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I'm getting quite good at dying. | 0:00:23 | 0:00:25 | |
Mostly, that's me in a bed, in a hospital, | 0:00:29 | 0:00:32 | |
looking pasty and terrified and tetchy. | 0:00:32 | 0:00:34 | |
They expect you to be tetchy. | 0:00:36 | 0:00:38 | |
Like, I had PCP for a single on Channel 4. | 0:00:38 | 0:00:43 | |
Pneumocystis pneumonia - horrible job, take after fucking take. | 0:00:43 | 0:00:47 | |
The director comes to me - Dan, his name is, he said... | 0:00:47 | 0:00:50 | |
"We need to see more anger, yeah?" | 0:00:51 | 0:00:54 | |
I said, "Why?" | 0:00:56 | 0:00:58 | |
Well, he just looks at me like it's obvious. | 0:00:58 | 0:01:00 | |
"Because the Government are doing nothing, yeah? | 0:01:00 | 0:01:03 | |
"There's no funding, | 0:01:03 | 0:01:04 | |
"and these fucking iceberg films they have on telly now, | 0:01:04 | 0:01:07 | |
"it's fucking criminal." | 0:01:07 | 0:01:08 | |
I said, "I thought my character would probably be past anger | 0:01:10 | 0:01:13 | |
"by this stage. I'd probably be thinking much more practical things, | 0:01:13 | 0:01:17 | |
"like, is this going to hurt? | 0:01:17 | 0:01:20 | |
"Or will it be over quick?" | 0:01:20 | 0:01:21 | |
"What would I have done with my life if I'd lived? | 0:01:23 | 0:01:26 | |
"Maybe. Could I have done things differently, been more careful, | 0:01:26 | 0:01:30 | |
"made different choices?" | 0:01:30 | 0:01:31 | |
Anyway, he wanted anger, so, ooh, he got anger. | 0:01:32 | 0:01:36 | |
I channelled the anger I was feeling towards him and that helped. | 0:01:37 | 0:01:41 | |
This is a key skill. | 0:01:41 | 0:01:43 | |
Some actors can't draw on themselves, their experiences. | 0:01:44 | 0:01:47 | |
I can, | 0:01:47 | 0:01:50 | |
though, obviously, I'm not dead yet so I've been having to make that up. | 0:01:50 | 0:01:53 | |
Then after that, I did a film | 0:01:54 | 0:01:56 | |
where I get stabbed by a serial killer who's picking on gays, | 0:01:56 | 0:01:59 | |
for some unknown reason, | 0:01:59 | 0:02:00 | |
but, obviously, that was just a metaphor. | 0:02:00 | 0:02:02 | |
When the police finally catch him, even he doesn't know why he does it. | 0:02:02 | 0:02:06 | |
I saw that when it went out at the Curzon | 0:02:06 | 0:02:08 | |
and I could hear quite a few people sobbing in the audience | 0:02:08 | 0:02:11 | |
when I pegged it. | 0:02:11 | 0:02:12 | |
I got a bit tearful myself, actually. | 0:02:12 | 0:02:14 | |
It's just the face. | 0:02:15 | 0:02:17 | |
I look young and innocent, so you're immediately thinking, | 0:02:17 | 0:02:21 | |
"What a waste." | 0:02:21 | 0:02:22 | |
That's why I get the parts, I reckon. | 0:02:24 | 0:02:26 | |
The scene...I'm really good at | 0:02:26 | 0:02:31 | |
is the deathbed scene where the boyfriend shows up. | 0:02:31 | 0:02:35 | |
More often than not, | 0:02:35 | 0:02:36 | |
I'm doing well health-wise when the complications hit, | 0:02:36 | 0:02:40 | |
so the sudden deterioration's a surprise for both of us. | 0:02:40 | 0:02:44 | |
He's sometimes older - not always - cute, obviously, | 0:02:44 | 0:02:47 | |
