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Don't you ever call me a thief again. | 0:00:02 | 0:00:04 | |
Well, what would you prefer? | 0:00:04 | 0:00:06 | |
Paedophile? | 0:00:06 | 0:00:08 | |
'Superintendent James McKay, Red Rock.' | 0:00:08 | 0:00:10 | |
I need to report a death in custody. | 0:00:10 | 0:00:13 | |
We arrested that man together. | 0:00:13 | 0:00:14 | |
What happened after that was just an accident. | 0:00:14 | 0:00:17 | |
'I will find out what's gone on here.' | 0:00:22 | 0:00:24 | |
You have my husband's blood on your hands. | 0:00:25 | 0:00:28 | |
SEAGULLS CAW | 0:01:04 | 0:01:07 | |
See? See what they did? | 0:01:07 | 0:01:10 | |
Him and his friends, they're at this every day, | 0:01:10 | 0:01:12 | |
-they think it's a big laugh. -Please, Mr Keogh, just calm down. | 0:01:12 | 0:01:14 | |
Don't tell me to calm down. Do you know how much all this has cost me | 0:01:14 | 0:01:17 | |
-because of him? -Just step back. | 0:01:17 | 0:01:18 | |
-Why are you taking his side? -I'm not taking his side. | 0:01:18 | 0:01:21 | |
-He's the little scumbag, not me! -That is enough! | 0:01:21 | 0:01:23 | |
I'm talking to the organ grinder, not the monkey. | 0:01:23 | 0:01:25 | |
Now, there's no need for that! | 0:01:25 | 0:01:26 | |
This is what's wrong with the country. | 0:01:26 | 0:01:28 | |
-Scumbags like him have all the rights. -I said, step back! | 0:01:28 | 0:01:31 | |
He can do what he wants and you lot will turn up and do... | 0:01:31 | 0:01:33 | |
HE GROANS | 0:01:33 | 0:01:36 | |
When I say step back, I mean, step back! OK, idiot? | 0:01:36 | 0:01:40 | |
Sharon! | 0:01:40 | 0:01:42 | |
Adrijan? Come here. | 0:01:55 | 0:01:57 | |
-I have to finish these reports. -Will you come here?! Now. | 0:01:57 | 0:02:00 | |
See what that is? | 0:02:05 | 0:02:07 | |
-Yeah, it's a letter to McKay. -No. Look at the logo. | 0:02:07 | 0:02:11 | |
It's from GSOC. | 0:02:11 | 0:02:12 | |
It's the findings from their inquiry. | 0:02:12 | 0:02:15 | |
-You don't know that. -Well, what else would they be sending over to McKay? | 0:02:16 | 0:02:20 | |
I'm telling you, our future in the job lies in that envelope. | 0:02:20 | 0:02:24 | |
OK, now you're just being melodramatic. | 0:02:24 | 0:02:26 | |
I'm not. | 0:02:26 | 0:02:27 | |
It's D-Day. | 0:02:27 | 0:02:29 | |
What was that all about? | 0:03:02 | 0:03:03 | |
It's not the 1990s, you can't be at that craic. | 0:03:05 | 0:03:08 | |
OK, maybe I overreacted a little. | 0:03:08 | 0:03:10 | |
Well, there's no maybe or little about it. | 0:03:10 | 0:03:13 | |
He's calmed down a bit now, | 0:03:14 | 0:03:15 | |
but if I was you, I'd go back in there and apologise. | 0:03:15 | 0:03:18 | |
-No way. -Why not? | 0:03:18 | 0:03:19 | |
Because he's an idiot. | 0:03:19 | 0:03:21 | |
That's no excuse. Half the job is dealing with idiots. | 0:03:21 | 0:03:23 | |
It's probably on the recruiting poster. | 0:03:23 | 0:03:25 | |
-He called a kid a scumbag. -He was a scumbag. | 0:03:25 | 0:03:27 | |
And I warned him to step back twice. He ignored me and then he pushed me. | 0:03:27 | 0:03:30 | |
Look, Sharon, sometimes you just have to suck it up and say sorry, | 0:03:32 | 0:03:36 | |
because it's the smart thing to do. | 0:03:36 | 0:03:38 | |
I'm sick of always having to suck it up. | 0:03:38 | 0:03:40 | |
He's an idiot. I'm not apologising. | 0:03:41 | 0:03:43 | |
Will you come on? Hurry up. | 0:03:50 | 0:03:53 | |
You can't run away from this. | 0:03:53 | 0:03:54 | |
If McKay has the results, we're going to find out, | 0:03:54 | 0:03:56 | |
one way or the other. | 0:03:56 | 0:03:57 | |
I'm not running away. | 0:03:57 | 0:03:59 | |
Haven't seen you so keen to go out and walk the beat. | 0:03:59 | 0:04:01 | |
-If this is our last day... -It's not going to be our last day. | 0:04:01 | 0:04:04 | |
Yeah, but IF this is our last day, | 0:04:04 | 0:04:06 | |
I don't want to be here writing up arrest reports. | 0:04:06 | 0:04:08 | |
-You never write reports. I do. -Come on, you know what I mean. | 0:04:08 | 0:04:10 | |
I want to be out there, in uniform, making arrests, | 0:04:10 | 0:04:13 | |
doing proper police-work. The stuff I signed up to do. | 0:04:13 | 0:04:16 | |
Yeah. | 0:04:16 | 0:04:17 | |
The boss wants to see you two. | 0:04:20 | 0:04:22 | |
Now, please. | 0:04:24 | 0:04:25 | |
'The GSOC report finds that, in this case,' | 0:04:27 | 0:04:29 | |
you did not adhere to the standard guidelines | 0:04:29 | 0:04:31 | |
in relation to the checking of prisoners, | 0:04:31 | 0:04:34 | |
and cannot rule out that this may have been a factor | 0:04:34 | 0:04:36 | |
in the death of Gerard Curry. | 0:04:36 | 0:04:38 | |
But GSOC also acknowledges that you were placed | 0:04:39 | 0:04:41 | |
in an extraordinary situation, due to understaffing | 0:04:41 | 0:04:45 | |
and the incident in reception. | 0:04:45 | 0:04:48 | |
Also, the coroner has found that Mr Curry | 0:04:48 | 0:04:50 | |
had an underlying heart condition | 0:04:50 | 0:04:53 | |
and cannot say for certain that his death would have been prevented, | 0:04:53 | 0:04:56 | |
even if he had been checked on sooner. | 0:04:56 | 0:04:59 | |
So, on the basis of all that, | 0:05:01 | 0:05:04 | |
the Commissioner has decided not to pursue | 0:05:04 | 0:05:07 | |
any kind of disciplinary action. | 0:05:07 | 0:05:08 | |
