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So ladies and gentlemen - to Brenda, | 0:00:03 | 0:00:07 | |
who is leaving the hospital to go to America. | 0:00:07 | 0:00:10 | |
Well, Boston's gain is Dublin's loss. And good luck to you, Brenda. | 0:00:10 | 0:00:14 | |
-EVERYONE: -Brenda. | 0:00:14 | 0:00:16 | |
# For she's a jolly good fellow... # | 0:00:16 | 0:00:19 | |
Quirke! What are you doing here? | 0:01:06 | 0:01:09 | |
Oh, no - the other way around, Mal. This is my office. | 0:01:09 | 0:01:13 | |
I'm Pathology. You're Obstetrics. | 0:01:13 | 0:01:16 | |
What are YOU doing down here, among the dead men? | 0:01:18 | 0:01:21 | |
I had a thing to check. | 0:01:21 | 0:01:23 | |
Ah. | 0:01:23 | 0:01:24 | |
Christine Falls? | 0:01:27 | 0:01:29 | |
It's late, Quirke. You should go home. | 0:01:29 | 0:01:33 | |
I was just having a few drinks upstairs with the nurses. | 0:01:33 | 0:01:36 | |
Brenda Ruttledge, you know her? | 0:01:36 | 0:01:39 | |
She was having a bit of a going-away party. | 0:01:39 | 0:01:41 | |
Going to America to try her luck. | 0:01:41 | 0:01:44 | |
Ah. | 0:01:44 | 0:01:45 | |
How's Sarah? | 0:01:47 | 0:01:49 | |
She's well. | 0:01:49 | 0:01:52 | |
Why the er, the glad rags? | 0:01:52 | 0:01:54 | |
We were at a dinner. The Knights of Saint Brendan. | 0:01:54 | 0:01:58 | |
-Good night. -Good night, Mal. | 0:01:58 | 0:02:00 | |
Dr Quirke? | 0:02:33 | 0:02:35 | |
Brenda! | 0:02:35 | 0:02:36 | |
I've always wanted to do that! Good night! | 0:02:36 | 0:02:40 | |
Good luck, Brenda. | 0:02:40 | 0:02:41 | |
Morning, Sinclair. | 0:03:42 | 0:03:44 | |
Dr Quirke. | 0:03:44 | 0:03:45 | |
Sinclair? Did you do Christine Falls this morning? | 0:04:11 | 0:04:16 | |
Who? | 0:04:16 | 0:04:17 | |
Falls. Christine. Young. Blonde. | 0:04:17 | 0:04:21 | |
She was here last night, now she's gone. | 0:04:21 | 0:04:23 | |
This is how it was when I came in. | 0:04:23 | 0:04:24 | |
Well, get her back, will you? | 0:04:24 | 0:04:27 | |
I want to do a proper PM on her. | 0:04:27 | 0:04:28 | |
Sarah? | 0:04:33 | 0:04:34 | |
-Can you give me a hand to do this blessed thing up? -Of course. | 0:04:38 | 0:04:42 | |
Is Phoebe home? | 0:04:45 | 0:04:46 | |
She won't be late. | 0:04:46 | 0:04:47 | |
She'd better not be, on this of all nights. | 0:04:49 | 0:04:53 | |
You're too hard on her, Mal. | 0:04:55 | 0:04:56 | |
Did you invite Quirke, by the way? | 0:04:59 | 0:05:01 | |
I did, but he won't come. | 0:05:01 | 0:05:05 | |
He'd rather be propping up the bar in McGonagle's than | 0:05:06 | 0:05:09 | |
celebrating his father's honour and after all he's done for him. | 0:05:09 | 0:05:14 | |
Well, I'm not sorry he won't be here. | 0:05:16 | 0:05:19 | |
The man puts everybody's back up. | 0:05:19 | 0:05:21 | |
Not mine. | 0:05:21 | 0:05:23 | |
No, not yours. | 0:05:23 | 0:05:25 | |
DOORBELL | 0:05:26 | 0:05:28 | |
It's OK, Maggie. | 0:05:28 | 0:05:29 | |
Garret. Come in. | 0:05:31 | 0:05:33 | |
-Am I the first again? -Ah... | 0:05:33 | 0:05:35 | |
I'm always too early. | 0:05:35 | 0:05:37 | |
We'll have time to chat before the others come and monopolise you. | 0:05:37 | 0:05:40 | |
There we are. | 0:05:40 | 0:05:41 | |
Good evening, father. | 0:05:41 | 0:05:43 | |
And er, congratulations. | 0:05:43 | 0:05:45 | |
Ah, there you are. | 0:05:45 | 0:05:46 | |
Do you call this a low dive? | 0:05:54 | 0:05:56 | |
Low enough. What would you like to drink, Phoebe? | 0:05:56 | 0:06:00 | |
Gin. I want gin. | 0:06:00 | 0:06:02 | |
Gin and tonic, Dave. More tonic than gin. | 0:06:02 | 0:06:06 | |
They're trying to make me give him up. Even Grandad. | 0:06:06 | 0:06:09 | |
They say he's "not our sort". | 0:06:09 | 0:06:11 | |
And a Protestant to boot! | 0:06:11 | 0:06:13 | |
They're such snobs. | 0:06:14 | 0:06:16 | |
So what does er, what does your mother say? | 0:06:16 | 0:06:20 | |
"Now, Phoebe, you must think of the family. | 0:06:20 | 0:06:22 | |
"Think of your father's reputation!" | 0:06:22 | 0:06:26 | |
Your face! You won't hear a word said against her, will you? | 0:06:26 | 0:06:30 | |
Was she always like that? | 0:06:30 | 0:06:32 | |
Sarah the good girl and Delia the bad one? | 0:06:32 | 0:06:36 | |
So what do you want me to do? | 0:06:36 | 0:06:37 | |
Talk to them. Talk to Grandad. You're his blue-eyed boy, after all. | 0:06:37 | 0:06:41 | |
And Daddy will do whatever Grandad tells him. | 0:06:42 | 0:06:46 | |
So are you er, are you in love with this boy? | 0:06:46 | 0:06:49 | |
God, no! | 0:06:49 | 0:06:51 | |
You're not thinking of running away again, are you? | 0:06:51 | 0:06:53 | |
Maybe I'll elope with you. | 0:06:53 | 0:06:56 | |
Ha! No, thanks. | 0:06:56 | 0:06:57 | |
It wouldn't be incest. You and daddy aren't real brothers, after all. | 0:06:57 | 0:07:01 | |
And we could go to Boston together! | 0:07:01 | 0:07:03 | |
I hate Boston. | 0:07:03 | 0:07:04 | |
Why? You all loved it when you lived there. | 0:07:04 | 0:07:07 | |
Jesus Christ in gaiters - if it isn't Doctor Death! | 0:07:07 | 0:07:10 | |
Oh, no. Hello, Brendan. | 0:07:10 | 0:07:12 | |
And who's this? | 0:07:12 | 0:07:13 | |
My niece, Phoebe Griffin. | 0:07:13 | 0:07:15 | |
By God, Doc, they're making nieces nicer every day! Griffin, though. | 0:07:15 | 0:07:21 | |
No relation to the great judge Garret Griffin, I suppose? | 0:07:21 | 0:07:25 | |
No, no. Completely different family, Brendan. | 0:07:25 | 0:07:27 | |
-He's my grandad. -Come on. | 0:07:27 | 0:07:30 | |
Grandad, is it? | 0:07:30 | 0:07:31 | |
Do you know he's the one that sent me down in '45 | 0:07:31 | 0:07:34 | |
for setting off a couple of firebombs? | 0:07:34 | 0:07:35 | |
Three years in the boys' jail your grandad gave me, the old sod! | 0:07:35 | 0:07:39 | |
A boy of 16! What do you think of that? | 0:07:39 | 0:07:42 | |
We're just going, Brendan. All the best. | 0:07:42 | 0:07:44 | |
And now he's after being made Papal Count! | 0:07:44 | 0:07:48 | |
If Count's the right word exactly. | 0:07:48 | 0:07:51 | |
Phoebe, where have you been? Your father has been... | 0:07:56 | 0:07:59 | |
Oh. Quirke. | 0:07:59 | 0:08:01 | |
I'm just bringing the black sheep home. | 0:08:01 | 0:08:04 | |
It's all right, Mal, I'm not staying. | 0:08:04 | 0:08:06 | |
Oh, but you must. | 0:08:06 | 0:08:07 | |
The Judge would never forgive me if I let you go without seeing him. | 0:08:11 | 0:08:15 | |
-Sure? -Come on in. | 0:08:15 | 0:08:18 | |
I thought you weren't coming, you rascal! | 0:08:18 | 0:08:20 | |
Phoebe insisted. And congratulations. | 0:08:20 | 0:08:23 | |
Count Garret Griffin. That has a ring to it. | 0:08:23 | 0:08:26 | |
Actually it's Garret, Count Griffin. | 0:08:26 | 0:08:28 | |
That's the proper form of address. | 0:08:28 | 0:08:31 | |
Malachy, my boy, would you ever go and get your thirsty brother a drink? | 0:08:31 | 0:08:35 | |
What do you think you are doing? Phoebe? | 0:08:35 | 0:08:38 | |
She looks as if she's had a couple already. | 0:08:38 | 0:08:41 | |
-Is this true? -It was my fault, Mal. I took her to McGonagle's. | 0:08:41 | 0:08:44 | |
Do you think it's funny to take a girl of her age | 0:08:44 | 0:08:47 | |
to a place like that? | 0:08:47 | 0:08:48 | |
Why don't we all step into the dining room? | 0:08:48 | 0:08:50 | |
McGonagle's, is it? Lord, I haven't set foot in that den of iniquity | 0:08:50 | 0:08:54 | |
for I don't know when! | 0:08:54 | 0:08:56 | |
Let's go in. I'm hungry - if no-one else is! | 0:08:56 | 0:08:59 | |
-What the hell are you playing at, Quirke? -Nothing, Mal. | 0:09:10 | 0:09:13 | |
You come to my house drunk, | 0:09:15 | 0:09:18 | |
you get my daughter drunk on the night when our father... | 0:09:18 | 0:09:22 | |
I'm sorry. | 0:09:22 | 0:09:24 | |
You've no place here. | 0:09:24 | 0:09:26 | |
All right, what was Christine Falls about? | 0:09:27 | 0:09:31 | |
-Was she your patient, Mal? -Don't you think you've caused enough trouble tonight? | 0:09:31 | 0:09:35 | |
Is that why you came to my office last night? | 0:09:35 | 0:09:38 | |
How did she die, Mal? | 0:09:38 | 0:09:40 | |
Negligence cases... | 0:09:42 | 0:09:43 | |
It wasn't negligence! | 0:09:43 | 0:09:45 | |
I think this might be yours. | 0:09:50 | 0:09:52 | |
