Browse content similar to Episode 6. Check below for episodes and series from the same categories and more!
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Frannie, I love you. | 0:00:02 | 0:00:03 | |
I'd no sooner turn you away, thug of a boyfriend or not, | 0:00:03 | 0:00:06 | |
than I'd turn bloody criminal myself. | 0:00:06 | 0:00:08 | |
Stop! Police! | 0:00:08 | 0:00:09 | |
I love you! | 0:00:09 | 0:00:11 | |
I'm out in a week! What have you done? | 0:00:11 | 0:00:14 | |
I'm applying to become a foster carer to Lou and Sean's little boy. | 0:00:14 | 0:00:18 | |
This is family day. | 0:00:18 | 0:00:19 | |
You're more interested in flirting with the chaplain. | 0:00:19 | 0:00:22 | |
It's my fault, you know, why he's here. | 0:00:22 | 0:00:24 | |
You let me smoke more and more and you let me slip away. | 0:00:25 | 0:00:29 | |
You don't have to worry about the business. | 0:00:29 | 0:00:33 | |
-You talked to the police? -Told them where I threw the gun. | 0:00:34 | 0:00:37 | |
This afternoon on Thornbury Moor we found a gun. | 0:00:37 | 0:00:38 | |
ANDY: Someone's been talking. | 0:00:38 | 0:00:40 | |
You know what you're like, Gem. You can get confused. | 0:00:40 | 0:00:43 | |
And people, they can make you do things that you don't want to do. | 0:00:43 | 0:00:45 | |
With your witness statement, we can build a strong case. | 0:00:45 | 0:00:48 | |
Hi, Gemma. | 0:00:48 | 0:00:50 | |
Andy's here. He must know what I've done. | 0:00:50 | 0:00:51 | |
Andy doesn't know anything. | 0:00:51 | 0:00:52 | |
Andy, I know who the grass is. It's Gemma. | 0:00:52 | 0:00:56 | |
POWER TOOL WHIRRING | 0:01:01 | 0:01:03 | |
WHIRRING | 0:01:04 | 0:01:06 | |
-GRUNTS -There we are. | 0:01:09 | 0:01:12 | |
One mess sorted. | 0:01:13 | 0:01:15 | |
ANDY GRUNTS | 0:01:18 | 0:01:21 | |
Put t'kettle on. | 0:01:22 | 0:01:24 | |
SPOON CLINKS | 0:01:26 | 0:01:27 | |
-Does Steve know you're here? Here you go. -Yeah, course. | 0:01:30 | 0:01:34 | |
Share the profits, share the problems. | 0:01:34 | 0:01:36 | |
You didn't mean to become a problem, did you, Gem? | 0:01:38 | 0:01:41 | |
Don't know what you mean. | 0:01:43 | 0:01:45 | |
-SNORTS -I think you do. | 0:01:45 | 0:01:47 | |
And so does Steve. | 0:01:48 | 0:01:50 | |
You see, I reckon you've got a bit... | 0:01:50 | 0:01:53 | |
..bit confused. | 0:01:54 | 0:01:56 | |
I mean, look around. | 0:01:56 | 0:01:57 | |
All this, your cream carpets, | 0:01:59 | 0:02:03 | |
your fitted kitchen, | 0:02:03 | 0:02:05 | |
lovely little nursery. | 0:02:05 | 0:02:07 | |
It's why Steve works so hard, in't it? | 0:02:07 | 0:02:10 | |
For you. | 0:02:10 | 0:02:11 | |
Whatever happened, whatever you got Steve involved in, he's not like you. | 0:02:11 | 0:02:15 | |
Then how come he's the one up for murder? | 0:02:15 | 0:02:17 | |
So, what did Steve tell you? | 0:02:20 | 0:02:21 | |
A fight in a pub? A little scam that got out of hand? | 0:02:22 | 0:02:26 | |
Do you want to know what really happened? | 0:02:28 | 0:02:32 | |
Business partner. | 0:02:34 | 0:02:35 | |
Developed a conscience. Threatened to talk. | 0:02:37 | 0:02:39 | |
So, Steve dealt with him. | 0:02:41 | 0:02:43 | |
No-one likes a grass. | 0:02:46 | 0:02:49 | |
Nah, bit gruesome. | 0:02:59 | 0:03:01 | |
Even for me. | 0:03:03 | 0:03:05 | |
Steve's desperate to be a dad, in't he? | 0:03:06 | 0:03:08 | |
You know what you've got to do. | 0:03:23 | 0:03:25 | |
-GEMMA: I want to withdraw my statement. -What? | 0:03:28 | 0:03:32 | |
I want to take it back. And if you don't let me, | 0:03:32 | 0:03:34 | |
I'll refuse to go into court. | 0:03:34 | 0:03:36 | |
-You can't do that. -Yeah, I can. | 0:03:36 | 0:03:38 | |
Has someone threatened you? | 0:03:38 | 0:03:40 | |
Andy? Did he tell you to do this? | 0:03:41 | 0:03:44 | |
When did this happen? This morning? | 0:03:48 | 0:03:50 | |
SIRENS WAILING IN DISTANCE | 0:03:50 | 0:03:52 | |
-Come with me. -No! | 0:03:56 | 0:03:57 | |
Don't argue. Come with me now. | 0:03:57 | 0:03:59 | |
What? What? I'm not going anywhere! | 0:03:59 | 0:04:02 | |
You understand a part of my job is to work out how we can protect you? | 0:04:47 | 0:04:51 | |
Because Andy, Steve, have found out what you've done, it changes things. | 0:04:53 | 0:04:57 | |
Everything. | 0:04:58 | 0:04:59 | |
STARTS CAR | 0:05:05 | 0:05:08 | |
Keep down. | 0:05:14 | 0:05:15 | |
GEMMA: Where are you taking me? | 0:05:18 | 0:05:20 | |
-HUNTER: -Somewhere temporary. | 0:05:20 | 0:05:22 | |
Somewhere secure for people like you. | 0:05:24 | 0:05:26 | |
GEMMA: People like me? | 0:05:26 | 0:05:28 | |
-HUNTER: -Vulnerable witnesses. | 0:05:28 | 0:05:31 | |
How long am I supposed to stay here for? | 0:05:31 | 0:05:33 | |
Just while we set up the witness protection. | 0:05:33 | 0:05:36 | |
You really think this is what I should do? | 0:05:36 | 0:05:39 | |
I want you to be safe. | 0:05:39 | 0:05:40 | |
And you wouldn't be on your own. | 0:05:42 | 0:05:44 | |
We have specialist officers to help. | 0:05:44 | 0:05:47 | |
Rehouse you. Find you a job. | 0:05:48 | 0:05:51 | |
-If and when. -And when do I get to move back? | 0:05:51 | 0:05:53 | |
What? | 0:05:53 | 0:05:55 | |
Will it be after the trial? | 0:05:55 | 0:05:57 | |
Gemma, this... | 0:05:57 | 0:05:59 | |
..this isn't just until the trial. | 0:06:02 | 0:06:04 | |
I really wish it was. | 0:06:04 | 0:06:06 | |
But, Andy...men like him, they have long memories. | 0:06:07 | 0:06:13 | |
This is about starting again. | 0:06:15 | 0:06:17 | |
I'm sorry. | 0:06:18 | 0:06:20 | |
If you choose this... | 0:06:21 | 0:06:24 | |
..this is for ever. | 0:06:25 | 0:06:28 | |
DOOR SHUTS | 0:06:35 | 0:06:37 | |
LOU: He's there, look. | 0:06:44 | 0:06:46 | |
-He's there! -Hey! | 0:06:46 | 0:06:48 | |
Come here! Oh! Oh! | 0:06:48 | 0:06:51 | |
All right? | 0:06:58 | 0:07:00 | |
Yeah. Yeah, are you? | 0:07:02 | 0:07:05 | |
