Browse content similar to The Silver Swan. Check below for episodes and series from the same categories and more!
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-Did you invite Quirke by the way? -I did. | 0:00:02 | 0:00:03 | |
He'd rather be propping up the bar in McGonagle's | 0:00:03 | 0:00:06 | |
than celebrating his father's honour. | 0:00:06 | 0:00:08 | |
Some people are not meant to have children. | 0:00:08 | 0:00:10 | |
And who decides that, Garret? | 0:00:10 | 0:00:11 | |
I've been awake half the night, worrying about Phoebe. | 0:00:11 | 0:00:14 | |
You're not thinking of running away again, are you? | 0:00:14 | 0:00:17 | |
Maybe I'll elope with you. | 0:00:17 | 0:00:19 | |
You have to tell her she's your child, Quirke. | 0:00:19 | 0:00:21 | |
What do you mean, Delia died? | 0:00:21 | 0:00:23 | |
She died having you, Phoebe. | 0:00:23 | 0:00:25 | |
You gave me away. | 0:00:25 | 0:00:27 | |
I'm sorry. | 0:00:27 | 0:00:28 | |
KNOCK AT DOOR | 0:02:03 | 0:02:04 | |
Morning, Dr Quirke. | 0:02:07 | 0:02:09 | |
Ready when you are. | 0:02:10 | 0:02:13 | |
Yes. | 0:02:13 | 0:02:14 | |
DOOR CLOSES | 0:02:16 | 0:02:18 | |
HE SIGHS | 0:02:55 | 0:02:57 | |
The deceased... Mrs Millican. | 0:03:00 | 0:03:03 | |
Mrs Millican. | 0:03:03 | 0:03:04 | |
Do you want me to call the morgue to collect? | 0:03:07 | 0:03:10 | |
No, put her in the cold room until we find out what killed her. | 0:03:10 | 0:03:12 | |
I've got to go out tonight | 0:03:14 | 0:03:15 | |
so I'll leave you with the paperwork, all right? | 0:03:15 | 0:03:18 | |
Sarah! | 0:03:22 | 0:03:24 | |
I can't find my dress shoes, what have you done with them? | 0:03:24 | 0:03:27 | |
Do you mean have I hidden them? | 0:03:27 | 0:03:28 | |
Oh, don't be ridiculous! | 0:03:28 | 0:03:30 | |
Try the bottom of the wardrobe. | 0:03:30 | 0:03:32 | |
Damn things take on a life of their own. | 0:03:32 | 0:03:35 | |
Phoebe! | 0:03:40 | 0:03:42 | |
Yes? | 0:03:42 | 0:03:43 | |
You know your father doesn't like to see you drinking. | 0:03:43 | 0:03:46 | |
Well, he won't have to worry about that much longer. | 0:03:47 | 0:03:50 | |
I'm going to find a place of my own. | 0:03:50 | 0:03:52 | |
INDISTINCT CHATTER | 0:03:53 | 0:03:55 | |
Ah, could I have another? | 0:04:00 | 0:04:02 | |
Hello, Mal, Sarah. | 0:04:06 | 0:04:09 | |
Would you like a drink? | 0:04:09 | 0:04:10 | |
I'm not leaning on the bar like some...farmer. | 0:04:10 | 0:04:14 | |
Oh. | 0:04:14 | 0:04:15 | |
-Let's sit down over there, shall we? -Mal, I'm all right here. | 0:04:15 | 0:04:19 | |
It's Phoebe. | 0:04:22 | 0:04:23 | |
This is all your bloody doing, of course. | 0:04:23 | 0:04:26 | |
If you'd left things be, she'd be back at the College of Surgeons now | 0:04:26 | 0:04:28 | |
instead of working in a damned hat shop! | 0:04:28 | 0:04:31 | |
But YOU just had to tell her the truth. | 0:04:31 | 0:04:33 | |
Don't blame Sarah. | 0:04:33 | 0:04:34 | |
It was my fault. | 0:04:34 | 0:04:36 | |
No, don't give me that. | 0:04:36 | 0:04:38 | |
The pair of you are in it together | 0:04:38 | 0:04:39 | |
and neither of you thought EVER to consult me... | 0:04:39 | 0:04:42 | |
-Oh, so that's what all this is about. -We're all to blame. | 0:04:42 | 0:04:44 | |
The thing is, what are we going to do about it? | 0:04:46 | 0:04:48 | |
We don't have to do anything. | 0:04:48 | 0:04:50 | |
We just have to show that we support her. | 0:04:50 | 0:04:52 | |
I mean, she's 20 years old, she's not a child. | 0:04:52 | 0:04:56 | |
She wants to live her life | 0:04:56 | 0:04:58 | |
and why the hell shouldn't she? | 0:04:58 | 0:05:00 | |
Oh, yes, do nothing. Always your favourite option. | 0:05:00 | 0:05:04 | |
Quirke! | 0:05:04 | 0:05:05 | |
Dr Quirke. | 0:05:05 | 0:05:07 | |
Do you not remember me? | 0:05:08 | 0:05:10 | |
I was a student of yours 20 years ago, remember? | 0:05:11 | 0:05:14 | |
-I-I'm afraid I-I don't... -Ah, come on now, Dr Quirke! | 0:05:14 | 0:05:18 | |
Billy Hunt? | 0:05:18 | 0:05:20 | |
You used to say it sounded like rhyming slang. | 0:05:20 | 0:05:22 | |
Billy Hunt. Yes, of course I remember. How are you? | 0:05:25 | 0:05:29 | |
Good to meet you again. | 0:05:29 | 0:05:30 | |
-You used to play rugby, didn't you? -I still do, for my sins. | 0:05:30 | 0:05:33 | |
Touch old for it now, but I can still work up a bit of a trot. | 0:05:33 | 0:05:36 | |
And this is, er, your brother, I take it? | 0:05:36 | 0:05:39 | |
How do you do? | 0:05:39 | 0:05:41 | |
-Um, this is my wife Sarah. -How do you do, Doctor Hunt? | 0:05:41 | 0:05:45 | |
Ah, no. Just plain old Mr. | 0:05:45 | 0:05:48 | |
I dropped out of medicine, I didn't have the stomach for it. | 0:05:48 | 0:05:51 | |
I'm in pharmaceuticals now. | 0:05:51 | 0:05:53 | |
Bloss Kugelman. Plenty of travelling, all over Europe | 0:05:53 | 0:05:57 | |
and good money too, you'd be surprised. | 0:05:57 | 0:05:59 | |
You have to excuse us. | 0:05:59 | 0:06:01 | |
Very nice to meet you. | 0:06:02 | 0:06:04 | |
-Anyway, thought I'd come to this and look up some of the old crowd. -Yes. | 0:06:04 | 0:06:07 | |
-Well, I have to... -Ah, don't go yet, Quirke. | 0:06:07 | 0:06:10 | |
You've got to meet the wife. | 0:06:10 | 0:06:12 | |
Deirdre! | 0:06:12 | 0:06:13 | |
This...is the great Dr Quirke, Deirdre. | 0:06:19 | 0:06:22 | |
-City Pathologist he is now! -Hello. | 0:06:22 | 0:06:25 | |
Hello. | 0:06:25 | 0:06:27 | |
I can see what you're thinking. | 0:06:27 | 0:06:28 | |
Where would an ugly old skin like me find a beauty like this one? | 0:06:28 | 0:06:32 | |
He found me in the chemist shop. | 0:06:32 | 0:06:34 | |
I did! I did. | 0:06:34 | 0:06:36 | |
And she's not just a pretty face! | 0:06:36 | 0:06:38 | |
There's a good little head on her. | 0:06:38 | 0:06:40 | |
She has her own business, beauty parlour down on Anne Street. | 0:06:40 | 0:06:43 | |
Silver Swan we call it. | 0:06:43 | 0:06:44 | |
-Doing very well there, too. -Perhaps your wife would like to come in? | 0:06:44 | 0:06:47 | |
Well, actually I... I don't have a wife. | 0:06:47 | 0:06:51 | |
Well, we do manicures for men. | 0:06:51 | 0:06:52 | |
Well, thank you but... | 0:06:52 | 0:06:55 | |
I don't think I'm that kind of man. | 0:06:55 | 0:06:57 | |
I didn't really think you were. | 0:06:57 | 0:06:59 | |
Look. It's Tommy Marsh! | 0:06:59 | 0:07:01 | |
It's great to see you, Quirke. We'll have a drink one day soon. | 0:07:01 | 0:07:03 | |
Yes, we will, Billy. | 0:07:03 | 0:07:05 | |
Tommy! | 0:07:05 | 0:07:07 | |
Goodbye. | 0:07:11 | 0:07:12 | |
SEAGULLS CRY | 0:07:24 | 0:07:25 | |
All set? | 0:07:27 | 0:07:29 | |
Will I give you a lift to the salon? | 0:07:29 | 0:07:31 | |
No, I'm not ready. | 0:07:31 | 0:07:32 | |
Ah, well. | 0:07:32 | 0:07:34 | |
I best hit the road then, so. | 0:07:34 | 0:07:36 | |
-Do you have your passport? -I have. | 0:07:36 | 0:07:38 | |
-Did you tell them I want to look at the books when I get back? -I did. | 0:07:38 | 0:07:42 | |
There's nothing to worry about, Billy. | 0:07:42 | 0:07:45 | |
-We're doing fine. -Did I say I was worried? | 0:07:45 | 0:07:48 | |
Come on, now. | 0:07:50 | 0:07:52 | |
My little angel. | 0:07:54 | 0:07:56 | |
I wish I didn't have to go at all. | 0:07:56 | 0:07:58 | |
You'll be back soon enough. | 0:07:59 | 0:08:00 | |
Can't be too soon for me. | 0:08:00 | 0:08:02 | |
Mrs Griffin. | 0:08:37 | 0:08:39 | |
That's fine, take a seat. | 0:08:41 | 0:08:42 | |
Sarah. | 0:09:08 | 0:09:09 | |
Hello. | 0:09:11 | 0:09:12 | |
Wh-what are you doing here? | 0:09:12 | 0:09:15 | |
I just didn't want Mal to know. | 0:09:16 | 0:09:19 | |
He takes everything so seriously. | 0:09:22 | 0:09:24 | |
He gets so worried. | 0:09:24 | 0:09:26 | |
Wh-what's wrong? | 0:09:26 | 0:09:28 | |
Oh...headaches... | 0:09:28 | 0:09:31 | |
A really bad one. | 0:09:33 | 0:09:35 | |
Sometimes so bad that I... | 0:09:36 | 0:09:38 | |
Well, whole days go by and I... | 0:09:39 | 0:09:42 | |
Who have you been seeing? | 0:09:43 | 0:09:45 | |
-Fitzgerald. -And? | 0:09:45 | 0:09:47 | |
He's running ECGs and, um... | 0:09:47 | 0:09:49 | |
..X-rays and... | 0:09:51 | 0:09:52 | |
..he says he can't find anything wrong. | 0:09:53 | 0:09:56 | |
I think...what you need... | 0:09:59 | 0:10:01 | |
is a good holiday. | 0:10:01 | 0:10:04 | |
Yes. | 0:10:04 | 0:10:06 | |
I think we both need a good holiday. | 0:10:08 | 0:10:10 | |
Where would we go? | 0:10:12 | 0:10:14 | |
-Rome, Florence? -Mm. | 0:10:14 | 0:10:18 | |
Verona. | 0:10:18 | 0:10:19 | |
-What would I say to Mal? -You can tell him you're going to Verona with me. | 0:10:22 | 0:10:26 | |