Yes. | 0:05:08 | 0:05:10 | |
There is nothing to celebrate. | 0:05:10 | 0:05:12 | |
Yes, sir. | 0:05:13 | 0:05:15 | |
Nobody comes out of this with any credit. | 0:05:15 | 0:05:18 | |
The Commissioner has advised that extreme caution be taken | 0:05:18 | 0:05:22 | |
in every aspect of our operation. | 0:05:22 | 0:05:25 | |
That means, everyone is on their best behaviour. | 0:05:25 | 0:05:28 | |
Yes, sir. Sir. | 0:05:28 | 0:05:29 | |
Because we're all under the spotlight now, the entire station. | 0:05:29 | 0:05:32 | |
Yes, sir. | 0:05:32 | 0:05:34 | |
Sir. | 0:05:34 | 0:05:35 | |
Go. | 0:05:36 | 0:05:37 | |
Sorry I'm late. Slept in. | 0:05:43 | 0:05:45 | |
If you're going to be late, at least do me the courtesy | 0:05:45 | 0:05:47 | |
of making up an excuse. | 0:05:47 | 0:05:49 | |
I was woken during the night by a naked man in my bedroom. | 0:05:49 | 0:05:52 | |
-That's better. -No, I really was. | 0:05:52 | 0:05:55 | |
My flatmate brought home some guy, and he sleepwalked into my room. | 0:05:55 | 0:05:59 | |
Took half an hour to get him back into the right bedroom. | 0:05:59 | 0:06:01 | |
I think I would have been tempted to hold on to him. | 0:06:01 | 0:06:04 | |
Not if you'd seen him. | 0:06:04 | 0:06:05 | |
It's been so long since I've been out with anyone. | 0:06:07 | 0:06:10 | |
I could set you up with someone I know, if you like. | 0:06:10 | 0:06:12 | |
Thanks, but I think your friends might be a little bit young for me. | 0:06:12 | 0:06:16 | |
My brother Keith's your age. | 0:06:16 | 0:06:18 | |
He's charming, funny, kind. | 0:06:18 | 0:06:22 | |
Let me think about it. | 0:06:24 | 0:06:26 | |
You should see your face. | 0:06:26 | 0:06:28 | |
DOOR BUZZES | 0:06:33 | 0:06:34 | |
Hey, how'd it go? | 0:06:36 | 0:06:38 | |
Yeah, grand, Sarge. The young fella legged it, | 0:06:39 | 0:06:42 | |
but we managed to get his name off the shopkeeper, | 0:06:42 | 0:06:44 | |
so now we're going to see if we can track down an address. | 0:06:44 | 0:06:46 | |
Right, well, make sure you do. | 0:06:46 | 0:06:48 | |
I've had calls about those kids for weeks. I want that sorted. | 0:06:48 | 0:06:51 | |
Yes, Sarge. | 0:06:51 | 0:06:52 | |
'OK, gotta go, bye.' | 0:06:54 | 0:06:55 | |
You two. Pints tonight, on me. | 0:06:57 | 0:06:59 | |
Must be some occasion, if you're buying. | 0:06:59 | 0:07:01 | |
GSOC cleared us. You're looking at free men. | 0:07:01 | 0:07:04 | |
-Fair play. -Yeah, that's great! | 0:07:04 | 0:07:06 | |
Do you think this is all great fun? | 0:07:06 | 0:07:08 | |
-ADRIJAN: -No, Sarge. | 0:07:08 | 0:07:09 | |
Gerard Curry's left a widow and three children. | 0:07:09 | 0:07:12 | |
Do you think they have much to celebrate today? | 0:07:12 | 0:07:14 | |
-No, Sarge. -Don't let me catch you at this again. | 0:07:14 | 0:07:17 | |
If you're here to break the good news, I already heard. | 0:07:36 | 0:07:39 | |
Would you wait in the car for me for a second? Good girl. | 0:07:39 | 0:07:42 | |
CAR LOCK BEEPS | 0:07:42 | 0:07:44 | |
No, I just wanted to come in person... | 0:07:44 | 0:07:46 | |
and tell you how sorry I am about everything that happened. | 0:07:46 | 0:07:49 | |
It's easy to be gracious now. Your men have been exonerated. | 0:07:49 | 0:07:53 | |
I shouldn't have expected anything else, | 0:07:55 | 0:07:57 | |
I mean, I know how these things work with you lot, | 0:07:57 | 0:07:59 | |
-one hand washes the other. -GSOC is an independent body. | 0:07:59 | 0:08:01 | |
He should never have been arrested. | 0:08:01 | 0:08:04 | |
Never. | 0:08:04 | 0:08:05 | |
He'd be alive now if your men had shown an ounce of compassion | 0:08:06 | 0:08:09 | |
or common sense. | 0:08:09 | 0:08:12 | |
All he did was park on a double yellow line. | 0:08:12 | 0:08:16 | |
That's his big crime. | 0:08:17 | 0:08:19 | |
That's the reason he was in that cell when he died, alone. | 0:08:19 | 0:08:22 | |
I can only imagine how hard this has been for you and your family... | 0:08:24 | 0:08:27 | |
Do you have children, Superintendent? | 0:08:27 | 0:08:29 | |
No. Not yet. | 0:08:31 | 0:08:33 | |
Then, you can't even begin to imagine. | 0:08:33 | 0:08:36 | |
See, my children, on their birthdays, at Christmas, | 0:08:36 | 0:08:40 | |
special occasions in their lives, | 0:08:40 | 0:08:43 | |
he'll be missing. | 0:08:43 | 0:08:44 | |
They've been robbed of all that. | 0:08:44 | 0:08:46 | |
I'm sorry. I truly am. | 0:08:49 | 0:08:51 | |
You know, the last time I saw Gerard, | 0:08:56 | 0:08:59 | |
we fought about something stupid. | 0:08:59 | 0:09:01 | |
Our final words were in anger. | 0:09:02 | 0:09:05 | |
Now, I can't change that. | 0:09:07 | 0:09:08 | |
Your job is to serve the public. | 0:09:13 | 0:09:16 | |
Right now, it doesn't feel | 0:09:18 | 0:09:19 | |
like you've served my family, Superintendent. | 0:09:19 | 0:09:22 | |
Cool heads this time. | 0:09:33 | 0:09:34 | |
Yep. | 0:09:38 | 0:09:39 | |
I mean it, Sharon. | 0:09:39 | 0:09:40 | |
Domestics are a minefield without you flying off the handle, as well. | 0:09:40 | 0:09:43 | |
I said, yeah, I'm fine. | 0:09:43 | 0:09:45 | |
ENGINE TURNS OVER | 0:09:45 | 0:09:48 | |
Hey! | 0:09:48 | 0:09:49 | |
-We're on a call-out. -No, we're on a call-out. | 0:09:51 | 0:09:54 | |
Sarge wants you back inside. | 0:09:54 | 0:09:56 | |
-If this is a wind-up... -She did not look happy. | 0:09:56 | 0:09:59 | |
