Browse content similar to Missing Alice. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
I've had two babies, you see, if you're counting. | 0:00:21 | 0:00:23 | |
I was 16, the first one. | 0:00:24 | 0:00:28 | |
A boy from our street was the father, | 0:00:28 | 0:00:30 | |
though that's a bloody grown-up word for a boy that age. | 0:00:30 | 0:00:33 | |
Of course, he couldn't marry me. | 0:00:33 | 0:00:35 | |
He had an uncle who'd made good in Cardiff as an undertaker and was | 0:00:35 | 0:00:38 | |
going to train him up. | 0:00:38 | 0:00:40 | |
Dad said, "Well, he can probably be trusted with dead bodies." | 0:00:40 | 0:00:43 | |
Mum didn't like that. | 0:00:44 | 0:00:46 | |
I don't see the point in coming up with a name for her. | 0:00:49 | 0:00:51 | |
Dad asked the man at the Home & Colonial to take me on as I'd best earn a living. | 0:00:55 | 0:01:00 | |
Mum said, "Men don't like damaged goods." | 0:01:00 | 0:01:03 | |
Well, they won't if you call them damaged goods! | 0:01:03 | 0:01:05 | |
I liked it at the shop. | 0:01:07 | 0:01:09 | |
All the foods! | 0:01:09 | 0:01:10 | |
After I'd had the baby... | 0:01:13 | 0:01:14 | |
..Mum made me sit at the back in church, away from the family, | 0:01:15 | 0:01:19 | |
to show she was taking our collective shame seriously. | 0:01:19 | 0:01:22 | |
And that's where I met Michael. | 0:01:23 | 0:01:25 | |
They were a bit posh, his family - | 0:01:26 | 0:01:28 | |
well, compared to the rest of the congregation, | 0:01:28 | 0:01:30 | |
not posh compared to what I met after, through Michael, you know. | 0:01:30 | 0:01:33 | |
He was new at the church, | 0:01:35 | 0:01:36 | |
a bit older, but he took to sitting at the back with me so he could make jokes. | 0:01:36 | 0:01:41 | |
Not to shock me. He knew I was hardly a nun. | 0:01:41 | 0:01:44 | |
Michael didn't believe in God, but he liked the singing. | 0:01:45 | 0:01:48 | |
I used to laugh at his singing. | 0:01:49 | 0:01:51 | |
"Do I sing funny?" he asked. | 0:01:51 | 0:01:52 | |
"No, I said, "you sing lovely. That's what's funny." | 0:01:52 | 0:01:54 | |
I says to him, "You should be in the choir." | 0:01:56 | 0:01:58 | |
But he said he liked sitting with me, | 0:01:58 | 0:02:01 | |
and that you can't muck about if you're in the choir. | 0:02:01 | 0:02:04 | |
"Or," he said, "in the case of this choir, sing in bloody tune." | 0:02:04 | 0:02:07 | |
Two months after he first set eyes on me, he asked me to marry him. | 0:02:09 | 0:02:14 | |
I didn't see it coming. | 0:02:15 | 0:02:17 | |
Not because of my...scandal. | 0:02:17 | 0:02:19 | |
It just hadn't occurred. | 0:02:19 | 0:02:21 | |
He was my pal. | 0:02:21 | 0:02:22 | |
We had a laugh. | 0:02:22 | 0:02:23 | |
And it was his little brother, Charlie, I'd got me eye on. | 0:02:25 | 0:02:28 | |
Charlie! | 0:02:29 | 0:02:30 | |
He'd just started in the police, and he had such thick dark hair, | 0:02:32 | 0:02:36 | |
he always looked like he hadn't shaved since yesterday. | 0:02:36 | 0:02:38 | |
He's gone to seed now, Charlie, like some men do. | 0:02:40 | 0:02:44 | |
Dad said it was up to me if I married Michael. | 0:02:46 | 0:02:49 | |
Mum said, "How soon can you do it?" | 0:02:49 | 0:02:51 | |