Ah, come on. | 0:07:05 | 0:07:07 | |
Hey, it's all right, it's all right. | 0:07:07 | 0:07:09 | |
I'm out now. | 0:07:09 | 0:07:11 | |
Shh. | 0:07:11 | 0:07:13 | |
-Why are you crying, Mum? -I'm just being stupid. | 0:07:13 | 0:07:15 | |
My turn next. | 0:07:15 | 0:07:18 | |
Hey, don't even think about it, all right? All right? | 0:07:18 | 0:07:22 | |
Hey, you know what we're gonna have? | 0:07:22 | 0:07:25 | |
48 hours of fun. | 0:07:25 | 0:07:27 | |
Me, you and him, yeah? Yeah? Come here. Come on. | 0:07:27 | 0:07:30 | |
Oh! | 0:07:30 | 0:07:33 | |
Mwah! | 0:07:33 | 0:07:35 | |
SHE SIGHS | 0:07:38 | 0:07:40 | |
SHE CHUCKLES: Sexy. | 0:07:40 | 0:07:42 | |
Took my kecks, shoes, telly. | 0:07:42 | 0:07:45 | |
Plus two days in seg. | 0:07:45 | 0:07:47 | |
-You don't look that upset about it. -I'm not. | 0:07:47 | 0:07:50 | |
-But the block? -Mum, it's all right. | 0:07:50 | 0:07:53 | |
No, it's not. Oh, Gavin, that... that must have been dreadful. | 0:07:53 | 0:07:57 | |
-Are... Are you back in your cell now? -Yeah, I'm back on the wing. | 0:07:57 | 0:08:01 | |
Good. | 0:08:01 | 0:08:03 | |
Family day. | 0:08:05 | 0:08:06 | |
-Mum, you don't have to... -No, I do. I do have to. | 0:08:06 | 0:08:08 | |
Because that's the problem, isn't it? | 0:08:08 | 0:08:11 | |
I don't say the things that need to be said. | 0:08:11 | 0:08:13 | |
I...I've made a few notes and... | 0:08:16 | 0:08:19 | |
key...key words. | 0:08:19 | 0:08:21 | |
I...I want to tell you this and I want to get it right. | 0:08:21 | 0:08:24 | |
You were right. | 0:08:28 | 0:08:29 | |
Of course I knew what was going on in your room | 0:08:31 | 0:08:34 | |
and...and I knew you were getting worse. | 0:08:34 | 0:08:36 | |
-Mm. Mm. -Smoking more. | 0:08:36 | 0:08:39 | |
I...I think sometimes I just... | 0:08:40 | 0:08:44 | |
I don't want to see things. | 0:08:45 | 0:08:47 | |
I'm a coward, Gavin. | 0:08:50 | 0:08:53 | |
I wasn't always, but when... | 0:08:53 | 0:08:55 | |
when your dad died, I...I was just so... | 0:08:55 | 0:08:59 | |
so angry. | 0:08:59 | 0:09:01 | |
Just so unfair that he could leave us. | 0:09:01 | 0:09:03 | |
-Mum. -No, no. | 0:09:03 | 0:09:05 | |
And... And of course you grew up. | 0:09:05 | 0:09:08 | |
You'd changed, want...wanted different things. | 0:09:08 | 0:09:11 | |
And I... | 0:09:11 | 0:09:13 | |
I couldn't cope with it. | 0:09:15 | 0:09:17 | |
I wanted you to stay my sweet, sweet little boy... | 0:09:19 | 0:09:23 | |
...who would never grow up... | 0:09:25 | 0:09:28 | |
SHE SOBS | 0:09:28 | 0:09:30 | |
..and who would never leave me. | 0:09:33 | 0:09:35 | |
And... And I damaged you. | 0:09:38 | 0:09:41 | |
And I am sorry. | 0:09:44 | 0:09:46 | |
SHE SIGHS AND SNIFFS | 0:09:48 | 0:09:51 | |
Mum, I forgive you. | 0:09:57 | 0:10:00 | |
You're forgiven. | 0:10:04 | 0:10:05 | |
PAUL: Good news, Frannie. Dubai. | 0:10:10 | 0:10:13 | |
A little investment opportunity. It looks like it's paying off. | 0:10:13 | 0:10:16 | |
Means there'll be some money coming through for you. | 0:10:16 | 0:10:18 | |
Oh, thank God. | 0:10:18 | 0:10:21 | |
I can almost smell it, Frannie. | 0:10:21 | 0:10:23 | |
So, when's it coming? Cos I don't want my dad answering the door. | 0:10:23 | 0:10:26 | |
It won't be special delivery this time. You'll have to pick it up. | 0:10:26 | 0:10:31 | |
I'm not doing that. | 0:10:31 | 0:10:33 | |
Why not? You were the one that wanted me to let you in. | 0:10:33 | 0:10:36 | |
Yeah, but not like this. | 0:10:36 | 0:10:38 | |
Princess Francesca in her ivory tower. Hm? | 0:10:38 | 0:10:42 | |
Listen, sweetheart. | 0:10:42 | 0:10:44 | |
I know it's not ideal. | 0:10:44 | 0:10:46 | |
But I don't have a choice. | 0:10:46 | 0:10:48 | |
Half my crew's out of the country and the rest... | 0:10:48 | 0:10:52 | |
If you want the money, you're gonna have to go and get it. | 0:10:52 | 0:10:55 | |
You'll get a call. | 0:10:56 | 0:10:58 | |
-PRISON OFFICER: -Time's up, ladies and gentlemen. | 0:10:58 | 0:11:01 | |
-Somebody's had a good visit. -Have they? | 0:11:05 | 0:11:09 | |
Oh, me! Yes, yes, I have. | 0:11:09 | 0:11:11 | |
In... In fact, well, we...we both have. | 0:11:11 | 0:11:15 | |
I think we've finally turned a corner. | 0:11:15 | 0:11:17 | |
Well, that's very encouraging. | 0:11:17 | 0:11:19 | |
Yes. Yes. | 0:11:19 | 0:11:22 | |
In fact, life seems to be a lot more interesting, all of a sudden. | 0:11:22 | 0:11:25 | |
In what way? | 0:11:25 | 0:11:27 | |
Well, I...I've actually become a foster carer | 0:11:27 | 0:11:30 | |
to a little boy that I've met through the prison. | 0:11:30 | 0:11:32 | |
-Really? -Yeah. | 0:11:32 | 0:11:34 | |
-Goodness! That's... That's marvellous, Harriet. -Yeah. | 0:11:34 | 0:11:38 | |
I spend so much of my time telling people | 0:11:38 | 0:11:40 | |
that life can be full of hope even in the darkest hours, | 0:11:40 | 0:11:43 | |
but when you actually hear something like that... | 0:11:43 | 0:11:46 | |
I don't suppose you're free tomorrow morning? | 0:11:46 | 0:11:49 | |
Um...I...I don't think I've... | 0:11:49 | 0:11:51 | |
-No. No, I'm free. -Excellent. | 0:11:52 | 0:11:56 | |
-Mother and carer support meeting? -Mm. | 0:11:56 | 0:11:59 | |
I think you could be quite an inspiration. | 0:11:59 | 0:12:02 | |
Oh, thank you. | 0:12:02 | 0:12:04 | |
LOU: There she is. | 0:12:11 | 0:12:13 | |
We're gonna have fun at Harriet's, aren't we? Yeah? | 0:12:15 | 0:12:17 | |
Yeah? | 0:12:17 | 0:12:19 | |
-A bit of footy when we get back, mate? -Yeah! | 0:12:19 | 0:12:22 | |
Your carriage awaits! Ha-ha! | 0:12:22 | 0:12:24 | |
Sean, this is Harriet. Harriet, this is Sean. | 0:12:24 | 0:12:26 | |
-Hi. You all right? -Hello! | 0:12:26 | 0:12:28 | |
It's so lovely to finally meet you. | 0:12:28 | 0:12:31 | |
Now, who wants to sit in the front with me? How about you, Mason, eh? | 0:12:31 | 0:12:35 | |