It's true. | 0:09:59 | 0:10:01 | |
Thank you. | 0:10:04 | 0:10:05 | |
Is there something wrong, Sarge? | 0:10:08 | 0:10:09 | |
You're on SO. You...come with me. | 0:10:09 | 0:10:12 | |
Is this the officer you mean? | 0:10:22 | 0:10:25 | |
Yeah. She's the one that assaulted me. | 0:10:25 | 0:10:28 | |
What else did they say? | 0:10:30 | 0:10:33 | |
Nothing, just I'm not to leave the station and they'll see me later. | 0:10:33 | 0:10:36 | |
Why couldn't you just say sorry, like I told you? | 0:10:36 | 0:10:39 | |
What are you going to tell them? | 0:10:44 | 0:10:46 | |
The truth, I suppose. | 0:10:46 | 0:10:47 | |
You might want to do better than that. | 0:10:55 | 0:10:57 | |
-Hello. -Hey. | 0:11:06 | 0:11:08 | |
You've really spiced up the menu. | 0:11:08 | 0:11:11 | |
So, what's the dish of the day? | 0:11:11 | 0:11:14 | |
Besides myself, of course. | 0:11:14 | 0:11:16 | |
Is that the best that you can do, Westlife? | 0:11:16 | 0:11:20 | |
ADRIJAN CHUCKLES Wasn't me. | 0:11:20 | 0:11:21 | |
Now it's gone viral. | 0:11:21 | 0:11:23 | |
Flying Without Wings? | 0:11:23 | 0:11:25 | |
-Well, it's a compliment. -Of course it is. | 0:11:25 | 0:11:28 | |
Now, why not take a seat? I'll come and take your order. | 0:11:28 | 0:11:32 | |
Thank you. | 0:11:32 | 0:11:33 | |
That was harsh. But effective. | 0:11:37 | 0:11:39 | |
I think he likes you. | 0:11:39 | 0:11:41 | |
Not nearly as much as he likes himself. | 0:11:41 | 0:11:43 | |
-He is cute, though. -I'm not into pandas. | 0:11:43 | 0:11:45 | |
-Pandas? -Yeah, the kind of guy who eats, shoots and leaves. | 0:11:45 | 0:11:48 | |
I've spoken to Mr Keogh, | 0:11:51 | 0:11:52 | |
explained to him that your behaviour was out of character | 0:11:52 | 0:11:55 | |
and he has decided not to pursue a formal complaint. | 0:11:55 | 0:11:58 | |
-Thank you, sir. -I am not finished. | 0:11:58 | 0:11:59 | |
Your use of force today was excessive... | 0:12:02 | 0:12:04 | |
and unacceptable. We are here to serve the public. | 0:12:04 | 0:12:07 | |
Yes, sir. | 0:12:07 | 0:12:08 | |
And myself, Sergeant Tyrell and Sergeant McGonigle | 0:12:09 | 0:12:12 | |
all share similar concerns about your recent performance. | 0:12:12 | 0:12:15 | |
You've been making uncharacteristic mistakes... | 0:12:15 | 0:12:17 | |
I was given the wrong address for that warrant. | 0:12:17 | 0:12:19 | |
The point is, your behaviour has been erratic. | 0:12:19 | 0:12:21 | |
And, if I'm being honest, | 0:12:23 | 0:12:24 | |
I'm concerned that you have rushed back to work too soon | 0:12:24 | 0:12:27 | |
-after the attack. -Honestly, I'm fine. | 0:12:27 | 0:12:29 | |
I disagree. | 0:12:29 | 0:12:30 | |
You've been through a very traumatic experience, | 0:12:30 | 0:12:33 | |
one that takes time to heal, time you have not given yourself. | 0:12:33 | 0:12:36 | |
-So, that's why I suggest you take some time off. -Please, sir, no. | 0:12:37 | 0:12:40 | |
Please don't view this as some type of punishment, Sharon. | 0:12:40 | 0:12:44 | |
I'd rather stay working, sir. | 0:12:44 | 0:12:46 | |
I appreciate that. | 0:12:46 | 0:12:47 | |
But I have to think about the welfare of the public | 0:12:48 | 0:12:50 | |
and of your fellow officers. | 0:12:50 | 0:12:52 | |
If I feel your presence here is putting them at risk... | 0:12:52 | 0:12:54 | |
-It won't be, I'll be really good. -Please, listen! | 0:12:54 | 0:12:56 | |
The decision has been made. You will take leave. | 0:12:59 | 0:13:02 | |
But, as I said, please don't view this as some sort of punishment. | 0:13:04 | 0:13:08 | |
We are trying to do what's best for you. | 0:13:10 | 0:13:14 | |
When do I take this leave? | 0:13:18 | 0:13:19 | |
Paudge will be fine on his own for the rest of the shift | 0:13:21 | 0:13:24 | |
and we'll roster in cover for him tomorrow. | 0:13:24 | 0:13:26 | |
-You mean take it now? -Yes. Today. | 0:13:30 | 0:13:32 | |
DOOR CLOSES | 0:13:41 | 0:13:43 | |
I told you I'd be here long after you're gone. | 0:14:35 | 0:14:37 | |
You do know what's going on here, don't you? | 0:14:40 | 0:14:43 | |
You realise you've already got one foot out the door. | 0:14:43 | 0:14:46 | |
Never a good sign when your Super sends you off | 0:14:48 | 0:14:50 | |
on compulsory sick leave, with phrases like "erratic behaviour" | 0:14:50 | 0:14:55 | |
and "uncharacteristic results" ringing in your ears. | 0:14:55 | 0:14:59 | |
I mean, from there, it's only a tiny hop, skip and a jump to... | 0:15:01 | 0:15:06 | |
"unstable" and "deluded". | 0:15:06 | 0:15:08 | |
Cos that's what you are. | 0:15:10 | 0:15:13 | |
Everybody knows it. | 0:15:13 | 0:15:15 | |
They all know exactly what you are. | 0:15:15 | 0:15:17 | |
A crazy bitch. | 0:15:20 | 0:15:21 | |
HE GROANS | 0:15:21 | 0:15:22 | |
Sharon! Come off him! Sharon! Sharon! | 0:15:33 | 0:15:36 | |
-Sharon! Cool it, Sharon! -Sharon... -Come on... | 0:15:36 | 0:15:38 | |
-Sharon, calm down! -Sharon! | 0:15:38 | 0:15:39 | |
Sharon, calm down! | 0:15:39 | 0:15:41 | |
-Sharon, calm down. -Calm down! | 0:15:41 | 0:15:42 | |
-Cool it, Sharon. -Are you all right? | 0:15:42 | 0:15:44 | |
-You all right? -Uh-huh. -Cool it! | 0:15:44 | 0:15:47 | |
Whoa! Whoo! | 0:15:49 | 0:15:52 | |
Man, you are not going to believe what just happened. | 0:15:52 | 0:15:55 | |
It was insane. Sharon went mental. Like, proper mental. | 0:15:55 | 0:15:58 | |
