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-Joe's offered me a job. -You can't. | 0:00:02 | 0:00:03 | |
It'd only be for a month, until I pay him off what I owe. | 0:00:03 | 0:00:06 | |
If you say one word about Brian to anybody, | 0:00:06 | 0:00:07 | |
you'll end up in the dock right next to him, | 0:00:07 | 0:00:09 | |
charged with the same offence, defilement of a minor. | 0:00:09 | 0:00:12 | |
You wouldn't, you wouldn't. | 0:00:12 | 0:00:14 | |
Sharon. I mean, she's the key to all this, her obsession with me. | 0:00:14 | 0:00:18 | |
But in order to prove it, | 0:00:18 | 0:00:20 | |
undermine her integrity on the stand, there has to be some proof. | 0:00:20 | 0:00:22 | |
Leave it with me. | 0:00:22 | 0:00:24 | |
If he so much as looks at you the wrong way... | 0:00:24 | 0:00:26 | |
He wouldn't dare. | 0:00:26 | 0:00:27 | |
PHONE LINE RINGING | 0:01:14 | 0:01:17 | |
-WOMAN: -Hello, Red Rock Garda Station. | 0:01:17 | 0:01:19 | |
Hello? Yeah, I'd like to report a burglary. | 0:01:19 | 0:01:23 | |
If you need anything else, just give us a shout, yeah? | 0:02:07 | 0:02:12 | |
-You know, my mum's working this morning. -Good for her. | 0:02:12 | 0:02:14 | |
-Maybe you can go talk to her. -No. | 0:02:14 | 0:02:17 | |
-She'll understand... -You better not have said anything. | 0:02:17 | 0:02:20 | |
Conor, throw these bad boys in the dishwasher for me, would you, | 0:02:20 | 0:02:22 | |
-please? -Yeah, sure. -Thanks, buddy. | 0:02:22 | 0:02:24 | |
Lovers' tiff already? | 0:02:27 | 0:02:29 | |
-We're just... -I know. Friends. | 0:02:29 | 0:02:31 | |
I think he wants something more, though. | 0:02:33 | 0:02:35 | |
Blokes usually do. | 0:02:35 | 0:02:36 | |
Believe it or not, I used to be one once. | 0:02:39 | 0:02:41 | |
Just go at your own pace, yeah? | 0:02:44 | 0:02:46 | |
Yeah. | 0:02:46 | 0:02:47 | |
-Any hassle... -I'll be fine. | 0:02:47 | 0:02:49 | |
Lads' weekend. Lads. Clue is in the title. | 0:02:57 | 0:03:01 | |
I am one of the lads. | 0:03:01 | 0:03:03 | |
On paper, maybe. | 0:03:03 | 0:03:04 | |
Do you think I can't handle it? Sounds like fun. | 0:03:04 | 0:03:07 | |
Do you fancy it, Sarge? | 0:03:07 | 0:03:08 | |
What, a night under canvas with a bunch of burping, farting, | 0:03:11 | 0:03:15 | |
drunken fellas? | 0:03:15 | 0:03:16 | |
-Sure I get enough of that at home. -Yeah, well, in Galway, though. | 0:03:16 | 0:03:19 | |
No, I don't do camping. | 0:03:19 | 0:03:21 | |
I do hot and cold running water, Egyptian cotton sheets, | 0:03:21 | 0:03:23 | |
-and a minibar. -See? | 0:03:23 | 0:03:25 | |
You put me down or I'll have you for gender discrimination. | 0:03:25 | 0:03:28 | |
You coming as well? | 0:03:31 | 0:03:33 | |
Where? | 0:03:33 | 0:03:34 | |
Lads' weekend. "Gardai do Galway." | 0:03:34 | 0:03:37 | |
Sounds like a dodgy porno. | 0:03:37 | 0:03:39 | |
Oh, it's nothing, really. | 0:03:39 | 0:03:40 | |
Count me in. | 0:03:40 | 0:03:43 | |
Well, he's definitely not one of the lads. | 0:03:43 | 0:03:45 | |
Report of a break-in. | 0:03:48 | 0:03:50 | |
Should be Uniform. | 0:03:50 | 0:03:52 | |
No, I want you to check it out. | 0:03:52 | 0:03:53 | |
Special case. | 0:03:53 | 0:03:54 | |
The victim is known to us. | 0:03:56 | 0:03:57 | |
If anything happens, | 0:04:07 | 0:04:09 | |
if he does anything, get the hell out of there, do you hear me? | 0:04:09 | 0:04:12 | |
He's not going to do anything. | 0:04:12 | 0:04:13 | |
I don't even know what time I'm meant to be starting. | 0:04:13 | 0:04:16 | |
You're going, then? I'm impressed. | 0:04:16 | 0:04:18 | |
I've had jobs before, you know. | 0:04:18 | 0:04:19 | |
How would I know? | 0:04:19 | 0:04:21 | |
Tell her, Vin. | 0:04:21 | 0:04:22 | |
She worked in that chicken place. | 0:04:22 | 0:04:25 | |
Yeah, when I was, like, 12. | 0:04:25 | 0:04:26 | |
She lasted about five minutes. Put her off drumsticks for life. | 0:04:26 | 0:04:29 | |
Yeah, thanks for that. | 0:04:29 | 0:04:31 | |
Well, good luck with it, anyway. | 0:04:31 | 0:04:34 | |
He's just been fed, so you shouldn't get a peep out of him. | 0:04:34 | 0:04:37 | |
All right, love. | 0:04:37 | 0:04:39 | |
You don't have to do this, you know. | 0:04:43 | 0:04:45 | |
So I said to him, I said, | 0:04:47 | 0:04:49 | |
"Listen, I'm going to charge you twice over, | 0:04:49 | 0:04:51 | |
"you don't put that thing away now!" | 0:04:51 | 0:04:53 | |
It's nice to know that scrote's back where he belongs, huh? | 0:04:53 | 0:04:56 | |
Who else has access to the flat? | 0:04:56 | 0:04:59 | |
Uh...landlord. | 0:04:59 | 0:05:01 | |
Neighbours? | 0:05:01 | 0:05:02 | |
If you can call them that. Talked to them already. | 0:05:02 | 0:05:05 | |
They didn't see anything. | 0:05:05 | 0:05:06 | |
