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You touch another hair on her head... | 0:00:03 | 0:00:06 | |
I will kill you. | 0:00:06 | 0:00:08 | |
What's this, McGonigle's address? | 0:00:08 | 0:00:10 | |
-What kind of man do you think I am? -A paedophile. | 0:00:10 | 0:00:13 | |
Get out! | 0:00:13 | 0:00:14 | |
Jules! | 0:00:16 | 0:00:17 | |
Jules! Jules! | 0:00:17 | 0:00:19 | |
There's over eight hours of footage from the onboard bus cameras | 0:00:19 | 0:00:22 | |
from Brian's street the night he disappeared. | 0:00:22 | 0:00:24 | |
CAMERA CLICKS IN BACKGROUND | 0:01:12 | 0:01:15 | |
-How's Tommy, Sarge? -Oh, getting there. | 0:01:31 | 0:01:34 | |
The lengths some people will go to for a bit of attention. | 0:01:34 | 0:01:37 | |
I'll tell him you were asking for him. | 0:01:37 | 0:01:39 | |
APPROACHING FOOTSTEPS | 0:01:39 | 0:01:40 | |
It's Brian. | 0:01:43 | 0:01:44 | |
Sorry I'm late. | 0:01:48 | 0:01:50 | |
Body's been identified. | 0:01:54 | 0:01:56 | |
It's him? | 0:01:56 | 0:01:58 | |
How? | 0:02:00 | 0:02:01 | |
It's too soon to say. | 0:02:01 | 0:02:03 | |
He had a head wound, he had lacerations to his hand, | 0:02:03 | 0:02:05 | |
he might've drowned. | 0:02:05 | 0:02:07 | |
SEAN: Suicide? | 0:02:08 | 0:02:10 | |
Who knows? | 0:02:10 | 0:02:11 | |
Guys, needless to say you've got to keep this to yourselves, OK? | 0:02:11 | 0:02:14 | |
We'll release Brian's name once we've got some more information | 0:02:14 | 0:02:17 | |
and we've let the family know. | 0:02:17 | 0:02:19 | |
Who's going to tell them? | 0:02:19 | 0:02:21 | |
Ange? | 0:02:22 | 0:02:23 | |
Yeah, yeah, sure. | 0:02:23 | 0:02:25 | |
OK. I've got to let the Super know. | 0:02:25 | 0:02:27 | |
Come with me. | 0:02:41 | 0:02:42 | |
You OK? | 0:02:59 | 0:03:00 | |
Yeah, just... | 0:03:02 | 0:03:04 | |
And we thought he did a runner. | 0:03:10 | 0:03:12 | |
Yeah. | 0:03:12 | 0:03:14 | |
I can take someone else if... | 0:03:17 | 0:03:19 | |
No. I'm fine. | 0:03:19 | 0:03:21 | |
CAR ENGINE STARTS | 0:03:24 | 0:03:26 | |
They're searching the shoreline in the immediate vicinity, | 0:03:29 | 0:03:32 | |
but with the tidal shift | 0:03:32 | 0:03:33 | |
-there's unlikely to be anything left of real worth. -There's a surprise. | 0:03:33 | 0:03:36 | |
KNOCK ON DOOR Yup? | 0:03:36 | 0:03:39 | |
Nikki. | 0:03:39 | 0:03:40 | |
Sorry, I... I just, I wasn't expecting you so soon. | 0:03:42 | 0:03:45 | |
Well, I like to keep on top of things. | 0:03:45 | 0:03:47 | |
Yeah. Superintendent Kevin Dunne, this is Detective Garda Rory Walsh. | 0:03:47 | 0:03:51 | |
I know you by reputation, sir. | 0:03:51 | 0:03:53 | |
-Is that a good thing or a bad thing? -All good, sir. | 0:03:53 | 0:03:55 | |
Liars, then. | 0:03:55 | 0:03:57 | |
Look, we're not going to be able to avoid the spotlight on this one. | 0:03:58 | 0:04:01 | |
-Have you informed the family? -Yeah, I've officers with them now. | 0:04:01 | 0:04:04 | |
OK. Now, I can give this to Dunedin if you want? | 0:04:04 | 0:04:07 | |
Not necessary. I've got this. | 0:04:07 | 0:04:09 | |
You sure? | 0:04:09 | 0:04:11 | |
There's going to be a lot of flack on this one, given the history. | 0:04:11 | 0:04:13 | |
I'm more than able. | 0:04:13 | 0:04:14 | |
Good. I thought you'd say that. | 0:04:15 | 0:04:17 | |
Look, if you want any help dealing with the press from here on in, | 0:04:17 | 0:04:20 | |
give you some space? | 0:04:20 | 0:04:22 | |
Not necessary. | 0:04:22 | 0:04:23 | |
All right. | 0:04:24 | 0:04:26 | |
OK, well, if you need any back up, don't hesitate. | 0:04:26 | 0:04:28 | |
Will do. Thank you. | 0:04:28 | 0:04:30 | |
We're all behind the inspector on this, sir. | 0:04:30 | 0:04:33 | |
Well, that's what I told the commissioner. | 0:04:33 | 0:04:35 | |
Where? | 0:04:43 | 0:04:46 | |
Where was he washed up? | 0:04:46 | 0:04:47 | |
Just outside Wicklow. | 0:04:48 | 0:04:49 | |
I know this comes as a huge shock. | 0:04:51 | 0:04:53 | |
Is there someone you'd like us to call, a relative? | 0:04:56 | 0:04:59 | |
Can I see him? | 0:05:04 | 0:05:05 | |
Not until after the postmortem. | 0:05:08 | 0:05:10 | |
Right. | 0:05:11 | 0:05:12 | |
I can stay with you. | 0:05:14 | 0:05:16 | |
No, I'm, I'm fine, really. | 0:05:16 | 0:05:18 | |
I'll be your Liaison Officer. | 0:05:25 | 0:05:27 | |
If you need anything, don't hesitate. | 0:05:29 | 0:05:31 | |
I mean that. | 0:05:33 | 0:05:35 | |
I need... | 0:05:35 | 0:05:37 | |
to get the girls. | 0:05:37 | 0:05:38 | |
-We can go with you. -No, you've done enough. | 0:05:39 | 0:05:42 | |
SHE CLEARS HER THROAT | 0:05:49 | 0:05:51 | |
Please... | 0:06:01 | 0:06:02 | |
..ring us if you need us. | 0:06:04 | 0:06:06 | |
DOOR OPENS | 0:06:15 | 0:06:18 | |
The pathologist reckons that the body's been in the water | 0:06:18 | 0:06:20 | |
for at least 48 hours. | 0:06:20 | 0:06:21 | |
There's no sign of his car so we think that he died elsewhere | 0:06:21 | 0:06:24 | |
and that the tide deposited his body on the beach. | 0:06:24 | 0:06:26 | |
The Garda Water Unit and the Coastguard | 0:06:26 | 0:06:28 | |
are searching the coastline | 0:06:28 | 0:06:29 | |
and they're tracking tidal movements to work out | 0:06:29 | 0:06:31 | |
-where he went into the water. -OK, car's top priority. | 0:06:31 | 0:06:34 | |
