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Conor James Tyrell, you are charged that on the 12th of April 2016, | 0:00:02 | 0:00:04 | |
at the Pipes in Red Rock, you did murder Brian McGonigle. | 0:00:04 | 0:00:07 | |
What's this in aid of? | 0:00:07 | 0:00:08 | |
Being a great mum. Do you like it? | 0:00:08 | 0:00:10 | |
I love it. | 0:00:11 | 0:00:12 | |
Brian was using Conor to blackmail his mum. | 0:00:13 | 0:00:15 | |
It was all about the trial, not you. | 0:00:15 | 0:00:17 | |
-Where is he now? -In prison. | 0:00:17 | 0:00:18 | |
Conor's in prison, and it's our fault. | 0:00:19 | 0:00:21 | |
-OK, OK, so... -I'm going to tell the truth. | 0:00:21 | 0:00:23 | |
Hey! | 0:00:26 | 0:00:27 | |
-Hey! Hello? -RINGING BELL | 0:00:27 | 0:00:29 | |
Hello? | 0:01:02 | 0:01:03 | |
Hey! | 0:01:03 | 0:01:04 | |
Hey! | 0:01:04 | 0:01:05 | |
Back off. | 0:01:05 | 0:01:06 | |
Rachel, there's a queue. | 0:01:07 | 0:01:08 | |
I want to speak to Nikki. | 0:01:08 | 0:01:10 | |
Rachel. | 0:01:10 | 0:01:11 | |
I'm sorry, Sharon, she's... | 0:01:11 | 0:01:12 | |
She's what? She's what? She's drunk? She's mental? | 0:01:12 | 0:01:15 | |
What are you going to say? | 0:01:15 | 0:01:16 | |
Here, just get me her, now. | 0:01:16 | 0:01:17 | |
You need to calm down. | 0:01:17 | 0:01:18 | |
Yeah, you're being a bit hysterical. | 0:01:18 | 0:01:20 | |
RINGS BELL Come on. | 0:01:20 | 0:01:21 | |
And stop doing that. | 0:01:21 | 0:01:22 | |
-Make me. -Rachel! | 0:01:22 | 0:01:23 | |
-RINGS BELL -Just get me Nikki, please. | 0:01:24 | 0:01:26 | |
DOOR LOCK BUZZING | 0:01:26 | 0:01:28 | |
You don't have to shout. | 0:01:29 | 0:01:31 | |
I just want to speak to Nikki. | 0:01:31 | 0:01:32 | |
Do you want to come this way? | 0:01:34 | 0:01:36 | |
I think I should come as well. | 0:01:36 | 0:01:37 | |
Just you. | 0:01:39 | 0:01:40 | |
How old are you, David? | 0:01:48 | 0:01:49 | |
I do wonder whether it was really worth paying for your education. | 0:01:49 | 0:01:52 | |
I told you we were having fish for starters. | 0:01:53 | 0:01:55 | |
Where do the fish knives go? | 0:01:55 | 0:01:56 | |
Swap. | 0:01:58 | 0:02:00 | |
Thank you. | 0:02:01 | 0:02:02 | |
Uh-ah, there's a smear. | 0:02:03 | 0:02:05 | |
-So? -So you do it again. | 0:02:05 | 0:02:06 | |
Mum, it's Michael. | 0:02:06 | 0:02:08 | |
He's been drinking out of a plastic beaker for... | 0:02:08 | 0:02:10 | |
-Just do it, OK! -Stop. | 0:02:10 | 0:02:11 | |
I think we owe him that much. | 0:02:11 | 0:02:13 | |
-You certainly do. -You could put tarpaulin on the floor, | 0:02:13 | 0:02:15 | |
pour spaghetti on it and tell him to dive in it, he'd be happy. | 0:02:15 | 0:02:18 | |
