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Rachel Reid has been missing for three days. Every hour is crucial. | 0:00:02 | 0:00:04 | |
Divers are searching the bay where Rachel's hoodie was found. | 0:00:04 | 0:00:07 | |
We follow up every phone call and no-one's keeping an eye on Brian. | 0:00:07 | 0:00:10 | |
You made everything a million times worse. | 0:00:10 | 0:00:13 | |
-40? -Yeah, I'll give the rest tomorrow or the day after. | 0:00:16 | 0:00:19 | |
You know I'm only sales, right? | 0:00:19 | 0:00:21 | |
Look, we can't be together. | 0:00:21 | 0:00:22 | |
-Not now. Not after what you've done. -Don't say that. | 0:00:23 | 0:00:26 | |
GULLS CALL | 0:00:58 | 0:01:00 | |
-Hey. -Hi. -Is there any chance that you've seen her? | 0:01:09 | 0:01:12 | |
Sorry. | 0:01:12 | 0:01:13 | |
Excuse me? Have you seen this girl? She went missing a few days ago. | 0:01:13 | 0:01:17 | |
It's been four days now since the disappearance of Rachel Reid. | 0:01:31 | 0:01:34 | |
We've people out searching in the area pinpointed by | 0:01:34 | 0:01:36 | |
the phone triangulation near to where her hoodie was found. | 0:01:36 | 0:01:39 | |
We're also still getting calls on the back of the appeal, | 0:01:39 | 0:01:41 | |
so we need you guys to be responding and logging those calls immediately. | 0:01:41 | 0:01:44 | |
Sharon, Martin and Emily, you're on phones. | 0:01:44 | 0:01:48 | |
Try not to get too wound up by the cranks. | 0:01:48 | 0:01:50 | |
Two Donald Ducks and a Lady bleeding Gaga on the blower yesterday. | 0:01:50 | 0:01:53 | |
You've got to keep your wits about you, and log every single detail, | 0:01:53 | 0:01:56 | |
cos we'll be going back over everything we've got so far, | 0:01:56 | 0:01:58 | |
so statements, call logs, the lot. | 0:01:58 | 0:02:01 | |
Any activity on her social media account? | 0:02:01 | 0:02:03 | |
No, not a peep. So, we're going to be re-interviewing | 0:02:03 | 0:02:05 | |
all her close friends, messaging all her contacts, we'll also be | 0:02:05 | 0:02:08 | |
closely monitoring the Return Rachel Facebook Campaign page. | 0:02:08 | 0:02:11 | |
Outstanding CCTV? | 0:02:11 | 0:02:12 | |
Yeah, going through it now. Nothing so far. | 0:02:12 | 0:02:15 | |
Every hour now is crucial. Someone must know where she is. | 0:02:15 | 0:02:20 | |
Trust your gut. | 0:02:20 | 0:02:21 | |
You hear anything, however small, you let us know straight away. | 0:02:21 | 0:02:25 | |
Right, let's go. | 0:02:25 | 0:02:26 | |
How'd it go with Jules? | 0:02:32 | 0:02:34 | |
Oh, yeah, yeah. Obviously, she was shocked, of course, | 0:02:35 | 0:02:38 | |
but, um, she knows Rachel well. | 0:02:38 | 0:02:41 | |
Her coming to the house, she understands it was just a... | 0:02:41 | 0:02:43 | |
harmless schoolgirl crush. Doesn't believe a word of Sharon's nonsense. | 0:02:43 | 0:02:47 | |
Any progress in the case? | 0:02:47 | 0:02:49 | |
Uh... | 0:02:51 | 0:02:52 | |
-Nothing new. -Hmm. | 0:02:52 | 0:02:54 | |
Listen, by the way, Liam and Niamh Reid are coming in at ten | 0:02:54 | 0:02:57 | |
for a progress report. It would be better if you keep your head down. | 0:02:57 | 0:03:01 | |
-Don't want to make it any harder on them. -Yeah, sure. -Or us. -Yeah. OK. | 0:03:01 | 0:03:06 | |
Thanks. | 0:03:06 | 0:03:07 | |
-Hey, Sarge. -Hey. -How are you? -You know me, lads - indestructible. | 0:03:11 | 0:03:15 | |
-Still on for that night out? -Oh, yeah. Deffo. | 0:03:15 | 0:03:18 | |
Oh, hey, listen, um... | 0:03:18 | 0:03:19 | |
you know I can't get involved in the Rachel Reid search. | 0:03:19 | 0:03:22 | |
Can you keep me updated if there's any developments, do you think? | 0:03:22 | 0:03:25 | |
-Yeah. -OK. -Cheers, thanks. | 0:03:25 | 0:03:28 | |
SHE SOBS | 0:03:55 | 0:03:57 | |
-ALL TALK AT ONCE -OK, OK, OK, OK, OK! | 0:04:07 | 0:04:09 | |
Listen, we've got a bit of a backlog. We're doing our best! | 0:04:09 | 0:04:12 | |
If you all just stay calm, wait your turn, we'll get you all sorted, OK? | 0:04:12 | 0:04:15 | |
There you go, Joan. | 0:04:15 | 0:04:17 | |
-OK, who's next? -MAN: Me. -Thank you. | 0:04:17 | 0:04:19 | |
-I need to cross-check a few numbers. -Yeah. Knock yourself out. | 0:04:21 | 0:04:25 | |
Can I have the phone log, please? | 0:04:26 | 0:04:28 | |
Could you be any more pathetic? | 0:04:36 | 0:04:38 | |
-Don't know what you mean. -I'm trying to track down Rachel Reid, | 0:04:38 | 0:04:40 | |
so why are you preventing me from doing my job? | 0:04:40 | 0:04:42 | |
You see, that's your imagination, Sharon. | 0:04:42 | 0:04:44 | |
Your extremely overactive imagination. | 0:04:44 | 0:04:47 | |
You know what I mean, don't you? | 0:04:47 | 0:04:49 | |
The way you like to make stuff up about people? | 0:04:49 | 0:04:51 | |
Messed-up stuff that ruins lives. | 0:04:51 | 0:04:53 | |
Do you seriously think I'm making all of this up for the hell of it? | 0:04:53 | 0:04:55 | |
-All I know is that Brian never had a problem before you came along. -OK, so... | 0:04:55 | 0:04:59 | |
You think I should just turn a blind eye to the fact | 0:04:59 | 0:05:01 | |
that he's sleeping with an underage girl? | 0:05:01 | 0:05:03 | |
-Is that it, Sean? -You don't know for a fact that he did. | 0:05:03 | 0:05:06 | |
I do know. | 0:05:06 | 0:05:08 | |
Now, phone log, please. I'm just trying to do my job. | 0:05:08 | 0:05:11 | |
LOG THUDS ON THE FLOOR | 0:05:11 | 0:05:12 | |
Why don't you do it somewhere else? | 0:05:12 | 0:05:14 | |
