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Phoebe, there's something you don't know about Mal and Sarah and me. | 0:00:02 | 0:00:06 | |
What's there to know about you? | 0:00:06 | 0:00:07 | |
Would I want to see YOU hurt? | 0:00:07 | 0:00:11 | |
You who were a son to me. | 0:00:11 | 0:00:12 | |
Weren't you better off with me in Carricklee? | 0:00:12 | 0:00:15 | |
Do you know the kinds of things that went on in that place? | 0:00:15 | 0:00:19 | |
You're not my father, Quirke. | 0:00:19 | 0:00:21 | |
I told you I won't leave Mal. | 0:00:22 | 0:00:24 | |
PHONE RINGING | 0:00:24 | 0:00:26 | |
'It's Sarah. She's dead. | 0:00:26 | 0:00:29 | |
'She said she had a pain in her head. She fell down and died.' | 0:00:29 | 0:00:34 | |
GASPING | 0:00:52 | 0:00:54 | |
DISTANT SCREAMING | 0:00:56 | 0:00:58 | |
HE SHIVERS | 0:01:08 | 0:01:11 | |
HE BREATHES RAGGEDLY | 0:01:17 | 0:01:18 | |
Stopping drinking, that's the easy part. | 0:02:13 | 0:02:16 | |
The hard part is learning to live with yourself sober. | 0:02:16 | 0:02:20 | |
-How often do you pray? -Pray? | 0:02:20 | 0:02:23 | |
Yes, pray. | 0:02:23 | 0:02:24 | |
Who would I pray to? | 0:02:24 | 0:02:26 | |
-Jesus Christ. -About what? | 0:02:26 | 0:02:29 | |
About easing the burden of your anger. | 0:02:29 | 0:02:32 | |
Why would I be angry? | 0:02:32 | 0:02:35 | |
Well, speaking for myself, if my parents had given me away... | 0:02:35 | 0:02:38 | |
-..I might be angry. Very angry. -Look, I didn't even know my parents. | 0:02:40 | 0:02:46 | |
And you have to know them to be angry? | 0:02:46 | 0:02:48 | |
Is your daughter angry? | 0:02:53 | 0:02:55 | |
She's young. That's how young people are. | 0:02:55 | 0:03:00 | |
-You gave her away. -No, I didn't. | 0:03:00 | 0:03:03 | |
-You didn't give her away? -No, I didn't give her away. | 0:03:03 | 0:03:06 | |
My wife died in childbirth. | 0:03:06 | 0:03:09 | |
My brother and his wife, they couldn't... | 0:03:09 | 0:03:12 | |
Anyway, that's how things were done at that time. | 0:03:12 | 0:03:15 | |
-That's how things were done? -Mm-hm. | 0:03:15 | 0:03:18 | |
Or...that's just the way you allowed it to happen. | 0:03:18 | 0:03:21 | |
DOORBELL RINGS | 0:03:33 | 0:03:34 | |
DOORBELL RINGS AGAIN | 0:03:43 | 0:03:46 | |
TRAFFIC PASSING | 0:03:56 | 0:03:58 | |
INDISTINCT CONVERSATIONS | 0:04:05 | 0:04:06 | |
-I know what this is about. -Really? | 0:04:10 | 0:04:14 | |
You've changed your mind. | 0:04:14 | 0:04:16 | |
And you want to go to the pictures with me this weekend. | 0:04:16 | 0:04:19 | |
No. Sorry. | 0:04:19 | 0:04:21 | |
-It's not about that? -No, it's not about that. | 0:04:21 | 0:04:24 | |
-I'm worried about April. -About April, why? | 0:04:27 | 0:04:31 | |
-Because I haven't heard from her in ten days. -And? | 0:04:31 | 0:04:34 | |
We were supposed to meet at The Corinthian last Thursday, she never showed. | 0:04:34 | 0:04:38 | |
I rang her the next day, no answer and I haven't heard from her since. | 0:04:38 | 0:04:43 | |
-Did you go round to her flat? -Lots of times. | 0:04:43 | 0:04:46 | |
-I was just there. -What about work? | 0:04:46 | 0:04:49 | |
-They say she sent in a sick note and hasn't been back. -There you go. | 0:04:49 | 0:04:52 | |
-She's gone away on a skite. -Did she say that? | 0:04:52 | 0:04:55 | |
-Not to me, but...why should she? -Mm. | 0:04:55 | 0:04:59 | |
-Did you try her key? -What key? | 0:04:59 | 0:05:02 | |
I never knew that was there. | 0:05:09 | 0:05:11 | |
She lets me kip on her couch sometimes. | 0:05:11 | 0:05:14 | |
KEYS JANGLE | 0:05:14 | 0:05:16 | |
-This way, I don't have to wake her. -I see. | 0:05:16 | 0:05:19 | |
It's all perfectly innocent, Phoebe! | 0:05:19 | 0:05:22 | |
DOOR CLOSES | 0:05:24 | 0:05:26 | |
OPENS LOCK | 0:05:38 | 0:05:40 | |
Wait! Shouldn't we knock first? | 0:05:40 | 0:05:42 | |
Probably. | 0:05:43 | 0:05:45 | |
April? | 0:05:48 | 0:05:51 | |
April? | 0:06:14 | 0:06:15 | |
What? | 0:06:33 | 0:06:34 | |
She never makes her bed. | 0:06:34 | 0:06:36 | |
-I think we should tell the police. -Tell them what? | 0:06:42 | 0:06:47 | |
That April is missing. | 0:06:47 | 0:06:49 | |
Phoebe, you know what April's like, she's away on a bender somewhere | 0:06:49 | 0:06:52 | |
and she hasn't come home yet. | 0:06:52 | 0:06:54 | |
Come on. Have you time for a quick drink? | 0:06:54 | 0:06:58 | |
I better not. | 0:06:58 | 0:07:01 | |
You don't make it easy, do you? | 0:07:01 | 0:07:03 | |
All right, I have to get back anyway. | 0:07:04 | 0:07:06 | |
We'll give it another day or two, if we don't hear anything | 0:07:07 | 0:07:10 | |
we'll put a piece in the paper saying, "April, where are you?!" | 0:07:10 | 0:07:13 | |
-Don't put it in the paper. -All right, take it easy! I'm only joking! | 0:07:13 | 0:07:17 | |
-Promise me? -Promise, Jesus! | 0:07:17 | 0:07:20 | |
I'm sure it's nothing! CAR HORN BEEPS | 0:07:27 | 0:07:30 | |
Tell me a little more about Sarah, will you? | 0:07:35 | 0:07:38 | |
Sarah... | 0:07:38 | 0:07:40 | |
-She was my brother's wife. -I know that. | 0:07:42 | 0:07:45 | |
-But you've always managed to skirt around... -She's dead. | 0:07:45 | 0:07:48 | |
Yes. | 0:07:48 | 0:07:50 | |
She died just before things started to | 0:07:50 | 0:07:52 | |
come apart at the seams, didn't she? | 0:07:52 | 0:07:54 | |
Passed away in March. | 0:07:56 | 0:07:59 | |
Your drinking gets out of hand May, June, | 0:07:59 | 0:08:02 | |
you see your GP about it in August. | 0:08:02 | 0:08:04 | |
You were arrested outside McGonagles for drunken affray in September. | 0:08:05 | 0:08:10 | |
The board of the hospital hauled you in in November. | 0:08:10 | 0:08:13 | |
I mean, if you consider it like a graph, | 0:08:13 | 0:08:16 | |
things get worse and worse from the moment she died. | 0:08:16 | 0:08:19 | |
Well, it's one way of looking at it, yes. | 0:08:19 | 0:08:23 | |
And what way would you look at it? | 0:08:23 | 0:08:26 | |
-HE SCOFFS -She was my brother's wife. | 0:08:26 | 0:08:29 | |
-And that's it? -That's it. | 0:08:29 | 0:08:31 | |
Well, Doctor Quirke, on paper it seems you've done everything | 0:08:33 | 0:08:36 | |
that was asked of you. You want to go home, fine. | 0:08:36 | 0:08:40 | |
But my concern, and I'm being frank with you, | 0:08:40 | 0:08:43 | |
is that we'll be seeing you back in here before long. | 0:08:43 | 0:08:47 | |
You've an interesting job, a good mind, no family hanging out of you, | 0:08:47 | 0:08:52 | |
no-one telling you to do anything you don't want to do | 0:08:52 | 0:08:55 | |
and yet you're hellbent on killing yourself, with liquor. | 0:08:55 | 0:08:59 | |
What would you say if I told you that was MY life? | 0:09:00 | 0:09:03 | |
I'd say, good luck. | 0:09:03 | 0:09:04 | |
All right. | 0:09:08 | 0:09:09 | |
Good luck... | 0:09:14 | 0:09:15 | |
..Doctor Quirke. | 0:09:16 | 0:09:18 | |
Thank you. | 0:09:21 | 0:09:23 | |
HE SIGHS | 0:09:40 | 0:09:42 | |
-Anyway, you're out. -Yeah. | 0:09:43 | 0:09:46 | |
No more gargle! | 0:09:46 | 0:09:47 | |
THEY CHUCKLE | 0:09:47 | 0:09:50 | |
-Good for you. -Thanks. | 0:09:53 | 0:09:57 | |
-Can we go, Mal? -CAR STARTS | 0:09:58 | 0:10:01 | |
You're joking! What did she say? | 0:10:37 | 0:10:40 | |
-HE LAUGHS -That is classic! | 0:10:42 | 0:10:44 | |
That is absolutely classic! Denny, I'll talk to you later. | 0:10:44 | 0:10:48 | |
-Doctor Griffin! I didn't know you were... -What's going on? | 0:10:49 | 0:10:52 | |
No, it's just, everyone calls on Doctor Quirke's phone, | 0:10:52 | 0:10:55 | |
my office is so small. | 0:10:55 | 0:10:57 | |
How is Doctor Quirke? | 0:10:59 | 0:11:00 | |
-Can we expect him back soon? -Get your stuff out of here. | 0:11:00 | 0:11:04 | |
-Yes, yes, of course. -And I want all your reports for the last four weeks, | 0:11:04 | 0:11:08 | |
neatly stacked on Doctor Quirke's desk ready and waiting for him. | 0:11:08 | 0:11:11 | |
You got that? | 0:11:11 | 0:11:12 | |
I was going to do it. Sure, no-one tells me anything. | 0:11:12 | 0:11:16 | |
And tell someone to clean up in here. | 0:11:17 | 0:11:20 | |
BIRDS SINGING | 0:11:33 | 0:11:35 | |
Phoebe! I'm sorry. I got held up at the hospital. | 0:11:54 | 0:11:59 | |
They always start late on opening nights. | 0:11:59 | 0:12:02 | |
There's Jimmy. | 0:12:02 | 0:12:04 | |
-Ahoy, my hearties! -Looking good. | 0:12:04 | 0:12:06 | |
