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Have to move some stuff. I need to know the checkpoints. | 0:00:02 | 0:00:04 | |
I can't do this any more. I want it to be over. | 0:00:04 | 0:00:07 | |
You plead guilty to manslaughter, it would speed things up. | 0:00:07 | 0:00:10 | |
-I'll do it. -I gave you the checkpoints. What more do you want? | 0:00:10 | 0:00:13 | |
This is over when I say it's over, so shut your mouth and stop whining. | 0:00:13 | 0:00:16 | |
Do you want to be labelled a killer the rest of your life? | 0:00:18 | 0:00:20 | |
-I will anyway. -The Kielys will need to be told about it. | 0:00:20 | 0:00:23 | |
-Can they stop me? -No, but they can object. | 0:00:23 | 0:00:26 | |
-So, what do we do? -Hope the Kielys can be persuaded. | 0:00:26 | 0:00:29 | |
That's smashing, Bridge. | 0:01:07 | 0:01:08 | |
Ah, here. You're not going looking like that. | 0:01:12 | 0:01:15 | |
-Why? -Cos I want you dressed up for Darren. | 0:01:15 | 0:01:17 | |
I am dressed up for Darren. | 0:01:17 | 0:01:19 | |
-I hate Liverpool. -Here, leave that alone. -Why? | 0:01:21 | 0:01:25 | |
If you wanted breakfast, you should've come down earlier. | 0:01:25 | 0:01:29 | |
-I don't know why you're rushing. -DOORBELL RINGS | 0:01:29 | 0:01:31 | |
Darren's not going anywhere. Right, fine. | 0:01:31 | 0:01:34 | |
But if I faint from the hunger, don't blame me. | 0:01:34 | 0:01:37 | |
Oh. What do you want? | 0:01:39 | 0:01:41 | |
There's something I need to speak to you about. | 0:01:41 | 0:01:44 | |
Yeah? | 0:01:44 | 0:01:45 | |
Speak. | 0:01:45 | 0:01:47 | |
Maybe we should sit down. | 0:01:47 | 0:01:49 | |
Fancy a shoplifter? | 0:01:51 | 0:01:53 | |
Not since I was 12. | 0:01:55 | 0:01:57 | |
Me and Elaine Murphy used to steal Mars bars from the local shop | 0:01:57 | 0:02:00 | |
on our lunch break. | 0:02:00 | 0:02:01 | |
It was worth it, if you know what I mean. | 0:02:01 | 0:02:04 | |
What?! | 0:02:04 | 0:02:05 | |
She was gorgeous. Like you never stole anything. | 0:02:05 | 0:02:09 | |
-I didn't. -Sure you didn't. | 0:02:09 | 0:02:12 | |
Angela not back from the Kielys yet? | 0:02:12 | 0:02:15 | |
No, sir. | 0:02:15 | 0:02:16 | |
Not even a penny sweet? | 0:02:18 | 0:02:20 | |
I swear, I didn't. | 0:02:20 | 0:02:23 | |
MOBILE PHONE BEEPS | 0:02:26 | 0:02:28 | |
How dare you come in here and ask us to let him away with murder. | 0:02:38 | 0:02:42 | |
Bridget, I'm not asking you anything of the sort. | 0:02:42 | 0:02:44 | |
Michael Hennessy is a murderer. | 0:02:44 | 0:02:46 | |
-He won't be getting any plea bargain from us. -Let me be clear. | 0:02:46 | 0:02:49 | |
Now, as your FLO, it's my job to inform you of the request | 0:02:49 | 0:02:53 | |
and answer any questions you have. | 0:02:53 | 0:02:55 | |
That's all. | 0:02:55 | 0:02:56 | |
I'm not trying to influence your decision. | 0:02:56 | 0:02:58 | |
This plea bargain, what would happen if we supported it? | 0:02:58 | 0:03:01 | |
-We're not supporting it. -I know. | 0:03:01 | 0:03:03 | |
I'm just asking what would happen if we did. | 0:03:03 | 0:03:05 | |
Michael Hennessy would be sentenced for manslaughter | 0:03:05 | 0:03:08 | |
and could be sent to prison. | 0:03:08 | 0:03:10 | |
Could be? | 0:03:10 | 0:03:11 | |
Manslaughter doesn't carry a mandatory prison sentence. | 0:03:11 | 0:03:14 | |
Well, you can forget that. | 0:03:14 | 0:03:15 | |
He won't walk away from this. No way. | 0:03:15 | 0:03:18 | |
More than likely, Mr Hennessy would receive a custodial sentence. | 0:03:18 | 0:03:21 | |
"More than likely" isn't good enough. | 0:03:21 | 0:03:23 | |
Even if he's tried for murder, | 0:03:23 | 0:03:24 | |
there's no guarantee he'll be found guilty. | 0:03:24 | 0:03:26 | |
I thought that was your job - to make sure he is. | 0:03:26 | 0:03:28 | |
We gather the evidence. The verdict is up to the jury. | 0:03:28 | 0:03:32 | |
The judge decides the sentence. | 0:03:32 | 0:03:34 | |
Well, we want our day in court - for Darren. | 0:03:34 | 0:03:37 | |
We want to see our son's murderer go down for life. | 0:03:37 | 0:03:41 | |
Understood. | 0:03:43 | 0:03:44 | |
Well, I'll keep you informed. | 0:03:46 | 0:03:47 | |
So, what now? Is that the end of it cos we don't agree? | 0:03:47 | 0:03:50 | |
Not necessarily. | 0:03:50 | 0:03:52 | |
I mean, obviously it would help their plea if you supported them, | 0:03:52 | 0:03:55 | |
but they can still try to push ahead without your support. | 0:03:55 | 0:03:58 | |
They won't get it. Not if we're against it. | 0:03:58 | 0:04:00 | |
That's up to the DPP. | 0:04:00 | 0:04:03 | |
You mean the Hennessys could still get a plea bargain | 0:04:03 | 0:04:06 | |
even if we're against it? | 0:04:06 | 0:04:08 | |
Yeah. | 0:04:08 | 0:04:09 | |
HE SIGHS | 0:04:13 | 0:04:15 | |
So, what the hell were you thinking, Ed? | 0:04:15 | 0:04:17 | |
I promise, I'm not doing anything wrong. | 0:04:17 | 0:04:18 | |
-All a misunderstanding. -You'd better hope so. | 0:04:18 | 0:04:21 | |
-This isn't like you. -I swear, I didn't do it. | 0:04:21 | 0:04:23 | |
-You were seen shoplifting on CCTV. -I can explain, honestly. | 0:04:23 | 0:04:26 | |
Come on, Eddie, please. Get in the car, will you? | 0:04:26 | 0:04:28 | |