I just thought... | 0:02:53 | 0:02:54 | |
..well, Alice, it could be fun. | 0:02:55 | 0:02:57 | |
It was his parents got us the weekend in Brighton. | 0:03:01 | 0:03:04 | |
We got in the hotel room, and the curtains were shut tight, | 0:03:04 | 0:03:07 | |
even though it was broad daylight outside. | 0:03:07 | 0:03:10 | |
"I think they're dropping hints," I said. | 0:03:10 | 0:03:13 | |
Michael seemed not to hear that, | 0:03:13 | 0:03:14 | |
and he went and straightened a picture on the wall. | 0:03:14 | 0:03:18 | |
I sat on the bed, | 0:03:18 | 0:03:19 | |
and there was a vase of little flowers on the bedside table, | 0:03:19 | 0:03:21 | |
so I took one out and I put it between my lips, like I'm some sort of... | 0:03:21 | 0:03:25 | |
Oh, I don't know! | 0:03:25 | 0:03:27 | |
Only, cos of the dark, | 0:03:27 | 0:03:29 | |
I hadn't realised the flowers were made of bloody cloth, so I'm sat there, | 0:03:29 | 0:03:33 | |
all demure, spitting fluff and dust out of my mouth. | 0:03:33 | 0:03:36 | |
He laughed at that. | 0:03:36 | 0:03:37 | |
We both did. | 0:03:37 | 0:03:38 | |
So I patted the bed beside me, like this. | 0:03:40 | 0:03:42 | |
But he didn't seem to... | 0:03:44 | 0:03:45 | |
Well, I thought you were meant to get straight to it, see. | 0:03:47 | 0:03:50 | |
What with how people bang on about honeymoons, | 0:03:50 | 0:03:52 | |
with their winks and nudges. | 0:03:52 | 0:03:55 | |
I say people - silly girls who wouldn't know sex from tobogganing. | 0:03:55 | 0:04:00 | |
Michael looks me up and down, like he's taking me in, and he says, | 0:04:03 | 0:04:07 | |
"That bedspread is the same pattern as your dress." | 0:04:07 | 0:04:09 | |
He goes to the window and opens the curtains. | 0:04:11 | 0:04:15 | |
It wasn't a sea view, but he stands there anyway, | 0:04:15 | 0:04:19 | |
peering outside with all the specks of dust swarming round his head. | 0:04:19 | 0:04:23 | |
He must be nervous, I thought. | 0:04:25 | 0:04:27 | |
That'd be it. That's what I thought. | 0:04:27 | 0:04:29 | |
Well, he'd probably not done it before and, of course, he knew I had. | 0:04:30 | 0:04:33 | |
So I said, "Come on, let's go out. | 0:04:35 | 0:04:38 | |
"Out the hotel, I mean." | 0:04:38 | 0:04:39 | |
We had supper and went dancing at one of the smarter ones on the front, | 0:04:40 | 0:04:44 | |
which had palm trees and a band. | 0:04:44 | 0:04:46 | |
He's a lovely mover, is Michael. | 0:04:46 | 0:04:47 | |
When the band stopped, we were both half-cut. | 0:04:49 | 0:04:51 | |
Well, half is an understatement. | 0:04:51 | 0:04:55 | |
So we stumbled back, fell into bed and passed out. | 0:04:55 | 0:04:58 | |
The second night, he said he felt sick. | 0:05:00 | 0:05:03 | |
We lived with Helen and Jack at first - | 0:05:08 | 0:05:10 | |
that's Michael's mum and dad. | 0:05:10 | 0:05:12 | |
Oh, they treated me nice, but... | 0:05:12 | 0:05:13 | |
..I looked forward to him coming home of a night. | 0:05:14 | 0:05:18 | |
I'd stopped working at the Home & Colonial, see, | 0:05:18 | 0:05:20 | |
cos Mr Barrett didn't think it right for a married woman to stay on. | 0:05:20 | 0:05:23 | |