Isabel looks so beautiful. | 0:12:07 | 0:12:11 | |
Sure, that picture's ten years old. | 0:12:11 | 0:12:13 | |
What are you talking about? It's for this show! | 0:12:13 | 0:12:15 | |
THEY LAUGH | 0:12:15 | 0:12:17 | |
Come on. | 0:12:17 | 0:12:19 | |
AUDIENCE APPLAUD | 0:12:19 | 0:12:21 | |
INDISTINCT CONVERSATIONS | 0:12:30 | 0:12:32 | |
-Hello, Phoebe. -Hi. | 0:12:54 | 0:12:56 | |
-You're home. -Yeah. I got back yesterday. | 0:12:59 | 0:13:04 | |
So Mal gave me the ticket for this, for tonight, excuse me. | 0:13:06 | 0:13:12 | |
He's working. | 0:13:13 | 0:13:15 | |
-This is Jimmy Minor. -Nice to meet you. | 0:13:20 | 0:13:24 | |
-And Patrick. -Nice to meet you. | 0:13:24 | 0:13:27 | |
-How do you do, sir? -This is Quirke. He's my, erm... | 0:13:27 | 0:13:31 | |
Yes. Erm...do you work at the hospital? | 0:13:31 | 0:13:34 | |
-Yes, I'm just finishing my residency. -Ah! Good, that's great. | 0:13:34 | 0:13:39 | |
-Oh, look out, here she is! -You were fantastic! | 0:13:39 | 0:13:44 | |
Oh, stop, I was horrid tonight! Oh, Jimmy! | 0:13:44 | 0:13:47 | |
-Patrick! You're a darling. Thank you so much for coming. -Congratulations. | 0:13:49 | 0:13:53 | |
-Hello...? -Hello. Congratulations, that was wonderful. | 0:13:53 | 0:13:59 | |
Oh, thank you. | 0:13:59 | 0:14:01 | |
Well, er...I'd better rush off. | 0:14:01 | 0:14:05 | |
-Nice to meet you all. -Thank you very much for coming. | 0:14:05 | 0:14:08 | |
Good night, Phoebe. | 0:14:09 | 0:14:11 | |
-NEWS REPORT PLAYS ON RADIO -'An Taoiseach, Eamon De Valera | 0:14:16 | 0:14:20 | |
'admitted that while he had no definitive statistics to hand, | 0:14:20 | 0:14:24 | |
'emigration is clearly running at a very high rate. Unemployment and | 0:14:24 | 0:14:28 | |
'emigration are the two evils towards which his government's | 0:14:28 | 0:14:31 | |
-'principal efforts are being directed.' -DOORBELL RINGS | 0:14:31 | 0:14:34 | |
'He went on to blame Mr Costello's previous administration for | 0:14:34 | 0:14:38 | |
'policies which had hampered economic recovery. | 0:14:38 | 0:14:41 | |
'He also restated that agriculture must form the basis of any prosperity we might attain.' | 0:14:41 | 0:14:46 | |
I forget how you take it. | 0:14:50 | 0:14:53 | |
-Do you want me to get you some...? -Black is fine. | 0:14:53 | 0:14:55 | |
-Sorry I haven't seen you since the funeral. -I got your card. | 0:15:02 | 0:15:07 | |
But I wanted to drop by. | 0:15:07 | 0:15:08 | |
Ah, things just got... | 0:15:10 | 0:15:13 | |
you know. | 0:15:13 | 0:15:14 | |
What was it like in Saint John's? | 0:15:14 | 0:15:17 | |
Ohh... It was... | 0:15:20 | 0:15:22 | |
-You've stopped...? -Yeah. | 0:15:25 | 0:15:28 | |
Over a month now. | 0:15:28 | 0:15:29 | |
-And how are you? -I'm OK. | 0:15:33 | 0:15:35 | |
-Do you miss Sarah? -Yeah. | 0:15:38 | 0:15:40 | |
Do you? HE SIGHS | 0:15:42 | 0:15:45 | |
Er... I did have a reason to come and see you. | 0:15:50 | 0:15:53 | |
A friend of mine has disappeared. | 0:15:53 | 0:15:56 | |
I don't know if you know her, April? April Latimer. | 0:15:56 | 0:15:59 | |
She was a few years ahead of me at the College of Surgeons. | 0:15:59 | 0:16:02 | |
-Have you spoken to her family? -I don't know them. | 0:16:02 | 0:16:06 | |
Well, I know the brother a little bit. | 0:16:06 | 0:16:08 | |
He's quite a well-known gynaecologist. | 0:16:08 | 0:16:11 | |
-Could you ask him if she's all right? -Yeah. | 0:16:11 | 0:16:14 | |
-We can ask him together if you like. -Thanks, Quirke. | 0:16:14 | 0:16:18 | |
It's lucky you came by so early. | 0:16:53 | 0:16:56 | |
This is positively the only time I ever get. | 0:16:56 | 0:16:59 | |
-Well, we appreciate you taking the time, Doctor. -Not at all. | 0:16:59 | 0:17:03 | |
Now...you mentioned on the phone something about my sister April. | 0:17:03 | 0:17:07 | |
-Yes, well, it's just... -I hope you're not going to tell me she's in trouble again. | 0:17:07 | 0:17:11 | |
Well, it's Phoebe, really. She's... | 0:17:11 | 0:17:15 | |
-she's a little concerned about her. -Oh? | 0:17:15 | 0:17:19 | |
Well...the thing is, no-one has... | 0:17:19 | 0:17:22 | |
well, none of her friends have seen her in over two weeks. | 0:17:22 | 0:17:26 | |
-I'm not sure I can help you. -Of course, it's none of our business... | 0:17:26 | 0:17:30 | |
No, you don't understand, Doctor Quirke. | 0:17:30 | 0:17:34 | |
I haven't seen April in four-and-a-half years | 0:17:34 | 0:17:37 | |
-and she lives around the corner from me. -Oh. | 0:17:37 | 0:17:40 | |
No, I'm sorry to say that the only thing we ever hear from April | 0:17:40 | 0:17:44 | |
these days is the odd bit of... well, unpleasant gossip. | 0:17:44 | 0:17:50 | |
I'd like to help you but that's... | 0:17:50 | 0:17:54 | |
April is... | 0:17:54 | 0:17:55 | |
Do you think that if you asked your mother she might know where she is? | 0:17:55 | 0:18:00 | |
Not at this time, Doctor Quirke. | 0:18:00 | 0:18:03 | |
Look, what I will say is that knowing April, | 0:18:03 | 0:18:06 | |
she'll probably show up sooner or later. | 0:18:06 | 0:18:09 | |
-DOORBELL RINGS -Ah! That's my first appointment. | 0:18:09 | 0:18:13 | |
-Thank you for your time. -Not at all. Ms Griffin. | 0:18:14 | 0:18:17 | |
DOOR CLOSES | 0:18:24 | 0:18:26 | |
Do you think he was telling the truth? | 0:18:30 | 0:18:33 | |
Don't know. | 0:18:33 | 0:18:35 | |
He could be protecting her, | 0:18:35 | 0:18:37 | |
-because she doesn't want anybody to know where she is. -Mm. | 0:18:37 | 0:18:41 | |
Don't you think he was awfully quick to tell two strangers | 0:18:41 | 0:18:44 | |
what a disaster his family is? | 0:18:44 | 0:18:46 | |
-He might be beyond caring. -How could you not care about your sister? | 0:18:46 | 0:18:51 | |
The landscape of your average family, Phoebe, can be quite strange. | 0:18:51 | 0:18:55 | |
SHE SOBS | 0:18:58 | 0:18:59 | |
I'm sorry, I shouldn't have said that. | 0:18:59 | 0:19:01 | |
No, it's not that, it's just... | 0:19:01 | 0:19:03 | |
I just know something terrible has happened to April, Quirke. | 0:19:05 | 0:19:09 | |
I can just... I just know. | 0:19:09 | 0:19:13 | |
DOOR OPENS | 0:19:20 | 0:19:22 | |
Thanks for coming, Inspector. | 0:19:22 | 0:19:24 | |
Quiet building. | 0:19:27 | 0:19:29 | |
Only one other flat is occupied, apparently. | 0:19:29 | 0:19:32 | |
Must be why it's so cold. | 0:19:33 | 0:19:35 | |
DOOR OPENS | 0:19:42 | 0:19:44 | |
Miss Latimer? | 0:19:44 | 0:19:46 | |
Miss Latimer? | 0:19:49 | 0:19:51 | |
Is she an untidy girl as a rule? | 0:20:03 | 0:20:06 | |
Er...I don't know. She could be. | 0:20:06 | 0:20:10 | |
She's very, um... | 0:20:10 | 0:20:12 | |
-What? -Social girl, by all accounts. | 0:20:13 | 0:20:17 | |
Oh, dear. | 0:20:17 | 0:20:18 | |
Her family have heard nothing, you say? | 0:20:20 | 0:20:22 | |
No, she sent in a sick note and that's the last anybody's heard. | 0:20:22 | 0:20:26 | |
-Have you seen it, the sick note? -No. | 0:20:26 | 0:20:28 | |
Might be worth a look. | 0:20:28 | 0:20:30 | |
See if she signed it herself. | 0:20:30 | 0:20:32 | |
HE OPENS AND CLOSES DRAWER | 0:20:32 | 0:20:35 | |
How have you been, Doctor? It's a long time since I've seen you. | 0:20:35 | 0:20:38 | |
-You know I was in Saint John of the Cross over the Christmas? -Oh. | 0:20:38 | 0:20:43 | |
-The drink, was it? -I'm afraid so, Inspector. | 0:20:43 | 0:20:46 | |
-Well, you're off it now? -Yeah. | 0:20:47 | 0:20:51 | |
Oh, good for you. Bedroom through here? | 0:20:52 | 0:20:55 | |
Doctor Quirke! | 0:21:20 | 0:21:22 | |
If you please. | 0:21:23 | 0:21:24 | |
And how is Mrs Hackett? | 0:21:32 | 0:21:34 | |
Her inexhaustible reservoirs of forbearance continue to astound. | 0:21:36 | 0:21:41 | |
Give us a lift with that, will you? | 0:21:44 | 0:21:47 | |
Problem is, Doctor Quirke, people go missing every day. | 0:21:47 | 0:21:50 | |
Sometimes they just turn up, sometimes they never do. | 0:21:50 | 0:21:52 | |
Without a report from the family, | 0:21:52 | 0:21:56 | |
I can't even put a single man on it. | 0:21:56 | 0:21:59 | |
Just pure budgetary constraints, ie, I have no money. | 0:21:59 | 0:22:04 | |
I understand. | 0:22:04 | 0:22:06 | |
The Latimers are a powerful family, Doctor Quirke. | 0:22:06 | 0:22:09 | |
Perhaps even a dangerous family, if you get on the wrong side of them. | 0:22:09 | 0:22:13 | |