I want things to be right. | 0:02:18 | 0:02:20 | |
-What if he's changed? What if he's... -You've seen him! | 0:02:20 | 0:02:22 | |
You visit him every week. | 0:02:22 | 0:02:23 | |
But you can't tell, can you? Not from a visit. | 0:02:23 | 0:02:26 | |
Mum, he's fine. | 0:02:26 | 0:02:27 | |
There's no issues with Michael. | 0:02:27 | 0:02:29 | |
-I promise. -I want this family to be perfect. | 0:02:29 | 0:02:31 | |
Clean the glass. | 0:02:31 | 0:02:32 | |
HE SIGHS | 0:02:32 | 0:02:34 | |
Excuse me, where are you going? | 0:02:34 | 0:02:35 | |
To bring something to Katie for Luke. | 0:02:35 | 0:02:38 | |
He is family, too. | 0:02:38 | 0:02:39 | |
-See you later. -See you. | 0:02:39 | 0:02:41 | |
Lads, sit down. | 0:02:43 | 0:02:44 | |
Now, shouldn't be much longer. | 0:02:47 | 0:02:49 | |
Sit, I said! | 0:02:51 | 0:02:52 | |
I need to see her, Sharon, OK? I have to talk to her. | 0:02:52 | 0:02:54 | |
See the face on Rachel Reid? | 0:02:54 | 0:02:56 | |
Something's brewing there, I'm tellin' ya. | 0:02:56 | 0:02:58 | |
CAN I TALK TO MY DAUGHTER, PLEASE? | 0:03:01 | 0:03:04 | |
-OK, maybe if you told us what it was about? -No! | 0:03:06 | 0:03:09 | |
Look, it's personal, OK? | 0:03:10 | 0:03:12 | |
Between her and the boss? | 0:03:12 | 0:03:13 | |
Look, you know what she's been going through, yeah? | 0:03:16 | 0:03:18 | |
She hasn't been sleeping, and... | 0:03:18 | 0:03:19 | |
All a bit much? | 0:03:21 | 0:03:22 | |
Do you want a coffee? | 0:03:24 | 0:03:26 | |
Paudge? | 0:03:28 | 0:03:29 | |
A coffee. | 0:03:31 | 0:03:32 | |
All right. | 0:03:32 | 0:03:34 | |
OK, look. Just let her talk to the boss. | 0:03:37 | 0:03:39 | |
Maybe getting whatever it is off her chest will do her good. | 0:03:40 | 0:03:43 | |
BANGING TOY ON WALL | 0:03:50 | 0:03:53 | |
SIREN WAILS | 0:03:59 | 0:04:02 | |
What do you think? | 0:04:06 | 0:04:07 | |
Niamh? | 0:04:08 | 0:04:10 | |
Yeah, no, it's grand. | 0:04:10 | 0:04:11 | |
You don't like it? | 0:04:12 | 0:04:14 | |
-Sorry. It's just.... -What? | 0:04:14 | 0:04:15 | |
Dad and Rachel. They're over there. | 0:04:16 | 0:04:18 | |
Why? | 0:04:18 | 0:04:19 | |
Conor's been charged. | 0:04:21 | 0:04:23 | |
Charged? With what? | 0:04:23 | 0:04:24 | |
Killing Brian McGonigle. | 0:04:24 | 0:04:26 | |
Conor who worked here, Conor? | 0:04:27 | 0:04:29 | |
They have evidence. | 0:04:29 | 0:04:31 | |
And what's that got to do with Rachel? | 0:04:32 | 0:04:34 | |
She's blaming herself. Don't ask. | 0:04:34 | 0:04:36 | |
SQUEALING AND LAUGHING | 0:04:36 | 0:04:38 | |
So... | 0:04:47 | 0:04:48 | |
What's wrong? | 0:04:56 | 0:04:57 | |
You seem a little upset. | 0:04:59 | 0:05:00 | |