Michael would come in, eight, nine, even ten, sometimes. | 0:05:24 | 0:05:30 | |
A bit of supper, a game of cards. | 0:05:30 | 0:05:32 | |
He said he was funny about sex, | 0:05:32 | 0:05:34 | |
what with his mum and dad sleeping only in the next room. | 0:05:34 | 0:05:37 | |
So... | 0:05:37 | 0:05:39 | |
I'd lie there with him breathing next to me, gentle enough, | 0:05:39 | 0:05:42 | |
and his dad snoring like heavy artillery from through the wall. | 0:05:42 | 0:05:45 | |
Well, it was only for a few weeks. | 0:05:47 | 0:05:49 | |
Now, when we got our flat, well... | 0:05:50 | 0:05:53 | |
should have seen it - Mum's face. | 0:05:53 | 0:05:56 | |
Helen and Jack had helped us out, you see, so it was... | 0:05:56 | 0:05:59 | |
You know? | 0:05:59 | 0:06:00 | |
Michael got this young handyman he'd met in the pub to come round and put | 0:06:03 | 0:06:07 | |
up a big new mirror in our bedroom. | 0:06:07 | 0:06:09 | |
He came round in the day when Michael was at work. | 0:06:09 | 0:06:12 | |
Nice-looking chap, he was. | 0:06:12 | 0:06:14 | |
All strong in his rolled-up sleeves, | 0:06:14 | 0:06:16 | |
and his shoulders when he lifted the thing up! | 0:06:16 | 0:06:18 | |
I had to stop myself saying something. | 0:06:19 | 0:06:21 | |
He wouldn't stay for a cup of tea after - he had more calls to make. | 0:06:22 | 0:06:26 | |
As he left, he stopped in the door to bid me, "Good day, ma'am," and said, | 0:06:26 | 0:06:31 | |
would I thank my nice husband for him? | 0:06:31 | 0:06:33 | |
When he'd gone... | 0:06:37 | 0:06:38 | |
..I stood looking in the mirror. The room seemed twice the size. | 0:06:39 | 0:06:42 | |
I took my clothes off. | 0:06:44 | 0:06:45 | |
All of them. Don't know why. | 0:06:46 | 0:06:48 | |
Curtains were open and everything. | 0:06:50 | 0:06:52 | |
Dress and petticoat on the floor. | 0:06:53 | 0:06:54 | |
Come on, Alice. | 0:06:55 | 0:06:57 | |
Let's have a look at you. | 0:06:57 | 0:06:58 | |
I can get fat, if I'm not careful. | 0:07:02 | 0:07:06 | |
Fat on my hips and arms and on my neck, and it doesn't look nice on me, | 0:07:06 | 0:07:10 | |
like with some women. Course, | 0:07:10 | 0:07:12 | |
it was natural, with me not being on my feet all day in the shop no more, but... | 0:07:12 | 0:07:16 | |
All I could think was... | 0:07:17 | 0:07:18 | |
..well, I wouldn't fuck me. | 0:07:21 | 0:07:23 | |
Well, it's easily solved, isn't it? | 0:07:27 | 0:07:29 | |
You eat less. | 0:07:29 | 0:07:30 | |
One night - this is five, six months later - | 0:07:32 | 0:07:37 | |
he comes home late, as ever, | 0:07:37 | 0:07:40 | |
he's a few drinks inside him, and he's got this new briefcase - | 0:07:40 | 0:07:44 | |
proper shiny chestnut job with gold fasteners. | 0:07:44 | 0:07:47 | |
"A present," he says. | 0:07:47 | 0:07:49 | |
"Did work give you that?" | 0:07:49 | 0:07:50 | |
He says, "No. It was from a friend." | 0:07:50 | 0:07:52 | |
"You've got nice friends," I said. | 0:07:53 | 0:07:55 | |
"I have," he said, sort of proud and sheepish at the same time. | 0:07:56 | 0:08:01 | |
A few weeks later, it was cuff links. | 0:08:03 | 0:08:05 | |
He was pleased as punch with them till he realised he didn't have any | 0:08:05 | 0:08:08 | |