but there is an awkwardness between us. | 0:02:47 | 0:02:50 | |
It's not actually said, but... | 0:02:50 | 0:02:52 | |
..you get the vague sense that he's been messing about | 0:02:54 | 0:02:56 | |
in saunas and toilets | 0:02:56 | 0:02:57 | |
and not taking precautions, | 0:02:57 | 0:02:59 | |
while I, of course, have been faithful as a puppy, | 0:02:59 | 0:03:03 | |
so then there's the injustice of it, too. | 0:03:03 | 0:03:05 | |
I have a bit of a barney with him, but I'm generally forgiving. | 0:03:05 | 0:03:08 | |
I just go a bit arch, you know, | 0:03:08 | 0:03:10 | |
got me sparky sense of humour right till the end. | 0:03:10 | 0:03:12 | |
Eugh. | 0:03:15 | 0:03:16 | |
I had lunch with my agent, and she's dead pleased I'm working - | 0:03:18 | 0:03:23 | |
and so am I, but... | 0:03:23 | 0:03:25 | |
..it's getting a bit samey. | 0:03:26 | 0:03:27 | |
I don't feel like I'm moving forward, you know? | 0:03:28 | 0:03:30 | |
She reckons I should be grateful. | 0:03:30 | 0:03:33 | |
"You're really grabbing at the heartstrings, Phil, | 0:03:33 | 0:03:35 | |
"really making an impact." | 0:03:35 | 0:03:37 | |
I just worry they're going to get sick of the sight of me. | 0:03:37 | 0:03:39 | |
"Him again - dying, again." | 0:03:39 | 0:03:42 | |
She wasn't having it. | 0:03:42 | 0:03:44 | |
"The characters you get are pivotal, Phil, pivotal. | 0:03:44 | 0:03:46 | |
"Everything around you changes once you're..." | 0:03:46 | 0:03:49 | |
"Gone, yeah?" I said, | 0:03:49 | 0:03:50 | |
"It's awfully nice that my friends get really, really upset | 0:03:50 | 0:03:52 | |
"when I'm dead, | 0:03:52 | 0:03:54 | |
"and then kind of reassess their priorities and stuff. | 0:03:54 | 0:03:57 | |
"I just wish I made it past page 18." | 0:03:57 | 0:04:00 | |
She said, "You get the full fee." | 0:04:00 | 0:04:03 | |
I said, "That's not the point." | 0:04:03 | 0:04:05 | |
Still, it's work. | 0:04:07 | 0:04:10 | |
She said there might be a role playing a bat thing on Doctor Who. | 0:04:10 | 0:04:15 | |
"Do they still make Doctor Who?" I said. | 0:04:15 | 0:04:17 | |
"Apparently, yeah." | 0:04:17 | 0:04:19 | |
Plus a bit-part in an indie film, | 0:04:19 | 0:04:21 | |
English mourner at a funeral in New York. | 0:04:21 | 0:04:23 | |
"Can you do grieving?" | 0:04:23 | 0:04:26 | |
I said, "Probably." | 0:04:26 | 0:04:27 | |
The truth is, I don't have much to draw on there. | 0:04:30 | 0:04:33 | |
I've been lucky. | 0:04:33 | 0:04:35 | |
I know what it looks like, though. | 0:04:35 | 0:04:37 | |
I've seen it. | 0:04:37 | 0:04:38 | |
I've seen it often enough, too often. | 0:04:39 | 0:04:41 | |
Horrible. | 0:04:43 | 0:04:45 | |
Then out of the blue, she asks me... | 0:04:47 | 0:04:49 | |
..if I get tested. | 0:04:50 | 0:04:52 | |
I said, "What?" | 0:04:52 | 0:04:53 | |
It's none of her business. | 0:04:53 | 0:04:55 | |
I don't, | 0:04:58 | 0:05:00 | |
as it happens. | 0:05:00 | 0:05:01 | |
I couldn't face it. I'd sooner not know. | 0:05:03 | 0:05:05 | |
I'm just not strong enough. | 0:05:05 | 0:05:06 | |
And it is possible to not get it, if you're careful - | 0:05:07 | 0:05:11 | |
and by careful, I don't mean bloody celibate or monogamous. | 0:05:11 | 0:05:15 | |