She went for Brian! | 0:15:58 | 0:15:59 | |
Paudge and Sergeant Tyrell had to drag her off him. | 0:15:59 | 0:16:01 | |
Mad! Mad stuff. | 0:16:01 | 0:16:03 | |
What is wrong with you? | 0:16:05 | 0:16:07 | |
What? | 0:16:07 | 0:16:09 | |
Sharon is our friend. | 0:16:09 | 0:16:10 | |
Yeah, I know that. | 0:16:10 | 0:16:11 | |
And when she heard GSOC had cleared us, she was happy, | 0:16:11 | 0:16:13 | |
really happy for us, and now you think her misfortune is great fun. | 0:16:13 | 0:16:18 | |
Just telling you what happened. | 0:16:18 | 0:16:20 | |
No, you're not. | 0:16:20 | 0:16:22 | |
'You saw what happened, Paudge.' | 0:16:25 | 0:16:27 | |
She hit me! | 0:16:27 | 0:16:29 | |
I never laid a finger on her. | 0:16:29 | 0:16:31 | |
You saw that. | 0:16:31 | 0:16:32 | |
-I never touched her. -So, why would she hit you? | 0:16:34 | 0:16:38 | |
-No idea. -But it's not like Sharon to behave like that. | 0:16:38 | 0:16:41 | |
No. No, no, not usually, no. | 0:16:41 | 0:16:44 | |
But she completely lost it this morning on a punter. | 0:16:44 | 0:16:47 | |
He was in here earlier, screaming blue murder. | 0:16:47 | 0:16:50 | |
-Yeah. -Yeah, and the boss was sending her home on sick leave. | 0:16:51 | 0:16:54 | |
He's worried she hasn't been the same since she was attacked. | 0:16:54 | 0:16:57 | |
I haven't noticed anything. | 0:16:57 | 0:16:59 | |
Well, there was the thing about the warrant being wrong. | 0:16:59 | 0:17:01 | |
Then, the ring that went missing. | 0:17:01 | 0:17:03 | |
Well, look, all I know is the boss would not be sending her home | 0:17:03 | 0:17:06 | |
if there wasn't a very good reason. | 0:17:06 | 0:17:08 | |
I just went into the staffroom, she was getting ready, | 0:17:08 | 0:17:10 | |
I asked her if I could give her a hand and... | 0:17:10 | 0:17:13 | |
HE IMITATES EXPLOSION | 0:17:13 | 0:17:14 | |
She just... She went for me. | 0:17:14 | 0:17:17 | |
I didn't... I didn't retaliate. | 0:17:17 | 0:17:19 | |
You saw that, Paudge. | 0:17:19 | 0:17:20 | |
Yeah. | 0:17:24 | 0:17:25 | |
Many officers experience some sort of post-traumatic stress | 0:17:28 | 0:17:32 | |
after the kind of assault you've suffered. | 0:17:32 | 0:17:34 | |
Sharon, if the job is getting too much for you... | 0:17:37 | 0:17:40 | |
It's not that. | 0:17:40 | 0:17:41 | |
We want to help you, Sharon. | 0:17:43 | 0:17:45 | |
But you have to let us. | 0:17:45 | 0:17:47 | |
So, if there is something wrong, you must tell us. | 0:17:47 | 0:17:50 | |
Is this about the attack? No, sir. | 0:17:52 | 0:17:54 | |
Please tell us what's wrong, Sharon. | 0:17:57 | 0:17:59 | |
It's Sergeant McGonigle. | 0:18:07 | 0:18:09 | |
Do you hold him responsible for the attack? | 0:18:11 | 0:18:12 | |
Yes. Exactly. He's to blame for it. | 0:18:12 | 0:18:15 | |
Because he was there, too, and he left you alone? | 0:18:16 | 0:18:19 | |
No. | 0:18:19 | 0:18:20 | |
Because he set the whole thing up. | 0:18:21 | 0:18:24 | |
He arranged it. He arranged for me to be attacked. | 0:18:24 | 0:18:26 | |
I know it sounds crazy, but it's true. | 0:18:26 | 0:18:28 | |
And why would he do something like that? | 0:18:31 | 0:18:33 | |
Because I saw him on CCTV kissing a girl. | 0:18:37 | 0:18:41 | |
She's under-age and she's only 15. | 0:18:41 | 0:18:43 | |
And I'm certain they're having a sexual relationship | 0:18:43 | 0:18:45 | |
and when he found out I knew, he tried everything to intimidate me. | 0:18:45 | 0:18:48 | |
He bullied me and threatened me and he had me attacked. | 0:18:48 | 0:18:51 | |
He was the one who made me ask for the transfer. | 0:18:51 | 0:18:53 | |
He wants me out at any cost. | 0:18:53 | 0:18:54 | |
And this girl you saw him with? | 0:18:57 | 0:18:58 | |
Rachel Reid. Liam Reid's daughter. | 0:18:58 | 0:19:01 | |
Why didn't you bring this to us before? | 0:19:09 | 0:19:11 | |
-VOICE BREAKING: -I know I should have, | 0:19:15 | 0:19:17 | |
but I was afraid no-one would believe me. | 0:19:17 | 0:19:19 | |
But the important thing is, now you know, | 0:19:20 | 0:19:23 | |
so you can do something about it. | 0:19:23 | 0:19:27 | |
You can arrest him and charge him. | 0:19:27 | 0:19:28 | |
We can stop him. | 0:19:30 | 0:19:31 | |
What? | 0:19:39 | 0:19:41 | |
What's wrong? | 0:19:41 | 0:19:42 | |
So, are you coming for that pint? | 0:19:44 | 0:19:45 | |
-No. -If this is about what I said about Sharon... | 0:19:45 | 0:19:48 | |
-No, it's not about Sharon. -What, then? | 0:19:48 | 0:19:51 | |
When Curry died, you were upset, OK? We both were. | 0:19:55 | 0:19:57 | |
And now, because we're in the clear, you're acting like it's nothing, | 0:19:57 | 0:20:00 | |
-it's all a big joke to you. -I'm not. -You are, Sean. | 0:20:00 | 0:20:03 | |
You are. You're going out for drinks, to celebrate, | 0:20:03 | 0:20:05 | |
you're flirting with girls. | 0:20:05 | 0:20:07 | |
-I was just a mess... -Gerard Curry's still dead. | 0:20:07 | 0:20:11 | |
And his family are probably feeling even worse today, | 0:20:11 | 0:20:13 | |
because no-one is being held accountable for his death. | 0:20:13 | 0:20:15 | |
-So you want us to be charged? -No, I don't want us to be charged, | 0:20:15 | 0:20:18 | |
but sometimes I'd like you to think before you act like an idiot, Sean. | 0:20:18 | 0:20:21 | |
Sharon, Sergeant McGonigle came to see me... | 0:20:27 | 0:20:30 | |