of the right sort of shirts with holes in. | 0:08:08 | 0:08:10 | |
When he came home the next night, I was waiting for him. | 0:08:11 | 0:08:14 | |
"Is it a woman bought you those presents?" | 0:08:15 | 0:08:18 | |
He shakes his head... | 0:08:20 | 0:08:21 | |
..sits down on the arm of the armchair, | 0:08:22 | 0:08:24 | |
which his mum always told him off for doing cos it puts the frame out of shape. | 0:08:24 | 0:08:27 | |
"It's not a woman," he says. | 0:08:29 | 0:08:31 | |
He puts his head in his hands. | 0:08:33 | 0:08:35 | |
"It's not women." | 0:08:38 | 0:08:39 | |
I knew right away what he meant. | 0:08:45 | 0:08:47 | |
It was like the room shifted... | 0:08:49 | 0:08:50 | |
..like when they cut to a different angle in a film scene | 0:08:51 | 0:08:53 | |
or like how everything seems to settle different after you step off a carousel. | 0:08:53 | 0:08:57 | |
So I go from feeling fat to feeling bloody stupid. | 0:09:00 | 0:09:04 | |
He looks more surprised than me that he's said it. | 0:09:07 | 0:09:09 | |
I tell him... | 0:09:12 | 0:09:13 | |
"I can't be your wife, can I?" | 0:09:14 | 0:09:17 | |
He looked surprised at that, too. | 0:09:20 | 0:09:21 | |
Know what he said? | 0:09:21 | 0:09:22 | |
"I'd miss you, Alice. | 0:09:25 | 0:09:26 | |
"I'd miss you." | 0:09:31 | 0:09:32 | |
Next week, Helen invites me to lunch. | 0:09:35 | 0:09:38 | |
Well, I can hardly say I'm busy. | 0:09:38 | 0:09:40 | |
She gives me a hug right there in the porch. | 0:09:41 | 0:09:43 | |
She's more, um... | 0:09:44 | 0:09:46 | |
Oh, what's the word? Er...demonstrative than Mum is. | 0:09:46 | 0:09:49 | |
And you go along with it but, this time, it's verging on assault. | 0:09:49 | 0:09:52 | |
She says, "We'll eat in the kitchen. | 0:09:54 | 0:09:56 | |
"It's less formal." | 0:09:56 | 0:09:58 | |
Well, it's also the only room in the house that's properly warm, | 0:09:58 | 0:10:00 | |
so it suits me well enough. | 0:10:00 | 0:10:02 | |
On the table there's a bottle of wine. | 0:10:02 | 0:10:04 | |
"I know it's lunch, but I thought we'd be naughty", she says. | 0:10:04 | 0:10:07 | |
"It's a good one, apparently, so don't tell my husband." | 0:10:07 | 0:10:10 | |
Calm down, love! I wasn't thinking to leave him a note. | 0:10:10 | 0:10:14 | |
She's done us chops with cauliflower cheese, which she knows I like. | 0:10:14 | 0:10:18 | |
"How's the flat?" "Nice, thank you." | 0:10:18 | 0:10:20 | |
Her napkin's fallen off her lap onto the floor three times, so she gives up | 0:10:21 | 0:10:25 | |
on it, puts it on the table instead, clenched in her hand. | 0:10:25 | 0:10:28 | |
And then she comes out with it. | 0:10:30 | 0:10:31 | |
"You're having trouble," she says. | 0:10:33 | 0:10:35 | |
"Not me with the trouble," I say. | 0:10:36 | 0:10:38 | |
"We know how Michael is," she says. | 0:10:38 | 0:10:41 | |
"Oh." | 0:10:42 | 0:10:43 | |
It sounds stupid, | 0:10:45 | 0:10:46 | |
but it is really bothering me that the woman has somehow got cheese sauce on her wrist, | 0:10:46 | 0:10:50 | |
and she hasn't noticed. And now I can't mention it cos it's not quite the moment. | 0:10:50 | 0:10:54 | |
"It doesn't mean he can't be a good husband to you," she says. | 0:10:54 | 0:10:57 | |