-It's a mistake. -We're not offering you a lift home. | 0:04:28 | 0:04:31 | |
-Just do as you're told. -Look at your man over there. | 0:04:31 | 0:04:34 | |
That's who you should be arresting, not me. | 0:04:34 | 0:04:36 | |
Everybody knows the type he is. | 0:04:36 | 0:04:38 | |
No harm in having a quick chat. | 0:04:38 | 0:04:41 | |
Just leave it. We have to get him back. | 0:04:41 | 0:04:42 | |
-Ah, Garda Brennan. -No way. | 0:04:42 | 0:04:44 | |
We've been ordered to stop and search, | 0:04:44 | 0:04:45 | |
and that's what we're going to do. | 0:04:45 | 0:04:47 | |
Sharon! | 0:04:47 | 0:04:49 | |
Bring him in, let me go. That's fair, that is. | 0:04:49 | 0:04:51 | |
Just get in the... | 0:04:51 | 0:04:53 | |
Shut up and get in the car, will you? | 0:04:53 | 0:04:55 | |
Look who it is. | 0:04:57 | 0:04:59 | |
-Is there a problem, Guard? -Oh, we'll soon find out. | 0:05:02 | 0:05:05 | |
Would you like to tell me what I've done? | 0:05:05 | 0:05:07 | |
I'll deal with him. You check his car. | 0:05:07 | 0:05:09 | |
-Take it easy. -Well, you want it to look good, don't you? | 0:05:23 | 0:05:26 | |
-You haven't replied to my text. -I don't want anything. | 0:05:28 | 0:05:31 | |
-You want this, trust me. -Just spit it out. | 0:05:31 | 0:05:33 | |
-Laser Byrne. -Who? -A fella in my own line of work. | 0:05:33 | 0:05:36 | |
-A thug, is it? -Watch your mouth. | 0:05:36 | 0:05:39 | |
He's dealing from the car park | 0:05:39 | 0:05:40 | |
beside the football field in the evenings. | 0:05:40 | 0:05:42 | |
Beady... | 0:05:42 | 0:05:44 | |
Before training. The gear is in the empty drink cans. | 0:05:44 | 0:05:47 | |
..I don't want to know. | 0:05:49 | 0:05:51 | |
A young lad takes the order and the cash | 0:05:51 | 0:05:53 | |
and then Laser kicks the product over like it's rubbish. | 0:05:53 | 0:05:55 | |
Right under your nose, it is. | 0:05:55 | 0:05:57 | |
Why are you telling me this? | 0:05:59 | 0:06:01 | |
Because drug dealing is a disgrace and I'm a concerned citizen. | 0:06:01 | 0:06:04 | |
And I like you, so I thought I'd do you a favour. | 0:06:04 | 0:06:07 | |
You should be more grateful, really, shouldn't you? | 0:06:07 | 0:06:09 | |
It's clean. | 0:06:12 | 0:06:13 | |
Me too. | 0:06:17 | 0:06:19 | |
Have a good day, Guard. | 0:06:20 | 0:06:21 | |
Thank you. | 0:06:23 | 0:06:24 | |
I'll call you back. | 0:06:28 | 0:06:31 | |
Well? | 0:06:31 | 0:06:33 | |
How bad? | 0:06:33 | 0:06:34 | |
Yeah, we couldn't have timed it any worse. | 0:06:34 | 0:06:37 | |
-Oh? -Today would've been Darren Kiely's birthday. | 0:06:37 | 0:06:40 | |
They'd even made him a cake. | 0:06:40 | 0:06:42 | |
I take it the answer was no, then. | 0:06:42 | 0:06:44 | |
Let's just say they made their feelings on the matter very clear. | 0:06:44 | 0:06:47 | |
OK. Thanks, anyway. | 0:06:49 | 0:06:50 | |
Hey, love. Angela is just back. | 0:06:58 | 0:07:01 | |
No. It's not good news. | 0:07:02 | 0:07:05 | |
Can you talk to them? Please, Claire. | 0:07:55 | 0:07:59 | |
Oh, there must be something you can do. Anything. | 0:07:59 | 0:08:02 | |
I can't do this any more. | 0:08:02 | 0:08:04 | |
Let's just wait it out, give them time. | 0:08:04 | 0:08:07 | |
They might change their minds. | 0:08:07 | 0:08:09 | |
You have to do something about this, Claire. | 0:08:09 | 0:08:12 | |
It's what we're paying you for. | 0:08:12 | 0:08:14 | |
Mum! | 0:08:14 | 0:08:15 | |
If my boy wants this plea, | 0:08:15 | 0:08:17 | |
then I'm going to do everything I can to make this happen. | 0:08:17 | 0:08:20 | |
Aren't you? | 0:08:20 | 0:08:22 | |
-This is your shoplifter? -Yep. -Eddie, really? | 0:08:27 | 0:08:31 | |
This is all a big misunderstanding. You'll see. | 0:08:31 | 0:08:33 | |
Shall I put a call through to your social worker? | 0:08:33 | 0:08:36 | |
No need. Sure, we can sort this between ourselves now, can't we? | 0:08:36 | 0:08:39 | |
-Can you finish this? -OK, where are you going? | 0:08:39 | 0:08:41 | |
I have a report to write up. | 0:08:41 | 0:08:43 | |
Are you feeling all right? | 0:08:43 | 0:08:45 | |
Just doing my job. | 0:08:45 | 0:08:47 | |
Wonders will never cease. | 0:08:47 | 0:08:49 | |
MOBILE PHONE VIBRATES | 0:08:52 | 0:08:54 | |
Hello? Yeah. | 0:08:58 | 0:09:00 | |
You say something, love. | 0:09:03 | 0:09:05 | |
-Like what? -Something nice. | 0:09:05 | 0:09:08 | |
For us all. | 0:09:08 | 0:09:10 | |
I don't know what to say... | 0:09:12 | 0:09:13 | |
except... | 0:09:15 | 0:09:18 | |
that we love you, Darren. | 0:09:18 | 0:09:21 | |
And we miss you. | 0:09:21 | 0:09:22 | |
And we're thinking of you, always. | 0:09:24 | 0:09:28 | |
That was the solicitor on the phone. | 0:09:33 | 0:09:35 | |
Patricia Hennessey wants to meet us, have a word. | 0:09:37 | 0:09:41 | |
I've got two. | 0:09:41 | 0:09:42 | |
She wants to offer us compensation for what happened. | 0:09:42 | 0:09:46 | |
I hope you told her where to go with herself. | 0:09:46 | 0:09:48 | |
No, I didn't. | 0:09:50 | 0:09:51 | |
I said we'd meet her. | 0:09:53 | 0:09:55 | |
It was an honest mistake, really. I meant to pay. | 0:10:21 | 0:10:25 | |
You'll have to do better than that, Eddie. | 0:10:25 | 0:10:27 | |