and he's made a very serious accusation | 0:20:30 | 0:20:32 | |
of harassment against you. | 0:20:32 | 0:20:34 | |
What? | 0:20:35 | 0:20:36 | |
He claims you have developed a romantic attraction to him... | 0:20:36 | 0:20:42 | |
and you acted on it, making several propositions. | 0:20:42 | 0:20:46 | |
No, that's crazy. | 0:20:46 | 0:20:47 | |
And that, when he rejected your advances, | 0:20:47 | 0:20:48 | |
you became angry and obsessed with making trouble for him. | 0:20:48 | 0:20:52 | |
These are lies. Can't you see he's trying to discredit me? | 0:20:52 | 0:20:54 | |
That's all. | 0:20:54 | 0:20:55 | |
He says you threatened him, | 0:20:55 | 0:20:57 | |
that you planned to make up all kinds of stores | 0:20:57 | 0:20:59 | |
about him having a sexual relationship | 0:20:59 | 0:21:01 | |
with a close family friend and even that he arranged the attack on you. | 0:21:01 | 0:21:05 | |
It's not true. Look, I swear. | 0:21:07 | 0:21:09 | |
Sergeant McGonigle claims you swore you would ruin his marriage | 0:21:09 | 0:21:12 | |
and his career, with lies. | 0:21:12 | 0:21:14 | |
-Everything? -Yep. | 0:21:22 | 0:21:24 | |
All about Rachel Reid? | 0:21:25 | 0:21:27 | |
Yes. | 0:21:27 | 0:21:28 | |
And about how McGonigle arranged the attack on me. | 0:21:28 | 0:21:31 | |
What did McKay say? | 0:21:32 | 0:21:33 | |
He said he'll talk to me officially today about it. | 0:21:33 | 0:21:36 | |
But McGonigle got to him first and claims I fancy him. | 0:21:39 | 0:21:42 | |
And he's says I'm only saying these things because he turned me down. | 0:21:42 | 0:21:46 | |
-You're joking. -No. | 0:21:46 | 0:21:49 | |
He's make me out to be some kind of crazy bunny boiler. | 0:21:49 | 0:21:53 | |
I warned you he wouldn't take this lying down. | 0:21:53 | 0:21:55 | |
What else was I supposed to do? | 0:21:55 | 0:21:56 | |
When in doubt, say nought. | 0:21:56 | 0:21:58 | |
When they're sending me out on sick leave. | 0:21:58 | 0:22:00 | |
They're sending me out on sick leave as if I'm the one with the problem. | 0:22:03 | 0:22:08 | |
I'm just saying... | 0:22:08 | 0:22:10 | |
that this is going to be really messy. | 0:22:10 | 0:22:13 | |
Well, it's done now, it's out there. | 0:22:13 | 0:22:15 | |
-I'm not afraid of him, Paudge. -You should be. | 0:22:16 | 0:22:19 | |
What else can he do to me? | 0:22:21 | 0:22:22 | |
I'd say we're about to find out. | 0:22:25 | 0:22:27 | |
GROANING | 0:22:31 | 0:22:32 | |
You've been warned. Don't make me come back and tell you again. | 0:22:35 | 0:22:38 | |
Why would Sharon do this? I mean, why would she say such things? | 0:22:43 | 0:22:46 | |
I don't know, I don't know. | 0:22:46 | 0:22:47 | |
I've asked myself the same question, hundreds of times. | 0:22:47 | 0:22:50 | |
I used to think it was because, you know, I knocked her back, | 0:22:50 | 0:22:53 | |
but now, I'm not even sure about that. | 0:22:53 | 0:22:56 | |
You know, all the lies, the threats... | 0:22:56 | 0:22:59 | |
didn't really start till she got out of the hospital, you know? | 0:22:59 | 0:23:02 | |
It's a huge thing, taking a beating like that. | 0:23:02 | 0:23:05 | |
She's been screwing up a lot since she's been back, too. | 0:23:10 | 0:23:13 | |
Yeah. | 0:23:13 | 0:23:15 | |
Yeah, I just... I feel bad. I should've gone to the boss sooner. | 0:23:15 | 0:23:18 | |
Or at least as soon as it started. Maybe I could've got her some help. | 0:23:18 | 0:23:22 | |
And then I just... | 0:23:24 | 0:23:25 | |
I was afraid they'd hold it against her, so I... | 0:23:25 | 0:23:28 | |
Now she's trying to screw up your name. | 0:23:28 | 0:23:30 | |
It's shocking. | 0:23:32 | 0:23:33 | |
It's so out of order. | 0:23:34 | 0:23:36 | |
There's a bad smell in here. | 0:23:40 | 0:23:41 | |
All right, Paudge? | 0:23:45 | 0:23:46 | |
Come on. | 0:23:52 | 0:23:54 | |
BELL RINGS | 0:23:57 | 0:23:59 | |
OK, I'm coming! Coming. | 0:23:59 | 0:24:01 | |
I want to report an assault. | 0:24:03 | 0:24:05 | |
Ouch. Adrijan! | 0:24:05 | 0:24:07 | |
Get the first aid kit! | 0:24:07 | 0:24:09 | |
All right, go through that door. We'll buzz you in. | 0:24:09 | 0:24:12 | |
DOOR BUZZES | 0:24:16 | 0:24:17 | |
I hope you don't mind, Sharon, | 0:24:26 | 0:24:27 | |
but because the allegations you've made against Sergeant McGonigle | 0:24:27 | 0:24:30 | |
are criminal in nature, I've asked Nikki to sit in. | 0:24:30 | 0:24:33 | |
No, I don't mind. | 0:24:33 | 0:24:35 | |
Would you like to have anybody with you? | 0:24:36 | 0:24:37 | |
A colleague or legal representation? | 0:24:37 | 0:24:39 | |
No. Thank you, sir. | 0:24:39 | 0:24:40 | |
OK. | 0:24:42 | 0:24:43 | |
Now, you claim all this business with Sergeant McGonigle | 0:24:44 | 0:24:47 | |
started when you saw CCTV footage of him kissing Ms Reid? | 0:24:47 | 0:24:50 | |
Yes. | 0:24:50 | 0:24:52 | |
A romantic kiss, not platonic? | 0:24:52 | 0:24:54 | |
-Yes. -You're certain? | 0:24:54 | 0:24:56 | |
Absolutely, it was a proper kiss. | 0:24:56 | 0:24:58 | |
-I'm certain. -And then what did you do? | 0:24:58 | 0:25:00 | |
I saved the footage on to a memory stick. | 0:25:01 | 0:25:04 | |
You have footage of the kiss? | 0:25:04 | 0:25:06 | |
No, sir. | 0:25:08 | 0:25:09 | |
Sergeant McGonigle has it. | 0:25:12 | 0:25:13 | |
I was showing it to... See... | 0:25:18 | 0:25:21 | |
