Episode 5 Peaky Blinders


Episode 5

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Transcript


LineFromTo

This place is under new management...

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by order of the Peaky Blinders.

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Just write down, "Peace between the Jews and the Italians."

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And war...

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..against the Gypsies.

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'I love him, Tom.

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'I know.'

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That's why I'll keep him away from the old business

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and put him charge of the new.

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Some idiots at The Marquis Of Lorne.

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They tried to stop me and Isaiah from drinking, but it's all right.

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We fought them off.

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The Marquis, eh?

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This programme contains strong language and scenes of sexual violence, which some viewers may find upsetting

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What do we want with a 1,000 guinea horse?

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When we make our move on Sabini's racing pitches

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a good racehorse is a passport to the owners' enclosure.

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May Carleton. I breed racehorses and train them.

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'I have made arrangements with men I trust.'

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If I should die...

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then you will die.

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GOAT BLEATS

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MURMUR OF VOICES

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# Take a little walk to the edge of town

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# And go across the tracks

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# Where the viaduct looms like a bird of doom

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# As it shifts and cracks... #

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WOMAN MOANS ECSTATICALLY

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# ..Where secrets lie in the border fires

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# In the humming wires Hey, man, you know you're never... #

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Would you stop the noise?!

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# ..Past the square, past the bridge past the mills, past the stacks

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# On a gathering storm comes a tall handsome man

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# In a dusty black coat with a red right hand... #

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HE SNIFFS

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You're working tonight?

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Not so much work as pleasure.

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Others are doing my work for me tonight.

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Gentlemen, welcome, welcome.

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Mr Solomon.

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You must be Arthur.

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-That is right.

-Arthur, Arthur!

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-It is a pleasure to meet you, sir.

-I have heard so much about you.

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Shalom. Let me just say...

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Shalom.

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CROCKERY SMASHES

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For luck.

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# ..They're a-whispering his name through this disappearing land

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# But hidden in his coat is a red right hand... #

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You understand I am the commanding officer on this operation

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and you are here purely as an observer?

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Just do your duty!

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Dear Lord, for what we are about to receive,

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may the Lord make us truly grateful.

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Amen.

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Amen!

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Amen.

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The Passover started off way out there in the Far East -

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out in the sand, out in the desert,

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where my forefathers come from -

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the Jews, the brews, whatever you want to call them.

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-DOOR RUMBLES SHUT

-It started out as a little speck on the horizon...

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Arthur, this ain't right!

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Billy, don't worry, mate. If you want, you can leave.

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If you need to go to the little boy's room, you can leave.

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-We're going to open them in a minute anyway.

-He's all right. Billy Boy.

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-Do you want to leave?

-No, you are all right.

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-You want to stay?

-I'll stay.

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You stay there, then, treacle. OK.

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So, the Pharaoh, have you heard of him?

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He kept my people, the Jewish people, in slavery

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for thousands and thousands of years.

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Persecuted race.

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He did, he persecuted my race. The killing of the innocent, right?

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Seder, this feast what we is having here, right?

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Seder is basically the day when the Jewish angels decided, you know,

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that the evil fucking Egyptians had pushed their fucking luck.

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-Right.

-It's part of our tradition, to do with Seder, right,

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that in order to make it good with God to kill a king...

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..we have to carry out the Korban Pesach.

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-Right.

-That is the ritual sacrifice of the Passover goat.

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GOAT BLEATS

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-It's a goat!

-Yeah, and we are going to sacrifice it.

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Tonight.

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That is part of the reason why we have to shut the doors as well.

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But this year we thought we'd give the fucking goat a name.

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-You've named it?

-We fucking did. Yeah.

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They named the fucking goat.

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After the evil fucking Egyptian pharaoh.

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The fucking enemy!

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That's right! You know what we called him?

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What did you call him?

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Tommy Shelby.

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GUNSHOT

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SHOUTING AND COMMOTION

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Police! Stay where you are.

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SHOUTING AND COMMOTION

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GUNSHOT

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You're all fired.

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Fuck you!

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That's right, let's take the load off.

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So, then the evil Egyptian scum

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was finally cleansed

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by the blood of the Passover goat.

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That's from Sabini.

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You tell your Gypsy king...

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HE SCREAMS

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..that whoever comes down south

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shall return north in many fucking pieces.

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KNIFE SLASHES FLESH, HE SCREAMS

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The fucking animal. He come in here, right,

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with a fucking gun and a razor, he shot him in the face.

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My lads, they restrained him. Look at him. He is dead.

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Is he dead?

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He is fucking dead!

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He wants arresting or some thing, right? Surely.

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Not again! Michael! No, you can't take him away again!

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You can't take my son away!

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-Give me the boy.

-Come back here.