We'll talk to them again, and we'll check the CCTV. | 0:05:06 | 0:05:09 | |
Yeah, I wouldn't bother with that. | 0:05:09 | 0:05:10 | |
There's some clapped-out camera up on Boyle Street, | 0:05:10 | 0:05:12 | |
but you won't get any joy there. | 0:05:12 | 0:05:14 | |
Sorry. Old habits. | 0:05:16 | 0:05:18 | |
How long were you a guard for? 15 years, was it? | 0:05:22 | 0:05:25 | |
20. And I still am. | 0:05:27 | 0:05:29 | |
Must have changed a lot since you started. | 0:05:31 | 0:05:34 | |
Yeah. Nothing like the Blue, though. | 0:05:34 | 0:05:36 | |
How's the old place doing? Keeping you busy, are they? | 0:05:40 | 0:05:44 | |
Never a dull moment. | 0:05:44 | 0:05:45 | |
Yeah. Say that again. | 0:05:46 | 0:05:48 | |
Always good craic down there. Although, watch out for Cleere. | 0:05:50 | 0:05:53 | |
Yeah, you mind your back, fella. | 0:05:53 | 0:05:55 | |
She puts the eye on you, run. | 0:05:55 | 0:05:58 | |
Anything there? | 0:06:00 | 0:06:02 | |
Now, how's that? Wouldn't want you putting out your back now, yeah? | 0:06:11 | 0:06:14 | |
I'm grand. | 0:06:14 | 0:06:16 | |
We're all about the health and safety here, aren't we, Breen? | 0:06:16 | 0:06:18 | |
Thought you said you had a coffee machine. | 0:06:18 | 0:06:20 | |
Yeah, you met him. | 0:06:20 | 0:06:22 | |
So, uh, this book-keeping lark. Where's the books? | 0:06:25 | 0:06:29 | |
Oh, leave that for now. | 0:06:29 | 0:06:31 | |
What I want you to do is, you sit here, you just take phone calls. | 0:06:31 | 0:06:34 | |
-I'm going for a meeting. -That's it? -Mm-hm. I don't want to rush you in. | 0:06:34 | 0:06:38 | |
Don't I have a computer, or something? | 0:06:38 | 0:06:40 | |
Nah. I'm old school. | 0:06:40 | 0:06:41 | |
You and me working together - it's going to be something else. | 0:06:43 | 0:06:46 | |
-Ah, there it is. -GENTLE LAUGHTER | 0:06:59 | 0:07:01 | |
He certainly looks the part. | 0:07:01 | 0:07:03 | |
-Well, that was not my idea. -Don't tell me. Your da's. | 0:07:03 | 0:07:06 | |
He's a smasher, though. They're so easy at that stage, aren't they? | 0:07:08 | 0:07:12 | |
Simple. | 0:07:12 | 0:07:14 | |
Yeah, when he's not keeping me awake all night. | 0:07:14 | 0:07:16 | |
Ah, don't worry, they do that even when they're older. | 0:07:16 | 0:07:18 | |
When's the court case coming up? | 0:07:21 | 0:07:23 | |
Three weeks. | 0:07:23 | 0:07:25 | |
-When are you coming back to work? -Doesn't look like yous need me. | 0:07:27 | 0:07:30 | |
Conor's just filling in, so... | 0:07:31 | 0:07:33 | |
Well, I won't say no, if you've any hours you can chuck my way. | 0:07:34 | 0:07:37 | |
Let me have a look at the roster, OK? | 0:07:37 | 0:07:39 | |
-I'll give you a shout. -Thanks. -Let me see. | 0:07:39 | 0:07:42 | |
Oh, my God! He's so cute! | 0:07:42 | 0:07:44 | |
Items of clothing. Canon D70 Camera. | 0:07:46 | 0:07:50 | |
Expensive. | 0:07:50 | 0:07:51 | |
Yeah, hobby. Plenty of time on my hands. | 0:07:51 | 0:07:54 | |
Do you have, uh, proof of purchase? | 0:07:54 | 0:07:56 | |
What are you saying? I'm lying? | 0:07:58 | 0:08:00 | |
Nah, just dotting the I's. | 0:08:00 | 0:08:01 | |
Yeah, I'm sure I can find it somewhere. | 0:08:02 | 0:08:04 | |
If you could dig that out for me, that'd be great. | 0:08:04 | 0:08:07 | |
-Sure. -Anything else? | 0:08:07 | 0:08:09 | |
Um... I'm not exactly keeping all my worldly possessions here. | 0:08:09 | 0:08:13 | |
Nothing else worth nicking. | 0:08:13 | 0:08:15 | |
-We'll get this stuff back to the lab. -Cheers. | 0:08:15 | 0:08:17 | |
Yours? | 0:08:19 | 0:08:20 | |
Uh...no. That's not mine. | 0:08:22 | 0:08:25 | |
Are you sure? | 0:08:25 | 0:08:27 | |
No. Never seen it before. What is it? | 0:08:27 | 0:08:30 | |
Some kind of gym card. | 0:08:33 | 0:08:36 | |
We'll check it out. You never know. | 0:08:36 | 0:08:38 | |
Appreciate it. | 0:08:38 | 0:08:39 | |
Well, hey, listen, when you're done with that, give it to Paudge. | 0:08:39 | 0:08:42 | |
Could use the exercise. | 0:08:42 | 0:08:43 | |
PHONE RINGS | 0:08:53 | 0:08:57 | |
Hello, can I help you? | 0:09:02 | 0:09:04 | |
Proper little Miss Moneypenny, aren't you? | 0:09:05 | 0:09:07 | |
What's that make you? | 0:09:07 | 0:09:09 | |
Please, Joe, please don't do this! | 0:09:16 | 0:09:18 | |
You're a hard man to pin down, Ger. | 0:09:18 | 0:09:20 | |
No-one likes a time-waster. | 0:09:21 | 0:09:24 | |
You got what you owe me? | 0:09:26 | 0:09:27 | |
It's the gym on Rathgar Road. I'm a member. Why? | 0:09:37 | 0:09:40 | |
We found that at Brian's bedsit. | 0:09:40 | 0:09:42 | |
We've contacted the gym. | 0:09:42 | 0:09:45 | |
They say it's registered to you. | 0:09:45 | 0:09:47 | |
You can't think... You know I had nothing to do with this. | 0:09:59 | 0:10:01 | |
-No-one's accusing you. -I didn't do it! | 0:10:01 | 0:10:04 | |