I thought if he knew I knew what he was up to, | 0:25:21 | 0:25:23 | |
it would scare him into stopping. | 0:25:23 | 0:25:26 | |
But, when he'd finished looking at it, he kept the stick. | 0:25:26 | 0:25:30 | |
Let me get this clear. | 0:25:30 | 0:25:31 | |
When you discovered Sergeant McGonigle | 0:25:31 | 0:25:33 | |
may be doing something potentially illegal, | 0:25:33 | 0:25:36 | |
instead of bringing the evidence to us, you showed it to him? | 0:25:36 | 0:25:39 | |
Look, I know I should have brought it to you in the beginning, | 0:25:39 | 0:25:41 | |
I don't know why I didn't. | 0:25:41 | 0:25:43 | |
I think I was just scared I'd be seen as a troublemaker, | 0:25:43 | 0:25:46 | |
I don't know. | 0:25:46 | 0:25:47 | |
And I take it you don't have a second copy of this footage? | 0:25:47 | 0:25:50 | |
No. | 0:25:53 | 0:25:54 | |
Do you have any other evidence to back up your allegations | 0:25:54 | 0:25:56 | |
against Sergeant McGonigle? | 0:25:56 | 0:25:58 | |
No. | 0:26:05 | 0:26:06 | |
Now, the second allegation you've made against Sergeant McGonigle, | 0:26:10 | 0:26:14 | |
regarding the attack you claim he organised... | 0:26:14 | 0:26:16 | |
I showed it to Paudge, too. | 0:26:16 | 0:26:17 | |
I showed him the CCTV footage before Sergeant McGonigle took it. | 0:26:19 | 0:26:22 | |
Garda Brennan saw the footage, saw Sergeant McGonigle kiss Ms Reid? | 0:26:22 | 0:26:26 | |
-Yes, sir. -And he'll be willing to verify this? | 0:26:26 | 0:26:29 | |
Yes, of course. | 0:26:30 | 0:26:31 | |
Sarge. | 0:26:35 | 0:26:37 | |
I just wanted to say I know all this business between me and Sharon | 0:26:37 | 0:26:40 | |
has got nothing to do with you. | 0:26:40 | 0:26:42 | |
Yes, Sarge. | 0:26:46 | 0:26:47 | |
Now, you and Sharon are pally. That's OK, I get that. | 0:26:49 | 0:26:52 | |
But, still... | 0:26:52 | 0:26:54 | |
it's probably wise not to get drawn into other people's fights. | 0:26:54 | 0:26:57 | |
Yes, Sarge. | 0:27:01 | 0:27:02 | |
So, we're good...right? | 0:27:04 | 0:27:06 | |
Absolutely. | 0:27:07 | 0:27:08 | |
Did you tell Garda Brennan that you suspected Sergeant McGonigle | 0:27:16 | 0:27:20 | |
of arranging to have you beaten up? | 0:27:20 | 0:27:22 | |
Yes. | 0:27:22 | 0:27:24 | |
And how did he respond? | 0:27:24 | 0:27:26 | |
He believed me. Well, he said he believed me. | 0:27:26 | 0:27:29 | |
Then why didn't he advise you to come forward | 0:27:29 | 0:27:31 | |
and tell us about your suspicions? | 0:27:31 | 0:27:34 | |
I think he was just worried what might happen to me, if I did. | 0:27:34 | 0:27:38 | |
What exactly do you mean by "happen to you"? | 0:27:38 | 0:27:40 | |
Paudge said that if Sergeant McGonigle went as far | 0:27:43 | 0:27:45 | |
as to get me beaten up like that, | 0:27:45 | 0:27:47 | |
who knows what he might do next time? | 0:27:47 | 0:27:49 | |
He said he didn't think it was worth getting myself killed over. | 0:27:51 | 0:27:53 | |
So, let me guess. Elvis, the final years. | 0:27:56 | 0:27:59 | |
I take it you're only here cos Shane, Keith and Ronan never rang. | 0:28:01 | 0:28:05 | |
What can you tell us about the attack? | 0:28:07 | 0:28:09 | |
Well, I can tell you who arranged it. | 0:28:09 | 0:28:12 | |
His name is Georgie Carrigan. | 0:28:12 | 0:28:14 | |
He's been trying to get his hands on all my regular gigs, | 0:28:14 | 0:28:17 | |
offering to under-price me, | 0:28:17 | 0:28:19 | |
trying to scare me with threatening phone calls. | 0:28:19 | 0:28:22 | |
And is he another Elvis, too? | 0:28:22 | 0:28:24 | |
He's another tribute artist. | 0:28:24 | 0:28:26 | |
Elvis is dead. You might've heard?(!) | 0:28:26 | 0:28:29 | |
But you don't think this Georgie Carrigan | 0:28:29 | 0:28:31 | |
carried out the attack himself. | 0:28:31 | 0:28:32 | |
Nah. He got one of his togs to do his dirty work for him. | 0:28:32 | 0:28:35 | |
So is Georgie Carrigan his real or his Elvis name? | 0:28:35 | 0:28:41 | |
What kind of an Elvis name would Georgie Carrigan be? | 0:28:43 | 0:28:46 | |
Can you give us a description of your attacker? | 0:28:49 | 0:28:51 | |
I couldn't see his face, cos he had a scarf covering his face. | 0:28:51 | 0:28:54 | |
So, if you couldn't see him, how do you know it wasn't Georgie Carrigan? | 0:28:54 | 0:28:59 | |
Because Georgie's a baritone. | 0:28:59 | 0:29:01 | |
The fella who attacked me was kind of a bass. | 0:29:01 | 0:29:04 | |
OK, we'll go see if we can find where Georgie lives. | 0:29:06 | 0:29:10 | |
Don't bother, I know where he lives. I can give you his address. | 0:29:10 | 0:29:13 | |
If you ask me, the beating is less to do with gigs | 0:29:14 | 0:29:18 | |
and more to do with him being an irritating smartass. | 0:29:18 | 0:29:21 | |
We're looking for Mr Georgie Carrigan. | 0:29:32 | 0:29:35 | |
Nah, he's not here. I'll tell him you called. | 0:29:35 | 0:29:37 | |
Get down! | 0:29:43 | 0:29:44 | |
INDISTINCT SHOUTING | 0:29:44 | 0:29:46 | |
-Youse are trespassing! -Come on! | 0:29:47 | 0:29:49 | |
Good effort... Good effort. | 0:29:56 | 0:29:59 | |
-Can you keep yourself available for the afternoon? -Yeah. | 0:30:03 | 0:30:06 | |
Paudge. Do you have a minute? | 0:30:08 | 0:30:10 | |
-Now? -Yeah, now, please. | 0:30:12 | 0:30:14 | |
Have you any idea why we've called you in here, Paudge? | 0:30:42 | 0:30:44 | |