Sarah... | 0:10:31 | 0:10:33 | |
..you know where I am if you ever need to talk to me about anything. | 0:10:34 | 0:10:38 | |
I know. | 0:10:43 | 0:10:44 | |
I'm sorry, Mrs Cuffe-Wilkes. | 0:11:07 | 0:11:09 | |
Punctuality is the politeness of princes, Miss Griffin. | 0:11:09 | 0:11:13 | |
Yes, Mrs Cuffe-Wilkes. | 0:11:13 | 0:11:14 | |
But now that you are here, you can do me a message. | 0:11:14 | 0:11:17 | |
I've run out of rose-water for the tissue paper. | 0:11:17 | 0:11:21 | |
Kiehl's rose-water, I'd better write that down. | 0:11:35 | 0:11:38 | |
-Would be a tragedy if I got it wrong, wouldn't it? -Hardly that. | 0:11:38 | 0:11:42 | |
Oh, I don't know. | 0:11:42 | 0:11:43 | |
Little things mean a lot. That's a song, isn't it? | 0:11:43 | 0:11:48 | |
# Blow me a kiss from across the room | 0:11:48 | 0:11:51 | |
# Say I look nice when I'm not | 0:11:51 | 0:11:53 | |
# Touch my hair as you pass my chair | 0:11:53 | 0:11:57 | |
# Little things mean a lot. # | 0:11:57 | 0:12:01 | |
Kiehl's rose-water. And your name is? | 0:12:01 | 0:12:05 | |
-Um, Griffin. -Griffin. | 0:12:05 | 0:12:07 | |
-Miss or Mrs? -Miss. | 0:12:08 | 0:12:10 | |
Splendid. Telephone number? | 0:12:10 | 0:12:12 | |
147-749. | 0:12:12 | 0:12:15 | |
-And is that a daytime number? -Yes, it's the hat shop. | 0:12:15 | 0:12:18 | |
Maison de Chapeaux. | 0:12:18 | 0:12:20 | |
Maison de Chapeaux! | 0:12:20 | 0:12:21 | |
Tell me, how is Mrs Cuffe-Wilkes? | 0:12:21 | 0:12:24 | |
She's all right. | 0:12:24 | 0:12:26 | |
I could tell you a thing or two about that one. | 0:12:27 | 0:12:30 | |
Right, well, we'll give you a ring very soon. | 0:12:30 | 0:12:33 | |
I'm sure we'll be able to help you one way or another. | 0:12:34 | 0:12:36 | |
Thank you. | 0:12:36 | 0:12:39 | |
-Goodbye. -Au revoir. | 0:12:39 | 0:12:41 | |
Who was that? | 0:12:43 | 0:12:45 | |
A Miss Griffin, very nice young lady, works in the hat shop. | 0:12:45 | 0:12:50 | |
You don't want a nice, young lady, Leslie, you want me. | 0:12:50 | 0:12:53 | |
Come on. | 0:12:55 | 0:12:57 | |
Let's take the afternoon off. | 0:12:57 | 0:12:58 | |
KNOCKS ON GLASS | 0:13:06 | 0:13:07 | |
Dr Quirke. | 0:13:12 | 0:13:14 | |
Dr Sinclair. | 0:13:14 | 0:13:16 | |
I used to be afraid of those things when I was a little lad. | 0:13:18 | 0:13:21 | |
My auntie had one and she'd pretend to give me a nip with it. | 0:13:22 | 0:13:25 | |
I always thought she'd take off the end of my nose. | 0:13:25 | 0:13:28 | |
So, any joy? | 0:13:28 | 0:13:32 | |
Ah, carbromal and bromvaletone in quantities | 0:13:32 | 0:13:35 | |
that suggest she took an overdose of sleeping medication. | 0:13:35 | 0:13:39 | |
And...diamorphine, which I can't really account for. | 0:13:39 | 0:13:42 | |
-That's heroin. -Thank you, Dr Sinclair. | 0:13:42 | 0:13:44 | |
See, there's no underlying pathology, | 0:13:44 | 0:13:46 | |
so I'd say that she wasn't taking it for pain relief. | 0:13:46 | 0:13:49 | |
We were just looking for needle marks. | 0:13:49 | 0:13:51 | |
I wouldn't have thought she was the type. | 0:13:51 | 0:13:53 | |
I don't think there's any particular type. | 0:13:53 | 0:13:55 | |
See, there's no nasal inflammation, | 0:13:55 | 0:13:57 | |
which means she was taking it orally. | 0:13:57 | 0:13:59 | |
Suicide or accident, would you say? | 0:13:59 | 0:14:01 | |
Hard to tell. | 0:14:01 | 0:14:03 | |
I mean, with that combination of drugs, it could be a mistake. | 0:14:03 | 0:14:06 | |
She was a long way from home. | 0:14:06 | 0:14:07 | |
Well, if it was me... | 0:14:07 | 0:14:09 | |
I'd lose myself in the mountains, do it there. | 0:14:09 | 0:14:13 | |
You've thought about it, then? | 0:14:13 | 0:14:15 | |
Haven't we all? | 0:14:15 | 0:14:17 | |
Not me, Dr Quirke. | 0:14:17 | 0:14:18 | |
So, you don't suspect foul play? | 0:14:19 | 0:14:22 | |
It's too early to tell. | 0:14:22 | 0:14:24 | |
I'd like to find out what it is that she took, though. | 0:14:25 | 0:14:28 | |
Any bottles or pills found in the car? | 0:14:28 | 0:14:30 | |
If there were, they'd be impounded as evidence. Let me look into it. | 0:14:30 | 0:14:34 | |
KEYS JANGLE | 0:14:34 | 0:14:35 | |
Bloody hell! | 0:14:41 | 0:14:43 | |
Do you need a hand with that? | 0:14:43 | 0:14:45 | |
Hello again! | 0:14:45 | 0:14:47 | |
Yes, thank you. Bloody door slammed shut | 0:14:47 | 0:14:48 | |
and Mrs Hunter's gone home. Would you mind? | 0:14:48 | 0:14:50 | |
Keys are in my jacket pocket just there. | 0:14:50 | 0:14:53 | |
Thank you. | 0:14:55 | 0:14:57 | |
That's the ticket. | 0:14:58 | 0:15:00 | |
Now don't run away. | 0:15:00 | 0:15:02 | |
Dr Quirke! | 0:15:07 | 0:15:08 | |
Just on my way home. | 0:15:10 | 0:15:11 | |
Where'd you find it? | 0:15:13 | 0:15:15 | |
In the car. I didn't give it to you, all right? | 0:15:15 | 0:15:17 | |
-It's not proper procedure. -So, why are you? | 0:15:17 | 0:15:20 | |
If I followed proper procedure in every case, | 0:15:20 | 0:15:22 | |
I'd never get anything done. | 0:15:22 | 0:15:23 | |
It's got no label on it. | 0:15:25 | 0:15:26 | |
But there's some residue left at the bottom. | 0:15:26 | 0:15:29 | |
This will be very helpful. Thanks. | 0:15:30 | 0:15:33 | |
-Let me know what you find. -I will. | 0:15:33 | 0:15:35 | |
I won't take up any more of your evening, Dr Quirke. | 0:15:35 | 0:15:38 | |
Oh, Inspector, um... | 0:15:38 | 0:15:40 | |
I was going to go for a drink, if, er... | 0:15:40 | 0:15:43 | |
-Well, we've reached a respectable hour. -Right. | 0:15:45 | 0:15:49 | |
INDISTINCT CHATTER | 0:15:51 | 0:15:53 | |
So, what's it to be? | 0:15:58 | 0:16:01 | |
Gin and tonic. | 0:16:01 | 0:16:02 | |
Gin and tonic, that's my girl. | 0:16:02 | 0:16:04 | |
Make that two, please. | 0:16:04 | 0:16:05 | |
More tonic than gin, Miss Griffin? | 0:16:05 | 0:16:07 | |
All the vices. | 0:16:10 | 0:16:12 | |
I approve, Miss Griffin. | 0:16:12 | 0:16:15 | |
Phoebe. | 0:16:15 | 0:16:17 | |
Phoebe. | 0:16:18 | 0:16:20 | |
Tell me, Phoebe, | 0:16:22 | 0:16:24 | |
any relation to the illustrious Judge Griffin? | 0:16:24 | 0:16:27 | |
His granddaughter. | 0:16:27 | 0:16:29 | |
Ah! Oh, well. | 0:16:29 | 0:16:32 | |
So, what are you doing working in a shop? | 0:16:33 | 0:16:36 | |
You're not one of nature's shop girls, I can tell. | 0:16:38 | 0:16:41 | |
Slumming it, are we? | 0:16:41 | 0:16:43 | |
I was studying to be a doctor, but then... | 0:16:45 | 0:16:47 | |
It's a long story. | 0:16:49 | 0:16:51 | |
Good, I like long stories. | 0:16:51 | 0:16:53 | |
The hat shop suits me fine. | 0:16:59 | 0:17:01 | |
Phoebe. | 0:17:08 | 0:17:10 | |
Hello, Quirke. | 0:17:10 | 0:17:11 | |
Leslie White, proprietor of the Silver Swan around the corner. | 0:17:16 | 0:17:20 | |
And you are? | 0:17:21 | 0:17:22 | |
Quirke. | 0:17:23 | 0:17:24 | |
What's this? | 0:17:26 | 0:17:27 | |
Miss Griffin was kind enough to give me a helping hand | 0:17:27 | 0:17:30 | |
and I'm repaying her with a drink. Is that all right with you? | 0:17:30 | 0:17:33 | |
-Let me buy you one. -No, thanks. | 0:17:33 | 0:17:35 | |
Sarah says that you're leaving home. | 0:17:35 | 0:17:38 | |
What if I am? | 0:17:38 | 0:17:40 | |
She's worried about you. | 0:17:42 | 0:17:43 | |
She has no need to be. I can look after myself. | 0:17:43 | 0:17:46 | |
Now, if you don't mind, Quirke? | 0:17:48 | 0:17:50 | |
Another time, then. | 0:17:56 | 0:17:58 | |
-Golly, who was that? -No-one. | 0:17:58 | 0:18:00 | |
A man I used to know. | 0:18:01 | 0:18:03 | |
Leaving home, eh? | 0:18:07 | 0:18:08 | |
Yes. | 0:18:10 | 0:18:11 | |
And where are you off to? | 0:18:11 | 0:18:13 | |
I don't really know. | 0:18:13 | 0:18:15 | |
-I haven't found a place yet. -Well, this might just be your lucky day. | 0:18:15 | 0:18:19 | |
I happen to know of a place that might suit you, | 0:18:19 | 0:18:21 | |
it's just around the corner as well. | 0:18:21 | 0:18:22 | |
Let me write the address down for you. | 0:18:22 | 0:18:24 | |
Friends of yours? | 0:18:38 | 0:18:39 | |
Er, family. | 0:18:39 | 0:18:41 | |
Uh.. | 0:18:41 | 0:18:42 | |
It's my, er... | 0:18:44 | 0:18:46 | |
-my niece. -Ah. | 0:18:46 | 0:18:49 | |
Thank you for coming in, Mr Millican. | 0:18:58 | 0:19:00 | |
Just through here. I'm very sorry for your loss. | 0:19:00 | 0:19:03 | |
DOOR BANGS | 0:19:07 | 0:19:08 | |
Now, Mr Millican... | 0:19:08 | 0:19:10 | |
..Dr Quirke's postmortem examination | 0:19:12 | 0:19:14 | |
seems to suggest your wife had been taking | 0:19:14 | 0:19:17 | |
sleeping pills and painkillers for some time. | 0:19:17 | 0:19:20 | |
Did she have trouble sleeping? | 0:19:21 | 0:19:23 | |