There were no baskets left, so I used my shopping bag instead. | 0:10:27 | 0:10:30 | |
I just... | 0:10:30 | 0:10:32 | |
-I'd walked out before I realised what I'd done. -Really? | 0:10:32 | 0:10:35 | |
-Sure, they grabbed me on my way back in. -Check it. | 0:10:35 | 0:10:37 | |
It's on the CCTV. | 0:10:37 | 0:10:39 | |
Pint of milk, six packets of soup, block of cheddar cheese, | 0:10:40 | 0:10:43 | |
two tins of beans, packet of rashers, loaf of bread. | 0:10:43 | 0:10:46 | |
Not exactly high-end. | 0:10:46 | 0:10:48 | |
Honestly, Garda Cleere, it was a mistake. | 0:10:48 | 0:10:51 | |
Sometimes I forget things. | 0:10:51 | 0:10:53 | |
You know my record. How many favours have I done for you? | 0:10:53 | 0:10:56 | |
Well, you've certainly always tried your best to be helpful. | 0:10:56 | 0:10:59 | |
We'll check the CCTV. If you're right, we'll let you go. | 0:10:59 | 0:11:03 | |
Oh, thank you. Thank you, Sergeant Tyrell. | 0:11:03 | 0:11:05 | |
You're a saint. A Garda angel, huh? | 0:11:05 | 0:11:08 | |
Are you OK? Oh, my God. Have you been hurt? | 0:11:08 | 0:11:11 | |
-You're bleeding. -Oh, that's nothing. It'll be all right. | 0:11:11 | 0:11:14 | |
Get the first aid kit, Sharon. | 0:11:14 | 0:11:16 | |
-No, don't do that. -Did someone attack you? It's OK. | 0:11:16 | 0:11:18 | |
-You can tell us. -Is it all right if I take a look? -No, stop. | 0:11:18 | 0:11:21 | |
-Now, I just want to help. -There's no point. | 0:11:21 | 0:11:24 | |
Please don't be mad at me. | 0:11:30 | 0:11:32 | |
HOOVER WHIRS | 0:11:33 | 0:11:36 | |
Feet. | 0:11:37 | 0:11:39 | |
Don't know what you're going to all this effort for. For her! | 0:11:39 | 0:11:42 | |
I'm not having Patricia Hennessey coming in here | 0:11:42 | 0:11:44 | |
and turning her nose up at us. | 0:11:44 | 0:11:47 | |
And you, run a brush through that hair. | 0:11:47 | 0:11:49 | |
Seriously? | 0:11:49 | 0:11:50 | |
Yes. Seriously. | 0:11:53 | 0:11:54 | |
She's no better than us, and I'm not having her thinking she is. | 0:11:54 | 0:11:58 | |
Brush your hair. | 0:11:58 | 0:12:00 | |
And I don't want you acting up while she's here either. | 0:12:02 | 0:12:05 | |
-Best behaviour. -It's like a palace, Bridge. | 0:12:05 | 0:12:08 | |
Like a palace. | 0:12:08 | 0:12:09 | |
DOORBELL RINGS | 0:12:10 | 0:12:13 | |
Will I get that? | 0:12:14 | 0:12:15 | |
Yeah. | 0:12:15 | 0:12:17 | |
Thank you for seeing me. | 0:12:28 | 0:12:30 | |
KNOCK AT DOOR | 0:12:34 | 0:12:37 | |
-Is this a bad time? -No, Paudge. Come on in. | 0:12:37 | 0:12:41 | |
It's just a little something I overheard earlier, boss, | 0:12:41 | 0:12:43 | |
about a dealer in the area. | 0:12:43 | 0:12:45 | |
-Beady? -Huh? | 0:12:45 | 0:12:47 | |
Is it Beady? | 0:12:47 | 0:12:48 | |
No, a fella called Laser. | 0:12:48 | 0:12:51 | |
-Laser Byrne. -Yeah, that's the one. | 0:12:51 | 0:12:54 | |
Apparently, he's selling from the car park near the football field | 0:12:54 | 0:12:57 | |
of an evening before training. | 0:12:57 | 0:12:59 | |
Yeah, I've heard of him. Bit of an upstart, apparently. | 0:12:59 | 0:13:01 | |
Beady must be slipping if he's muscling in. | 0:13:01 | 0:13:03 | |
Yeah, that's what I was thinking. | 0:13:03 | 0:13:05 | |
Well, I'll pass it on to Nikki. | 0:13:05 | 0:13:06 | |
Good work, Paudge. | 0:13:08 | 0:13:10 | |
-That's for you. -Thank you. | 0:13:17 | 0:13:19 | |
You have a lovely home. | 0:13:22 | 0:13:26 | |
Cake? | 0:13:32 | 0:13:34 | |
No. | 0:13:35 | 0:13:37 | |
Thank you. | 0:13:37 | 0:13:38 | |
In case you were wondering, | 0:13:40 | 0:13:42 | |
he would've been 26 today if your son hadn't murdered him. | 0:13:42 | 0:13:46 | |
If I could change things, I would. | 0:13:49 | 0:13:52 | |
This has been a tragedy for both families. | 0:13:52 | 0:13:54 | |
Really? | 0:13:56 | 0:13:57 | |
But Michael isn't a murderer. He didn't mean to kill Darren. | 0:13:57 | 0:14:01 | |
I know that for a fact. It was an accident. | 0:14:04 | 0:14:07 | |
Yeah. We'll let the courts decide that. | 0:14:07 | 0:14:11 | |
Actually, that's why I'm here, what I've come to discuss. | 0:14:12 | 0:14:15 | |
I have an offer for you. | 0:14:17 | 0:14:19 | |
-I know I've let you down. -That's good not good enough, Eddie. | 0:14:21 | 0:14:24 | |
-Explain. -Yeah, you of all people. Why? | 0:14:24 | 0:14:27 | |
It's cold now. | 0:14:29 | 0:14:30 | |
What does that have to do with anything? | 0:14:30 | 0:14:32 | |
My heating bills are rolling in, | 0:14:32 | 0:14:33 | |
even if the heat is only on for an hour or so in the evening. | 0:14:33 | 0:14:37 | |
I was hungry. | 0:14:38 | 0:14:40 | |
Never thought I'd... | 0:14:40 | 0:14:42 | |
I let you down. I let myself down. | 0:14:42 | 0:14:46 | |
That's a rare old sob story, Eddie. | 0:14:46 | 0:14:48 | |
-What? -I don't believe a word of it. -It's the truth, I swear. | 0:14:48 | 0:14:53 | |
I'm sorry I let you down, Sergeant Tyrell. | 0:14:53 | 0:14:55 | |
Lock me up if you want. I know I deserve it. | 0:14:55 | 0:14:58 | |
Why haven't you spoken to anyone about this? | 0:14:58 | 0:15:01 | |
What about your social worker? | 0:15:01 | 0:15:02 | |
I've just been all over the place, really. | 0:15:02 | 0:15:06 | |
Sorry. | 0:15:07 | 0:15:10 | |
I'm sorry. Sorry. | 0:15:10 | 0:15:12 | |