Sean and Paudge, check all roads and car parks in a five-mile radius. | 0:06:34 | 0:06:38 | |
-Yes, boss. -Rory is coordinating door-to-door questioning. | 0:06:38 | 0:06:41 | |
Yeah, and I'll be putting officers on all access routes to the beach. | 0:06:41 | 0:06:44 | |
OK, Sharon, I want you to work with the CCTV team. | 0:06:44 | 0:06:46 | |
I want you to view all available footage. | 0:06:46 | 0:06:48 | |
Is that OK? | 0:06:49 | 0:06:51 | |
-Yeah, fine, boss. -Right. His phone. Any word on his phone? | 0:06:51 | 0:06:56 | |
-Which one? -Brian's burner. The Holy Grail. | 0:06:56 | 0:06:58 | |
Could be at the bottom of Dublin Bay for all we know. | 0:06:58 | 0:07:00 | |
OK, however we do it, | 0:07:00 | 0:07:01 | |
we need to find out who contacted Brian that night. | 0:07:01 | 0:07:04 | |
-ADRIJAN: -I could go back through records | 0:07:04 | 0:07:05 | |
to look for names to add to the POIs? | 0:07:05 | 0:07:07 | |
No, I'm going to need you on front desk. | 0:07:07 | 0:07:09 | |
Someone has to man the station. | 0:07:09 | 0:07:11 | |
Right, guys, you have to remember this isn't a murder investigation, | 0:07:11 | 0:07:14 | |
not yet. | 0:07:14 | 0:07:15 | |
Right, let's get out there, let's see what we can find. | 0:07:15 | 0:07:17 | |
Sean. Are you going to talk to Niamh later? | 0:07:17 | 0:07:20 | |
Yeah. Probably. | 0:07:20 | 0:07:21 | |
Best not mention this to Liam. | 0:07:21 | 0:07:23 | |
Well, if it's leaked, he's going to hear about it anyway. | 0:07:25 | 0:07:27 | |
All right. Fair enough. | 0:07:27 | 0:07:29 | |
Why don't you just tell her that Brian's body's been found, | 0:07:29 | 0:07:32 | |
-but just try and avoid detail? -You don't think he jumped? | 0:07:32 | 0:07:36 | |
Maybe. | 0:07:36 | 0:07:38 | |
But if it turns out that he's been murdered, | 0:07:38 | 0:07:40 | |
I want to be the one to break that to Liam. | 0:07:40 | 0:07:42 | |
I'm telling you he was murdered. | 0:07:45 | 0:07:47 | |
Well, maybe we should wait for the postmortem. | 0:07:47 | 0:07:49 | |
I can smell it. | 0:07:49 | 0:07:50 | |
TOILET FLUSHES | 0:07:50 | 0:07:51 | |
Yeah, there's a bad smell in here all right. | 0:07:51 | 0:07:54 | |
Maybe he felt he had no other way out? | 0:07:54 | 0:07:56 | |
Top himself, Brian? | 0:07:56 | 0:07:58 | |
The man loved himself too much. | 0:07:58 | 0:08:00 | |
Well, what if he's innocent? | 0:08:00 | 0:08:01 | |
You are joking? | 0:08:03 | 0:08:04 | |
He never went to trial. We don't know for sure. | 0:08:04 | 0:08:06 | |
-A word of advice, Kosos. -HAND-DRYER STOPS | 0:08:11 | 0:08:14 | |
Don't go sharing that gem of wisdom with Liam. | 0:08:14 | 0:08:16 | |
That man has an awful temper on him. | 0:08:16 | 0:08:18 | |
-Boss? -Yeah? | 0:08:22 | 0:08:24 | |
The CCTV team have canvassed every service station | 0:08:24 | 0:08:26 | |
and business premises on the access roads, | 0:08:26 | 0:08:28 | |
but no footage worth talking about. | 0:08:28 | 0:08:30 | |
You OK? | 0:08:36 | 0:08:37 | |
Yeah, sure. | 0:08:37 | 0:08:39 | |
It's, er, just a case like any other. | 0:08:39 | 0:08:41 | |
I'm not stupid. | 0:08:42 | 0:08:44 | |
We know what he put you through. | 0:08:44 | 0:08:46 | |
Erm... KNOCK ON DOOR | 0:08:49 | 0:08:51 | |
Just got the initial autopsy results. | 0:08:54 | 0:08:57 | |
Cause of death, massive haemorrhage from a head trauma. | 0:08:57 | 0:09:01 | |
Looks like a single blow to the back of the head. | 0:09:01 | 0:09:04 | |
He was dead before he hit the water. | 0:09:04 | 0:09:05 | |
It's just become a murder investigation. | 0:09:06 | 0:09:09 | |
BELL RINGS OVER DOOR | 0:09:11 | 0:09:14 | |
Thanks. | 0:09:14 | 0:09:15 | |
What's wrong? | 0:09:15 | 0:09:16 | |
-They found Brian. -BELL RINGS OVER DOOR | 0:09:18 | 0:09:20 | |
Do you have him over there? | 0:09:20 | 0:09:21 | |
He's dead. | 0:09:23 | 0:09:24 | |
Where? | 0:09:25 | 0:09:27 | |
I can't, erm... | 0:09:28 | 0:09:29 | |
I can't say too much. But I just... | 0:09:32 | 0:09:34 | |
thought you guys should know before it gets out. | 0:09:34 | 0:09:36 | |
Hiyas. | 0:09:40 | 0:09:42 | |
Heya, sweetheart. | 0:09:42 | 0:09:43 | |
What's wrong? | 0:09:46 | 0:09:48 | |
Erm... | 0:09:48 | 0:09:50 | |
They found Brian, Ray. | 0:09:51 | 0:09:53 | |
He's dead. | 0:09:58 | 0:09:59 | |
Press are going to love this. | 0:10:05 | 0:10:06 | |
No-one outside the station knows that it's a murder. | 0:10:06 | 0:10:08 | |
And how do you expect to be able to hold on to that? | 0:10:08 | 0:10:10 | |
I trust my team. | 0:10:10 | 0:10:12 | |
It's already been leaked who the body is. | 0:10:12 | 0:10:14 | |
In fairness, that could have came from anywhere, sir. | 0:10:14 | 0:10:16 | |
My advice is you get onto this fast. | 0:10:18 | 0:10:20 | |
We're already compiling a list of persons of interest. | 0:10:20 | 0:10:23 | |
And? | 0:10:23 | 0:10:24 | |
Top of my list? | 0:10:24 | 0:10:25 | |
Liam Reid. | 0:10:27 | 0:10:29 | |
MONITOR BEEPS | 0:10:29 | 0:10:30 | |
Hey. | 0:10:38 | 0:10:39 | |
Hey. | 0:10:40 | 0:10:42 | |
How are you feeling? | 0:10:44 | 0:10:46 | |
Amazing. | 0:10:46 | 0:10:47 | |
What? | 0:10:51 | 0:10:52 | |
It's Brian. | 0:10:53 | 0:10:54 | |
Brian? | 0:10:56 | 0:10:57 | |
Body washed up on the beach. | 0:10:57 | 0:10:59 | |