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Listen, we are arresting him for taking part in a fight...

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Ow, you...!

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Don't you fucking touch him! Get off him!

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Don't say anything. Tommy will get you out.

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I'll be all right...

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You should know that, as of this night, Tommy Shelby is finished.

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Mick, this is Thomas Shelby. He's come to check up on his filly.

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Yes. I've heard about him.

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Micky is the best horseman in England.

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He likes to waste money, I know that.

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According to the reports I've been given

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you're spending £2 a month on worming powder.

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What? You want a horse with worms?

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Horses get worms from the water trough.

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If you put goldfish in them, they eat the worm eggs.

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Goldfish?

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That'll be a Gypsy thing, is it?

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No, it's an accounting thing.

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Goldfish cost a penny each.

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Or you can win them at the fair.

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If you want, I'll dispense with the vet altogether.

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Excuse me.

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Did you ever consider a career in diplomacy?

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Hello, hello. How are you, eh?

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Goldfish? Seriously?

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Yep. You people have a lot to learn.

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They asked me if I wanted a fire in the guest bedroom.

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I said no.

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Just one fire tonight.

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Bold and fearless, eh?

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Yes.

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Though I'm not really fearless.

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-Drink?

-Why not?

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Madam, there is a telephone call.

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I'll take it in the drawing room.

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It's for Mr Shelby.

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We had a deal.

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Hey?

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We had a fucking deal!

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I would thank you to moderate your language in a place of worship.

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We had a fucking deal.

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Mr Shelby.

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If you read the papers, you might have seen that the Home Secretary

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has got himself into a bit of a fizz about certain moral issues.

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Prostitution, protection,

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racketeering, drinking,

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cocaine and, of course...

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gambling.

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He has demanded results.

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You offered me protection. You promised me protection.

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Well, no, you see it was Mr Churchill that made you that promise.

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And the Home Secretary outranks him, so...

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And I can hardly be blamed if your demented brother

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decides to go on some sort of blood orgy during dinner.

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Don't fucking lie to me!

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-SHOUTS:

-Do not sit here in your fucking church and lie to me!

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You will need to contain your emotions

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or this meeting is at an end.

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Good.

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That's better.

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So...

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..let us review the new situation.

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I have your brother in a prison cell

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charged with the murder of Billy Kitchen.

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The case against him is strong

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and I have no doubt that his destiny is to hang.

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And then there is Polly's son, Michael.

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He has already admitted to helping Arthur burn down the Marquis pub.

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He was a tough nut to crack, that boy, but crack he did.

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So I have your brother facing the noose,

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I have your cousin facing five years for arson.

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And I have your entire organisation in disarray

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in Birmingham and in London.

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What do you want?

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What do I want?!

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I don't understand.

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I have already agreed to do your fucking killing for you.

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Now, what is it you want from me?

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There you go, you see.

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An agreement is not the same thing as an assurance, now, is it?

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You see, I found... I wasn't sleeping so well.

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It wasn't just the smell and the noise in that room, no.

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It was the nagging doubt. The knowledge...

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The knowledge that...

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..Tommy Shelby is not afraid to die.

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Therefore...

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..the threat to your own life might not be enough

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to make it certain that you will obey me on the given day.

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I needed also the power of life and death over your family.

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And that I now have.

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Your brother.

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Your cousin.

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And your sister.

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I have known her address in Primrose Hill since the day she moved in.

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She is safe only as long as I want her to be.

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I have been ahead of you...

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..every step of the way.

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And, as my father used to say...

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..to make sure your dog obeys you,

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you have to show it the stick once in a while.

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PHONE RINGS

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Tommy, Arthur is in solitary confinement.

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Michael is in the remand wing of...

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I already know. Get out, shut the doors.

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PHONE CONTINUES TO RING

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'Tommy?

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'It's me.'

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Tommy, can you hear me?

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Yes, er, Grace.

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I think you called. I...haven't slept.

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Grace, this is not a good time.

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I can call you back.

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-No, it's fine. It's all right.

-Can we meet?

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Yes. We'll meet.

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When?

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Grace, there are some things I have to do first.

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John?

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The coppers have lifted ten of our men in Camden Town,

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the rest of them are on the run.

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-They've taken Michael.

-Business first.

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-They took Michael last night.

-I said business first.

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-They picked him up...

-Polly, business first!

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John?

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They took all our whisky,

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so no doubt they'll be supping that for Christmas.

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They've impounded all our vans, put their own locks on the warehouse.

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The Eden Club and all our pubs have been raided by the coppers

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and handed back to Sabini and Solomons.

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The Black Country boys think it was Arthur killed Billy

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because that's what the coppers told them.

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So there'll be no more free passes for our whisky boats.

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I don't give a fuck about whisky.