OK, Eddie. I believe you. I do. | 0:15:12 | 0:15:15 | |
But I'm going to call the supermarket | 0:15:16 | 0:15:19 | |
and explain the situation. | 0:15:19 | 0:15:21 | |
I'm not making any promises, | 0:15:21 | 0:15:23 | |
but I will try to get them to understand. | 0:15:23 | 0:15:25 | |
Oh, thank you, Sergeant. | 0:15:25 | 0:15:29 | |
In return for supporting Michael's manslaughter plea, | 0:15:29 | 0:15:33 | |
I will pay compensation for Darren's death. | 0:15:33 | 0:15:36 | |
You can't put a price on Darren's life. | 0:15:36 | 0:15:39 | |
I know that. It's a gesture. That's all. | 0:15:39 | 0:15:42 | |
Yeah, well, you can shove your money. | 0:15:42 | 0:15:44 | |
Think of Katie's baby. | 0:15:47 | 0:15:48 | |
How much you could provide for it with a nice lump sum. | 0:15:49 | 0:15:53 | |
Don't bring that into it. | 0:15:53 | 0:15:55 | |
I'm just saying that this money could change your life. | 0:15:55 | 0:15:59 | |
The baby's life. | 0:15:59 | 0:16:02 | |
How much? | 0:16:02 | 0:16:04 | |
-We're not taking that money, Bridge. -We're not, Ma. No way. | 0:16:04 | 0:16:07 | |
How much is this compensation? | 0:16:07 | 0:16:09 | |
20,000. | 0:16:09 | 0:16:11 | |
20,000? | 0:16:12 | 0:16:13 | |
All your money and that's all you're willing to pay | 0:16:17 | 0:16:20 | |
to get your son off a murder charge? | 0:16:20 | 0:16:21 | |
OK. | 0:16:24 | 0:16:26 | |
50. | 0:16:26 | 0:16:27 | |
I'd sell this house and everything I own to get Darren back. | 0:16:31 | 0:16:37 | |
How much do you want? | 0:16:39 | 0:16:41 | |
No. | 0:16:41 | 0:16:43 | |
You tell me. | 0:16:44 | 0:16:46 | |
How much are you willing to pay for Michael's freedom? | 0:16:47 | 0:16:50 | |
How much are you willing to pay to avoid a life sentence? | 0:16:52 | 0:16:56 | |
80,000. | 0:16:56 | 0:16:58 | |
100. | 0:16:59 | 0:17:01 | |
150,000. | 0:17:09 | 0:17:11 | |
I'll write you a cheque for now. | 0:17:17 | 0:17:20 | |
You can't buy this family. | 0:17:47 | 0:17:49 | |
Your son is going down for life. | 0:17:51 | 0:17:54 | |
Would you like me to wrap you a slice of cake to go? | 0:17:58 | 0:18:01 | |
-I've spoken to the supermarket. -Yeah? | 0:18:21 | 0:18:23 | |
They've decided not to press charges. | 0:18:23 | 0:18:26 | |
-A saint. Didn't I tell you? -On one condition. | 0:18:26 | 0:18:29 | |
-Anything. -You're barred from that shop, understood? -Understood. | 0:18:29 | 0:18:33 | |
-One thing. -Go ahead. | 0:18:35 | 0:18:37 | |
Will you be wanting to hang onto the steak? | 0:18:37 | 0:18:40 | |
It's just...nothing to eat for my tea. | 0:18:40 | 0:18:42 | |
150,000. You had 150,000 in your hand. | 0:19:11 | 0:19:16 | |
Think of what we could've done with it, huh? | 0:19:16 | 0:19:18 | |
-You saying I should've taken it? -No. | 0:19:18 | 0:19:20 | |
That bitch, though. Trying to buy us off like that. | 0:19:22 | 0:19:25 | |
-Makes me sick. -Don't worry about it, son. | 0:19:25 | 0:19:28 | |
We made sure that Michael Hennessy will still be put away for murder. | 0:19:28 | 0:19:31 | |
Tyrell said that they can still get the plea without our support. | 0:19:31 | 0:19:34 | |
Ah, nah. That won't happen. We'll see to that. | 0:19:34 | 0:19:38 | |
Look, the most important thing is we did something right today. | 0:19:38 | 0:19:44 | |
For Darren. | 0:19:44 | 0:19:46 | |
-For Darren. -For Darren. | 0:19:48 | 0:19:50 | |
-Where are you off to? -Out. | 0:19:58 | 0:20:00 | |
Paudge. | 0:20:02 | 0:20:04 | |
-Good news. -What's that? | 0:20:04 | 0:20:06 | |
Laser Byrne, caught right in the act. | 0:20:06 | 0:20:08 | |
Bringing him in now. That's good intel, Paudge. | 0:20:08 | 0:20:11 | |
The informant is a regular, is he? | 0:20:11 | 0:20:13 | |
No, some scrote that collared me out on patrol. | 0:20:13 | 0:20:15 | |
Wanted to rat on his mate. You know what they're like. | 0:20:15 | 0:20:17 | |
They never tell us anything until it suits them. | 0:20:17 | 0:20:19 | |
Well, lucky for us. That's a good job. | 0:20:19 | 0:20:21 | |
Thanks, boss. | 0:20:21 | 0:20:22 | |
Beady Burke must be bricking it. He must be next on your radar. | 0:20:24 | 0:20:29 | |
I'd say he's out celebrating. His competition has been eliminated. | 0:20:29 | 0:20:32 | |
Laser Byrne was moving in on Beady's turf. | 0:20:32 | 0:20:34 | |
Beady's got his monopoly back. | 0:20:34 | 0:20:36 | |
All his Christmases have come at once. | 0:20:36 | 0:20:38 | |
Still, good policing, Paudge. | 0:20:38 | 0:20:39 | |
It's all about knowing when to act. | 0:20:41 | 0:20:42 | |
MOBILE PHONE RINGS Tommy! | 0:21:19 | 0:21:22 | |
It's your phone! | 0:21:23 | 0:21:25 | |
Tommy! | 0:21:26 | 0:21:28 | |
-It's all right, you know. -What's that? -To take her calls here. | 0:21:35 | 0:21:39 | |
It's all right. I wasn't hanging up for you. | 0:21:39 | 0:21:42 | |
Is everything OK with Ciara? | 0:21:42 | 0:21:45 | |
Yeah. | 0:21:45 | 0:21:46 | |
Just worried I'm spending too much time with my son. | 0:21:48 | 0:21:51 | |
Your son or your wife? | 0:21:51 | 0:21:52 | |
-Has Michael seen this? -It'll be gone before he gets in. | 0:22:05 | 0:22:08 | |
-At least it better be. -This is the last thing he needs. | 0:22:08 | 0:22:12 | |
He's in a bad enough state as it is. | 0:22:12 | 0:22:13 | |