Take it easy. Take it easy. | 0:11:01 | 0:11:02 | |
Good riddance to him. | 0:11:04 | 0:11:06 | |
Tommy. | 0:11:06 | 0:11:07 | |
He caused this. Him. | 0:11:07 | 0:11:09 | |
I'm not going to be a hypocrite now. | 0:11:11 | 0:11:12 | |
It's over. | 0:11:17 | 0:11:19 | |
Yeah. | 0:11:20 | 0:11:21 | |
I really thought I'd lost you. | 0:11:29 | 0:11:31 | |
We've got our lives back. | 0:11:33 | 0:11:34 | |
That's all that matters. | 0:11:36 | 0:11:38 | |
SPOON CLATTERS AGAINST MUG | 0:11:45 | 0:11:48 | |
Sean filled us in earlier. | 0:11:48 | 0:11:49 | |
What exactly did he say? | 0:11:53 | 0:11:55 | |
Just that they'd found his body. | 0:11:55 | 0:11:57 | |
Must have come as a shock. | 0:11:58 | 0:12:00 | |
How did Rachel take it? | 0:12:00 | 0:12:02 | |
She just went quiet, you know? | 0:12:02 | 0:12:04 | |
I don't think she knows how to feel. | 0:12:05 | 0:12:07 | |
I took her out of school, you know what kids are like. | 0:12:09 | 0:12:11 | |
-Yeah. Oh, she's here? -Yeah, she's up in her room. | 0:12:11 | 0:12:14 | |
Under your wing. | 0:12:14 | 0:12:15 | |
What can I do for you? | 0:12:19 | 0:12:22 | |
There's been a development. | 0:12:22 | 0:12:23 | |
Oh, yeah? | 0:12:24 | 0:12:26 | |
Brian was murdered. | 0:12:26 | 0:12:28 | |
Oh. | 0:12:30 | 0:12:31 | |
You don't seem shocked. | 0:12:31 | 0:12:32 | |
Sorry, should I be crying into me pint for him? | 0:12:34 | 0:12:37 | |
-No. -After what he did? | 0:12:37 | 0:12:38 | |
A man is dead. | 0:12:40 | 0:12:42 | |
You must have some feeling. | 0:12:42 | 0:12:44 | |
I'll tell you how I feel. | 0:12:44 | 0:12:46 | |
Chuffed. | 0:12:46 | 0:12:47 | |
I'm delighted he's out of our lives for good. | 0:12:48 | 0:12:51 | |
I'll spit on his grave if I get the opportunity. | 0:12:51 | 0:12:54 | |
That blunt enough for you? | 0:12:55 | 0:12:57 | |
You know that I'm going to have to ask you some questions, | 0:13:03 | 0:13:05 | |
given your relationship. | 0:13:05 | 0:13:06 | |
Oh, so I'm a suspect now? | 0:13:08 | 0:13:11 | |
Person of interest. | 0:13:11 | 0:13:12 | |
Won't take long. | 0:13:16 | 0:13:17 | |
Rounded edge with a diameter of 15-25 millimetres... | 0:13:19 | 0:13:22 | |
like a spanner, a golf club, maybe a poker? | 0:13:22 | 0:13:26 | |
What about the hand-wound, was it self-defence? | 0:13:26 | 0:13:29 | |
It's possible that he lashed out before he was struck. | 0:13:29 | 0:13:31 | |
But it was the blow to the back of the head killed him. | 0:13:31 | 0:13:34 | |
-FADING OUT: -No fibres in the wounds. | 0:13:34 | 0:13:37 | |
-NORMAL VOLUME: -No DNA under fingernails. | 0:13:37 | 0:13:40 | |
Looks like the salt water washed him clean. | 0:13:40 | 0:13:42 | |
So where you were on the evening of April the 12th? | 0:13:42 | 0:13:45 | |
When was that exactly? | 0:13:45 | 0:13:47 | |
The night before the trial. | 0:13:47 | 0:13:49 | |
Home. Here. | 0:13:49 | 0:13:50 | |
-All night? -Yeah. | 0:13:50 | 0:13:52 | |
Er, no, no, sorry, I had to go back to the cafe. | 0:13:52 | 0:13:56 | |
The alarm went off. I went to check. | 0:13:56 | 0:13:59 | |
Turned it off and came back here. | 0:13:59 | 0:14:01 | |
Anyone see you? | 0:14:01 | 0:14:02 | |
Not that I know of. | 0:14:04 | 0:14:05 | |
Did you text or phone anyone? | 0:14:08 | 0:14:10 | |
-FRONT DOOR UNLOCKS -No. Why? | 0:14:10 | 0:14:12 | |
What time did you return home? | 0:14:12 | 0:14:14 | |
-FRONT DOOR OPENS -11? | 0:14:14 | 0:14:16 | |
It's not like I was watching the clock. | 0:14:16 | 0:14:18 | |
What's going on? | 0:14:18 | 0:14:19 | |
Brian's been murdered. | 0:14:21 | 0:14:23 | |
They're just asking my whereabouts the night before the trial. | 0:14:24 | 0:14:28 | |
He was here with us. | 0:14:28 | 0:14:29 | |
-You and Rachel? -Are you honestly accusing my dad? | 0:14:29 | 0:14:32 | |
We need to eliminate him from our line of inquiry. | 0:14:32 | 0:14:35 | |
The last time I saw that man alive was when I went to his flat. | 0:14:36 | 0:14:40 | |
The night you beat him. | 0:14:40 | 0:14:42 | |
That's right. | 0:14:44 | 0:14:45 | |
And you said you should have killed him when you had the chance. | 0:14:46 | 0:14:50 | |
Yeah. | 0:14:50 | 0:14:51 | |
You see what I'm getting at. | 0:14:53 | 0:14:55 | |
Do you not think my family have suffered enough? | 0:14:55 | 0:14:58 | |
I've arranged for CSI officers to come around and search your house. | 0:15:00 | 0:15:04 | |
We're also going to need access to your family's phone records. | 0:15:04 | 0:15:07 | |
Go ahead. | 0:15:07 | 0:15:08 | |
We've got nothing to hide. | 0:15:08 | 0:15:10 | |
I'll be in touch. | 0:15:26 | 0:15:28 | |
You do that. | 0:15:28 | 0:15:29 | |
DOOR OPENS | 0:15:29 | 0:15:31 | |
APPROACHING FOOTSTEPS | 0:15:33 | 0:15:37 | |
Thought I was going to throw up. | 0:15:39 | 0:15:40 | |
He has that effect, all right. | 0:15:42 | 0:15:44 | |
I know it's just supposed to be another case... | 0:16:00 | 0:16:02 | |
Need to be professional... | 0:16:04 | 0:16:05 | |
Cops are human too... | 0:16:12 | 0:16:13 | |
Better get back inside. See what Dick Tracy has to say. | 0:16:16 | 0:16:19 | |
So much for killing himself, huh? | 0:16:24 | 0:16:26 | |
That's the last image of Brian leaving the search nucleus. | 0:16:35 | 0:16:38 | |