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I don't give a fuck about Billy Kitchen.

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I want my son out of prison. Now.

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Thomas, I spoke to Johnny Dogs.

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This meeting should just be family.

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-I can help.

-It's family only, she is not blood, Tommy!

-Let her speak.

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-Or is this a business...? Have you forgotten...?

-ENOUGH!

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Enough, Polly.

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Esme?

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I spoke to Johnny Dogs. The Lees are kin.

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-The bloody Lees!

-They can give us men!

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We don't need more fucking men!

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It's men that have done the damage!

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It... It is men fighting like cockerels

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that have put us here in the first place.

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Esme, I'll take up their offer. We need men.

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If Michael ever gets out of prison,

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I am taking him away from this family.

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For good.

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This life is bad.

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This life is all bad.

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-Aunt Pol, what are you doing?

-Shut up and walk.

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DOOR CLOSES

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Thomas?

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Should I go and speak to Queen Mary Lee at the Black Patch?

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Yes.

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She can give us soldiers for a few nights.

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Mm, good.

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John, go and bring up the car.

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DOOR CLOSES

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Imagine riding away, Thomas.

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Living the real life, you know?

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Your Gypsy half is the stronger.

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You just want to ride away.

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France is the new place for us, they say.

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Lot of metal lying around still.

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Guns and trucks and spent shells and things.

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Then you go south.

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Saintes-Maries, where the Black Madonna is.

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My brothers go sometimes for the fair.

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It's like a home for us.

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They still let you get lost there.

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I've been to France, Esme.

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So has John.

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Now get your coat

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and go with your husband.

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And if you ever talk about getting lost again,

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I will cut you...

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..from this family.

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What family?

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KEYS CLANK IN LOCK

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KNOCK AT DOOR Come in.

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DOOR OPENS

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MALE VOICES IN BACKGROUND

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Ah, Polly.

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Come to see my son.

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Close the door.

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I've just been conducting...

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an interrogation.

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It can be awfully hard on the hands.

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My son, Michael, where is he?

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Do you think I need a shave?

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It's been a long day.

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I need to shave, don't you think?

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Well, maybe it can wait till later.

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Your son has been having a hard time of it, I am told.

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And that is why I thought that you and I, together,

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we should do whatever we can to get him freed.

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I...I have a form here, a release form,

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and with my signature he can be freed by tomorrow morning at dawn.

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So sign it.

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He didn't do anything.

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"Sign it, Mr Campbell, please, sir."

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Something like that, that'd be a way to say it, wouldn't it?

0:21:250:21:29

Now...

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..what would prompt me to do you such a favour, hmm?

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What do you want?

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Information?

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You mean inside information about Tommy Shelby's criminal empire?

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With respect,

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I would say that I know more about Tommy's dealings than you do.

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He doesn't trouble the family with Irish business, for instance,

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does he? No.

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So, no...

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it's not information I need.

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What else could you give me...

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..in return for my signature?

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I'm talking about a simple transaction here.

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I have a great curiosity.

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Like a magpie...sees something...

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..something shining in the mud.

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Oh, he has no need for the silver, but...

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..but he takes it anyway.

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Sign the form.

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"Please, sir..."

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Please, sir...

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I will sign that form with this hand...

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..when I am finished.

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It's a deal?

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It's a deal.

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You don't cry?

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-Oh, I can cry.

-So...

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..that is what I want.

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I need you to cry.

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I will try.

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"I need a favour, Mr Campbell, sir. And I will do anything...

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"Anything in return."

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That's what you might have said, hmm?

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I felt something when...

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..when I had you up against that car and you felt it, too.

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(Don't tell me you didn't, Polly.)

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Because...

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Oh, and now you think you're...

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..sort of respectable...

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with your son and your house

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and your maid, but I know what you are,

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you Gypsy Fenian slut.

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Do you want it on the floor or on the desk, Mr Campbell?

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Now you cry.

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You cry!

0:24:500:24:52

Get out. Get out.

0:24:590:25:01

Get out!

0:25:030:25:05

No. No!

0:25:050:25:07

I want him free.

0:25:070:25:09

I will get him free.

0:25:090:25:11

You don't need to shave.

0:25:150:25:17

You don't need to do anything.

0:25:190:25:20

Victory's just doing nothing, as well.

0:25:230:25:27

Doing it soft and gentle.

0:25:270:25:29

Should I talk or not talk?

0:25:380:25:40

Should it be like I am weak and small, yes?

0:25:430:25:46

Do you want me to talk or not talk?

0:25:500:25:51

Talk.

0:25:540:25:56

You're small and weak.

0:25:560:25:58

Then that is what I am -

0:25:590:26:02

small and weak.

0:26:020:26:04

Look.

0:26:050:26:07

Feel.