So, James, I want to press charges. | 0:22:13 | 0:22:17 | |
-Against who? -Who do you think, Banksy? | 0:22:17 | 0:22:20 | |
I saw Keith Kiely with my own eyes. | 0:22:20 | 0:22:23 | |
He sprayed paint all over my windscreen. | 0:22:23 | 0:22:26 | |
I want him arrested. | 0:22:26 | 0:22:27 | |
And we want the Kielys to support the plea bargain, don't we? | 0:22:27 | 0:22:30 | |
A little bit of paint isn't worth hurting Michael over. | 0:22:30 | 0:22:33 | |
Sometimes I really don't know whose side you're on. | 0:22:33 | 0:22:37 | |
Michael's. | 0:22:37 | 0:22:38 | |
The Kielys will never accept the plea bargain. | 0:22:38 | 0:22:41 | |
You don't know that for a fact. | 0:22:41 | 0:22:42 | |
I know that for a fact. I paid them a visit yesterday. | 0:22:42 | 0:22:46 | |
-You did what? -Are you insane? | 0:22:46 | 0:22:48 | |
What happened? What did they say? | 0:22:50 | 0:22:51 | |
I take it the Kielys paid us a visit. | 0:22:51 | 0:22:54 | |
Very symbolic. | 0:23:00 | 0:23:02 | |
-What? -Blood on your hands. | 0:23:02 | 0:23:04 | |
-It's paint. -I can see that. | 0:23:04 | 0:23:06 | |
-What did you do? -Nothing. | 0:23:07 | 0:23:11 | |
Oh, yeah? | 0:23:11 | 0:23:12 | |
So, you storm out of here furious with Patricia Hennessey | 0:23:12 | 0:23:16 | |
ignoring all of Da's orders to do nothing, | 0:23:16 | 0:23:18 | |
and now you're covered in paint. | 0:23:18 | 0:23:20 | |
-Shut up, Kate, will you? -Let me guess. | 0:23:20 | 0:23:22 | |
Graffiti - Harbour Haulage, maybe? | 0:23:22 | 0:23:24 | |
It probably said something like "Murderers" | 0:23:24 | 0:23:26 | |
but probably spelled wrong. | 0:23:26 | 0:23:27 | |
Oh, you're a smartarse, aren't you? | 0:23:27 | 0:23:30 | |
Turpentine will shift that, and don't be an idiot again, Keith. | 0:23:31 | 0:23:34 | |
You're always texting, do you know that? | 0:23:42 | 0:23:44 | |
Yeah, says the man who's texting. | 0:23:44 | 0:23:46 | |
Yeah, but see, I always text, whereas you... | 0:23:46 | 0:23:49 | |
-I like to talk to people. -Well, you did. Not any more. | 0:23:49 | 0:23:52 | |
-I'm talking to you now. -No, you're not. You're texting. | 0:23:52 | 0:23:55 | |
You're going back for some more with that Sabine, aren't you? | 0:23:56 | 0:23:58 | |
No, if I had a woman I would tell you all about it, Sean. | 0:23:58 | 0:24:01 | |
Come on. Why don't you just tell me who it really is. | 0:24:01 | 0:24:04 | |
You would've, once upon a time. You've changed. | 0:24:04 | 0:24:07 | |
Now you're...texting. | 0:24:07 | 0:24:11 | |
-I can tell you're getting some. -Some what? -Action. -Action? | 0:24:11 | 0:24:14 | |
-Yeah. -How do you know that? | 0:24:14 | 0:24:16 | |
Cos you're texting. And smiling. | 0:24:16 | 0:24:19 | |
MOCKINGLY SOBS: And I'm not important in your life any more. | 0:24:19 | 0:24:22 | |
-Do you plan on doing any work today? -Sorry, Skip. | 0:24:22 | 0:24:25 | |
You will be. | 0:24:25 | 0:24:26 | |
Now, she's certainly not getting any. | 0:24:27 | 0:24:30 | |
-Who's not getting any? -Angela. | 0:24:30 | 0:24:33 | |
-And you are, are you? -As if you even need to ask. | 0:24:33 | 0:24:36 | |
Ah, but the real news is that Adrijan here is also...getting some. | 0:24:36 | 0:24:42 | |
Lads, is this your way of finally telling us that you're together? | 0:24:42 | 0:24:45 | |
Did you hear that, Sharon? Sean and Adrijan have come out at last. | 0:24:45 | 0:24:49 | |
I'm so happy for you both. | 0:24:49 | 0:24:50 | |
-That's...funny. -Hilarious. And I don't have a woman. | 0:24:50 | 0:24:55 | |
BELL RINGS | 0:24:55 | 0:24:57 | |
Hi. Sorry to keep you waiting. Can I help you? | 0:25:02 | 0:25:04 | |
I'd like to speak to Sergeant Angela Tyrell, please. | 0:25:04 | 0:25:07 | |
Can I ask what it's about? | 0:25:07 | 0:25:09 | |
Tell her it's Ciara. She'll know. | 0:25:09 | 0:25:12 | |
OK. | 0:25:12 | 0:25:13 | |
So you thought you could just march on in there? | 0:25:15 | 0:25:17 | |
-You thought offering the money would help? -They're Kielys. | 0:25:17 | 0:25:20 | |
It's pretty much the only thing they understand. | 0:25:20 | 0:25:22 | |
You better hope no-one knows about this. | 0:25:22 | 0:25:24 | |
-The point is, how are we going to make this right? -We can't. | 0:25:24 | 0:25:27 | |
She offered them blood money. | 0:25:27 | 0:25:28 | |
Don't. Just don't. Don't speak to me like this. | 0:25:28 | 0:25:31 | |
Why? What are you going to do? | 0:25:31 | 0:25:33 | |
Send us all to jail? I've no chance now. | 0:25:33 | 0:25:37 | |
That's not true. | 0:25:37 | 0:25:39 | |
Keith Kiely committed criminal damage. | 0:25:39 | 0:25:42 | |
We go after him, we have a pretty good chance. James. | 0:25:42 | 0:25:45 | |
Come on, Patricia. It's a dab of paint, not a petrol bomb. | 0:25:45 | 0:25:47 | |
-It was an act of naked aggression. -What did you expect him to do? | 0:25:47 | 0:25:51 | |
You put a price on their son's life. | 0:25:51 | 0:25:54 | |
You have to stop this. Now. | 0:25:56 | 0:25:59 | |
I need to talk to you. | 0:26:05 | 0:26:06 | |
Not here. | 0:26:08 | 0:26:09 | |
-What do you want? -I would've thought that was obvious. | 0:26:17 | 0:26:20 | |
Not to me. I'm afraid you'll have to spell it out. | 0:26:20 | 0:26:23 | |