I fucking love sex, me. | 0:05:17 | 0:05:20 | |
Bum sex mainly, but there is an underrated beauty | 0:05:20 | 0:05:23 | |
to blowing a total stranger in a toilet cubicle | 0:05:23 | 0:05:25 | |
that's hard to convey, | 0:05:25 | 0:05:26 | |
and if you try to convey it, it gets boring or icky, quite quickly, so... | 0:05:26 | 0:05:30 | |
No squatting on your haunches - knees must hit the floor, | 0:05:32 | 0:05:36 | |
and eye contact throughout. | 0:05:36 | 0:05:39 | |
Ooh. Oh! | 0:05:40 | 0:05:42 | |
I could be blowing someone now if it weren't for this bloody death scene. | 0:05:42 | 0:05:45 | |
Agent's promised she'll get me a role | 0:05:46 | 0:05:48 | |
that doesn't involve losing half a stone | 0:05:48 | 0:05:50 | |
and whiting the face up, so fingers crossed. | 0:05:50 | 0:05:53 | |
I quite like doing coming-out scenes, | 0:05:57 | 0:06:01 | |
though even there, death crops up pretty quickly. | 0:06:01 | 0:06:05 | |
I did a play where I was Liverpudlian, | 0:06:05 | 0:06:08 | |
so it was dead bitter, but really funny, like corrosively funny. | 0:06:08 | 0:06:13 | |
The mother's mopping the floor, and I drop the bombshell. | 0:06:13 | 0:06:16 | |
We have a row. I throw in... | 0:06:16 | 0:06:19 | |
LIVERPOOL ACCENT: "What do you want me to do, | 0:06:19 | 0:06:21 | |
"get married and be unhappy?" | 0:06:21 | 0:06:22 | |
She comes back with, "Why not? | 0:06:22 | 0:06:25 | |
"That's what I bloody did!" | 0:06:25 | 0:06:27 | |
The mother gets the best lines. | 0:06:27 | 0:06:29 | |
The gay boy's the feed. | 0:06:29 | 0:06:30 | |
Then, of course, she realises I'm not done with the bombshells, | 0:06:30 | 0:06:33 | |
and the full horror of her situation dawns on her - her little Billy, | 0:06:33 | 0:06:38 | |
gay and dead, in quick succession. | 0:06:38 | 0:06:41 | |
"More than a poor girl's heart can take." | 0:06:41 | 0:06:43 | |
The upshot is, she loses her faith. | 0:06:45 | 0:06:47 | |
That was at the Finborough, | 0:06:48 | 0:06:50 | |
so while she's rowing with the bishop at the funeral, | 0:06:50 | 0:06:53 | |
I slip out early and get down the Coleherne. | 0:06:53 | 0:06:56 | |
There's a bloke goes there some nights. | 0:06:56 | 0:06:58 | |
Simon. | 0:06:58 | 0:07:00 | |
Fucking... | 0:07:00 | 0:07:02 | |
The legs. Dancer's legs, and, sorry, I actually am a size queen. | 0:07:02 | 0:07:07 | |
I make no apologies. | 0:07:07 | 0:07:08 | |
Simon fits the bill. | 0:07:08 | 0:07:11 | |
The best fuck ever. | 0:07:13 | 0:07:16 | |
I've kind of got a top top-ten in my head, | 0:07:16 | 0:07:17 | |
and for a long time, it was a guy I met in Portsmouth at number one, | 0:07:17 | 0:07:20 | |
but Simon has knocked him off the top top spot. | 0:07:20 | 0:07:24 | |
Dead fit, proper man. | 0:07:24 | 0:07:27 | |
Nice enough bloke, as well, sense of humour. | 0:07:27 | 0:07:29 | |
I don't normally talk to blokes down the Coleherne | 0:07:29 | 0:07:32 | |
cos it risks breaking the spell, | 0:07:32 | 0:07:34 | |
but it hasn't broken Simon's spell. | 0:07:34 | 0:07:36 | |
Agent called yesterday, got me an audition for a TV new soap. | 0:07:39 | 0:07:44 | |
