 0:40:00 | |
You know, it goes backwards and forwards. | 0:40:00 | 0:40:03 | |
How much better is it when we're friends? | 0:40:05 | 0:40:07 | |
Oh, it's much better, mate, yeah. | 0:40:07 | 0:40:08 | |
You write that down. | 0:40:08 | 0:40:10 | |
So what we're doing here, right, | 0:40:12 | 0:40:14 | |
is we're writing down some kind of a deal thing, right? | 0:40:14 | 0:40:17 | |
-Yeah, a written deal. -Written deal, good. | 0:40:17 | 0:40:21 | |
Well, why don't we discuss the border between the Italians | 0:40:21 | 0:40:25 | |
and the Jews going back to Farringdon Road. | 0:40:25 | 0:40:28 | |
-Farringdon Road... -Yeah, Farringdon Road. -Fuck! | 0:40:28 | 0:40:31 | |
That's ancient history. | 0:40:31 | 0:40:32 | |
-Write down Farringdon Road. -No, no, no, write down Camden Road. | 0:40:32 | 0:40:35 | |
-Farringdon Road. -Camden Road. | 0:40:35 | 0:40:37 | |
-Write down Farringdon. -Camden. -Farringdon. -Camden. | 0:40:37 | 0:40:39 | |
Write down Camden Road. | 0:40:39 | 0:40:41 | |
Just write down "peace". | 0:40:42 | 0:40:44 | |
Just write down "peace", right, | 0:40:44 | 0:40:46 | |
between the Jews and the Italians. | 0:40:46 | 0:40:50 | |
And war... | 0:40:52 | 0:40:54 | |
against the gypsies. | 0:40:54 | 0:40:56 | |
Fuck. | 0:41:20 | 0:41:21 | |
DOOR OPENS | 0:41:26 | 0:41:28 | |
-WOMANS'S VOICE: -Mr Thomas Shelby, madam. | 0:41:28 | 0:41:30 | |
Nice house. | 0:41:43 | 0:41:44 | |
Would you like a whisky? | 0:41:49 | 0:41:51 | |
Scotch or Irish? | 0:41:51 | 0:41:52 | |
Irish. | 0:41:52 | 0:41:54 | |
GLASSES CLINKING | 0:41:54 | 0:41:56 | |
Sorry for the short notice. | 0:42:01 | 0:42:02 | |
I was...passing. | 0:42:02 | 0:42:04 | |
We're not quite on the Birmingham road. | 0:42:05 | 0:42:08 | |
It was a small diversion. | 0:42:08 | 0:42:09 | |
60 miles - I checked. | 0:42:09 | 0:42:12 | |
That's a small diversion these days. | 0:42:12 | 0:42:14 | |
So, I'm a small diversion. | 0:42:16 | 0:42:18 | |
Good. | 0:42:18 | 0:42:20 | |
Your horse is still out on the gallops, | 0:42:23 | 0:42:24 | |
but I had Mickey prepare this report. | 0:42:24 | 0:42:26 | |
You can read it now if you'd like, then we can go see her. | 0:42:26 | 0:42:29 | |
Is there enough light for you to read? | 0:42:37 | 0:42:40 | |
Yes, it's fine. | 0:42:40 | 0:42:41 | |
It's getting quite late. | 0:42:43 | 0:42:45 | |
Mickey says she has the lungs of an elephant. | 0:42:55 | 0:42:58 | |
She's nimble in the heavy going, | 0:42:58 | 0:43:00 | |
but bounces a little on the hard ground. | 0:43:00 | 0:43:02 | |
Sorry, I'll let you read. | 0:43:02 | 0:43:04 | |
So, he thinks she'll favour good to soft ground, eh? | 0:43:07 | 0:43:10 | |
-A little juice in the grass. -Mm. | 0:43:10 | 0:43:13 | |
Well, that's good for Epsom. | 0:43:13 | 0:43:15 | |
Does he think she's not good enough for Epsom? | 0:43:17 | 0:43:20 | |
She needs a lot of work. | 0:43:21 | 0:43:23 | |
The race board will need convincing. | 0:43:23 | 0:43:25 | |
-I imagine you have some influence. -Mm. | 0:43:26 | 0:43:29 | |
That's the suggested programme for the next two months. | 0:43:31 | 0:43:34 | |
Your glass is empty. | 0:43:37 | 0:43:39 | |
It's fine. | 0:43:39 | 0:43:40 | |
Are you hungry? | 0:43:42 | 0:43:44 | |
Yes, a bit. | 0:43:45 | 0:43:48 | |
I can prepare something. | 0:43:48 | 0:43:49 | |
Do you have engine oil? | 0:43:51 | 0:43:52 | |
Before I set off for Birmingham, the car needs oil. | 0:43:55 | 0:43:58 | |