It's... It's all right. We can squeeze in. | 0:12:35 | 0:12:37 | |
I was thinking a...a welcome-home dinner. | 0:12:42 | 0:12:46 | |
How about your favourite, Mason? | 0:12:46 | 0:12:48 | |
Fish pie? Yeah? | 0:12:48 | 0:12:51 | |
SHE SIGHS | 0:13:01 | 0:13:02 | |
What's up with you? | 0:13:14 | 0:13:16 | |
Been like a caged bloody tiger since you got back. | 0:13:16 | 0:13:19 | |
CROCKERY CLINKING | 0:13:19 | 0:13:22 | |
-His Lordship upset you? -No. | 0:13:23 | 0:13:27 | |
Then what's with the tenterhooks? | 0:13:27 | 0:13:29 | |
Planning something, is he? | 0:13:34 | 0:13:35 | |
Yeah, that's right, Dad, yeah. | 0:13:35 | 0:13:37 | |
He's planning to dig his way out tonight with a teaspoon. | 0:13:37 | 0:13:41 | |
PH0NE VIBRATES | 0:13:41 | 0:13:42 | |
PHONE VIBRATES | 0:13:45 | 0:13:47 | |
Hello? | 0:13:47 | 0:13:48 | |
Yeah. | 0:13:49 | 0:13:50 | |
Where? | 0:13:53 | 0:13:54 | |
And how...how will I know how to... | 0:13:57 | 0:13:59 | |
OK. I'll see you there. | 0:14:02 | 0:14:05 | |
Frannie. Whatever he's asked you to do, don't. | 0:14:06 | 0:14:09 | |
Hey, you're not taking my car. Francesca! | 0:14:12 | 0:14:15 | |
Francesca. | 0:14:20 | 0:14:22 | |
Francesca. | 0:14:22 | 0:14:24 | |
Right, Mason, on your head like we practised, yeah? | 0:14:32 | 0:14:35 | |
-OK, OK. -On your tod. | 0:14:35 | 0:14:36 | |
THEY CHEER AND LAUGH | 0:14:36 | 0:14:38 | |
-No! -Right, come on, Mason! | 0:14:40 | 0:14:42 | |
SQUEALS AND SHOUTS | 0:14:42 | 0:14:45 | |
CHEERING | 0:14:45 | 0:14:47 | |
Very good! | 0:14:48 | 0:14:51 | |
CHEERING And she scores! | 0:14:53 | 0:14:55 | |
All right, come on, mate! | 0:15:10 | 0:15:12 | |
-In there. -OK. | 0:15:12 | 0:15:15 | |
-BALL BOUNCES -Oh, really good! | 0:15:15 | 0:15:17 | |
-Come on! Come on! -Hand ball! | 0:15:17 | 0:15:20 | |
SEAN: Right. Right, come on, mate. | 0:15:20 | 0:15:23 | |
-Are you all right? -Yes, yes, I'm fine. | 0:15:23 | 0:15:26 | |
Come outside, have a kick-about. Mason's knackering me out. | 0:15:26 | 0:15:30 | |
No, no, you're all right. I've just got to do this. | 0:15:30 | 0:15:32 | |
SEAN: Three, two, one! | 0:15:33 | 0:15:36 | |
Hey, go on! | 0:15:36 | 0:15:38 | |
Is it weird? You know. | 0:15:39 | 0:15:41 | |
Us all being here together. | 0:15:41 | 0:15:44 | |
No, no, it's fine. | 0:15:44 | 0:15:46 | |
-SHE CHUCKLES -Ah. | 0:15:47 | 0:15:50 | |
-LOU CHUCKLES -Ah. | 0:15:50 | 0:15:52 | |
Hm. | 0:15:52 | 0:15:54 | |
Ever had this thing? | 0:16:00 | 0:16:02 | |
Like a clock in your head. | 0:16:02 | 0:16:05 | |
And...you can almost hear it. | 0:16:05 | 0:16:08 | |
-Counting down. -Oh, no. | 0:16:08 | 0:16:10 | |
No, I'm all right. I just... | 0:16:10 | 0:16:12 | |
I'm just not thinking about it. | 0:16:12 | 0:16:14 | |
Oh. | 0:16:14 | 0:16:16 | |
I know I'm going to prison in a couple of days and it's... | 0:16:16 | 0:16:20 | |
that's it. | 0:16:20 | 0:16:23 | |
It's all over. | 0:16:23 | 0:16:25 | |
But, right now, I...I'm just... I'm going to enjoy myself, yeah? | 0:16:27 | 0:16:32 | |
Yes, you should. | 0:16:32 | 0:16:34 | |
So should you, Harriet. | 0:16:34 | 0:16:36 | |
I'm not telling you how to live or owt. | 0:16:38 | 0:16:39 | |
But it's like you're always behind the window | 0:16:39 | 0:16:42 | |
watching other people have fun. | 0:16:42 | 0:16:45 | |
You should get out more. | 0:16:46 | 0:16:49 | |
-SHE SNORTS -Make the most of yourself. | 0:16:49 | 0:16:51 | |
You've got a lovely figure for your age. | 0:16:51 | 0:16:54 | |
You just need a...a bit of make-up. | 0:16:54 | 0:16:56 | |
And, well, you could wear it up or summat. | 0:16:56 | 0:16:59 | |
It's a big world out there. | 0:17:01 | 0:17:03 | |
One life. | 0:17:05 | 0:17:08 | |
You need to live it. | 0:17:10 | 0:17:11 | |
Don't be scared. | 0:17:13 | 0:17:15 | |
Just...take your chances. | 0:17:21 | 0:17:23 | |
ON TANNOY: 'Will passengers Smith and Sefton | 0:17:30 | 0:17:32 | |
'make their way to Gate 4, please. | 0:17:32 | 0:17:35 | |
'The flight is now closing. | 0:17:35 | 0:17:37 | |
'Will passengers Smith and Sefton make their way to Gate 4. | 0:17:37 | 0:17:42 | |
'May we remind you that smoking is not permitted | 0:18:17 | 0:18:19 | |
'anywhere in the terminal building.' | 0:18:19 | 0:18:22 | |
I had a good holiday. | 0:18:41 | 0:18:44 | |
-So, how about a hug? -Yeah. | 0:18:44 | 0:18:47 | |
-Are you OK? -Absolutely. | 0:18:52 | 0:18:55 | |
-I'm just gonna pop to the loo. -Yeah, all right. | 0:18:55 | 0:18:57 | |
I'll see you in a bit. | 0:18:57 | 0:18:58 | |
SHE GASPS | 0:19:04 | 0:19:07 | |
Oh! Ha-ha-ha! | 0:19:16 | 0:19:18 | |
Oh. Oh. | 0:19:20 | 0:19:22 | |
KNOCKING ON DOOR | 0:19:44 | 0:19:46 | |
Sorry, might be a bit cold. Shall I put 'em here? | 0:19:57 | 0:19:59 | |
If you want. | 0:19:59 | 0:20:01 | |
-What, are you not hungry? -No, I'm not anything. | 0:20:03 | 0:20:07 | |
I feel disgusting and tired. | 0:20:07 | 0:20:08 | |
I want to get out of here. | 0:20:08 | 0:20:11 | |
-I want to go home. -Well, I wouldn't advise that. | 0:20:11 | 0:20:14 | |
I don't care what you advise, cos it's not about you. | 0:20:14 | 0:20:17 | |
I'm not doing it, your witness protection. | 0:20:17 | 0:20:20 | |
I'm gonna talk to Andy, | 0:20:20 | 0:20:21 | |
tell him I'll withdraw my statement, sort it all out. | 0:20:21 | 0:20:25 | |
-Gemma, I understand... -No. | 0:20:25 | 0:20:27 | |
No, you don't. You don't understand and you keep telling me you do. | 0:20:27 | 0:20:30 | |
You keep saying, "Gemma, I understand, it's OK", | 0:20:30 | 0:20:33 | |
-in your stupid policeman's voice. -Well, it's the only one I've got. | 0:20:33 | 0:20:36 | |
It's not funny! | 0:20:36 | 0:20:37 | |
I am sick to death of men telling me what to do, what to think! | 0:20:38 | 0:20:42 | |
-You need to calm down. -Stop telling me what to do! | 0:20:42 | 0:20:45 | |
I'm about to become a mother. | 0:20:45 | 0:20:48 | |
A single mother, thanks to you. | 0:20:48 | 0:20:50 | |