Gay character - called Clive, who isn't ill, | 0:07:44 | 0:07:49 | |
and according to the man at the Beeb, never gets it, | 0:07:49 | 0:07:51 | |
it's actually in the contract. | 0:07:51 | 0:07:52 | |
Just has a life. | 0:07:52 | 0:07:54 | |
Has the same kind of plotlines as the other characters, | 0:07:54 | 0:07:56 | |
but from a gay perspective. | 0:07:56 | 0:07:58 | |
So, well, that'd be progress. | 0:07:58 | 0:08:01 | |
If I got it. He's also not camp, which is fairly important - | 0:08:01 | 0:08:05 | |
not that I can't do camp, but the days of Mr Humphries are over. | 0:08:05 | 0:08:09 | |
Lads at school used to take the piss when that programme was on, | 0:08:09 | 0:08:12 | |
not of me - I'm not naturally camp. | 0:08:12 | 0:08:13 | |
I can go quite blokey, in fact. | 0:08:13 | 0:08:16 | |
I should get put up for more straight roles, really. | 0:08:16 | 0:08:18 | |
I did play angry shopper in Albion Market, | 0:08:18 | 0:08:21 | |
but it wasn't established whether he was gay or straight, | 0:08:21 | 0:08:25 | |
so it doesn't count. | 0:08:25 | 0:08:26 | |
Nor does the bat thing on Doctor Who. | 0:08:26 | 0:08:29 | |
Well, not really. | 0:08:29 | 0:08:30 | |
No, Clive isn't camp, but he's not blokey either. | 0:08:30 | 0:08:33 | |
He's, um, sensitive, takes life seriously, | 0:08:33 | 0:08:38 | |
and may appear guarded when we first meet him, | 0:08:38 | 0:08:40 | |
but underneath, he's warm, emotional, | 0:08:40 | 0:08:44 | |
and soon becomes a popular member of the local community. | 0:08:44 | 0:08:48 | |
LAUGHS: I can play Clive... | 0:08:48 | 0:08:50 | |
..standing on me head. | 0:08:51 | 0:08:53 | |
Ah, so now it's my fault, is it? | 0:08:59 | 0:09:02 | |
Oh. So now it's MY fault. | 0:09:02 | 0:09:04 | |
Is it? | 0:09:04 | 0:09:05 | |
Oh! | 0:09:05 | 0:09:07 | |
So now it's my fault, is it? | 0:09:07 | 0:09:09 | |
Oh... | 0:09:09 | 0:09:10 | |
Clive is the most boring man | 0:09:10 | 0:09:12 | |
ever presented on a TV screen - seriously. | 0:09:12 | 0:09:16 | |
Fretful fucking creep. | 0:09:16 | 0:09:18 | |
Not camp, no. No sense of humour whatsoever. | 0:09:18 | 0:09:22 | |
I've got this beige boyfriend, like Clive Mark 2. | 0:09:22 | 0:09:26 | |
Only taller with a pierced ear. | 0:09:26 | 0:09:28 | |
And the fucking hugging we get up to - oh, scandalous. | 0:09:28 | 0:09:32 | |
I can't get ill, obviously, of anything. | 0:09:32 | 0:09:35 | |
The fucker isn't even allowed to cough. | 0:09:35 | 0:09:37 | |
Plotline at the moment where I turn out to be fiddling my tax returns | 0:09:37 | 0:09:41 | |
so me and the boyfriend can build a beige life together. | 0:09:41 | 0:09:43 | |
I had thought fiddling the tax | 0:09:44 | 0:09:46 | |
might lead to a prison story, which could be quite, um, meaty. | 0:09:46 | 0:09:51 | |
But no. Clive's not fiddling THAT MUCH. | 0:09:51 | 0:09:54 | |
Of course he fucking isn't. | 0:09:54 | 0:09:56 | |
Eurgh. | 0:09:56 | 0:09:58 | |
Ah... | 0:09:59 | 0:10:00 | |
Simon's not beige. | 0:10:01 | 0:10:04 | |
That's one colour that Simon really isn't. | 0:10:04 | 0:10:07 | |
He's so fit. | 0:10:07 | 0:10:08 | |