We need to eliminate you from our enquiries, | 0:10:04 | 0:10:06 | |
-prove that you've nothing to do with it. -OK, well, how? | 0:10:06 | 0:10:09 | |
We need to search your flat. | 0:10:09 | 0:10:11 | |
Are you serious? | 0:10:12 | 0:10:14 | |
Brian identified some items that have been stolen. | 0:10:14 | 0:10:16 | |
If he's up to something then a search will put an end to it. | 0:10:16 | 0:10:19 | |
I don't like this any more than you do. | 0:10:19 | 0:10:21 | |
But if it gets him off our backs and yours | 0:10:21 | 0:10:22 | |
then I definitely think we should do it. | 0:10:22 | 0:10:24 | |
Yeah. Right. Go ahead. I've nothing to hide. | 0:10:25 | 0:10:28 | |
It's very simple. You know the rules. You borrow money, | 0:10:39 | 0:10:41 | |
you pay it back. | 0:10:41 | 0:10:43 | |
Just looking for a bit more time. | 0:10:43 | 0:10:45 | |
You're starting to bore me, Ger. | 0:10:45 | 0:10:47 | |
It's different this time, Joe. You banjaxed me with the interest. | 0:10:47 | 0:10:51 | |
Would you get an earful of this? | 0:10:51 | 0:10:53 | |
I swear, I had a plan. | 0:10:57 | 0:10:59 | |
I had the money, but then the bleedin' guards turned up. | 0:10:59 | 0:11:02 | |
They're all over me. | 0:11:02 | 0:11:05 | |
The money's gone. I got arrested. | 0:11:05 | 0:11:07 | |
That's some bad luck you've got there. | 0:11:07 | 0:11:10 | |
I didn't give them your name or nothing. | 0:11:10 | 0:11:12 | |
That would've been a very stupid thing to do. | 0:11:12 | 0:11:15 | |
Couple of weeks, days... I'm begging you... | 0:11:17 | 0:11:20 | |
What do you say, Bridge? | 0:11:24 | 0:11:26 | |
Me? Sure, what would I know? | 0:11:26 | 0:11:29 | |
I'm good for it. I will be. | 0:11:31 | 0:11:33 | |
Give the man a chance. He's desperate. | 0:11:36 | 0:11:39 | |
Yeah. He smells of it. | 0:11:40 | 0:11:44 | |
Reeks of desperation. | 0:11:44 | 0:11:45 | |
Take it. This is all I've got. | 0:11:50 | 0:11:52 | |
It's yours. | 0:11:52 | 0:11:53 | |
Don't ever throw pennies at me. | 0:11:56 | 0:11:58 | |
Please don't hurt me. | 0:12:03 | 0:12:04 | |
Let's not make a scene in front of the lady. | 0:12:08 | 0:12:11 | |
Go. | 0:12:11 | 0:12:13 | |
DOOR CLOSES | 0:12:20 | 0:12:22 | |
You just made your first business decision. | 0:12:24 | 0:12:27 | |
First of many, I hope. | 0:12:27 | 0:12:29 | |
We've all been through it. | 0:12:40 | 0:12:42 | |
False accusations. | 0:12:42 | 0:12:44 | |
It's rubbish, but we can't be seen to be making exceptions. | 0:12:44 | 0:12:48 | |
Even if we want to. | 0:12:48 | 0:12:50 | |
I'm going to need your key. | 0:12:55 | 0:12:56 | |
Oh, yeah, sorry. | 0:12:58 | 0:13:00 | |
Can I come with you? | 0:13:07 | 0:13:09 | |
You probably shouldn't. | 0:13:09 | 0:13:11 | |
Please. | 0:13:11 | 0:13:13 | |
Don't want to miss out on all the fun. | 0:13:13 | 0:13:15 | |
Ger McIntyre is a two-bit gambler who's addicted to the gee-gees. | 0:13:19 | 0:13:22 | |
I mean, have you seen his wife? | 0:13:22 | 0:13:25 | |
He comes across as hard done by, but I'm the victim here. | 0:13:25 | 0:13:29 | |
Soft touch. I give him chance after chance, | 0:13:29 | 0:13:32 | |
he throws it back in my face. So, yeah, I come across as strong. | 0:13:32 | 0:13:35 | |
But it's for his own good. | 0:13:35 | 0:13:37 | |
-Yeah. -Yeah. | 0:13:39 | 0:13:41 | |
-Come on, we're going out. -What for? | 0:13:42 | 0:13:44 | |
Lunch. I'm taking my employee out for a bite. | 0:13:44 | 0:13:47 | |
I'm meeting a client, I'd like to introduce you. | 0:13:50 | 0:13:53 | |
-It's part of your job. -No, I'm not that hungry.. | 0:13:53 | 0:13:56 | |
It's the Bayview Hotel. | 0:13:56 | 0:13:58 | |
What about the phone? I should be here, in case someone calls. | 0:13:58 | 0:14:01 | |
The handy thing about phones is people call back, Bridge. | 0:14:01 | 0:14:04 | |
-Yeah, I'll be with you in a sec. -No rush, Conor. | 0:14:13 | 0:14:16 | |
Listen, thanks for all your hard work the last few days. | 0:14:16 | 0:14:19 | |
-Yeah, no worries. -No, I really appreciate it. | 0:14:19 | 0:14:21 | |
Right, yeah. | 0:14:21 | 0:14:23 | |
The thing is, though, uh... Katie Kiely's coming back. | 0:14:23 | 0:14:27 | |
-And you're in college, anyways. -Not for ages, though. | 0:14:27 | 0:14:30 | |
Thing is, Conor, I can't afford to pay both of you. | 0:14:32 | 0:14:35 | |
-You're sacking me? -Well, Conor, you were just giving us a dig out. | 0:14:39 | 0:14:43 | |
-Yeah, but I told you... -I know. I'm sorry, Conor. | 0:14:43 | 0:14:46 | |
Oh, come on, Liam, you know how much I need this job. | 0:14:46 | 0:14:48 | |
Look, I know, man, but Katie needs it as well, yeah? | 0:14:48 | 0:14:51 | |
And she was here first. | 0:14:51 | 0:14:52 | |
To be honest, | 0:14:52 | 0:14:54 | |