50, 70... | 0:05:22 | 0:05:25 | |
Auntie Maureen's 67 next week. | 0:05:25 | 0:05:27 | |
75... 20. | 0:05:27 | 0:05:31 | |
Is that it? | 0:05:32 | 0:05:34 | |
HE SIGHS I'm a bit stuck. | 0:05:34 | 0:05:36 | |
Can you wait till I get a job in a bar or something? | 0:05:39 | 0:05:41 | |
Soon as my leg's better. | 0:05:41 | 0:05:43 | |
I get it. | 0:05:45 | 0:05:46 | |
This is a wind-up. | 0:05:46 | 0:05:48 | |
You're trying to see how far you can push me before I lose it. | 0:05:48 | 0:05:51 | |
Come on, Trace, I'm just asking for a little slack. | 0:05:51 | 0:05:54 | |
This isn't a charity. | 0:05:54 | 0:05:56 | |
You want gear, you pay. | 0:05:56 | 0:05:57 | |
And if you can't pay with cash, you could pay with something else. | 0:06:02 | 0:06:06 | |
You mean like sex? | 0:06:10 | 0:06:11 | |
No. I don't mean like sex, Conor. | 0:06:13 | 0:06:15 | |
Say, your laptop there. | 0:06:17 | 0:06:19 | |
-Is it in good nick? -Yeah. | 0:06:20 | 0:06:23 | |
Perfect. | 0:06:23 | 0:06:24 | |
I've no study for the summer, I don't need it. How much? | 0:06:24 | 0:06:29 | |
-Should get 50 euro. -It cost me like 500. | 0:06:31 | 0:06:34 | |
You were robbed. | 0:06:34 | 0:06:35 | |
I'll get you one for half that next time. | 0:06:35 | 0:06:38 | |
For another hundred, I can get you shed-loads more. | 0:06:48 | 0:06:52 | |
It's the first rule of business. | 0:06:52 | 0:06:53 | |
-Always better to buy in bulk. -I've nothing left to sell, Tracey. | 0:06:53 | 0:06:57 | |
Any jewellery in the house? | 0:06:58 | 0:07:00 | |
Yeah, but I can't just take it. | 0:07:00 | 0:07:03 | |
Say there was a break-in. You'll get it all back on insurance anyway. | 0:07:03 | 0:07:06 | |
Have you got any better ideas? | 0:07:12 | 0:07:14 | |
This is the police station, right? | 0:07:31 | 0:07:33 | |
I know, the big sign with "Garda" on it is a bit of a giveaway. | 0:07:33 | 0:07:37 | |
Thank you. | 0:07:37 | 0:07:38 | |
-Keeping an eye on Brian? -Yeah, he's on the front desk, cock of the walk. | 0:07:41 | 0:07:44 | |
I don't know how he's so calm about all of this. | 0:07:44 | 0:07:46 | |
-It's all an act. -If you ask me, he's got balls of steel. | 0:07:46 | 0:07:49 | |
Well, he will slip up. | 0:07:49 | 0:07:51 | |
So you keep saying, but I'm not seeing any evidence of it. | 0:07:51 | 0:07:53 | |
Here, you better get back inside. | 0:07:53 | 0:07:55 | |
-What's the rush? -You keep an eye on Brian while I'm on the phones. | 0:07:55 | 0:07:59 | |
I've still got 4½ minutes left of my break. | 0:07:59 | 0:08:01 | |
Yeah, 4½ minutes during which McGonigle can do what he wants | 0:08:01 | 0:08:03 | |
-without us knowing. -We can't watch him night and day, Sharon. | 0:08:03 | 0:08:06 | |
No, but we can now if you just get back inside. | 0:08:06 | 0:08:09 | |
Text me if you spot anything unusual. | 0:08:11 | 0:08:13 | |
There you go, gorgeous, one bus pass. | 0:08:17 | 0:08:19 | |
Don't lose that again, now, will you? | 0:08:19 | 0:08:22 | |
Excuse us, people. Coming through. | 0:08:22 | 0:08:24 | |
-I need to talk to you. -Sorry. -There's a queue. | 0:08:24 | 0:08:27 | |
-That missing girl, I can find her. -Is that right? -Absolutely. | 0:08:27 | 0:08:31 | |
-I wouldn't be here if I couldn't help. -So, you've seen her? | 0:08:31 | 0:08:34 | |
-Not actually seen her, no. -Then how do you know where she is? | 0:08:34 | 0:08:36 | |
I don't know exactly, but I know how to find her. | 0:08:36 | 0:08:38 | |
-I can help you. -And how exactly are you proposing to help us? | 0:08:38 | 0:08:41 | |
You see, I'm a medium. | 0:08:42 | 0:08:44 | |
-I'm more of a large myself. -GIGGLING | 0:08:44 | 0:08:46 | |
-That's funny. -No, a clairvoyant. | 0:08:46 | 0:08:49 | |
OK, why don't you take a seat for a second, sir. | 0:08:49 | 0:08:51 | |
Thank you. | 0:08:53 | 0:08:54 | |
He looks the part all right. | 0:08:56 | 0:08:57 | |
Yeah, like any other space cadet that walks in off the street. | 0:08:57 | 0:09:00 | |
-How do we know he's not telling the truth? -Come on. You're joking. | 0:09:00 | 0:09:03 | |
No, I'm not joking. He might have gift. | 0:09:03 | 0:09:06 | |
Listen, it's cranks like that that make us a laughing stock. | 0:09:06 | 0:09:08 | |
Hear that, Skip? Addie here's a believer. | 0:09:08 | 0:09:11 | |
The boss said we can't discount anything. | 0:09:11 | 0:09:14 | |
OK, um... | 0:09:14 | 0:09:15 | |
Just get a statement off him and then get him out of here, pronto. | 0:09:15 | 0:09:18 | |
-Yeah. -OK. Er... | 0:09:18 | 0:09:20 | |
-One minute. -Hey, sure. | 0:09:20 | 0:09:23 | |
-Do me a favour, cover the desk for five minutes, will you? -No problem. | 0:09:26 | 0:09:30 | |
SHE GASPS | 0:09:55 | 0:09:57 | |
Eugh! | 0:09:57 | 0:09:58 | |
We're making inroads via Rachel's social media network, | 0:10:07 | 0:10:09 | |
and we've had a great response to the public appeal. | 0:10:09 | 0:10:12 | |
-Really? -Absolutely. We've had loads of calls. | 0:10:12 | 0:10:15 | |
Do you think she's still alive? | 0:10:15 | 0:10:17 | |
We're still gathering information, following leads. | 0:10:17 | 0:10:20 | |
-You didn't answer her question. -Liam, you have to stay positive. | 0:10:20 | 0:10:23 | |
Do YOU think she's still alive? | 0:10:23 | 0:10:25 | |
Yes. Yes, I do. I believe that Rachel is alive, | 0:10:25 | 0:10:30 | |
and I believe that we will find her. | 0:10:30 | 0:10:32 | |
HE SIGHS | 0:10:32 | 0:10:33 | |