Let him go, Angela. | 0:26:23 | 0:26:25 | |
Tommy is a big boy. He can make his own decisions. | 0:26:27 | 0:26:29 | |
He doesn't want you any more. | 0:26:29 | 0:26:31 | |
First of all, do not turn up at my work to try and embarrass me. | 0:26:33 | 0:26:37 | |
If you've got a problem, we can deal with this elsewhere. | 0:26:37 | 0:26:39 | |
Secondly, don't you dare presume to tell me what my husband wants. | 0:26:39 | 0:26:44 | |
You're using Conor to keep him. | 0:26:44 | 0:26:45 | |
-What does that mean? -Handy, isn't it? | 0:26:45 | 0:26:47 | |
A nice little addiction. That'll keep Tommy at home. | 0:26:47 | 0:26:50 | |
How dare you. | 0:26:52 | 0:26:53 | |
It wouldn't surprise me if you were dealing to him yourself. | 0:26:53 | 0:26:56 | |
That's assault. | 0:27:04 | 0:27:05 | |
Find a witness. | 0:27:10 | 0:27:11 | |
Sarge, I'm just about to go to the cafe for coffee. | 0:27:25 | 0:27:29 | |
Do you want anything? | 0:27:29 | 0:27:30 | |
Sarge? | 0:27:31 | 0:27:33 | |
Sarge? | 0:27:33 | 0:27:35 | |
-Ah, leave it, Skip. I'll clear it up. -No. | 0:27:39 | 0:27:42 | |
It's OK. | 0:27:42 | 0:27:44 | |
Are you free? I need you to go around to the Kielys' house. | 0:27:48 | 0:27:51 | |
-They won't... -They will. I'm coming too. | 0:27:51 | 0:27:54 | |
Are you OK? | 0:27:57 | 0:27:59 | |
I'm grand. | 0:27:59 | 0:28:01 | |
It's OK, Sarge. You go. We'll clear this. | 0:28:01 | 0:28:03 | |
Thank you. | 0:28:03 | 0:28:04 | |
Hello, stranger. | 0:28:22 | 0:28:24 | |
Siobhan. What are you doing here? | 0:28:24 | 0:28:27 | |
Um, well, I've been thinking about you. | 0:28:27 | 0:28:33 | |
Right. | 0:28:35 | 0:28:36 | |
Look, I feel really bad | 0:28:36 | 0:28:37 | |
about the way I just ran out on you last week, | 0:28:37 | 0:28:40 | |
and you were trying to explain to me | 0:28:40 | 0:28:42 | |
and I didn't really give you a chance. | 0:28:42 | 0:28:44 | |
No. | 0:28:44 | 0:28:46 | |
See, the thing that I'm trying to get my head around | 0:28:46 | 0:28:49 | |
is that I met this guy and he seemed really cool and he was very cute. | 0:28:49 | 0:28:57 | |
Um, then I find out that he killed someone. | 0:28:57 | 0:29:01 | |
Anyway, I'm here to say if you still want to explain, | 0:29:05 | 0:29:08 | |
I'm willing to listen. | 0:29:08 | 0:29:09 | |
Right. | 0:29:11 | 0:29:13 | |
So, do you want to meet for a drink later? | 0:29:13 | 0:29:15 | |
Maybe your mum's place? | 0:29:15 | 0:29:16 | |
OK. Great. | 0:29:16 | 0:29:18 | |
Cool. | 0:29:18 | 0:29:20 | |
-You're wrong. -I'm not, though. -It's about fluidity. | 0:29:20 | 0:29:23 | |
Everything interchangeable. | 0:29:23 | 0:29:24 | |
Apart from your last man, you react to events. | 0:29:24 | 0:29:26 | |
-See, that's why a woman can't play. -Don't you dare. | 0:29:26 | 0:29:28 | |
It's about fixed positions. Knowing your place. | 0:29:28 | 0:29:31 | |
A clear sense of your role, like a marriage. | 0:29:31 | 0:29:33 | |
-Don't you dare! -What's like a marriage? | 0:29:33 | 0:29:35 | |
Five-a-side, except it's not. | 0:29:35 | 0:29:37 | |
Well, obviously not your modern kind of marriage. | 0:29:37 | 0:29:39 | |
-What does that mean? -Have you guys seen Adrijan? | 0:29:39 | 0:29:42 | |
It means not like a proper marriage | 0:29:42 | 0:29:43 | |
where man is a man and a woman is a woman. | 0:29:43 | 0:29:45 | |
Oh, my God. I'm living in the 1800s. Sean, help. | 0:29:45 | 0:29:48 | |
There's a phrase you don't hear every day. | 0:29:48 | 0:29:50 | |
Where is Adrijan? | 0:29:50 | 0:29:51 | |
Oh, he went out a second ago half nude. | 0:29:51 | 0:29:54 | |
I'm telling you, he's up to something, | 0:29:54 | 0:29:57 | |
and I'll bet my coffee sups it's a lady. | 0:29:57 | 0:30:00 | |
I don't suppose he said where he was going? | 0:30:00 | 0:30:02 | |
-No. -Well, he's not going to get away with it. | 0:30:02 | 0:30:05 | |
You're not going to follow him. You can't. | 0:30:05 | 0:30:08 | |
It's killing me. | 0:30:08 | 0:30:09 | |
He's keeping it quiet cos she's either a wagon | 0:30:09 | 0:30:12 | |
or a hot, sexy mama he's trying to keep to himself. | 0:30:12 | 0:30:15 | |
Either way, I'm going to find out. | 0:30:15 | 0:30:17 | |
Don't tell me you don't want to know who's finally captured... | 0:30:17 | 0:30:20 | |
-IMITATES ADRIJAN: -..his dark, brooding Croatian heart. | 0:30:20 | 0:30:22 | |
Oh, God. What do you want? | 0:30:27 | 0:30:28 | |
-Can we come in? We need a word. -HE SIGHS | 0:30:28 | 0:30:32 | |
Bridget. | 0:30:32 | 0:30:34 | |
Keith. | 0:30:34 | 0:30:35 | |
Harbour Haulage was vandalised last night. | 0:30:35 | 0:30:38 | |
What are you telling us for? | 0:30:38 | 0:30:39 | |
"Murdering scum" was graffitied on the front of Harbour Haulage. | 0:30:39 | 0:30:42 | |
Everybody knows Michael killed Darren. | 0:30:42 | 0:30:44 | |
Sure, that could've been anybody. | 0:30:44 | 0:30:46 | |
Keith was seen by Patricia Hennessey. | 0:30:46 | 0:30:48 | |
So what if I was? What are you going to do? | 0:30:48 | 0:30:50 | |
Are you going to arrest me? | 0:30:50 | 0:30:53 | |
Here, go on. Go on. Put your cuffs on. | 0:30:53 | 0:30:55 | |
Don't push us. | 0:30:55 | 0:30:58 | |
Right, that's it. | 0:30:58 | 0:31:00 | |