You're stood there telling me I can't see my friends, | 0:20:52 | 0:20:55 | |
my foster mum, ever again. | 0:20:55 | 0:20:57 | |
I've always done what I'm told. D'you know that? | 0:20:59 | 0:21:02 | |
Good little Gemma. | 0:21:02 | 0:21:04 | |
Where's that got me, eh? | 0:21:04 | 0:21:06 | |
Why should I listen to you? | 0:21:10 | 0:21:12 | |
You came to me. You came to me and asked me for help. | 0:21:14 | 0:21:18 | |
Yeah, and you promised you'd protect me. | 0:21:18 | 0:21:20 | |
Why should I trust anything you say? | 0:21:20 | 0:21:23 | |
-All you care about is your case. -Now, that's not true. | 0:21:27 | 0:21:30 | |
-Oh, isn't it? -No. | 0:21:30 | 0:21:32 | |
You're married. | 0:21:32 | 0:21:34 | |
If your wife saw something, what would you say to her? | 0:21:34 | 0:21:37 | |
Would you tell her to go to the police? | 0:21:37 | 0:21:39 | |
Or would you say, "Keep quiet, keep your head down, | 0:21:39 | 0:21:42 | |
"otherwise your life will turn to shit"? | 0:21:42 | 0:21:44 | |
I'm sorry. | 0:21:45 | 0:21:46 | |
Leave me alone. I'm sick of this. I'm tired. | 0:21:46 | 0:21:50 | |
I haven't got any of my stuff. You've taken my phone, my purse. | 0:21:50 | 0:21:53 | |
-I haven't even got any clean knickers! -Gemma. | 0:21:53 | 0:21:56 | |
No! Get out of here! Else I am walking out! | 0:21:56 | 0:21:58 | |
-Right, I'll get you some. -What? | 0:21:58 | 0:22:00 | |
What size are you? What do you want? | 0:22:00 | 0:22:02 | |
Medium or... | 0:22:02 | 0:22:05 | |
I'll get them in the morning, then we'll talk. OK? | 0:22:06 | 0:22:10 | |
Just promise me you won't leave. | 0:22:10 | 0:22:13 | |
Gemma. | 0:22:14 | 0:22:15 | |
Size eight. | 0:22:17 | 0:22:19 | |
Try and get some rest. | 0:22:20 | 0:22:22 | |
DOOR SHUTS | 0:22:26 | 0:22:28 | |
FRANCESCA: Dinner time! | 0:22:28 | 0:22:30 | |
Oh, nice one, Mum. You got any tommy K? | 0:22:32 | 0:22:34 | |
Yeah, it's in that one. | 0:22:34 | 0:22:35 | |
I got you a large chips cos I knew you wouldn't want the fish. | 0:22:35 | 0:22:38 | |
-Thanks, Mum. -All right. -Frannie? -Dad. | 0:22:38 | 0:22:42 | |
-I'm really sorry about the car. -I...I shouldn't have... | 0:22:42 | 0:22:46 | |
I don't give a shit about the car. | 0:22:46 | 0:22:48 | |
What's in your bag? | 0:22:50 | 0:22:52 | |
Drugs? | 0:22:54 | 0:22:55 | |
Don't be ridiculous! | 0:22:55 | 0:22:57 | |
Can you go and take your dinner to the other room, please? | 0:22:59 | 0:23:02 | |
How dare you say that in front of them? | 0:23:10 | 0:23:13 | |
Not drugs. Must be money, then. | 0:23:13 | 0:23:15 | |
Listen to me. I don't want that in my house. | 0:23:16 | 0:23:20 | |
It's unearned and it's evil. | 0:23:20 | 0:23:22 | |
I'm gonna go and feed my kids. | 0:23:25 | 0:23:27 | |
And obviously, with Dad's business picking up, | 0:23:30 | 0:23:33 | |
it means there's gonna be a few changes. | 0:23:33 | 0:23:35 | |
What do you mean, changes? | 0:23:35 | 0:23:37 | |
I'm going to start looking at some rental properties. | 0:23:37 | 0:23:39 | |
Check out those new apartments | 0:23:39 | 0:23:41 | |
-Got a gym complex in the basement. -Oh? | 0:23:41 | 0:23:43 | |
So, we're moving? | 0:23:43 | 0:23:46 | |
Well, I think it's about time | 0:23:46 | 0:23:48 | |
that we got out from under Granddad's feet. | 0:23:48 | 0:23:50 | |
Dad, why don't you have a drink instead of just sitting there glaring? | 0:23:51 | 0:23:57 | |
Doesn't agree with me. | 0:23:58 | 0:24:00 | |
-More fizz, Matt? -Right to the top, Ma. | 0:24:02 | 0:24:05 | |
I think the lad's had enough. | 0:24:05 | 0:24:08 | |
D'you know, I am sick of this. | 0:24:08 | 0:24:10 | |
This is the first bit of good news I've had in months, | 0:24:10 | 0:24:13 | |
and you...you're too much of a... | 0:24:13 | 0:24:14 | |
-of a miserable old man to celebrate. -Mum. | 0:24:14 | 0:24:18 | |
Celebrate? | 0:24:18 | 0:24:20 | |
Get your coat. | 0:24:22 | 0:24:25 | |
Don't talk to me like that. | 0:24:25 | 0:24:27 | |
Get your coat! | 0:24:27 | 0:24:29 | |
Remember that place? | 0:24:34 | 0:24:36 | |
Your little pal from school, the redhead, she used to live there. | 0:24:36 | 0:24:40 | |
-Amy. -Amy. | 0:24:40 | 0:24:43 | |
Corner plot. Big veg garden. | 0:24:43 | 0:24:46 | |
Her dad used to give your mum stuff when he had a glut. | 0:24:46 | 0:24:49 | |
Found her body there, a couple of months back. | 0:24:51 | 0:24:54 | |
Young mum left her kiddie, came here for a fix. Never made it home. | 0:24:55 | 0:24:59 | |
All right, Dad. | 0:24:59 | 0:25:01 | |
-Spreads like a cancer, see. -MAN: -Yes, all right, I know! | 0:25:01 | 0:25:04 | |
No-one wants to live next door to a load of junkies. | 0:25:04 | 0:25:07 | |
You know what you need to understand? | 0:25:07 | 0:25:09 | |
I don't make them take drugs. I don't make them become addicts. | 0:25:09 | 0:25:12 | |
You know, it's their choice. | 0:25:12 | 0:25:14 | |
And Paul's more than happy to help 'em. | 0:25:14 | 0:25:16 | |
Yeah, well, if it weren't Paul it'd be someone else. | 0:25:16 | 0:25:20 | |
Oh, don't look at me like that, Dad. | 0:25:20 | 0:25:23 | |
Remember what you said? You said that you'd love me no matter what. | 0:25:25 | 0:25:28 | |
That's what you said. | 0:25:28 | 0:25:30 | |
Oh, well, I am sorry I am such a disappointment to you! | 0:25:33 | 0:25:36 | |
You know, not the daughter you wanted. | 0:25:36 | 0:25:38 | |
And I wish... God, I wish I could be happy with what you've got, | 0:25:38 | 0:25:42 | |
but this isn't enough for me! | 0:25:42 | 0:25:45 | |
Then you're a criminal. | 0:25:45 | 0:25:47 | |
No better than him. | 0:25:47 | 0:25:49 | |
SHOWER ON | 0:26:03 | 0:26:05 | |
SHE SIGHS | 0:26:30 | 0:26:32 | |
GASPING | 0:26:39 | 0:26:41 | |
GASPING | 0:26:47 | 0:26:49 | |
Oh. Ooh. | 0:26:52 | 0:26:54 | |
PUFFING AND BLOWING | 0:27:01 | 0:27:04 | |
GLASS SMASHES Argh! | 0:27:10 | 0:27:12 | |