All we ask is that you trust us to do our job | 0:10:33 | 0:10:36 | |
and get your daughter back to you. | 0:10:36 | 0:10:38 | |
If there's anything... | 0:10:38 | 0:10:40 | |
anything we can do at all to help... | 0:10:40 | 0:10:42 | |
We'll let you know. | 0:10:42 | 0:10:43 | |
Mr Reid, Ms Reid. May I have a word? | 0:10:58 | 0:11:00 | |
If you're another journalist, you can shove off. | 0:11:00 | 0:11:02 | |
Certainly not. If you'd like to hear me out. | 0:11:02 | 0:11:04 | |
We're having a hard time right now. Just leave us alone. | 0:11:04 | 0:11:07 | |
I know what you're going through, but I can help. | 0:11:07 | 0:11:09 | |
MOBILE PHONE RINGS | 0:11:16 | 0:11:18 | |
SHE COUGHS | 0:11:20 | 0:11:21 | |
-About time too. -Where are you? | 0:11:22 | 0:11:24 | |
-At the caravan. Where do you think? -Look, you better be back | 0:11:24 | 0:11:27 | |
-in the next couple of hours or there'll be trouble. -Oh, yeah? | 0:11:27 | 0:11:30 | |
Look, Rachel, you can't do this. | 0:11:30 | 0:11:32 | |
You're messing a lot of people around here. | 0:11:32 | 0:11:34 | |
'You're breaking your poor father's heart, is that what you want?' | 0:11:34 | 0:11:38 | |
-It's not right, it's not what you want. -This is about you and me. | 0:11:38 | 0:11:41 | |
Look, it stopped being about just you and me when you ran away. | 0:11:41 | 0:11:44 | |
'Now, just stop this messing and come home, now.' | 0:11:44 | 0:11:48 | |
Did you ever really love me? | 0:11:48 | 0:11:49 | |
Don't start this. We talked about that. We agreed what's best here. | 0:11:50 | 0:11:54 | |
Tell the truth. Do you love me? | 0:11:54 | 0:11:55 | |
It's not that simple. | 0:11:57 | 0:11:58 | |
Rachel? | 0:12:09 | 0:12:10 | |
Rach...?! | 0:12:10 | 0:12:11 | |
Hey, I'm not sure about this! | 0:12:32 | 0:12:33 | |
Trust me. We have to make it look authentic. | 0:12:33 | 0:12:36 | |
PLATES SMASH | 0:12:37 | 0:12:39 | |
How's that? | 0:12:42 | 0:12:44 | |
Great, yeah. | 0:12:44 | 0:12:45 | |
He was outside on the phone and he didn't look very happy. | 0:12:45 | 0:12:48 | |
-What was he saying? -I don't know, I didn't get that close. | 0:12:48 | 0:12:52 | |
But if he catches me spying on him, our goose is cooked. | 0:12:52 | 0:12:54 | |
He'll be watching his back 24-7. | 0:12:54 | 0:12:56 | |
Fair enough. Maybe he was talking to Rachel. | 0:12:56 | 0:12:58 | |
A bit brazen if he was doing it outside the station like that. | 0:12:58 | 0:13:01 | |
Yeah, maybe you're right. If only we could just... | 0:13:01 | 0:13:03 | |
distract him, get hold of his phone, find out who he's been ringing. | 0:13:03 | 0:13:06 | |
You get caught, you'll be for the high-jump, not him. | 0:13:06 | 0:13:09 | |
OK, well, just keep an eye on him, find out what he's up to... | 0:13:09 | 0:13:12 | |
Everything OK? | 0:13:12 | 0:13:13 | |
-Yes, sir. -Absolutely, sir. Bang on. | 0:13:14 | 0:13:16 | |
Officers whispering in corridors does not fill me wit confidence. | 0:13:16 | 0:13:20 | |
We were just discussing the case, sir. | 0:13:20 | 0:13:21 | |
Swapping new theories, that kind of thing. | 0:13:23 | 0:13:25 | |
Oh, great. I'd love to hear your new theories. | 0:13:25 | 0:13:27 | |
-Now? -Yeah. Dazzle me. | 0:13:29 | 0:13:31 | |
Well, you know, it's very early stages, | 0:13:32 | 0:13:35 | |
-and we're formulating new ideas. -Let's formulate together, shall we? | 0:13:35 | 0:13:38 | |
What are you thinking? | 0:13:38 | 0:13:40 | |
Boss? | 0:13:40 | 0:13:41 | |
We are a team. We pull together. | 0:13:42 | 0:13:45 | |
You can't do that, get off the case, understood? | 0:13:45 | 0:13:48 | |
-Yes, sir. -Yes, sir. | 0:13:48 | 0:13:49 | |
Go. | 0:13:49 | 0:13:50 | |
-What is it? -The Reids are back. | 0:13:53 | 0:13:55 | |
-Why? -You're not going to like this. | 0:13:55 | 0:13:57 | |
I'm sorry, Liam, but I'm not convinced that dealing with | 0:13:59 | 0:14:01 | |
a psychic is a good idea. | 0:14:01 | 0:14:03 | |
We knew you'd say that, and neither am I. | 0:14:03 | 0:14:06 | |
But if there's any chance this guy might be on to something, we... | 0:14:06 | 0:14:09 | |
-We have to give it a go. -Just so you understand, these type of cases, | 0:14:09 | 0:14:13 | |
they attract all types of cranks. | 0:14:13 | 0:14:15 | |
Guys like this sometimes peddle false hope | 0:14:15 | 0:14:17 | |
and end up wasting our time, our limited resources. | 0:14:17 | 0:14:20 | |
My daughter is gone, because of one of your officers. | 0:14:21 | 0:14:25 | |
So, forgive me if I'm not putting all of my trust in the police. | 0:14:25 | 0:14:29 | |
And if Mr McManus has something to say that might help us, | 0:14:29 | 0:14:33 | |
I think we should listen to him. | 0:14:33 | 0:14:36 | |
Look, clearly, I can't tell you who to talk to, | 0:14:36 | 0:14:39 | |
but if you want my advice, I'd say give him a wide berth. | 0:14:39 | 0:14:43 | |
Come on. | 0:14:45 | 0:14:47 | |
MCMANUS: There is something... | 0:14:47 | 0:14:49 | |
but it's very unclear. | 0:14:49 | 0:14:51 | |
It's dissipated, it comes and goes. | 0:14:51 | 0:14:54 | |
Can you hear voices? | 0:14:54 | 0:14:56 | |
I can sense those who have a need to communicate. | 0:14:57 | 0:14:59 | |
-You mean when they're dead. -Give him a chance. | 0:14:59 | 0:15:02 | |
Yes. | 0:15:03 | 0:15:05 | |
I can sense her now. | 0:15:05 | 0:15:06 | |
She's near the sea. | 0:15:08 | 0:15:09 | |
I hear wind, waves. | 0:15:10 | 0:15:13 | |
Everyone in Red Rock is near the sea. | 0:15:13 | 0:15:15 | |