0:26:090:26:10

You made me cry.

0:26:120:26:14

No!

0:26:190:26:21

We had an agreement, right?

0:26:210:26:24

Yes. Yes!

0:26:240:26:25

DOOR OPENS

0:26:280:26:30

Where've you been?

0:26:340:26:37

I went to the Spotted Dog in Digbeth for a glass or two of rum.

0:26:370:26:42

Was it one glass or two?

0:26:440:26:47

It was three.

0:26:470:26:49

Where's the baby?

0:26:490:26:52

Sleeping.

0:26:520:26:53

More like five.

0:26:550:26:56

It was more like six.

0:27:010:27:02

Did you meet the maid?

0:27:050:27:08

I talked politics with her and she got bored and went to bed.

0:27:080:27:11

I phoned James.

0:27:150:27:17

He talked to the lawyer anyway.

0:27:170:27:20

He said he'd take Arthur's case for free, so we don't need Tommy.

0:27:200:27:23

Pol?

0:27:270:27:30

We'll get Michael free, as well, I promise.

0:27:300:27:32

There's no need, they're letting him out in the morning.

0:27:320:27:35

If the baby wants anything at night, ring the bell by the bed.

0:27:390:27:44

She gets paid to work 24 hours, that girl, she's getting lazy.

0:27:440:27:47

Well...

0:27:490:27:51

..take advantage if you're nice.

0:27:520:27:55

# Forgive me, Hera I cannot stay

0:28:050:28:10

# He cut out my tongue There is nothing to say

0:28:100:28:15

# Love me, oh Lord He threw me away

0:28:170:28:21

# He laughed at my sins In his arms I must stay

0:28:230:28:27

# He wrote, "I'm broke, Please send for me."

0:28:310:28:38

# Her skin is white And I'm light as the sun

0:28:410:28:46

# So holy light shines on the things you have done

0:28:460:28:51

# So I asked him How he became this man?

0:28:530:28:57

# How did he learn to hold fruit in his hands?

0:28:580:29:02

# And where is the lamb that gave you your name?

0:29:020:29:07

# He had to leave Though I begged him to stay

0:29:070:29:11

# We speak when spoken to

0:29:130:29:18

# And that suits us well

0:29:180:29:20

# That suits us well

0:29:240:29:27

# That suits me well. #

0:29:290:29:32

You need cream on them cuts or they'll go bad.

0:29:340:29:37

The screws told me why I've been freed.

0:29:440:29:46

They told me what you did.

0:29:510:29:53

They thought it was funny.

0:30:000:30:02

Maybe it is.

0:30:090:30:10

What are you doing, Tommy?

0:30:360:30:37

Shovelling shit, Curly. Just like you.

0:30:380:30:41

And why are you doing that, Tommy?

0:30:480:30:50

To remind myself of what I'd be if I wasn't who I am.

0:30:500:30:54

Tommy?

0:31:260:31:28

What's going on?

0:31:280:31:29

I think Tommy's lost his mind, Charlie!

0:31:290:31:31

Well, it's honest work, Curly...

0:31:330:31:38

but I don't want to get used to it,

0:31:380:31:41

so I'll need six cans of petrol.

0:31:410:31:44

Bring them to the garage, put them in the back of the car.

0:31:440:31:48

Six cans?

0:31:490:31:51

Tommy, if you ever want a job, I'll get you your own shovel.

0:31:520:31:55

Petrol, yeah. Yeah.

0:31:580:32:00

# Climbed over mountains

0:32:180:32:22

# Travelled the sea

0:32:220:32:26

# Cast down off heaven

0:32:260:32:30

# Cast down on my knees

0:32:300:32:33

# I've lain with the devil

0:32:350:32:37

# Cursed God above

0:32:390:32:41

# Forsaken heaven

0:32:430:32:46

# To bring you my love... #

0:32:460:32:50

Far too gorgeous for some half-blind auntie.

0:32:520:32:55

She's my harshest critic. I have to be perfect.

0:32:550:32:58

She's not half-blind, she's half-deaf.

0:33:000:33:03

So what time will you be back?

0:33:030:33:06

Before midnight.

0:33:060:33:07

I'll be awake.

0:33:090:33:11

Is this your house?

0:34:060:34:08

Yes. Have a seat.

0:34:080:34:10

Do I not get a drink?

0:34:220:34:24

Please.

0:34:240:34:25

-You want one?

-Yes.

0:34:290:34:32

Still whisky?

0:34:320:34:33

Yes.

0:34:340:34:36

But other things have changed.

0:34:360:34:38

I saw vans with your name on at the docks.

0:34:380:34:40

Yes, some things have changed.

0:34:400:34:42

Tommy, I really wasn't sure about coming tonight...