He could have gone absolutely anywhere after that. | 0:16:38 | 0:16:40 | |
So was he running away or driving to someone? | 0:16:40 | 0:16:42 | |
And you don't think it was Liam? | 0:16:42 | 0:16:44 | |
-Boss? -Yeah? | 0:16:45 | 0:16:47 | |
We just checked in with the checkpoint on Shore Road. | 0:16:47 | 0:16:49 | |
-And...? -They stopped everyone that passed but nobody saw anything. | 0:16:49 | 0:16:52 | |
Still nothing from the beach either. | 0:16:52 | 0:16:54 | |
There's a surprise. | 0:16:54 | 0:16:55 | |
Right. Arrange a second cordon of house-to-house questioning. | 0:16:55 | 0:16:58 | |
Somebody knows something. | 0:16:58 | 0:16:59 | |
What about Mick Moran? | 0:16:59 | 0:17:01 | |
You remember him, Paudge? Had a tattoo on his neck. | 0:17:01 | 0:17:04 | |
Space cadet. | 0:17:05 | 0:17:06 | |
Kept going on how he hated McGonigle. | 0:17:06 | 0:17:09 | |
Sure, who didn't. | 0:17:09 | 0:17:11 | |
Use your noggin, Paudge. Check out his back-story. His whereabouts. | 0:17:11 | 0:17:15 | |
Get me a full criminal profile. Now. | 0:17:15 | 0:17:19 | |
Anyone with a motive. | 0:17:19 | 0:17:20 | |
Good call, Adrijan. | 0:17:21 | 0:17:23 | |
Right. I'll get these signed as soon as I can. | 0:17:24 | 0:17:27 | |
Thanks. | 0:17:27 | 0:17:28 | |
What? | 0:17:34 | 0:17:36 | |
Sharon. If anyone had motive. | 0:17:36 | 0:17:40 | |
I don't believe you. | 0:17:40 | 0:17:41 | |
All avenues. | 0:17:41 | 0:17:43 | |
We should at least interview her. | 0:17:43 | 0:17:45 | |
-What are you doin'? -Nothing. | 0:18:07 | 0:18:09 | |
Mick Moran hasn't signed in all week. | 0:18:17 | 0:18:19 | |
Yeah. So? | 0:18:19 | 0:18:21 | |
And he's not answering his phone. I've been trying him all morning. | 0:18:21 | 0:18:23 | |
Why do you suddenly care about a petty criminal jumping bail? | 0:18:23 | 0:18:27 | |
I don't. | 0:18:27 | 0:18:28 | |
What are you not telling me? | 0:18:30 | 0:18:32 | |
If Moran has done a runner, I could be in trouble. | 0:18:34 | 0:18:37 | |
What did you do now? | 0:18:38 | 0:18:39 | |
Nothing. | 0:18:39 | 0:18:41 | |
Much. | 0:18:43 | 0:18:44 | |
-Paudge. -Moran hated McGonigle. | 0:18:44 | 0:18:47 | |
Well, yeah, there's a long list there. | 0:18:47 | 0:18:49 | |
He stitched up his brother. Ended up inside. | 0:18:49 | 0:18:51 | |
-Record as long as a horse's... -Yeah, I get the picture. | 0:18:51 | 0:18:54 | |
The thing is... | 0:18:58 | 0:18:59 | |
I could see how far he'd pushed you, breaking into your home, | 0:19:00 | 0:19:04 | |
upsetting you... | 0:19:04 | 0:19:05 | |
What did you do? | 0:19:08 | 0:19:10 | |
I might have slipped him his address... | 0:19:13 | 0:19:15 | |
-I DID slip him his address. -Paudge! | 0:19:19 | 0:19:22 | |
-Pot. Kettle. Liam? -OK, OK. | 0:19:22 | 0:19:24 | |
So...do you think he...? | 0:19:26 | 0:19:28 | |
Well, he said he didn't. | 0:19:28 | 0:19:29 | |
So you've seen him. | 0:19:29 | 0:19:31 | |
After Brian disappeared. | 0:19:31 | 0:19:34 | |
He said I'd be all right. | 0:19:34 | 0:19:36 | |
But now I don't... | 0:19:36 | 0:19:37 | |
OK, well... You're going to have to tell Nikki. | 0:19:37 | 0:19:39 | |
-What? No. -He's a person of interest. | 0:19:39 | 0:19:43 | |
And if he is the killer...? | 0:19:43 | 0:19:45 | |
Rory thinks that I should interview her. | 0:19:55 | 0:19:57 | |
Do you? | 0:19:57 | 0:19:59 | |
If only to cover our backs. Show proper procedure was followed. | 0:20:04 | 0:20:08 | |
How did Jules take it? | 0:20:08 | 0:20:09 | |
Erm, she was more concerned about | 0:20:11 | 0:20:13 | |
what she was going to tell her girls. | 0:20:13 | 0:20:15 | |
Do you think she's capable? | 0:20:17 | 0:20:18 | |
I don't know. | 0:20:20 | 0:20:22 | |
You know, we need to talk to Conor again. | 0:20:23 | 0:20:25 | |
Yeah, yeah. Of course. | 0:20:27 | 0:20:30 | |
Let's get Sharon in for questioning. | 0:20:35 | 0:20:37 | |
Maybe it's for the best. | 0:20:39 | 0:20:41 | |
How do you work that out? | 0:20:41 | 0:20:42 | |
Moran's a murder suspect, Paudge. | 0:20:42 | 0:20:44 | |
What happens when they lift him and he talks? | 0:20:45 | 0:20:48 | |
-I go down too? -Shh. | 0:20:48 | 0:20:50 | |
It's a criminal's word against a Guard's. | 0:20:54 | 0:20:57 | |
But what if he still has the address? My handwriting? | 0:20:57 | 0:20:59 | |
Lie. | 0:21:02 | 0:21:04 | |
Right. We're going to have to take you off the investigation. | 0:21:13 | 0:21:16 | |
You don't have to. | 0:21:19 | 0:21:20 | |
I do. You know the drill. | 0:21:20 | 0:21:22 | |
It's just so we can rule you out. | 0:21:22 | 0:21:25 | |
I didn't kill him. | 0:21:25 | 0:21:26 | |
Sharon, you're a person of interest, you're not a suspect. | 0:21:28 | 0:21:31 | |
Yeah. | 0:21:31 | 0:21:32 | |
This is hard on me too, but at a time like this, | 0:21:32 | 0:21:34 | |
we have to trust due process. | 0:21:34 | 0:21:37 | |
Yeah, I know how this works. | 0:21:37 | 0:21:38 | |
I'm supposed to be totally honest, so... | 0:21:38 | 0:21:40 | |
..it's better that I tell you that...it's a relief. | 0:21:42 | 0:21:45 | |
I'm glad he's gone. | 0:21:47 | 0:21:48 | |
Because nobody else made me suffer the way he did. | 0:21:50 | 0:21:52 | |
It was cruel, what he did. | 0:21:54 | 0:21:56 | |
Yeah, and I hated him for it. I'm not going to deny that. | 0:21:56 | 0:21:59 | |