Mm, sometimes. | 0:19:23 | 0:19:25 | |
She had, um...problems with her nerves. | 0:19:25 | 0:19:30 | |
And why would she have needed to take the painkillers? | 0:19:31 | 0:19:34 | |
I don't know. | 0:19:37 | 0:19:38 | |
She didn't tell me about anything like that. | 0:19:39 | 0:19:42 | |
Mr Millican, as things stand, | 0:19:44 | 0:19:45 | |
Dr Quirke can't tell whether your wife committed suicide | 0:19:45 | 0:19:51 | |
or died from an accidental overdose. | 0:19:51 | 0:19:54 | |
Anything you can tell us will help us determine which it was. | 0:19:54 | 0:19:57 | |
Will we be able to avoid an inquest? | 0:19:58 | 0:20:00 | |
I doubt that. | 0:20:02 | 0:20:03 | |
I can't have the coroner putting it on record | 0:20:03 | 0:20:05 | |
that Geraldine killed herself. | 0:20:05 | 0:20:07 | |
Ta-da! | 0:20:09 | 0:20:10 | |
Where did you get them? | 0:20:12 | 0:20:14 | |
She gave them to me. | 0:20:14 | 0:20:16 | |
They're disgusting. | 0:20:20 | 0:20:21 | |
Yes, they are, aren't they? | 0:20:23 | 0:20:24 | |
Who is she? | 0:20:26 | 0:20:27 | |
Just a woman I used to know. | 0:20:27 | 0:20:29 | |
I better not tell you her name, you'd be shocked. | 0:20:29 | 0:20:32 | |
Awfully good sport, though, wouldn't you say? | 0:20:32 | 0:20:35 | |
Why did she give them to you, how could she? | 0:20:35 | 0:20:37 | |
Well, I suppose she's a bit of an exhibitionist | 0:20:37 | 0:20:39 | |
and she thought I might like them. | 0:20:39 | 0:20:41 | |
Of course, she didn't think I'd show them to you. | 0:20:41 | 0:20:43 | |
Which you shouldn't have. | 0:20:43 | 0:20:45 | |
No, I suppose not. | 0:20:46 | 0:20:48 | |
-But you're glad I did, aren't you? -I am not! | 0:20:51 | 0:20:54 | |
You're terrible, what you've turned me into. | 0:20:59 | 0:21:02 | |
I used to be a good girl, you know? | 0:21:02 | 0:21:04 | |
I don't believe you've ever been a VERY good girl, Deirdre. | 0:21:05 | 0:21:08 | |
Billy thinks I'm a good girl. | 0:21:20 | 0:21:23 | |
Thinks I'm his angel. | 0:21:24 | 0:21:26 | |
If only he knew. | 0:21:26 | 0:21:28 | |
-Give us one of your pills, will you? -Don't you think you're getting | 0:21:32 | 0:21:36 | |
a little too keen on those pills, Deirdre? | 0:21:36 | 0:21:38 | |
Well, if I am, we know whose fault that is. | 0:21:38 | 0:21:40 | |
Come on, Leslie. | 0:21:45 | 0:21:47 | |
Don't tease me. | 0:21:49 | 0:21:50 | |
I don't have any. | 0:21:55 | 0:21:56 | |
You keep taking them all. | 0:21:57 | 0:21:58 | |
(I'm sorry. I just... | 0:22:04 | 0:22:07 | |
(I...) | 0:22:09 | 0:22:10 | |
I hate the feeling in my hands that starts coming to me when I get... | 0:22:13 | 0:22:16 | |
For Christ's sake! | 0:22:16 | 0:22:18 | |
I can't stay here all afternoon. | 0:22:19 | 0:22:21 | |
All right. | 0:22:27 | 0:22:29 | |
Go down to Harcourt Street, number 24, ground floor flat. | 0:22:30 | 0:22:33 | |
Chap called Hakim Kreutz will sort you out with a little something. | 0:22:34 | 0:22:38 | |
-I don't like until I see. -Don't be silly. | 0:22:40 | 0:22:43 | |
You needn't be afraid of Hakim. He's an absolute sweetie. | 0:22:44 | 0:22:47 | |
He'd adore you. | 0:22:50 | 0:22:51 | |
He does spiritual healing as well and I think in your case | 0:22:51 | 0:22:55 | |
he'll absolutely insist on it. | 0:22:55 | 0:22:57 | |
CHILDREN SHOUT | 0:22:59 | 0:23:01 | |
Good afternoon. | 0:23:07 | 0:23:08 | |
-Dr Kreutz. -Yes? | 0:23:08 | 0:23:11 | |
Leslie sent me. | 0:23:11 | 0:23:12 | |
Ah, yes. | 0:23:12 | 0:23:13 | |
Come in. Come in, please. Come in. | 0:23:15 | 0:23:18 | |
Sit down, relax. | 0:23:18 | 0:23:20 | |
-This is most...most pleasant. -LOCKS DOOR | 0:23:20 | 0:23:23 | |
And how may I help you today? | 0:23:23 | 0:23:26 | |
I was hoping that... | 0:23:26 | 0:23:29 | |
Do you have any of that relaxant that you give to Leslie? | 0:23:30 | 0:23:33 | |
-I-I can pay for it. -No! | 0:23:33 | 0:23:35 | |
No, my dear, I-I'm not a drug dealer. | 0:23:35 | 0:23:37 | |
I keep only a small supply for the purpose of relaxation. | 0:23:38 | 0:23:42 | |
But, um, if you like, we might come to an arrangement? | 0:23:44 | 0:23:48 | |
What sort of an arrangement? | 0:23:49 | 0:23:51 | |
Oh, no, no. Nothing to alarm. | 0:23:51 | 0:23:53 | |
There is perhaps a small favour you might grant me. | 0:23:53 | 0:23:56 | |
What? | 0:23:57 | 0:23:59 | |
I would like to take your photograph. | 0:23:59 | 0:24:01 | |
You see, this is my work, on the wall, yes? | 0:24:01 | 0:24:07 | |
I'm a serious photographer. | 0:24:07 | 0:24:08 | |
And you are a most beautiful woman. | 0:24:08 | 0:24:11 | |
-You mean, nudie pictures? -Yes, of course. | 0:24:12 | 0:24:16 | |
The body is nothing to be ashamed of, especially one so beautiful. | 0:24:16 | 0:24:20 | |
And the photographs would be tasteful, and not for display, | 0:24:21 | 0:24:24 | |
or sale. | 0:24:24 | 0:24:25 | |
Just for my private collection. | 0:24:25 | 0:24:27 | |
And you wouldn't want anything else? | 0:24:31 | 0:24:33 | |
No. | 0:24:34 | 0:24:35 | |
No. I'm a professional man. | 0:24:37 | 0:24:39 | |
And a most serious artist. | 0:24:39 | 0:24:42 | |
So, um...perhaps today? | 0:24:45 | 0:24:48 | |
A little something to relax you. | 0:24:53 | 0:24:56 | |
Hmm, yes? | 0:24:58 | 0:24:59 | |
Yes? | 0:25:03 | 0:25:04 | |
All right. | 0:25:08 | 0:25:10 | |
Yes. | 0:25:10 | 0:25:11 | |
And a little water. | 0:25:14 | 0:25:16 | |
FOOTSTEPS APPROACHING | 0:25:39 | 0:25:41 | |
STAMPS FOOT | 0:25:50 | 0:25:52 | |
I don't want to interrupt you, Quirke. | 0:25:53 | 0:25:56 | |
I was a bit short with you the other night. | 0:25:56 | 0:25:59 | |
Meant to catch up with you later, but you'd gone. | 0:26:01 | 0:26:04 | |
It was all a mess. What can I say? | 0:26:04 | 0:26:06 | |
Phoebe's taken a room on Harcourt Street. | 0:26:09 | 0:26:11 | |
Moving in today. | 0:26:13 | 0:26:14 | |
On Harcourt Street? | 0:26:14 | 0:26:16 | |
-I worry she has a taste for the low life... -Inherited from me, no doubt. | 0:26:18 | 0:26:21 | |
I didn't say that. | 0:26:21 | 0:26:23 | |
What do you want from me, Mal? | 0:26:24 | 0:26:26 | |
We thought you might keep an eye on her. She's... | 0:26:26 | 0:26:30 | |
Well, she's not talking to us. | 0:26:31 | 0:26:33 | |
I'll do my best, but...she's not really talking to me either. | 0:26:33 | 0:26:37 | |
Right. | 0:26:37 | 0:26:39 | |
She's the only child I've ever had, Quirke. | 0:26:41 | 0:26:44 | |
And I worry about the Judge. | 0:26:45 | 0:26:48 | |
-You need to forgive him. -Forgive him? | 0:26:49 | 0:26:51 | |
He's not getting any younger. | 0:26:51 | 0:26:53 | |
And he's... | 0:26:53 | 0:26:55 | |
he's ALWAYS asking about you. | 0:26:55 | 0:26:57 | |
Well, he knows where I am if he wants to find me. | 0:26:57 | 0:27:00 | |
I've invited him round for some dinner tonight. | 0:27:02 | 0:27:04 | |
-Will you do that? -No, I won't do that. No, no. | 0:27:06 | 0:27:10 | |
Do it for me, then. | 0:27:10 | 0:27:12 | |
Will you do it for me? | 0:27:13 | 0:27:15 | |
I never ask you for anything, do I? | 0:27:15 | 0:27:19 | |
-Do I? -All right. I'll do it. | 0:27:22 | 0:27:26 | |
Great. | 0:27:26 | 0:27:27 | |
We eat at eight, see you then. | 0:27:29 | 0:27:30 | |
DOOR OPENS AND CLOSES | 0:27:32 | 0:27:35 | |
CHILDREN PLAYING | 0:27:43 | 0:27:47 | |
-Thank you. -Thank you, Miss. | 0:28:11 | 0:28:14 | |
Hello. | 0:28:21 | 0:28:22 | |
Hello. | 0:28:22 | 0:28:24 | |
-Um, I'm Phoebe Griffin, I'll be living upstairs. -Ah! | 0:28:24 | 0:28:28 | |
My name is Doctor Hakim Kreutz. | 0:28:28 | 0:28:31 | |
You're most...most welcome, Miss Griffin. | 0:28:31 | 0:28:33 | |
-Good to see you, Quirke. -Mm. | 0:29:28 | 0:29:30 | |
-I hope you're keeping well. -Oh, I'm keeping well. | 0:29:30 | 0:29:33 | |
-Still knocking back the old grog anyway? -Yeah. | 0:29:36 | 0:29:39 | |
Phoebe sends her love, by the way. | 0:29:42 | 0:29:44 | |
She couldn't join us, unfortunately. | 0:29:44 | 0:29:47 | |
Yes, it's extremely disappointing. | 0:29:47 | 0:29:51 | |
Where is she? | 0:29:51 | 0:29:53 | |
In a flat, on Harcourt Street. | 0:29:53 | 0:29:56 | |
-A what? -A flat. | 0:29:56 | 0:30:00 | |
A flat?! | 0:30:00 | 0:30:01 | |
That's put me right off my mackerel. | 0:30:02 | 0:30:05 | |
What do you make of that, Quirke? | 0:30:05 | 0:30:06 | |
I don't know. | 0:30:06 | 0:30:08 | |
You don't know. | 0:30:08 | 0:30:10 | |
Good answer. | 0:30:10 | 0:30:11 | |
Well, in my opinion, you've all driven her out | 0:30:11 | 0:30:14 | |
-because of your shenanigans. -Oh, yeah. | 0:30:14 | 0:30:16 | |
I suppose you're going to sit there | 0:30:16 | 0:30:17 | |