Is it all that stuff between Sergeant McGonigle and Sharon? | 0:30:47 | 0:30:50 | |
Yes, it is. | 0:30:50 | 0:30:52 | |
You are aware that Garda Cleere has made some very serious allegations | 0:30:52 | 0:30:55 | |
against Sergeant McGonigle. | 0:30:55 | 0:30:57 | |
Yes, sir. | 0:30:57 | 0:30:58 | |
Allegations that he's been having a sexual relationship | 0:30:58 | 0:31:01 | |
with a 15-year-old girl. | 0:31:01 | 0:31:03 | |
Yes, sir. | 0:31:03 | 0:31:04 | |
Garda Cleere also told us that she showed you CCTV footage | 0:31:06 | 0:31:10 | |
of Sergeant McGonigle kissing the girl. | 0:31:10 | 0:31:12 | |
Is that true? | 0:31:12 | 0:31:13 | |
Is that a yes? | 0:31:20 | 0:31:22 | |
Yes, sir. | 0:31:22 | 0:31:23 | |
And this kiss, how would you describe it? | 0:31:23 | 0:31:27 | |
Just a kiss. | 0:31:32 | 0:31:33 | |
Well, would you say it was platonic or more than that? | 0:31:33 | 0:31:36 | |
I don't know. The footage wasn't great. Hard to say. | 0:31:38 | 0:31:42 | |
Oh, come on. You must have formed some opinion. | 0:31:42 | 0:31:45 | |
Garda Cleere showed it to you because she was concerned. | 0:31:45 | 0:31:47 | |
She believed it was of a sexual encounter. | 0:31:47 | 0:31:50 | |
What did you think it was? | 0:31:50 | 0:31:51 | |
I'd say there wasn't that much to it, really. | 0:31:56 | 0:31:59 | |
Probably just a friendly kiss. | 0:32:02 | 0:32:04 | |
-Do I know him? -Name's Dean Bradley. | 0:32:14 | 0:32:17 | |
And wait until you see what we just got off him. | 0:32:17 | 0:32:19 | |
What? | 0:32:19 | 0:32:21 | |
Take a closer look. | 0:32:21 | 0:32:22 | |
No way, that's not... | 0:32:24 | 0:32:26 | |
Is that a tooth? | 0:32:26 | 0:32:28 | |
Yep. | 0:32:28 | 0:32:29 | |
Half a tooth, actually. | 0:32:29 | 0:32:31 | |
Must have been some kick. | 0:32:31 | 0:32:33 | |
Yeah. | 0:32:33 | 0:32:35 | |
Recognise the face, but the name's not ringing any bells. | 0:32:35 | 0:32:37 | |
Brian. | 0:32:37 | 0:32:39 | |
OK. | 0:32:39 | 0:32:41 | |
Run his name through PULSE, see what comes up. | 0:32:41 | 0:32:43 | |
Garda Cleere claims that all this began when she saw CCTV footage | 0:32:45 | 0:32:49 | |
of you kissing Rachel Reid. | 0:32:49 | 0:32:51 | |
Yes, that's what she claims. | 0:32:51 | 0:32:53 | |
She also claims that she showed you the footage. | 0:32:53 | 0:32:55 | |
-Yes. -What did the footage show? | 0:32:55 | 0:32:58 | |
It showed my daughter's friend Rachel trying to kiss me. | 0:32:58 | 0:33:01 | |
And me stopping her. | 0:33:01 | 0:33:03 | |
That's all. | 0:33:03 | 0:33:04 | |
Garda Cleere claims that you took this footage from her. | 0:33:07 | 0:33:10 | |
-Yes. -Do you still have this footage? | 0:33:10 | 0:33:12 | |
No. I threw it away. | 0:33:12 | 0:33:15 | |
Why did you do that? | 0:33:15 | 0:33:16 | |
To protect myself. | 0:33:20 | 0:33:22 | |
And my daughter. | 0:33:22 | 0:33:23 | |
Hey. I've been looking for you. | 0:33:27 | 0:33:29 | |
Oh, I was just making a brew, do you want one? | 0:33:29 | 0:33:31 | |
How did you get on inside? | 0:33:31 | 0:33:33 | |
Yeah, grand, fine. | 0:33:33 | 0:33:35 | |
And they asked you about Brian and the CCTV footage and all that? | 0:33:36 | 0:33:40 | |
Yeah. All that stuff. | 0:33:40 | 0:33:41 | |
And you told them what you saw, did you? | 0:33:43 | 0:33:45 | |
Yeah. | 0:33:48 | 0:33:50 | |
I told them what I saw. | 0:33:50 | 0:33:52 | |
Great. | 0:33:54 | 0:33:55 | |
I could see Garda Cleere was intent | 0:34:05 | 0:34:07 | |
on turning an embarrassing situation into... | 0:34:07 | 0:34:10 | |
something seedy. | 0:34:10 | 0:34:12 | |
And, on at least two occasions before that, | 0:34:12 | 0:34:15 | |
she had made sexual advances on me, which I turned down. | 0:34:15 | 0:34:19 | |
And I was worried of her motives, | 0:34:19 | 0:34:22 | |
and I was conscious that if she did try to use the footage to hurt me, | 0:34:22 | 0:34:26 | |
it would be embarrassing for Mel. | 0:34:26 | 0:34:27 | |
And that could damage her friendship with her best friend. | 0:34:27 | 0:34:30 | |
I didn't want that. | 0:34:30 | 0:34:31 | |
I think my concerns on both counts have proved valid. | 0:34:33 | 0:34:39 | |
And, if anything, I am just... | 0:34:41 | 0:34:43 | |
Well, I regret having thrown away the footage, now, | 0:34:43 | 0:34:45 | |
because we wouldn't be in this situation, | 0:34:45 | 0:34:47 | |
where it's just my word against hers. | 0:34:47 | 0:34:50 | |
That's not the case. | 0:34:50 | 0:34:51 | |
Garda Brennan has also seen the footage. | 0:34:55 | 0:34:58 | |
That's good. | 0:35:03 | 0:35:05 | |
Someone else who can confirm what I'm saying. | 0:35:05 | 0:35:08 | |
If you don't mind, I'd like to move on | 0:35:13 | 0:35:15 | |
to the second allegation she has made, | 0:35:15 | 0:35:18 | |
regarding the day she was assaulted. | 0:35:18 | 0:35:20 | |
Sure. What would you like to know? | 0:35:20 | 0:35:23 | |
'You know what makes me laugh?' | 0:35:23 | 0:35:24 | |
She's been here five minutes | 0:35:24 | 0:35:26 | |
and everyone's taking her crap seriously. | 0:35:26 | 0:35:29 | |
Sarge has been here for years. | 0:35:29 | 0:35:30 | |
They have to investigate claims like this, you know. | 0:35:30 | 0:35:33 | |
It still doesn't make it the right thing to do. | 0:35:33 | 0:35:35 | |
Investigating it is the right thing to do. | 0:35:35 | 0:35:37 | |
Here, Dean Bradley only has two minor convictions, but... | 0:35:39 | 0:35:42 | |