You left it behind in the office yesterday. | 0:09:52 | 0:09:54 | |
Just stay out of it. | 0:09:59 | 0:10:01 | |
It's nothing to do with you. | 0:10:03 | 0:10:05 | |
Pulmonary embolism, my foot. | 0:10:12 | 0:10:16 | |
I can't make out the doctor's signature. | 0:10:16 | 0:10:19 | |
Well, I suppose whoever it was must have done it out of delicacy, | 0:10:19 | 0:10:23 | |
to preserve the poor girl's character. | 0:10:23 | 0:10:26 | |
I don't want anything. | 0:11:07 | 0:11:10 | |
It's about Christine Falls, Miss Moran. | 0:11:10 | 0:11:12 | |
RADIO PLAYS: "Memories Are Made Of This" | 0:11:20 | 0:11:24 | |
SHE SWITCHES RADIO OFF | 0:11:25 | 0:11:28 | |
I know who you are, you know. | 0:11:28 | 0:11:30 | |
I used to work for the Griffins. | 0:11:33 | 0:11:35 | |
I didn't know that. | 0:11:36 | 0:11:37 | |
Oh, yes, when Dr and Mrs Mal first came back from Boston, | 0:11:37 | 0:11:41 | |
I used to look after their little girl. Phoebe her name was. | 0:11:41 | 0:11:45 | |
Sorry, I don't...I don't remember. | 0:11:45 | 0:11:47 | |
Ah, well. After your wife died, you weren't around much. | 0:11:47 | 0:11:50 | |
I did the postmortem on Christine. I know how she died. | 0:11:54 | 0:11:59 | |
Chrissie. Never called her Christine. Chrissie, her name was. | 0:11:59 | 0:12:04 | |
Would you like to tell me what happened? | 0:12:04 | 0:12:07 | |
Ah, it was terrible. | 0:12:12 | 0:12:13 | |
Something went wrong. | 0:12:16 | 0:12:17 | |
She was bleeding - the sheets were soaked. | 0:12:20 | 0:12:22 | |
By the time the ambulance came, it was too late. | 0:12:22 | 0:12:25 | |
Maybe it was for the best. | 0:12:27 | 0:12:29 | |
What kind of life would she have had, her or the child? | 0:12:29 | 0:12:32 | |
I knew a girl had a baby like that. | 0:12:34 | 0:12:36 | |
They took it off her, put it in an orphanage. | 0:12:36 | 0:12:39 | |
And you know what it's like to grow up in a place like that. | 0:12:39 | 0:12:44 | |
Why did you call a consultant? | 0:12:46 | 0:12:49 | |
Why didn't you telephone for the ambulance yourself? | 0:12:49 | 0:12:51 | |
God love you. I called Dr Mal because Chrissie wanted him. | 0:12:51 | 0:12:57 | |
Sure she used to work up at the house too. | 0:12:57 | 0:12:59 | |
Or do you not remember that either? | 0:12:59 | 0:13:01 | |
What happened to the child? | 0:13:03 | 0:13:04 | |
A little girl it was. | 0:13:07 | 0:13:09 | |
And what happened to her? | 0:13:09 | 0:13:11 | |
Forget about her. | 0:13:13 | 0:13:14 | |
I've said more than I should have already. | 0:13:16 | 0:13:18 | |
Is she alive? | 0:13:20 | 0:13:21 | |
Did she live? | 0:13:25 | 0:13:26 | |
Um... | 0:13:35 | 0:13:36 | |
Here's my card. You can telephone me any time you want. | 0:13:38 | 0:13:42 | |
And thank you. | 0:13:44 | 0:13:45 | |
I've it all written down, you know. | 0:13:48 | 0:13:51 | |
And I know where to send it, if anything should happen. | 0:13:51 | 0:13:54 | |
And that's all I'm saying. | 0:13:54 | 0:13:55 | |
No, no, thank you. | 0:14:02 | 0:14:03 | |
Oh, come on, Mal, have a drink with me for once. | 0:14:03 | 0:14:06 | |
No. Thank you. | 0:14:06 | 0:14:08 | |
I wanted to apologise. | 0:14:10 | 0:14:12 | |
For what? | 0:14:12 | 0:14:14 | |
Last night. I was out of order. | 0:14:14 | 0:14:15 | |
You were. | 0:14:17 | 0:14:18 | |
This girl, Christine Falls. | 0:14:23 | 0:14:27 | |
I got her back from the morgue and I did a PM on her. | 0:14:28 | 0:14:32 | |
You lied to me, Mal. Pulmonary embolism? | 0:14:32 | 0:14:37 | |
You could've come up with something better than that. | 0:14:37 | 0:14:39 | |
And you weren't looking up her file, | 0:14:39 | 0:14:41 | |
you were signing her death certificate with your left hand, | 0:14:41 | 0:14:45 | |
to disguise it. Now what the hell were you up to? | 0:14:45 | 0:14:47 | |
You've er...kept this to yourself? | 0:14:49 | 0:14:52 | |
Yes, I have. | 0:14:52 | 0:14:53 | |
I'm not your enemy, Mal. | 0:14:56 | 0:14:57 | |
Now what about the girl? | 0:15:00 | 0:15:02 | |
I know she worked at the house, I have that from Dolly Moran. | 0:15:02 | 0:15:06 | |
What else did she tell you? | 0:15:06 | 0:15:07 | |
Not much. But she has it all written down. | 0:15:07 | 0:15:11 | |
She told me that. | 0:15:11 | 0:15:12 | |
Chrissie was going out with some fellow and er - the usual. | 0:15:16 | 0:15:23 | |
We had to let her go, of course. | 0:15:23 | 0:15:25 | |
I arranged for the Moran woman to look after her. | 0:15:27 | 0:15:31 | |
I got a call that night. I sent an ambulance. | 0:15:31 | 0:15:34 | |
It was too late. | 0:15:36 | 0:15:39 | |
But why would you go to all that trouble? | 0:15:39 | 0:15:41 | |
Why would you risk your career? | 0:15:41 | 0:15:43 | |
Look - I did it for the family. | 0:15:43 | 0:15:45 | |
-Whose family? -The girl's, of course. | 0:15:45 | 0:15:47 | |
What about the father? | 0:15:50 | 0:15:51 | |
I tell you, it was just some fellow. We didn't even know his name. | 0:15:51 | 0:15:55 | |
Should I believe you, Mal? | 0:15:58 | 0:16:01 | |
I don't care whether you believe me or not. | 0:16:01 | 0:16:03 | |
What about the child? | 0:16:06 | 0:16:08 | |
What about her? | 0:16:08 | 0:16:10 | |
Where is she, Mal? | 0:16:10 | 0:16:12 | |
Gone. | 0:16:12 | 0:16:13 | |
Stillborn. | 0:16:14 | 0:16:15 | |
Sad business. | 0:16:20 | 0:16:23 | |
Very. But these things happen, you know. | 0:16:23 | 0:16:26 | |
Well, if you'll excuse me, Quirke, I have to make a phone call. | 0:16:28 | 0:16:32 | |
I have to work this afternoon, even if you don't. | 0:16:35 | 0:16:39 | |
Thanks for the lunch. | 0:16:41 | 0:16:42 | |
HE SIGHS | 0:16:47 | 0:16:49 | |
BELL TOLLS | 0:16:55 | 0:16:59 | |
DOOR OPENS | 0:17:24 | 0:17:27 | |
Miss Ruttledge, is it? | 0:17:27 | 0:17:29 | |
Brenda. | 0:17:29 | 0:17:30 | |
Welcome to Boston and to St Madeleine's. | 0:17:30 | 0:17:33 | |
I'm very glad to be here, sister. | 0:17:33 | 0:17:35 | |
And the journey went well, all according to plan? | 0:17:35 | 0:17:37 | |
Oh, yes, sister. | 0:17:37 | 0:17:41 | |
And this must be the baby. | 0:17:41 | 0:17:42 | |
Yes. Little Christine, we call her. | 0:17:42 | 0:17:46 | |
Sarah? | 0:17:57 | 0:17:59 | |
I'm sorry, this is not a good time for you. | 0:17:59 | 0:18:02 | |
Is everything all right? | 0:18:02 | 0:18:03 | |
I've been awake half the night worrying about Phoebe. | 0:18:03 | 0:18:07 | |
What, the boyfriend? | 0:18:07 | 0:18:09 | |
I don't want her to...get herself tied up in an early marriage. | 0:18:09 | 0:18:15 | |
She's so young. | 0:18:17 | 0:18:18 | |
Weren't we all once? | 0:18:18 | 0:18:20 | |
If she's in love with this boy and she wants to marry him, | 0:18:22 | 0:18:25 | |
then there's nothing you or I can do about that. | 0:18:25 | 0:18:28 | |
But I don't believe that she is. | 0:18:28 | 0:18:31 | |
I think it's just her way of rebelling. | 0:18:31 | 0:18:34 | |
How do you know that? | 0:18:34 | 0:18:36 | |
Just things she tells me. | 0:18:36 | 0:18:37 | |
Why does she confide in you and not in Mal or me? | 0:18:37 | 0:18:40 | |
Oh, you know the way these things go in families. | 0:18:40 | 0:18:43 | |
All right, I'll talk to her. Oh...I'm late. | 0:18:47 | 0:18:52 | |
Will you walk with me? | 0:18:53 | 0:18:55 | |
No. No, you go ahead. | 0:18:55 | 0:18:59 | |
Evening, Dolly. | 0:19:33 | 0:19:34 | |
Nasty business tonight, Dr Quirke. | 0:19:40 | 0:19:42 | |
Dr Quirke! Is it yourself now? | 0:19:56 | 0:19:59 | |
Fine bit of work for us both here. | 0:20:03 | 0:20:05 | |
Oh, God. | 0:20:11 | 0:20:13 | |
Are you all right, Dr Quirke? | 0:20:33 | 0:20:34 | |
Yeah. | 0:20:37 | 0:20:38 | |
No surprises, Dr Quirke. | 0:20:43 | 0:20:46 | |
Inter-cranial haematoma. | 0:20:46 | 0:20:47 | |
Fell over sideways, knocked her head on the floor. | 0:20:47 | 0:20:51 | |
But she has cigarette burns all up her arms | 0:20:51 | 0:20:53 | |
and her fingernails are all mashed up. | 0:20:53 | 0:20:56 | |
I suppose whoever it was, | 0:20:56 | 0:20:57 | |
was torturing her to find out where her money was hidden. | 0:20:57 | 0:21:01 | |
Good. Thanks, Sinclair. | 0:21:01 | 0:21:02 | |
Do you want me to write up the report? | 0:21:03 | 0:21:05 | |
If you would, thank you. | 0:21:05 | 0:21:06 | |
Doctor. | 0:21:14 | 0:21:16 | |