-Everyone in Dublin, for that matter. -Is she alive? | 0:15:15 | 0:15:18 | |
I can't be sure. | 0:15:19 | 0:15:20 | |
Near the sea, can't be sure if she's alive... | 0:15:21 | 0:15:24 | |
-Anyone could make this up. -Niamh, let's give him a chance, OK? | 0:15:25 | 0:15:28 | |
Yes! | 0:15:31 | 0:15:33 | |
Good. | 0:15:35 | 0:15:37 | |
I can hear her voice. | 0:15:37 | 0:15:38 | |
-Who? Rachel? -This is a bunch of vague nonsense. | 0:15:38 | 0:15:41 | |
Anyone could make up this crap! | 0:15:41 | 0:15:42 | |
COUGHING AND RETCHING | 0:15:59 | 0:16:02 | |
Apparently, he's over in the cafe right now, | 0:16:04 | 0:16:07 | |
-giving it the full Mystic Meg. -A fortune teller once told me | 0:16:07 | 0:16:10 | |
I was going to have a long peaceful life and possess great wealth. | 0:16:10 | 0:16:13 | |
No, that was the recruitment officer who signed me up for this. | 0:16:13 | 0:16:16 | |
Let's just hope the press don't get wind of Mr McManus. | 0:16:16 | 0:16:18 | |
Yeah, they love this type of thing. | 0:16:18 | 0:16:20 | |
He'll be calling press conferences next, | 0:16:20 | 0:16:22 | |
pinpointing places for us to search. | 0:16:22 | 0:16:23 | |
Here, Conor's just off the phone, Skip. | 0:16:23 | 0:16:26 | |
-Not good, I'm afraid. -Has he hurt himself again? | 0:16:26 | 0:16:28 | |
Your house has been burgled. | 0:16:28 | 0:16:29 | |
-Go home. Go. Tell us if you need anything. -Yeah, thanks, boss. | 0:16:30 | 0:16:34 | |
Anything turn up on our clairvoyant? | 0:16:35 | 0:16:37 | |
He's a medium, there's a difference. | 0:16:37 | 0:16:39 | |
They speak to the dead, whereas a clairvoyant sees the future. | 0:16:39 | 0:16:42 | |
-What's a psychic, then? -Didn't look that one up. | 0:16:43 | 0:16:46 | |
-Getting back to Mr McManus... -Ran his name through PULSE. | 0:16:46 | 0:16:49 | |
Nothing. Then I saw that there's no Stewart McManus living | 0:16:49 | 0:16:52 | |
at the address he gave us in Kilkenny. | 0:16:52 | 0:16:54 | |
So, that's a bit dodge. | 0:16:54 | 0:16:55 | |
Check recent missing persons in other jurisdictions. | 0:16:55 | 0:16:58 | |
-See if anybody's heard of him. -Right, boss. | 0:16:58 | 0:17:00 | |
A psychic is someone who uses ESP to read your energy or aura. | 0:17:00 | 0:17:03 | |
Sometimes, they use tarot cards and crystal balls. | 0:17:03 | 0:17:05 | |
Wizards, they're just make-believe. | 0:17:05 | 0:17:08 | |
I just came back and found it like this. | 0:17:12 | 0:17:14 | |
Does your dad know? | 0:17:15 | 0:17:16 | |
I called him. | 0:17:18 | 0:17:20 | |
He's stuck on the M50 on an airport run. | 0:17:20 | 0:17:22 | |
What did they take? | 0:17:22 | 0:17:23 | |
Phones, computers, including my laptop with all my college stuff on it. | 0:17:24 | 0:17:29 | |
Don't worry, we'll get the people who did this. | 0:17:29 | 0:17:32 | |
I promise you that. | 0:17:32 | 0:17:33 | |
Did they go upstairs? | 0:17:33 | 0:17:34 | |
Yeah. They've, erm... | 0:17:37 | 0:17:38 | |
been through all the bedrooms. Everything's gone. | 0:17:39 | 0:17:42 | |
You know, that was a wedding present from your granny. | 0:17:42 | 0:17:44 | |
Don't touch that until the lads have had a proper look. | 0:17:46 | 0:17:48 | |
Sorry. | 0:17:48 | 0:17:49 | |
Look at the state of the place. | 0:17:51 | 0:17:52 | |
You know, they've ruined it just because they can. | 0:17:52 | 0:17:54 | |
Where were you when this happened? | 0:17:56 | 0:17:58 | |
-I was at Dooley's. -All morning? | 0:17:58 | 0:18:00 | |
Yeah. | 0:18:00 | 0:18:01 | |
You're not normally out of your bed until well after 11. | 0:18:01 | 0:18:04 | |
Yeah, well, I was gaming against some guys from the States. | 0:18:04 | 0:18:07 | |
Look, I'm sorry, OK? | 0:18:10 | 0:18:11 | |
Not your fault. | 0:18:11 | 0:18:12 | |
And you didn't see anyone hanging around when you were leaving? | 0:18:15 | 0:18:18 | |
No. No-one. | 0:18:18 | 0:18:20 | |
Well, I'll call in to all the neighbours. | 0:18:20 | 0:18:23 | |
See if they noticed anyone coming or going. | 0:18:23 | 0:18:25 | |
It's a busy street. There's people up and down the whole time. | 0:18:25 | 0:18:28 | |
You'd be surprised what people remember. | 0:18:28 | 0:18:30 | |
Even if we can get some kind of a description of a person, | 0:18:30 | 0:18:33 | |
we can look for them on local CCTV footage. | 0:18:33 | 0:18:35 | |
We'll catch them. Don't worry. | 0:18:37 | 0:18:39 | |
Any news on Rachel? | 0:18:45 | 0:18:46 | |
Go away. | 0:18:48 | 0:18:49 | |
I'm helping the family. They want me here. | 0:18:49 | 0:18:52 | |
You OK? You do seem stressed. I can feel it off of you. | 0:18:52 | 0:18:55 | |
I'm not going to tell you again. | 0:18:55 | 0:18:57 | |
Get lost. | 0:18:57 | 0:18:58 | |
You know something, don't you? | 0:19:00 | 0:19:01 | |
You know something about Rachel. | 0:19:01 | 0:19:03 | |
-What? -I can feel it. The energy never lies. | 0:19:03 | 0:19:06 | |
I'm warning you. | 0:19:06 | 0:19:07 | |
You can't hide the truth, sergeant. It always comes out in the end. | 0:19:07 | 0:19:10 | |
Look, unless you have official business here, I want you away from this station. | 0:19:10 | 0:19:14 | |
PHONE RINGS | 0:19:24 | 0:19:26 | |
What's going on? | 0:19:29 | 0:19:31 | |
Rachel. Where are you? | 0:19:35 | 0:19:36 | |
Look, just call a taxi and go home right away. You hear me? | 0:19:38 | 0:19:42 | |
I took some pills. | 0:19:42 | 0:19:43 | |
What kind of pills? | 0:19:43 | 0:19:44 | |
'What kind of pills?' | 0:19:46 | 0:19:47 | |