Look at this. | 0:35:43 | 0:35:46 | |
So, the fella who attacked me is Georgie Carrigan's cousin? | 0:35:46 | 0:35:48 | |
-Yes. -There's a link. | 0:35:48 | 0:35:51 | |
That means you can charge him, right? | 0:35:51 | 0:35:53 | |
We will be charging him, yes. | 0:35:53 | 0:35:54 | |
It helps that we found part of your face in his shoe. | 0:35:54 | 0:35:57 | |
So, what's the problem? | 0:35:57 | 0:35:58 | |
The problem is that Dean has three other brothers. | 0:35:58 | 0:36:00 | |
And he'd be considered the shy, retiring member of the family. | 0:36:00 | 0:36:04 | |
They have 270 convictions between them, | 0:36:04 | 0:36:06 | |
most of them for violent crime. | 0:36:06 | 0:36:08 | |
So? | 0:36:09 | 0:36:10 | |
So, we think you should know. | 0:36:10 | 0:36:13 | |
Especially if you're involved in a dispute with Georgie Carrigan. | 0:36:13 | 0:36:17 | |
Look, they're not all going to come after me, are they? | 0:36:17 | 0:36:20 | |
I wouldn't rule it out. | 0:36:22 | 0:36:23 | |
Can't you just warn them off or something? | 0:36:25 | 0:36:26 | |
We can have a word with them, but looking at their previous, | 0:36:26 | 0:36:29 | |
I suspect it wouldn't make any difference. | 0:36:29 | 0:36:31 | |
This is my livelihood! | 0:36:31 | 0:36:33 | |
It pays the bills, feeds the kids! | 0:36:33 | 0:36:36 | |
They can't just take that off me! | 0:36:36 | 0:36:37 | |
Maybe you can find other gigs somewhere else. | 0:36:37 | 0:36:40 | |
No, no. Why should I? | 0:36:40 | 0:36:41 | |
They're the criminals. Why should I back down? | 0:36:42 | 0:36:45 | |
We know. | 0:36:45 | 0:36:47 | |
-Well? -He's certainly convincing. | 0:37:00 | 0:37:03 | |
He has an impeccable record. | 0:37:03 | 0:37:05 | |
Paudge corroborates Brian's version | 0:37:05 | 0:37:07 | |
of what's on the CCTV footage and the nature of the kiss. | 0:37:07 | 0:37:11 | |
True. | 0:37:11 | 0:37:12 | |
I know we don't know Sharon very long, | 0:37:15 | 0:37:17 | |
but this just doesn't feel like her. | 0:37:17 | 0:37:19 | |
She has been erratic since she returned after the assault. | 0:37:21 | 0:37:25 | |
This is supposed to have started before that. | 0:37:25 | 0:37:29 | |
If we're to believe Brian's version of events, | 0:37:29 | 0:37:31 | |
she was angry because he rejected her. | 0:37:31 | 0:37:33 | |
Right. Removing all personal feelings | 0:37:33 | 0:37:36 | |
and just looking at the available evidence... | 0:37:36 | 0:37:38 | |
..Sharon's accusations don't really stand up. | 0:37:40 | 0:37:43 | |
Sharon, can I have a word? | 0:37:56 | 0:37:58 | |
Don't worry, I won't bite. | 0:38:02 | 0:38:05 | |
It's OK, I'll be in in a minute. | 0:38:05 | 0:38:06 | |
Hey, I just wanted to say... | 0:38:08 | 0:38:10 | |
however this turns out, no hard feelings. | 0:38:10 | 0:38:13 | |
Now they've listened to both our sides, | 0:38:15 | 0:38:17 | |
I'm sure they'll make the right decision. | 0:38:17 | 0:38:19 | |
I told them the truth and they believed me. | 0:38:19 | 0:38:21 | |
Well, let's see if they do, because Paudge doesn't. | 0:38:21 | 0:38:24 | |
I know you showed him the CCTV footage. | 0:38:26 | 0:38:29 | |
But he backed me. | 0:38:29 | 0:38:31 | |
He told them what he saw. | 0:38:33 | 0:38:34 | |
Yeah. Nothing. | 0:38:34 | 0:38:37 | |
You're bluffing. | 0:38:40 | 0:38:41 | |
They'd never tell you what he said, | 0:38:41 | 0:38:43 | |
they'd be breaking confidence. | 0:38:43 | 0:38:45 | |
Well, all they did was ask me a few cursory questions and then move on. | 0:38:45 | 0:38:48 | |
Don't you think if Paudge had supported you I'd still be in there, | 0:38:49 | 0:38:52 | |
getting grilled about it? | 0:38:52 | 0:38:54 | |
What you don't get, Sharon, is that nobody likes a rat. | 0:38:55 | 0:38:59 | |
Not even Paudge. | 0:38:59 | 0:39:01 | |
-What did you tell them? -What? | 0:39:24 | 0:39:26 | |
What did you tell them about the CCTV footage? | 0:39:26 | 0:39:29 | |
-Just what I saw. -Yeah, what? | 0:39:30 | 0:39:32 | |
What did you see? | 0:39:32 | 0:39:33 | |
You're a coward. | 0:39:36 | 0:39:38 | |
I'm not going to say I saw something that I can't be certain. | 0:39:38 | 0:39:41 | |
That's a lie! You did see it! | 0:39:41 | 0:39:44 | |
I sat with you when we watched that footage, I saw your face, | 0:39:44 | 0:39:47 | |
I know what you saw. You saw the same thing as me. | 0:39:47 | 0:39:50 | |
-That's not true. -Yes, you did. | 0:39:50 | 0:39:51 | |
But you're too scared to speak. | 0:39:53 | 0:39:55 | |
Because you're gutless! You're a gutless coward! | 0:39:55 | 0:39:58 | |
Sharon! | 0:39:58 | 0:39:59 | |
Get changed and go home. | 0:40:01 | 0:40:03 | |
OK. Thanks. | 0:40:12 | 0:40:14 | |
Oh, hey, that Bradley fella you guys arrested earlier on, | 0:40:14 | 0:40:17 | |
it dawned on me where I recognised him from. | 0:40:17 | 0:40:19 | |
I arrested his brother. Spitting image of him. | 0:40:19 | 0:40:21 | |
Pushed a shopping trolley through a plate glass window | 0:40:21 | 0:40:24 | |
trying to get away. Lunatic. | 0:40:24 | 0:40:25 | |
Hey! I hear you're the latest victim of the mentalist. | 0:40:25 | 0:40:29 | |
I swear, Holden, one of these days I'll swing for you. | 0:40:29 | 0:40:32 | |
What? | 0:40:35 | 0:40:36 | |
She is mental. | 0:40:36 | 0:40:37 | |
DOOR BUZZES | 0:41:21 | 0:41:22 | |
SIREN WAILS | 0:41:22 | 0:41:24 |