Inspector Hackett. | 0:21:16 | 0:21:17 | |
Oh, what's the story on Dolly Moran then? | 0:21:22 | 0:21:26 | |
I'd say that she died accidently. | 0:21:29 | 0:21:32 | |
Whoever it was meant to hurt her, not to kill her. | 0:21:32 | 0:21:35 | |
Manslaughter, I'd say. | 0:21:35 | 0:21:36 | |
Do you think so? | 0:21:38 | 0:21:40 | |
Perhaps we should leave the legal verdict to the judge | 0:21:40 | 0:21:42 | |
after we catch the boys that did it. | 0:21:42 | 0:21:44 | |
I was wondering what they were after. Would you have any idea? | 0:21:48 | 0:21:52 | |
No. | 0:21:52 | 0:21:54 | |
We found this at the scene. | 0:21:54 | 0:21:58 | |
Under the clock on the mantelpiece. | 0:21:58 | 0:22:01 | |
It's your card, Dr Quirke. | 0:22:02 | 0:22:04 | |
What was Dolly doing with your card? | 0:22:06 | 0:22:08 | |
There was a girl who died. I did the postmortem. | 0:22:09 | 0:22:14 | |
Dolly knew her. | 0:22:15 | 0:22:16 | |
She just...she wanted to know the cause of death, that's all. | 0:22:16 | 0:22:20 | |
Name of this girl? | 0:22:20 | 0:22:21 | |
Christine Falls. | 0:22:23 | 0:22:25 | |
And what was her connection with Dolly? | 0:22:25 | 0:22:28 | |
She, er, she didn't say. | 0:22:28 | 0:22:31 | |
And what did she die of, this girl? | 0:22:31 | 0:22:33 | |
Pulmonary embolism. | 0:22:33 | 0:22:35 | |
Oh. How old was she? | 0:22:35 | 0:22:38 | |
Young. It happens. | 0:22:38 | 0:22:41 | |
Does it now? Right. I'll be off. | 0:22:41 | 0:22:44 | |
Thanks for the drink. | 0:22:48 | 0:22:49 | |
If you er, find out anything, you'll...you'll let me know? | 0:22:51 | 0:22:55 | |
Oh, I'm sure we'll find out plenty of things, I'm sure. | 0:22:55 | 0:23:00 | |
Christine Falls you say? | 0:23:00 | 0:23:02 | |
Yes. | 0:23:03 | 0:23:04 | |
Good luck. | 0:23:06 | 0:23:07 | |
What are you doing here? | 0:23:26 | 0:23:27 | |
You don't believe in all this, do you? | 0:23:28 | 0:23:31 | |
I try to. What do you want, Quirke? | 0:23:31 | 0:23:35 | |
I want to know what happened to Dolly Moran. | 0:23:36 | 0:23:39 | |
I should imagine I know less about it than you. | 0:23:39 | 0:23:41 | |
I'm not the one going round poking my nose into places where | 0:23:41 | 0:23:44 | |
it's liable to get cut off. | 0:23:44 | 0:23:45 | |
Are you threatening your own brother now? | 0:23:47 | 0:23:50 | |
You're not my brother. | 0:23:50 | 0:23:51 | |
Look, all I know is that I told you that Dolly Moran kept | 0:23:51 | 0:23:54 | |
a written record of all the things with Christine Falls, and the | 0:23:54 | 0:23:57 | |
next night she's been tortured, and her skull has been smashed in. | 0:23:57 | 0:24:02 | |
Now tell me these things are not connected | 0:24:02 | 0:24:04 | |
and that you're not up to your neck in it. | 0:24:04 | 0:24:06 | |
I know nothing about it. | 0:24:06 | 0:24:07 | |
And if you're not prepared to go to the police and tell the truth, then I will. | 0:24:07 | 0:24:11 | |
THUNDER | 0:24:18 | 0:24:22 | |
So what's this delicate matter you need to discuss? | 0:24:28 | 0:24:32 | |
You're not in trouble, are you? | 0:24:32 | 0:24:34 | |
Well, not exactly. | 0:24:34 | 0:24:37 | |
Come on, spit it out. | 0:24:37 | 0:24:39 | |
-There was a girl.... -Uh! No! | 0:24:39 | 0:24:41 | |
No, no, no. It wasn't anything like that. | 0:24:41 | 0:24:44 | |
There's this girl called Christine Falls. | 0:24:44 | 0:24:48 | |
She died giving birth | 0:24:48 | 0:24:52 | |
and I did the postmortem. | 0:24:52 | 0:24:54 | |
Yours is a strange profession. | 0:24:55 | 0:24:58 | |
Always coming in at the end of things. | 0:24:58 | 0:25:00 | |
Mal wrote up a file on her. | 0:25:03 | 0:25:08 | |
How do you mean, wrote up a file? | 0:25:08 | 0:25:10 | |
So that there would be no mention of a child. | 0:25:11 | 0:25:15 | |
So what are you saying - that he falsified it? | 0:25:15 | 0:25:17 | |
He says that he rewrote the file | 0:25:17 | 0:25:20 | |
so that the family wouldn't have to deal with the mention of a child. | 0:25:20 | 0:25:24 | |
Bloody fool. He was always a bloody fool. | 0:25:24 | 0:25:28 | |
What connection did he have with this girl? | 0:25:28 | 0:25:31 | |
Was she his patient, or was she something else? | 0:25:31 | 0:25:35 | |
I don't know. | 0:25:35 | 0:25:36 | |
All I know is that she worked at the house as a maid and then she... | 0:25:36 | 0:25:41 | |
she got into trouble. | 0:25:41 | 0:25:42 | |
She was being looked after by a woman in Crimea Street. | 0:25:42 | 0:25:46 | |
She died in this woman's house, is that so? | 0:25:46 | 0:25:49 | |
And did Mal know her as well? | 0:25:49 | 0:25:51 | |
He was paying her to look after the girl. | 0:25:51 | 0:25:54 | |
Oh. Fine set of acquaintances my son has. | 0:25:54 | 0:25:58 | |
And now she's dead, too. She was killed a few days ago. | 0:25:58 | 0:26:03 | |
You knew her - Dolly Moran. Do you remember her? | 0:26:03 | 0:26:07 | |
She used to work at the house for you and Nana, | 0:26:07 | 0:26:09 | |
before she went to Mal and Sarah's. | 0:26:09 | 0:26:11 | |
Dolores? Not Dolores! Oh, merciful God - no, no. | 0:26:11 | 0:26:17 | |
Why ever would anyone want to kill her? | 0:26:17 | 0:26:20 | |
Because of what she might know. | 0:26:20 | 0:26:22 | |
What would she know? | 0:26:22 | 0:26:24 | |
She might know who the father was. | 0:26:24 | 0:26:25 | |
And what happened to the baby. | 0:26:25 | 0:26:28 | |
And you think Malachy might have been involved in her death? | 0:26:28 | 0:26:31 | |
Your own brother? | 0:26:31 | 0:26:33 | |
I don't know what to think, Garret. | 0:26:33 | 0:26:35 | |
All I know is that he falsified the death certificate. | 0:26:35 | 0:26:40 | |
Oh, no, no, no, no. | 0:26:40 | 0:26:42 | |
No. That's not Mal. | 0:26:42 | 0:26:44 | |
That's not Mal! There must be an innocent explanation. | 0:26:44 | 0:26:48 | |
I'll have a word with him. | 0:26:48 | 0:26:50 | |
I'll tell him he's been a bloody fool. | 0:26:50 | 0:26:53 | |
I'm glad you told me this. You did the right thing. | 0:26:53 | 0:26:57 | |
You were always a good boy. | 0:26:57 | 0:27:00 | |
In spite of appearances to the contrary! | 0:27:00 | 0:27:02 | |
Quirke! | 0:27:19 | 0:27:20 | |
Oh, God! Phoebe! No! | 0:27:20 | 0:27:23 | |
-Let me in! -Come in! -I'm all wet. | 0:27:23 | 0:27:25 | |
THEY LAUGH | 0:27:31 | 0:27:34 | |
I've been to a party. | 0:27:37 | 0:27:38 | |
Uh-huh. | 0:27:38 | 0:27:40 | |
I'm a bit drunk. | 0:27:40 | 0:27:41 | |
Really(?) | 0:27:41 | 0:27:43 | |
OK, sit down. | 0:27:45 | 0:27:46 | |
Sit down! | 0:27:50 | 0:27:51 | |
I'm going to get a towel to dry your hair. | 0:27:54 | 0:27:57 | |
Get out of that dress. You're soaked. | 0:27:57 | 0:27:59 | |
Drink this, and then I'm going to call you a taxi. | 0:28:19 | 0:28:24 | |
Oh, don't do that. Let me stay with you. | 0:28:24 | 0:28:27 | |
Are you mad? Your father and mother would kill me. | 0:28:27 | 0:28:31 | |
I'd tell them I insisted. | 0:28:31 | 0:28:35 | |
So was it boyfriend trouble tonight? | 0:28:35 | 0:28:39 | |
You could say that. I think it's over. | 0:28:39 | 0:28:42 | |
Are you upset? | 0:28:44 | 0:28:46 | |
Not as much as I thought I might be. | 0:28:46 | 0:28:48 | |
Were you...involved...deeply with him? | 0:28:51 | 0:28:57 | |
Do you mean were we having sex? | 0:28:58 | 0:29:00 | |
"Anticipating marriage", as the nuns say? No, we weren't. | 0:29:00 | 0:29:05 | |
I've been saving that for you, Quirke. | 0:29:06 | 0:29:08 | |
Oh, for God's sake, don't say things like that, Phoebe - even if you don't mean them. | 0:29:08 | 0:29:12 | |
What if I do? | 0:29:12 | 0:29:14 | |
Mummy wants me to go out to Boston. | 0:29:16 | 0:29:19 | |
She thinks I'd be safer there with her stuck-up family. | 0:29:19 | 0:29:22 | |
Really? I think that's a good idea. | 0:29:22 | 0:29:24 | |
Well, I'll go if you come with me. | 0:29:26 | 0:29:29 | |
-Will you? -No. | 0:29:29 | 0:29:32 | |
You're so mean to me, Quirke. | 0:29:32 | 0:29:34 | |
Now, Claire and Andy, | 0:29:49 | 0:29:52 | |
you do understand, don't you? | 0:29:52 | 0:29:54 | |
This is not an adoption in the official sense. | 0:29:54 | 0:29:58 | |
St Madeleine's has its own arrangements. | 0:29:58 | 0:30:02 | |
The Lord is our legislator. | 0:30:02 | 0:30:04 | |