Unfortunately, if they're not interested | 0:22:16 | 0:22:20 | |
in where their daughter is, | 0:22:20 | 0:22:21 | |
there may not be a huge amount I can... | 0:22:24 | 0:22:30 | |
Now what would you say that is? | 0:22:34 | 0:22:37 | |
-It's blood. -Mm. | 0:22:37 | 0:22:39 | |
A lot of blood. | 0:22:43 | 0:22:44 | |
You know, I might let you do the talking. | 0:22:55 | 0:22:57 | |
Are you sure? | 0:22:57 | 0:22:59 | |
HE RINGS DOORBELL | 0:22:59 | 0:23:00 | |
This isn't officially an investigation. | 0:23:00 | 0:23:03 | |
I'm not supposed to even be on the bloody south side without my passport. | 0:23:03 | 0:23:06 | |
Gentlemen. | 0:23:29 | 0:23:31 | |
Mrs Latimer. Thank you for seeing us. | 0:23:31 | 0:23:33 | |
This is Inspector Hackett. | 0:23:34 | 0:23:36 | |
-Inspector. -Morning. | 0:23:36 | 0:23:38 | |
A policeman and a doctor. Should I be worried? | 0:23:40 | 0:23:44 | |
-Thank you, Marie. -Yes, ma'am. | 0:23:44 | 0:23:46 | |
Mrs Latimer, my daughter is Phoebe Griffin. | 0:23:48 | 0:23:52 | |
-Perhaps you know her? -I know who she is. | 0:23:52 | 0:23:56 | |
You've already been to see my son Oscar. | 0:23:56 | 0:23:58 | |
Then you'll know that | 0:23:58 | 0:24:00 | |
nothing has been heard from April for some weeks now. | 0:24:00 | 0:24:03 | |
So you called the police on my behalf? | 0:24:03 | 0:24:06 | |
Well, Inspector Hackett is here in an unofficial capacity, so far. | 0:24:06 | 0:24:11 | |
-And what capacity are you here in? -Er...the thing is, Mrs Latimer, | 0:24:11 | 0:24:17 | |
April hasn't been to work, she hasn't been seen, | 0:24:17 | 0:24:20 | |
her flat is empty. | 0:24:20 | 0:24:22 | |
-She's moved? -No. Her things are all still there. | 0:24:22 | 0:24:26 | |
Doctor Quirke asked my advice, and I suggested as next-of-kin you might know where she's gone. | 0:24:26 | 0:24:31 | |
Well, the sad fact is I don't. She leads her own life. | 0:24:33 | 0:24:38 | |
That's how she wants it and that's how it is. | 0:24:38 | 0:24:41 | |
Well, is there anybody that she might... | 0:24:41 | 0:24:43 | |
I've just told you, she leads her own life. | 0:24:43 | 0:24:46 | |
I can't afford to allow myself to get upset about this anymore. | 0:24:49 | 0:24:52 | |
She is my daughter, and I have to love her, of course, | 0:24:52 | 0:24:57 | |
but how can I? | 0:24:57 | 0:25:00 | |
She's never let me. There you are. | 0:25:00 | 0:25:03 | |
Well...other people are entitled to love her, aren't they? | 0:25:05 | 0:25:10 | |
DOORBELL RINGS | 0:25:10 | 0:25:11 | |
You're impertinent, Doctor Quirke. | 0:25:13 | 0:25:14 | |
And from what I hear, you're in no position yourself | 0:25:14 | 0:25:17 | |
to challenge anyone on the duties of a parent. | 0:25:17 | 0:25:19 | |
-KNOCK ON DOOR -Yes. | 0:25:19 | 0:25:21 | |
Oh, God...it's bitter out there. | 0:25:21 | 0:25:26 | |
-Inspector Hackett, I presume? -Minister. | 0:25:27 | 0:25:30 | |
Oh, don't call me Minister, | 0:25:30 | 0:25:31 | |
we don't bother with titles and all that around here. | 0:25:31 | 0:25:35 | |
Bill will suffice. | 0:25:35 | 0:25:36 | |
Is that tea fresh? | 0:25:36 | 0:25:38 | |
Sit down, sit down. | 0:25:38 | 0:25:40 | |
So, this niece of mine, what is it this time? | 0:25:40 | 0:25:45 | |
Another boyfriend up in court? | 0:25:45 | 0:25:48 | |
-Apparently she hasn't telephoned her friends in a week. -Is that all? | 0:25:48 | 0:25:52 | |
-HE CHUCKLES -That's a relief. | 0:25:52 | 0:25:54 | |
She's probably down the country with some young fella, what! | 0:25:54 | 0:25:56 | |
-Sorry, Celia. -Yes. | 0:25:59 | 0:26:01 | |
Well. If you'll excuse me. | 0:26:01 | 0:26:05 | |
I'll leave you gentlemen to it. | 0:26:06 | 0:26:07 | |
Oh, for Gods' sake! Come on. | 0:26:15 | 0:26:17 | |
I need some air. | 0:26:17 | 0:26:19 | |
SEAGULLS SQUAWK | 0:26:24 | 0:26:25 | |
Poor Celia. | 0:26:29 | 0:26:31 | |
She's at her wit's end, lads. | 0:26:31 | 0:26:32 | |
April's caused her nothing but heartache. | 0:26:33 | 0:26:35 | |
Her father died when she was nine or ten. Probably didn't help, | 0:26:38 | 0:26:41 | |
if you want to take the charitable view. | 0:26:41 | 0:26:43 | |
But I'm inclined to think she'd be exactly the same even if he'd lived. | 0:26:43 | 0:26:47 | |
Minister, we found blood on the floor beside April's bed. | 0:26:47 | 0:26:51 | |
-In her bed? -No, down between the floorboards like someone | 0:26:52 | 0:26:55 | |
tried to clean it up, but, well, it's a devil to get rid of. | 0:26:55 | 0:26:58 | |
Obviously, we didn't mention anything to Mrs Latimer, | 0:26:58 | 0:27:01 | |
-but I have a fella looking at it for me now. -What fella? | 0:27:01 | 0:27:04 | |
From the forensics unit. | 0:27:04 | 0:27:06 | |
-Who does he report to, you? -Me, yes. | 0:27:06 | 0:27:09 | |
-They don't go blabbing about the place, do they? -No, sir. | 0:27:09 | 0:27:14 | |
-I'd hate for Celia to hear some silly tittle-tattle. -Of course. | 0:27:14 | 0:27:17 | |
Ah, Christ. | 0:27:17 | 0:27:19 | |
Is there anybody that your niece might have been seeing or...? | 0:27:20 | 0:27:25 | |
Anybody that she might have been afraid of? | 0:27:25 | 0:27:27 | |
-You a detective as well now, Quirke? -No. | 0:27:27 | 0:27:30 | |
What makes you think you're entitled to ask me personal questions? | 0:27:30 | 0:27:34 | |
Well, I just thought that we were all... | 0:27:34 | 0:27:36 | |
I'm not sure I care what you thought. | 0:27:36 | 0:27:39 | |
-Marching into an old woman's house and... -Minister, that was my, er... | 0:27:39 | 0:27:42 | |
Doctor Quirke is a city pathologist, | 0:27:42 | 0:27:44 | |
he's here with me today in his professional capacity. | 0:27:44 | 0:27:47 | |
Oh, is that right? | 0:27:47 | 0:27:48 | |
I heard you were retired out of your job recently, no? | 0:27:48 | 0:27:51 | |
No, I was in Saint John of the Cross. | 0:27:51 | 0:27:55 | |
Oh, that's right. Your nerves, was it? | 0:27:55 | 0:27:58 | |
-No, drink. -Oh, yes. | 0:27:58 | 0:27:59 | |
That's what I heard. | 0:28:00 | 0:28:03 | |
Just stay close to me on this blood stain or whatever it is, Inspector. | 0:28:03 | 0:28:07 | |
Right, I have to vote on some blasted private member's bill, so... | 0:28:07 | 0:28:12 | |
I'll wish you good morning. | 0:28:12 | 0:28:14 | |
Minister. | 0:28:14 | 0:28:16 | |
When are you getting back to work? | 0:28:20 | 0:28:22 | |
-Soon, I suppose. -Yeah. | 0:28:22 | 0:28:25 | |
-Sooner the better, I'd say, wouldn't you? -Yeah. | 0:28:25 | 0:28:29 | |
DOORBELL RINGS | 0:28:32 | 0:28:34 | |
-Come on out of there! -DOG BARKING | 0:28:34 | 0:28:36 | |
Am I late? | 0:28:40 | 0:28:42 | |
-Only three quarters of an hour. -Oh. | 0:28:42 | 0:28:46 | |
Hope you like your steak well done. | 0:28:49 | 0:28:52 | |
Rose Crawford is on the prowl. | 0:28:53 | 0:28:56 | |
She asked for your number. | 0:28:56 | 0:29:00 | |
-Don't feed the dog at the table. -Sorry, sorry. | 0:29:00 | 0:29:03 | |
There was some talk at the board meeting on Friday, | 0:29:04 | 0:29:07 | |
-people wondering about your plans. -What people? | 0:29:07 | 0:29:12 | |
Your chap in pathology, what's his name, Sinclair? | 0:29:12 | 0:29:17 | |
He just wants my job, that's all. | 0:29:17 | 0:29:18 | |
Well, you better watch out or he'll get it. | 0:29:18 | 0:29:21 | |
Look, Mal, I appreciate that you're cooking for me | 0:29:21 | 0:29:24 | |
but you don't have to keep checking up on me all the time. | 0:29:24 | 0:29:27 | |
I'm not checking up on you! | 0:29:27 | 0:29:29 | |
Do you not think I might just like seeing you from time to time? | 0:29:31 | 0:29:34 | |
Not really, no. | 0:29:34 | 0:29:35 | |
HE CHUCKLES | 0:29:38 | 0:29:39 | |
I was going to ask you | 0:29:42 | 0:29:43 | |
to come to the Society of Corpus Christi dinner with me. | 0:29:43 | 0:29:47 | |
No, listen, there's no mass or prayers or anything. | 0:29:47 | 0:29:51 | |
It's a charity bash. | 0:29:51 | 0:29:53 | |
Few dances, few speeches, we'll have a laugh. | 0:29:53 | 0:29:57 | |
-Mm-hm. -Sarah and I went every year. | 0:29:57 | 0:30:02 | |
I just... | 0:30:06 | 0:30:07 | |
..don't want to go on my own. | 0:30:09 | 0:30:11 | |
It's usually crawling with spinsters and widows. | 0:30:18 | 0:30:21 | |
Oh, fabulous. | 0:30:21 | 0:30:24 | |
Now, do you want some trifle? | 0:30:25 | 0:30:29 | |
And don't worry, there's no sherry in it, Phoebe told me not to. | 0:30:29 | 0:30:32 | |