with a pus on you all night, are you? | 0:30:17 | 0:30:19 | |
Because if you think I care what your opinion is about me, | 0:30:19 | 0:30:22 | |
-what happened in Boston... -Oh, yeah, well, let's... | 0:30:22 | 0:30:25 | |
..we'll just have to agree to differ. | 0:30:25 | 0:30:27 | |
Isn't that right, Maggie? | 0:30:27 | 0:30:29 | |
What's that, Judge? | 0:30:29 | 0:30:31 | |
Families have to agree to differ. | 0:30:31 | 0:30:33 | |
A family would fall apart if they couldn't agree to differ. | 0:30:34 | 0:30:38 | |
Well, let's... Let's agree what it is that we differ about. | 0:30:38 | 0:30:41 | |
-I don't argue with hypocrites. -Oh, I'm not the hypocrite here. | 0:30:41 | 0:30:45 | |
This mackerel is excellent. | 0:30:45 | 0:30:47 | |
-Try cleaning up your own mess before you muck about with mine. -Yeah. | 0:30:47 | 0:30:50 | |
I know you went to the Guards about me. | 0:30:50 | 0:30:53 | |
-Did you think I wouldn't find out? -I wanted you to find out. | 0:30:54 | 0:30:57 | |
And what happened? Exactly nothing, just as I predicted. | 0:30:57 | 0:30:59 | |
Well, they closed that laundry, didn't they? | 0:30:59 | 0:31:02 | |
That's the church's decision. | 0:31:02 | 0:31:03 | |
They're perfectly within their right to. | 0:31:03 | 0:31:05 | |
Well, do you think it's right to be | 0:31:05 | 0:31:07 | |
stealing babies from their mothers? Do you? | 0:31:07 | 0:31:09 | |
-Do you think that's right or legal? -Ah, legal! | 0:31:09 | 0:31:13 | |
You think I sat in a courtroom for half a century | 0:31:13 | 0:31:16 | |
and didn't know what the law is for? | 0:31:16 | 0:31:18 | |
Well, maybe a little law would have | 0:31:18 | 0:31:19 | |
protected that little girl that you chucked out. | 0:31:19 | 0:31:22 | |
Maybe it would've protected her from being murdered by that toerag! | 0:31:22 | 0:31:25 | |
You know what? I'm worse to sit here and let you speak to me like that. | 0:31:25 | 0:31:30 | |
You're half sozzled, look at you, I can tell! | 0:31:30 | 0:31:32 | |
-What time was your first one today? -What's that got to do with anything? | 0:31:32 | 0:31:35 | |
You are guests in my house. | 0:31:35 | 0:31:37 | |
If you can't be civil to each other, go somewhere else! | 0:31:37 | 0:31:41 | |
Ah, Sarah... | 0:31:41 | 0:31:42 | |
BANGS TABLE | 0:31:42 | 0:31:43 | |
-I suggest we'll just have to agree to differ. -Agree to differ. | 0:31:43 | 0:31:47 | |
Let's all agree to differ. | 0:31:47 | 0:31:49 | |
We'll agree to differ. | 0:31:49 | 0:31:51 | |
-You said that. -Agree to differ! | 0:31:51 | 0:31:53 | |
How many more times are you going to say "agree to differ"? | 0:31:53 | 0:31:56 | |
I have to go to work in the morning. | 0:31:56 | 0:31:58 | |
PATTERING OF RAINDROPS | 0:32:00 | 0:32:03 | |
THUNDER RUMBLES | 0:32:03 | 0:32:06 | |
I'm so sorry, Sarah. | 0:32:09 | 0:32:10 | |
It's all right. | 0:32:15 | 0:32:16 | |
I think I'll sleep in the spare room. | 0:32:22 | 0:32:24 | |
Aren't you feeling well? | 0:32:26 | 0:32:28 | |
No. | 0:32:30 | 0:32:31 | |
Compared to other spats when we were growing up, | 0:32:37 | 0:32:41 | |
that was pretty mild. | 0:32:41 | 0:32:43 | |
Well... | 0:32:47 | 0:32:48 | |
..I just feel like everything's gone wrong. | 0:32:50 | 0:32:53 | |
Oh, don't be silly. | 0:32:53 | 0:32:54 | |
Phoebe'll come back... | 0:32:55 | 0:32:56 | |
..when her temper cools down. | 0:32:58 | 0:32:59 | |
You'll see. | 0:33:01 | 0:33:02 | |
Why would she want to come back? | 0:33:03 | 0:33:05 | |
What do you mean? | 0:33:08 | 0:33:11 | |
Just to keep us together? | 0:33:11 | 0:33:13 | |
What?! | 0:33:17 | 0:33:18 | |
Don't let's pretend, Mal. | 0:33:20 | 0:33:21 | |
I'm not pretending anything. | 0:33:23 | 0:33:25 | |
I never thought there was any point in telling her. | 0:33:25 | 0:33:27 | |
You and Quirke! | 0:33:30 | 0:33:31 | |
No wonder she's annoyed at you. | 0:33:35 | 0:33:38 | |
At me? | 0:33:38 | 0:33:40 | |
Well, what did I do? | 0:33:40 | 0:33:42 | |
Apart from giving her a home and loving her? | 0:33:44 | 0:33:48 | |
So did I, Mal. | 0:33:48 | 0:33:50 | |
Don't sleep in the spare room, Sarah. | 0:34:08 | 0:34:10 | |
You have the big bed. | 0:34:13 | 0:34:14 | |
I'll go. | 0:34:16 | 0:34:17 | |
We're closed! | 0:34:28 | 0:34:29 | |
-Billy! -There she is. | 0:34:31 | 0:34:33 | |
Oh, I missed you so much, my little angel. | 0:34:33 | 0:34:36 | |
I thought you weren't back until Monday? | 0:34:36 | 0:34:39 | |
I finished early. | 0:34:39 | 0:34:41 | |
And...I'm Salesman of the Month again. | 0:34:41 | 0:34:43 | |
Well done, you. | 0:34:43 | 0:34:45 | |
Ah, like I give a bollocks about that. | 0:34:45 | 0:34:47 | |
Here we are. | 0:34:47 | 0:34:48 | |
I got you some of those Swiss chocs you like. | 0:34:48 | 0:34:51 | |
-You're very sweet to remember. -And...this. | 0:34:51 | 0:34:54 | |
Well, go on. | 0:34:56 | 0:34:58 | |
Open it. It's a dainty gold watch. | 0:34:58 | 0:35:00 | |
You shouldn't have. | 0:35:04 | 0:35:05 | |
What else would I spend my money on? | 0:35:05 | 0:35:07 | |
Oh, I bless the day I found you in Plunkett's Pharmacy. | 0:35:08 | 0:35:12 | |
I do. | 0:35:12 | 0:35:13 | |
I do. | 0:35:13 | 0:35:15 | |
I do, I do, I do. | 0:35:15 | 0:35:17 | |
RAPID KNOCKING ON DOOR | 0:35:19 | 0:35:21 | |
Hakim! | 0:35:21 | 0:35:22 | |
Come on, Kreutzy boy, I know you're in there. | 0:35:22 | 0:35:25 | |
(Jesus!) | 0:35:52 | 0:35:53 | |
You gave me a fright. | 0:35:55 | 0:35:57 | |
Why didn't you answer the door when I knocked? | 0:35:58 | 0:36:01 | |
I didn't know it was you. | 0:36:01 | 0:36:02 | |
Well, who did you think it was then? | 0:36:03 | 0:36:05 | |
Come on. | 0:36:09 | 0:36:11 | |
Come on, you know why I'm here, and don't palm me off with | 0:36:11 | 0:36:13 | |
any old rubbish - that last lot wasn't up to snuff. | 0:36:13 | 0:36:16 | |
Ah, Kreutzy boy, what have you done now? | 0:36:21 | 0:36:25 | |
W-what do you mean? I don't understand. | 0:36:25 | 0:36:28 | |
You've done a very bad thing there, Kreutzy boy. | 0:36:28 | 0:36:31 | |
Did I say you were to do that? | 0:36:33 | 0:36:35 | |
She seemed ready. | 0:36:35 | 0:36:36 | |
I thought you would be pleased. | 0:36:36 | 0:36:38 | |
I don't believe you. | 0:36:39 | 0:36:41 | |
I think you are trying to cut me out. | 0:36:42 | 0:36:45 | |
No, no, I assure you... No! No! | 0:36:45 | 0:36:48 | |
WHIMPERS IN PAIN | 0:36:48 | 0:36:51 | |
GLASS SHATTERS | 0:36:51 | 0:36:52 | |
You burnt my hand! My hands are my living. | 0:36:53 | 0:36:56 | |
Yes, well, it will teach you to keep them to yourself. | 0:36:56 | 0:36:59 | |
Perhaps I should go to the police? | 0:36:59 | 0:37:00 | |
You wouldn't dare. | 0:37:00 | 0:37:02 | |
I'm taking these and I want the negatives before I REALLY hurt you. | 0:37:07 | 0:37:11 | |
Fine. | 0:37:14 | 0:37:15 | |
Let's get your name on them, shall we? | 0:37:17 | 0:37:19 | |
Credit where credit's due and all that. | 0:37:22 | 0:37:24 | |
Hakim Kreutz Studios. | 0:37:31 | 0:37:33 | |
Very nice. | 0:37:35 | 0:37:36 | |
Now we won't go to the cops, will we? | 0:37:40 | 0:37:42 | |
On the road again. | 0:38:17 | 0:38:19 | |
At least it's only Belfast this time. | 0:38:19 | 0:38:22 | |
Not bloody Bern. | 0:38:22 | 0:38:24 | |
This is grand. | 0:38:25 | 0:38:26 | |
Are you not going to have any yourself? | 0:38:27 | 0:38:30 | |
I'm not really that hungry, Billy. | 0:38:31 | 0:38:33 | |
I-I think I've a bit of an upset tummy. | 0:38:33 | 0:38:36 | |
Well, you can sit down with me for a couple of minutes at least. | 0:38:36 | 0:38:39 | |
Come on. | 0:38:39 | 0:38:40 | |
Well, you don't look yourself. | 0:38:48 | 0:38:50 | |
Shall I call the doctor before I go? | 0:38:52 | 0:38:54 | |
No, really, really, it'll pass. | 0:38:54 | 0:38:56 | |
Are you sure now? | 0:38:56 | 0:38:58 | |
Is there something you're not telling me? | 0:38:58 | 0:39:01 | |
It's just an upset tummy, Billy. | 0:39:04 | 0:39:06 | |
You're so sweet to me, I don't deserve you. | 0:39:08 | 0:39:11 | |
Ah, look at the time. | 0:39:14 | 0:39:16 | |
I've got to go. | 0:39:16 | 0:39:17 | |
My little angel. | 0:39:18 | 0:39:20 | |
You take care. | 0:39:21 | 0:39:22 | |
How did you get these? | 0:40:15 | 0:40:16 | |
What have you done?! | 0:40:17 | 0:40:19 | |
Where did you get them from? | 0:40:19 | 0:40:22 | |
Hakim Kreutz Studios. | 0:40:28 | 0:40:29 | |
That's nothing to do with me, darling. | 0:40:32 | 0:40:34 | |
You've got to admit, old Kreutz has got flair. | 0:40:36 | 0:40:39 | |
It was YOU! | 0:40:39 | 0:40:40 | |
I know it was. | 0:40:40 | 0:40:42 | |
How much do you think Billy would pay Kreutz to keep it quiet, hmm? | 0:40:42 | 0:40:45 | |