But most of all I hate that... | 0:22:04 | 0:22:06 | |
..even though he's dead, | 0:22:07 | 0:22:10 | |
he's still making people doubt that I'm a good cop. | 0:22:10 | 0:22:13 | |
That's not in question here. We just need to know some facts. | 0:22:13 | 0:22:16 | |
OK? | 0:22:16 | 0:22:18 | |
Yes. | 0:22:19 | 0:22:21 | |
Where were you on the night in question? | 0:22:26 | 0:22:28 | |
I was in Paudge Brennan's house. | 0:22:29 | 0:22:33 | |
-She was with you? -Yeah. | 0:22:33 | 0:22:35 | |
Why? Have you a problem with that? | 0:22:35 | 0:22:37 | |
Two consenting adults? | 0:22:37 | 0:22:39 | |
Not like that. | 0:22:39 | 0:22:41 | |
What you do in the privacy of your own home... | 0:22:41 | 0:22:44 | |
For the record, Sharon slept in the spare room. | 0:22:44 | 0:22:46 | |
Mammy done it up for her. | 0:22:46 | 0:22:48 | |
So why was she there if there was no hanky-panky? | 0:22:48 | 0:22:51 | |
She's a mate. She was in a bad way. All right? | 0:22:53 | 0:22:55 | |
I needed company. | 0:22:57 | 0:22:59 | |
I was too afraid to go home to my own house. | 0:22:59 | 0:23:01 | |
That's how much he had me frightened. | 0:23:02 | 0:23:04 | |
What time did you arrive at Paudge's at? | 0:23:04 | 0:23:07 | |
I arrived around 8-ish. | 0:23:08 | 0:23:09 | |
Nine o'clock, I'd say, maybe a bit after. | 0:23:12 | 0:23:15 | |
Can your mother vouch for that? | 0:23:15 | 0:23:17 | |
She was up in bed, snoring her head off. | 0:23:17 | 0:23:19 | |
Convenient. | 0:23:19 | 0:23:20 | |
What time did you go to bed? | 0:23:22 | 0:23:24 | |
I was asleep by 11.30...I think. | 0:23:24 | 0:23:28 | |
Half 10 or 11, maybe. | 0:23:31 | 0:23:33 | |
What? | 0:23:36 | 0:23:38 | |
I'm just thinking - could Sharon have left your place after that? | 0:23:38 | 0:23:42 | |
No way. | 0:23:44 | 0:23:45 | |
But if you were asleep... | 0:23:45 | 0:23:47 | |
I'd have heard her. | 0:23:48 | 0:23:51 | |
Yeah, but in a court of law, could you swear that you | 0:23:51 | 0:23:54 | |
knew for a fact she was in your place the entire night? | 0:23:54 | 0:23:57 | |
No, sir, no. I'm not asking you to deal with it yourself. | 0:24:01 | 0:24:03 | |
I'm asking you to be patient. | 0:24:03 | 0:24:05 | |
We'll get someone out to you when we can. Yeah? | 0:24:05 | 0:24:08 | |
Yes, sir. | 0:24:08 | 0:24:09 | |
Multitasking there? | 0:24:11 | 0:24:13 | |
Road tax. Insurance claims. Driver's licence. | 0:24:13 | 0:24:17 | |
And a complaint about noisy neighbours. | 0:24:17 | 0:24:20 | |
This is ridiculous. It's a murder case now. | 0:24:20 | 0:24:22 | |
I'm going to ask Nikki if you can come out with me. | 0:24:24 | 0:24:26 | |
Don't bother. | 0:24:26 | 0:24:28 | |
Why not - you're wasted in here. | 0:24:28 | 0:24:30 | |
I'm not allowed, Sean. | 0:24:30 | 0:24:32 | |
-BUZZER -I'm only trying to help. | 0:24:32 | 0:24:34 | |
Ah, no, no. Are you joking? I'm driving. | 0:24:34 | 0:24:37 | |
The cheek. I'll catch you later, yeah? | 0:24:38 | 0:24:42 | |
Yeah. | 0:24:43 | 0:24:45 | |
PHONE RINGS | 0:24:51 | 0:24:53 | |
Red Rock Garda Station. Yes, sir... I already told you. | 0:24:53 | 0:24:57 | |
We will get to you when we can. | 0:24:57 | 0:25:00 | |
CALLER CHATTERS | 0:25:00 | 0:25:02 | |
Hey. How do you get on? | 0:25:05 | 0:25:06 | |
I had a grand chat, thanks. He loves himself, that fella. | 0:25:06 | 0:25:09 | |
What's up with you? | 0:25:09 | 0:25:11 | |
-Doesn't matter. Forget it. -Here, Paudge, tell me. | 0:25:13 | 0:25:15 | |
That night you were in my house... | 0:25:19 | 0:25:21 | |
Were you there the whole time? | 0:25:23 | 0:25:24 | |
Yeah. Course I was. | 0:25:27 | 0:25:29 | |
Have I ever lied to you? | 0:25:30 | 0:25:32 | |
First time for everything. | 0:25:35 | 0:25:37 | |
You're not serious? | 0:25:39 | 0:25:40 | |
How did you get on with Liam Reid? | 0:25:43 | 0:25:45 | |
He cooperated fully. Albeit with some attitude... | 0:25:45 | 0:25:47 | |
But he's giving nothing away. | 0:25:47 | 0:25:49 | |
OK, so, for now, as far as we know, Conor Tyrell is the last person, | 0:25:49 | 0:25:52 | |
apart from his family, to see McGonigle alive? | 0:25:52 | 0:25:55 | |
Angela's bringing him in this afternoon - we're going to | 0:25:55 | 0:25:57 | |
go through everything again and see if he's missed any detail. | 0:25:57 | 0:26:00 | |
So, one of our lead suspects is a cop, | 0:26:00 | 0:26:02 | |
and another one is the son of our sergeant? | 0:26:02 | 0:26:05 | |
Yeah. | 0:26:05 | 0:26:06 | |
It's a delicate situation. | 0:26:07 | 0:26:09 | |
-Yeah. -We're well up for it, sir. | 0:26:09 | 0:26:11 | |
You know, if this thing ends up involving one of our own, | 0:26:13 | 0:26:16 | |
we're all in trouble. | 0:26:16 | 0:26:17 | |
I've got the commissioner breathing down my neck on this one. | 0:26:17 | 0:26:20 | |
So I need something to give to the press, to get them off our backs. | 0:26:20 | 0:26:24 | |
Do we have any progress on the Ger McIntyre killing? | 0:26:24 | 0:26:27 | |
We're doing everything that we can. | 0:26:27 | 0:26:29 | |
-SCOFFING: -Great. | 0:26:30 | 0:26:31 | |
-He didn't mean it like that. -Like what? | 0:26:36 | 0:26:39 | |
We're all under pressure on this one. | 0:26:39 | 0:26:41 | |
Get off the fence, Rory. | 0:26:41 | 0:26:42 | |
-Sorry? -I'm not blind. | 0:26:42 | 0:26:44 | |