0:34:590:35:02

I lit a fire in the bedroom upstairs.

0:35:020:35:04

My plan was that we sit here for a while and...

0:35:060:35:10

talk about old times,

0:35:100:35:12

drink some whisky.

0:35:120:35:14

And I was going to tell you

0:35:160:35:19

I hadn't spent a day without thinking about you.

0:35:190:35:22

And then we were going to go upstairs

0:35:220:35:24

and sleep together.

0:35:240:35:25

But just now, on the way to opening the door,

0:35:270:35:31

I changed my mind.

0:35:310:35:32

So just have one drink,

0:35:350:35:37

tell me how happy you are in New York and then you can go.

0:35:370:35:40

You "changed your mind"?

0:35:400:35:42

Mmm. So you can go.

0:35:420:35:44

As a matter of fact, I am happy in New York.

0:35:490:35:52

-And I am married.

-Oh, yeah, he's rich, I know.

0:35:520:35:55

And he's sweet and he's kind to me,

0:35:550:35:58

so what makes you think that I would have gone to bed with you

0:35:580:36:02

after one whisky and some conversation?

0:36:020:36:04

-I was accounting for three whiskies.

-How dare you?

0:36:040:36:07

Doesn't matter now, because I've changed my mind.

0:36:070:36:09

I came here because you asked me.

0:36:090:36:12

Even though he's sweet and he's kind to you?

0:36:120:36:14

-And now I feel like an idiot.

-Well, then go.

0:36:140:36:17

(Jesus.)

0:36:170:36:18

But you're still here.

0:36:300:36:32

Are you so certain?

0:36:350:36:37

That you're still in love with me?

0:36:370:36:39

I was, but I'm not any more.

0:36:410:36:44

You're not armed, Grace, are you?

0:36:490:36:51

No, I'm not armed.

0:36:510:36:53

I don't carry guns. I don't have to.

0:36:530:36:57

You don't have a sense of humour any more, either.

0:37:030:37:05

What are you talking about?

0:37:050:37:07

Thing is, I hate reunions.

0:37:170:37:20

I didn't want to sit here for hours talking about nothing

0:37:200:37:23

and dancing around what we really want to say.

0:37:230:37:26

So now...

0:37:270:37:29

I know you're happy in New York. I know your husband's rich

0:37:290:37:32

and sweet and kind to you. I know you're unarmed

0:37:320:37:35

and you didn't come here for sex, because you don't love me any more.

0:37:350:37:40

And it's only three minutes past.

0:37:400:37:44

Another drink?

0:37:440:37:46

I'll take that as a yes.

0:37:490:37:52

It's good to see you, Grace.

0:37:550:37:56

So you didn't light the fire?

0:37:580:38:00

You see, my real plan...

0:38:040:38:07

..was that we go out.

0:38:090:38:10

I want to impress you.

0:38:120:38:14

Now...

0:38:140:38:16

..do you like Charlie Chaplin?

0:38:180:38:19

Yes, I like Charlie Chaplin.

0:38:220:38:24

Good.

0:38:240:38:26

But I bet you've never heard Charlie Chaplin speak.

0:38:260:38:29

I thought you were taking me to see Charlie Chaplin.

0:38:310:38:33

-I am.

-This isn't a picture house.

0:38:330:38:36

No, it's not a picture house.

0:38:360:38:38

So how will I see Charlie Chaplin?

0:38:380:38:40

You will see him and you will hear him, just like I promised.

0:38:400:38:44

-There you go, there's Chaplin.

-Oh, my God, that's him.

-Mm-hm.

0:38:440:38:48

-That's really Charlie Chaplin in person.

-Yep.

0:38:480:38:50

He's in England, promoting his film.

0:38:500:38:53

-And how the hell do you know Charlie Chaplin?

-I don't,

0:38:530:38:55

I know his bodyguard, Wag MacDonald.

0:38:550:38:58

It's that chap there.

0:38:580:38:59

I was a bookie in Birmingham, then he went to Los Angeles.

0:38:590:39:03

You see, Wag is also a Romany Gypsy, as is Chaplin.

0:39:030:39:06

But he keeps it a secret.

0:39:060:39:08

Chaplin was born on the Black Patch, a Gypsy camp in Birmingham.

0:39:080:39:12

That's why he gave Wag the job, even though Wag was on the run.

0:39:120:39:15

Thank you.

0:39:150:39:16

Thank you.

0:39:180:39:20

See, we've all got secrets, Grace.

0:39:200:39:22

Come on, I'll introduce you.

0:39:220:39:24

Hello, Wag. Mr Chaplin, this is Grace.

0:39:280:39:31

Hello, Mr Chaplin.

0:39:310:39:32

PHONE RINGS

0:39:350:39:39

-Hello.

-Hello, Mr Campbell.