Aah! | 0:27:12 | 0:27:15 | |
Oh! | 0:27:15 | 0:27:17 | |
No! No! | 0:27:18 | 0:27:20 | |
SCREAMING | 0:27:24 | 0:27:26 | |
GEMMA GASPING | 0:27:29 | 0:27:31 | |
GASPING | 0:27:44 | 0:27:46 | |
GASPING | 0:27:59 | 0:28:01 | |
Police. Police! | 0:28:06 | 0:28:07 | |
GROANING | 0:28:07 | 0:28:10 | |
GASPING | 0:28:10 | 0:28:12 | |
No! | 0:28:14 | 0:28:16 | |
-MAN: -Hello? Hello? Caller, stay on the line. | 0:28:22 | 0:28:25 | |
We are tracing your location. Stay on the line. | 0:28:25 | 0:28:28 | |
Gemma? | 0:28:32 | 0:28:33 | |
Area operations control room. | 0:28:53 | 0:28:54 | |
This is DS Hunter. Major incident team. | 0:28:54 | 0:28:57 | |
I want ops on a white female, 22, heavily pregnant. | 0:28:57 | 0:29:02 | |
Last seen near the high street. She may or may not be alone. | 0:29:02 | 0:29:04 | |
And if she is accompanied, | 0:29:04 | 0:29:06 | |
officers need to be aware that that person may be armed. | 0:29:06 | 0:29:09 | |
I need a marked patrol here now. | 0:29:09 | 0:29:11 | |
VEHICLE SOUNDS HORN | 0:29:14 | 0:29:16 | |
POLICE SIREN WAILING | 0:29:22 | 0:29:24 | |
You know what she looks like! Get down to CCTV Control! | 0:29:24 | 0:29:27 | |
She's just made a phone call from a TK in Castlegate! | 0:29:27 | 0:29:31 | |
I want her found now! | 0:29:31 | 0:29:33 | |
SHE GASPS | 0:29:37 | 0:29:39 | |
This is DS Hunter. | 0:29:40 | 0:29:42 | |
I need to make contact, urgent contact, with Highcross Prison. | 0:29:42 | 0:29:45 | |
I want to speak to Prisoner Roscoe. Stephen Roscoe. | 0:29:45 | 0:29:50 | |
Excuse me! Excuse me. Where are the toi...toilets? | 0:29:50 | 0:29:54 | |
At the back over there. | 0:29:54 | 0:29:56 | |
GASPING | 0:30:05 | 0:30:07 | |
# This wonderful | 0:30:07 | 0:30:09 | |
# Wonderful... # | 0:30:09 | 0:30:12 | |
SHE WHIMPERS | 0:30:12 | 0:30:14 | |
GEMMA GASPS | 0:30:31 | 0:30:33 | |
MUSIC PLAYING | 0:30:34 | 0:30:36 | |
FOOTSTEPS | 0:30:36 | 0:30:39 | |
POLICE SIREN WAILING | 0:30:41 | 0:30:43 | |
I need your help, Steve. | 0:30:45 | 0:30:46 | |
Tell me about Andy. | 0:30:46 | 0:30:48 | |
Your mate. | 0:30:50 | 0:30:51 | |
Your pal Andy. He shot at her! | 0:30:51 | 0:30:54 | |
You want to save Gemma? | 0:30:58 | 0:31:00 | |
You want to save your baby? You've got to help me! | 0:31:00 | 0:31:03 | |
I can't. I can't! | 0:31:04 | 0:31:06 | |
We can find him, Steve. | 0:31:06 | 0:31:08 | |
We can trace his phone. | 0:31:08 | 0:31:10 | |
-SIREN WAILING -Tell me his phone number. | 0:31:12 | 0:31:15 | |
# Too weak to break the chains that bind me... # | 0:31:19 | 0:31:22 | |
FOOTSTEPS | 0:31:22 | 0:31:24 | |
# ..I need no shackles to remind me | 0:31:26 | 0:31:31 | |
# I'm just a prisoner of love... # | 0:31:33 | 0:31:39 | |
SHE GROANS | 0:31:39 | 0:31:41 | |
# ..For one command I stand and wait... # | 0:31:41 | 0:31:46 | |
Ah. WATERS BREAK | 0:31:46 | 0:31:48 | |
SHE MOANS | 0:31:49 | 0:31:50 | |
# ..From one who's master of my fate now... # | 0:31:50 | 0:31:55 | |
GASPING | 0:31:55 | 0:31:57 | |
GROANING | 0:31:59 | 0:32:02 | |
Aah! | 0:32:02 | 0:32:04 | |
# ..I'm just a prisoner... # | 0:32:07 | 0:32:10 | |
Aah! | 0:32:10 | 0:32:11 | |
CLATTERING | 0:32:11 | 0:32:12 | |
Oh! Are you all right, love? | 0:32:12 | 0:32:13 | |
# ..What's the good of my caring | 0:32:13 | 0:32:17 | |
# If somebody's sharing those arms... # | 0:32:17 | 0:32:21 | |
Sorry. | 0:32:21 | 0:32:23 | |
# ..Although she has another I can't have another | 0:32:25 | 0:32:31 | |
# For I'm | 0:32:31 | 0:32:34 | |
# Not free | 0:32:34 | 0:32:38 | |
# She's in my dreams | 0:32:38 | 0:32:41 | |
# Awake or sleeping | 0:32:41 | 0:32:46 | |
# Upon my knees to her I'm creeping | 0:32:46 | 0:32:51 | |
# My very life is in her keeping | 0:32:52 | 0:32:58 | |
# I'm just a prisoner | 0:32:58 | 0:33:03 | |
# Of love. # | 0:33:03 | 0:33:05 | |
SCREAMING | 0:33:15 | 0:33:17 | |
Ah! Oh! | 0:33:17 | 0:33:21 | |
DOOR SHUTS | 0:33:21 | 0:33:22 | |
FOOTSTEPS APPROACHING | 0:33:26 | 0:33:28 | |
SOBBING AND SCREAMING | 0:33:31 | 0:33:34 | |
SOBBING | 0:33:39 | 0:33:41 | |
GEMMA GROANS | 0:33:43 | 0:33:45 | |
GEMMA SOBBING | 0:33:47 | 0:33:49 | |
MUFFLED MOANS | 0:33:50 | 0:33:52 | |
GEMMA CRYING | 0:33:54 | 0:33:57 | |
COCKS GUN | 0:34:02 | 0:34:03 | |
SHE GROANS | 0:34:05 | 0:34:07 | |
GEMMA GROANING | 0:34:09 | 0:34:10 | |
LAUGHTER AND CHATTER | 0:34:14 | 0:34:17 | |
What the hell are you doing in here? | 0:34:17 | 0:34:19 | |
Pervert. | 0:34:19 | 0:34:21 | |
GASPING | 0:34:21 | 0:34:23 | |
He wouldn't do that, I tell you. THEY LAUGH | 0:34:25 | 0:34:29 | |
-What's that? -SCREAMING | 0:34:29 | 0:34:32 | |
-What... What's going on? -I don't know! | 0:34:34 | 0:34:36 | |
Is everything all right in there? | 0:34:36 | 0:34:39 | |
Call the police and an ambulance! My baby's coming! | 0:34:39 | 0:34:41 | |
SCREAMS | 0:34:41 | 0:34:43 | |
-Don't move! Armed police! -Armed police! Stay where you are! | 0:34:53 | 0:34:57 | |
Armed police! Hands above your head! | 0:34:57 | 0:34:59 | |
Get down on the floor! Do it! Now! | 0:34:59 | 0:35:02 | |
And put your hands on your head where we can see 'em! | 0:35:02 | 0:35:05 | |
Turn to your right and look at me! | 0:35:05 | 0:35:06 | |
Look at me! Do not move! | 0:35:06 | 0:35:10 | |
-MAN SPEAKING ON RADIO: -Weapon! | 0:35:10 | 0:35:12 | |
-MAN ON RADIO: -Girl's been located. She's unharmed. | 0:35:12 | 0:35:15 | |
Keep looking at me! | 0:35:15 | 0:35:16 | |
Keep looking at me! At me! | 0:35:18 | 0:35:20 | |
Keep looking at me! | 0:35:20 | 0:35:23 | |
Do not do anything! | 0:35:23 | 0:35:25 | |
Oh! Oh! | 0:35:25 | 0:35:27 | |
GASPING | 0:35:27 | 0:35:30 | |
BABY CRYING | 0:35:30 | 0:35:32 | |
CRYING | 0:35:35 | 0:35:37 | |
It's OK, the ambulance is coming. Are you all right? | 0:35:42 | 0:35:46 | |
BABY CRYING | 0:35:46 | 0:35:48 | |
CHAPLAIN: So, I suppose in essence motherhood could be described | 0:35:48 | 0:35:53 | |