You bastard! | 0:40:48 | 0:40:49 | |
Did I ask you to go around there and show him all you've got? No. | 0:40:49 | 0:40:52 | |
You did that all by yourself! | 0:40:52 | 0:40:54 | |
And I must say, I don't care much for him, | 0:40:54 | 0:40:57 | |
I don't care much for these pictures either! | 0:40:57 | 0:40:59 | |
Funnily enough, they don't do a thing for me, not one thing. | 0:41:01 | 0:41:04 | |
It's all a question of timing, really. | 0:41:07 | 0:41:08 | |
I think we've had our time. | 0:41:10 | 0:41:12 | |
It was nice while it lasted, but it's over. | 0:41:18 | 0:41:22 | |
Sorry and all that. | 0:41:22 | 0:41:23 | |
DOOR OPENS AND CLOSES | 0:41:23 | 0:41:27 | |
-Mr Hunt, how's it going? -Not so bad. | 0:41:40 | 0:41:43 | |
-Yourself? -Not too bad, not too bad. | 0:41:43 | 0:41:45 | |
OK. | 0:41:47 | 0:41:48 | |
All right, if you just step inside | 0:41:52 | 0:41:54 | |
and bring your samples case with you. The kettle's on. | 0:41:54 | 0:41:57 | |
-Lovely. -Back on Wednesday? -I am. | 0:41:57 | 0:41:59 | |
-Good. -It's a beautiful day. -Isn't it lovely? | 0:41:59 | 0:42:03 | |
So, what did he say? | 0:42:04 | 0:42:05 | |
He said, | 0:42:05 | 0:42:07 | |
"Well, I stopped playing pocket billiards when I was 15 years old." | 0:42:07 | 0:42:12 | |
And she said, "I don't care, I'm still not shaking your hand." | 0:42:12 | 0:42:15 | |
SHE LAUGHS | 0:42:15 | 0:42:16 | |
Oh, God, that is so... | 0:42:18 | 0:42:20 | |
Oh, Quirke... | 0:42:23 | 0:42:25 | |
isn't it nice? | 0:42:25 | 0:42:27 | |
I mean, aren't you glad we're past all that mooning at each other | 0:42:27 | 0:42:30 | |
across crowded rooms like two teenagers? | 0:42:30 | 0:42:32 | |
Oh, yes. And besides, it's unbecoming of a woman of your age! | 0:42:32 | 0:42:36 | |
SHE LAUGHS | 0:42:36 | 0:42:39 | |
I should brain you. | 0:42:43 | 0:42:45 | |
HE LAUGHS | 0:42:45 | 0:42:47 | |
All that pain and havoc you caused me. | 0:42:47 | 0:42:50 | |
Have I? | 0:42:52 | 0:42:53 | |
Once upon a time, yes. | 0:42:55 | 0:42:58 | |
But not any more? | 0:42:58 | 0:42:59 | |
No. | 0:43:00 | 0:43:01 | |
Well, thank God for that. | 0:43:03 | 0:43:05 | |
Yes, thank God. | 0:43:08 | 0:43:10 | |
Phoebe's still mad about you. | 0:43:16 | 0:43:18 | |
You do know that? | 0:43:19 | 0:43:21 | |
Mad about or...mad at? | 0:43:21 | 0:43:25 | |
Always watch out for her, won't you? | 0:43:26 | 0:43:30 | |
Yeah. | 0:43:32 | 0:43:33 | |
Yes, of course I will. | 0:43:34 | 0:43:36 | |
Thank you. | 0:43:42 | 0:43:43 | |
-Oh, I'll get this. -No, no, let me get this, please? | 0:43:43 | 0:43:45 | |
This was my idea. | 0:43:45 | 0:43:47 | |
-You can get the next one. -All right. | 0:43:47 | 0:43:52 | |
-I like your hat, by the way. -Thank you! | 0:43:57 | 0:44:01 | |
It's new. | 0:44:02 | 0:44:03 | |
You're very dear to me... | 0:44:08 | 0:44:10 | |
..you know? | 0:44:13 | 0:44:14 | |
To all of us. | 0:44:20 | 0:44:22 | |
In a minute. | 0:44:40 | 0:44:43 | |
Ah! | 0:44:43 | 0:44:44 | |
-There you go. -Well, this is...nice. -Madam. -Thank you. | 0:44:44 | 0:44:48 | |
And sir. | 0:44:49 | 0:44:51 | |
Here we are. | 0:44:52 | 0:44:53 | |
Kiehl's rose-water. | 0:44:53 | 0:44:54 | |
-I could have just come into the shop to collect it. -No. | 0:44:55 | 0:44:58 | |
It's nice to make an occasion of it. | 0:44:58 | 0:45:01 | |
Now, tell me... | 0:45:01 | 0:45:02 | |
..do you always wear black? | 0:45:04 | 0:45:05 | |
I suppose I do. | 0:45:07 | 0:45:09 | |
It's required at the shop and I seem to have got into the habit. | 0:45:10 | 0:45:13 | |
-Hmm, yes, habit's about right. -Do I look like a nun to you? | 0:45:13 | 0:45:19 | |
No. | 0:45:20 | 0:45:21 | |
You look like a convent girl. | 0:45:22 | 0:45:24 | |
Were you? | 0:45:24 | 0:45:26 | |
Yes. | 0:45:26 | 0:45:27 | |
I adore convent girls. | 0:45:28 | 0:45:31 | |
-Why? -They have such a well-developed sense of sin. -Hmm. | 0:45:32 | 0:45:37 | |
And you're what the nuns would have called "a bad companion", | 0:45:37 | 0:45:40 | |
and having coffee with you would have been an occasion of sin. | 0:45:40 | 0:45:43 | |
Yes. | 0:45:43 | 0:45:45 | |
That's just the sort of thing I like. | 0:45:45 | 0:45:47 | |
So, Phoebe, what's next? | 0:45:48 | 0:45:52 | |
Well, I don't have to go back to the shop, it's early closing. | 0:45:53 | 0:45:57 | |
We could go for a walk? | 0:45:57 | 0:46:00 | |
CHILDREN SHOUT | 0:46:00 | 0:46:03 | |
Whaaaagghh! | 0:46:08 | 0:46:10 | |
CHILDREN SCREAM | 0:46:10 | 0:46:11 | |
-Well, here we are. -Are you going to ask me in? | 0:46:14 | 0:46:19 | |
Yes, all right. | 0:46:20 | 0:46:22 | |
-Phew! -It's a bit of a climb. | 0:46:26 | 0:46:29 | |
I'm used to it now. | 0:46:29 | 0:46:30 | |
Ah, the vigour of youth, eh? | 0:46:30 | 0:46:33 | |
I'm not at all sure I should be doing this. | 0:46:36 | 0:46:39 | |
DOOR CLOSES | 0:46:45 | 0:46:47 | |
# I never cared much for diamonds and pearls | 0:47:03 | 0:47:09 | |
# Cos honestly, honey | 0:47:10 | 0:47:12 | |
# They just cost money. # | 0:47:12 | 0:47:15 | |
It's nice. | 0:47:16 | 0:47:18 | |
It's a trifle spartan but... it's nice. | 0:47:18 | 0:47:21 | |
How about a drink? | 0:47:25 | 0:47:26 | |
I only have gin. | 0:47:28 | 0:47:29 | |
No tonic, no ice. | 0:47:29 | 0:47:32 | |
I haven't a fridge. | 0:47:32 | 0:47:34 | |
Gin will be fine. | 0:47:34 | 0:47:36 | |
HE HUMS | 0:47:39 | 0:47:42 | |
Mum and dad? | 0:47:48 | 0:47:50 | |
Yes. | 0:47:50 | 0:47:51 | |
What do they think about you living down on Harcourt Street on your own? | 0:47:51 | 0:47:56 | |
Ah. Chin-chin. | 0:47:59 | 0:48:03 | |
GLASSES CLINK | 0:48:03 | 0:48:04 | |
HE CLEARS HIS THROAT | 0:48:08 | 0:48:10 | |
That's, ah...strong when it comes straight like this, isn't it? | 0:48:10 | 0:48:14 | |
Oh, here. Have one of mine. | 0:48:16 | 0:48:18 | |
Oh, quite Balkan. | 0:48:21 | 0:48:24 | |
Very chic. | 0:48:24 | 0:48:25 | |
So, Phoebe... | 0:48:35 | 0:48:36 | |
..are you going to go to bed with me? | 0:48:38 | 0:48:41 | |
HE HUMS | 0:48:43 | 0:48:45 | |
I can't believe this is happening. | 0:48:45 | 0:48:47 | |
I know. | 0:48:47 | 0:48:48 | |
Yes, the nuns would definitely have something to say. | 0:48:48 | 0:48:51 | |
# Give me your hand when I've lost the way | 0:48:53 | 0:48:58 | |
# Give me your shoulder to cry on. # | 0:48:59 | 0:49:03 | |
HE HUMS | 0:49:04 | 0:49:08 | |
Mm! | 0:49:15 | 0:49:17 | |
Scrumptious! | 0:49:17 | 0:49:18 | |
SHE PANTS | 0:49:32 | 0:49:34 | |
You'll have to... | 0:49:34 | 0:49:35 | |
I'm afraid I don't have much experience in this sort of thing. | 0:49:36 | 0:49:40 | |
Well, you won't be surprised to hear that I have rather a lot. | 0:49:40 | 0:49:45 | |
Don't worry, we'll go nice and slow. | 0:49:45 | 0:49:49 | |
Now, then. | 0:49:52 | 0:49:53 | |
Is this...? | 0:49:56 | 0:49:58 | |
INDISTINCT | 0:49:58 | 0:50:00 | |
Probably. | 0:50:02 | 0:50:04 | |
What about this? | 0:50:06 | 0:50:08 | |
SHE GASPS | 0:50:08 | 0:50:09 | |
A mortal sin? | 0:50:11 | 0:50:13 | |
SEAGULLS CRY | 0:50:18 | 0:50:21 | |
All right? | 0:51:04 | 0:51:05 | |
HE YELLS | 0:51:13 | 0:51:16 | |
I need you to confirm, Mr Hunt, that this is your wife. | 0:51:17 | 0:51:21 | |
HE SOBS | 0:51:21 | 0:51:23 | |
HE SOBS | 0:51:26 | 0:51:28 | |
Mr Hunt, you left home on Monday morning. | 0:51:30 | 0:51:33 | |
Yes. | 0:51:35 | 0:51:36 | |
At what time, do you recall? | 0:51:36 | 0:51:39 | |
About half past eight. | 0:51:39 | 0:51:41 | |
And you arrived in Belfast at? | 0:51:41 | 0:51:43 | |
Around half 12. | 0:51:43 | 0:51:46 | |
That's four hours. | 0:51:47 | 0:51:49 | |
I was delayed at the border, it's the drugs. | 0:51:51 | 0:51:53 | |
I have to go through the paperwork with them every time. | 0:51:53 | 0:51:56 | |
Of course, of course. | 0:51:56 | 0:51:58 | |
And where did you stay in Belfast? | 0:51:58 | 0:52:00 | |
The McKinley Inn, it's the one I always use. | 0:52:00 | 0:52:02 | |
And they'll confirm that? | 0:52:02 | 0:52:04 | |
Well, of course they will! | 0:52:05 | 0:52:07 | |
Inspector, why are asking me all this? | 0:52:09 | 0:52:11 | |
I'm very sorry, Mr Hunt. I have to do this. | 0:52:11 | 0:52:14 | |
You have our deepest sympathy. | 0:52:16 | 0:52:17 | |
Yes, of course. | 0:52:19 | 0:52:21 | |
I understand. | 0:52:23 | 0:52:24 | |
-BILLY'S VOICE ECHOES: -"I can see what you're thinking. | 0:52:32 | 0:52:35 | |
"Where would an ugly old skin like me find a beauty like this?" | 0:52:35 | 0:52:38 | |
-Found me in the chemist shop. -I did. I did. | 0:52:38 | 0:52:42 | |
I thought she was happy with me. | 0:52:45 | 0:52:49 | |