We've kind of been seeing a bit more of each other - his suggestion. | 0:10:09 | 0:10:13 | |
It threw me at first. | 0:10:13 | 0:10:15 | |
We'd just got it on in the Coleherne, | 0:10:15 | 0:10:17 | |
cubicle nearest the window, and... | 0:10:17 | 0:10:19 | |
He gets nasty, does Simon. | 0:10:21 | 0:10:23 | |
Full palm of the hand stuff. | 0:10:23 | 0:10:25 | |
And we were having a pint in the front after, | 0:10:25 | 0:10:28 | |
and he suddenly says, | 0:10:28 | 0:10:30 | |
"We could go and see a film or something." | 0:10:30 | 0:10:32 | |
The thought of us, hand-in-hand, buying popcorn... | 0:10:35 | 0:10:38 | |
But we gave it a whirl, and... | 0:10:38 | 0:10:41 | |
..it was nice. | 0:10:43 | 0:10:44 | |
He's strong. Only a few years older than me, but he's lived proper, man, | 0:10:46 | 0:10:50 | |
like a... | 0:10:50 | 0:10:51 | |
big brother. | 0:10:51 | 0:10:52 | |
Taps into something, you know? | 0:10:53 | 0:10:55 | |
SIGHS: It's nice. | 0:10:57 | 0:10:58 | |
His legs are incredible. | 0:11:00 | 0:11:02 | |
I know he's more than just a pair of legs, but all the same. | 0:11:02 | 0:11:05 | |
I could actually play... | 0:11:07 | 0:11:09 | |
..in love, these days, | 0:11:10 | 0:11:13 | |
if the right part would only fucking come up. | 0:11:13 | 0:11:15 | |
Oh, so now it's my fault, is it? | 0:11:17 | 0:11:20 | |
There's a line in next week's episode | 0:11:22 | 0:11:24 | |
where the beige boyfriend | 0:11:24 | 0:11:25 | |
says he's thinking of moving back to Hemel Hempstead. | 0:11:25 | 0:11:28 | |
I have a feeling Clive's going to go with him, | 0:11:28 | 0:11:31 | |
so that'll be the end of that. | 0:11:31 | 0:11:34 | |
Yeah, good riddance to him. | 0:11:34 | 0:11:35 | |
I went back to the agent. | 0:11:37 | 0:11:39 | |
She says Clive isn't easy to love, and, | 0:11:39 | 0:11:41 | |
"If you are dropped from the show, darling, | 0:11:41 | 0:11:44 | |
"at least you're not leaving in a wooden box." | 0:11:44 | 0:11:47 | |
Which is true. | 0:11:47 | 0:11:48 | |
I just thought that I was... | 0:11:50 | 0:11:51 | |
..getting somewhere. | 0:11:52 | 0:11:54 | |
Still, I'm up for a tour of Bent at the end of the month, | 0:11:56 | 0:11:59 | |
so it's not all doom and gloom. | 0:11:59 | 0:12:01 | |
I just think, if you're entering into a relationship with someone, | 0:12:14 | 0:12:18 | |
you should be honest from the start. | 0:12:18 | 0:12:21 | |
Not hide any bombshells, pull the rug from under a bloke's feet. | 0:12:21 | 0:12:25 | |
I was completely not expecting it, | 0:12:28 | 0:12:30 | |
just sitting with him on the sofa watching a film, | 0:12:30 | 0:12:32 | |
and he comes out with it. | 0:12:32 | 0:12:34 | |
"By the way, I'm positive." | 0:12:34 | 0:12:36 | |
Well, he must've seen panic in my eyes because he immediately says, | 0:12:37 | 0:12:40 | |
"We've been safe. You're not in any danger." | 0:12:40 | 0:12:42 | |
Which calmed me down a bit. | 0:12:44 | 0:12:47 | |
Still, I was shocked. | 0:12:47 | 0:12:48 | |
He said it was more than just HIV. | 0:12:49 | 0:12:51 | |
He actually had | 0:12:51 | 0:12:53 | |
AIDS. | 0:12:53 | 0:12:55 | |
"But I'm OK. | 0:12:55 | 0:12:57 | |
"I'm looking after myself. | 0:12:57 | 0:12:59 | |