And you understand too, both of you, that when the time comes, | 0:30:04 | 0:30:08 | |
it will be Mr Crawford and his people | 0:30:08 | 0:30:11 | |
who will decide on the child's education. | 0:30:11 | 0:30:13 | |
-We understand, Sister. -Good. | 0:30:13 | 0:30:14 | |
Now, Mr Crawford has chosen you because you are both trusted | 0:30:16 | 0:30:20 | |
employees of Crawford Transport but it is also very important | 0:30:20 | 0:30:24 | |
that little Christine should remain in the faith she was born into. | 0:30:24 | 0:30:29 | |
You are both practising Catholics? | 0:30:29 | 0:30:32 | |
We go to Mass every Sunday. Don't we, Andy? | 0:30:32 | 0:30:35 | |
Yeah. | 0:30:35 | 0:30:36 | |
All right. Come along. | 0:30:41 | 0:30:44 | |
This is the heart of St Madeleine's and our pride and joy. | 0:30:48 | 0:30:51 | |
And here is your new little daughter. | 0:30:54 | 0:30:56 | |
Christine! | 0:30:59 | 0:31:02 | |
-May I? -Please. | 0:31:02 | 0:31:04 | |
Hey. | 0:31:07 | 0:31:08 | |
Hey. | 0:31:12 | 0:31:13 | |
So Christine, how do you like your new home? | 0:31:46 | 0:31:49 | |
She says she likes it very much indeed! | 0:31:49 | 0:31:52 | |
Well, ain't that fine and dandy! | 0:31:52 | 0:31:55 | |
You know what, Mrs Stafford? | 0:32:00 | 0:32:02 | |
It's OK! | 0:32:05 | 0:32:06 | |
Baby says she wants to go down for a little shut-eye. | 0:32:06 | 0:32:10 | |
Know what I'm saying? | 0:32:14 | 0:32:16 | |
Oh, Andy - not now. | 0:32:16 | 0:32:18 | |
You want it as much as I do. | 0:32:19 | 0:32:20 | |
Bedroom. Now. | 0:32:22 | 0:32:24 | |
OK. | 0:32:28 | 0:32:29 | |
That's my girl. Come on. | 0:32:39 | 0:32:42 | |
She don't need to see this! | 0:32:43 | 0:32:45 | |
BELL TOLLS | 0:32:51 | 0:32:52 | |
Morning, Dr Quirke. | 0:32:52 | 0:32:55 | |
Just passing. Thought I might catch you. | 0:32:55 | 0:32:58 | |
At eight o'clock in the morning? Just passing? | 0:32:58 | 0:33:00 | |
Ah, sure, I've always been an early riser. Giant lark, that's me. | 0:33:00 | 0:33:03 | |
Will I walk along with you a bit? | 0:33:03 | 0:33:05 | |
So. Any developments in the Dolly Moran case? | 0:33:05 | 0:33:08 | |
No, there is not. | 0:33:08 | 0:33:10 | |
Except that I've been directed to drop the investigation. | 0:33:10 | 0:33:14 | |
Lack of evidence. | 0:33:14 | 0:33:17 | |
That's absurd, isn't it? | 0:33:17 | 0:33:18 | |
Orders from on high. | 0:33:18 | 0:33:21 | |
I was wondering if you might be able to tell me anything. | 0:33:21 | 0:33:23 | |
For the fact is, you seem to me like a man burdened with a secret. | 0:33:23 | 0:33:27 | |
I've told you everything I know. | 0:33:27 | 0:33:29 | |
Have you now? Cos here's the thing. | 0:33:29 | 0:33:31 | |
Before I was called off the case, and maybe, for all I know, | 0:33:31 | 0:33:34 | |
it was the reason I was called off it, I discovered that Dolly Moran | 0:33:34 | 0:33:36 | |
used to work for the family of Chief Justice Garret Griffin himself. | 0:33:36 | 0:33:40 | |
Your family. You didn't mention that, did you, when we had our little chat? | 0:33:40 | 0:33:44 | |
-I suppose it must have just slipped your mind. -I didn't think it was relevant. | 0:33:44 | 0:33:47 | |
Well, maybe it isn't. None of my concern now. | 0:33:47 | 0:33:51 | |
Oh, by the by, did Dolly | 0:33:51 | 0:33:53 | |
Moran mention anything to you about the Mothers of Mercy Laundry? | 0:33:53 | 0:33:57 | |
Place up in Ringsend. | 0:33:57 | 0:33:59 | |
They take in girls that have got themselves in trouble | 0:33:59 | 0:34:02 | |
and work them till they've - what's the word? Expiated their sin. | 0:34:02 | 0:34:05 | |
That's it. | 0:34:05 | 0:34:07 | |
There was some talk of Dolly Moran being connected with the place. | 0:34:07 | 0:34:09 | |
No, Dolly didn't mention anything about that to me. | 0:34:09 | 0:34:13 | |
Yeah, she was good at keeping secrets, it seems. Poor old Dolly. | 0:34:13 | 0:34:16 | |
Fat lot of good it did her. | 0:34:16 | 0:34:18 | |
-Well, I'll let you get on, Dr Quirke. Good luck. -Good. | 0:34:20 | 0:34:23 | |
I'm so sorry, Dr Quirke, but I'm afraid | 0:34:44 | 0:34:47 | |
you've had a wasted journey. I can't help you at all. | 0:34:47 | 0:34:50 | |
So the name doesn't mean anything to you...at all? | 0:34:50 | 0:34:54 | |
No. You tell me that she died? | 0:34:54 | 0:34:58 | |
Yes, in childbirth. | 0:34:58 | 0:34:59 | |
How very sad. | 0:35:01 | 0:35:03 | |
-And what became of the child? -I don't know. | 0:35:03 | 0:35:06 | |
That's one of the things I was hoping to find out. | 0:35:06 | 0:35:09 | |
Well, as I say... | 0:35:11 | 0:35:12 | |
And er, Dolores Moran, she would have been known as er, | 0:35:13 | 0:35:18 | |
Dolly Moran. | 0:35:18 | 0:35:20 | |
I've never heard the name Dolly Moran. | 0:35:20 | 0:35:22 | |
Maisie! Watch where you're going! | 0:35:22 | 0:35:24 | |
Sorry, Sister. | 0:35:24 | 0:35:25 | |
All right, get on now. | 0:35:25 | 0:35:27 | |
Right-oh, Sister. | 0:35:27 | 0:35:28 | |
So let's say Christine Falls HAD been here, what would, | 0:35:31 | 0:35:34 | |
what would have happened to her baby? | 0:35:34 | 0:35:36 | |
The babies go to an orphanage, of course. | 0:35:36 | 0:35:39 | |
Like Carricklea. | 0:35:39 | 0:35:41 | |
Yes, if they're boys. | 0:35:41 | 0:35:42 | |
That's what they did with me. | 0:35:44 | 0:35:47 | |
Ah, so that's why you're so interested? | 0:35:47 | 0:35:49 | |
Only partially. | 0:35:49 | 0:35:50 | |
Carricklea was a... | 0:35:51 | 0:35:54 | |
is a bleak place. | 0:35:54 | 0:35:57 | |
A little bit like this, if you'll allow me to say. | 0:35:57 | 0:36:00 | |
Dr Quirke, the girls who come here find themselves in trouble | 0:36:01 | 0:36:06 | |
with no-one to help. | 0:36:06 | 0:36:07 | |
Their families reject them - that's when they're sent here. | 0:36:07 | 0:36:11 | |
We do the best we can for them. | 0:36:11 | 0:36:13 | |
Oh, I'm sure you're a great comfort to them. | 0:36:13 | 0:36:16 | |
Would you rather we sent them home to be raped by their fathers? | 0:36:17 | 0:36:21 | |
Thank you for your time, Sister. | 0:36:24 | 0:36:27 | |
Maisie! Maisie! | 0:37:08 | 0:37:10 | |
Yeah? Give us a puff of that. | 0:37:17 | 0:37:18 | |
I wanted to know if anyone here knows anything about a woman | 0:37:24 | 0:37:27 | |
called Dolly Moran. | 0:37:27 | 0:37:28 | |
I know, I heard you. | 0:37:28 | 0:37:30 | |
And the old hake said she'd never heard of her. | 0:37:30 | 0:37:33 | |
That's a good one, | 0:37:33 | 0:37:34 | |
with her here every second week collecting babbies. | 0:37:34 | 0:37:38 | |
And where did she take them? | 0:37:38 | 0:37:41 | |
I heard it was for sending them off to America. | 0:37:41 | 0:37:43 | |
They won't get mine, that's for sure. | 0:37:43 | 0:37:46 | |
I'll run away, so I will. I have the money saved. | 0:37:46 | 0:37:48 | |
How did you come to be here? | 0:37:53 | 0:37:56 | |
My Da put me in. | 0:37:56 | 0:37:57 | |
I'm a disgrace to the family. | 0:37:59 | 0:38:02 | |
Maisie? Maisie! | 0:38:02 | 0:38:04 | |
Thanks for the tab, mister. | 0:38:04 | 0:38:05 | |
Dr Quirke? | 0:38:30 | 0:38:31 | |
Costigan. We met at the judge's party. | 0:38:33 | 0:38:37 | |
Oh, yes, so we did. | 0:38:37 | 0:38:39 | |
I was just up on the wards, visiting | 0:38:39 | 0:38:41 | |
and I thought I'd drop down to see you. | 0:38:41 | 0:38:45 | |
Such a lot of suffering in the world, Doctor | 0:38:45 | 0:38:47 | |
and er, well, we're always very glad | 0:38:47 | 0:38:49 | |
when the Knights of St Brendan can do something to help. | 0:38:49 | 0:38:52 | |
Really. | 0:38:53 | 0:38:54 | |
So what can I do for you, Mr Costigan? | 0:38:56 | 0:39:00 | |
Did you never think of joining us, Dr Quirke? | 0:39:00 | 0:39:02 | |
No, not at all. Not my sort of thing. | 0:39:04 | 0:39:08 | |
Pity. And your brother such a great support to us. | 0:39:08 | 0:39:14 | |
We do a lot of good work, you know. | 0:39:14 | 0:39:16 | |
Both here and in Boston. | 0:39:16 | 0:39:19 | |
You're not against us, I hope? | 0:39:19 | 0:39:21 | |
Oh, no, no, no. | 0:39:22 | 0:39:24 | |
I just don't involve myself with any of these so-called | 0:39:24 | 0:39:28 | |
religious organisations. | 0:39:28 | 0:39:30 | |
Oh, well - in your case that would probably be very wise. | 0:39:30 | 0:39:36 | |