0:39:410:39:43

You said you knew my sister's address in Primrose Hill.

0:39:430:39:47

So I expect you have men watching the house,

0:39:470:39:49

to see who comes and goes.

0:39:490:39:52

Well, tonight, your men will see me return to the house

0:39:520:39:54

with a very beautiful woman.

0:39:540:39:56

She will stay until just before midnight.

0:39:560:39:59

Course, I'll close the curtains.

0:39:590:40:01

Can you guess who the woman is?

0:40:030:40:05

Liar!

0:40:080:40:09

Sleep well, Mr Campbell.

0:40:090:40:11

Tommy.

0:40:210:40:22

Tommy, do you have someone?

0:40:240:40:26

(It's too late, Tommy.)

0:40:340:40:37

(It's 11, Grace.)

0:40:370:40:39

I mean, it's too late.

0:40:390:40:40

If you'd come with me to New York...

0:40:430:40:46

I had things to do.

0:40:460:40:48

You mean the coin landed the wrong way?

0:40:500:40:53

It couldn't have worked.

0:40:530:40:55

That was a question.

0:40:580:40:59

(Tommy, do you have someone?)

0:41:120:41:14

(I have a race horse.)

0:41:170:41:19

She's going to win the Derby.

0:41:210:41:22

MUSIC: Catherine by PJ Harvey

0:41:220:41:24

# Till the light that shines on me

0:41:260:41:29

# I damn to hell every second you breathe

0:41:290:41:33

# I envy the road the ground you tread under

0:41:370:41:41

# I envy the wind your hair riding over

0:41:410:41:45

# I envy the pillow your head rests and slumbers

0:41:450:41:48

# I envy to murderous envy your lover

0:41:480:41:53

# Till the light shines on me

0:41:530:41:56

# I damn to hell every second you breathe

0:41:560:41:59

# Till the light shines on me

0:42:010:42:04

# I damn to hell every second you breathe

0:42:040:42:09

# Till the light shines on me... #

0:42:090:42:14

-I'll drive you.

-HE CLEARS THROAT

0:42:170:42:19

When do you sail back?

0:42:230:42:25

We don't know yet.

0:42:280:42:29

You don't have a return ticket?

0:42:310:42:33

This wasn't right, Tommy.

0:42:340:42:35

When do you go back, Grace?

0:42:370:42:38

They're doing tests on us.

0:42:440:42:46

I don't know when they'll be finished.

0:42:460:42:48

We're having treatment.

0:42:530:42:54

A doctor in Harley Street.

0:42:550:42:57

Some new thing. A breakthrough.

0:42:580:43:00

We're trying for a baby.

0:43:030:43:05

Why did you come here tonight?

0:43:300:43:31

The doctor believes it's surely me who's at fault.

0:43:380:43:41

-I am sorry. It is no-one's fault.

-I'm tired of that.

0:43:490:43:52

Can I see you again?

0:44:040:44:05

Grace?

0:44:100:44:11

You're used to working under cover, eh?

0:44:160:44:18

I've never lied to him once.

0:44:210:44:23

So tell him the truth.

0:44:260:44:27

Put your arms up.

0:44:470:44:48

What have we got here then?

0:44:570:44:59

Take your fucking hands off me!

0:45:030:45:05

Here he is. The King of London Town.

0:45:070:45:10

You been enjoying yourself?

0:45:200:45:22

Oh, yes, fucking great.

0:45:220:45:24

Surrounded by Sabini's men.

0:45:240:45:26

Rats everywhere.

0:45:260:45:28

Fucking cockneys.

0:45:290:45:30

Well, at least you're going to get what you've always wanted.

0:45:310:45:34

-And what's that?

-You've tried to hang yourself twice.

0:45:340:45:37

Now the King's going to do it for you.

0:45:370:45:39

-I've been a fucking idiot.

-Yeah.

0:45:440:45:46

I haven't appreciated nothing, John.

0:45:470:45:49

Are you fucking repenting or something?

0:45:490:45:51

Drawing.

0:45:510:45:52

I used to be good at drawing.

0:45:530:45:55

Arthur, please. For God's sake. I don't need this.

0:45:550:45:57

I should have listened more in class...

0:45:570:45:59

What fucking class? You were never there!

0:45:590:46:01

I used to draw horses.

0:46:030:46:04

Arthur...

0:46:040:46:06

Stallions. Great big ones. They looked real.

0:46:060:46:09

Arthur. Not stallions, not now.

0:46:090:46:11

I should have done more with my life, John. Good things.

0:46:120:46:16

-Arthur, for God's sake...

-Even Ada said it wasn't my fault.

0:46:160:46:19

-Arthur, will you listen?

-They are going to hang me, John.

0:46:190:46:21

They're not going to hang you.