"Better that than drink or gambling or illness...or women." | 0:10:57 | 0:11:02 | |
Thing is, and this is God's own truth, | 0:11:02 | 0:11:05 | |
I don't give a monkey's what he gets up to elsewhere, but... | 0:11:05 | 0:11:08 | |
Well, what I say to her is, "If it was women, | 0:11:08 | 0:11:10 | |
"at least he might show me some interest, too." | 0:11:10 | 0:11:13 | |
Bugger it! I'm close to crying, but I don't. | 0:11:14 | 0:11:16 | |
She reaches out her hand to me and, before she can touch me, | 0:11:17 | 0:11:20 | |
thank God she finally notices the muck on her wrist. | 0:11:20 | 0:11:23 | |
"He's very fond of you," she says. | 0:11:23 | 0:11:25 | |
"And so are we." And then - this is my mother-in-law - then she says, | 0:11:25 | 0:11:30 | |
"If that's all that's missing, can't you just pretend everything is normal? | 0:11:30 | 0:11:34 | |
"And if you have needs occasionally, | 0:11:34 | 0:11:36 | |
"I'm sure, if you're careful, you can go elsewhere." | 0:11:36 | 0:11:38 | |
They'll look after me well, she says. | 0:11:41 | 0:11:43 | |
I'll have a good life. She says | 0:11:43 | 0:11:45 | |
I won't have forgotten how his brother's a policeman. | 0:11:45 | 0:11:48 | |
And it would all be very difficult for him if word got out, | 0:11:48 | 0:11:51 | |
and how surely, after my own mishap, I, of all people, know how important | 0:11:51 | 0:11:56 | |
it is to appear respectable. | 0:11:56 | 0:11:58 | |
I walk home - hour and a half, even though the wind's up. | 0:12:00 | 0:12:03 | |
I can't face the Tube. | 0:12:03 | 0:12:04 | |
When Michael gets in - nearly midnight, it is - he sees my face and... | 0:12:05 | 0:12:09 | |
..he looks like he's just watched his own death. | 0:12:10 | 0:12:13 | |
"I'm so sorry," he says. | 0:12:14 | 0:12:17 | |
"It wasn't my idea." | 0:12:17 | 0:12:18 | |
I just run at him... | 0:12:19 | 0:12:20 | |
..hitting him in the chest over and over and over until I crumple, and... | 0:12:21 | 0:12:25 | |
..and he holds me tight. | 0:12:26 | 0:12:27 | |
"You got so bloody skinny," he says. | 0:12:30 | 0:12:33 | |
He asks, will I let him make me tea | 0:12:37 | 0:12:40 | |
and put me to bed and, in the morning, I can think what I want to do, and | 0:12:40 | 0:12:44 | |
he will help me, whatever I decide? | 0:12:44 | 0:12:46 | |
Well, I don't have anywhere else to go - that I'd want to go. | 0:12:46 | 0:12:50 | |
We don't say a word until I'm in bed. | 0:12:53 | 0:12:55 | |
I'm shattered. | 0:12:56 | 0:12:57 | |
He gets in, too. I don't stop him. | 0:12:59 | 0:13:01 | |
And then, | 0:13:03 | 0:13:05 | |
in the dark and safe, with my back to him, I say... | 0:13:05 | 0:13:08 | |
"It was your brother I always fancied." | 0:13:10 | 0:13:12 | |
He snorts into my neck. | 0:13:14 | 0:13:15 | |
"Yeah, you and half of London," he says. | 0:13:15 | 0:13:17 | |
He puts an arm round me, his hand warm and flat on my tummy, | 0:13:21 | 0:13:27 | |
like he sometimes does. | 0:13:27 | 0:13:28 | |
A minute later... | 0:13:31 | 0:13:32 | |
..he's cupping my breast. | 0:13:33 | 0:13:34 | |
Usually, he stays well clear, but... | 0:13:36 | 0:13:37 | |
..no mistake. | 0:13:39 | 0:13:40 | |