I'm sure my husband kept some in the garage. | 0:44:00 | 0:44:02 | |
I can someone to do it. | 0:44:02 | 0:44:04 | |
This evening or tomorrow? | 0:44:04 | 0:44:06 | |
Well, we're so far from anywhere, people usually stay over. | 0:44:10 | 0:44:13 | |
Especially before cars, when it was just carriages, | 0:44:15 | 0:44:17 | |
people used to stay over all the time. | 0:44:17 | 0:44:19 | |
But I have a car. | 0:44:21 | 0:44:22 | |
Yes. | 0:44:24 | 0:44:25 | |
And you have... | 0:44:25 | 0:44:28 | |
engine oil. | 0:44:28 | 0:44:29 | |
Probably. | 0:44:30 | 0:44:32 | |
But it would be very usual. | 0:44:35 | 0:44:36 | |
What would? | 0:44:38 | 0:44:40 | |
For a guest to stay. | 0:44:42 | 0:44:43 | |
We have a whole wing called the guest wing. | 0:44:43 | 0:44:45 | |
Oh, you... | 0:44:45 | 0:44:47 | |
You have a guest wing. | 0:44:48 | 0:44:50 | |
Well... | 0:44:52 | 0:44:53 | |
May. | 0:45:01 | 0:45:02 | |
Have a smoke. | 0:45:12 | 0:45:14 | |
Thank you. | 0:45:14 | 0:45:15 | |
Ignore this. It's actually all right. | 0:45:23 | 0:45:25 | |
I put all his photos in a drawer and locked it... | 0:45:28 | 0:45:31 | |
..as if that was going to make a difference. | 0:45:33 | 0:45:35 | |
I'm like a fucking lighthouse keeper... | 0:45:38 | 0:45:41 | |
..out here on my own... | 0:45:44 | 0:45:46 | |
..keeping his flame burning. | 0:45:48 | 0:45:50 | |
But, of course, when anyone sees a lighthouse | 0:45:50 | 0:45:54 | |
they stay clear, don't they? | 0:45:54 | 0:45:56 | |
Now, do you have a map? | 0:46:08 | 0:46:09 | |
Of the house. Do you have a map? | 0:46:13 | 0:46:15 | |
Because I'm not going to be able to find my way in the dark. | 0:46:18 | 0:46:22 | |
You see, at midnight, | 0:46:26 | 0:46:29 | |
I'm going to leave my wing | 0:46:29 | 0:46:32 | |
and I'm going to come find you. | 0:46:32 | 0:46:34 | |
And I'm going to turn the handle of your bedroom door | 0:46:36 | 0:46:39 | |
without making a sound | 0:46:39 | 0:46:41 | |
and none of the maids will know. | 0:46:41 | 0:46:43 | |
You don't know maids. | 0:46:44 | 0:46:46 | |
They hear a pin drop? | 0:46:49 | 0:46:51 | |
If there's a man in the house, they listen. | 0:46:51 | 0:46:55 | |
They take turns. | 0:46:55 | 0:46:56 | |
So, let them listen. | 0:46:57 | 0:46:59 | |
Right. Day rate, seven shillings. Loading, unloading. | 0:47:04 | 0:47:08 | |
Night rate, three. Total ten. | 0:47:08 | 0:47:10 | |
Let's go and get a drink. | 0:47:12 | 0:47:14 | |
No, I'm all right. | 0:47:14 | 0:47:15 | |
Come on, it's payday. | 0:47:15 | 0:47:17 | |
Everybody has a drink on payday. | 0:47:17 | 0:47:18 | |
Not me. | 0:47:18 | 0:47:20 | |
You think your mum don't have a drink on payday? | 0:47:20 | 0:47:23 | |
You think the Lord Almighty don't have a drink on payday? | 0:47:23 | 0:47:27 | |
Man, it's on fire out there, | 0:47:29 | 0:47:31 | |
women from the BSA offices, honest. | 0:47:31 | 0:47:34 | |
They go out on their own without their men these days, | 0:47:34 | 0:47:37 | |
in twos and threes now. | 0:47:37 | 0:47:38 | |
Mickey, they go out in twos and threes and buy their own drinks. | 0:47:39 | 0:47:43 | |
The Marquis, that's where the BSA secretaries go. | 0:47:48 | 0:47:52 | |
Look, they won't serve a black man without a Shelby by his side. | 0:47:56 | 0:48:01 | |
So you're using me? | 0:48:06 | 0:48:08 | |
Yeah. | 0:48:11 | 0:48:12 | |
Come on. | 0:48:12 | 0:48:14 | |
LAUGHTER AND CHATTER | 0:48:18 | 0:48:20 | |