0:46:210:46:23

Says who?

0:46:230:46:24

Tommy.

0:46:260:46:27

And how is Houdini going to get me out of this?

0:46:300:46:34

-Well...

-Don't tell me. He's got a plan.

0:46:340:46:36

-But you don't know what that plan is, do you, John?

-I do...

0:46:370:46:40

Because we just, we can't be trusted.

0:46:400:46:43

All right. If he's so fucking clever, why am I in here?

0:46:430:46:47

-Well...

-Why is all our men and half our whisky being lifted?

0:46:470:46:51

Hmm?

0:46:510:46:53

The Jew and the cockney have run rings round him.

0:46:530:46:55

-Will you shut up?

-Look at you. Look.

0:46:550:46:57

A big fucking man...

0:46:570:46:59

Fucking shut up!

0:46:590:47:00

He's already told me what I've got to do.

0:47:030:47:05

What business have you got here?

0:47:230:47:25

I just pulled over. I never smoke and drive, you know.

0:47:250:47:29

Where are you from?

0:47:290:47:30

I'm from Ireland.

0:47:300:47:32

The beautiful north, where the rocks sing in the wind.

0:47:320:47:34

Where in the beautiful north?

0:47:340:47:36

You know, I just pulled over for a fag.

0:47:360:47:38

I want to see some identification.

0:47:380:47:40

Hey!

0:47:400:47:41

# Come home

0:48:000:48:02

# Like me

0:48:020:48:04

# You're home now

0:48:060:48:09

# Here with me

0:48:090:48:11

# Come home

0:48:110:48:14

# With your son

0:48:140:48:17

# Tomorrow might never come... #

0:48:170:48:21

May!

0:48:210:48:22

Tommy!

0:48:220:48:24

Does it really stop the horses from getting worms?

0:48:330:48:36

Yep. It really does.

0:48:380:48:39

Anyway, I thought it would make you smile.

0:48:440:48:47

I'm sorry that you had to drive through the night.

0:48:490:48:51

Must be exhausted. You can go and sleep if you want.

0:48:510:48:53

May?

0:48:550:48:56

We have to stop.

0:48:580:49:00

This.

0:49:010:49:02

I came here to tell you we have to stop.

0:49:030:49:05

Why?

0:49:080:49:09

Because I'm me and you're you? That old thing?

0:49:100:49:13

There's someone.

0:49:140:49:15

For a long time.

0:49:180:49:19

And I didn't want you to think anything about how it's going to be

0:49:240:49:27

after the race.

0:49:270:49:28

HE CLEARS THROAT

0:49:300:49:31

Not many of your people know about me

0:49:340:49:36

so I haven't done the damage that would come.

0:49:360:49:38

"My people"?

0:49:380:49:39

-But the damage isn't done, is what I mean.

-Right.

0:49:420:49:46

And even if it's like this, I want the horse to stay here.

0:49:500:49:53

To stay. Yes, of course.

0:49:530:49:55

Epsom is close.

0:49:550:49:56

I haven't got my outfit yet, so it's all right.

0:49:560:49:58

You can still be with me in the enclosure.

0:49:590:50:01

Very gracious of you, Sir(!)

0:50:010:50:03

You can wear something...

0:50:030:50:05

It's funny, isn't it,

0:50:050:50:06

because you'll be up there and I'll be down in the ring.

0:50:060:50:10

Sort of upside down, isn't it?

0:50:100:50:12

You can still be with me after and you can still wear something.

0:50:130:50:16

I will be covered in mud, from the ring.

0:50:160:50:18

May, forget about men like me.

0:50:210:50:22

I was going to tell you how much she's improved.

0:50:220:50:25

There are other men who...

0:50:310:50:32

I think she stands a chance of placing. So...

0:50:320:50:34

So the silly part of our business is done.

0:50:340:50:36

Are you going to drive straight off to Birmingham, or...?

0:50:360:50:39

What if I said, er, "All right, I'll stay"?

0:50:450:50:49

After what I just said.

0:50:490:50:50

Then that would be all right.

0:50:560:50:58

You talk about "damage". The damage not yet done.

0:51:030:51:06

You don't think half of London already thinks

0:51:060:51:08

that I am fucking a racketeer?

0:51:080:51:10

Laughing about it. Laying bets on when you'll steal the silver.

0:51:110:51:14

You think your people are ruthless? Try mine.

0:51:170:51:19

So that is why you carry on, eh?

0:51:230:51:26

Because you can't back down.

0:51:260:51:28

Amongst many other illogical reasons.

0:51:300:51:33

So will you drive straight off, or?

0:51:370:51:39

I haven't got any petrol in the garage.

0:51:390:51:41

I have some cans of petrol in the car.