Right. Clock is ticking. Where are we with that car? | 0:26:45 | 0:26:48 | |
There's nothing. | 0:26:48 | 0:26:49 | |
-DOOR KNOCKS -What? | 0:26:49 | 0:26:51 | |
That was the coastguard. | 0:26:51 | 0:26:53 | |
Turns out they've been working from old charts. | 0:26:53 | 0:26:55 | |
Tell me that's not a problem. | 0:26:55 | 0:26:57 | |
Well, yeah, the tidal movements are all wrong. | 0:26:57 | 0:26:59 | |
We've been searching the wrong stretch of coast. | 0:26:59 | 0:27:01 | |
-Do you have the right ones now? -Yes. | 0:27:01 | 0:27:03 | |
Well, then, what are you waiting for? | 0:27:03 | 0:27:05 | |
Tell them the same as you told them before. | 0:27:13 | 0:27:15 | |
Everything's different now, Ma. | 0:27:15 | 0:27:17 | |
What happened that night is the same, though. | 0:27:17 | 0:27:19 | |
Conor? If there's something you're holding back, | 0:27:23 | 0:27:27 | |
if there's something you're not telling me, now is the time. | 0:27:27 | 0:27:29 | |
You understand? | 0:27:29 | 0:27:31 | |
-Conor. -Yeah, no. There's nothing. | 0:27:32 | 0:27:36 | |
I swear. | 0:27:36 | 0:27:37 | |
Then stick to the facts. You'll be fine. | 0:27:39 | 0:27:42 | |
There you go. | 0:27:46 | 0:27:48 | |
Welcome. Any time. | 0:27:48 | 0:27:49 | |
If you would wait for your turn, sir. Yeah... | 0:27:49 | 0:27:52 | |
Wait? That's all I've been doing. | 0:27:52 | 0:27:54 | |
What about the squad car that you promised me? | 0:27:54 | 0:27:57 | |
I'm sorry? | 0:27:57 | 0:27:58 | |
I recognise your voice from the phone. | 0:27:58 | 0:28:00 | |
What exactly is the problem? | 0:28:00 | 0:28:01 | |
You. You're a waste of bleedin' air, the lot of yous. | 0:28:01 | 0:28:04 | |
OK... | 0:28:04 | 0:28:06 | |
You said you'd sort them out. And they're at it again. | 0:28:06 | 0:28:09 | |
They're tipping their rubbish all over my garden. | 0:28:09 | 0:28:11 | |
You have a dispute with your neighbours, right? | 0:28:11 | 0:28:14 | |
They're scum. | 0:28:14 | 0:28:15 | |
If you would fill this form for me? | 0:28:15 | 0:28:18 | |
A form? Is that all you've got? | 0:28:18 | 0:28:20 | |
Yeah. Have you made a formal complaint? | 0:28:20 | 0:28:23 | |
Is this how it is now, the scrotes can do what they like, | 0:28:23 | 0:28:25 | |
and you, you shuffle paper? | 0:28:25 | 0:28:28 | |
No... | 0:28:29 | 0:28:31 | |
-Get me someone that can help. -That's me. | 0:28:32 | 0:28:34 | |
Then get round my house! And arrest them. Charge them. | 0:28:34 | 0:28:37 | |
Lock them up! | 0:28:37 | 0:28:39 | |
Fill. In. This. Form. | 0:28:39 | 0:28:41 | |
It's no wonder this country's going to the dogs... | 0:28:42 | 0:28:44 | |
What is it I have to do to get you to do your job? | 0:28:46 | 0:28:49 | |
You call yourself a Guard? | 0:28:49 | 0:28:52 | |
You know what, Guard? Well, shove it, Guard. | 0:28:52 | 0:28:55 | |
So, what time did you arrive at McGonigle's? | 0:28:59 | 0:29:02 | |
I don't know. I was drinking. I can't be too sure. | 0:29:02 | 0:29:06 | |
Eight o'clock. | 0:29:06 | 0:29:07 | |
Right. And did you see anyone outside the house? | 0:29:07 | 0:29:10 | |
Maybe when you were leaving? | 0:29:11 | 0:29:12 | |
And how long were you in there for? | 0:29:16 | 0:29:18 | |
A few minutes, then he threw me out. | 0:29:18 | 0:29:20 | |
Threw you out? Did he manhandle you? | 0:29:21 | 0:29:23 | |
He gave me a shove. That's all. | 0:29:23 | 0:29:25 | |
So you picked yourself up and dusted yourself off. | 0:29:27 | 0:29:30 | |
-How did you get home? -Walked. | 0:29:31 | 0:29:33 | |
That's a long ol' walk in the dark. | 0:29:35 | 0:29:37 | |
-What is it, three or four miles? -Yeah, something like that. | 0:29:38 | 0:29:41 | |
It was pretty cold as well. | 0:29:41 | 0:29:43 | |
You must have been freezin' when you got home. | 0:29:43 | 0:29:46 | |
-It was pretty cold, all right, yeah. -And what time was that? | 0:29:46 | 0:29:49 | |
Half 12. | 0:29:49 | 0:29:50 | |
Really? | 0:29:54 | 0:29:56 | |
No... It's just... last time you said 11.30. | 0:29:58 | 0:30:01 | |
Yeah, no. Look, I was drunk... I was drunk. | 0:30:01 | 0:30:04 | |
The cold not sober you up, no? Always does me. | 0:30:04 | 0:30:07 | |
That's one whole hour, on the night of a murder, that you can't | 0:30:12 | 0:30:15 | |
account for. | 0:30:15 | 0:30:17 | |
So which was it? Half 11 or half 12? | 0:30:18 | 0:30:22 | |
I'll let you have a little think about that. | 0:30:25 | 0:30:27 | |
Have they found him yet? | 0:30:36 | 0:30:38 | |
-Who? -Moran. | 0:30:38 | 0:30:39 | |
He's all big talk and tattoos, that one. | 0:30:39 | 0:30:42 | |
Here... | 0:30:42 | 0:30:43 | |
Better sharpen your pencil, Columbo. | 0:30:43 | 0:30:45 | |
BELL RINGS REPEATEDLY | 0:30:48 | 0:30:50 | |
Now, will you do something, Guard?! Hm? Come on! | 0:30:57 | 0:31:02 | |
Calm down. What is your name? | 0:31:07 | 0:31:09 | |
Fergus. Fergus Shaughnessy. I told you this. | 0:31:09 | 0:31:11 | |
OK. | 0:31:11 | 0:31:13 | |
Give me your address and I will send someone to help you. | 0:31:13 | 0:31:16 | |
-Yeah? -Yeah. | 0:31:16 | 0:31:18 | |
Seven.... Number seven, Millbrook Lane. | 0:31:18 | 0:31:20 | |
-Seven Millbrook Lane? -Uh-hm. | 0:31:20 | 0:31:23 | |
OK...that's perfect. Now, we can have a chat about your neighbours. | 0:31:23 | 0:31:27 | |