I thought I made her happy. | 0:52:49 | 0:52:51 | |
How can you really know what they're thinking? | 0:52:53 | 0:52:56 | |
Any reason she might have felt under pressure? | 0:52:56 | 0:53:01 | |
-Is there anyone who she...? -Anyone what? | 0:53:04 | 0:53:08 | |
I don't know, she... She was an attractive woman. | 0:53:08 | 0:53:13 | |
What, men? | 0:53:13 | 0:53:14 | |
HE SCOFFS | 0:53:14 | 0:53:15 | |
Yeah, she had her fair share of admirers but | 0:53:15 | 0:53:18 | |
-she was a good girl, Doctor Quirke. -Yeah. | 0:53:18 | 0:53:23 | |
Although I never liked your man she got in to help her manage the shop. | 0:53:23 | 0:53:27 | |
There were times I was sure he was robbing her blind. | 0:53:27 | 0:53:31 | |
-But I could never get a look at the books. -Mm. | 0:53:31 | 0:53:35 | |
-Was this Leslie White? -Yeah. You know him? | 0:53:35 | 0:53:39 | |
I bumped into him... | 0:53:41 | 0:53:42 | |
..with my niece. | 0:53:43 | 0:53:45 | |
She works in the hat shop down the street. | 0:53:45 | 0:53:49 | |
Hmm, sounds about right. | 0:53:49 | 0:53:51 | |
Apparently, all the women love him. | 0:53:53 | 0:53:55 | |
"Good for business," Deirdre said. | 0:53:55 | 0:53:57 | |
But I never liked him. | 0:53:58 | 0:54:00 | |
DOOR BELL TINKLES | 0:54:04 | 0:54:06 | |
DOOR CLOSES | 0:54:09 | 0:54:11 | |
-Good afternoon, sir. -Good afternoon. | 0:54:11 | 0:54:14 | |
How may we help you? We don't very often see gentlemen in here. | 0:54:14 | 0:54:18 | |
I was wondering if I could take my daughter away a little early today? | 0:54:18 | 0:54:23 | |
Just for the last half hour or so. | 0:54:23 | 0:54:27 | |
Your daughter, really? | 0:54:27 | 0:54:29 | |
What a pleasure it is to meet you, Mr Griffin. | 0:54:29 | 0:54:32 | |
-Actually, it's Quirke. Dr Quirke. -Oh. | 0:54:32 | 0:54:36 | |
I'm so sorry, how do you do, Dr Quirke? | 0:54:36 | 0:54:39 | |
Now, we are rather busy at the moment, | 0:54:39 | 0:54:42 | |
but in the circumstances, I think it's a charming idea. | 0:54:42 | 0:54:47 | |
Phoebe, get your coat. | 0:54:47 | 0:54:49 | |
And don't worry. I'll hold the fort. | 0:54:54 | 0:54:57 | |
I would never stand between a girl and her father. | 0:54:57 | 0:55:00 | |
I've always said, her father is a girl's first love. | 0:55:00 | 0:55:04 | |
Oh, yes. Yes, of course. | 0:55:04 | 0:55:06 | |
Phoebe, you can tell me to mind my own business but | 0:55:09 | 0:55:13 | |
-there's something I wanted to talk to you about. -What? | 0:55:13 | 0:55:18 | |
That chap that I met you with, the Englishman, Leslie White... | 0:55:18 | 0:55:23 | |
-..how well do you know him? -Why? | 0:55:24 | 0:55:27 | |
It's just that I've heard he's not the best company in the world. | 0:55:27 | 0:55:32 | |
-From who? -Oh, from around. | 0:55:32 | 0:55:35 | |
Well, you can tell "from around" | 0:55:36 | 0:55:38 | |
that Leslie is a very kind and gentle person | 0:55:38 | 0:55:40 | |
and you're right, it's none of your business. | 0:55:40 | 0:55:44 | |
You have no rights over me, Quirke. | 0:55:44 | 0:55:48 | |
Whatever right you might have had, | 0:55:48 | 0:55:50 | |
-you forfeited years ago. -I'm your father! | 0:55:50 | 0:55:53 | |
Are you? | 0:55:53 | 0:55:54 | |
You hid that from me for so long and you expect me to accept it? | 0:55:54 | 0:55:59 | |
You're not my father, Quirke. | 0:55:59 | 0:56:01 | |
I have no father. | 0:56:02 | 0:56:04 | |
Please, Phoebe! | 0:56:05 | 0:56:07 | |
Phoebe! | 0:56:07 | 0:56:09 | |
Thank you, Maggie. | 0:56:19 | 0:56:21 | |
Thank you. | 0:56:26 | 0:56:27 | |
They're thinking of making me Dean. | 0:56:38 | 0:56:41 | |
Oh? | 0:56:43 | 0:56:45 | |
Moriarty mentioned it to me at the management meeting on Tuesday. | 0:56:49 | 0:56:52 | |
That's nice. | 0:56:56 | 0:56:57 | |
It's a lot of extra work. | 0:57:00 | 0:57:02 | |
SHE SIGHS | 0:57:10 | 0:57:11 | |
What would it involve? | 0:57:15 | 0:57:17 | |
Well, principally, of course, | 0:57:18 | 0:57:20 | |
I'd be responsible for the pastoral care of the medical faculty. | 0:57:20 | 0:57:24 | |
Moriarty says I have an affinity with the young. | 0:57:26 | 0:57:30 | |
SHE LAUGHS | 0:57:32 | 0:57:33 | |
What? | 0:57:33 | 0:57:34 | |
SHE LAUGHS HEARTILY | 0:57:34 | 0:57:37 | |
Sarah! | 0:57:37 | 0:57:39 | |
Oh, for goodness' sake! | 0:57:39 | 0:57:40 | |
Don't be such a child! | 0:57:42 | 0:57:44 | |
Sorry, Mal. | 0:57:48 | 0:57:49 | |
SEAGULLS CRY | 0:57:54 | 0:57:57 | |
-Dr Quirke, can I have a second? -What is it? | 0:58:02 | 0:58:05 | |
Deirdre Hunt's toxicology is exactly the same as the Millican case. | 0:58:05 | 0:58:09 | |
No puncture wounds, but there was still | 0:58:09 | 0:58:11 | |
small amounts of tablets dissolved in the stomach. | 0:58:11 | 0:58:13 | |
-Same compound as we found in Geraldine Millican? -Not exactly. | 0:58:13 | 0:58:18 | |
-No heroin? -No, there was heroin all right. | 0:58:18 | 0:58:21 | |
-Not exactly the same compound but so similar it must be... -What? | 0:58:21 | 0:58:25 | |
We've been looking for two pills, | 0:58:25 | 0:58:27 | |
but what if it was combined in the same pill? | 0:58:27 | 0:58:29 | |
-Backstreet pharmacist. -Exactly. | 0:58:29 | 0:58:31 | |
Well done, Sinclair. | 0:58:33 | 0:58:35 | |
Can you watch the shop for me | 0:58:35 | 0:58:36 | |
-while I'm out for a couple of hours? -Of course. | 0:58:36 | 0:58:39 | |
Well done. | 0:58:39 | 0:58:40 | |
It's not a secret, | 0:58:44 | 0:58:46 | |
Geraldine had gone off the rails, I suppose. | 0:58:46 | 0:58:49 | |
Sure all of Dublin was talking about it. | 0:58:49 | 0:58:52 | |
Who was she getting her drugs from? | 0:58:52 | 0:58:54 | |
Mr Millican, I have no clear-cut way | 0:58:59 | 0:59:01 | |
of knowing whether Geraldine killed herself | 0:59:01 | 0:59:05 | |
or whether the stuff she was taking would have killed her anyway. | 0:59:05 | 0:59:09 | |
I can't tell what was going on in her mind the day she died. | 0:59:09 | 0:59:12 | |
But now another woman has died with the same stuff in her system. | 0:59:12 | 0:59:17 | |
You have to tell the police whatever it is that you know. | 0:59:17 | 0:59:21 | |
A few months ago, I received a photograph through the post. | 0:59:25 | 0:59:29 | |
A photograph? | 0:59:29 | 0:59:31 | |
A photograph... | 0:59:31 | 0:59:32 | |
..of my wife. | 0:59:33 | 0:59:35 | |
-And what kind of photograph? -Come on, Dr Quirke, | 0:59:35 | 0:59:39 | |
don't make me spell it out for you. | 0:59:39 | 0:59:41 | |
Blackmail? | 0:59:41 | 0:59:42 | |
I have a position in this city. | 0:59:44 | 0:59:46 | |
I couldn't allow that photograph to reach the newspapers, | 0:59:48 | 0:59:51 | |
not that they could print such a thing, | 0:59:51 | 0:59:54 | |
but they could be very clear what sort of a photograph it was. | 0:59:54 | 0:59:56 | |
Who sent you the photograph? | 0:59:56 | 0:59:58 | |
INDISTINCT CHATTER | 1:00:15 | 1:00:18 | |
INDISTINCT | 1:00:26 | 1:00:29 | |
Are you meddling again? | 1:00:31 | 1:00:33 | |
Possibly. | 1:00:34 | 1:00:35 | |
You should leave all this kind of thing to the police. | 1:00:37 | 1:00:40 | |
I would except that this chap, White, | 1:00:40 | 1:00:43 | |
he's been involved with Geraldine Millican and Deirdre Hunt | 1:00:43 | 1:00:46 | |
and I know that he's got something to do with their deaths. | 1:00:46 | 1:00:50 | |
But if he did, it'll probably come out in time. | 1:00:50 | 1:00:53 | |
No need for you to be sniffing around it. | 1:00:53 | 1:00:57 | |
Well, the thing is that he's started a sort of... | 1:00:57 | 1:01:02 | |
-acquaintance with Phoebe. -Has he? | 1:01:02 | 1:01:05 | |
Well, you tell her she's not to see him. | 1:01:05 | 1:01:08 | |
You know what she's like, I tell her something | 1:01:08 | 1:01:11 | |
and she'll go in the opposite direction. | 1:01:11 | 1:01:14 | |
No. | 1:01:14 | 1:01:15 | |
I was hoping you might have a word with her. Or... | 1:01:16 | 1:01:21 | |
Or maybe a... | 1:01:23 | 1:01:24 | |
Maybe what? | 1:01:24 | 1:01:26 | |
You remember that fella, Costigan? | 1:01:28 | 1:01:31 | |
Get Costigan's ruffians to deliver a warning, you mean? | 1:01:32 | 1:01:36 | |
You want to go over to the dark side, now? | 1:01:38 | 1:01:41 | |
Well, well, I'm surprised at you. | 1:01:42 | 1:01:44 | |
Well, I say this... If I do it, | 1:01:46 | 1:01:50 | |
you may never, ever judge me again! | 1:01:50 | 1:01:54 | |
THUNDER RUMBLES | 1:02:07 | 1:02:10 | |
Is there somebody there? | 1:02:14 | 1:02:16 | |
Who's there? | 1:02:19 | 1:02:21 | |
Who is it? | 1:02:23 | 1:02:24 | |
FAINTLY: Phoebe! | 1:02:26 | 1:02:27 | |
Leslie! | 1:02:27 | 1:02:29 | |
Leslie! Oh, my God! What happened? | 1:02:29 | 1:02:31 | |