Help me. | 0:19:49 | 0:19:50 | |
Rachel, just calm down, OK? Just think clearly. | 0:19:50 | 0:19:52 | |
'What kind of pills did you take?' | 0:19:52 | 0:19:54 | |
Please, help me. | 0:19:56 | 0:19:58 | |
Look, this isn't funny. Stop this messing around. | 0:19:58 | 0:20:00 | |
I'm not joking. | 0:20:00 | 0:20:03 | |
'Rachel. Rachel!' | 0:20:04 | 0:20:06 | |
Rachel! | 0:20:08 | 0:20:10 | |
'OK, look, sweetheart. Come on, you're starting to worry me now. | 0:20:11 | 0:20:14 | |
'Rachel, just talk to me. OK?' | 0:20:14 | 0:20:16 | |
Look, you know how much I care. Whatever the problem is, we can sort this out. Do you hear me? | 0:20:16 | 0:20:19 | |
Just... | 0:20:19 | 0:20:21 | |
Just speak to me. | 0:20:21 | 0:20:22 | |
Rachel, will you talk to me? | 0:20:22 | 0:20:24 | |
Look, this isn't funny. Stop this messing around, I'm not joking. | 0:20:25 | 0:20:27 | |
Rachel! | 0:20:29 | 0:20:30 | |
Oh, damn! | 0:20:31 | 0:20:33 | |
I can hear a voice. | 0:20:34 | 0:20:36 | |
-Who? Rachel? -No. | 0:20:36 | 0:20:39 | |
It's from the other side, | 0:20:39 | 0:20:41 | |
but it's telling me she's alive. | 0:20:41 | 0:20:43 | |
Where? | 0:20:44 | 0:20:45 | |
Where is she? | 0:20:45 | 0:20:46 | |
She... | 0:20:46 | 0:20:47 | |
She's hiding. She doesn't want us to know. | 0:20:49 | 0:20:51 | |
And she's lonely. | 0:20:53 | 0:20:54 | |
But she's not... | 0:20:56 | 0:20:57 | |
Not...not what? | 0:21:00 | 0:21:02 | |
She's very weak. | 0:21:02 | 0:21:03 | |
And she's tired. | 0:21:04 | 0:21:06 | |
Ill, maybe. | 0:21:06 | 0:21:07 | |
I think she just wants to sleep. | 0:21:09 | 0:21:10 | |
The spirit who's telling me this is... | 0:21:10 | 0:21:13 | |
From the other side, is a woman. | 0:21:13 | 0:21:15 | |
She's looking out for Rachel. | 0:21:16 | 0:21:18 | |
Her name is... | 0:21:20 | 0:21:21 | |
She says you know her. | 0:21:23 | 0:21:24 | |
Her name is... | 0:21:26 | 0:21:27 | |
Barbara. | 0:21:29 | 0:21:30 | |
Oh, hey, boss, uh... Do you have a minute? | 0:21:37 | 0:21:39 | |
Of course. | 0:21:39 | 0:21:40 | |
Look, the school just called, | 0:21:40 | 0:21:41 | |
and the young one's sick and I've got to take her to the doctor. | 0:21:41 | 0:21:45 | |
Look, I know it's not ideal, and I'd have Jules do it, but she's... | 0:21:45 | 0:21:48 | |
Down the country, visiting family. | 0:21:48 | 0:21:50 | |
We need you here, while everyone's focused on the Rachel Reid case. | 0:21:50 | 0:21:53 | |
Yeah, yeah, I know, and if there was anyone I could get to collect her, | 0:21:53 | 0:21:57 | |
I would, but... | 0:21:57 | 0:21:58 | |
How long do you need? | 0:22:00 | 0:22:01 | |
A couple of hours at the most. | 0:22:01 | 0:22:02 | |
Look, as soon as I get her home from the doctors, | 0:22:02 | 0:22:05 | |
I'll come straight back in. | 0:22:05 | 0:22:06 | |
Well, if it can't be helped, it can't be helped. | 0:22:06 | 0:22:08 | |
Yeah. Appreciate that, boss. I'll make it up tomorrow. | 0:22:08 | 0:22:11 | |
I'll come in early, see what's doing. | 0:22:11 | 0:22:14 | |
I hope she's OK. | 0:22:14 | 0:22:15 | |
Your daughter. | 0:22:16 | 0:22:17 | |
Yes. | 0:22:17 | 0:22:18 | |
She'll... She'll be fine. | 0:22:18 | 0:22:20 | |
Just, you know, better be safe. | 0:22:20 | 0:22:22 | |
And you're certain? | 0:22:25 | 0:22:26 | |
That's what he was saying, he needed time off to take his young one to see the doctor. | 0:22:26 | 0:22:30 | |
Well, how did he seem? | 0:22:31 | 0:22:33 | |
Not his usual smarmy self, that's for sure. Not in one bit happy. | 0:22:33 | 0:22:35 | |
Do you have GPS on your phone? | 0:22:38 | 0:22:39 | |
-Yeah, why? -Give it to me. | 0:22:39 | 0:22:41 | |
What? | 0:22:41 | 0:22:42 | |
Do you want to find Rachel Reid or not? | 0:22:42 | 0:22:44 | |
Yeah, but why can't you use your phone? | 0:22:44 | 0:22:45 | |
My phone's in my locker. McGonigle's in there right now. | 0:22:45 | 0:22:48 | |
-But what do you want it for? -Come on, Paudge, he could be gone. Give it to me, come on. | 0:22:48 | 0:22:51 | |
-Now, go stall McGonigle. -What? | 0:22:52 | 0:22:54 | |
Just stall him for five minutes. | 0:22:54 | 0:22:56 | |
How? | 0:22:56 | 0:22:58 | |
You'll think of something. Go. Go on. | 0:22:58 | 0:23:00 | |
Go! | 0:23:00 | 0:23:01 | |
It's not one of those GIs, is it? | 0:23:13 | 0:23:15 | |
What? | 0:23:16 | 0:23:17 | |
A gastric infection. That's not what your young one has, is it? | 0:23:20 | 0:23:23 | |
It's just I heard you telling the boss your daughter was sick. | 0:23:23 | 0:23:26 | |
No, no, it's not a gastric infection. | 0:23:29 | 0:23:31 | |
Cos there's a savage one doing the rounds at the minute. | 0:23:31 | 0:23:33 | |
Mammy had it, wreaked havoc. Coming out both ends. | 0:23:33 | 0:23:38 | |
I tell you, that was a long night of rubber gloves and extra strong bleach. | 0:23:38 | 0:23:42 | |
Yeah, yeah. Would you get out of the way? | 0:23:42 | 0:23:44 | |
Thank you. | 0:24:16 | 0:24:18 | |
Anything? | 0:24:21 | 0:24:22 | |
We'll have to wait and see what the fingerprints turn up. | 0:24:22 | 0:24:25 | |
But any burglar worth his salt would have the cop to wear gloves. | 0:24:25 | 0:24:28 | |
It's strange. We were the only house on the street to be done, | 0:24:28 | 0:24:31 | |
and we have an alarm and I'm a copper. | 0:24:31 | 0:24:33 | |
How would they know you're a copper? | 0:24:33 | 0:24:35 | |
Burglars usually stake out an area first. | 0:24:35 | 0:24:37 | |