Best keep yourself to yourself. | 0:39:37 | 0:39:38 | |
Take care, now, Dr Quirke, won't you? | 0:39:44 | 0:39:46 | |
So did you hear about this murder in Crimea Street? | 0:39:53 | 0:39:57 | |
I'd have thought you'd know all about that yourself. | 0:39:57 | 0:39:59 | |
Well, I know how she died but I don't know who killed her. | 0:39:59 | 0:40:03 | |
Was it not a burglary? That's what's going about. | 0:40:03 | 0:40:08 | |
I thought it might have been something to do with er, | 0:40:08 | 0:40:11 | |
Declan Costigan. | 0:40:11 | 0:40:13 | |
-The businessman? -Mm-hm. | 0:40:13 | 0:40:14 | |
He's a bruiser, all right, the same fella. | 0:40:16 | 0:40:18 | |
Little bit out of your depth here, aren't you, Quirke? | 0:40:25 | 0:40:28 | |
Dolly Moran getting herself killed. Costigan and that lot. | 0:40:28 | 0:40:32 | |
What are you up to? | 0:40:32 | 0:40:33 | |
Same again. | 0:40:41 | 0:40:42 | |
-Good night, Dave. -Good night, Dr Quirke. | 0:41:31 | 0:41:33 | |
Good evening, Captain. | 0:41:47 | 0:41:49 | |
Evening. | 0:41:49 | 0:41:50 | |
We'll just walk along with you, there's no harm in that, is there? | 0:41:52 | 0:41:55 | |
He's wondering who we are. Are you wondering who we are, Captain? | 0:41:57 | 0:42:01 | |
Not interested. | 0:42:01 | 0:42:02 | |
Well, I'll tell you all the same. We're a caution. | 0:42:02 | 0:42:05 | |
That's what we are. We've seen you hanging around. | 0:42:05 | 0:42:07 | |
Not advisable in this sort of weather. | 0:42:07 | 0:42:09 | |
-You could catch a cold. -He could catch his death. Couldn't he? And we wouldn't want that. | 0:42:09 | 0:42:13 | |
To be frank, I wouldn't care that much. | 0:42:13 | 0:42:17 | |
Oh! | 0:42:17 | 0:42:19 | |
Oh! | 0:42:19 | 0:42:20 | |
Oh! | 0:42:22 | 0:42:23 | |
Hold on, Captain, we'll give you a hand. | 0:42:24 | 0:42:27 | |
Ah! Oh! | 0:42:27 | 0:42:29 | |
ROCK'N'ROLL MUSIC | 0:42:42 | 0:42:46 | |
So the great Josh Crawford invites us to his big house. | 0:42:55 | 0:42:58 | |
It's very good of him, Andy - like we're part of his family. | 0:42:58 | 0:43:02 | |
Well, the good news is I heard there's going to be a free bar. | 0:43:02 | 0:43:05 | |
Oh, the basket. | 0:43:07 | 0:43:10 | |
Sorry. | 0:43:10 | 0:43:11 | |
That's a lovely baby, can I have a peep? | 0:43:14 | 0:43:17 | |
Oh, sure. | 0:43:17 | 0:43:18 | |
Little Christine we call her. | 0:43:18 | 0:43:20 | |
Oh. That's nice. | 0:43:20 | 0:43:23 | |
-Are you coming? -Yeah. | 0:43:26 | 0:43:28 | |
# Swing those hips and shoulders | 0:43:30 | 0:43:33 | |
# Heading downtown to the high school hop | 0:43:33 | 0:43:36 | |
# Tonight's the night we're gonna bop till we drop | 0:43:36 | 0:43:39 | |
# Rock all night | 0:43:39 | 0:43:42 | |
# Rock those feet, dig that song | 0:43:42 | 0:43:45 | |
# Hoppin' and boppin' and rockin' all through the night | 0:43:45 | 0:43:50 | |
# Put on your shoes | 0:43:50 | 0:43:53 | |
# Grab your partner | 0:43:53 | 0:43:57 | |
# Tonight we're all gonna have a real good time | 0:43:58 | 0:44:02 | |
# Rock all night | 0:44:02 | 0:44:05 | |
# Rock all night | 0:44:05 | 0:44:08 | |
# Rock all night | 0:44:08 | 0:44:11 | |
# Rock all night | 0:44:11 | 0:44:13 | |
# Hoppin' and boppin' and rockin' all through the night. # | 0:44:13 | 0:44:18 | |
APPLAUSE | 0:44:18 | 0:44:21 | |
Your attention, please, for our host - Mr Josh Crawford! | 0:44:22 | 0:44:26 | |
BABY CRIES | 0:44:36 | 0:44:40 | |
Ssh. | 0:44:40 | 0:44:41 | |
Friends...family... | 0:44:42 | 0:44:46 | |
and all you boys and girls from Crawford Transport. | 0:44:46 | 0:44:50 | |
-ALL: -Yeah! -Mr C! | 0:44:50 | 0:44:52 | |
Great pleasure to welcome you here again this year, to share... | 0:44:55 | 0:45:01 | |
To share... | 0:45:03 | 0:45:04 | |
HE WHEEZES | 0:45:04 | 0:45:06 | |
Everything's OK, folks. | 0:45:09 | 0:45:11 | |
Josh wants you all to go on enjoying yourselves - the night is young. | 0:45:11 | 0:45:15 | |
APPLAUSE | 0:45:15 | 0:45:18 | |
BAND PLAYS | 0:45:18 | 0:45:20 | |
BABY CRIES | 0:45:20 | 0:45:22 | |
Ssh... | 0:45:24 | 0:45:26 | |
BABY CRIES | 0:45:28 | 0:45:30 | |
You OK? | 0:45:33 | 0:45:35 | |
I'm going to get another beer. | 0:45:37 | 0:45:39 | |
Hey, McCoy. | 0:45:44 | 0:45:46 | |
-Hmm? -You see something funny there? | 0:45:46 | 0:45:48 | |
I was just telling the guys about the er, miracle, that's all. | 0:45:49 | 0:45:53 | |
-Meanin'? -How your old lady, she ends up having a kid | 0:45:53 | 0:45:57 | |
without getting knocked up. | 0:45:57 | 0:45:59 | |
So how was that? | 0:46:00 | 0:46:01 | |
The er, angels come down and done the job for you? | 0:46:01 | 0:46:04 | |
Andy! | 0:46:09 | 0:46:11 | |
BABY CRIES | 0:46:11 | 0:46:12 | |
Ssh! | 0:46:12 | 0:46:14 | |
BABY CRIES | 0:46:31 | 0:46:34 | |
BABY CRIES | 0:46:47 | 0:46:51 | |
THUMP AND BABY STOPS CRYING | 0:47:00 | 0:47:03 | |
BABY COUGHS | 0:47:03 | 0:47:04 | |
Oh! | 0:47:18 | 0:47:20 | |
All right, Quirke? | 0:47:30 | 0:47:31 | |
How are you feeling? | 0:47:34 | 0:47:35 | |
I feel wonderful. Where am I? | 0:47:39 | 0:47:42 | |
You're in hospital. What happened? | 0:47:43 | 0:47:47 | |
Don't you know, Mal? | 0:47:51 | 0:47:52 | |
It was an accident - nobody's fault. | 0:48:05 | 0:48:08 | |
You'll forgive me if I say I've heard that tale before. | 0:48:08 | 0:48:11 | |
Little Christine will be buried here in the convent burial ground. | 0:48:11 | 0:48:16 | |
I think we can manage to keep the police out of it, | 0:48:16 | 0:48:19 | |
but if I were you, I would consider moving away from Boston. | 0:48:19 | 0:48:23 | |
Hey, you don't take that tone with me. | 0:48:23 | 0:48:25 | |
There's something you're trying to hide here. | 0:48:25 | 0:48:27 | |
-I have no idea what you... -That kid was someone's, wasn't it? | 0:48:27 | 0:48:31 | |
And if you mess with me and Claire | 0:48:32 | 0:48:34 | |
I'll make it my business to find out whose. | 0:48:34 | 0:48:36 | |
Are you threatening us, Mr Stafford? | 0:48:36 | 0:48:39 | |
Not at all, Sister. | 0:48:39 | 0:48:42 | |
All I want is a job up at the big house, | 0:48:42 | 0:48:46 | |
and you won't hear a squeak out of me. | 0:48:46 | 0:48:48 | |
Sister Stephanus? | 0:48:54 | 0:48:56 | |
I've spoken to Mr Crawford about our...situation. | 0:48:58 | 0:49:03 | |
I don't think we'll have any further problems from that quarter. | 0:49:03 | 0:49:08 | |
Thank God. | 0:49:08 | 0:49:09 | |
You are a terrible man, Quirke, making me do this. | 0:49:15 | 0:49:17 | |
You know what a hopeless driver I am. | 0:49:17 | 0:49:19 | |
You're a wonderful driver. I love your driving. | 0:49:19 | 0:49:22 | |
Thanks for this. | 0:49:31 | 0:49:34 | |
I couldn't face the flat just yet. | 0:49:34 | 0:49:36 | |
You should come and stay with us for a bit. | 0:49:36 | 0:49:39 | |
Oh! | 0:49:39 | 0:49:40 | |
Wouldn't Mal just love that, me lying around his house all day | 0:49:40 | 0:49:45 | |
while he's out busy delivering babies. | 0:49:45 | 0:49:47 | |
Oh, I'll be fine. Thanks anyway. | 0:49:53 | 0:49:57 | |
I'll take it slowly. | 0:49:57 | 0:49:59 | |
-So beautiful up here. -Yes. It's lovely. | 0:50:03 | 0:50:09 | |
Ah! | 0:50:15 | 0:50:17 | |
Come on. | 0:50:17 | 0:50:18 | |
Ah. | 0:50:21 | 0:50:22 | |
You all right? | 0:50:33 | 0:50:35 | |
Oh, I'll live. | 0:50:35 | 0:50:37 | |
How's Phoebe? | 0:50:37 | 0:50:39 | |
I thought she might have come to visit me in the hospital. | 0:50:39 | 0:50:42 | |
Oh, I'm at my wits' end with her. | 0:50:42 | 0:50:45 | |
She's got in with a wild bunch. | 0:50:45 | 0:50:47 | |
She's out drinking almost every night. | 0:50:47 | 0:50:50 | |
I don't know what's the matter with her. | 0:50:50 | 0:50:52 | |
She's young, that's all. | 0:50:52 | 0:50:53 | |
She's out of control. | 0:50:58 | 0:50:59 | |
I'd really like to get her away from that crowd. | 0:51:02 | 0:51:05 | |
I tried to get her to go to Boston. | 0:51:05 | 0:51:08 | |
I know she'd love it out there. | 0:51:08 | 0:51:11 | |
But she says she won't go. | 0:51:11 | 0:51:13 | |
Unless you go with her. | 0:51:13 | 0:51:15 | |
Ah, I don't know what she wants with me. | 0:51:15 | 0:51:18 | |
She loves you, Quirke. | 0:51:18 | 0:51:19 | |
Why don't you go? You could recuperate there. | 0:51:21 | 0:51:26 | |