You arrest him, | 0:31:00 | 0:31:01 | |
see how "grieving family harassed" plays out for you. | 0:31:01 | 0:31:05 | |
I'm letting Keith away with a caution. | 0:31:05 | 0:31:08 | |
But this is it. It ends here. No more reprisals. | 0:31:08 | 0:31:12 | |
We're not the ones with a murderer for a brother-in-law. | 0:31:12 | 0:31:15 | |
Enough. This isn't about the plea bargain. | 0:31:15 | 0:31:18 | |
I need you to promise me | 0:31:19 | 0:31:21 | |
that I won't have to come back down here again. | 0:31:21 | 0:31:24 | |
Can you do that? | 0:31:24 | 0:31:26 | |
DOORBELL RINGS | 0:31:36 | 0:31:38 | |
What the...? | 0:31:49 | 0:31:51 | |
I wasn't sure you'd actually be here. | 0:32:02 | 0:32:04 | |
Thought I'd stand you up? | 0:32:04 | 0:32:05 | |
Wouldn't blame you. | 0:32:07 | 0:32:08 | |
I said I'd listen, so...take this. | 0:32:08 | 0:32:12 | |
Tell me what happened. | 0:32:14 | 0:32:15 | |
I'll take the one on the right. | 0:32:35 | 0:32:37 | |
She rang me. | 0:32:41 | 0:32:43 | |
She came here to my workplace. | 0:32:43 | 0:32:45 | |
You shouldn't have hit her. | 0:32:45 | 0:32:47 | |
-You told her about Conor. -I... | 0:32:48 | 0:32:50 | |
Whatever happens, whoever you're with, he's our son, | 0:32:50 | 0:32:53 | |
and what affects him stays between us. We agreed. | 0:32:53 | 0:32:55 | |
-Jesus, Angela, I had to talk to someone. -Yeah, me. | 0:32:55 | 0:32:58 | |
That someone is me, Tommy. | 0:32:58 | 0:33:01 | |
Well, maybe if I thought you wouldn't bite my head off. | 0:33:01 | 0:33:03 | |
Oh, I'm sure she was very understanding. | 0:33:03 | 0:33:05 | |
Easy for her. Her son isn't a recovering addict. | 0:33:05 | 0:33:08 | |
She won't tell anyone, if that's what you're worried about. | 0:33:08 | 0:33:10 | |
You know, she actually accused me | 0:33:10 | 0:33:12 | |
of using Conor to keep you away from her. | 0:33:12 | 0:33:14 | |
You really know how to pick them, don't you? | 0:33:14 | 0:33:16 | |
She knows that's not true. I'll put her straight. | 0:33:16 | 0:33:19 | |
I can't do it. It's too much. | 0:33:23 | 0:33:26 | |
Me or her, Tommy. You can't have both. | 0:33:28 | 0:33:31 | |
You did nothing but give him a bit of a warning? | 0:33:37 | 0:33:40 | |
I thought you understood. | 0:33:40 | 0:33:42 | |
It's not in anyone's interest to inflame the situation. | 0:33:42 | 0:33:45 | |
Let's not lose perspective here. It's a bit of graffiti. | 0:33:45 | 0:33:48 | |
Try telling that to my brother. | 0:33:48 | 0:33:51 | |
You know what he's been going through. | 0:33:51 | 0:33:53 | |
It's obvious the Kielys are not going to cooperate, | 0:33:53 | 0:33:55 | |
so I don't see the point of carrying on | 0:33:55 | 0:33:57 | |
with this softly-softly rubbish. | 0:33:57 | 0:33:59 | |
-You should've arrested him. -He lost his brother. | 0:33:59 | 0:34:01 | |
I'm about to lose mine. | 0:34:01 | 0:34:03 | |
It's hardly the same thing, and you know it. | 0:34:03 | 0:34:06 | |
You know what the Kielys are like. | 0:34:06 | 0:34:09 | |
Don't. Don't try to justify it. | 0:34:09 | 0:34:11 | |
I care about Michael, but he killed Darren. | 0:34:13 | 0:34:16 | |
He'll do a few years inside. Darren Kiely lost his life. | 0:34:16 | 0:34:18 | |
For God's sake, once, just once, support me, support my family. | 0:34:18 | 0:34:24 | |
-That's Patricia talking. -No. | 0:34:24 | 0:34:26 | |
It's family talking. | 0:34:26 | 0:34:29 | |
But then that's not something you seem to know a lot about. | 0:34:29 | 0:34:31 | |
You know, I didn't realise I'd married your mother. | 0:34:33 | 0:34:35 | |
SHE SCOFFS | 0:34:37 | 0:34:39 | |
SHE SIGHS | 0:34:47 | 0:34:49 | |
Say something. | 0:34:52 | 0:34:53 | |
Fancy another? | 0:35:02 | 0:35:03 | |
Stephen didn't fancy the bowling after all | 0:35:19 | 0:35:23 | |
so I dropped them at the cinema instead. | 0:35:23 | 0:35:25 | |
Should give us a couple of hours. | 0:35:25 | 0:35:26 | |
-Ange, what you said... -I meant it. | 0:35:29 | 0:35:32 | |
I can't live like this any more. | 0:35:33 | 0:35:36 | |
-Don't try and talk me round. -I won't. You're right. | 0:35:36 | 0:35:39 | |
This has to stop. | 0:35:39 | 0:35:42 | |
You're not the only one sick and tired of it all. | 0:35:42 | 0:35:44 | |
Yeah, I thought we were doing right by the kids. Protecting them. | 0:35:47 | 0:35:52 | |
But we were so busy trying to get our story straight... | 0:35:52 | 0:35:55 | |
we didn't even notice our son was on drugs. | 0:35:55 | 0:35:58 | |
HE SIGHS I'm sorry. | 0:36:00 | 0:36:02 | |
Just go, please. Just go. | 0:36:07 | 0:36:11 | |
I'm not going anywhere. | 0:36:13 | 0:36:15 | |
You told me to make a choice. | 0:36:15 | 0:36:17 | |
I did. | 0:36:17 | 0:36:20 | |
Me and Ciara... | 0:36:20 | 0:36:23 | |
it's over. | 0:36:23 | 0:36:24 | |
Come on, spill. | 0:36:26 | 0:36:27 | |
-What are you talking about? -Adrijan's mystery woman. | 0:36:29 | 0:36:32 | |
-Who is she? -No idea. | 0:36:32 | 0:36:36 | |
-You're lying. -I'm not. | 0:36:36 | 0:36:38 | |
I lost them, OK? Got stuck at some lights. | 0:36:39 | 0:36:43 | |
Don't know where he is. | 0:36:44 | 0:36:46 | |
I don't know what I want. | 0:36:48 | 0:36:50 | |
I don't even know what that means, you leaving her. | 0:36:50 | 0:36:52 | |