They'd have seen me in my half-blues. | 0:24:37 | 0:24:39 | |
Doesn't make sense. | 0:24:40 | 0:24:42 | |
Yeah. | 0:24:42 | 0:24:43 | |
Do you want a cup of tea? | 0:24:44 | 0:24:45 | |
They left us the kettle, did they? | 0:24:45 | 0:24:47 | |
That was decent of them. | 0:24:47 | 0:24:50 | |
At least we'll be able to claim it all back on the insurance. | 0:24:50 | 0:24:53 | |
No chance of that. | 0:24:53 | 0:24:54 | |
Why, what do you mean? | 0:24:54 | 0:24:56 | |
You forgot to turn the alarm on. | 0:24:57 | 0:24:58 | |
Seriously? | 0:25:00 | 0:25:01 | |
It's standard. | 0:25:01 | 0:25:03 | |
Any claim is dependent on security procedures being followed to the | 0:25:03 | 0:25:05 | |
-letter. -I didn't know that. | 0:25:05 | 0:25:07 | |
And they damaged the frame when they put the window in, | 0:25:07 | 0:25:10 | |
so that's another 500 euro down the drain straight away. | 0:25:10 | 0:25:14 | |
So sorry, Mum. | 0:25:14 | 0:25:15 | |
Cannot believe I've been so stupid. | 0:25:16 | 0:25:19 | |
Stop. I shouldn't be unloading this all on you. | 0:25:19 | 0:25:22 | |
It's not your fault. | 0:25:22 | 0:25:23 | |
But don't worry, we'll get them. | 0:25:24 | 0:25:26 | |
What do you mean, stuck it to his car? | 0:25:31 | 0:25:33 | |
I mean stuck it on so we can follow him on the GPS. | 0:25:33 | 0:25:35 | |
-Like taped it with tape? -Superglue. | 0:25:35 | 0:25:37 | |
You glued my phone to McGonigle's car? | 0:25:37 | 0:25:39 | |
You don't want it getting loose and coming off, do you? | 0:25:39 | 0:25:41 | |
-Well, eventually, yes, I would like it to come off. -Don't forget, we're trying to find Rachel Reid here. | 0:25:41 | 0:25:46 | |
Well, last time I checked, saving teenage runaways wasn't covered by my phone warranty. | 0:25:46 | 0:25:50 | |
-Look, are you sure we shouldn't tell McKay about this? -Let's just get McGonigle first, | 0:25:50 | 0:25:53 | |
find out if we're right, and then when we have the proof, we call McKay. | 0:25:53 | 0:25:56 | |
We've people searching these three areas and nothing. | 0:25:58 | 0:26:01 | |
Do you have a minute, boss? | 0:26:02 | 0:26:04 | |
It's about Stewart McManus. | 0:26:05 | 0:26:07 | |
-The medium? -Yeah. | 0:26:07 | 0:26:08 | |
Why am I sensing this isn't going to be good? | 0:26:08 | 0:26:10 | |
Barbara's voice is very faint now. | 0:26:12 | 0:26:13 | |
It sounds like it's being drowned out by the sea. | 0:26:15 | 0:26:18 | |
Wait, sh. | 0:26:18 | 0:26:19 | |
She's trying to say something. | 0:26:20 | 0:26:22 | |
Barbara says Rachel's near deep water. | 0:26:25 | 0:26:27 | |
And I can hear boats. | 0:26:29 | 0:26:30 | |
Cargo ships. Perhaps it's a harbour or a port? | 0:26:31 | 0:26:34 | |
A city port? Dublin? | 0:26:34 | 0:26:36 | |
Wait, sh-sh-she's trying to say something else. | 0:26:36 | 0:26:38 | |
She says Rachel's sad. | 0:26:40 | 0:26:41 | |
And she's tired, very, very tired, just wants to sleep. | 0:26:43 | 0:26:45 | |
Barbara says you have to find her. | 0:26:47 | 0:26:49 | |
Find her soon. | 0:26:49 | 0:26:50 | |
Doesn't she say anything else about where Rachel is? | 0:26:50 | 0:26:54 | |
It's very faint now, again. It's very hard to hear Barbara. | 0:26:54 | 0:26:56 | |
Anything, please. | 0:26:56 | 0:26:58 | |
I think she's saying Rachel's trapped. | 0:27:00 | 0:27:02 | |
In some sort of box. | 0:27:04 | 0:27:06 | |
A large metal box. | 0:27:06 | 0:27:07 | |
Oh, God. | 0:27:07 | 0:27:08 | |
Where? Where is she? | 0:27:08 | 0:27:10 | |
It's really fading now, I can't hear her any more. | 0:27:10 | 0:27:12 | |
Don't give up, please. | 0:27:12 | 0:27:14 | |
What about the boats? Did she describe the harbour? | 0:27:14 | 0:27:17 | |
No, I'm really sorry. It's gone. | 0:27:17 | 0:27:19 | |
Please! You must be able to do something. | 0:27:19 | 0:27:22 | |
Tell me something about Barbara. | 0:27:22 | 0:27:24 | |
Anything that might help strengthen the emotional connection | 0:27:25 | 0:27:28 | |
between the spirit and us. | 0:27:28 | 0:27:29 | |
Like... Like what? | 0:27:29 | 0:27:31 | |
How did she pass? | 0:27:31 | 0:27:32 | |
She died of cancer. | 0:27:34 | 0:27:36 | |
That must have been terribly difficult for you. | 0:27:36 | 0:27:38 | |
Yeah, it was. | 0:27:40 | 0:27:41 | |
Especially for Rachel. | 0:27:41 | 0:27:42 | |
Did she suffer? | 0:27:43 | 0:27:45 | |
Barbara? | 0:27:45 | 0:27:46 | |
Yeah. | 0:27:47 | 0:27:48 | |
In the end. | 0:27:48 | 0:27:49 | |
It's OK. I understand. | 0:27:50 | 0:27:52 | |
DOOR OPENS | 0:27:53 | 0:27:55 | |
We'd like a word with Mr McManus, please. | 0:27:55 | 0:27:57 | |
This really isn't a good time. | 0:27:57 | 0:27:59 | |
We've uncovered evidence that shows that Mr McManus is a fraud. | 0:27:59 | 0:28:02 | |
Please, don't listen to them. | 0:28:02 | 0:28:04 | |
I can help you. You know I can. | 0:28:04 | 0:28:06 | |
This bloody signal keeps flickering. | 0:28:08 | 0:28:10 | |
Now it's gone. | 0:28:14 | 0:28:15 | |
Just put it on aeroplane mode for a couple of seconds, then switch it back on. | 0:28:15 | 0:28:19 | |
We're going to lose him. | 0:28:19 | 0:28:20 | |
We're not! Just give it a couple of seconds. | 0:28:20 | 0:28:22 | |
No. | 0:28:28 | 0:28:29 | |
We've lost him. | 0:28:29 | 0:28:31 | |
Rachel! | 0:28:56 | 0:28:57 | |
Rachel! | 0:28:57 | 0:28:59 | |
Rachel! | 0:28:59 | 0:29:00 | |
Rachel! Rachel, come on, | 0:29:00 | 0:29:02 | |
Rachel. Come on, baby, come on. Wake up. | 0:29:02 | 0:29:05 | |