I told you, I fucking told you, this city's gone mad. | 0:48:21 | 0:48:25 | |
Girls go out on their own now. | 0:48:25 | 0:48:26 | |
Two pints of dark mild, please. | 0:48:30 | 0:48:32 | |
Fuck that. We're Peaky boys. | 0:48:32 | 0:48:33 | |
Two whiskies. | 0:48:33 | 0:48:35 | |
You get used to it, then you can't stop. | 0:48:43 | 0:48:45 | |
HE WHISTLES | 0:48:49 | 0:48:51 | |
I don't drink with blacks. | 0:48:52 | 0:48:54 | |
Here we fucking go. | 0:48:54 | 0:48:56 | |
Paddy, they're OK. | 0:48:56 | 0:48:58 | |
Not with me, they're not. | 0:48:58 | 0:49:00 | |
I don't drink in pubs with blacks. | 0:49:00 | 0:49:02 | |
So leave. | 0:49:02 | 0:49:03 | |
Look, my dad is the preacher round here. | 0:49:05 | 0:49:07 | |
He has connections, ask anybody. | 0:49:07 | 0:49:09 | |
I couldn't give a fuck who he is. | 0:49:09 | 0:49:12 | |
I'm telling you to leave it, Paddy. | 0:49:12 | 0:49:14 | |
And I'm telling this darkie to get out of here. | 0:49:14 | 0:49:16 | |
You know something? Fuck off. | 0:49:16 | 0:49:18 | |
It's all right, Isaiah, come on, leave it. | 0:49:18 | 0:49:20 | |
-We'll go to my cousin's pub. -I like it here. | 0:49:20 | 0:49:22 | |
You fucking nigger. | 0:49:24 | 0:49:25 | |
SHOUTING AND SCREAMING | 0:49:27 | 0:49:30 | |
Paddy! The white kid's a Peaky Blinder! | 0:49:48 | 0:49:50 | |
He's Polly Shelby's son! | 0:49:50 | 0:49:52 | |
He's Polly Shelby's son! Are you fucking suicidal?! | 0:49:53 | 0:49:57 | |
Sir... | 0:49:57 | 0:49:59 | |
Sir, I'm sorry, I didn't know. | 0:49:59 | 0:50:01 | |
Get out! | 0:50:01 | 0:50:02 | |
Get out the fucking pub. | 0:50:02 | 0:50:04 | |
I really didn't know. | 0:50:04 | 0:50:06 | |
Fuck, let's go. Let's go! | 0:50:06 | 0:50:08 | |
We ordered some drinks | 0:50:10 | 0:50:12 | |
and we're going to drink them. | 0:50:12 | 0:50:14 | |
His face, man. Did you see his fucking face? | 0:50:25 | 0:50:28 | |
You punch like a fucking kangaroo. | 0:50:28 | 0:50:29 | |
I seen one once in a circus, you punch like that. | 0:50:29 | 0:50:32 | |
All right, anyway, I need a fucking drink. | 0:50:34 | 0:50:36 | |
-It's on you. -It's on me? You just got paid. | 0:50:36 | 0:50:38 | |
Yeah, from you. | 0:50:38 | 0:50:40 | |
Fucking hell, it's packed in here, isn't it? | 0:50:48 | 0:50:51 | |
So it's as easy as that? | 0:50:51 | 0:50:52 | |
Easy as that, John boy. London, you wouldn't believe it. | 0:50:52 | 0:50:56 | |
Finn, stick your head in a bucket. | 0:50:56 | 0:50:58 | |
No. | 0:50:58 | 0:50:59 | |
The women, John boy, the women... | 0:50:59 | 0:51:02 | |
I've got this one, she's a dancer, right? | 0:51:02 | 0:51:04 | |
She can do things with her... | 0:51:04 | 0:51:06 | |
If Finn would just piss off I'd explain a little bit better. | 0:51:10 | 0:51:13 | |
Well, if it's so good, why are you here? | 0:51:13 | 0:51:15 | |
A decent pint. | 0:51:15 | 0:51:17 | |
The cockney's can't get that right. | 0:51:17 | 0:51:19 | |
He misses us, Finn, that's what it is. | 0:51:19 | 0:51:21 | |
Here they are, look, junior Peaky boys. | 0:51:23 | 0:51:26 | |
What's happened to you? You been scrapping? | 0:51:29 | 0:51:32 | |
Some idiots at the Marquis of Lorne. | 0:51:32 | 0:51:34 | |
Tried to stop me and Isaiah from drinking, but it's all right. | 0:51:34 | 0:51:38 | |
We fought them off. | 0:51:38 | 0:51:39 | |
Arthur, we had to stand our ground and we did. | 0:51:39 | 0:51:42 | |