Please, just...get me inside. | 1:02:31 | 1:02:34 | |
HE GROANS | 1:02:34 | 1:02:36 | |
DOOR OPENS | 1:02:40 | 1:02:42 | |
What shall I do? | 1:02:42 | 1:02:44 | |
-Shall I call for an ambulance? -No, no! | 1:02:44 | 1:02:46 | |
-A doctor? -Agh! No. | 1:02:46 | 1:02:48 | |
Gin, give me some gin, please? | 1:02:50 | 1:02:52 | |
Who did this to you? | 1:02:55 | 1:02:57 | |
I have no idea. | 1:02:57 | 1:02:59 | |
-Were you robbed? -No. | 1:02:59 | 1:03:01 | |
Listen. The man who lives downstairs, | 1:03:05 | 1:03:07 | |
he is a doctor, he'll give you something for me. All right? | 1:03:07 | 1:03:10 | |
-Dr Kreutz? -Yes. Just tell him that the medicine is for Leslie, | 1:03:10 | 1:03:13 | |
it's very important that you say that, that it's for Leslie. | 1:03:13 | 1:03:16 | |
-I don't like to leave you. -It's fine. It's fine, just go! Please? | 1:03:16 | 1:03:20 | |
Please, just...get the medicine. | 1:03:20 | 1:03:22 | |
DOOR CLOSES | 1:03:23 | 1:03:25 | |
HE GROANS | 1:03:27 | 1:03:29 | |
SHE KNOCKS ON DOOR | 1:03:33 | 1:03:34 | |
Dr Kreutz? | 1:03:34 | 1:03:36 | |
SHE KNOCKS ON DOOR | 1:03:36 | 1:03:38 | |
Dr Kreutz? | 1:03:38 | 1:03:41 | |
-Did you get it? -I'm sorry, Leslie. | 1:03:51 | 1:03:53 | |
I knocked and I called and there was no answer. | 1:03:53 | 1:03:56 | |
Bastard. No, he's in there. | 1:03:56 | 1:03:57 | |
He's in there, all right. | 1:03:57 | 1:03:59 | |
-If you need a job doing, you do it yourself. -Don't... | 1:03:59 | 1:04:01 | |
You don't understand, Phoebe, I need it! | 1:04:01 | 1:04:04 | |
HE GROANS | 1:04:11 | 1:04:13 | |
HE KNOCKS ON DOOR | 1:04:17 | 1:04:20 | |
Come on, Kreutzy boy, I know you're in there! | 1:04:21 | 1:04:24 | |
HE KNOCKS ON DOOR | 1:04:26 | 1:04:28 | |
Right, then... | 1:04:31 | 1:04:32 | |
Right. | 1:04:35 | 1:04:36 | |
Come on, come on. | 1:04:36 | 1:04:39 | |
DOOR CLOSES | 1:04:44 | 1:04:45 | |
FOOTSTEPS APPROACH | 1:04:56 | 1:04:59 | |
Are you all right? Did you get your medicine? | 1:05:01 | 1:05:04 | |
Just, um... Just let me think for a minute. | 1:05:05 | 1:05:10 | |
Phoebe, can anyone know I'm here? | 1:05:24 | 1:05:27 | |
No. | 1:05:27 | 1:05:28 | |
I don't think so. Why? | 1:05:28 | 1:05:30 | |
Nothing. | 1:05:32 | 1:05:33 | |
It's fine. | 1:05:34 | 1:05:36 | |
Aagh! | 1:05:38 | 1:05:39 | |
HE GROANS | 1:05:43 | 1:05:46 | |
Phoebe. | 1:05:48 | 1:05:49 | |
Don't go. | 1:05:51 | 1:05:52 | |
Will you lie with me? | 1:05:52 | 1:05:54 | |
CHURCH ORGAN MUSIC PLAYS | 1:06:14 | 1:06:18 | |
DOOR CLOSES | 1:06:32 | 1:06:34 | |
DOOR BELL RINGS | 1:07:22 | 1:07:24 | |
Sarah. | 1:07:43 | 1:07:44 | |
Hello, Quirke. | 1:07:46 | 1:07:48 | |
We were so young. | 1:08:01 | 1:08:02 | |
SHE SIGHS | 1:08:07 | 1:08:08 | |
So foolish then. | 1:08:08 | 1:08:11 | |
I won't leave Mal, you know? | 1:08:20 | 1:08:23 | |
And if you can live with that, those are my terms. | 1:08:25 | 1:08:29 | |
I'm...yours. | 1:08:32 | 1:08:35 | |
What is it? | 1:08:46 | 1:08:47 | |
SHE SIGHS | 1:08:49 | 1:08:50 | |
Nothing. | 1:08:51 | 1:08:52 | |
Just, I'm so happy. | 1:08:54 | 1:08:56 | |
Of course, we'll probably both go to hell. | 1:09:07 | 1:09:10 | |
There's no such place. | 1:09:11 | 1:09:14 | |
Oh, but there is. | 1:09:14 | 1:09:15 | |
PHONE RINGS | 1:09:24 | 1:09:27 | |
RINGING TONE | 1:09:34 | 1:09:38 | |
RINGING STOPS | 1:09:38 | 1:09:39 | |
HE DIALS | 1:09:41 | 1:09:45 | |
Dr Quirke isn't in the office. | 1:09:47 | 1:09:49 | |
I tried telephoning but he's not answering. He must... | 1:09:51 | 1:09:54 | |
I thought you should know, | 1:09:54 | 1:09:57 | |
I did a haemolysis test on the blood from Mrs Hunt's heart | 1:09:57 | 1:10:01 | |
and the blood from the left ventricle | 1:10:01 | 1:10:04 | |
is more diluted than blood from the right. | 1:10:04 | 1:10:06 | |
You're going to have to spell it out for me, Dr Sinclair. | 1:10:08 | 1:10:12 | |
Right. | 1:10:17 | 1:10:19 | |
Thank you. | 1:10:19 | 1:10:20 | |
PHONE CLATTERS | 1:10:20 | 1:10:23 | |
DOOR OPENS | 1:10:34 | 1:10:37 | |
-Leslie? -Phoebe? | 1:10:42 | 1:10:45 | |
Phoebe, where have you been?! | 1:10:45 | 1:10:47 | |
Nowhere, I went to the shops. | 1:10:47 | 1:10:50 | |
-Well, you should have asked me! -What?! | 1:10:50 | 1:10:53 | |
You didn't tell anybody I was here? | 1:10:53 | 1:10:55 | |
No, I just went to the shops, Leslie. | 1:10:55 | 1:10:58 | |
I bought some eggs, you need to eat. | 1:10:58 | 1:10:59 | |
Listen, Phoebe, listen to me. | 1:10:59 | 1:11:02 | |
I'm in a spot of bother, all right? | 1:11:02 | 1:11:04 | |
And, er... It's temporary, but I need to leave town for a bit. | 1:11:04 | 1:11:09 | |
I wonder if I could borrow some money? | 1:11:09 | 1:11:11 | |
-Of course you can, I haven't much, though. -OK. | 1:11:11 | 1:11:14 | |
Just, um... No... This is... | 1:11:14 | 1:11:18 | |
No, this is no use, Phoebe! | 1:11:18 | 1:11:22 | |
I could get some from the bank. | 1:11:22 | 1:11:24 | |
Really, how much? | 1:11:26 | 1:11:27 | |
-I don't know. About 20,000. -Phoebe, I'm not JOKING! | 1:11:27 | 1:11:31 | |
SHE SCREAMS | 1:11:31 | 1:11:32 | |
I'm sorry, I'm sorry, sh, please, I'm sorry. | 1:11:32 | 1:11:37 | |
I'm so sorry, I'm just a little overwrought, that's all. | 1:11:37 | 1:11:40 | |
Let's start again, yeah? | 1:11:42 | 1:11:44 | |
-How much money do you have in the bank? -I told you. | 1:11:45 | 1:11:49 | |
My grandfather died last November, he left it to me. | 1:11:49 | 1:11:52 | |
I'm so sorry. I'm so sorry, Phoebe. | 1:11:54 | 1:11:57 | |
I'm in such a terrible state and I don't know what came over me. | 1:11:59 | 1:12:02 | |
Can you forgive me? | 1:12:03 | 1:12:05 | |
Good. | 1:12:06 | 1:12:08 | |
-Now, which bank? -The one around the corner. | 1:12:08 | 1:12:11 | |
Perfect. | 1:12:11 | 1:12:13 | |
Perfect. | 1:12:13 | 1:12:14 | |
Now let's sod 'em all, shall we? | 1:12:14 | 1:12:18 | |
We can head off to Egypt and show them all that we don't give a damn. | 1:12:18 | 1:12:22 | |
I don't think I can do that, Leslie. | 1:12:22 | 1:12:25 | |
Of course you can, Phoebe, of course you can, why ever not? | 1:12:25 | 1:12:28 | |
My family are here. | 1:12:28 | 1:12:29 | |
Family! | 1:12:30 | 1:12:32 | |
Right, well, go to the bank, get the money, there's a good girl. | 1:12:32 | 1:12:38 | |
There you go. | 1:12:38 | 1:12:40 | |
Dr Quirke. | 1:12:51 | 1:12:53 | |
I've been trying to get a hold of you but I couldn't find you, | 1:12:54 | 1:12:56 | |
so I went to Inspector Hackett, I hope that's all right? | 1:12:56 | 1:12:59 | |
-What are you talking about? -I went back to the toxicology. | 1:12:59 | 1:13:02 | |
There was something about the results that didn't sit right | 1:13:02 | 1:13:05 | |
-and I did a haemolysis test on Deirdre Hunt. -Yeah? | 1:13:05 | 1:13:08 | |
-She drowned in fresh water, Doctor Quirke. -What? | 1:13:08 | 1:13:12 | |
She was murdered. | 1:13:12 | 1:13:13 | |
-Quirke. -TREMBLING: -Quirke! | 1:13:16 | 1:13:19 | |
I don't know what to do! | 1:13:19 | 1:13:21 | |
SHE SOBS | 1:13:21 | 1:13:23 | |
I've got myself in a terrible mess. | 1:13:24 | 1:13:26 | |
Who's in the flat? | 1:13:27 | 1:13:28 | |
All right, stay exactly where you are, don't move, you hear me? | 1:13:30 | 1:13:36 | |
I'm coming over. | 1:13:36 | 1:13:38 | |
PHONE CLATTERS | 1:13:38 | 1:13:39 | |
SHE GASPS | 1:13:44 | 1:13:46 | |
-Give me the keys. Stay there. -I'll go with you. -I said stay there! | 1:13:46 | 1:13:49 | |
Agh! | 1:13:57 | 1:13:58 | |
Phoebe! What are you doing? | 1:14:00 | 1:14:03 | |
Did you get it? | 1:14:03 | 1:14:04 | |
THUD | 1:14:06 | 1:14:08 | |
Quirke! What have you done? | 1:14:08 | 1:14:11 | |
Leslie! | 1:14:11 | 1:14:13 | |
SHE SOBS | 1:14:14 | 1:14:15 | |
Quirke! | 1:14:18 | 1:14:19 | |
SHE CRIES | 1:14:25 | 1:14:27 | |
Leslie! | 1:14:27 | 1:14:28 | |
Was that her? | 1:14:36 | 1:14:38 | |
Your niece? | 1:14:39 | 1:14:40 | |
Well, she'll be safe now. | 1:14:43 | 1:14:45 | |
You saw what he did to my Deirdre. | 1:14:45 | 1:14:48 | |
Your lovely girl would have been next. | 1:14:48 | 1:14:51 | |
I couldn't let that happen. | 1:14:51 | 1:14:52 | |
HE SIGHS | 1:14:56 | 1:14:58 | |
All right then, Mr Hunt crosses the border at 11 on Monday morning. | 1:15:08 | 1:15:13 | |
Thanks very much. | 1:15:13 | 1:15:15 | |
This is him crossing back into the Republic... | 1:15:15 | 1:15:19 | |
..at quarter past two on Wednesday afternoon. | 1:15:20 | 1:15:24 | |
And he couldn't have slipped back past you on the Tuesday? | 1:15:27 | 1:15:31 | |
Now obviously this would never happen, | 1:15:31 | 1:15:34 | |