Oh, just in case I fly off the handle? | 0:30:32 | 0:30:35 | |
-Has she mentioned anything about April Latimer to you? -Yes. | 0:30:39 | 0:30:44 | |
-That she was missing. -Missing?! My backside! | 0:30:44 | 0:30:48 | |
I'd put a guinea on it, says she's got in trouble | 0:30:48 | 0:30:51 | |
-and gone to London to get it fixed. -Oh, yeah? | 0:30:51 | 0:30:53 | |
AND a ferocious drink problem. | 0:30:53 | 0:30:56 | |
She's on thin ice at the hospital, according to Professor Moriarty. | 0:30:56 | 0:31:00 | |
If she hasn't already fallen through, that is. | 0:31:00 | 0:31:03 | |
-Hello, Margaret. -Doctor Quirke! You're back. | 0:31:33 | 0:31:37 | |
Yeah, I'm just trying to catch up before I hit the grindstone. | 0:31:37 | 0:31:41 | |
-Can I, er...can I work away in here? -Requests in writing. | 0:31:42 | 0:31:46 | |
HE SIGHS | 0:31:46 | 0:31:48 | |
Can I drop it up to you later? | 0:31:48 | 0:31:51 | |
-Go on. -Thanks. | 0:31:51 | 0:31:54 | |
-You're looking well, by the way. -Oh, you're a big liar, Margaret! | 0:31:55 | 0:31:58 | |
MAN: ..why didn't she throw herself out the other window? | 0:33:07 | 0:33:11 | |
She would have landed on Dawson Street, | 0:33:11 | 0:33:14 | |
and been out of my jurisdiction! LAUGHTER | 0:33:14 | 0:33:16 | |
Doctor Quirke! Er, I didn't know you were... | 0:33:16 | 0:33:20 | |
This is Jim. James Minor from the Evening Press. | 0:33:22 | 0:33:27 | |
Yeah, we've met. I was, erm... Doctor Sinclair here was just | 0:33:27 | 0:33:31 | |
giving me a bit of background on the lady who jumped off the, er... | 0:33:31 | 0:33:37 | |
jumped off the... | 0:33:37 | 0:33:38 | |
-It's very sad. -Really? | 0:33:40 | 0:33:42 | |
Can you go and sort out the post | 0:33:44 | 0:33:46 | |
-that's building up in the dispatch box? -Yes. Of course. | 0:33:46 | 0:33:50 | |
-Yeah, I better... -Before you go, | 0:33:50 | 0:33:52 | |
-could I have a word with you, Mr Minor? -Yeah, of course. | 0:33:52 | 0:33:55 | |
-Call me Jimmy, will you? -Jimmy. | 0:33:56 | 0:33:58 | |
-You're a friend of April Latimer's, aren't you? -Yeah. | 0:34:00 | 0:34:03 | |
So what do you think happened to her? | 0:34:03 | 0:34:06 | |
-What happened to her? -Well, you're a man of the world. I can see that. | 0:34:07 | 0:34:11 | |
Well... | 0:34:12 | 0:34:13 | |
Look, I know that Phoebe idolises April, all right? | 0:34:15 | 0:34:20 | |
-So anything that I say here is between us, OK? -Yeah, sure. | 0:34:20 | 0:34:25 | |
Go on. | 0:34:25 | 0:34:26 | |
I'll put it this way, I can see why her family would be terrified. | 0:34:29 | 0:34:33 | |
-Of what? -Scandal. | 0:34:33 | 0:34:35 | |
Embarrassment. | 0:34:35 | 0:34:38 | |
-April is wild. -Wild? | 0:34:38 | 0:34:41 | |
-What, drink? -She drinks, but...you know. | 0:34:43 | 0:34:48 | |
Wild. | 0:34:48 | 0:34:50 | |
-With men, all right? -Yeah, men. What kind of men? | 0:34:50 | 0:34:55 | |
The wrong kinds. Fellas that would just use her. | 0:34:55 | 0:35:00 | |
Fellas where you'd be scratching your head wondering | 0:35:00 | 0:35:03 | |
what in the name of Jesus could she possibly... | 0:35:03 | 0:35:05 | |
-And has there been anybody recently? -Of course there was! | 0:35:05 | 0:35:08 | |
-HE SIGHS -Don't get me wrong, | 0:35:10 | 0:35:14 | |
April's a good friend, she's a REALLY nice person, | 0:35:14 | 0:35:17 | |
-but there's something... -HE EXHALES DRAMATICALLY | 0:35:17 | 0:35:21 | |
..missing somewhere. | 0:35:21 | 0:35:23 | |
I'm sorry, Doctor Quirke, there's someone on the phone for you. | 0:35:23 | 0:35:28 | |
-Who is it? -It's an American lady. | 0:35:28 | 0:35:31 | |
Thanks, Jimmy. | 0:35:34 | 0:35:35 | |
CORK POPS At last! | 0:35:41 | 0:35:43 | |
-Sir? -Oh, he'll have one. | 0:35:46 | 0:35:49 | |
-Rose, you know I've been away. -Away where? | 0:35:52 | 0:35:56 | |
Saint John of the Cross. | 0:35:56 | 0:35:58 | |
Oh, you dried out? | 0:35:59 | 0:36:01 | |
-Mm-hm. -Well, good for you. | 0:36:01 | 0:36:05 | |
To sobriety. | 0:36:07 | 0:36:09 | |
GLASSES CLINK | 0:36:10 | 0:36:12 | |
I'll have them take it away. | 0:36:12 | 0:36:14 | |
I don't want you back up on the Cross on my account. | 0:36:14 | 0:36:17 | |
-So, how's Phoebe? -She's, erm...she's good. | 0:36:19 | 0:36:23 | |
-And Mal? -Mal, oh, you know Mal. | 0:36:23 | 0:36:26 | |
-He says, um...he says he's going to retire soon. -Retire?! | 0:36:26 | 0:36:31 | |
-Well, he's far too youthful. -Well, that's what I said. | 0:36:31 | 0:36:35 | |
I'll tell you what he needs. | 0:36:35 | 0:36:37 | |
A decent period of mourning, a year or two, | 0:36:37 | 0:36:40 | |
then get married again. | 0:36:40 | 0:36:43 | |
Who would marry him, Rose? | 0:36:43 | 0:36:45 | |
-You'd be surprised, Quirke. -I WOULD be surprised. | 0:36:45 | 0:36:48 | |
THEY LAUGH | 0:36:48 | 0:36:49 | |
-So what about you? -What about me? | 0:36:53 | 0:36:56 | |
-Don't you ever get lonely? -Oh! | 0:36:56 | 0:36:59 | |
-Who doesn't, Rose? -Nobody. | 0:36:59 | 0:37:03 | |
Maybe I should marry you. | 0:37:08 | 0:37:09 | |
I wouldn't let you do that to yourself, Rose. | 0:37:12 | 0:37:15 | |
SHE LAUGHS | 0:37:15 | 0:37:16 | |
ROSE'S VOICE ECHOES: Now, tell me they have fresh oysters. | 0:37:20 | 0:37:24 | |
LIVELY CHATTER | 0:37:33 | 0:37:34 | |
Phoebe! | 0:37:38 | 0:37:39 | |
-What did you think of the match? -What match? | 0:37:40 | 0:37:43 | |
What match? Oh, for crying out loud! | 0:37:43 | 0:37:46 | |
What do you want to drink? | 0:37:46 | 0:37:48 | |
Just a tonic water, thanks. I'm meeting Patrick. | 0:37:48 | 0:37:50 | |
Oh! | 0:37:50 | 0:37:52 | |
Excuse me! | 0:37:52 | 0:37:55 | |
-We're just getting some food. You should come with us. -No. | 0:37:55 | 0:37:58 | |
Something tells me I wouldn't be welcome. | 0:37:59 | 0:38:04 | |
Phoebe! Jimmy! | 0:38:04 | 0:38:06 | |
Sorry. I forgot the match was on. Hey. | 0:38:06 | 0:38:09 | |
We should go to Fratellis. It'll be quiet. | 0:38:09 | 0:38:12 | |
-Good idea, I'm starving! -Have a drink FIRST! For Jaysus' sake! | 0:38:12 | 0:38:16 | |
-Hey, Minor! What do you want, a pint? -Yeah, a pint. | 0:38:16 | 0:38:19 | |
And here, Tommy, get me a tonic water? | 0:38:19 | 0:38:22 | |
-And Patrick, what do you want? -I'm all right, Jimmy, thanks. | 0:38:23 | 0:38:26 | |
-Get him a banana! -LAUGHTER | 0:38:26 | 0:38:29 | |
HE LAUGHS | 0:38:29 | 0:38:31 | |
I'll see you outside, Phoebe. | 0:38:34 | 0:38:36 | |
-Aw, Patrick! -Patrick, wait! | 0:38:38 | 0:38:42 | |
-You sure that's a good idea? -What are you talking about? | 0:38:42 | 0:38:46 | |
You're supposed to be his friend and you don't even stand up for him. | 0:38:46 | 0:38:49 | |
You know, he was having it off with April, don't you? | 0:38:51 | 0:38:54 | |
So what if he was? What's it to you? | 0:38:56 | 0:38:59 | |
He knows more than he's letting on, that's all. | 0:39:01 | 0:39:04 | |
-Let go of me, Jimmy. -Just watch your step! That's all I'm saying. | 0:39:05 | 0:39:12 | |
Or you'll be on that boat to London too. | 0:39:14 | 0:39:16 | |
-Someone give me a drink, for the love of God. -Get that into you. | 0:39:24 | 0:39:28 | |
-Slainte. -Slainte. | 0:39:28 | 0:39:30 | |
Are you all right? | 0:39:42 | 0:39:43 | |
Do you get that kind of thing a lot? | 0:39:44 | 0:39:47 | |
-IN DUBLIN ACCENT: -Well, more than I'd like! | 0:39:47 | 0:39:49 | |
THEY LAUGH | 0:39:49 | 0:39:51 | |
-Look, if you want to leave it tonight, I don't mind, Phoebe. -No... | 0:39:54 | 0:40:00 | |
-Listen, Jimmy just said something to me. -What? | 0:40:00 | 0:40:04 | |
-Nothing. You know what he's like. -Mm. | 0:40:07 | 0:40:10 | |
Come on. If we hurry, we can catch the last sitting at Fratellis. | 0:40:10 | 0:40:13 | |
CHURCH BELLS RING | 0:40:13 | 0:40:15 | |
-Glass of wine, sir? -No, thank you. | 0:40:31 | 0:40:35 | |
Oh, God, Mal. You didn't tell me the Judge was here. | 0:40:35 | 0:40:38 | |
-I, uh...assumed you knew. -Aw, Mal. | 0:40:38 | 0:40:41 | |
Ah, you came! | 0:40:43 | 0:40:45 | |
Just seeing if the old tuxedo still fits after all these years. | 0:40:45 | 0:40:49 | |
Well, it does. You look well, and you too, Mal. | 0:40:49 | 0:40:52 | |
Although you could do with a haircut, both of you. Now, come on. | 0:40:52 | 0:40:56 | |
Let's have a drink before dinner. | 0:40:56 | 0:40:59 | |
INDISTINCT CONVERSATIONS | 0:40:59 | 0:41:01 | |
Thank you. | 0:41:07 | 0:41:08 | |