I'm not sure it's a great idea, you being around here, anyway. | 0:14:54 | 0:14:56 | |
Why not? | 0:14:56 | 0:14:58 | |
I think Rachel feels kind of awkward around you. | 0:14:58 | 0:15:01 | |
-So it was her idea? -No. Wasn't. It was all mine. | 0:15:01 | 0:15:05 | |
Look, Conor, I'm sorry, OK? | 0:15:05 | 0:15:08 | |
It's just she's going through a really rough time right now. | 0:15:08 | 0:15:10 | |
Yeah. Yeah, you don't know the half of it. | 0:15:10 | 0:15:13 | |
The tick on table seven is whining for his soup. | 0:15:13 | 0:15:16 | |
Hey, hey. You know...you know all I'm trying to do is help you, | 0:15:17 | 0:15:20 | |
and this is how you thank me? | 0:15:20 | 0:15:22 | |
I'm sorry, Conor. I don't want to go out with you. | 0:15:22 | 0:15:24 | |
You're good. | 0:15:26 | 0:15:28 | |
She's good. You know, she's lying. | 0:15:28 | 0:15:29 | |
Conor, maybe you should go now, OK? | 0:15:29 | 0:15:32 | |
I'll pay you till the rest of the day. | 0:15:32 | 0:15:34 | |
You know what? No. Don't bother. | 0:15:34 | 0:15:36 | |
Sorry if it's a bit messy, I wasn't expecting anybody. | 0:15:42 | 0:15:46 | |
Nice place. | 0:15:46 | 0:15:48 | |
Yeah, my uncle's a landlord. He gave me a good deal. | 0:15:48 | 0:15:51 | |
You should try sharing a house with five blokes. | 0:15:51 | 0:15:54 | |
I'd say you're some bathroom-hogger, all right. | 0:15:54 | 0:15:56 | |
-Any chance of a cup of tea? -That's a good idea. | 0:15:56 | 0:15:59 | |
Yeah. Sorry. Anyone else? | 0:15:59 | 0:16:01 | |
-If you're making it. -This won't take long, Sharon. | 0:16:01 | 0:16:04 | |
We're going to start upstairs, OK? | 0:16:04 | 0:16:06 | |
Where's the tea bags? | 0:16:10 | 0:16:12 | |
Shouldn't be too long. | 0:16:17 | 0:16:19 | |
You probably shouldn't have come. | 0:16:22 | 0:16:24 | |
It's my house. | 0:16:24 | 0:16:25 | |
Sure, they know it's a load of cock and bull. | 0:16:27 | 0:16:29 | |
Is this the fancy stuff you're always talking about? | 0:16:31 | 0:16:34 | |
Cost you an arm and a leg? | 0:16:34 | 0:16:37 | |
How did he get my gym card? | 0:16:37 | 0:16:39 | |
Sharon... | 0:16:39 | 0:16:41 | |
The picture... | 0:16:45 | 0:16:48 | |
What? | 0:16:48 | 0:16:50 | |
This...this was moved. | 0:16:50 | 0:16:52 | |
-This morning it was face down. -Why didn't you say? | 0:16:52 | 0:16:55 | |
I...I didn't think. | 0:16:55 | 0:16:56 | |
Maybe the wind caught it, or something. | 0:16:59 | 0:17:01 | |
Boss? | 0:17:31 | 0:17:33 | |
It's just a camera. Doesn't mean... | 0:17:33 | 0:17:36 | |
Oh, my God. | 0:17:36 | 0:17:37 | |
Flick through. | 0:17:39 | 0:17:41 | |
Well, just tell me what the problem is. | 0:17:53 | 0:17:55 | |
It'll be OK. | 0:17:57 | 0:17:59 | |
-Rachel, what's up?! -Stop shouting at me! -I... | 0:17:59 | 0:18:01 | |
What have you done? | 0:18:02 | 0:18:05 | |
It's Conor. | 0:18:05 | 0:18:06 | |
You two back on, are you? | 0:18:08 | 0:18:11 | |
I didn't mean to, it just came out, OK? | 0:18:11 | 0:18:13 | |
He knows. | 0:18:13 | 0:18:16 | |
-He knows what? -Everything. | 0:18:16 | 0:18:18 | |
About you and me. | 0:18:18 | 0:18:20 | |
You told him?! | 0:18:22 | 0:18:23 | |
And he knows that I lied to the guards. | 0:18:23 | 0:18:26 | |
Why the bloody hell would you do that? | 0:18:26 | 0:18:28 | |
And he keeps getting at me to go back and tell them, | 0:18:28 | 0:18:31 | |
tell them all about us. | 0:18:31 | 0:18:32 | |
-You stupid little... -I'm sorry! I'm really sorry! | 0:18:32 | 0:18:37 | |
How long's he known? | 0:18:41 | 0:18:44 | |
-How long?! -A few days. | 0:18:44 | 0:18:46 | |
Has he told anyone? | 0:18:47 | 0:18:50 | |
No. He won't. I told him to not open his mouth. | 0:18:50 | 0:18:53 | |
How's that going to work? How are you going to stop him?! | 0:18:55 | 0:18:59 | |
His mother's a bloody sergeant! | 0:18:59 | 0:19:01 | |
-Get out. -No, he won't tell anyone! | 0:19:05 | 0:19:07 | |
-Go on, get out! -He won't! | 0:19:07 | 0:19:09 | |
-Do you understand how serious this is? -Yeah! | 0:19:09 | 0:19:12 | |
I told him if he said anything to anybody, | 0:19:12 | 0:19:14 | |
I'd report him to the guards for being with a minor. | 0:19:14 | 0:19:17 | |
See? | 0:19:19 | 0:19:22 | |
And you think Nikki's going to care about that? | 0:19:22 | 0:19:24 | |
All she cares about is nailing me! | 0:19:24 | 0:19:27 | |
You've given her exactly what she needs to do that, you... | 0:19:27 | 0:19:30 | |
-dumb... -Stop! | 0:19:30 | 0:19:32 | |
You need to go to him. | 0:19:39 | 0:19:41 | |
But... | 0:19:41 | 0:19:43 | |
You need to go to him, | 0:19:43 | 0:19:45 | |
and you need to do whatever it takes to make sure he doesn't talk. | 0:19:45 | 0:19:49 | |
You understand? | 0:19:49 | 0:19:51 | |
Whatever. You be nice to him. | 0:19:51 | 0:19:55 | |
You're good at that. | 0:19:56 | 0:19:58 | |