Wake up. Wake up, honey, wake up! | 0:29:05 | 0:29:07 | |
PANTING: OK. | 0:29:07 | 0:29:08 | |
Oh, God! | 0:29:10 | 0:29:12 | |
No! No, no, no, no, no. Don't do this. | 0:29:12 | 0:29:13 | |
No, come on. Rachel, come on, get up! | 0:29:13 | 0:29:15 | |
Rachel, get up, get up! Just... | 0:29:15 | 0:29:19 | |
Stand up, Rach. | 0:29:19 | 0:29:20 | |
OK. | 0:29:22 | 0:29:23 | |
PHONE RINGING | 0:29:28 | 0:29:29 | |
'Hello, caller. What service do you want?' | 0:29:29 | 0:29:31 | |
Hello? | 0:29:31 | 0:29:32 | |
What emergency service do you require, caller? | 0:29:32 | 0:29:35 | |
Erm... | 0:29:35 | 0:29:36 | |
Erm... | 0:29:37 | 0:29:38 | |
Sir? | 0:29:38 | 0:29:39 | |
Er... | 0:29:39 | 0:29:40 | |
Sir, if there's a problem, you need to tell me. | 0:29:40 | 0:29:42 | |
Er, no. Actually, no, no, no, everything's fine. | 0:29:42 | 0:29:45 | |
Erm, it was... | 0:29:45 | 0:29:46 | |
-Sir? -It was a false alarm. | 0:29:47 | 0:29:49 | |
Are you sure? | 0:29:49 | 0:29:50 | |
Yeah. OK, thanks. | 0:29:50 | 0:29:52 | |
We ran a check on Mr McManus' name and address. | 0:29:56 | 0:29:59 | |
Couldn't find anything matching his age or description | 0:30:00 | 0:30:02 | |
on any database in this country. | 0:30:02 | 0:30:05 | |
Well, that doesn't mean he's a fraud, does it? | 0:30:05 | 0:30:07 | |
Exactly. | 0:30:07 | 0:30:08 | |
We checked recent missing person cases around the country. | 0:30:08 | 0:30:10 | |
Quite a few had encountered a medium offering to help families | 0:30:10 | 0:30:13 | |
of the missing. | 0:30:13 | 0:30:14 | |
There's a Stewart McCaffrey in Galway, | 0:30:14 | 0:30:16 | |
a Stewart McDowell in Tralee, | 0:30:16 | 0:30:18 | |
Stewart McDonough in Waterford, | 0:30:18 | 0:30:20 | |
all matching the same description. | 0:30:20 | 0:30:22 | |
The description of Mr McManus right here. | 0:30:22 | 0:30:24 | |
People are suspicious and hostile to things they can't understand. | 0:30:24 | 0:30:27 | |
He's been doing it for years. | 0:30:27 | 0:30:29 | |
In other counties as well. | 0:30:29 | 0:30:31 | |
Never comes up with anything useful. | 0:30:31 | 0:30:34 | |
Just causes hurt and distress to numerous families. | 0:30:34 | 0:30:37 | |
Not true. You just have to trust me. I'm on your side here. | 0:30:37 | 0:30:41 | |
Why? Why would he do this? | 0:30:41 | 0:30:43 | |
For the drama and the excitement. | 0:30:43 | 0:30:45 | |
He gets off on your heartache. | 0:30:45 | 0:30:47 | |
But he knew things about Mum. He knew her name. | 0:30:47 | 0:30:49 | |
Yes, thank you. | 0:30:49 | 0:30:50 | |
That proves I'm genuine. | 0:30:50 | 0:30:52 | |
He does his research. | 0:30:52 | 0:30:53 | |
Mr McManus gets all the information he needs from the internet. | 0:30:53 | 0:30:56 | |
Rachel's been very active on social media sites. | 0:30:56 | 0:30:58 | |
She has written about her mother dying. | 0:30:58 | 0:31:00 | |
Even mentioned her by name. Anything Mr McManus needs is up there. | 0:31:00 | 0:31:03 | |
It's only a search away. | 0:31:03 | 0:31:05 | |
So, those things you said about her... | 0:31:05 | 0:31:08 | |
About Rachel being near a port... | 0:31:08 | 0:31:10 | |
Being tired. What were they, just lies? | 0:31:10 | 0:31:12 | |
No, it's true. Barbara told me. | 0:31:12 | 0:31:14 | |
Don't mention her name again. | 0:31:15 | 0:31:17 | |
I didn't think anything could make me feel worse. | 0:31:21 | 0:31:23 | |
Can you imagine what it's like to face the fact that your daughter | 0:31:26 | 0:31:29 | |
may never come home again? | 0:31:29 | 0:31:31 | |
That she may be... | 0:31:32 | 0:31:33 | |
And then you come along and offer a little bit of hope | 0:31:35 | 0:31:39 | |
that everything might be OK. | 0:31:39 | 0:31:40 | |
But isn't that what you wanted, hope? | 0:31:40 | 0:31:42 | |
Not a pack of lies! | 0:31:42 | 0:31:43 | |
I'm not a liar! | 0:31:43 | 0:31:45 | |
It's not my fault you don't believe me any longer. | 0:31:45 | 0:31:48 | |
You can't even admit it now, can you? | 0:31:48 | 0:31:49 | |
You're a parasite. | 0:31:51 | 0:31:52 | |
If that's true, then what does that make you? | 0:31:53 | 0:31:55 | |
A fool. | 0:31:55 | 0:31:56 | |
Hey, hey, hey! | 0:31:57 | 0:31:59 | |
Stewart McManus, I'm arresting you on suspicion of obstructing a garda | 0:31:59 | 0:32:02 | |
investigation. You're not obliged to say anything, but anything you do | 0:32:02 | 0:32:05 | |
-say will be written down and may be used in evidence against you. -This is a joke! | 0:32:05 | 0:32:08 | |
You've just lost the only chance you had of finding Rachel. | 0:32:08 | 0:32:11 | |
I'm sorry. | 0:32:16 | 0:32:17 | |
I truly am. | 0:32:17 | 0:32:19 | |
This is ridiculous. We should just call it in, | 0:32:30 | 0:32:32 | |
get every unit out searching for him. | 0:32:32 | 0:32:33 | |
And what if we do and he's only collecting his young one from school? | 0:32:33 | 0:32:36 | |
We'll look like a prize pair of clowns. | 0:32:36 | 0:32:38 | |
Oh, hang on, stop. Stop the car. Pull in here. | 0:32:38 | 0:32:41 | |
I'm getting a signal. It's searching. | 0:32:41 | 0:32:43 | |
And what's it say? | 0:32:43 | 0:32:44 | |
It's still loading. | 0:32:44 | 0:32:45 | |
Well? | 0:32:50 | 0:32:52 | |
Got it. | 0:32:52 | 0:32:53 | |
Well, where is he? | 0:32:53 | 0:32:55 | |
The caravan park. | 0:32:55 | 0:32:56 | |
Call it in. | 0:32:58 | 0:32:59 | |
This is outrageous. | 0:33:02 | 0:33:03 | |
I haven't done anything wrong. | 0:33:03 | 0:33:04 | |
Tell it to the judge. | 0:33:04 | 0:33:06 | |