The Marquis, eh? Where's your dad? | 0:51:42 | 0:51:45 | |
-Preaching. -Right. | 0:51:46 | 0:51:48 | |
Don't nick any of me chips, Finn! | 0:51:51 | 0:51:53 | |
-Where are you going? -We won't be long. | 0:51:53 | 0:51:55 | |
Where are they going? | 0:51:57 | 0:51:59 | |
The Marquis of Lorne. | 0:51:59 | 0:52:00 | |
Shame. | 0:52:02 | 0:52:03 | |
It was a nice pub. | 0:52:03 | 0:52:05 | |
# Joseph | 0:52:05 | 0:52:09 | |
# Walked on and on, The sunset | 0:52:09 | 0:52:13 | |
# Went down and down, Coldness | 0:52:15 | 0:52:20 | |
# Cooled their desire, And Dawn said | 0:52:21 | 0:52:26 | |
# "Let's build a fire" | 0:52:29 | 0:52:32 | |
# Is this desire | 0:52:32 | 0:52:35 | |
# Enough, enough | 0:52:35 | 0:52:38 | |
# To lift us higher | 0:52:38 | 0:52:42 | |
# To lift above | 0:52:42 | 0:52:45 | |
# Hour long | 0:52:58 | 0:53:00 | |
# By hour, may we two stand, When we're dead | 0:53:00 | 0:53:06 | |
# Between these lands, The sun set | 0:53:08 | 0:53:11 | |
# Behind his eyes, And Joe said | 0:53:15 | 0:53:19 | |
# "Is this desire?" | 0:53:22 | 0:53:24 | |
# Is this desire | 0:53:32 | 0:53:35 | |
# Enough, enough | 0:53:35 | 0:53:38 | |
# To lift us higher | 0:53:38 | 0:53:41 | |
# To lift above? | 0:53:41 | 0:53:45 | |
# Is this desire | 0:53:45 | 0:53:48 | |
# Enough, enough | 0:53:48 | 0:53:52 | |
# Enough inside | 0:53:52 | 0:53:55 | |
# Is this desire? # | 0:53:55 | 0:53:58 | |
SHE MOANS | 0:53:59 | 0:54:00 | |
Ey-up. Bet the big bastard got cut. | 0:54:00 | 0:54:03 | |
You didn't have to do that for me. | 0:54:06 | 0:54:08 | |
We didn't do it for you, Michael. | 0:54:08 | 0:54:09 | |
We did it for the good name of the company. | 0:54:09 | 0:54:11 | |
None of this happened, all right? | 0:54:12 | 0:54:15 | |
Come on, let's go and get that drink. | 0:54:15 | 0:54:17 | |
DOOR THUDS | 0:54:27 | 0:54:28 | |
FOOTSTEPS APPROACHING | 0:54:28 | 0:54:30 | |
The date has been set. | 0:54:45 | 0:54:46 | |
Three weeks from today. | 0:54:48 | 0:54:50 | |
You checked out his house? | 0:54:54 | 0:54:55 | |
There's coppers all over it. | 0:54:57 | 0:54:59 | |
You'll take care of them? | 0:55:01 | 0:55:02 | |
No. That would arouse suspicion. | 0:55:02 | 0:55:06 | |
You'll have to deal with them yourself. | 0:55:06 | 0:55:08 | |
And if a copper gets killed? | 0:55:11 | 0:55:12 | |
There will be no consequences for you, I have given you my word. | 0:55:15 | 0:55:19 | |
Which I know to be worthless. | 0:55:19 | 0:55:20 | |
That is why I have been settling my affairs in the event of my death. | 0:55:22 | 0:55:27 | |
HE CHUCKLES: And making your peace with God, perhaps? | 0:55:30 | 0:55:33 | |
Well, good luck with that. | 0:55:35 | 0:55:37 | |
I have made arrangements with men I trust. | 0:55:42 | 0:55:46 | |
If I should die, | 0:55:48 | 0:55:50 | |
then you will die... | 0:55:50 | 0:55:52 | |
..know that. | 0:55:53 | 0:55:55 | |
FOOTSTEPS RECEDING | 0:55:59 | 0:56:03 | |
Ritz Hotel. | 0:57:28 | 0:57:30 | |
London, Piccadilly. | 0:57:30 | 0:57:32 | |
PHONE RINGS | 0:57:32 | 0:57:35 | |
Hello? | 0:57:41 | 0:57:43 | |
'Hello?' | 0:57:44 | 0:57:46 | |
-Who was that? -Call got cut. | 0:57:52 | 0:57:54 | |
I guess the telephone lines in England are not so good, huh? | 0:57:54 | 0:57:57 | |
# On the gathering storm | 0:58:21 | 0:58:23 | |
# Comes a tall handsome man | 0:58:23 | 0:58:25 | |
# In a dusty black coat | 0:58:25 | 0:58:27 | |
# With a red right hand. # | 0:58:27 | 0:58:30 |