No, I won't. I don't have to. | 0:19:58 | 0:20:02 | |
No-one's going to believe a junkie. | 0:20:04 | 0:20:06 | |
He's on heroin. | 0:20:09 | 0:20:11 | |
I'm not going to lie to you. This doesn't look good. | 0:20:19 | 0:20:22 | |
He put it there. It's obvious, isn't it? | 0:20:26 | 0:20:28 | |
Take it easy, Sharon. | 0:20:29 | 0:20:32 | |
He's been in my house! | 0:20:34 | 0:20:37 | |
The picture... | 0:20:37 | 0:20:39 | |
He's trying to frame me. | 0:20:39 | 0:20:40 | |
OK. | 0:20:41 | 0:20:43 | |
We'll check for his prints. | 0:20:43 | 0:20:45 | |
Yeah, like you'll find any. He's too smart for that. | 0:20:45 | 0:20:47 | |
We'll get someone to have a closer look at your locks. | 0:20:47 | 0:20:50 | |
I didn't do this. | 0:20:57 | 0:20:59 | |
We believe you. | 0:21:01 | 0:21:03 | |
You believe me, don't you? | 0:21:06 | 0:21:08 | |
Let's take it one step at a time. | 0:21:11 | 0:21:13 | |
You'll be a good boy for your grandad, won't you? Yeah. | 0:21:19 | 0:21:23 | |
SHE CHUCKLES | 0:21:23 | 0:21:25 | |
He'll need a feed in a couple of hours. | 0:21:25 | 0:21:28 | |
Yeah, I know. We'll be grand. Isn't that right, Lukie? | 0:21:28 | 0:21:30 | |
You and me together, buddy, huh? | 0:21:30 | 0:21:32 | |
We'll check to see what's on the box, will we? | 0:21:32 | 0:21:35 | |
All right, bye, Luke. | 0:21:35 | 0:21:38 | |
Mummy will see you in a few hours, OK? | 0:21:38 | 0:21:41 | |
You'll be a good boy, won't you? | 0:21:41 | 0:21:43 | |
-Will you go on? -OK. -He won't even know you're gone. | 0:21:43 | 0:21:46 | |
Your ma will be back soon. She'll give me a hand. | 0:21:46 | 0:21:48 | |
DOOR CLOSES | 0:21:52 | 0:21:55 | |
PLAYFUL MUSIC ON TV | 0:21:55 | 0:21:57 | |
SMOOTH JAZZ MUSIC PLAYS | 0:22:02 | 0:22:05 | |
PHONE CHIMES | 0:22:07 | 0:22:10 | |
He's taking his time, isn't he? Your client? | 0:22:20 | 0:22:23 | |
Oh, he'll be here. Relax. | 0:22:23 | 0:22:25 | |
Eat something. | 0:22:26 | 0:22:28 | |
-Where are you going? -There is no client. | 0:22:29 | 0:22:32 | |
Come on, I'm treating you. | 0:22:33 | 0:22:35 | |
Yeah, like an eejit. | 0:22:35 | 0:22:37 | |
There's a name for a job where you end up in a hotel room | 0:22:37 | 0:22:39 | |
-with your boss. -Yeah, a good one? | 0:22:39 | 0:22:42 | |
You've an answer for everything. | 0:22:42 | 0:22:44 | |
It was a little white lie, Bridge. | 0:22:44 | 0:22:46 | |
How else am I going to get you here? | 0:22:46 | 0:22:48 | |
I'm not interested. | 0:22:48 | 0:22:49 | |
It's only lunch. I swear. | 0:22:49 | 0:22:51 | |
You always think the worst of me. Why is that? | 0:22:52 | 0:22:55 | |
I'm in a tough business | 0:22:55 | 0:22:56 | |
but, believe it or not, I am one of the nice guys. | 0:22:56 | 0:22:58 | |
There's no strings. | 0:23:01 | 0:23:02 | |
He'll trip up sooner or later. They always do. | 0:23:18 | 0:23:21 | |
There's no such thing as the perfect crime. | 0:23:23 | 0:23:25 | |
Nikki doesn't believe me. | 0:23:26 | 0:23:27 | |
You start that nonsense, I'll put you on SO. | 0:23:29 | 0:23:31 | |
Do not let Brian McGonigle get the better of you. | 0:23:35 | 0:23:38 | |
He's going to get what's coming to him. | 0:23:38 | 0:23:40 | |
I can't believe it. | 0:23:42 | 0:23:45 | |
Neither can we. | 0:23:45 | 0:23:47 | |
You're absolutely sure it was Sharon? | 0:23:47 | 0:23:50 | |
We searched her flat earlier. | 0:23:50 | 0:23:51 | |
God. | 0:23:53 | 0:23:55 | |
How is she? | 0:23:56 | 0:23:58 | |
Pretty shocked. She insists she had nothing to do with it. | 0:23:58 | 0:24:02 | |
A bit shocked, too, myself, I have to say. | 0:24:04 | 0:24:06 | |
So you don't think she's capable? | 0:24:06 | 0:24:08 | |
Look, I'm not one for telling tales out of school. | 0:24:08 | 0:24:11 | |
If it's relevant to the case, then... | 0:24:11 | 0:24:13 | |
She's always had a bit of a thing for me, you know? | 0:24:14 | 0:24:17 | |
And I told her that there was never going to be anything between us. | 0:24:17 | 0:24:21 | |
Absolutely no way. You don't dump on your own doorstep, do you? | 0:24:21 | 0:24:25 | |
And you've witnesses to all this? | 0:24:25 | 0:24:27 | |
I just feel sorry for her, to be honest. | 0:24:27 | 0:24:30 | |
I did warn you. | 0:24:30 | 0:24:32 | |
She's troubled. | 0:24:34 | 0:24:36 | |
I mean, God, she needs help. | 0:24:36 | 0:24:38 | |
That's just tragic. | 0:24:38 | 0:24:41 | |
The poor girl. | 0:24:41 | 0:24:42 | |
We'll be in touch. | 0:24:45 | 0:24:46 | |
DOOR CLOSES | 0:24:50 | 0:24:52 | |
-What do we know? -On their way, apparently. | 0:24:54 | 0:24:56 | |
Just what we don't need. | 0:24:56 | 0:24:58 | |
Paudge, can you and Sharon head off to the hospital for me? | 0:24:59 | 0:25:02 | |
-Now? -That guy from the off-licence. | 0:25:02 | 0:25:05 | |