Feels electric. | 0:13:42 | 0:13:43 | |
And he shuffles himself up close behind me so... | 0:13:45 | 0:13:48 | |
I can feel that he's hard. | 0:13:48 | 0:13:50 | |
My heart's bloody pounding, so loud I can hear it. | 0:13:52 | 0:13:58 | |
I keep my eyes shut, even though it's dark, | 0:13:58 | 0:13:59 | |
and I can hear the clock ticking from his side of the bed, | 0:13:59 | 0:14:02 | |
slower than my heart's beating. | 0:14:02 | 0:14:04 | |
Everything out of pace. | 0:14:04 | 0:14:05 | |
But it's nice. | 0:14:09 | 0:14:10 | |
His hand slides back down from my breast to my stomach... | 0:14:15 | 0:14:17 | |
..and further down... | 0:14:19 | 0:14:20 | |
..till he finds me. | 0:14:21 | 0:14:22 | |
And his mouth is hot on my neck. | 0:14:24 | 0:14:26 | |
I don't respond to any of it... | 0:14:27 | 0:14:28 | |
..until I do. | 0:14:31 | 0:14:32 | |
So, now we were what you'd call properly husband and wife. | 0:14:37 | 0:14:40 | |
A month later... | 0:14:43 | 0:14:44 | |
..the doctor tells me I'm to start feeding myself properly... | 0:14:45 | 0:14:48 | |
..and that I'm pregnant. | 0:14:50 | 0:14:51 | |
That's Salim over there, just come in - the Arab-looking one, obviously. | 0:14:57 | 0:15:02 | |
He's very charming. | 0:15:04 | 0:15:05 | |
Not unflirtatious with me, either, | 0:15:06 | 0:15:08 | |
considering he usually walks in here with one man and leaves with another. | 0:15:08 | 0:15:13 | |
I'll say hello in a minute. | 0:15:13 | 0:15:15 | |
He'll ask what I'm doing in here by myself. | 0:15:15 | 0:15:17 | |
He's very direct, you see, with his being foreign. | 0:15:17 | 0:15:20 | |
In here without Michael is what he'll mean. | 0:15:20 | 0:15:22 | |
Well, why not? | 0:15:23 | 0:15:25 | |
It's as much my pub as his these days, in a way, | 0:15:25 | 0:15:28 | |
especially since Violet moved out and that's... | 0:15:28 | 0:15:31 | |
God, nearly ten years. | 0:15:31 | 0:15:33 | |
Can you believe it? | 0:15:33 | 0:15:34 | |
Violet - that's our daughter. | 0:15:35 | 0:15:36 | |
When she was a couple of years old, | 0:15:38 | 0:15:42 | |
I suggested to Michael he might bring friends over more often, | 0:15:42 | 0:15:45 | |
if he wanted. | 0:15:45 | 0:15:47 | |
Friends or... | 0:15:47 | 0:15:49 | |
You know. | 0:15:49 | 0:15:50 | |
Better that than not seeing him. | 0:15:52 | 0:15:53 | |
Better that than nights in without him. | 0:15:55 | 0:15:57 | |
He was shy about it at first. | 0:15:59 | 0:16:01 | |
He'd always been very discreet. | 0:16:01 | 0:16:02 | |
Couldn't fault him. | 0:16:02 | 0:16:03 | |
But we soon had men about. | 0:16:04 | 0:16:06 | |
Still do. | 0:16:06 | 0:16:08 | |
They come over, one or more of them, play cards, have a few drinks. | 0:16:08 | 0:16:13 | |
He does very well for himself, Michael. | 0:16:13 | 0:16:15 | |
He didn't go to seed, like his brother, see. | 0:16:15 | 0:16:16 | |
Don't know how he finds them. | 0:16:18 | 0:16:19 | |
Well, who cares? | 0:16:20 | 0:16:21 | |
I should go. I only came into town to buy theatre tickets for his birthday. | 0:16:24 | 0:16:28 | |
I know - fancy! | 0:16:28 | 0:16:30 | |
Me and him and Tony - he's Michael's current... | 0:16:30 | 0:16:33 | |