as the very definition of sacrifice. | 0:35:53 | 0:35:56 | |
And we each find our own way to cope with that loss | 0:35:57 | 0:36:01 | |
through our...our faith. | 0:36:01 | 0:36:02 | |
Or our friends. | 0:36:02 | 0:36:04 | |
Or...through facing it together. | 0:36:04 | 0:36:08 | |
Now, remember, none of us are alone. | 0:36:09 | 0:36:12 | |
WOMEN APPLAUD | 0:36:12 | 0:36:14 | |
-WOMAN: -Bye, Vicar. | 0:36:16 | 0:36:18 | |
-Yeah, bye-bye. -Bye. | 0:36:18 | 0:36:20 | |
See you next week. Thank you. | 0:36:20 | 0:36:22 | |
You know, that's the one thing they don't tell you at seminary. | 0:36:28 | 0:36:31 | |
What's that? | 0:36:31 | 0:36:32 | |
How tired you can get of the sound of your own voice. | 0:36:32 | 0:36:36 | |
SHE CHUCKLES | 0:36:36 | 0:36:37 | |
-Thanks for coming, by the way. -Oh, that's...that's quite all right. | 0:36:37 | 0:36:40 | |
Thanks for your contribution. | 0:36:40 | 0:36:42 | |
I think the ladies found it very helpful, and maybe next week we... | 0:36:42 | 0:36:45 | |
Mm, mm, mm, mm. | 0:36:45 | 0:36:47 | |
Mm, mm, mm. | 0:36:47 | 0:36:49 | |
-Oh, er...right. -Oh. | 0:36:50 | 0:36:54 | |
-Er... -I'm sorry. | 0:36:54 | 0:36:57 | |
-What... Harriet? SHE SOBS: -I'm sorry. I'm sorry. | 0:36:57 | 0:37:00 | |
-I'm sorry. -Harriet, please don't run away. | 0:37:00 | 0:37:04 | |
Harriet! | 0:37:04 | 0:37:06 | |
Aw. It's like walking into a time warp. | 0:37:08 | 0:37:11 | |
Do you remember, Dad? | 0:37:11 | 0:37:13 | |
We used to play Saturday afternoon after Grandstand. | 0:37:13 | 0:37:17 | |
-Suit yourself. -You look nice, Mum. | 0:37:23 | 0:37:25 | |
Thank you, sweetheart. | 0:37:25 | 0:37:27 | |
CLOCK TICKING, TRAFFIC PASSING | 0:37:27 | 0:37:30 | |
Right. Seeing as I'm getting the silent treatment, | 0:37:32 | 0:37:35 | |
why don't the two of us go off and have some fun? | 0:37:35 | 0:37:38 | |
Idiot. Idiot. Why? Why? | 0:37:50 | 0:37:53 | |
-SHE SOBS: -Why did you think he'd ever want you? | 0:37:53 | 0:37:57 | |
-So stupid! -PHONE RINGS | 0:37:57 | 0:37:59 | |
Oh, shut up! Shut...shut up, shut up! | 0:38:00 | 0:38:04 | |
Shut up, shut up, shut up, shut up! | 0:38:04 | 0:38:07 | |
-VOICE MESSAGE: -'Hello. This is Harriet, er...Allison. | 0:38:07 | 0:38:10 | |
'If you'd like to leave a message | 0:38:10 | 0:38:12 | |
'I'll call you back as soon as possible.' | 0:38:12 | 0:38:14 | |
BEEP | 0:38:14 | 0:38:15 | |
Harriet, it's, er...Ian. | 0:38:15 | 0:38:17 | |
Um...I'm... I'm not entirely sure what happened there. | 0:38:17 | 0:38:22 | |
Or why you ran away. | 0:38:22 | 0:38:24 | |
Um...I'm sorry if I didn't... I didn't respond in... | 0:38:24 | 0:38:27 | |
It...it was quite a... | 0:38:27 | 0:38:29 | |
-Stupid! -'..a shock.' | 0:38:29 | 0:38:31 | |
Not an unpleasant one. Certainly not. | 0:38:31 | 0:38:34 | |
And... | 0:38:34 | 0:38:35 | |
SOBBING | 0:38:35 | 0:38:37 | |
'..what I'd like to say is that I'd... I'd very much...' | 0:38:37 | 0:38:40 | |
like to take you out for...for dinner. | 0:38:40 | 0:38:43 | |
Or, er...a drink. | 0:38:43 | 0:38:45 | |
Or, er... | 0:38:45 | 0:38:48 | |
You know, so, if...if you could call me, | 0:38:48 | 0:38:52 | |
that'd be wonderful. | 0:38:52 | 0:38:55 | |
HARRIET SOBBING | 0:38:55 | 0:38:57 | |
No-one...wants me! | 0:38:57 | 0:39:00 | |
TAPS ON WINDOW | 0:39:02 | 0:39:03 | |
Harriet? | 0:39:03 | 0:39:05 | |
Are you all right? | 0:39:05 | 0:39:07 | |
MUFFLED SOBBING | 0:39:07 | 0:39:09 | |
-No! -Well... | 0:39:09 | 0:39:12 | |
-No. -Why don't you come round? | 0:39:12 | 0:39:15 | |
SHE SOBS | 0:39:15 | 0:39:18 | |
Yeah? | 0:39:18 | 0:39:20 | |
PIPED MUSIC PLAYING | 0:39:20 | 0:39:22 | |
-Do you want pudding? -Oh, you have it, Mum. | 0:39:25 | 0:39:28 | |
Well, why not? Can't always go through life saying no. | 0:39:28 | 0:39:31 | |
PHONE RINGS | 0:39:31 | 0:39:32 | |
Oh. | 0:39:32 | 0:39:34 | |
Hello? | 0:39:35 | 0:39:37 | |
It's all right, Gemma. | 0:39:38 | 0:39:40 | |
I'll be there, OK? | 0:39:40 | 0:39:42 | |
Where exactly? | 0:39:43 | 0:39:45 | |
All right. Well, I'll be as quick as I can. | 0:39:45 | 0:39:48 | |
I've got to go. Are you all right getting home? | 0:39:48 | 0:39:52 | |
I'm staying at Saskia's for a few days. Her parents are away. | 0:39:52 | 0:39:56 | |
Well, you sort out the bill. And, er...treat your girlfriend. | 0:39:56 | 0:39:59 | |
Oh, nice one. | 0:39:59 | 0:40:01 | |
Thanks, Mum. | 0:40:01 | 0:40:03 | |
At least we know how to enjoy ourselves, eh? | 0:40:03 | 0:40:06 | |
Oh, mate? Can I get the bill, please? | 0:40:12 | 0:40:14 | |
-Of course. -Cheers. | 0:40:14 | 0:40:17 | |
MAN ON RADIO | 0:40:17 | 0:40:20 | |
Bloody hell. | 0:40:26 | 0:40:28 | |
This part of your birth plan, then, eh? | 0:40:28 | 0:40:32 | |
Oh, it's all right. GEMMA SOBS | 0:40:36 | 0:40:39 | |
Hey, it's all right. | 0:40:39 | 0:40:41 | |
You did it, eh? | 0:40:41 | 0:40:45 | |
Clever girl, eh? | 0:40:45 | 0:40:47 | |
Come here. SHE GASPS | 0:40:47 | 0:40:51 | |
Shh. SIREN WAILING | 0:40:51 | 0:40:54 | |
Oh, dear. | 0:40:54 | 0:40:55 | |
SIREN WAILING | 0:41:23 | 0:41:25 | |
COUGHS | 0:41:29 | 0:41:30 | |
I...I don't know what happened, really. | 0:41:30 | 0:41:33 | |
Well, it's like an out-of-body experience. | 0:41:33 | 0:41:36 | |
I was here, and...and he was there. | 0:41:36 | 0:41:39 | |
And...and the next thing I knew, my lips were round his mouth. | 0:41:39 | 0:41:44 | |
-Harriet kissed a vicar. -Oh! | 0:41:44 | 0:41:46 | |
-Not going to lunge at me, are you? -No, no! Goodness! | 0:41:46 | 0:41:50 | |
Oh. | 0:41:51 | 0:41:53 | |
Me and my housemates were taking bets that you were a lesbian. | 0:41:53 | 0:41:57 | |
Really? | 0:41:57 | 0:41:58 | |
Just when you moved the ginger lady in. | 0:41:58 | 0:42:01 | |
What about when I moved in the black man? | 0:42:02 | 0:42:04 | |
What did they think about that, then? | 0:42:04 | 0:42:08 | |