He's been found in a drain, beaten to a pulp. | 0:25:05 | 0:25:07 | |
So, yeah. Now. | 0:25:07 | 0:25:09 | |
Sharon's booking in a queue of skangers. | 0:25:09 | 0:25:11 | |
I need to get her out of the station. | 0:25:14 | 0:25:16 | |
Brian's coming in to make a formal complaint against her. | 0:25:16 | 0:25:19 | |
It was not a banger! | 0:25:25 | 0:25:27 | |
The yellow thing? We used to call it "the big lemon". | 0:25:27 | 0:25:31 | |
It was a Fiat Coupe. Vinny loved that car. | 0:25:31 | 0:25:35 | |
Sort of like Noddy and Big Ears, going around in it. | 0:25:35 | 0:25:37 | |
Do you remember Yvonne? | 0:25:37 | 0:25:40 | |
Big Vonnie? | 0:25:40 | 0:25:42 | |
She sat on it. She put a dent on the bonnet. | 0:25:42 | 0:25:44 | |
I thought Vinny was going to kill her. | 0:25:44 | 0:25:47 | |
She was mad about you. | 0:25:47 | 0:25:49 | |
I dodged a bullet there, didn't I? | 0:25:49 | 0:25:52 | |
Or maybe she was just mad. | 0:25:52 | 0:25:53 | |
Probably in some home now for the bewildered. | 0:25:53 | 0:25:56 | |
What? | 0:25:58 | 0:25:59 | |
I can't believe you're still living here. | 0:25:59 | 0:26:01 | |
Why not? | 0:26:01 | 0:26:03 | |
Cos...you had dreams. You wanted to go places. | 0:26:03 | 0:26:06 | |
Well, we can't all be wheeler-dealers. | 0:26:06 | 0:26:09 | |
You still have them? Those dreams? | 0:26:09 | 0:26:12 | |
I'm content. | 0:26:14 | 0:26:15 | |
-Really? -Mmm. | 0:26:15 | 0:26:17 | |
Happier. That's all that matters. | 0:26:19 | 0:26:21 | |
Is that why you went off side? | 0:26:23 | 0:26:26 | |
Made a mistake, and then I came back to Vin. | 0:26:27 | 0:26:30 | |
You came back for Darren. | 0:26:31 | 0:26:33 | |
I'm sorry for what happened. That must've been tough. | 0:26:36 | 0:26:39 | |
SIREN WAILS | 0:26:48 | 0:26:51 | |
Ger? Can you hear me? | 0:26:54 | 0:26:57 | |
You... | 0:27:03 | 0:27:05 | |
You want to tell us what happened here? | 0:27:07 | 0:27:09 | |
No. | 0:27:09 | 0:27:11 | |
Why would I tell you anything? | 0:27:12 | 0:27:14 | |
Right, then. | 0:27:20 | 0:27:22 | |
Did this have anything to do with what happened at the off-licence? | 0:27:24 | 0:27:26 | |
Ger, who did this to you? | 0:27:29 | 0:27:33 | |
You don't know? | 0:27:36 | 0:27:38 | |
I didn't see them. | 0:27:40 | 0:27:42 | |
Sorry for the delay. | 0:27:53 | 0:27:54 | |
No rush. I know how busy this place can be. | 0:27:54 | 0:27:57 | |
Do I have to remind you of your bail conditions? | 0:27:59 | 0:28:01 | |
This is an entirely separate matter. | 0:28:01 | 0:28:03 | |
Mr McGonigle has every right to be here. | 0:28:03 | 0:28:06 | |
Anyone would think that you're deliberately trying to start | 0:28:06 | 0:28:08 | |
trouble. | 0:28:08 | 0:28:10 | |
You know exactly why I'm here. | 0:28:10 | 0:28:12 | |
Do I? Refresh my memory. | 0:28:12 | 0:28:14 | |
Sharon Cleere broke into my home | 0:28:16 | 0:28:19 | |
and she stole from me. | 0:28:19 | 0:28:21 | |
-And she's been following me. -Hmm. | 0:28:23 | 0:28:26 | |
Maybe you didn't know. | 0:28:26 | 0:28:28 | |
You have proof? | 0:28:28 | 0:28:30 | |
She's got form. | 0:28:30 | 0:28:32 | |
I'll take that as a no. | 0:28:32 | 0:28:34 | |
This how you treat all victims of crime, is it? | 0:28:38 | 0:28:40 | |
No, but this break-in, it's pretty convenient, isn't it? | 0:28:40 | 0:28:44 | |
Not for me it's not. | 0:28:44 | 0:28:46 | |
You can't be accusing my client of lying. | 0:28:46 | 0:28:48 | |
Right now, I'm interested in another break-in. | 0:28:48 | 0:28:51 | |
The one in Sharon Cleere's house. | 0:28:51 | 0:28:53 | |
Whoever did this to you left you for dead. | 0:28:57 | 0:29:01 | |
You can't let them get away with it. | 0:29:01 | 0:29:03 | |
If I tell you... | 0:29:03 | 0:29:05 | |
then they'll finish me off. | 0:29:05 | 0:29:08 | |
If you don't, you'll never get rid of them. | 0:29:08 | 0:29:10 | |
You have to fight back. | 0:29:10 | 0:29:11 | |
OK, just...just give me a name. | 0:29:15 | 0:29:18 | |
-A name, Ger. -I can't. | 0:29:18 | 0:29:20 | |
You don't know what he's capable of. | 0:29:23 | 0:29:25 | |
I'm not leaving until you tell me. | 0:29:25 | 0:29:27 | |
Sharon, drop it. | 0:29:27 | 0:29:28 | |
Was it drugs? Money you owe someone? | 0:29:28 | 0:29:30 | |
Sharon, come on. | 0:29:30 | 0:29:32 | |
We didn't push him hard enough in the interview. | 0:29:40 | 0:29:42 | |
We arrested him and that's enough. | 0:29:42 | 0:29:43 | |
No. We should have asked him why he faked the robbery. | 0:29:43 | 0:29:45 | |
There's a reason why. | 0:29:45 | 0:29:47 | |
All I know is, that man is not talking. | 0:29:47 | 0:29:49 | |
You must have been at, what, | 0:29:54 | 0:29:56 | |
hundreds, thousands, of break-ins in your time. | 0:29:56 | 0:29:58 | |
Yeah. | 0:29:58 | 0:30:00 | |