Yeah? | 0:31:27 | 0:31:29 | |
-Yeah. -OK... -Just put the knife down first. -No. | 0:31:29 | 0:31:33 | |
I promise I'll send someone round to your house. | 0:31:34 | 0:31:38 | |
I want you. I want you to come with me. | 0:31:38 | 0:31:40 | |
You have to put the knife down first. | 0:31:42 | 0:31:44 | |
I know how you feel. I know you're frustrated... | 0:31:44 | 0:31:47 | |
but this is not the way... | 0:31:47 | 0:31:49 | |
DOOR OPENS | 0:31:49 | 0:31:52 | |
Drop the knife. | 0:31:52 | 0:31:54 | |
I said, drop the knife! | 0:31:54 | 0:31:55 | |
-Fergus. -Leave it! -Leave him. | 0:31:55 | 0:31:57 | |
-Stay where you are. Stay where you are. -Leave him. | 0:31:57 | 0:32:00 | |
I'm not going to ask you again. | 0:32:00 | 0:32:01 | |
I'm not afraid to use this. | 0:32:01 | 0:32:03 | |
I'm not afraid to use it! | 0:32:04 | 0:32:06 | |
KNIFE CLANGS | 0:32:09 | 0:32:10 | |
-You OK? -Yeah. | 0:32:14 | 0:32:17 | |
BUZZER | 0:32:22 | 0:32:24 | |
It was, er, it was half 12 when I got home. | 0:32:26 | 0:32:28 | |
-You're sure this time? -Yeah. | 0:32:28 | 0:32:31 | |
So where were did go after you were thrown out of McGonigle's? | 0:32:31 | 0:32:34 | |
Nowhere. I waited outside. | 0:32:34 | 0:32:35 | |
-Outside the house? -Hm. -What happened? | 0:32:35 | 0:32:38 | |
I, uh... Look, I wasn't thinking, all right? I was angry. I just... | 0:32:38 | 0:32:44 | |
I smashed a bottle... tried to slash his tyres. | 0:32:44 | 0:32:46 | |
It didn't work. So I stuck a penknife in the valve. | 0:32:46 | 0:32:49 | |
And I waited. And I hid. | 0:32:49 | 0:32:52 | |
And I watched him come out of his house. | 0:32:52 | 0:32:54 | |
Go on. | 0:32:55 | 0:32:56 | |
CLEARS THROAT | 0:32:56 | 0:32:58 | |
He went to the boot of his car to get, to change the tyre. | 0:32:58 | 0:33:01 | |
He saw me. Came at me with one of those... | 0:33:01 | 0:33:04 | |
One of those things you change the wheel with. The uh... | 0:33:04 | 0:33:07 | |
-A wheel brace? -Yeah. Yeah. | 0:33:07 | 0:33:09 | |
Was it a cross or a straight bar? | 0:33:09 | 0:33:10 | |
-Straight. I think. -Did he hit you? | 0:33:12 | 0:33:15 | |
-No, he tried to. But I pushed him off. -Did you hit him? | 0:33:15 | 0:33:17 | |
No. I didn't. I just told him what I thought of him. | 0:33:17 | 0:33:20 | |
And he laughed at me. | 0:33:20 | 0:33:21 | |
-And said if I went near him again, he'd break my legs. -What happened then? | 0:33:21 | 0:33:24 | |
-That was it. -You didn't hang around? -No. | 0:33:26 | 0:33:28 | |
No, I just went and got hammered. That's it. | 0:33:30 | 0:33:33 | |
End of. | 0:33:33 | 0:33:34 | |
Why didn't you tell us all this before? | 0:33:35 | 0:33:38 | |
Why were you so angry with him? | 0:33:41 | 0:33:43 | |
Cos what he did to Rachel. | 0:33:45 | 0:33:47 | |
So...you were jealous of him? | 0:33:47 | 0:33:49 | |
No, I wasn't jealous of him, all right? | 0:33:49 | 0:33:51 | |
He just ... She's a good mate and he treated her like dirt. | 0:33:51 | 0:33:54 | |
-Sounds like more than a good mate to me. -Well... | 0:33:54 | 0:33:57 | |
Were you sleeping with her? | 0:34:00 | 0:34:01 | |
No, I wasn't sleeping with her, all right? | 0:34:01 | 0:34:03 | |
-He was... Sleeping with her? -Yeah, he was. | 0:34:03 | 0:34:08 | |
Hey, is that it? | 0:34:09 | 0:34:11 | |
Afraid not. Wait here. | 0:34:11 | 0:34:13 | |
-Oh! -Don't be such a baby. | 0:34:18 | 0:34:20 | |
Yeah, you're definitely going to need stitches. | 0:34:23 | 0:34:25 | |
I've had deeper paper cuts. | 0:34:25 | 0:34:27 | |
Good man, Dr Brennan! | 0:34:27 | 0:34:28 | |
Ahh! | 0:34:28 | 0:34:30 | |
I had it under control. | 0:34:31 | 0:34:32 | |
Great. Next time I'll just let him stab you, yeah? | 0:34:34 | 0:34:37 | |
You're like a pair of old ones. Here, hold still, will you. | 0:34:37 | 0:34:40 | |
I do not need this. Not today. Where's the assailant? | 0:34:40 | 0:34:42 | |
In the cell. Cooling off. | 0:34:42 | 0:34:44 | |
And I am fine. Thanks. | 0:34:44 | 0:34:45 | |
You were supposed to be behind your desk. | 0:34:45 | 0:34:48 | |
-In fairness... -Sit. | 0:34:48 | 0:34:49 | |
I was supporting a colleague. What did you expect me to do? | 0:34:49 | 0:34:51 | |
-Stand there? -Watch your tone. -I did what any other cop would. | 0:34:51 | 0:34:53 | |
But you're not "any" cop. You have a condition. | 0:34:53 | 0:34:55 | |
So next time something like this happens, you follow procedure. | 0:34:55 | 0:34:58 | |
You do call for backup. | 0:34:58 | 0:34:59 | |
And you do not stray from your desk duties, not ever. | 0:34:59 | 0:35:02 | |
Do you get that? Now get someone to take you to A&E. | 0:35:02 | 0:35:05 | |
There's been a development. | 0:35:05 | 0:35:06 | |
This better be good. | 0:35:06 | 0:35:08 | |
-Depends what way you look at it. -Great. | 0:35:08 | 0:35:10 | |
Don't listen to her. Come on, I'll take you to hospital. | 0:35:14 | 0:35:18 | |
I'm not going. | 0:35:18 | 0:35:19 | |
-Addie, seriously. -Leave it, Sean. | 0:35:19 | 0:35:21 | |
Why didn't you tell me about the rest of that night? | 0:35:30 | 0:35:33 | |
-What? -Conor. Brian. | 0:35:33 | 0:35:35 | |
Don't make an idiot out of me, Angela. | 0:35:35 | 0:35:37 | |
They had a second confrontation. | 0:35:37 | 0:35:39 | |
No, no, I didn't know. I swear. | 0:35:40 | 0:35:42 | |