Can I get you something? | 0:05:18 | 0:05:19 | |
Water? | 0:05:22 | 0:05:23 | |
Tea? | 0:05:26 | 0:05:27 | |
What's happened, Rachel? | 0:05:30 | 0:05:31 | |
SHE SIGHS | 0:05:31 | 0:05:32 | |
FIRE ALARM WAILS | 0:05:34 | 0:05:37 | |
We have to go. | 0:05:38 | 0:05:40 | |
Is my daughter OK? | 0:05:54 | 0:05:55 | |
I'm sure she's fine. It's probably just a false alarm. | 0:05:55 | 0:05:57 | |
Have to be on the safe side. | 0:05:58 | 0:06:00 | |
Did you check the rota? | 0:06:00 | 0:06:01 | |
-You what? -Is that why you set off the alarm? | 0:06:01 | 0:06:04 | |
I'm insulted. I haven't done that since I was in school. | 0:06:05 | 0:06:07 | |
Did anyone see anything? | 0:06:07 | 0:06:09 | |
No. | 0:06:09 | 0:06:10 | |
Those kids were messing around. | 0:06:12 | 0:06:14 | |
Yeah, they were. | 0:06:14 | 0:06:15 | |
Dad? | 0:06:21 | 0:06:22 | |
ALARM CONTINUES RINGING, SOMEWHAT MUFFLED | 0:06:30 | 0:06:33 | |
That's some racket, isn't it? | 0:06:38 | 0:06:40 | |
Probably someone smoking in the cell. | 0:06:40 | 0:06:42 | |
-I brought you this. -Oh, yeah, thanks. I was going to ask. | 0:06:44 | 0:06:46 | |
Nice top. Is it new? | 0:06:48 | 0:06:50 | |
-Do you know what? -What? | 0:06:51 | 0:06:54 | |
Sometimes I'm unnecessarily horrible to you. | 0:06:54 | 0:06:56 | |
Luke's got a jab at the doctor's later. Fancy joining? | 0:06:59 | 0:07:02 | |
HIS PHONE RINGS | 0:07:02 | 0:07:03 | |
Mum? | 0:07:06 | 0:07:07 | |
I'm in the cafe. | 0:07:07 | 0:07:08 | |
Mum, will you calm down? | 0:07:08 | 0:07:10 | |
Hold on, hold on a sec. When is it? | 0:07:10 | 0:07:13 | |
Half an hour. Ma's on her way with him. | 0:07:13 | 0:07:15 | |
Yeah. | 0:07:19 | 0:07:20 | |
Look, Mum, something's come up with Luke. | 0:07:20 | 0:07:22 | |
Something's come up with Luke - I have to go. | 0:07:22 | 0:07:24 | |
I'll call you back. | 0:07:24 | 0:07:25 | |
OK. | 0:07:26 | 0:07:27 | |
What's she giving you grief about this time? | 0:07:29 | 0:07:31 | |
-HE SIGHS -Nothing. | 0:07:31 | 0:07:32 | |
So, doctors. Injections. Crying. | 0:07:34 | 0:07:36 | |
Sounds fun. | 0:07:38 | 0:07:39 | |
Listen, when I told you about Conor, | 0:07:42 | 0:07:44 | |
and all the evidence against him, | 0:07:44 | 0:07:45 | |
I didn't do it to upset you. | 0:07:45 | 0:07:47 | |
No, I'm glad you told me. | 0:07:47 | 0:07:48 | |
FIRE ALARM STOPS | 0:07:49 | 0:07:50 | |
Rachel. Rachel. | 0:07:57 | 0:07:58 | |
Listen, please don't do this. OK? | 0:07:58 | 0:08:00 | |
OK? Think about your future, think about Niamh. | 0:08:00 | 0:08:03 | |
You'll destroy everything... | 0:08:03 | 0:08:04 | |
-It's too late. -What? | 0:08:04 | 0:08:06 | |
What? What are you talking about? | 0:08:06 | 0:08:07 | |