-What's that got to do with anything? -You'd be an expert. | 0:30:00 | 0:30:04 | |
-It doesn't take a genius. -An expert in not getting caught. | 0:30:04 | 0:30:07 | |
You better not be accusing my client. | 0:30:07 | 0:30:09 | |
I'm just asking for his professional insight. What would you do, Brian, | 0:30:09 | 0:30:13 | |
if you wanted to break in? | 0:30:13 | 0:30:15 | |
No comment. | 0:30:18 | 0:30:19 | |
I always wanted to say that. | 0:30:22 | 0:30:24 | |
If I was facing charges of a sexual nature, | 0:30:26 | 0:30:29 | |
looking forward to time behind bars, | 0:30:29 | 0:30:31 | |
I would do anything I could to get out of it. | 0:30:31 | 0:30:35 | |
Discredit a witness, that'd be top of my list. | 0:30:35 | 0:30:37 | |
You're out of order. | 0:30:37 | 0:30:39 | |
I wouldn't for a minute suggest that Mr McGonigle... | 0:30:39 | 0:30:41 | |
Sergeant. Still Sergeant. | 0:30:41 | 0:30:44 | |
..your client... | 0:30:46 | 0:30:48 | |
broke into Sharon Cleere's flat, stole her gym card | 0:30:48 | 0:30:51 | |
and then used it to frame her for the break-in at his bedsit. | 0:30:51 | 0:30:55 | |
That would be absurd, wouldn't it? | 0:30:56 | 0:30:59 | |
You've got the paperwork. | 0:30:59 | 0:31:01 | |
You're an embarrassment to the Gardai. | 0:31:11 | 0:31:14 | |
Wait for me in the car, will you? | 0:31:15 | 0:31:17 | |
The only embarrassment is walking around like butter wouldn't melt. | 0:31:25 | 0:31:29 | |
She's a psycho. | 0:31:30 | 0:31:32 | |
What about the time in the Pier pub, | 0:31:34 | 0:31:37 | |
the night she jumped on me, | 0:31:37 | 0:31:39 | |
made it very clear exactly what she wanted? | 0:31:39 | 0:31:43 | |
Could've had her for assault. I should've. | 0:31:43 | 0:31:46 | |
What are you going to do about her? | 0:31:50 | 0:31:52 | |
She needs to be suspended. | 0:31:52 | 0:31:53 | |
The complaint of harassment against Garda Cleere, that's | 0:31:54 | 0:31:57 | |
a matter for GSOC, so I suggest that you take it up with them. | 0:31:57 | 0:32:00 | |
Now, if there's nothing more... Sergeant... | 0:32:01 | 0:32:05 | |
All I'm saying is that you need to give the man some space. | 0:32:21 | 0:32:25 | |
Keep walking. | 0:32:27 | 0:32:29 | |
-I will get you for this, you poisonous bast... -Sharon! | 0:32:31 | 0:32:34 | |
Oh, Sharon! Sharon, I'm sorry... | 0:32:34 | 0:32:36 | |
I don't know what's going on in that head of yours! You seriously | 0:32:36 | 0:32:39 | |
-need to leave me alone. -You sick, sick, lying psychopath! | 0:32:39 | 0:32:41 | |
-Take it easy! -Look, I didn't do anything, she just came at me. | 0:32:41 | 0:32:43 | |
-Take it easy! -Come on, lads, you can't have her working here. | 0:32:43 | 0:32:46 | |
-Obviously she can't cope. -Yeah, you think you're so clever! | 0:32:46 | 0:32:49 | |
Right, get her inside. Go on, get her. | 0:32:49 | 0:32:51 | |
Come on, she needs Peer Support. | 0:32:54 | 0:32:56 | |
I'm not done with you yet. | 0:32:57 | 0:32:59 | |
If I hadn't got there so fast, you might have punched him in the face. | 0:33:05 | 0:33:09 | |
You cannot react like that every time you see him. | 0:33:11 | 0:33:14 | |
I didn't mean to lose my temper. | 0:33:17 | 0:33:19 | |
-I'm putting you on SO. -What? No... | 0:33:20 | 0:33:23 | |
You need to stay in here until after the trial. | 0:33:23 | 0:33:26 | |
No, I have to get back to the hospital. | 0:33:26 | 0:33:28 | |
-The attack on Ger McIntyre. I'm going to get a name. -Sharon. | 0:33:28 | 0:33:30 | |
This is what he wants, me hounded out. | 0:33:30 | 0:33:33 | |
It's deja vu, | 0:33:33 | 0:33:36 | |
everyone thinking I'm off my head. | 0:33:36 | 0:33:38 | |
I'm not going to let that happen. | 0:33:39 | 0:33:41 | |
Just let me do my job, please. | 0:33:43 | 0:33:44 | |
Sauvignon blanc. Cheers. | 0:33:49 | 0:33:52 | |
I should get home. | 0:33:52 | 0:33:54 | |
That must be a nice feeling, | 0:33:54 | 0:33:56 | |
having a family to come home to. | 0:33:56 | 0:33:58 | |
Never quite managed it myself. | 0:33:58 | 0:33:59 | |
Well, I'm sure you're not stuck for company. | 0:33:59 | 0:34:01 | |
Yeah, still... | 0:34:01 | 0:34:03 | |
Plenty of time. | 0:34:03 | 0:34:05 | |
Yeah, right. | 0:34:05 | 0:34:08 | |
Yeah, you've done well for yourself. Bit of a catch, actually. | 0:34:08 | 0:34:12 | |
You think? | 0:34:12 | 0:34:14 | |
Never found the right girl. | 0:34:16 | 0:34:18 | |
Or at least I did... | 0:34:18 | 0:34:22 | |
It didn't work out. | 0:34:22 | 0:34:23 | |
You're lonely. | 0:34:25 | 0:34:27 | |
You're never alone when you have money, Bridget. | 0:34:27 | 0:34:30 | |
You, on the other hand... | 0:34:30 | 0:34:32 | |
Me? How do you work that one out? | 0:34:32 | 0:34:35 | |
I've always known you better than you thought. | 0:34:36 | 0:34:39 | |
You're wrong. I'm happy. | 0:34:39 | 0:34:42 | |