Oh, I don't know. | 0:51:26 | 0:51:28 | |
All right. | 0:51:43 | 0:51:45 | |
I'll go. | 0:51:45 | 0:51:46 | |
-Really? -Why not? | 0:51:47 | 0:51:48 | |
And when you're there, Quirke, | 0:51:52 | 0:51:55 | |
-you have to tell her. -Tell her what? | 0:51:55 | 0:51:57 | |
You know what. | 0:51:59 | 0:52:01 | |
It'll be easier for her to deal with it...there, away from me and Mal. | 0:52:04 | 0:52:09 | |
God knows we should have told her years ago. | 0:52:12 | 0:52:15 | |
I blame myself as much as you. | 0:52:15 | 0:52:17 | |
But she has to know, Quirke. | 0:52:19 | 0:52:20 | |
Yes, I was thinking the same thing myself. | 0:52:22 | 0:52:27 | |
So will you tell her? | 0:52:27 | 0:52:29 | |
All right. | 0:52:31 | 0:52:32 | |
I'll tell her in Boston. | 0:52:34 | 0:52:35 | |
First time in Boston, Miss? | 0:53:16 | 0:53:18 | |
No. I lived here until I was seven. | 0:53:18 | 0:53:21 | |
I haven't been back in such a long time, though. | 0:53:22 | 0:53:25 | |
Well, I'm sure Mr Crawford will be happy to see you. | 0:53:25 | 0:53:28 | |
What's the matter? | 0:53:35 | 0:53:36 | |
You've been in a sulk since we left Dublin. | 0:53:36 | 0:53:38 | |
I'm not sulking. | 0:53:38 | 0:53:39 | |
Well, you're different. | 0:53:41 | 0:53:42 | |
-Does your head still hurt? -Mm-hm. | 0:53:44 | 0:53:47 | |
Welcome, voyagers. | 0:54:45 | 0:54:46 | |
My! Look at you! All grown-up and pretty as a picture. | 0:54:46 | 0:54:53 | |
Do you have a kiss for your wicked step-grandmother? | 0:54:53 | 0:54:57 | |
What am I to call you? | 0:54:57 | 0:54:58 | |
Why, you charming child. Well, you must call me Rose! | 0:54:58 | 0:55:03 | |
And I probably shouldn't call you a child, now you're all grown-up. | 0:55:03 | 0:55:06 | |
I don't mind. | 0:55:06 | 0:55:07 | |
And you must be the famous Dr Quirke. | 0:55:07 | 0:55:10 | |
I've heard a great deal about you. | 0:55:10 | 0:55:12 | |
All good things, I hope. | 0:55:12 | 0:55:13 | |
I'm afraid not. | 0:55:13 | 0:55:15 | |
You must be exhausted. Deirdre will show you to your rooms. | 0:55:15 | 0:55:19 | |
Thank you. | 0:55:19 | 0:55:20 | |
When you're ready, please come down. We'll have drinks before dinner. | 0:55:20 | 0:55:25 | |
Josh can't wait to see you. | 0:55:25 | 0:55:27 | |
How is Grandpa? | 0:55:27 | 0:55:29 | |
Oh, dying, I'm afraid, dear. | 0:55:29 | 0:55:32 | |
This'll be yours, Dr Quirke. | 0:55:35 | 0:55:37 | |
Is everything all right, Dr Quirke? | 0:55:47 | 0:55:49 | |
Yes, yeah. | 0:55:49 | 0:55:53 | |
This used to be my wife's room, when she lived here. | 0:55:53 | 0:55:58 | |
I'm fine. Thank you. | 0:55:58 | 0:56:00 | |
COUGHING | 0:56:43 | 0:56:46 | |
Well, well, if it isn't the bad penny. | 0:56:49 | 0:56:52 | |
Hello, Josh. | 0:56:53 | 0:56:55 | |
So, you've come to watch me die, have you, hmm? | 0:57:00 | 0:57:04 | |
You afraid of death, Quirke? | 0:57:05 | 0:57:07 | |
Isn't everybody? | 0:57:07 | 0:57:09 | |
I'm not. Not any more. | 0:57:10 | 0:57:13 | |
I've done some bad things in my time. | 0:57:15 | 0:57:19 | |
But I've done a lot of good as well. | 0:57:19 | 0:57:23 | |
I think I'll be able to face up to the Lord on Judgment Day. | 0:57:23 | 0:57:27 | |
Will you? | 0:57:29 | 0:57:31 | |
Well, see, I don't believe in any of that stuff, Josh. | 0:57:32 | 0:57:35 | |
You say that now. | 0:57:35 | 0:57:36 | |
I hear you've been interfering with our work. | 0:57:41 | 0:57:44 | |
Erm, have I? | 0:57:47 | 0:57:49 | |
What work would that be, Josh? | 0:57:49 | 0:57:53 | |
I'm a planter now, Quirke. | 0:57:53 | 0:57:56 | |
Some men plant trees. I plant souls. | 0:57:56 | 0:58:01 | |
And I don't like it when ignorant meddlers stick their noses in. | 0:58:01 | 0:58:05 | |
Don't you think you've done enough harm to our family, | 0:58:05 | 0:58:09 | |
you godless piece of shite? | 0:58:09 | 0:58:11 | |
-KNOCK ON DOOR -Knock, knock. | 0:58:11 | 0:58:14 | |
Oh, here she is. | 0:58:15 | 0:58:17 | |
My favourite grand-daughter. | 0:58:19 | 0:58:21 | |
Grandad! | 0:58:21 | 0:58:22 | |
Look at you - a woman already. | 0:58:22 | 0:58:23 | |
-Brenda? -Dr Quirke. | 0:58:23 | 0:58:25 | |
What are you doing here? | 0:58:26 | 0:58:28 | |
You two know each other? | 0:58:28 | 0:58:29 | |
We used to work at the same hospital. | 0:58:29 | 0:58:31 | |
Small world. | 0:58:33 | 0:58:34 | |
Shall we eat? | 0:58:36 | 0:58:38 | |
Good night, Dr Quirke. Sleep well. | 0:58:45 | 0:58:49 | |
Good night, Rose. | 0:58:49 | 0:58:51 | |
'This isn't right. | 0:59:13 | 0:59:14 | |
'Oh, Quirke. You're such a silly old bear. | 0:59:14 | 0:59:18 | |
'You think you want Sarah, but you don't. Come on, Quirke. | 0:59:18 | 0:59:22 | |
'Show me what you can do.' | 0:59:22 | 0:59:24 | |
-Brenda! -Oh, Dr Quirke! You gave me an awful fright. | 1:00:23 | 1:00:29 | |
You gave ME a fright. I thought you were a corpse. | 1:00:29 | 1:00:32 | |
I would have thought YOU could tell the difference. | 1:00:32 | 1:00:35 | |
Thanks. You won't tell, will you? | 1:00:36 | 1:00:39 | |
They don't like the staff to use the pool. | 1:00:39 | 1:00:42 | |
I won't tell. | 1:00:42 | 1:00:45 | |
What are you doing, anyway, up at this hour? | 1:00:45 | 1:00:47 | |
I couldn't sleep. | 1:00:49 | 1:00:50 | |
No, thanks. | 1:00:53 | 1:00:54 | |
So Brenda, what do you know about the er, | 1:00:54 | 1:00:58 | |
charity work that Josh is doing here? | 1:00:58 | 1:01:02 | |
You mean the orphanage? | 1:01:02 | 1:01:05 | |
What orphanage would that be? | 1:01:05 | 1:01:09 | |
St Madeleine's. It's out in Brookline. | 1:01:09 | 1:01:13 | |
He gives a lot of money to it. | 1:01:13 | 1:01:14 | |
You brought the baby over, didn't you Brenda? | 1:01:17 | 1:01:20 | |
Did they make you do it? | 1:01:20 | 1:01:22 | |
I can't tell you. | 1:01:22 | 1:01:23 | |
-Did they tell you who the father was? -No. | 1:01:23 | 1:01:26 | |
Did you think it might be Dr Griffin? | 1:01:26 | 1:01:28 | |
You mustn't ask me that. | 1:01:28 | 1:01:29 | |
I've got to go. | 1:01:30 | 1:01:32 | |
Brenda! | 1:01:33 | 1:01:35 | |
-SHE LAUGHS -Come on! | 1:01:48 | 1:01:51 | |
Come on! | 1:01:51 | 1:01:53 | |
We used to come up here, Delia and me, in the old days. | 1:02:10 | 1:02:15 | |
What was she like? I want to know now that I'm here. | 1:02:15 | 1:02:18 | |
The house seems full of her, somehow. | 1:02:20 | 1:02:23 | |
Delia was wild - she had the imp of perversity in her. | 1:02:23 | 1:02:29 | |
How did the four of you meet? | 1:02:31 | 1:02:33 | |
Well, your grandfather arranged for myself and Mal to come to the | 1:02:33 | 1:02:36 | |
hospital to work and then we, we just started going out together. | 1:02:36 | 1:02:40 | |
First it was me and Sarah, then it was Mal and Sarah | 1:02:40 | 1:02:44 | |
and then Delia and me. | 1:02:44 | 1:02:47 | |
How did that happen? | 1:02:47 | 1:02:50 | |
How does anything like that happen? | 1:02:50 | 1:02:52 | |
Phoebe... | 1:02:56 | 1:02:57 | |
There's...there's something that you don't know about | 1:03:01 | 1:03:07 | |
Mal and Sarah, er... | 1:03:07 | 1:03:11 | |
and me. | 1:03:11 | 1:03:13 | |
What's there to know about you? | 1:03:13 | 1:03:15 | |
Listen - I don't think I'll go back to the house just yet from here. | 1:03:26 | 1:03:30 | |
There's a bar in town I used to drink in | 1:03:30 | 1:03:32 | |
and I'm just going to check and see if it's still the same. | 1:03:32 | 1:03:35 | |
-Shall I go with you? -No, no, no, no, no. I've already gotten you into enough trouble. | 1:03:35 | 1:03:40 | |
I'll get a cab back, Andy. Thanks. | 1:03:43 | 1:03:45 | |
OK, Dr Quirke. | 1:03:45 | 1:03:46 | |
Do you have to drive so slowly? | 1:04:01 | 1:04:03 | |
I mean, is it the law here? | 1:04:03 | 1:04:05 | |
Ah, it's the way Mr Crawford likes it. | 1:04:05 | 1:04:07 | |
I don't always stick to it when he's not on board. | 1:04:07 | 1:04:10 | |
What are those, Irish cigarettes? | 1:04:14 | 1:04:16 | |
No. English. | 1:04:16 | 1:04:18 | |
Oh. | 1:04:19 | 1:04:20 | |
OK, let's rock'n'roll. | 1:04:22 | 1:04:23 | |
Stop! | 1:04:32 | 1:04:33 | |
What did you think you were doing? You could have got us killed! | 1:04:40 | 1:04:44 | |
Think I could have one of those English cigarettes? | 1:04:44 | 1:04:47 | |