SHE SNIFFS AND GIGGLES | 0:42:11 | 0:42:13 | |
Oh! | 0:42:15 | 0:42:16 | |
There's such a lot to see and do, don't you think? | 0:42:16 | 0:42:19 | |
I do. | 0:42:19 | 0:42:21 | |
I've had so much more fun since Gavin went away. Now, why's that? | 0:42:24 | 0:42:28 | |
SHE SIGHS | 0:42:28 | 0:42:30 | |
God. Such a lot of sky! | 0:42:32 | 0:42:36 | |
I've never noticed. | 0:42:36 | 0:42:39 | |
Mm. | 0:42:39 | 0:42:42 | |
You know, I've a sudden urge for a bacon sandwich. | 0:42:42 | 0:42:44 | |
BOTH LAUGH | 0:42:44 | 0:42:46 | |
That happens. | 0:42:46 | 0:42:48 | |
LAUGHING | 0:42:48 | 0:42:50 | |
LAUGHING | 0:42:56 | 0:42:58 | |
SHE WHISPERS AND CHUCKLES | 0:43:09 | 0:43:11 | |
Tradition says grapes. | 0:43:14 | 0:43:16 | |
But there was a sign on the door that said no fruit, no flowers. | 0:43:16 | 0:43:20 | |
-Sorry. -It's all right. | 0:43:20 | 0:43:23 | |
-CHUCKLES -He's lovely. | 0:43:29 | 0:43:31 | |
He is. | 0:43:31 | 0:43:33 | |
How are you? | 0:43:37 | 0:43:39 | |
All right, I think. | 0:43:39 | 0:43:42 | |
Tired. | 0:43:42 | 0:43:44 | |
-And I'm sorry for shouting at you. -No. | 0:43:44 | 0:43:47 | |
Sorry for losing you. | 0:43:47 | 0:43:49 | |
You're not supposed to mislay witnesses. | 0:43:49 | 0:43:51 | |
Doesn't look good. | 0:43:51 | 0:43:54 | |
Found you in the end, though. | 0:43:57 | 0:43:59 | |
Steve gave us Andy's mobile number. | 0:44:02 | 0:44:05 | |
That's how we managed to trace him. | 0:44:06 | 0:44:08 | |
Steve helped you? | 0:44:09 | 0:44:11 | |
Yeah. | 0:44:13 | 0:44:15 | |
So, er... | 0:44:18 | 0:44:19 | |
we're continuing with the case | 0:44:19 | 0:44:22 | |
against Steve and Andy for the trafficking. | 0:44:22 | 0:44:24 | |
-VOICE ECHOES: -There'll be a joint trial. | 0:44:25 | 0:44:28 | |
It's... It's good news. | 0:44:28 | 0:44:31 | |
The CPS are very confident about securing a conviction. | 0:44:32 | 0:44:36 | |
And the offer still stands about witness protection. | 0:44:46 | 0:44:51 | |
He looks like Steve. | 0:44:53 | 0:44:55 | |
Don't you think? | 0:44:58 | 0:45:00 | |
Yeah. | 0:45:02 | 0:45:04 | |
LOU: Mason. | 0:45:08 | 0:45:09 | |
I've...I've got something important to tell you | 0:45:11 | 0:45:14 | |
and I want you to listen, right? | 0:45:14 | 0:45:16 | |
I'm going to court today. | 0:45:16 | 0:45:19 | |
I did something naughty and I've... I've got to be punished. | 0:45:20 | 0:45:25 | |
You know like when you're at school and you get in trouble. | 0:45:25 | 0:45:28 | |
Well, the thing is, | 0:45:30 | 0:45:32 | |
I'm... I'm going to prison. | 0:45:35 | 0:45:38 | |
You know, like Daddy did. | 0:45:39 | 0:45:42 | |
But you'll be able to visit. | 0:45:42 | 0:45:44 | |
Yeah? You know, like we did for Daddy. | 0:45:44 | 0:45:47 | |
You, Daddy, Granny Harriet. | 0:45:47 | 0:45:51 | |
-MASON: -How long will you be in prison? | 0:45:55 | 0:45:58 | |
Not long. | 0:46:00 | 0:46:02 | |
So, whenever you miss me, | 0:46:06 | 0:46:08 | |
you've just got to remember how much I love you. | 0:46:08 | 0:46:10 | |
Yeah? I love you, Mase. | 0:46:10 | 0:46:13 | |
-Will you be home for my birthday? -Oh. | 0:46:15 | 0:46:18 | |
-For Christmas? -Hey. | 0:46:18 | 0:46:21 | |
Come on. | 0:46:21 | 0:46:23 | |
Come on. | 0:46:23 | 0:46:25 | |
-HARRIET: -Oh, she's beautiful! | 0:46:35 | 0:46:38 | |
Really, she's absolutely... | 0:46:38 | 0:46:40 | |
She's...a boy. | 0:46:40 | 0:46:42 | |
Oh, of course. I'm so sorry. You can't always tell, can you? | 0:46:42 | 0:46:46 | |
-From...from the face. -No. | 0:46:46 | 0:46:48 | |
So, how was the birth? | 0:46:48 | 0:46:51 | |
Oh, you know, tough. | 0:46:51 | 0:46:53 | |
Mm, I remember it well. Had the most terrible stitches after Gavin. | 0:46:53 | 0:46:57 | |
-WOMAN: -Numbers 1 to 20, please. -Oh. | 0:46:57 | 0:47:00 | |
Oh, that's a big yawn! | 0:47:00 | 0:47:02 | |
Oh, look at you, you little handsome fella! | 0:47:02 | 0:47:05 | |
Oh! What's your Steve going to say, eh? | 0:47:05 | 0:47:08 | |
You are going to melt your daddy's heart, you are. | 0:47:08 | 0:47:11 | |
Can I have him, please? | 0:47:11 | 0:47:12 | |
-And then we can check inside. -Sure. | 0:47:12 | 0:47:15 | |
Hm. You forget, don't you? | 0:47:18 | 0:47:20 | |
-BEEPING -How small. | 0:47:20 | 0:47:23 | |
Innocent. | 0:47:23 | 0:47:25 | |
It's a lovely age. | 0:47:25 | 0:47:26 | |
I never really got the baby stage. | 0:47:26 | 0:47:29 | |
I enjoy mine much more now they're growing up. | 0:47:29 | 0:47:32 | |
CLICKING | 0:47:32 | 0:47:34 | |
And the party goes on. | 0:47:36 | 0:47:38 | |
-I'm not really awake. -Will be after this. | 0:47:38 | 0:47:42 | |
SNIFFING | 0:47:42 | 0:47:44 | |
SNIFFING | 0:47:49 | 0:47:51 | |
Good old Mum. | 0:47:51 | 0:47:53 | |
HE SOBS | 0:48:38 | 0:48:41 | |
Look at him, Gem. | 0:48:41 | 0:48:44 | |
SHE CHUCKLES | 0:48:46 | 0:48:48 | |
Come on. | 0:48:50 | 0:48:51 | |
Can I, er... | 0:48:59 | 0:49:01 | |
-Can I hold him? -Yeah, course. | 0:49:01 | 0:49:03 | |
Just watch his head. | 0:49:05 | 0:49:07 | |
-SNIFFING: -Hey there. | 0:49:07 | 0:49:10 | |
Hm. | 0:49:10 | 0:49:12 | |
You're nice and soft. | 0:49:15 | 0:49:17 | |
I know. | 0:49:17 | 0:49:19 | |
Is he, um... Is he all right? The doctor's said everything's fine? | 0:49:20 | 0:49:23 | |
He's perfect. | 0:49:23 | 0:49:26 | |
So, what we going to call him? | 0:49:32 | 0:49:35 | |
I haven't decided yet. | 0:49:37 | 0:49:39 | |
I see you've been out spending. | 0:49:41 | 0:49:43 | |
Well, it's been a long time. I've had a season to catch up on. | 0:49:43 | 0:49:47 | |
So, how does it feel to have a bit of cash in your hand again? | 0:49:47 | 0:49:52 | |
It's all right. | 0:49:52 | 0:49:53 | |
I'm proud of you, you know? | 0:49:53 | 0:49:56 | |
And it's great that I got you, | 0:49:56 | 0:49:57 | |
cos I'm not sure who else I can trust at the moment. | 0:49:57 | 0:50:00 | |
There might be a few more little trips to the airport. | 0:50:00 | 0:50:05 | |