Everything OK? | 0:08:07 | 0:08:08 | |
Yeah. | 0:08:10 | 0:08:11 | |
All right. Come on, Rachel. | 0:08:11 | 0:08:13 | |
Do you like that? | 0:08:22 | 0:08:24 | |
Do you like that, Lukey? | 0:08:24 | 0:08:26 | |
-You're going to make him sick. -What's up there? | 0:08:26 | 0:08:27 | |
No, I'm not, he loves it. | 0:08:27 | 0:08:29 | |
David. | 0:08:30 | 0:08:32 | |
Mum. | 0:08:32 | 0:08:33 | |
We should be going. | 0:08:33 | 0:08:35 | |
Yeah, look. | 0:08:35 | 0:08:36 | |
Yeah, we still have things to buy for the dinner party. | 0:08:36 | 0:08:39 | |
I know, but I have to bring Luke to the doctors. | 0:08:39 | 0:08:41 | |
-And we'll do it after. -Is he OK? | 0:08:41 | 0:08:43 | |
Yeah. He's just getting an injection. | 0:08:44 | 0:08:46 | |
Well I'm sure Katie can manage. Come on. We need to go. | 0:08:46 | 0:08:49 | |
Where you going? | 0:08:49 | 0:08:50 | |
We have to go pick up Michael. | 0:08:55 | 0:08:56 | |
Now, David. | 0:09:00 | 0:09:01 | |
Mum, we don't all need to go. | 0:09:01 | 0:09:03 | |
Is that your choice? | 0:09:04 | 0:09:05 | |
Yeah. | 0:09:07 | 0:09:08 | |
Fine. | 0:09:09 | 0:09:10 | |
So Michael's getting out early? | 0:09:19 | 0:09:21 | |
Yeah. | 0:09:25 | 0:09:26 | |
-I WAS going to tell you. -Right. | 0:09:27 | 0:09:29 | |
OK, we need to go. | 0:09:31 | 0:09:33 | |
GATE ALARM BEEPING | 0:09:43 | 0:09:45 | |
Where is he? | 0:09:54 | 0:09:55 | |
Michael or David? | 0:09:58 | 0:10:00 | |
David knows this is important. | 0:10:00 | 0:10:02 | |
So's his son. | 0:10:04 | 0:10:05 | |
-He's got responsibilities now, Mum. -I know. | 0:10:07 | 0:10:09 | |
I know. | 0:10:09 | 0:10:10 | |
A lot's changed since Michael went inside. | 0:10:14 | 0:10:17 | |
I know. | 0:10:21 | 0:10:23 | |
Right. | 0:10:31 | 0:10:32 | |
Where were we? | 0:10:34 | 0:10:35 | |
Take your time. | 0:10:40 | 0:10:41 | |
None of this is fair. | 0:10:46 | 0:10:48 | |
What's not fair? | 0:10:48 | 0:10:49 | |
He didn't do it. | 0:10:50 | 0:10:51 | |
Who? | 0:10:51 | 0:10:53 | |
Conor. | 0:10:54 | 0:10:55 | |
He didn't kill Brian. | 0:10:57 | 0:10:58 | |
What do you mean, he didn't kill Brian? | 0:11:04 | 0:11:06 | |
What do you know? | 0:11:08 | 0:11:09 | |
Is there something? | 0:11:13 | 0:11:14 | |
Look, you can tell me. | 0:11:17 | 0:11:19 | |
Cos maybe I can help. | 0:11:19 | 0:11:20 | |
I am worried about you, Rachel. | 0:11:25 | 0:11:27 | |
And I know your dad is, too. | 0:11:27 | 0:11:29 | |
Is this about your dad? | 0:11:32 | 0:11:33 | |
Cos he did not seem happy that you were here. | 0:11:34 | 0:11:36 | |
-I should go. -Is it something that your dad did? | 0:11:37 | 0:11:40 | |