"I get regular check-ups, do all the right things. | 0:12:59 | 0:13:01 | |
"Yeah, I get scared sometimes, but... | 0:13:01 | 0:13:03 | |
"I stand a good chance. | 0:13:03 | 0:13:04 | |
"And I wanted to tell you, | 0:13:06 | 0:13:07 | |
"because, well, it's important if we're going to... | 0:13:07 | 0:13:09 | |
"..get more serious." | 0:13:11 | 0:13:12 | |
I didn't say anything. | 0:13:14 | 0:13:16 | |
Just nodded. | 0:13:17 | 0:13:18 | |
Well, it's a lot to take in, isn't it? | 0:13:19 | 0:13:21 | |
We tried to just spend the evening together, | 0:13:22 | 0:13:24 | |
but an hour in, he says, | 0:13:24 | 0:13:26 | |
"This silence isn't just you getting your head round the news, is it?" | 0:13:26 | 0:13:30 | |
I just looked at him. | 0:13:33 | 0:13:34 | |
After that, he went off into the kitchen and... | 0:13:36 | 0:13:40 | |
I heard him crying. | 0:13:40 | 0:13:41 | |
Sobbing like a baby. | 0:13:45 | 0:13:47 | |
So that was that. | 0:13:50 | 0:13:52 | |
Spell broken, well and truly. | 0:13:52 | 0:13:54 | |
It'd be nice if I had some work to take my mind off him, but, um... | 0:13:57 | 0:14:01 | |
You see, the fallow periods are part of the job. | 0:14:01 | 0:14:03 | |
The trick is not to see one rejection as part of a trend. | 0:14:03 | 0:14:06 | |
Time passes, though, doesn't it? | 0:14:06 | 0:14:08 | |
I won't be in the young and innocent market forever, | 0:14:08 | 0:14:10 | |
and then dying's not as in demand as it was, | 0:14:10 | 0:14:13 | |
which is ironic because there's more dying now than ever - way more - | 0:14:13 | 0:14:17 | |
but the circus has moved on. | 0:14:17 | 0:14:19 | |
Doctors say it's heading towards a peak, | 0:14:21 | 0:14:23 | |
and with all the drugs coming up, | 0:14:23 | 0:14:25 | |
more people are going to live longer and longer. | 0:14:25 | 0:14:27 | |
It'll be like normal lives. | 0:14:27 | 0:14:28 | |
Well, that may well be true but... | 0:14:28 | 0:14:30 | |
..I wonder where it all leaves me. | 0:14:31 | 0:14:33 | |
I mean, the only thing to do once the '80s are gone | 0:14:35 | 0:14:38 | |
would be to wipe the slate, press reset, start... | 0:14:38 | 0:14:41 | |
..having fun again. | 0:14:43 | 0:14:45 | |
And then no-one's going to want to watch the stuff I made | 0:14:45 | 0:14:47 | |
once it really is over. | 0:14:47 | 0:14:48 | |
I mean, why would they look back on all that death? | 0:14:48 | 0:14:51 | |
It's just depressing. | 0:14:51 | 0:14:52 | |
It's no way to move forward, is it? | 0:14:52 | 0:14:54 | |
So, no repeat fees. | 0:14:54 | 0:14:55 | |
My oeuvre will moulder in the archives. | 0:14:56 | 0:14:59 | |
I ran into him last week, Simon... | 0:15:03 | 0:15:05 | |
..in Tower Records. | 0:15:07 | 0:15:09 | |
He doesn't go down the Coleherne now. | 0:15:09 | 0:15:11 | |
He was there with his little BF - smiley, cute enough, | 0:15:11 | 0:15:14 | |
and clearly Lady Helium Heels. | 0:15:14 | 0:15:17 | |
Well, he'd have to be. | 0:15:17 | 0:15:19 | |
We talked a bit, but it was... | 0:15:22 | 0:15:25 | |
..a bit awkward. | 0:15:26 | 0:15:27 | |
I came away wondering whether he'd even told the little boyfriend. | 0:15:29 | 0:15:32 | |