Thank you very much. | 0:41:08 | 0:41:09 | |
Ah, John. | 0:41:12 | 0:41:14 | |
-Ah, Judge. -Hiya, Bill. | 0:41:16 | 0:41:18 | |
-I was wondering if you'd be able to make it. -How are you, Bill? | 0:41:18 | 0:41:21 | |
-Fine, thanks. Quirke. -Minister. | 0:41:21 | 0:41:26 | |
-I've a small bone to pick with you. -Oh? | 0:41:28 | 0:41:30 | |
-I've been hearing unfavourable reports. -Like what? | 0:41:30 | 0:41:35 | |
That you've been going into people's homes | 0:41:35 | 0:41:37 | |
and accusing them of all sorts of things. | 0:41:37 | 0:41:40 | |
They're a good family, the Latimers, | 0:41:40 | 0:41:43 | |
and certainly not ones to antagonise. | 0:41:43 | 0:41:47 | |
I'm not antagonising them. | 0:41:47 | 0:41:49 | |
You were always a pathologist. First, last and always, Quirke. | 0:41:50 | 0:41:55 | |
You never leave a thing alone, until you understand it. | 0:41:55 | 0:41:59 | |
But some things are not for us to understand, | 0:41:59 | 0:42:04 | |
-should be left alone. To-to-to... -To what, to rot? | 0:42:04 | 0:42:07 | |
-To die? -Don't be so naive. | 0:42:07 | 0:42:12 | |
You go on like a bloody adolescent! | 0:42:12 | 0:42:14 | |
Like what's your man in Rebel Without A Cause. | 0:42:14 | 0:42:18 | |
All I've ever done is treat you like a member of our family, | 0:42:18 | 0:42:23 | |
but you know what? | 0:42:23 | 0:42:24 | |
It's like you never accepted us. | 0:42:26 | 0:42:27 | |
What are you talking about? Of course I've accepted you. | 0:42:27 | 0:42:30 | |
You think I don't know you were carrying on | 0:42:30 | 0:42:33 | |
with your own brother's wife? | 0:42:33 | 0:42:35 | |
Your brother! | 0:42:35 | 0:42:37 | |
Jesus' sake. Look at him. | 0:42:38 | 0:42:41 | |
Ladies and gentlemen, could you please take your seats downstairs? | 0:42:45 | 0:42:48 | |
Well, Your Grace, are Wexford going to do it on Sunday? | 0:42:50 | 0:42:54 | |
-Good evening, sir. -Good evening. | 0:43:46 | 0:43:49 | |
HE SIGHS | 0:43:49 | 0:43:50 | |
Can I have a glass of wine, please? | 0:43:52 | 0:43:54 | |
We've a nice Chateauneuf du Pape open this evening, or...? | 0:43:54 | 0:43:57 | |
-Erm... I'll have a whiskey. -Irish? -Sure. | 0:43:57 | 0:44:02 | |
-Double? -Yeah. | 0:44:02 | 0:44:03 | |
-Thank you. -Thank you. | 0:44:12 | 0:44:14 | |
Thank you. | 0:44:21 | 0:44:23 | |
I hope I'm not disturbing you? | 0:44:29 | 0:44:31 | |
-I met you at the opening night of Hedda Gabler. -Oh, yes. | 0:44:31 | 0:44:35 | |
Miss Galloway, of course. | 0:44:35 | 0:44:37 | |
-It was an excellent performance. -Thank you for saying so. | 0:44:38 | 0:44:42 | |
The barman said you were drinking whiskey? | 0:44:42 | 0:44:44 | |
Oh. Thank you. | 0:44:44 | 0:44:48 | |
Would you care to join me? | 0:44:50 | 0:44:52 | |
-Only if you don't mind. -Of course not. | 0:44:52 | 0:44:56 | |
-I'm using you, actually. -Oh, really? | 0:44:56 | 0:45:00 | |
The man over there at the bar? | 0:45:00 | 0:45:03 | |
With the make-up and the terrible black wig. | 0:45:03 | 0:45:06 | |
He's hounding me to play Pegeen Mike in a musical version | 0:45:06 | 0:45:09 | |
of Playboy of the Western bloody World! Can you imagine?! | 0:45:09 | 0:45:13 | |
I wish I could be of some use to you, Miss Galloway, | 0:45:13 | 0:45:17 | |
but I wasn't planning on staying too long. | 0:45:17 | 0:45:20 | |
Got to get up for work in the morning. | 0:45:20 | 0:45:23 | |
Oh, that's perfect! I can walk out with you. | 0:45:23 | 0:45:27 | |
'So how do you know Phoebe?' | 0:45:29 | 0:45:31 | |
-I know Phoebe through... April Latimer. -Ah. | 0:45:31 | 0:45:36 | |
April sort of took Phoebe under her wing. | 0:45:36 | 0:45:40 | |
Although I'm not sure how much shelter there is under there. | 0:45:40 | 0:45:43 | |
I hear that she's, er... | 0:45:43 | 0:45:44 | |
-..like a force of nature. -More like a bloody tornado. | 0:45:47 | 0:45:51 | |
She's her own worst enemy, really. | 0:45:53 | 0:45:55 | |
Our lives have gone a bit quiet all of a sudden since she... | 0:45:56 | 0:46:01 | |
she's gone wherever she's gone. And to tell you the truth, there are | 0:46:01 | 0:46:04 | |
quite a lot of people who wouldn't really care if she never came back. | 0:46:04 | 0:46:08 | |
Sad but true, I'm afraid. | 0:46:08 | 0:46:10 | |
This is me. | 0:46:10 | 0:46:12 | |
Why don't you come in? | 0:46:15 | 0:46:17 | |
SHE LAUGHS | 0:46:31 | 0:46:33 | |
You can take off your coat, you know. | 0:46:33 | 0:46:35 | |
No, it's just... | 0:46:37 | 0:46:38 | |
Just what? | 0:46:39 | 0:46:41 | |
Sorry. | 0:47:00 | 0:47:01 | |
Maybe we're a little drunker than I thought. | 0:47:03 | 0:47:06 | |
Well, I better... I better get going. | 0:47:07 | 0:47:10 | |
I don't want to give you the wrong idea. | 0:47:11 | 0:47:14 | |
Why don't we both... get the wrong idea and... | 0:47:14 | 0:47:18 | |
..see where it leads us? | 0:47:20 | 0:47:22 | |
BIRDS SINGING | 0:47:28 | 0:47:29 | |
Oh, by the Lord, Harry, what happened to this poor old sausage? | 0:48:55 | 0:48:58 | |
Oh. Row over a bottle of wine in an alleyway. | 0:48:58 | 0:49:02 | |
That's what I call a thirst. | 0:49:02 | 0:49:04 | |
I have the results from forensics of the blood on April's flat. | 0:49:04 | 0:49:08 | |
-Well? -Hm. | 0:49:11 | 0:49:14 | |
Two blood types mixed together, AB positive and AB negative. | 0:49:14 | 0:49:18 | |
-And one person can't be both? -Yeah. | 0:49:18 | 0:49:20 | |
AB negative is the rarest blood type there is. | 0:49:20 | 0:49:23 | |
I mean, less than 1% of the population have it but... | 0:49:23 | 0:49:27 | |
AB positive is more common. But you can't, as you say, be both. | 0:49:27 | 0:49:33 | |
Don't tell me the lab have made a cock-up? | 0:49:33 | 0:49:36 | |
-I don't think so. -So? | 0:49:36 | 0:49:38 | |
Well...what if the sample was post-partum? | 0:49:40 | 0:49:44 | |
A mother and a baby. | 0:49:44 | 0:49:47 | |
-Something like that. -Miscarriage, termination. | 0:49:47 | 0:49:50 | |
OK, so she lost a child, or maybe someone helped her lose it | 0:49:52 | 0:49:55 | |
and now she's recovering somewhere? It's possible. | 0:49:55 | 0:49:58 | |
You're not convinced? | 0:50:00 | 0:50:02 | |
There's, er...there's a lot of blood there. | 0:50:02 | 0:50:05 | |
And I've been having a look at this sick note. | 0:50:07 | 0:50:10 | |
No signature. | 0:50:13 | 0:50:15 | |
They can be a right nuisance, Doctor Quirke, these niggling feelings. | 0:50:16 | 0:50:21 | |
You don't know why you feel the way you feel, but you do, | 0:50:24 | 0:50:27 | |
it's like having a hangover when you haven't had a drink. | 0:50:27 | 0:50:30 | |
I'll keep my ears open. | 0:50:30 | 0:50:31 | |
Unofficially, of course. | 0:50:31 | 0:50:34 | |
Good luck. | 0:50:34 | 0:50:35 | |
WOMAN: What do you want?! If it's about the rent, | 0:51:34 | 0:51:36 | |
-you're wasting your time. -No, no, it's not about the rent. | 0:51:36 | 0:51:40 | |
Are you trying to take away my cat? | 0:51:40 | 0:51:42 | |
No, I'm not trying to take your cat away. | 0:51:42 | 0:51:46 | |
Could you fix me gas fire? | 0:51:46 | 0:51:47 | |
I'll have a go. | 0:51:48 | 0:51:50 | |
You're not like the other men from the Gas Board. | 0:51:50 | 0:51:55 | |
Well, that's because, see, I'm not really from the Gas Board. | 0:51:55 | 0:51:59 | |
But I can tell you, that I think you've been cut off. | 0:51:59 | 0:52:04 | |
Ah, that's a distinct possibility, all right. | 0:52:04 | 0:52:07 | |
Now listen, if you're a Jehovah's Witness, come right out and say it. | 0:52:07 | 0:52:10 | |
No, no, I'm not a Jehovah's Witness. Actually, I'm a doctor. | 0:52:10 | 0:52:16 | |
Do you happen to know the girl who lives upstairs? | 0:52:19 | 0:52:22 | |
Of course I know her, she does me shopping for me, | 0:52:22 | 0:52:24 | |
that's why I'm starving in here! You see, I couldn't go out, | 0:52:24 | 0:52:28 | |
-because there was all men coming up and down out there. -What men? | 0:52:28 | 0:52:33 | |
Men, coming up the stairs. | 0:52:33 | 0:52:35 | |
And I heard her crying. And so I just kept me door shut. | 0:52:35 | 0:52:41 | |
Who...who was crying? | 0:52:41 | 0:52:43 | |
And there was a man that night, my God, | 0:52:44 | 0:52:48 | |
he looked as if he'd sprung from the very pit of Hell itself! | 0:52:48 | 0:52:52 | |
NURSES CHATTING | 0:52:55 | 0:52:57 | |
She's all yours, Doctor. | 0:53:02 | 0:53:03 | |
Doctor! | 0:53:05 | 0:53:07 | |