No, my dad didn't do anything! | 0:11:42 | 0:11:44 | |
I'm... | 0:11:48 | 0:11:49 | |
I'm sorry. I, erm... | 0:11:51 | 0:11:53 | |
I just wanted to come in and say that | 0:11:54 | 0:11:56 | |
I didn't think that Conor was guilty. | 0:11:56 | 0:11:58 | |
Why would your dad object to that? | 0:12:00 | 0:12:02 | |
It's my fault. | 0:12:02 | 0:12:03 | |
If it wasn't for me, Conor wouldn't be involved. | 0:12:05 | 0:12:07 | |
And no-one would be thinking it was him. | 0:12:07 | 0:12:09 | |
He's... He's kind and he's gentle. | 0:12:11 | 0:12:14 | |
Many a murderer loved their mother. | 0:12:15 | 0:12:17 | |
Yeah. | 0:12:18 | 0:12:19 | |
Well, I just...thought someone should say something. | 0:12:20 | 0:12:24 | |
Stand up for him. | 0:12:24 | 0:12:25 | |
OK. | 0:12:29 | 0:12:30 | |
I understand. | 0:12:31 | 0:12:32 | |
Come on. | 0:12:32 | 0:12:33 | |
Let's get you home. | 0:12:36 | 0:12:37 | |
GATE ALARM BEEPING | 0:12:42 | 0:12:43 | |
Hey. | 0:13:18 | 0:13:19 | |
HE SIGHS | 0:13:19 | 0:13:21 | |
Come on. Let's get you home. | 0:13:34 | 0:13:36 | |
Thank you. | 0:13:43 | 0:13:44 | |
DOOR BUZZES | 0:13:44 | 0:13:45 | |
I'm the cleaning lady, now. | 0:13:48 | 0:13:49 | |
Little scumbag. | 0:13:49 | 0:13:51 | |
He'll be here again, no doubt. | 0:13:51 | 0:13:52 | |
-In cuffs the next time. -DOOR BUZZES | 0:13:52 | 0:13:54 | |
It's fine, Dad, I'm OK. | 0:14:02 | 0:14:03 | |
I just wanted to do something. | 0:14:05 | 0:14:06 | |
-Speak up for him. -DOOR BUZZES | 0:14:07 | 0:14:09 | |
I'm sorry. | 0:14:10 | 0:14:11 | |
It's fine. | 0:14:13 | 0:14:14 | |
It's fine, it's OK. | 0:14:15 | 0:14:16 | |
Thank you. | 0:14:18 | 0:14:19 | |
Come on. | 0:14:21 | 0:14:22 | |
She just came in to give Conor a glowing reference. | 0:14:29 | 0:14:31 | |
Well, that's nice. | 0:14:33 | 0:14:35 | |
At least someone believes in him. | 0:14:36 | 0:14:38 | |
So, welcome home. | 0:14:50 | 0:14:52 | |
-Thought you might be hungry. -Thanks. | 0:14:57 | 0:15:00 | |
Oh, let me take your coat. | 0:15:00 | 0:15:03 | |
CORK POPS | 0:15:04 | 0:15:05 | |
Wahey! We were going to cook you porridge. | 0:15:05 | 0:15:09 | |
It's great to have you back, bro. Sorry I couldn't be at the gate. | 0:15:09 | 0:15:12 | |
I was just getting you this. | 0:15:12 | 0:15:15 | |
How are you holding up? | 0:15:19 | 0:15:22 | |
How about you? | 0:15:23 | 0:15:26 | |
I'm as big as a house and my feet are swollen. | 0:15:26 | 0:15:28 | |
Here you are. | 0:15:28 | 0:15:30 | |
-Thanks. -Thanks. | 0:15:30 | 0:15:32 | |
You look great and that's not what I meant. | 0:15:35 | 0:15:38 | |
Sure I've got you back now, haven't I? | 0:15:42 | 0:15:45 | |
-Here you are. -Ah! | 0:15:50 | 0:15:53 | |