You've got to believe me. | 0:35:42 | 0:35:44 | |
Go and get your son, you know where he is. | 0:35:44 | 0:35:47 | |
And, Angela...? We will be getting him back in. | 0:35:48 | 0:35:50 | |
-Mum! -Sit down. | 0:35:56 | 0:35:58 | |
I asked you if there was anything else... | 0:36:05 | 0:36:06 | |
-I know. I know. -Why didn't you tell me? | 0:36:06 | 0:36:09 | |
I... I know I should've, OK? I just... | 0:36:09 | 0:36:13 | |
Is there anything else? | 0:36:14 | 0:36:15 | |
No. There's nothing. There's nothing, OK? | 0:36:15 | 0:36:17 | |
I swear. I swear! | 0:36:17 | 0:36:19 | |
We just had the coastguard on. | 0:36:21 | 0:36:22 | |
They say the body entered the water between two points, | 0:36:22 | 0:36:24 | |
a kilometre apart, here and here. | 0:36:24 | 0:36:26 | |
Excellent. OK. Put a call out to the nearest units. | 0:36:26 | 0:36:29 | |
Search every car park, boreen, scenic point, | 0:36:29 | 0:36:31 | |
anything close to that area. | 0:36:31 | 0:36:32 | |
Already done. They just called back. | 0:36:32 | 0:36:34 | |
SIREN WAILS | 0:36:37 | 0:36:39 | |
Why would Brian drive all the way out here? | 0:36:53 | 0:36:55 | |
Good place for a clandestine meet. | 0:36:55 | 0:36:57 | |
Premeditated? | 0:37:02 | 0:37:04 | |
Why not? No witnesses. Easy dumping of the body. | 0:37:04 | 0:37:09 | |
Make it look like suicide. | 0:37:10 | 0:37:12 | |
That's what we would've thought, if we'd found the car first, right? | 0:37:13 | 0:37:17 | |
Access routes are clear for a hasty exit. | 0:37:17 | 0:37:19 | |
Spare. Fits Conor's story. | 0:37:24 | 0:37:26 | |
There's no blood. There's no weapon. | 0:37:28 | 0:37:29 | |
There's no obvious sign of violence. | 0:37:29 | 0:37:31 | |
It's been raining the last few nights. | 0:37:31 | 0:37:33 | |
It doesn't fit. | 0:37:33 | 0:37:35 | |
There's nothing here to suggest that this is the actual murder site. | 0:37:35 | 0:37:38 | |
One step forward... | 0:37:40 | 0:37:42 | |
What did you tell them? | 0:37:47 | 0:37:48 | |
About the tyre. | 0:37:50 | 0:37:51 | |
I had to, all right. There was a discrepancy. An hour. | 0:37:51 | 0:37:54 | |
-I had to explain it. -Nothing else? | 0:37:54 | 0:37:56 | |
-No. Just, just what we said. -Be sure and keep it that way. | 0:37:56 | 0:37:59 | |
-Yeah. -Hey, as long as we keep our story straight, we'll be fine. | 0:38:00 | 0:38:04 | |
-Here you go. -Thanks. | 0:38:10 | 0:38:12 | |
What's up? | 0:38:16 | 0:38:18 | |
Nothing. | 0:38:18 | 0:38:20 | |
We're going to be OK. | 0:38:20 | 0:38:21 | |
The car's been wiped...like, wiped. | 0:38:32 | 0:38:34 | |
Not a fingerprint to be had. | 0:38:34 | 0:38:36 | |
Get me a swab. | 0:38:48 | 0:38:50 | |
REPORTERS CLAMOUR | 0:39:01 | 0:39:03 | |
Hey, guys, an official press release is imminent but I can tell | 0:39:07 | 0:39:10 | |
you that this afternoon my officers had a major breakthrough. | 0:39:10 | 0:39:14 | |
We found Brian McGonigle's car. | 0:39:14 | 0:39:16 | |
Forensics are examining it as we speak. | 0:39:16 | 0:39:19 | |
Thanks to the sterling work of my team, | 0:39:19 | 0:39:21 | |
the net is closing in on the killer. | 0:39:21 | 0:39:23 | |
So once again, I would ask members of the public to please share | 0:39:23 | 0:39:26 | |
any information that they have, with us, no matter how small. OK? Thank you very much indeed. | 0:39:26 | 0:39:29 | |
CLAMOUR | 0:39:29 | 0:39:31 | |
There will be an official press release later. Thank you very much. | 0:39:31 | 0:39:34 | |
I thought we were kind of keeping that information under wraps, sir. | 0:39:36 | 0:39:39 | |
Well, we've got to give them something, | 0:39:39 | 0:39:41 | |
if we want to keep them on side. | 0:39:41 | 0:39:42 | |
I wish you'd discussed it with me first. | 0:39:42 | 0:39:45 | |
It's important that the public see that we are making progress. | 0:39:45 | 0:39:48 | |
Whether we are making progress or not. | 0:39:48 | 0:39:50 | |
That was the lab. The blood in the boot? | 0:39:56 | 0:39:58 | |
It's Brian's. | 0:39:58 | 0:39:59 | |
It's good to have you back, Da, eh. | 0:40:04 | 0:40:06 | |
It's good to be back, son. | 0:40:06 | 0:40:07 | |
Drugs seem to be working. | 0:40:12 | 0:40:14 | |
Keeping the edge off...just. | 0:40:14 | 0:40:17 | |
Don't look so worried. | 0:40:17 | 0:40:19 | |
It's a murder investigation, Tommy. They're going to delve deeper. | 0:40:19 | 0:40:23 | |
So? | 0:40:23 | 0:40:25 | |
You know, they find his phone... The photos of you and Conor. | 0:40:25 | 0:40:29 | |
They haven't found it yet, have they? | 0:40:29 | 0:40:31 | |
-How'd this happen? -Must've been when I fell. | 0:40:35 | 0:40:37 | |
In for a penny, in for a pounding. You know me. | 0:40:39 | 0:40:42 | |
Never one to do anything by halves. | 0:40:42 | 0:40:44 | |
Yeah... | 0:40:46 | 0:40:48 | |
See you. | 0:40:49 | 0:40:51 | |
SHE SIGHS | 0:40:59 | 0:41:01 | |
There. | 0:41:01 | 0:41:03 | |
-It could be anybody. -How much time have we lost on this? | 0:41:07 | 0:41:10 | |
Easy mistake, boss. | 0:41:10 | 0:41:11 | |
We should've been looking at this from another angle. | 0:41:11 | 0:41:14 | |
Picked up something different, from the start. | 0:41:14 | 0:41:16 | |
So if this isn't Brian... | 0:41:17 | 0:41:19 | |
..we could be looking at his killer. | 0:41:21 | 0:41:23 |