friend. Been a few weeks now. | 0:16:33 | 0:16:35 | |
Older than he usually goes for, more settled, you know. | 0:16:36 | 0:16:39 | |
Then Violet and her fella. | 0:16:41 | 0:16:43 | |
Oh, and a couple we're friendly with - George and Pierre. | 0:16:43 | 0:16:46 | |
Pierre's not French - he's from Carlisle. | 0:16:46 | 0:16:48 | |
He said to me once, he said, "Alice, | 0:16:48 | 0:16:50 | |
"me and George is just like any other normal long-time couple. | 0:16:50 | 0:16:53 | |
"We ain't had it off in years. At least, not with each other!" | 0:16:53 | 0:16:55 | |
Last Friday... | 0:17:00 | 0:17:01 | |
..it was, in the afternoon, when I found out it had become... | 0:17:02 | 0:17:06 | |
How would you say it? An appropriate subject for public discussion. | 0:17:09 | 0:17:13 | |
Tony came round, Michael's Tony. | 0:17:14 | 0:17:16 | |
He'd left his wallet at ours. | 0:17:16 | 0:17:18 | |
Michael was at work. And Tony puts a newspaper article into my hands that he's cut out. | 0:17:18 | 0:17:24 | |
"What do you make of this, Alice? | 0:17:24 | 0:17:25 | |
"The report on homosexual offences." | 0:17:26 | 0:17:30 | |
The headline's just three words - Crime And Sin. | 0:17:30 | 0:17:34 | |
"Imagine that, Alice," he says. | 0:17:36 | 0:17:38 | |
"Two men being allowed to do what they like - legal. | 0:17:38 | 0:17:41 | |
"No pretending." | 0:17:42 | 0:17:43 | |
And he goes. | 0:17:45 | 0:17:46 | |
But, you see, for Michael, it's not like with George and Pierre. | 0:17:49 | 0:17:53 | |
They CAN do what they like. | 0:17:55 | 0:17:57 | |
George is an actor and Pierre cuts ladies' hair. | 0:17:57 | 0:17:59 | |
Michael's got a respectable job. | 0:17:59 | 0:18:01 | |
It's been nice for him having a wife, having a family. | 0:18:01 | 0:18:04 | |
Anyway, even if things were legal, normal, even, | 0:18:06 | 0:18:10 | |
he wouldn't want to go off and live all happy couples with a man. | 0:18:10 | 0:18:13 | |
Not at his age, not at our age. | 0:18:13 | 0:18:15 | |
It wouldn't make him happier, would it? | 0:18:18 | 0:18:20 | |
He's got all he needs. | 0:18:20 | 0:18:21 | |
Always has. | 0:18:21 | 0:18:23 | |
Hasn't he? | 0:18:24 | 0:18:25 | |
Well, this was Friday, like I say, | 0:18:28 | 0:18:31 | |
so it's cinema night and we were going to see The Bridge Over The River Kwai. | 0:18:31 | 0:18:35 | |
It was very good, actually, it's our sort of film. | 0:18:35 | 0:18:38 | |
We don't go for the romantic ones, though there's usually a bit of that, isn't there, for the ladies? | 0:18:38 | 0:18:42 | |
And as we're knocking back a quick supper... | 0:18:43 | 0:18:46 | |
..I nearly ask him, what do you think about this Wolfenden report thing? | 0:18:47 | 0:18:53 | |
Not cos I'm... | 0:18:53 | 0:18:54 | |
Not because I'm worried, just interest. | 0:18:55 | 0:18:59 | |
You know. | 0:18:59 | 0:19:00 | |
But I don't say anything. | 0:19:02 | 0:19:03 | |
And we go to the pictures and he holds my hand. | 0:19:03 | 0:19:05 | |
As we're walking home, about halfway, | 0:19:07 | 0:19:09 | |
without stopping or looking at me or anything... | 0:19:09 | 0:19:11 | |
..he says, out of the blue... | 0:19:13 | 0:19:14 | |
"I'd miss you, Alice." | 0:19:16 | 0:19:17 |