0:51:460:51:47

Good. So you can go.

0:51:470:51:49

They look happy in there, eh?

0:52:190:52:20

And why wouldn't they be?

0:52:220:52:23

Who is she?

0:52:370:52:38

Someone who's sailing away.

0:52:400:52:42

So let her sail.

0:52:520:52:53

You've told me about her. Like a gentleman.

0:52:560:52:58

Now kindly behave like a gangster again.

0:52:580:53:00

Feel sorry for me. It's fine.

0:53:050:53:07

Because your horse will come fifth or sixth.

0:53:180:53:20

But I will win you.

0:53:220:53:24

Mr Shelby is just parking his car.

0:53:320:53:34

He said for you to wait in here.

0:53:340:53:36

Isn't this is impressive?

0:53:410:53:43

And what is it you exactly do here?

0:53:440:53:46

I exactly am a secretary to Mr Shelby.

0:53:480:53:52

A secretary! My, my, my!

0:53:520:53:55

All that paperwork.

0:53:550:53:57

Do you want tea?

0:53:590:54:01

No.

0:54:010:54:02

I keep everything locked up, Mr Campbell. Everything of value.

0:54:480:54:52

Take a seat.

0:55:000:55:02

HE CLEARS THROAT

0:55:020:55:03

How is your company treasurer, Polly?

0:55:070:55:09

Why do you ask?

0:55:110:55:13

Oh. Just give her my regards.

0:55:130:55:15

Ah!

0:55:190:55:20

You like to play with fire, don't you, Mr Shelby?

0:55:260:55:30

Yesterday,

0:55:330:55:34

in Belgravia,

0:55:340:55:36

Field Marshall Russell's house was burnt out.

0:55:360:55:39

An incendiary device was put through his letter box.

0:55:390:55:42

Which means

0:55:420:55:44

that he will have to find somewhere else to live

0:55:450:55:47

for at least the next three months.

0:55:470:55:49

Which also means that your plan for me to break in and shoot him

0:55:520:55:56

in his bed is no longer an operational possibility.

0:55:560:55:59

Indeed, but if you think a wee burn frees you from your obligations,

0:55:590:56:04

think again...

0:56:040:56:05

I will keep my side of the bargain.

0:56:050:56:08

Oh, by God, you will.

0:56:080:56:09

I will shoot your Field Marshal.

0:56:090:56:10

But I will do it in a way that serves my purpose.

0:56:100:56:13

The only purpose is MY purpose.

0:56:130:56:15

I will carry out the assassination at a place of my choosing.

0:56:150:56:18

Listen to me.

0:56:200:56:21

All operational detail must be mutually agreed.

0:56:220:56:25

I am a soldier of experience and I will determine where and when...

0:56:250:56:29

Now, that man has 24-hour armed police protection.

0:56:290:56:32

Your plan was full of holes, Mr Campbell.

0:56:320:56:34

My plan was mutually agreed!

0:56:340:56:35

And now your plan is up in smoke!

0:56:350:56:38

And I have formulated the only viable alternative.

0:56:380:56:40

For God's sake. What do you mean?

0:56:400:56:43

How would you get to him?

0:56:440:56:46

I won't.

0:56:480:56:50

He'll come to me.

0:56:500:56:51

Now listen to me, Mr Shelby.

0:56:550:56:57

When this meeting is concluded

0:56:570:56:59

I must report directly to Mr Winston Churchill.

0:56:590:57:04

Your relationship with Mr Churchill is not my concern.

0:57:040:57:08

And Mr Winston Churchill will need to hear details.

0:57:080:57:13

Well, you tell him he'll have to trust me.

0:57:130:57:15

Look, Mr Campbell, I will carry out my mission.

0:57:200:57:23

-Good. Good.

-But I will do it in a place where it will be impossible

0:57:260:57:30

for you or your men to have me shot afterwards.

0:57:300:57:33

Because that was your plan, eh?

0:57:350:57:39

Coppers front and back. No way out.

0:57:390:57:41

Me shot dead, dumped in the Thames.

0:57:410:57:44

I will do the killing,

0:57:440:57:46

but in a place where that will not be an option.

0:57:460:57:48

I have recently become a racehorse owner, Mr Campbell.

0:57:510:57:54

It's, er...

0:57:590:58:00

Well, perhaps you can guess which one is my horse.

0:58:020:58:05

HE COUGHS

0:58:050:58:06

Where and when?

0:58:230:58:25

Epsom.

0:58:270:58:28

Derby day.

0:58:290:58:30

MUSIC: Red Right Hand by Nick Cave and the Bad Seeds

0:58:320:58:35

# On a gathering storm comes a tall handsome man

0:58:480:58:52

# In a dusty black coat with a red right hand... #

0:58:520:58:57

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