To Michael. | 0:15:53 | 0:15:55 | |
-To Michael. -To Michael. | 0:15:55 | 0:15:56 | |
Cheers. Welcome home. | 0:15:56 | 0:15:58 | |
I'm sorry, Dad. | 0:16:13 | 0:16:14 | |
You pull a trick like that again, OK, | 0:16:14 | 0:16:16 | |
you're just going to draw attention to us. | 0:16:16 | 0:16:18 | |
-I know. -We need to keep it together, | 0:16:18 | 0:16:21 | |
otherwise they WILL think we're trying to hide something. | 0:16:21 | 0:16:24 | |
DOOR OPENS | 0:16:24 | 0:16:26 | |
-You sure you didn't say anything? Are you SURE? -Yes. | 0:16:26 | 0:16:29 | |
Hi. | 0:16:32 | 0:16:34 | |
I just wanted to see if you were OK. | 0:16:34 | 0:16:36 | |
We're fine. | 0:16:36 | 0:16:38 | |
And, um, I wanted to thank you for speaking up for Conor. | 0:16:38 | 0:16:41 | |
I really appreciate it. | 0:16:43 | 0:16:46 | |
-Yeah, no problem. -The least he deserves. | 0:16:46 | 0:16:49 | |
It must be a difficult time for you. | 0:16:51 | 0:16:53 | |
Yeah, I won't lie. | 0:16:53 | 0:16:55 | |
But it's the small things, you know. | 0:16:56 | 0:16:59 | |
People saying nice things about him. | 0:16:59 | 0:17:02 | |
What you did, Rachel, | 0:17:02 | 0:17:04 | |
it makes all the difference. | 0:17:04 | 0:17:06 | |
-So thank you. -Thanks. | 0:17:09 | 0:17:12 | |
-Erm, I have to go. -OK. | 0:17:13 | 0:17:15 | |
Listen, um... | 0:17:24 | 0:17:27 | |
..could you write Conor a reference, a character reference? | 0:17:29 | 0:17:32 | |
I'm going to ask his lecturers too. | 0:17:34 | 0:17:37 | |
We're trying to build up a picture for the trial. | 0:17:37 | 0:17:41 | |
Yeah. | 0:17:41 | 0:17:43 | |
No problem. | 0:17:44 | 0:17:47 | |
He's a great kid. | 0:17:47 | 0:17:49 | |
You're not giving up, then. | 0:17:50 | 0:17:54 | |
I know Conor, the way you know Rachel. | 0:17:54 | 0:17:57 | |
Parents just know, don't they? | 0:17:59 | 0:18:01 | |
I know he didn't do it. | 0:18:03 | 0:18:05 | |
Sure. | 0:18:07 | 0:18:09 | |
You know. | 0:18:11 | 0:18:13 | |
You'd do anything to protect your kids, wouldn't you? | 0:18:17 | 0:18:20 | |
Just give me a minute. | 0:18:41 | 0:18:43 | |
Yeah. | 0:18:44 | 0:18:46 | |
I wanted to explain about Rachel earlier. | 0:18:51 | 0:18:54 | |
We miss you, Conor. | 0:18:56 | 0:18:58 | |
We all do. | 0:18:59 | 0:19:01 | |
-PHONE LOUDSPEAKER: -I miss you too. | 0:19:01 | 0:19:03 | |
-How is she? -Fine. Now. | 0:19:03 | 0:19:06 | |
Not earlier, obviously, but... | 0:19:06 | 0:19:10 | |
Rachel spoke up for you. | 0:19:10 | 0:19:12 | |
She even went in to see Nikki. | 0:19:13 | 0:19:15 | |
-PHONE LOUDSPEAKER: -Oh, right, that was nice. | 0:19:15 | 0:19:19 | |
Liam? | 0:19:19 | 0:19:22 | |