Now why don't you come up front and sit with me? | 1:05:04 | 1:05:07 | |
Or maybe I could climb in the back with you? | 1:05:07 | 1:05:10 | |
I think you should take me back to the house, right now. | 1:05:10 | 1:05:13 | |
OK. | 1:05:22 | 1:05:24 | |
Dr Quirke. I'm Father Harkins, Chaplain here at St Madeleine's. | 1:05:30 | 1:05:35 | |
This is Sister Stephanus. | 1:05:35 | 1:05:38 | |
You're Mr Crawford's son-in-law, I understand? | 1:05:38 | 1:05:41 | |
Mr Crawford is a great friend of St Madeleine's. | 1:05:42 | 1:05:46 | |
What can we do for you, Dr Quirke? | 1:05:46 | 1:05:49 | |
Well, I wanted to find out something about a child, a little girl, | 1:05:49 | 1:05:54 | |
who I believe may have been brought here from Ireland. | 1:05:54 | 1:05:57 | |
Her first name was probably Christine, | 1:05:57 | 1:05:59 | |
and if she has a surname, it might be Falls. | 1:05:59 | 1:06:03 | |
Why should you want to know about this child, Dr Quirke? | 1:06:03 | 1:06:06 | |
It's a personal matter. | 1:06:06 | 1:06:07 | |
Personal? | 1:06:07 | 1:06:09 | |
You are not saying you are related to this child in any way? | 1:06:09 | 1:06:12 | |
Actually I'm a doctor and I saw a woman called Christine Falls | 1:06:12 | 1:06:16 | |
who died in childbirth but I believed the little girl lived. | 1:06:16 | 1:06:20 | |
I'm simply asking you if she came here, | 1:06:20 | 1:06:23 | |
and if so, what became of her, that's all. | 1:06:23 | 1:06:25 | |
Oh, now, Dr Quirke! | 1:06:25 | 1:06:28 | |
We couldn't be giving out information of that nature. | 1:06:28 | 1:06:31 | |
Really. | 1:06:31 | 1:06:32 | |
She was just one among many, wasn't she? | 1:06:33 | 1:06:36 | |
A regular traffic of babies taken from their mothers in Ireland | 1:06:36 | 1:06:39 | |
for what? | 1:06:39 | 1:06:41 | |
What happens to them? | 1:06:41 | 1:06:43 | |
This is just fantasy, Dr Quirke. | 1:06:43 | 1:06:45 | |
All these children are certified American citizens. | 1:06:45 | 1:06:49 | |
They have birth certificates. | 1:06:49 | 1:06:52 | |
I happen to know the nurse who brought little Christine over. | 1:06:52 | 1:06:56 | |
And I've seen the girls in the laundry | 1:06:56 | 1:06:58 | |
waiting for their babies to be taken from them. | 1:06:58 | 1:07:01 | |
But you have no proof, or you would not be here making accusations. | 1:07:02 | 1:07:08 | |
Allow me to reassure you, Dr Quirke, | 1:07:08 | 1:07:11 | |
that all the little orphans who come to us are treated with loving care. | 1:07:11 | 1:07:16 | |
It's God's work we're doing here. Our consciences are clear. | 1:07:16 | 1:07:21 | |
Can you tell me where Miss Ruttledge is? | 1:07:29 | 1:07:32 | |
-Sorry? -Mr Crawford's nurse, do you know where is she? | 1:07:32 | 1:07:35 | |
She's upstairs with Mr Crawford. He's very poorly. | 1:07:35 | 1:07:38 | |
In nomine Patris, et Filii, et Spiritus Sanctii. | 1:07:52 | 1:07:56 | |
Per istam sanctan unctionem et suam piissimam misericordiam, | 1:07:56 | 1:08:01 | |
indulgeat tibi Dominus quidquid per gressum deliquisti. | 1:08:01 | 1:08:07 | |
Pater noster, qui es in caelis, sanctificetur Nomen Tuum. | 1:08:08 | 1:08:12 | |
Can't be easy for you, waiting for the end. | 1:08:16 | 1:08:18 | |
Phoebe's been very good with him. She's in his will, you know. | 1:08:22 | 1:08:26 | |
He's leaving her a lot of money. | 1:08:26 | 1:08:28 | |
How do you feel about that? | 1:08:28 | 1:08:31 | |
I feel fine about it. | 1:08:31 | 1:08:34 | |
Don't worry, there's plenty left for me. | 1:08:34 | 1:08:36 | |
But she'll be rich - very rich. | 1:08:36 | 1:08:38 | |
I'm sorry to hear that. | 1:08:40 | 1:08:42 | |
Why is that? | 1:08:42 | 1:08:45 | |
Because I want her to have an ordinary life. | 1:08:45 | 1:08:47 | |
Is there such a thing? | 1:08:48 | 1:08:50 | |
I think there could be, for her, yes. | 1:08:51 | 1:08:54 | |
Phoebe will do what she wants to do. | 1:08:56 | 1:08:58 | |
And the idea of you looking after her... | 1:08:59 | 1:09:03 | |
You can't even look after yourself, can you? | 1:09:03 | 1:09:06 | |
Mrs Crawford, I think you should come. | 1:09:08 | 1:09:10 | |
It was good to see you, Rose, even on such a sad occasion. | 1:10:02 | 1:10:06 | |
I guess you could say we did him proud. | 1:10:08 | 1:10:10 | |
Aye, yes indeed. He was a great man and a dear friend. | 1:10:12 | 1:10:16 | |
I know about the child, Mal. | 1:10:22 | 1:10:25 | |
-Oh? -She's here, isn't she? Brenda Ruttledge brought her over. | 1:10:25 | 1:10:30 | |
Oh, just leave it, Quirke. | 1:10:30 | 1:10:32 | |
She's yours, isn't she? The child. | 1:10:32 | 1:10:36 | |
If you carry on, you'll bring nothing but harm to everyone. | 1:10:38 | 1:10:42 | |
Take my advice. | 1:10:42 | 1:10:45 | |
Just let it go. | 1:10:45 | 1:10:47 | |
Well, it won't let me go. | 1:10:47 | 1:10:50 | |
I'd forgotten how beautiful it could be here. | 1:11:08 | 1:11:11 | |
I often think we should have stayed. | 1:11:16 | 1:11:19 | |
We? | 1:11:22 | 1:11:23 | |
Mal and I. | 1:11:25 | 1:11:26 | |
Things might have been different. | 1:11:27 | 1:11:29 | |
We were happy here, weren't we, in those days? | 1:11:31 | 1:11:37 | |
Mal... | 1:11:39 | 1:11:40 | |
..you and me? | 1:11:43 | 1:11:44 | |
And Delia. | 1:11:46 | 1:11:48 | |
She would sleep with you. That's all it was, wasn't it? | 1:11:48 | 1:11:52 | |
She would sleep with you and I wouldn't. | 1:11:52 | 1:11:55 | |
And then Mal saw his chance with me. | 1:11:59 | 1:12:03 | |
I think there was a bit more to it than that. | 1:12:03 | 1:12:05 | |
But not much maybe. | 1:12:09 | 1:12:11 | |
God, what a mess we've made of our lives. | 1:12:14 | 1:12:18 | |
It's not all that bad, is it? | 1:12:18 | 1:12:20 | |
Well, there's Phoebe. | 1:12:24 | 1:12:25 | |
Why haven't you told her, Quirke? You promised you would. | 1:12:28 | 1:12:31 | |
I started but...it's not so easy. | 1:12:34 | 1:12:38 | |
She seems so much happier here. | 1:12:38 | 1:12:42 | |
-Does she really have to know? -Yes, she does. | 1:12:44 | 1:12:47 | |
You have to tell her she's your child, Quirke. | 1:12:49 | 1:12:51 | |
You owe it to her. | 1:12:55 | 1:12:56 | |
All right. | 1:13:02 | 1:13:03 | |
-I'll do it now. -Quirke? | 1:13:09 | 1:13:10 | |
Yours and Delia's? | 1:13:45 | 1:13:48 | |
What do you mean? Delia died. | 1:13:48 | 1:13:51 | |
She died having you, Phoebe. | 1:13:54 | 1:13:56 | |
It was an awful time for us. | 1:14:01 | 1:14:03 | |
We were quarrelling, and I was hitting the bottle pretty hard. | 1:14:03 | 1:14:07 | |
And the night that you were born, | 1:14:10 | 1:14:14 | |
we'd had this fight. | 1:14:14 | 1:14:16 | |
I can't remember what... what she said to set me off but... | 1:14:16 | 1:14:20 | |
..I went on a bender. | 1:14:23 | 1:14:24 | |
Mal found me in this bar and I was off my head, | 1:14:25 | 1:14:30 | |
couldn't even understand what he was saying. | 1:14:30 | 1:14:33 | |
Next thing I remember, I was in the hospital... | 1:14:33 | 1:14:36 | |
..holding her hand. | 1:14:39 | 1:14:40 | |
And she was dead. | 1:14:44 | 1:14:45 | |
And I was drunk. | 1:14:48 | 1:14:49 | |
You gave me away. | 1:14:50 | 1:14:52 | |
I couldn't have looked after you myself. | 1:14:55 | 1:14:57 | |
I was destroyed when Delia died. | 1:14:57 | 1:15:00 | |
Phoebe - it wasn't because I didn't care about you, | 1:15:00 | 1:15:03 | |
because I didn't love you - you have to understand. | 1:15:03 | 1:15:06 | |
You never told me. | 1:15:06 | 1:15:09 | |
-Phoebe... -All these years! | 1:15:09 | 1:15:11 | |
Phoebe! | 1:15:11 | 1:15:12 | |
Phoebe! | 1:15:13 | 1:15:14 | |
What's the matter with Phoebe? | 1:15:19 | 1:15:21 | |
I just saw her running by the house, she looked in a state. | 1:15:21 | 1:15:24 | |
Quirke's told her, Mal. | 1:15:24 | 1:15:25 | |
Told her what? | 1:15:25 | 1:15:27 | |
The truth. About who she is. | 1:15:27 | 1:15:31 | |
And he told her that today - of all days? | 1:15:31 | 1:15:35 | |
Don't blame Quirke. I made him do it. | 1:15:35 | 1:15:38 | |
YOU made him do it? And you never thought to consult me? | 1:15:39 | 1:15:42 | |
She had to know sometime, Mal. | 1:15:42 | 1:15:44 | |
Well, I hope you're prepared for the consequences. | 1:15:44 | 1:15:47 | |
Hell, I didn't figure on company. | 1:16:15 | 1:16:17 | |