Oh...thank you, Sister. | 0:53:07 | 0:53:09 | |
-Everything all right, Doctor Ojukwu? -Morning, Doctor Griffin. | 0:53:09 | 0:53:12 | |
-Chop, chop, eh? -Yes, sir. | 0:53:12 | 0:53:14 | |
-Morning, Sister. -Morning, Doctor Griffin. | 0:53:14 | 0:53:17 | |
Hiya, Dermot. Can I go in? | 0:53:26 | 0:53:27 | |
I wouldn't go in just at the moment, Doctor. | 0:53:27 | 0:53:30 | |
Speak of the devil! Hope you're proud of yourself too! | 0:53:32 | 0:53:35 | |
Here, keep it as a souvenir. | 0:53:35 | 0:53:37 | |
And I'll tell you this for the very last time, | 0:53:37 | 0:53:40 | |
you stay away from my family, all of you, do you hear me?! | 0:53:40 | 0:53:44 | |
And you...you look to your sense of decency, sir. | 0:53:44 | 0:53:48 | |
Or by Christ, you'll regret that you ever stuck your nose into this. | 0:53:48 | 0:53:51 | |
I'll walk you out, Minister. What are you looking at? | 0:53:51 | 0:53:55 | |
Get back to work, you lazy sods, what's the matter with ye? | 0:53:55 | 0:53:59 | |
PHONES RINGING | 0:53:59 | 0:54:01 | |
Well, Doctor. You've done it now, haven't you? | 0:54:01 | 0:54:06 | |
You fancy a drink? | 0:54:07 | 0:54:08 | |
Listen, for myself, I know you're only trying to help, | 0:54:10 | 0:54:15 | |
but this kind of thing will cause uncle Bill hell in the Cabinet | 0:54:15 | 0:54:18 | |
which is why he's so... | 0:54:18 | 0:54:19 | |
See, no-one really understands what it is to be a Latimer. | 0:54:22 | 0:54:27 | |
My father carried James Connolly out of the GPO after the surrender. | 0:54:27 | 0:54:32 | |
He shared a cell with Eamon De Valera. | 0:54:32 | 0:54:34 | |
He lost his friends, family, everything to free this country. | 0:54:34 | 0:54:39 | |
Whereas uncle Bill, I'm sure you know... | 0:54:40 | 0:54:42 | |
..people don't respect him as much as they did my father. | 0:54:44 | 0:54:47 | |
-He never said anything about the blood. -What blood? | 0:54:47 | 0:54:51 | |
-The blood that we found beside April's bed. -What kind of blood? | 0:54:51 | 0:54:54 | |
April's kind. | 0:54:55 | 0:54:57 | |
Why didn't you say anything? | 0:55:00 | 0:55:02 | |
Because up to now we didn't know whose it was. | 0:55:02 | 0:55:05 | |
This is... | 0:55:05 | 0:55:08 | |
Obviously we'll have to, er... | 0:55:08 | 0:55:09 | |
God! | 0:55:10 | 0:55:12 | |
What happened? | 0:55:12 | 0:55:14 | |
Accident, | 0:55:14 | 0:55:17 | |
miscarriage, | 0:55:17 | 0:55:18 | |
who can say? | 0:55:18 | 0:55:21 | |
-Until the family files a report, the police can't... -No, um... | 0:55:21 | 0:55:25 | |
obviously I'll talk to uncle Bill, | 0:55:25 | 0:55:29 | |
get onto the police and see if they can, you know...quietly. | 0:55:29 | 0:55:34 | |
Unless you know where she is. | 0:55:34 | 0:55:36 | |
I wish I did. | 0:55:36 | 0:55:38 | |
You could try asking some of her so-called friends. | 0:55:38 | 0:55:42 | |
-Like who? -I don't know. | 0:55:42 | 0:55:44 | |
Half of them are low-lifes, I can't remember. | 0:55:44 | 0:55:47 | |
And the men... Christ, I dread to even... | 0:55:47 | 0:55:49 | |
There's that Nigerian chap, works at the hospital. | 0:55:50 | 0:55:53 | |
Can't keep his hands off the nurses. | 0:55:53 | 0:55:55 | |
-Someone even told me that himself and April had... -Mm. | 0:55:55 | 0:56:00 | |
Look, I better get back. | 0:56:01 | 0:56:02 | |
Can I give you a lift? | 0:56:04 | 0:56:07 | |
-I think I'll walk. -Good luck, Quirke. | 0:56:07 | 0:56:11 | |
PHONE RINGS | 0:56:42 | 0:56:44 | |
HE GROANS | 0:56:54 | 0:56:56 | |
Hello? | 0:56:59 | 0:57:01 | |
What time is it? | 0:57:02 | 0:57:04 | |
In the morning? | 0:57:06 | 0:57:08 | |
Oh. | 0:57:09 | 0:57:11 | |
The evening! | 0:57:11 | 0:57:12 | |
What's wrong? | 0:57:14 | 0:57:15 | |
Mal! | 0:57:38 | 0:57:39 | |
Mal! | 0:57:41 | 0:57:42 | |
-What happened? -Where have you been? | 0:57:44 | 0:57:46 | |
I was... I... | 0:57:46 | 0:57:48 | |
Oh, God! Look at you! | 0:57:49 | 0:57:52 | |
HE SIGHS | 0:57:55 | 0:57:56 | |
Stroke? | 0:57:59 | 0:58:00 | |
Mrs O'Halloran found him on the kitchen floor this morning. | 0:58:02 | 0:58:05 | |
-Is there anywhere around here I can get a coffee? -Oh, for Christ's sake! | 0:58:08 | 0:58:11 | |
Phoebe. Go home with him. | 0:58:13 | 0:58:16 | |
Make sure he eats. | 0:58:16 | 0:58:19 | |
I'll call you if there's any change. | 0:58:21 | 0:58:23 | |
-I called in there today. -To April's? | 0:58:38 | 0:58:43 | |
I met with April's neighbour. | 0:58:43 | 0:58:45 | |
She told me that she'd seen a black man going up to April's flat. | 0:58:45 | 0:58:51 | |
-Do you happen to know who that might be? -No. | 0:58:54 | 0:58:57 | |
What about the African man I met you with at the play? | 0:58:59 | 0:59:03 | |
Er...no. He didn't know April. | 0:59:03 | 0:59:05 | |
The Latimers have complained me to the police, | 0:59:09 | 0:59:13 | |
-so I've been warned away. -I know. | 0:59:13 | 0:59:17 | |
-And Jimmy's been sacked as well. -Who? | 0:59:17 | 0:59:21 | |
Jimmy Minor. | 0:59:21 | 0:59:23 | |
He wrote the piece about April in the paper. | 0:59:23 | 0:59:25 | |
-Why did they sack him? -For writing the piece. | 0:59:26 | 0:59:31 | |
HE SIGHS | 0:59:33 | 0:59:35 | |
-You want me to make you some dinner? -Er...no thanks. | 0:59:38 | 0:59:43 | |
I think I'll just go to bed. | 0:59:43 | 0:59:45 | |
-You want me to sit here for a few minutes? -I'm not going to drink. | 0:59:45 | 0:59:49 | |
-I'll light the fire. -I said I'm not going to drink. | 0:59:49 | 0:59:51 | |
Please don't hate me. | 0:59:55 | 0:59:57 | |
Why would I hate you? | 0:59:58 | 1:00:01 | |
-Because Delia died giving birth to me. -For Jesus' sake, | 1:00:01 | 1:00:04 | |
-what are you talking about? -I wouldn't blame you. | 1:00:04 | 1:00:07 | |
And I understand under the circumstances why you gave me away. | 1:00:09 | 1:00:13 | |
I did NOT give you away! | 1:00:13 | 1:00:14 | |
Mal and Sarah, they... | 1:00:18 | 1:00:20 | |
-they were able to give you things that... -It doesn't matter. | 1:00:20 | 1:00:24 | |
I've forgiven you. OK? | 1:00:25 | 1:00:28 | |
-You've forgiven me? -Yes, I have. | 1:00:28 | 1:00:31 | |
Why do you think I would need your forgiveness? | 1:00:31 | 1:00:34 | |
Well... No, it's just that it... | 1:00:34 | 1:00:37 | |
No, listen to me, I don't need your forgiveness | 1:00:37 | 1:00:39 | |
and I don't need anybody else's! Have you got that? | 1:00:39 | 1:00:43 | |
-I'm sorry, I just... -What? | 1:00:43 | 1:00:45 | |
-I'm sorry. -Yeah. Me too. | 1:00:48 | 1:00:52 | |
DOOR CLOSES | 1:00:57 | 1:01:00 | |
WOLF-WHISTLES | 1:01:08 | 1:01:10 | |
PEBBLES HIT THE WINDOW | 1:01:31 | 1:01:33 | |
Black coffee, two sugars. | 1:01:50 | 1:01:51 | |
Your hands are shaking. | 1:01:54 | 1:01:56 | |
Are you cold? | 1:01:56 | 1:01:57 | |
Hey. | 1:02:01 | 1:02:02 | |
It's all right. | 1:02:05 | 1:02:07 | |
It's all right. | 1:02:11 | 1:02:13 | |
-Patrick? -Hm? | 1:02:40 | 1:02:43 | |
What do you think has happened to April? | 1:02:45 | 1:02:47 | |
I don't know. | 1:02:49 | 1:02:50 | |
-Did you ever visit her in her flat? -Yes, of course. | 1:02:54 | 1:02:58 | |
-A few times. -Were you and her...? | 1:03:00 | 1:03:04 | |
What? | 1:03:06 | 1:03:07 | |
Well, someone spoke to April's neighbour... | 1:03:10 | 1:03:14 | |
and she said that...she saw a black man going up to April's apartment | 1:03:14 | 1:03:20 | |
and that April was crying. | 1:03:20 | 1:03:21 | |
Who was talking to her? The police? | 1:03:21 | 1:03:24 | |
No. | 1:03:24 | 1:03:26 | |
Quirke. | 1:03:26 | 1:03:28 | |
-Is that why you came here? -No! | 1:03:28 | 1:03:31 | |
-Well, yeah. -I think you should go, Phoebe. | 1:03:31 | 1:03:34 | |
-Why? -Because I thought you came here to see me, | 1:03:34 | 1:03:38 | |
not because you think I had something to do with what's happened to April. | 1:03:38 | 1:03:41 | |
-I don't! -So why did you come here? | 1:03:41 | 1:03:44 | |
-Why are you asking me this? -Because I was jealous! | 1:03:44 | 1:03:47 | |
All right? Because I was jealous. | 1:03:47 | 1:03:49 | |
KNOCK ON DOOR | 1:03:49 | 1:03:50 | |
Who's up there? | 1:03:50 | 1:03:52 | |
Nobody, Mrs Gilligan! | 1:03:52 | 1:03:54 | |
It was just the radio. | 1:03:54 | 1:03:55 | |
-What? -It was the radio! | 1:03:55 | 1:03:58 | |
Good night, Mrs Gilligan. | 1:03:58 | 1:04:00 | |
-You should go. -I'll be quiet. -No! | 1:04:00 | 1:04:02 | |