This is just the start, Fran. | 0:50:05 | 0:50:07 | |
I'm going to get it all back for you. The house, the school. | 0:50:07 | 0:50:11 | |
It's all... | 0:50:11 | 0:50:13 | |
coming good. | 0:50:13 | 0:50:15 | |
-HARRIET: -So, how have you been, Gavin? | 0:50:16 | 0:50:18 | |
-How are you coping without Sean? -I'm all right. | 0:50:18 | 0:50:21 | |
Got some new people looking out for me. | 0:50:21 | 0:50:24 | |
Oh, that's...that's good. | 0:50:24 | 0:50:26 | |
Yes, he's a...a lovely sensible boy, Sean. | 0:50:27 | 0:50:31 | |
And a lovely dad. | 0:50:31 | 0:50:33 | |
Actually, they...they're going to stay with me | 0:50:35 | 0:50:38 | |
until Sean finds his feet a bit. | 0:50:38 | 0:50:40 | |
-I've got some news too. -Really? | 0:50:47 | 0:50:50 | |
I've been talking to a couple of the lads on the wing. | 0:50:50 | 0:50:55 | |
I've, um... | 0:50:55 | 0:50:58 | |
I've decided to convert. | 0:50:58 | 0:51:00 | |
-Convert? -Yeah. | 0:51:02 | 0:51:04 | |
I'm going to become a Muslim. | 0:51:06 | 0:51:08 | |
Goodness. | 0:51:09 | 0:51:12 | |
That's... That's interesting. | 0:51:12 | 0:51:15 | |
Mm. | 0:51:15 | 0:51:17 | |
I mean, it's not our faith, but... | 0:51:17 | 0:51:20 | |
..but it's a faith. | 0:51:20 | 0:51:21 | |
-It's good that you've found something to believe in. -Mm. | 0:51:23 | 0:51:27 | |
Mm. | 0:51:28 | 0:51:30 | |
-BABY CRIES: -Hey, all right. | 0:51:30 | 0:51:33 | |
CRIES Oh, dear. | 0:51:33 | 0:51:36 | |
-I think he probably wants his mum back. -Yeah. | 0:51:36 | 0:51:38 | |
That's a good boy. | 0:51:38 | 0:51:40 | |
Hey. Shh, shh, shh, shh, shh, shh, shh. | 0:51:41 | 0:51:44 | |
BABY GRIZZLES | 0:51:44 | 0:51:46 | |
-BABY GRIZZLES -Hey. Shh, shh, shh, shh, shh. | 0:51:46 | 0:51:50 | |
SOBBING | 0:51:53 | 0:51:56 | |
Gemma. | 0:51:58 | 0:51:59 | |
I am so sorry. | 0:51:59 | 0:52:02 | |
They wanted me to go into witness protection. But I said no. | 0:52:04 | 0:52:08 | |
Good. Good, because I will never let anything happen to you. | 0:52:08 | 0:52:12 | |
And I won't be bringing him here again. | 0:52:12 | 0:52:14 | |
I don't want him to see you in here. | 0:52:14 | 0:52:17 | |
-You don't have to. -Don't have to what? | 0:52:17 | 0:52:19 | |
They've got this family room. | 0:52:19 | 0:52:21 | |
-If you want to bring the baby in for a visit, we can... -No. | 0:52:21 | 0:52:26 | |
No, I mean prison. | 0:52:26 | 0:52:27 | |
We won't be coming again. | 0:52:31 | 0:52:33 | |
Him. Me. | 0:52:33 | 0:52:36 | |
What? | 0:52:36 | 0:52:38 | |
Oh, Gem, surely you don't mean that? | 0:52:41 | 0:52:43 | |
Sorry. | 0:52:43 | 0:52:46 | |
No. | 0:52:47 | 0:52:48 | |
No, you do not do this to me. | 0:52:50 | 0:52:52 | |
You... | 0:52:52 | 0:52:54 | |
did this, Steve, you. | 0:52:54 | 0:52:56 | |
You tortured. You killed. | 0:52:58 | 0:53:02 | |
We almost died, the two of us. | 0:53:04 | 0:53:07 | |
All that pain and the damage and the hurt | 0:53:08 | 0:53:11 | |
that you brought into our lives. | 0:53:11 | 0:53:14 | |
SMASHING AND CLATTERING | 0:53:30 | 0:53:32 | |
SMASHING AND CLATTERING | 0:53:38 | 0:53:41 | |
-STEVE: -Gemma. | 0:53:45 | 0:53:47 | |
Look at me. | 0:53:47 | 0:53:49 | |
Look... Look at me, Gemma. | 0:53:49 | 0:53:52 | |
You don't have to do this, eh? Because I am going to sort this out. | 0:53:54 | 0:53:57 | |
I'll talk to the police. That detective. What is it? | 0:53:58 | 0:54:01 | |
Detective Hunter. | 0:54:01 | 0:54:02 | |
I'll give a statement against Andy. | 0:54:02 | 0:54:04 | |
I'll stand up in court. | 0:54:04 | 0:54:06 | |
I'll... I'll say whatever they need me to say. | 0:54:06 | 0:54:08 | |
You're lying. | 0:54:08 | 0:54:10 | |
I'm not. I'm not lying. I swear! | 0:54:10 | 0:54:12 | |
-HE SNIFFS: -I swear. | 0:54:13 | 0:54:15 | |
I swear. I swear that... | 0:54:15 | 0:54:18 | |
the business, | 0:54:18 | 0:54:20 | |
the containers, the DVDs, it were...it were all Andy. | 0:54:20 | 0:54:24 | |
No. | 0:54:24 | 0:54:25 | |
Please, Steve. | 0:54:26 | 0:54:29 | |
No more lies. | 0:54:29 | 0:54:31 | |
Gem. | 0:54:35 | 0:54:36 | |
I never wanted to do it. | 0:54:37 | 0:54:40 | |
I tried to stop him. But he said, Gem... he said he would kill me. | 0:54:40 | 0:54:44 | |
I mean, you've seen him. He's a bloody psychopath. | 0:54:44 | 0:54:47 | |
Gem. | 0:54:47 | 0:54:49 | |
If I can forgive you, | 0:54:49 | 0:54:51 | |
right, please, | 0:54:51 | 0:54:54 | |
please, I'm...I'm begging you, | 0:54:54 | 0:54:57 | |
please, | 0:54:57 | 0:54:59 | |
please forgive me. | 0:54:59 | 0:55:00 | |
-MAN: -Time's up, ladies and gentlemen. -Gemma. | 0:55:02 | 0:55:05 | |
-WHISPERING: -(I love you. I love you.) | 0:55:05 | 0:55:08 | |
SHE SOBS I know. | 0:55:08 | 0:55:09 | |
(I know you do.) | 0:55:09 | 0:55:11 | |
I love you too. | 0:55:13 | 0:55:15 | |
But it's not enough. | 0:55:22 | 0:55:24 | |
I didn't choose this. | 0:55:28 | 0:55:30 | |
-WOMAN: -..a custodial sentence. | 0:55:30 | 0:55:32 | |
So, Louisa Marie Bell, you will go to prison for six months. | 0:55:32 | 0:55:37 | |
GEMMA: I didn't choose to be a single parent... | 0:55:37 | 0:55:40 | |
I'm sorry. | 0:55:40 | 0:55:42 | |
..counting down the days... | 0:55:46 | 0:55:49 | |
Come here. I'm going to tell you about Christmas. | 0:55:49 | 0:55:52 | |
Yeah. Christmas Day... | 0:55:52 | 0:55:54 | |
..waiting for my life to start again... | 0:55:54 | 0:55:57 | |
..whilst always dreading the worst... | 0:56:01 | 0:56:04 | |
GROANS | 0:56:04 | 0:56:06 | |
..trying to get a piece of happiness. | 0:56:11 | 0:56:14 | |
DOORBELL RINGS | 0:56:15 | 0:56:17 | |
I don't want that for my family. | 0:56:21 | 0:56:23 | |
Oh. | 0:56:52 | 0:56:54 | |
Dad. | 0:56:55 | 0:56:57 | |
Oh! | 0:57:00 | 0:57:02 | |
Oh! | 0:57:02 | 0:57:04 | |
And I don't want my boy to grow up to be like his dad. | 0:57:15 | 0:57:18 | |
Subtitles by Red Bee Media Ltd | 0:58:52 | 0:58:55 |