But since you're there... | 1:16:19 | 1:16:21 | |
Take me somewhere. | 1:16:32 | 1:16:34 | |
Your wish is my command, baby. Where do you want to go? | 1:16:34 | 1:16:38 | |
I don't care. Somewhere. | 1:16:38 | 1:16:40 | |
Dr Quirke? | 1:16:48 | 1:16:50 | |
Ah, Brenda. | 1:16:50 | 1:16:52 | |
So, what will you do now that Josh has gone? | 1:16:54 | 1:16:58 | |
I don't know. Find another job, I suppose. | 1:16:58 | 1:17:03 | |
-Will you go back to Dublin? -No. | 1:17:03 | 1:17:05 | |
Tell me about baby Christine. | 1:17:11 | 1:17:13 | |
You have nothing left to lose now. | 1:17:15 | 1:17:17 | |
Come on. | 1:17:20 | 1:17:21 | |
There's someone who can tell you more than I ever could. | 1:17:25 | 1:17:29 | |
Ain't going to be no soft job for me now the old man's gone. | 1:17:34 | 1:17:37 | |
She's going to sell up and cut out. She don't care about the likes of you and me. | 1:17:37 | 1:17:42 | |
But hey, let's look on the bright side, huh? | 1:17:44 | 1:17:47 | |
I got a Buick, I got a whisky. | 1:17:47 | 1:17:50 | |
And baby, I got you. | 1:17:52 | 1:17:53 | |
All I ever wanted was a little baby of my own. | 1:18:02 | 1:18:05 | |
And the nuns helped you, didn't they, Claire? | 1:18:08 | 1:18:11 | |
They helped us. | 1:18:12 | 1:18:13 | |
They helped me and Andy. | 1:18:15 | 1:18:17 | |
He wanted a baby too, he really did. | 1:18:19 | 1:18:22 | |
And so you were given little Christine to look after. | 1:18:22 | 1:18:26 | |
Yes. | 1:18:26 | 1:18:27 | |
She was never meant to stay for very long. | 1:18:27 | 1:18:30 | |
the nuns would take her back as soon as she was old enough to go | 1:18:30 | 1:18:33 | |
to school, train her up to be a nun herself. | 1:18:33 | 1:18:36 | |
So where's baby Christine now, Claire? | 1:18:36 | 1:18:39 | |
He didn't mean to do it. I know he didn't. | 1:18:45 | 1:18:50 | |
It was an accident. | 1:18:50 | 1:18:52 | |
Didn't mean to do what, Claire? | 1:18:56 | 1:18:59 | |
He was trying to make her stop crying. | 1:18:59 | 1:19:01 | |
He hated it when she cried. | 1:19:03 | 1:19:05 | |
He just shook her, that's all. | 1:19:07 | 1:19:10 | |
I came in... | 1:19:11 | 1:19:12 | |
..and he was just holding her... | 1:19:16 | 1:19:18 | |
..and he held her out to me... | 1:19:22 | 1:19:24 | |
..and I took her. | 1:19:27 | 1:19:28 | |
Her head was so heavy. Warm. | 1:19:32 | 1:19:35 | |
Hot, almost. | 1:19:36 | 1:19:38 | |
So heavy. | 1:19:41 | 1:19:42 | |
What did you do then? | 1:19:50 | 1:19:52 | |
Father Harkins came. Took Christine away. | 1:19:54 | 1:19:57 | |
I didn't want to see her any more. | 1:19:57 | 1:19:59 | |
Did he call the police? | 1:20:01 | 1:20:04 | |
Oh, no - why would he? | 1:20:04 | 1:20:06 | |
It was an accident. | 1:20:07 | 1:20:09 | |
Boy, we had this coming. | 1:20:15 | 1:20:18 | |
All those little glances in the mirror. | 1:20:18 | 1:20:20 | |
You want the same thing as I do. | 1:20:23 | 1:20:25 | |
-No! -Hey, come on, let me in! | 1:20:25 | 1:20:28 | |
-Get off! -Hey! | 1:20:28 | 1:20:31 | |
-Ah! -You'll be sorry! | 1:20:31 | 1:20:33 | |
-What are you doin'? What are you doin'? -Let me out! | 1:20:34 | 1:20:36 | |
Hey! | 1:20:36 | 1:20:38 | |
-What are you doin'? Come on! -Let me out, or I'll jump! -No, you won't. | 1:20:38 | 1:20:42 | |
-I want to see the baby's grave. -The grave? | 1:20:47 | 1:20:50 | |
Christine Falls's baby. I know she's buried here. | 1:20:50 | 1:20:54 | |
I could call the police, you know. | 1:20:54 | 1:20:55 | |
Oh, I bet you could. | 1:20:55 | 1:20:57 | |
Listen. Mr Griffin is there, visiting, before he leaves. | 1:21:00 | 1:21:04 | |
I don't care if the Pope is there. | 1:21:04 | 1:21:06 | |
I want to see that grave. | 1:21:06 | 1:21:08 | |
The baby is yours... | 1:21:50 | 1:21:53 | |
Jesus! | 1:21:53 | 1:21:54 | |
All Mal did was try to help, and he made a mess of that. | 1:21:54 | 1:21:58 | |
I'm going to get her out of this place, little Christine. | 1:21:58 | 1:22:01 | |
I'm going to get her to a proper cemetery. | 1:22:01 | 1:22:03 | |
That girl was young enough to be your daughter - | 1:22:03 | 1:22:06 | |
young enough to be your granddaughter! | 1:22:06 | 1:22:07 | |
Yes, I've sinned and God will punish me for it. | 1:22:07 | 1:22:11 | |
Has already - taken Chrissie from me. | 1:22:11 | 1:22:13 | |
I suppose you're going to tell me that you couldn't help yourself. | 1:22:13 | 1:22:17 | |
Ah, Quirke. You're a young man still. | 1:22:17 | 1:22:20 | |
You don't know what it's like to be... | 1:22:20 | 1:22:22 | |
to watch your powers failing. | 1:22:22 | 1:22:24 | |
Then a girl like Chrissie comes along | 1:22:24 | 1:22:27 | |
and you feel like you're 20 years old again. | 1:22:27 | 1:22:30 | |
The orphans... | 1:22:30 | 1:22:31 | |
Were you running the whole thing? You and Josh? | 1:22:33 | 1:22:37 | |
And Dolly Moran - what about her? | 1:22:37 | 1:22:39 | |
That was Costigan. | 1:22:39 | 1:22:42 | |
He sent those fellows to look for something she had. | 1:22:42 | 1:22:46 | |
They weren't supposed to hurt her. | 1:22:46 | 1:22:47 | |
And who sent them after me? | 1:22:47 | 1:22:49 | |
Have a heart, Quirke - would I want to see you hurt? | 1:22:49 | 1:22:54 | |
You who were a son to me. | 1:22:54 | 1:22:56 | |
And I revered you. | 1:22:56 | 1:22:59 | |
Has it crossed your mind yet that your Phoebe | 1:22:59 | 1:23:02 | |
was the start of it all? | 1:23:02 | 1:23:05 | |
She was the first baby to be sent over to Boston, | 1:23:05 | 1:23:08 | |
because you were too destroyed by drink and grief to look after her? | 1:23:08 | 1:23:13 | |
It was Phoebe gave Josh Crawford the idea. | 1:23:15 | 1:23:19 | |
So you see, you have something to be proud of. | 1:23:20 | 1:23:24 | |
What, this? | 1:23:24 | 1:23:26 | |
Those are only the ones who died. | 1:23:26 | 1:23:27 | |
There are hundreds and thousands more, doing God's work, | 1:23:27 | 1:23:30 | |
all over the world! | 1:23:30 | 1:23:31 | |
You took their babies from their mother. | 1:23:31 | 1:23:33 | |
Some people are not meant to have children. | 1:23:33 | 1:23:35 | |
And who decides that, Garret? | 1:23:35 | 1:23:37 | |
We do! We decide! | 1:23:37 | 1:23:40 | |
Women in the tenements of Dublin and Cork, | 1:23:40 | 1:23:42 | |
bearing 17, 18 children in as many years. | 1:23:42 | 1:23:48 | |
What sort of a life would those youngsters face? | 1:23:48 | 1:23:52 | |
Aren't they better off here with families to take care of them? | 1:23:52 | 1:23:56 | |
Weren't you better off with me than Carricklea? | 1:23:56 | 1:23:59 | |
Do you know the kinds of things that went on in that place? | 1:23:59 | 1:24:03 | |
I got you out. | 1:24:03 | 1:24:05 | |
This racket with the babies... | 1:24:07 | 1:24:09 | |
-It is not a racket! -Is it going to continue? | 1:24:09 | 1:24:11 | |
-Why not? -Because if it is, I'm going to go to the police. | 1:24:11 | 1:24:14 | |
And tell them what, huh? | 1:24:14 | 1:24:16 | |
That Judge Griffin found loving homes | 1:24:16 | 1:24:18 | |
for hundreds of unwanted children? | 1:24:18 | 1:24:21 | |
They'd laugh in your face! Come on, Quirke. | 1:24:21 | 1:24:25 | |
When are you going to grow up and start behaving like a man? | 1:24:25 | 1:24:29 | |
I will bring you down, Garret! | 1:24:29 | 1:24:31 | |
You can try. | 1:24:33 | 1:24:34 | |
Phoebe? | 1:25:06 | 1:25:07 | |
I'm sorry. | 1:25:28 | 1:25:29 | |
All right. | 1:25:36 | 1:25:37 | |
You all lied to me. All of you. | 1:25:43 | 1:25:47 | |
And you were the worst. | 1:25:50 | 1:25:51 | |
Couldn't you see I was in love with you? | 1:26:02 | 1:26:05 | |
I adore convent girls. | 1:27:01 | 1:27:04 | |
They have such a well developed sense of sin. | 1:27:04 | 1:27:06 | |
What would I say to Mal? | 1:27:06 | 1:27:08 | |
You can tell him you're going to Verona with me. | 1:27:08 | 1:27:11 | |
The blood from the left ventricle is more diluted than the blood from the right. | 1:27:11 | 1:27:14 | |
You're going to have to spell it out for me, Dr Sinclair. | 1:27:14 | 1:27:17 | |
-Blackmail. -I've a position in this city. | 1:27:17 | 1:27:20 | |
-Are you meddling again? -Possibly. | 1:27:20 | 1:27:22 | |
If I do it, you may never, ever judge me again. | 1:27:22 | 1:27:27 | |
Is somebody there? | 1:27:28 | 1:27:30 |