-Let me stay, Patrick, please! -I said just go, Phoebe, all right? Just go. | 1:04:02 | 1:04:07 | |
SHE SOBS | 1:04:21 | 1:04:23 | |
MUSIC PLAYS NEXT DOOR | 1:05:31 | 1:05:34 | |
KNOCK ON DOOR | 1:05:44 | 1:05:46 | |
Come in. | 1:05:46 | 1:05:47 | |
Morning, Lazarus. | 1:05:51 | 1:05:53 | |
How are you feeling? | 1:05:56 | 1:05:57 | |
HE SIGHS | 1:05:57 | 1:05:58 | |
Just about as rough as I deserve to feel, I imagine. | 1:06:02 | 1:06:06 | |
SHE LAUGHS | 1:06:06 | 1:06:08 | |
-What time did I get here? -About three. | 1:06:08 | 1:06:11 | |
Half three. | 1:06:11 | 1:06:13 | |
Did I disgrace myself? | 1:06:13 | 1:06:15 | |
Did you try to get me into bed, you mean? | 1:06:15 | 1:06:19 | |
-Yes, you tried. -Sorry. | 1:06:19 | 1:06:24 | |
Don't worry, you were very gallant. | 1:06:24 | 1:06:25 | |
I made you a cup of tea and you sort of...keeled over. | 1:06:25 | 1:06:31 | |
Sorry. | 1:06:32 | 1:06:33 | |
Quirke, if you're going to keep on apologising, you can clear off. | 1:06:33 | 1:06:36 | |
Sorry, I... | 1:06:36 | 1:06:39 | |
-Right. -Why don't you go and make us a pot of coffee? | 1:06:39 | 1:06:42 | |
There's a dear. | 1:06:42 | 1:06:44 | |
SHE SIGHS | 1:06:52 | 1:06:54 | |
Quirke. | 1:06:54 | 1:06:56 | |
Are you all right, Doctor? | 1:07:22 | 1:07:24 | |
-Can't you eat? -No. | 1:07:30 | 1:07:32 | |
I've never been able to eat breakfast. | 1:07:34 | 1:07:36 | |
Prefer to drink it, I suppose? | 1:07:37 | 1:07:39 | |
Isn't a joke, is it? | 1:07:47 | 1:07:49 | |
No. | 1:07:50 | 1:07:52 | |
You going to go back in, to Saint John's? | 1:07:56 | 1:07:59 | |
I don't know. I've got to do something. | 1:08:00 | 1:08:04 | |
Isn't there anyone you want to stay sober for? | 1:08:08 | 1:08:11 | |
For Phoebe? | 1:08:13 | 1:08:15 | |
I know she reveres you. | 1:08:16 | 1:08:18 | |
-She'd be better off without me. -No. | 1:08:18 | 1:08:21 | |
I don't believe that. | 1:08:21 | 1:08:23 | |
I think maybe the real reason I came here last night was to... | 1:08:28 | 1:08:33 | |
..was to ask... | 1:08:34 | 1:08:36 | |
Hm? Ask me what? | 1:08:42 | 1:08:44 | |
To help me. | 1:08:47 | 1:08:49 | |
God, I don't know about that! | 1:08:54 | 1:08:56 | |
Please? | 1:08:57 | 1:08:59 | |
I could try. | 1:09:08 | 1:09:10 | |
You've hardly touched your food! | 1:09:27 | 1:09:29 | |
I was thinking about work. | 1:09:31 | 1:09:33 | |
-Have you ever considered coming back to Boston with me? -I don't think so. | 1:09:35 | 1:09:39 | |
You're crazy! | 1:09:39 | 1:09:41 | |
If I had your brains, I wouldn't waste my youth in some damn hat shop! | 1:09:41 | 1:09:46 | |
Come home with me. | 1:09:46 | 1:09:47 | |
-You could enrol in college, you could even apply for... -I can't! | 1:09:47 | 1:09:51 | |
Why not? | 1:09:52 | 1:09:54 | |
You know, there comes a time when | 1:09:59 | 1:10:00 | |
you have to stop trying to be the good daughter | 1:10:00 | 1:10:03 | |
or the good little girl or whoever it is you're trying to be. | 1:10:03 | 1:10:06 | |
Oh, yeah? And what should I be trying to be? | 1:10:06 | 1:10:08 | |
How about yourself? | 1:10:08 | 1:10:10 | |
KNOCK ON DOOR Yes? | 1:10:30 | 1:10:32 | |
-Doctor Griffin? -Patrick. | 1:10:34 | 1:10:36 | |
What can I do for you? | 1:10:36 | 1:10:38 | |
I was...wondering if you knew anything about this? | 1:10:38 | 1:10:43 | |
What is it? | 1:10:43 | 1:10:45 | |
It's a letter from the Minister of Justice about my immigration status. | 1:10:45 | 1:10:49 | |
How would I know about it? | 1:10:49 | 1:10:50 | |
Well, my visa is contingent on my studies here at this hospital. | 1:10:50 | 1:10:53 | |
Hm. | 1:10:57 | 1:10:59 | |
You do know that April Latimer's uncle is the Minister? | 1:11:00 | 1:11:04 | |
-I don't know where she is. -Fair enough. | 1:11:04 | 1:11:07 | |
But if her uncle is trying to kick you out of the country, | 1:11:07 | 1:11:10 | |
it suggests that he thinks otherwise. | 1:11:10 | 1:11:12 | |
I don't. | 1:11:14 | 1:11:15 | |
Hm. Well... | 1:11:17 | 1:11:21 | |
I can give you a letter that says | 1:11:21 | 1:11:23 | |
the hospital couldn't possibly do without you. | 1:11:23 | 1:11:25 | |
-Thank you, Doctor Griffin. -Or, I could tell them about... | 1:11:25 | 1:11:30 | |
I don't know, a misdiagnosis here, | 1:11:30 | 1:11:34 | |
a sloppy prescription there. | 1:11:34 | 1:11:37 | |
And you might suddenly start to look even more dangerous. | 1:11:37 | 1:11:41 | |
Why would you do that? | 1:11:41 | 1:11:43 | |
I don't give a tinker's damn where April Latimer is. | 1:11:43 | 1:11:47 | |
I don't even like her. | 1:11:47 | 1:11:49 | |
But Phoebe loves her. | 1:11:50 | 1:11:52 | |
So if you do know anything, I want to know too. | 1:11:53 | 1:11:58 | |
-Let's go down to pathology, shall we? -Pathology? | 1:12:02 | 1:12:05 | |
She asked me for my help. | 1:12:12 | 1:12:13 | |
She was very brave and we... | 1:12:16 | 1:12:19 | |
..we did it. | 1:12:21 | 1:12:22 | |
You terminated her pregnancy? | 1:12:24 | 1:12:26 | |
Yes. | 1:12:27 | 1:12:28 | |
At her flat? | 1:12:29 | 1:12:30 | |
Well, it wasn't my baby, if that's what you're thinking, all right? | 1:12:30 | 1:12:35 | |
I stayed with her that night and she was fine. | 1:12:35 | 1:12:39 | |
But the following evening... | 1:12:39 | 1:12:40 | |
..she phoned me... | 1:12:43 | 1:12:44 | |
She was bleeding. | 1:12:46 | 1:12:47 | |
I told her to...get an ambulance, I begged her. | 1:12:50 | 1:12:54 | |
But she absolutely forbade it. | 1:12:55 | 1:12:56 | |
I went straight there and I... | 1:12:58 | 1:13:00 | |
..I did what I could, but... | 1:13:02 | 1:13:04 | |
But what? | 1:13:06 | 1:13:08 | |
-She was alive when I left her. -You LEFT her?! | 1:13:08 | 1:13:11 | |
-I'm not saying anything else. -Why?! | 1:13:13 | 1:13:16 | |
-Because she made me promise. -Ah, for crying out loud! | 1:13:16 | 1:13:19 | |
-Is that really important now? -Yes. | 1:13:19 | 1:13:21 | |
-If she's alive, it is. -And if she's dead? | 1:13:21 | 1:13:23 | |
Look, I made a promise to her, all right? | 1:13:25 | 1:13:29 | |
I made a promise. | 1:13:29 | 1:13:32 | |
If you want to know any more, why don't you ask her family? | 1:13:32 | 1:13:36 | |
What makes a man like that | 1:13:39 | 1:13:40 | |
risk everything for the likes of April Latimer? | 1:13:40 | 1:13:43 | |
Whatever it is, he's not going to tell us. | 1:13:44 | 1:13:47 | |
It must be his baby. | 1:13:47 | 1:13:50 | |
You can imagine how that went down with the Latimers and their precious family. | 1:13:50 | 1:13:54 | |
A black baby is up there with incest for the likes of Bill Latimer. | 1:13:54 | 1:13:58 | |
And Oscar Latimer, my God! | 1:13:58 | 1:14:01 | |
Although Patrick is actually a prince in his own country, | 1:14:01 | 1:14:05 | |
so that might make the difference. | 1:14:05 | 1:14:07 | |
Yeah, erm, I left my keys inside. I'll telephone you later. | 1:14:09 | 1:14:13 | |
There's some chicken stew at home, if you'd like. | 1:14:15 | 1:14:20 | |
I'm afraid you've wasted your trip, Doctor Quirke. | 1:14:37 | 1:14:39 | |
My son is not at home. | 1:14:39 | 1:14:41 | |
Do you know where he is? | 1:14:43 | 1:14:44 | |
I don't think that's any of your business, Doctor Quirke. | 1:14:44 | 1:14:47 | |
But if you must know, he's in town tonight. | 1:14:47 | 1:14:50 | |
Corpus Christi have seen fit to grace my late husband | 1:14:50 | 1:14:53 | |
with a Legion of Honour Medal | 1:14:53 | 1:14:55 | |
and Oscar is to collect it on his behalf. | 1:14:55 | 1:14:58 | |
-You're not going yourself? -It's men only tonight. | 1:14:59 | 1:15:04 | |
Naturally. | 1:15:04 | 1:15:06 | |
Can I give him a message for you? | 1:15:07 | 1:15:10 | |
No, thank you. | 1:15:12 | 1:15:13 | |
CHURCH BELLS RING All men are heroes to their sons. | 1:15:14 | 1:15:19 | |
But few are heroes to entire nations. | 1:15:19 | 1:15:22 | |
That was my father's privilege. | 1:15:22 | 1:15:24 | |
If my father... | 1:15:25 | 1:15:27 | |
..if... | 1:15:28 | 1:15:29 | |
..my father was here tonight, | 1:15:31 | 1:15:34 | |
he would be so proud. | 1:15:34 | 1:15:38 | |
And it is therefore with some pride that I stand here before you | 1:15:38 | 1:15:44 | |
to accept this great honour in memory of my father, Connor Latimer, | 1:15:44 | 1:15:49 | |
a patriarch, and a patriot. Thank you. | 1:15:49 | 1:15:53 | |
APPLAUSE | 1:15:53 | 1:15:55 | |