Well... | 0:15:32 | 0:15:33 | |
It's none of my business. | 0:15:35 | 0:15:36 | |
I know what my future will be. | 0:15:39 | 0:15:41 | |
I'll get work - quiet, single bloke at party, | 0:15:41 | 0:15:45 | |
some swish loft apartment, music. | 0:15:45 | 0:15:49 | |
I'll be just right for the man | 0:15:49 | 0:15:50 | |
who can't quite get into the swing of things. | 0:15:50 | 0:15:52 | |
Some young blonde lad'll come over and start on me, | 0:15:52 | 0:15:54 | |
"Oh, smile - it might never happen." | 0:15:54 | 0:15:57 | |
And that'll be my cue... | 0:15:57 | 0:15:58 | |
..to wag my finger, to lecture, tell them what went on, | 0:16:00 | 0:16:04 | |
what WE went through. | 0:16:04 | 0:16:06 | |
They'll all listen, but it'll be uncomfortable. | 0:16:06 | 0:16:09 | |
They'll all kind of exchange glances, let me say my piece, | 0:16:09 | 0:16:12 | |
and then I'll probably storm off. | 0:16:12 | 0:16:16 | |
The blonde lad'll say something funny to lighten the mood. | 0:16:16 | 0:16:19 | |
Time was, it was me who had the funny lines. | 0:16:21 | 0:16:24 | |
Sparky sense of humour. | 0:16:24 | 0:16:26 | |
Only back then, I was dying, and they're not. | 0:16:26 | 0:16:28 | |
But what was I supposed to do? | 0:16:31 | 0:16:32 | |
He broke the spell. | 0:16:34 | 0:16:35 | |
If finger-wagging really is all I have to look forward to, | 0:16:38 | 0:16:41 | |
then I'll have a lot to work with. Have you heard? | 0:16:41 | 0:16:44 | |
The Department of Health's pulled its finger out - | 0:16:44 | 0:16:46 | |
they're going to print some information about AIDS | 0:16:46 | 0:16:48 | |
in the papers - | 0:16:48 | 0:16:49 | |
only Thatcher said no. | 0:16:49 | 0:16:51 | |
They should just stick some posters up on lavatory walls, | 0:16:51 | 0:16:54 | |
and leave it at that, because normal people can't catch it, you see. | 0:16:54 | 0:16:57 | |
And no-one wants to read about arse-fucking in The Sun, do they? | 0:16:57 | 0:17:00 | |
The Sun. "When you mess with nature you've got it coming to you, mate." | 0:17:00 | 0:17:03 | |
The Sun. And we've got Private Eye telling us | 0:17:03 | 0:17:05 | |
gay stands for "Got AIDS Yet?" | 0:17:05 | 0:17:09 | |
That's a good one, isn't it? | 0:17:09 | 0:17:10 | |
The Met police raided the Vauxhall Tavern last week. | 0:17:11 | 0:17:14 | |
The coppers were wearing rubber gloves | 0:17:14 | 0:17:15 | |
to protect them from the gay plague. | 0:17:15 | 0:17:17 | |
Stuff like that... | 0:17:17 | 0:17:18 | |
..is happening to us. | 0:17:19 | 0:17:21 | |
While hundreds of people die, our friends and our lovers, | 0:17:21 | 0:17:25 | |
stuff like that is fucking commonplace. | 0:17:25 | 0:17:27 | |
It feels like the world's gone cold and mad. | 0:17:27 | 0:17:30 | |
And I'll bet you, years from now, | 0:17:30 | 0:17:31 | |
if you want to get anywhere near this stuff on stage, | 0:17:31 | 0:17:33 | |
you'll have to do it tangentially, | 0:17:33 | 0:17:35 | |
use some clever trick to keep things light, | 0:17:35 | 0:17:37 | |
because, hey, being gay in the '80s was more than just AIDS, wasn't it? | 0:17:37 | 0:17:40 | |
Was that anger enough? | 0:17:44 | 0:17:45 |