I'm getting a strong aura from you. | 0:33:06 | 0:33:07 | |
Yeah, it's called aftershave. | 0:33:07 | 0:33:08 | |
No, really. It's very strong. | 0:33:08 | 0:33:10 | |
It's telling me you're confident and certain, and very wise. | 0:33:10 | 0:33:14 | |
OK, that's enough. | 0:33:14 | 0:33:15 | |
Confident and vain, maybe. | 0:33:15 | 0:33:17 | |
Hey, he didn't say vain. | 0:33:17 | 0:33:18 | |
But wise? | 0:33:18 | 0:33:19 | |
Now I know he's a fraud, for sure. | 0:33:19 | 0:33:22 | |
I am wise. Very wise. | 0:33:22 | 0:33:23 | |
Sharon and Paudge just called, looking for immediate backup. | 0:33:25 | 0:33:27 | |
They've been following Sergeant McGonigle. | 0:33:27 | 0:33:29 | |
-He's picking up his sick daughter from school. -No, he's in the Riark caravan park, | 0:33:29 | 0:33:33 | |
-the one where Rachel's aunt has a caravan. -Didn't we search that the other day? | 0:33:33 | 0:33:36 | |
Yeah, but we only searched one, Rachel's aunt. There's dozens more. | 0:33:36 | 0:33:39 | |
-And they're sure Brian's there? They're 100% sure? -Yes. They tracked him using GPS. | 0:33:39 | 0:33:42 | |
Look, it is no coincidence that both Rachel Reid and Sergeant McGonigle | 0:33:42 | 0:33:45 | |
led us to the same caravan park. | 0:33:45 | 0:33:47 | |
No. | 0:33:47 | 0:33:48 | |
OK, we've no choice but to treat this as a possible abduction, | 0:33:48 | 0:33:51 | |
with Sergeant Brian McGonigle as our main suspect. | 0:33:51 | 0:33:53 | |
-Stay here, coordinate the operation. Call Dunedin for backup. -OK. | 0:33:53 | 0:33:56 | |
Everybody else, get your gear. He's unlikely to be armed, | 0:33:56 | 0:33:58 | |
but we can't take any chances. | 0:33:58 | 0:34:00 | |
Come on, Holden! Move, let's go! | 0:34:00 | 0:34:01 | |
KNOCKING | 0:34:29 | 0:34:31 | |
He's here. | 0:34:34 | 0:34:36 | |
He must be here with her. | 0:34:36 | 0:34:38 | |
That's stuck solid, I'm never getting that off now. | 0:34:38 | 0:34:40 | |
God knows what he's doing to her. | 0:34:40 | 0:34:42 | |
Well, we can't just stand here doing nothing. | 0:34:44 | 0:34:46 | |
You know we were told to wait for backup. | 0:34:46 | 0:34:48 | |
Paudge, it might be ages before they get here. | 0:34:48 | 0:34:50 | |
He could've killed her by then. | 0:34:50 | 0:34:52 | |
He's not going to kill her. | 0:34:52 | 0:34:53 | |
Oh, really, are you certain? After everything he's done? | 0:34:53 | 0:34:56 | |
OK. | 0:34:59 | 0:35:00 | |
We search the caravans together. | 0:35:00 | 0:35:02 | |
No. It'll be quicker if we separate. | 0:35:02 | 0:35:04 | |
Is there any point in me explaining to you how stupid that sounds, | 0:35:04 | 0:35:06 | |
you putting yourself at risk like that? | 0:35:06 | 0:35:08 | |
I didn't think so. | 0:35:10 | 0:35:11 | |
-Shout if you need me. -I will. | 0:35:12 | 0:35:14 | |
KNOCKING | 0:35:34 | 0:35:35 | |
Hello? | 0:35:37 | 0:35:38 | |
Is anyone in there? | 0:35:38 | 0:35:40 | |
BREATHES HEAVILY | 0:35:47 | 0:35:49 | |
Get off me! What are you doing? | 0:36:10 | 0:36:11 | |
I'm arresting you! You idiot! I'm trying to find Rachel. | 0:36:11 | 0:36:14 | |
-She called me, she told me she's here. -Shut up! | 0:36:14 | 0:36:16 | |
Look, I was trying to pick up Mel, I got a phone call from Rachel. She said she's suicidal. | 0:36:16 | 0:36:19 | |
-Look, we've got to find her before it's too late. -Liar! | 0:36:19 | 0:36:22 | |
Look, fine, if you don't believe me, call the station. | 0:36:22 | 0:36:24 | |
They're on their way. There's an ambulance coming, too. | 0:36:24 | 0:36:27 | |
Would you just call them?! They'll tell you exactly what I'm saying. | 0:36:27 | 0:36:29 | |
Zulu Vic... | 0:36:31 | 0:36:32 | |
You just never learn, do you? | 0:36:38 | 0:36:39 | |
Sergeant McGonigle... | 0:36:45 | 0:36:46 | |
I'm arresting you on suspicion of abduction, | 0:36:47 | 0:36:50 | |
defilement of a minor and withholding evidence. | 0:36:50 | 0:36:52 | |
You're not obliged to say anything unless you wish to do so, | 0:36:52 | 0:36:55 | |
-but anything you do say... -Sharon! | 0:36:55 | 0:36:56 | |
..will be held in evidence. | 0:36:56 | 0:36:58 | |
Sharon! Are you OK? | 0:36:58 | 0:37:01 | |
Yeah, you take care of him. | 0:37:01 | 0:37:02 | |
Where are you going? | 0:37:02 | 0:37:04 | |
I'm going to find Rachel. | 0:37:04 | 0:37:05 | |
Rachel? | 0:37:09 | 0:37:10 | |
Rachel! | 0:37:17 | 0:37:18 | |
Zulu Victor 401 to Control. | 0:37:22 | 0:37:24 | |
'Go ahead, Zulu Victor 401.' | 0:37:24 | 0:37:26 | |
We need an ambulance at Riark caravan park, a suspected overdose. | 0:37:26 | 0:37:30 | |
'Roger that. One's on the way now.' | 0:37:30 | 0:37:32 | |
Well, make it quick, it's an emergency! | 0:37:32 | 0:37:33 | |
Rachel! | 0:37:35 | 0:37:36 | |
Rachel, can you hear me? | 0:37:36 | 0:37:38 | |
SIRENS | 0:37:44 | 0:37:45 | |
Boss! There's been some kind of misunderstanding. | 0:38:01 | 0:38:04 | |
I've done nothing wrong here. | 0:38:04 | 0:38:05 | |
Look, I was only trying to help Rachel. She called me. | 0:38:05 | 0:38:08 | |
Take him away. | 0:38:09 | 0:38:11 | |
Look, there's been some kind of mistake, boss. | 0:38:11 | 0:38:14 | |
Boss! | 0:38:14 | 0:38:15 | |
Where's Sharon? | 0:38:15 | 0:38:17 | |
Inside with Rachel. | 0:38:17 | 0:38:18 | |
Sharon? | 0:38:32 | 0:38:33 | |
Is she OK? | 0:38:36 | 0:38:37 | |
I think so. | 0:38:37 | 0:38:38 | |
Ambulance is on its way. | 0:38:41 | 0:38:42 | |
Well done, Sharon. | 0:38:45 | 0:38:46 |