For God's sake! What is it now, Quirke? | 1:16:10 | 1:16:13 | |
People are starting to worry about you, you know that? | 1:16:13 | 1:16:15 | |
-I spoke to Patrick Ojukwu this evening. -Who? | 1:16:15 | 1:16:19 | |
He confessed to performing an abortion on your sister, April, in her flat. | 1:16:19 | 1:16:24 | |
I thought you should know that. | 1:16:24 | 1:16:26 | |
-But then you already do, don't you? -I know nothing of the sort. | 1:16:29 | 1:16:32 | |
-Who is this, er, Patrick Ojonko? -Patrick Ojukwu. | 1:16:32 | 1:16:36 | |
He's the man who asked you to come and save your sister. | 1:16:36 | 1:16:40 | |
-But she died, didn't she? -How the hell would I know? | 1:16:41 | 1:16:45 | |
-Because you hid her body. -I did no such thing. | 1:16:45 | 1:16:50 | |
His was the consciousness, not just of a man, | 1:16:50 | 1:16:54 | |
-but of a people. -APPLAUSE | 1:16:54 | 1:16:56 | |
Ojukwu called you because she was bleeding to death, | 1:16:56 | 1:16:59 | |
but you panicked. And you hid her body. | 1:16:59 | 1:17:02 | |
-And why would I do that? -Because she was carrying your baby. | 1:17:02 | 1:17:06 | |
Listen to yourself. | 1:17:08 | 1:17:09 | |
-She was my SISTER, for Christ's sake! -That's why you had to hide the body, | 1:17:11 | 1:17:16 | |
because of the scandal. | 1:17:16 | 1:17:18 | |
-She botched her own abortion and you couldn't clean it up. -No. | 1:17:18 | 1:17:22 | |
The baby's blood was AB negative, the same as yours. | 1:17:22 | 1:17:25 | |
You must have thought it was a long shot | 1:17:25 | 1:17:28 | |
that anybody would put two and two together, | 1:17:28 | 1:17:31 | |
but you couldn't take the chance, could you? | 1:17:31 | 1:17:35 | |
I'm going to give you 30 seconds to get out of this building. | 1:17:35 | 1:17:39 | |
It's only because I know that you've got a drink problem. | 1:17:39 | 1:17:42 | |
But if you're not gone by then, I'm going to have you thrown out. | 1:17:42 | 1:17:46 | |
And I'm going to see to it personally that you're struck off. | 1:17:46 | 1:17:51 | |
-Look, your little bird is missing a wing. -What? | 1:17:51 | 1:17:55 | |
-I think I might have it here. -What are you talking about? | 1:17:56 | 1:18:00 | |
-Go home, Quirke. -Well, look at that. | 1:18:00 | 1:18:03 | |
Perfect. | 1:18:06 | 1:18:07 | |
Know where I found that? | 1:18:07 | 1:18:09 | |
In April's flat. | 1:18:10 | 1:18:13 | |
APPLAUSE CONTINUES | 1:18:13 | 1:18:14 | |
You let her die, Oscar. | 1:18:25 | 1:18:28 | |
You let her die. | 1:18:31 | 1:18:33 | |
No! | 1:18:38 | 1:18:39 | |
-Everything all right, gentlemen? -Yes, yes, everything's all right. | 1:18:42 | 1:18:45 | |
And now, gentlemen, may I ask you | 1:18:45 | 1:18:48 | |
all to be upstanding, for my brother, Connor Latimer? | 1:18:48 | 1:18:52 | |
I tried to save her, Quirke. | 1:18:55 | 1:18:57 | |
There was nothing I could do. | 1:18:58 | 1:19:00 | |
I thank you. Thank you. | 1:19:03 | 1:19:05 | |
I never loved anyone like I loved April. | 1:19:10 | 1:19:13 | |
I was telling the truth about not seeing her for four years, | 1:19:14 | 1:19:19 | |
until one night at the end of October | 1:19:19 | 1:19:22 | |
when we bumped into each other on South Anne Street. | 1:19:22 | 1:19:26 | |
She was drunk out of her mind, | 1:19:27 | 1:19:30 | |
didn't know where she was. So... | 1:19:30 | 1:19:33 | |
..I put her in a taxi and I brought her home and I, I... | 1:19:35 | 1:19:40 | |
..went in. | 1:19:42 | 1:19:44 | |
She was, er...barely conscious, she didn't know it was me, I don't think. | 1:19:50 | 1:19:57 | |
And I...don't know why I did it... HE SOBS | 1:19:59 | 1:20:04 | |
..to obliterate it or to control it or... | 1:20:06 | 1:20:12 | |
Oh, Christ! | 1:20:12 | 1:20:14 | |
To obliterate what, Oscar? | 1:20:17 | 1:20:19 | |
We were just... | 1:20:19 | 1:20:21 | |
We were just children... | 1:20:24 | 1:20:25 | |
..and our heroic father would come in stinking of drink | 1:20:28 | 1:20:34 | |
and he'd tell us both to get into the bed | 1:20:34 | 1:20:37 | |
and then he'd...he'd... | 1:20:37 | 1:20:40 | |
Oh, Christ! HE SOBS | 1:20:41 | 1:20:44 | |
Oscar. | 1:20:44 | 1:20:46 | |
Even when he died, it didn't... | 1:20:46 | 1:20:49 | |
We just didn't speak to each other any more until that night. | 1:20:53 | 1:20:58 | |
What's going on here? | 1:20:58 | 1:21:00 | |
Patrick called me and told me what they had done. | 1:21:00 | 1:21:04 | |
And I knew it was my baby. | 1:21:05 | 1:21:07 | |
And there was nothing I could do. | 1:21:09 | 1:21:11 | |
She died about ten minutes after I got there. | 1:21:13 | 1:21:16 | |
God help her, God help her! | 1:21:16 | 1:21:18 | |
HE SOBS | 1:21:18 | 1:21:21 | |
-I watched her die. -He doesn't know what he's saying. | 1:21:21 | 1:21:26 | |
This has nothing to do with you! | 1:21:26 | 1:21:28 | |
What do you mean, it has nothing to do with me? | 1:21:28 | 1:21:30 | |
Have you any idea what you're saying? | 1:21:30 | 1:21:33 | |
Oscar? | 1:21:33 | 1:21:35 | |
Where's April's body? | 1:21:35 | 1:21:36 | |
HE SOBS | 1:21:47 | 1:21:50 | |
Congratulations. | 1:22:22 | 1:22:23 | |
How did you get on? | 1:22:28 | 1:22:29 | |
Well, they extended my visa. | 1:22:29 | 1:22:34 | |
Because of this? | 1:22:34 | 1:22:36 | |
Wow! | 1:22:36 | 1:22:38 | |
That is... | 1:22:38 | 1:22:41 | |
Want a drink? | 1:22:41 | 1:22:43 | |
Hey... | 1:22:47 | 1:22:48 | |
Hey! There, now. | 1:22:50 | 1:22:52 | |
It's all right. | 1:22:54 | 1:22:56 | |
You did your best. You did your best. | 1:22:58 | 1:23:00 | |
"After a jittery final fence, | 1:23:08 | 1:23:11 | |
"Persian Tiara suddenly managed to surge. | 1:23:11 | 1:23:16 | |
"The crowd roared their approval for a fitting finale to..." | 1:23:16 | 1:23:21 | |
KNOCK ON DOOR | 1:23:21 | 1:23:22 | |
Just thought I'd say goodbye. | 1:23:25 | 1:23:27 | |
-When are you off? -Rose is calling for me at seven | 1:23:34 | 1:23:38 | |
and I fly out tonight. | 1:23:38 | 1:23:40 | |
I don't suppose you'll miss me? | 1:23:43 | 1:23:45 | |
I'm really sorry that things turned out so badly for your friend April. | 1:23:52 | 1:23:57 | |
It's funny, isn't it? | 1:24:01 | 1:24:02 | |
Out of everyone, you were the only one who... | 1:24:03 | 1:24:07 | |
HE COUGHS | 1:24:07 | 1:24:09 | |
-Are you all right? -My boy! My boy. | 1:24:11 | 1:24:15 | |
-Were we at the races just now? -No. I was reading you the results. | 1:24:15 | 1:24:20 | |
Go back to sleep. You'll be as right as rain. | 1:24:20 | 1:24:24 | |
We were going in the school gates a few minutes ago. | 1:24:25 | 1:24:29 | |
You'll be all right. Get some sleep. | 1:24:31 | 1:24:35 | |
-I know... I know it's wrong. -What is? | 1:24:35 | 1:24:40 | |
I always loved you more than anyone else. | 1:24:40 | 1:24:42 | |
Why do you think that is? | 1:24:44 | 1:24:46 | |
-Bad judgment, maybe. -Hah! | 1:24:47 | 1:24:50 | |
I won't be able to give you your presents on Christmas morning. | 1:24:50 | 1:24:53 | |
-Of course you will. -Ah! | 1:24:53 | 1:24:56 | |
You used to ask me if I knew who put you in the orphanage. | 1:24:56 | 1:25:00 | |
I said I didn't know, but I do... I do know. | 1:25:00 | 1:25:05 | |
It was me. | 1:25:05 | 1:25:07 | |
No! You-you took me out, Dad, you gave me a home. | 1:25:10 | 1:25:16 | |
Yes, but I also put you in. | 1:25:16 | 1:25:19 | |
We had no choice, we couldn't get married, we had no money. | 1:25:19 | 1:25:22 | |
Broke my heart, nearly killed me, I swear to God! | 1:25:22 | 1:25:27 | |
But as soon as I could I got you out. | 1:25:27 | 1:25:29 | |
Every night, I dreamt you were calling to get me | 1:25:29 | 1:25:33 | |
to come back and get you. | 1:25:33 | 1:25:35 | |
I did in the end. | 1:25:35 | 1:25:37 | |
I always knew. | 1:25:42 | 1:25:43 | |
Who told you? | 1:25:45 | 1:25:46 | |
Nobody. | 1:25:49 | 1:25:50 | |
Who was my mother, Dad? | 1:25:58 | 1:26:00 | |
No, I can't... | 1:26:00 | 1:26:04 | |
HE SOBS | 1:26:04 | 1:26:06 | |
I can't... | 1:26:06 | 1:26:09 | |
If you're coming back this way, let me know and I'll buy you lunch. | 1:26:42 | 1:26:47 | |
Yeah. That'd be great. | 1:26:49 | 1:26:51 | |
Listen... I wanted to give you this. | 1:26:54 | 1:26:56 | |
I was going to give it to Mal to give to you. | 1:26:59 | 1:27:02 | |
-It belonged to your mother. -Thanks. | 1:27:02 | 1:27:06 | |
Quirke... | 1:27:16 | 1:27:18 | |
SHE SOBS | 1:27:29 | 1:27:30 |