It means I'm choosing you. Us. | 0:36:52 | 0:36:54 | |
Why? Nothing's changed. I'm still the woman you walked out on. | 0:36:54 | 0:36:58 | |
Look, being with Ciara, it was nothing. | 0:36:58 | 0:37:02 | |
It didn't come close to what we used to be. | 0:37:02 | 0:37:04 | |
Now, I know we lost our way, | 0:37:04 | 0:37:06 | |
but if there's a chance for us to get back... | 0:37:06 | 0:37:08 | |
Can't go back, Tommy. That's the point. | 0:37:08 | 0:37:10 | |
Just like I can't change who I am. | 0:37:11 | 0:37:14 | |
I don't want to. This is me. | 0:37:14 | 0:37:17 | |
I love my job and I won't apologise for it. | 0:37:17 | 0:37:19 | |
-If we're still going to make each other miserable... -We won't. | 0:37:19 | 0:37:23 | |
Am I really the woman you want to be with for the rest of your life? | 0:37:23 | 0:37:26 | |
-Hey. -Hey. | 0:37:33 | 0:37:34 | |
-Nice lunch, yeah? -Yeah, man. Sorry. I was just... | 0:37:34 | 0:37:37 | |
Yeah, you just nipped out for a quick curry, yeah? | 0:37:37 | 0:37:40 | |
-What? -Or should I say a quickie... | 0:37:42 | 0:37:45 | |
with Joan Curry. | 0:37:45 | 0:37:47 | |
Oh, yeah. I know, buddy. I saw you. | 0:37:47 | 0:37:51 | |
-You followed me? -What the hell are you doing? | 0:37:51 | 0:37:53 | |
-I can draw you a diagram, if you want. -You should've told me. | 0:37:53 | 0:37:56 | |
Like you told me about Nikki. | 0:37:56 | 0:37:57 | |
Oh, that's right. That was different. | 0:37:59 | 0:38:00 | |
Yeah, too right it was. | 0:38:00 | 0:38:02 | |
What's the big deal? | 0:38:02 | 0:38:04 | |
I mean, you were always on about how I should meet more women, | 0:38:04 | 0:38:08 | |
get myself about. | 0:38:08 | 0:38:10 | |
Have you any idea how this is going to look for us? | 0:38:10 | 0:38:14 | |
Ger Curry died on our watch and now you're riding his wife? | 0:38:14 | 0:38:18 | |
-There's some lines you just don't cross. -You're not my mother. | 0:38:18 | 0:38:21 | |
-Get out of my face. -What if McKay finds out? | 0:38:21 | 0:38:23 | |
Think he's going to slap you on the back and say, | 0:38:23 | 0:38:25 | |
"Fair play, Kosos. Give her one for me"? | 0:38:25 | 0:38:27 | |
I don't give a toss what he says. We're both consenting adults. | 0:38:27 | 0:38:30 | |
I like her, she likes me. Why is that such a problem for you? | 0:38:30 | 0:38:35 | |
Are you jealous? | 0:38:35 | 0:38:37 | |
Grief porn, is it? | 0:38:37 | 0:38:40 | |
What? | 0:38:40 | 0:38:41 | |
What, is that what it takes for you to get it up these days? | 0:38:41 | 0:38:44 | |
What's wrong with you? | 0:38:48 | 0:38:50 | |
We all know the Kielys are not reasonable people. | 0:38:55 | 0:38:58 | |
They're bitter and twisted and blinded by the past. | 0:38:58 | 0:39:01 | |
Hmm. I'd say that's a fair summary. | 0:39:01 | 0:39:03 | |
We all know Keith painted that slogan on the front | 0:39:03 | 0:39:07 | |
and we all know it's not going to stop there. | 0:39:07 | 0:39:10 | |
So? | 0:39:10 | 0:39:11 | |
So, Thomas is State Prosecutor. | 0:39:11 | 0:39:14 | |
He was my lecturer in college. I'll call him. | 0:39:14 | 0:39:18 | |
Whilst it would help Michael | 0:39:18 | 0:39:20 | |
if the Kielys were on board with the plea bargain, | 0:39:20 | 0:39:24 | |
we don't need their approval. | 0:39:24 | 0:39:26 | |
We can just press on without them. | 0:39:26 | 0:39:29 | |
That sounds great. | 0:39:29 | 0:39:31 | |
Except it would provoke the Kielys further. | 0:39:34 | 0:39:38 | |
Who knows what they might do next? | 0:39:38 | 0:39:40 | |
They haven't hurt us yet. | 0:39:40 | 0:39:41 | |
There's no guarantee things will stay that way. | 0:39:41 | 0:39:44 | |
I do want you. | 0:39:48 | 0:39:50 | |
I know it's not going to be easy, but... | 0:39:55 | 0:39:57 | |
I'm so sorry. | 0:40:01 | 0:40:02 | |
It wasn't just down to you. | 0:40:04 | 0:40:06 | |
We have so much, Ange. | 0:40:08 | 0:40:10 | |
We have a life. | 0:40:12 | 0:40:14 | |
Are we going to throw it all away | 0:40:14 | 0:40:16 | |
without giving it a fair crack of the whip? | 0:40:16 | 0:40:18 | |
Tell me there's nothing left and I'll go. | 0:40:18 | 0:40:21 | |
You know... | 0:40:33 | 0:40:35 | |
..we could be happy again. | 0:40:37 | 0:40:38 | |
At least we could give it a try, couldn't we? | 0:40:44 | 0:40:46 | |
The Kiely family are feckless, irresponsible | 0:40:52 | 0:40:55 | |
and have shown a flagrant disregard for the law, and... | 0:40:55 | 0:40:58 | |
Most recently? | 0:40:58 | 0:41:00 | |
Threats and criminal damage. | 0:41:00 | 0:41:03 | |
Evidence? | 0:41:03 | 0:41:05 | |
Oh, yeah. | 0:41:05 | 0:41:07 | |
You know me, Thomas. My family are good, decent people. | 0:41:07 | 0:41:12 | |
We're not murderers. | 0:41:12 | 0:41:14 | |
Michael is respected in the community. | 0:41:14 | 0:41:17 | |
He's a responsible man. | 0:41:17 | 0:41:19 | |
Unfortunately, I can't say the same for any of the Kielys. | 0:41:19 | 0:41:22 | |
There's more files on them than there are phone books. | 0:41:22 | 0:41:25 | |
Push this plea through. | 0:41:25 | 0:41:27 | |
It's the right thing to do. | 0:41:27 | 0:41:30 | |
-Thank you, Thomas. Goodbye. -Perfect. | 0:41:35 | 0:41:38 | |
-You think? -Oh, yes. | 0:41:40 | 0:41:42 | |
Your mother's child. | 0:41:42 | 0:41:44 |