Got my family, got Vinny. | 0:34:42 | 0:34:45 | |
Is he the one you want? | 0:34:45 | 0:34:47 | |
Is he the one you dreamt of? | 0:34:47 | 0:34:48 | |
OK, I'm sorry. I'm sorry, I'm sorry. Don't go. | 0:34:51 | 0:34:54 | |
I've ordered another bottle of wine. | 0:34:54 | 0:34:57 | |
We need music! That's what we need. | 0:34:57 | 0:35:01 | |
Come on, we threw some shapes when we were young, yeah? | 0:35:01 | 0:35:04 | |
Ange. | 0:35:17 | 0:35:18 | |
Bang on time. | 0:35:18 | 0:35:20 | |
Leave her alone. | 0:35:20 | 0:35:22 | |
You could've told me that outside the station. | 0:35:22 | 0:35:24 | |
I mean it. | 0:35:24 | 0:35:26 | |
She's the one with the problem, not me. | 0:35:26 | 0:35:29 | |
I don't want the slag anywhere near me. | 0:35:30 | 0:35:32 | |
Ugh... | 0:35:32 | 0:35:34 | |
What happened to you, Brian? | 0:35:38 | 0:35:40 | |
You were a great guard. | 0:35:40 | 0:35:42 | |
But now you're just pathetic. | 0:35:44 | 0:35:46 | |
I am ashamed to even know you. | 0:35:48 | 0:35:50 | |
I take it a drink is out of the question, then? | 0:35:51 | 0:35:54 | |
Stop tormenting Sharon. | 0:35:55 | 0:35:57 | |
Me? Tormenting her? | 0:35:59 | 0:36:01 | |
Can we talk about something else? | 0:36:03 | 0:36:04 | |
How's the family? | 0:36:07 | 0:36:10 | |
If I ever see you near the station again... | 0:36:10 | 0:36:12 | |
Oh, don't you worry, I'll be back. | 0:36:12 | 0:36:14 | |
Say hello to Conor for me. | 0:36:17 | 0:36:20 | |
Always a bit of a wild card, that fella. | 0:36:23 | 0:36:25 | |
PHONE RINGS | 0:36:37 | 0:36:40 | |
Hi. | 0:36:40 | 0:36:42 | |
It's me. Just checking. | 0:36:42 | 0:36:44 | |
Is Conor OK? | 0:36:44 | 0:36:46 | |
Snoring his brains out, the last time I saw him. | 0:36:46 | 0:36:48 | |
-But he's OK? -He's fine, love. | 0:36:48 | 0:36:51 | |
Listen, you know we have to stock up tonight. | 0:36:51 | 0:36:55 | |
-Yeah, well, um, you'll be careful. -I always am. Bye-bye. | 0:36:55 | 0:37:01 | |
DOOR OPENS AND CLOSES | 0:37:06 | 0:37:08 | |
Bridge? | 0:37:08 | 0:37:10 | |
Oh, it's me. | 0:37:10 | 0:37:11 | |
Oh, hiya, love. | 0:37:11 | 0:37:13 | |
Hiya. | 0:37:13 | 0:37:15 | |
Hey. Were you a good boy? | 0:37:15 | 0:37:17 | |
He was as good as gold. | 0:37:17 | 0:37:19 | |
-I've got you. -VIN CHUCKLES | 0:37:19 | 0:37:23 | |
Hiya. | 0:37:23 | 0:37:24 | |
Is she not home yet? | 0:37:26 | 0:37:27 | |
No. I texted her earlier on. | 0:37:27 | 0:37:30 | |
She said she's fine, learning the ropes. | 0:37:30 | 0:37:33 | |
Katie, please don't needle her when she comes in. | 0:37:34 | 0:37:37 | |
Me? | 0:37:37 | 0:37:39 | |
Overtime on her first day? Suppose there's a first for everything. | 0:37:39 | 0:37:42 | |
Do you remember the pirate stations? Radio Dublin? | 0:37:43 | 0:37:48 | |
I remember my granny telling me about them, all right. | 0:37:48 | 0:37:51 | |
GLASS SMASHES | 0:37:51 | 0:37:54 | |
ROMANTIC SONG PLAYS | 0:37:54 | 0:37:57 | |
This goes out to Bridget McGrath from her secret admirer. | 0:37:57 | 0:38:00 | |
This better be George Michael. | 0:38:04 | 0:38:06 | |
Careless Whisper. | 0:38:06 | 0:38:08 | |
After breaking that, you're going to be charged for it. | 0:38:08 | 0:38:12 | |
Who cares? | 0:38:12 | 0:38:14 | |
Mr Flash, remember? | 0:38:16 | 0:38:18 | |
What do you say? Want to give the lonely man a dance? | 0:38:20 | 0:38:23 | |
You're drunk. | 0:38:23 | 0:38:25 | |
Not that drunk. | 0:38:25 | 0:38:26 | |
There's something between you and me, | 0:38:26 | 0:38:29 | |
and you can't deny it. | 0:38:29 | 0:38:30 | |
So, what do you say? Hmm? | 0:38:35 | 0:38:37 | |
One last dance? | 0:38:41 | 0:38:42 | |
You wake up thinking about him. | 0:38:54 | 0:38:56 | |
You go to sleep, still he's always there. | 0:38:58 | 0:39:02 | |
I know what that's like. | 0:39:02 | 0:39:04 | |
MONITOR BEEPS STEADILY | 0:39:04 | 0:39:08 | |
It's my own fault. | 0:39:08 | 0:39:10 | |
What is? | 0:39:11 | 0:39:13 | |
I was digging my nails into the wall, | 0:39:19 | 0:39:22 | |
trying to cling onto it... | 0:39:22 | 0:39:24 | |
..so they wouldn't take me down that alley. | 0:39:26 | 0:39:29 | |
I knew, once they got me down there... | 0:39:36 | 0:39:39 | |
Who do you owe money to, Ger? | 0:39:44 | 0:39:47 | |
Who, Ger? | 0:39:47 | 0:39:50 | |
BEEPING ACCELERATES | 0:39:50 | 0:39:53 | |
Ger? Ger? Who? | 0:39:53 | 0:39:55 | |
ALARM BEEPS | 0:39:55 | 0:39:57 | |
Charge... | 0:40:01 | 0:40:03 | |
SLOW JAZZ SONG PLAYS | 0:40:05 | 0:40:07 | |
Clear! | 0:40:19 | 0:40:21 | |
Again, 360. | 0:40:21 | 0:40:22 | |
Clear! | 0:40:22 | 0:40:24 | |
I can't do this. | 0:40:28 | 0:40:30 | |
Again. 360. | 0:40:40 | 0:40:41 | |
-Ready. -Clear! | 0:40:41 | 0:40:43 | |
Clear! | 0:40:49 | 0:40:50 | |
SUSTAINED BEEP | 0:40:53 | 0:40:57 |