but if I wanted to move a couple of head of cattle, | 1:15:34 | 1:15:38 | |
or a parcel of guns, late at night, | 1:15:38 | 1:15:41 | |
how would I be able to do that? | 1:15:41 | 1:15:43 | |
Of course, allowing that this could never happen. | 1:15:43 | 1:15:46 | |
CAR HORN TOOTS | 1:16:01 | 1:16:02 | |
BRAKES SCREECH | 1:16:02 | 1:16:04 | |
CAR HORN TOOTS | 1:16:04 | 1:16:05 | |
How are you? | 1:16:11 | 1:16:12 | |
Beautiful day, thank God! | 1:16:14 | 1:16:15 | |
DOG BARKS | 1:16:16 | 1:16:18 | |
-Do you want it filled? -No, just a gallon will see me right. | 1:16:18 | 1:16:22 | |
Quiet enough about here? | 1:16:29 | 1:16:31 | |
Not a lot of passing trade, I'm guessing? | 1:16:32 | 1:16:35 | |
PETROL PUMP WHIRS | 1:16:35 | 1:16:37 | |
Local folk, farmers, the main? | 1:16:39 | 1:16:41 | |
Aye. | 1:16:41 | 1:16:43 | |
Mostly. | 1:16:43 | 1:16:44 | |
I was thinking you might notice a strange car going past, | 1:16:44 | 1:16:48 | |
especially at night. | 1:16:48 | 1:16:51 | |
A Dublin car, | 1:16:51 | 1:16:52 | |
week or so ago. | 1:16:52 | 1:16:55 | |
Come here till I show you. | 1:16:55 | 1:16:57 | |
You see that log down there? | 1:17:01 | 1:17:04 | |
-I do. -That's the border. | 1:17:04 | 1:17:06 | |
OK. | 1:17:06 | 1:17:07 | |
You're the wrong side of it. | 1:17:07 | 1:17:09 | |
I'm under no obligation | 1:17:09 | 1:17:12 | |
to tell an Inspector of the Garda anything, at all. | 1:17:12 | 1:17:17 | |
BIRDSONG | 1:17:17 | 1:17:20 | |
Even so... | 1:17:21 | 1:17:22 | |
Mal is coming to take you home. | 1:17:39 | 1:17:41 | |
This IS my home. | 1:17:42 | 1:17:43 | |
Phoebe... | 1:17:47 | 1:17:48 | |
..I have to ask you this. | 1:17:49 | 1:17:51 | |
Did Leslie ever give you anything to take? | 1:17:53 | 1:17:57 | |
Drugs, I mean. | 1:17:58 | 1:18:00 | |
Leslie took things. I don't know what. | 1:18:03 | 1:18:07 | |
But he never offered me any. | 1:18:07 | 1:18:09 | |
Were they pills? | 1:18:11 | 1:18:12 | |
He said it was his medicine. | 1:18:15 | 1:18:17 | |
-He got it from the man who lives in there. -What man? | 1:18:19 | 1:18:22 | |
SHE SNIFFS | 1:18:22 | 1:18:24 | |
Dr Kreutz. | 1:18:24 | 1:18:25 | |
DOOR OPENS | 1:18:27 | 1:18:28 | |
Phoebe! | 1:18:28 | 1:18:30 | |
Thank God you're all right. | 1:18:32 | 1:18:33 | |
Come on. I'll take you home. | 1:18:51 | 1:18:53 | |
HE KNOCKS ON DOOR | 1:19:26 | 1:19:28 | |
HE KNOCKS ON DOOR | 1:19:31 | 1:19:33 | |
DOOR CREAKS OPEN | 1:19:40 | 1:19:42 | |
Sir. | 1:20:00 | 1:20:01 | |
-Who found him? -I did. | 1:20:04 | 1:20:06 | |
-He's taken a hell of a beating. -He was probably asking for it. | 1:20:08 | 1:20:12 | |
Pervert. | 1:20:12 | 1:20:13 | |
-What do you mean? -Show him the pictures. | 1:20:13 | 1:20:15 | |
Found a whole pile of dirty pictures in his desk drawers. | 1:20:15 | 1:20:20 | |
There's Deirdre Hunt. | 1:20:20 | 1:20:21 | |
-And Geraldine Millican. -Drugs too. All sorts of stuff. | 1:20:23 | 1:20:27 | |
Here's your heroin. | 1:20:29 | 1:20:31 | |
Billy Hunt's company. | 1:20:31 | 1:20:33 | |
Do you recognise this, Mr Hunt? | 1:20:37 | 1:20:39 | |
Of course. | 1:20:41 | 1:20:43 | |
It's diamorphine. | 1:20:43 | 1:20:45 | |
Where'd you get it? | 1:20:45 | 1:20:47 | |
Does the name Hakim Kreutz mean anything to you? | 1:20:49 | 1:20:52 | |
Yes, he's a doctor. | 1:20:52 | 1:20:55 | |
He lives in that building, the flat below your niece. | 1:20:55 | 1:20:59 | |
Used to. | 1:20:59 | 1:21:01 | |
How do you mean? | 1:21:01 | 1:21:02 | |
He's dead, Mr Hunt, beaten to death. | 1:21:02 | 1:21:05 | |
Did White kill him? | 1:21:08 | 1:21:10 | |
How did you know him? | 1:21:10 | 1:21:12 | |
I told you, he's a doctor. | 1:21:12 | 1:21:14 | |
He's on my list. | 1:21:14 | 1:21:16 | |
And did you know he was struck off in 1952 for self-prescribing? | 1:21:16 | 1:21:20 | |
How much did he pay you for your samples? | 1:21:23 | 1:21:26 | |
Enough to keep Deirdre in style, I suppose. | 1:21:27 | 1:21:29 | |
Did you know what he was doing with them? | 1:21:29 | 1:21:33 | |
He was a backstreet pharmacist, Billy. | 1:21:33 | 1:21:36 | |
He cut your diamorphine into sleeping pills | 1:21:37 | 1:21:41 | |
and gave them to wealthy women in exchange for | 1:21:41 | 1:21:45 | |
pornographic pictures of themselves. | 1:21:45 | 1:21:47 | |
But you know that, don't you, Mr Hunt? | 1:21:50 | 1:21:53 | |
Let me suggest something to you, and correct me if I'm wrong. | 1:21:56 | 1:22:00 | |
Leslie White sent you photographs of Mrs Hunt | 1:22:00 | 1:22:03 | |
the morning you went to Belfast, | 1:22:03 | 1:22:05 | |
but I'm guessing you didn't see them until after you arrived at the hotel. | 1:22:05 | 1:22:09 | |
And you were outraged, of course you were. | 1:22:09 | 1:22:11 | |
You got straight back in the car and headed for home, | 1:22:11 | 1:22:14 | |
but the customs post in Killeen is closed at night, isn't it, Billy? | 1:22:14 | 1:22:18 | |
So you were trapped in the North until morning, | 1:22:18 | 1:22:22 | |
unless you crossed the border by the unapproved roads. | 1:22:22 | 1:22:25 | |
When did you realise you had a nice little alibi? | 1:22:27 | 1:22:30 | |
After you beat Kreutz? | 1:22:32 | 1:22:33 | |
Or when you got home? | 1:22:35 | 1:22:37 | |
Was Deirdre already in the bath? Was she conscious, Billy? | 1:22:43 | 1:22:46 | |
Did she look at you? | 1:22:46 | 1:22:48 | |
Was it easy to drown her? | 1:22:49 | 1:22:51 | |
She drowned herself. | 1:22:53 | 1:22:55 | |
WATER BUBBLES POP | 1:23:00 | 1:23:03 | |
-She was found in the sea! -Yes, she was. | 1:23:04 | 1:23:06 | |
But who was it that put her there? | 1:23:06 | 1:23:09 | |
She was drowned in FRESH water, Billy... | 1:23:10 | 1:23:13 | |
..not sea water. | 1:23:15 | 1:23:16 | |
And the irony of the thing is, | 1:23:17 | 1:23:20 | |
that if you had simply left her in her bath, Billy, | 1:23:20 | 1:23:25 | |
we'd not have been any the wiser. | 1:23:25 | 1:23:27 | |
The hell with it. | 1:23:32 | 1:23:33 | |
She got what she deserved. | 1:23:35 | 1:23:37 | |
She was always my little angel. | 1:23:37 | 1:23:41 | |
I thought the world of her. | 1:23:41 | 1:23:42 | |
I could never believe my luck that she'd settle down with me. | 1:23:44 | 1:23:47 | |
Then I saw the photographs. | 1:23:52 | 1:23:54 | |
-Photographs of YOUR wife. -Yes. | 1:23:54 | 1:23:57 | |
Of my wife. OF MY WIFE! | 1:23:57 | 1:24:00 | |
I couldn't get them out of my head. | 1:24:03 | 1:24:05 | |
This world of filth! | 1:24:07 | 1:24:09 | |
This other side to her I knew nothing about. | 1:24:09 | 1:24:12 | |
I suppose they'll be sending Mr Pierrepoint to Mountjoy | 1:24:19 | 1:24:23 | |
to see me off then, Mr Hackett? | 1:24:23 | 1:24:25 | |
Strange to think I've been on this path | 1:24:32 | 1:24:36 | |
since I first laid eyes on that woman. | 1:24:36 | 1:24:38 | |
It's the women. Isn't it? | 1:24:41 | 1:24:44 | |
It's always the women. | 1:24:44 | 1:24:46 | |
What they do to us. | 1:24:48 | 1:24:50 | |
What we do to them. | 1:24:52 | 1:24:54 | |
BIRDSONG | 1:24:57 | 1:25:01 | |
BELL TOLLS | 1:25:04 | 1:25:08 | |
PHONE RINGS | 1:25:08 | 1:25:12 | |
PHONE RINGS | 1:25:24 | 1:25:28 | |
Quirke. | 1:25:30 | 1:25:32 | |
MAL: 'It's Sarah.' | 1:25:32 | 1:25:33 | |
What about her, Mal? | 1:25:35 | 1:25:37 | |
'She's gone.' | 1:25:38 | 1:25:40 | |
Mal, I just want to say that I... | 1:25:40 | 1:25:43 | |
'She's dead. | 1:25:43 | 1:25:44 | |
'Quirke. | 1:25:44 | 1:25:46 | |
'She died. | 1:25:46 | 1:25:48 | |
'She just collapsed. | 1:25:49 | 1:25:51 | |
'She said she had a pain in her head. She fell down and died. | 1:25:52 | 1:25:57 | |
'I got her to the hospital but... | 1:25:57 | 1:26:01 | |
'it was no good. | 1:26:01 | 1:26:02 | |
'She's gone. | 1:26:02 | 1:26:03 | |
'It must...must have been a cerebral haemorrhage. | 1:26:06 | 1:26:08 | |
'I'm, er... I'm at the hospital now.' | 1:26:10 | 1:26:14 | |
HE HANGS UP PHONE | 1:26:18 | 1:26:21 | |
HE BREATHES HEAVILY | 1:26:31 | 1:26:34 | |
LIVELY CHATTER | 1:27:10 | 1:27:12 | |
How are things, Mr Quirke? | 1:27:15 | 1:27:18 | |
STOPPER POPS | 1:27:20 | 1:27:23 | |
You're hellbent on killing yourself with liquor. | 1:28:16 | 1:28:18 | |
Help me. | 1:28:18 | 1:28:19 | |
I just know something terrible has happened to April. | 1:28:19 | 1:28:22 | |
-Get off me, Jimmy. -Watch your step! | 1:28:22 | 1:28:25 | |
You think I don't know you were carrying on | 1:28:25 | 1:28:27 | |
with your own brother's wife? | 1:28:27 | 1:28:29 | |
-What would you say that is? -Maybe I should marry you. | 1:28:29 | 1:28:31 | |
I don't need your forgiveness and I don't need anybody else's. | 1:28:31 | 1:28:35 |