Conor and Rachel were more than friends. They were a couple. | 0:19:22 | 0:19:26 | |
-For how long? -A bit. I don't know. | 0:19:29 | 0:19:32 | |
Not long, | 0:19:32 | 0:19:35 | |
but long enough for him to form an attachment to her. | 0:19:35 | 0:19:37 | |
And Liam spoke up for you. He's going to give you a reference. | 0:19:39 | 0:19:42 | |
-PHONE LOUDSPEAKER: -OK, that's good. | 0:19:42 | 0:19:45 | |
Did Angela know? | 0:19:45 | 0:19:47 | |
-Tommy? -I don't know. | 0:19:48 | 0:19:50 | |
OK, and then they just split up? | 0:19:52 | 0:19:54 | |
-Yeah. -When Brian came back? | 0:19:54 | 0:19:57 | |
I asked Angela and she denied it. | 0:20:04 | 0:20:06 | |
I asked Conor. He denied it too. | 0:20:06 | 0:20:09 | |
We know you didn't kill Brian. | 0:20:09 | 0:20:13 | |
We'll be a family again. | 0:20:13 | 0:20:15 | |
I promise you. | 0:20:15 | 0:20:18 | |
Soon. | 0:20:19 | 0:20:20 | |
Look, I just thought you needed to know, you know, | 0:20:22 | 0:20:24 | |
given what happened earlier. | 0:20:24 | 0:20:27 | |
I didn't want to say anything, but, Rachel, that's why she was so upset. | 0:20:27 | 0:20:31 | |
Look, I'm sorry. I hope it's OK. I hope I've done the right thing. | 0:20:33 | 0:20:37 | |
You do know what you're saying, don't you? | 0:20:37 | 0:20:41 | |
Brian was blackmailing the Tyrells. | 0:20:43 | 0:20:46 | |
So this just adds to Conor's motive. | 0:20:46 | 0:20:48 | |
Dad? | 0:21:06 | 0:21:08 | |
Dad? | 0:21:12 | 0:21:14 | |
You're up early. | 0:21:20 | 0:21:23 | |
Got things to do. | 0:21:23 | 0:21:25 | |
What things? | 0:21:25 | 0:21:27 | |
-Hiya. -Hey. | 0:21:27 | 0:21:29 | |
I got eggs. I got bacon. | 0:21:29 | 0:21:32 | |
I got croissants. | 0:21:32 | 0:21:34 | |
-Waffles! -Waffles? | 0:21:34 | 0:21:36 | |
-Are you going? -Yeah. | 0:21:36 | 0:21:39 | |
-Ah. -Breakfast. | 0:21:39 | 0:21:41 | |
-Waffles! -I'm not hungry. | 0:21:41 | 0:21:43 | |
-We never have waffles. -What's your hurry? | 0:21:43 | 0:21:46 | |
I just want to head to the office. | 0:21:46 | 0:21:48 | |
What are you up to, David? | 0:21:48 | 0:21:50 | |
The Pier and then go and seeing Lukey. | 0:21:50 | 0:21:54 | |
Right, with Katie? | 0:21:54 | 0:21:57 | |
Yeah. | 0:21:57 | 0:22:00 | |
How is he? | 0:22:00 | 0:22:02 | |
Yeah, he's great. | 0:22:02 | 0:22:05 | |
I'd love to see him. | 0:22:05 | 0:22:07 | |
I know it's complicated, but... | 0:22:07 | 0:22:10 | |
..you know, fresh start. | 0:22:12 | 0:22:14 | |
Yeah... | 0:22:18 | 0:22:20 | |
fresh start. | 0:22:20 | 0:22:23 | |
-Right, Mum, I should get going. -Are you sure? | 0:22:23 | 0:22:26 | |
-I got plans. -Great. | 0:22:26 | 0:22:29 | |
It will be. | 0:22:29 | 0:22:31 | |
So how did you sleep? | 0:22:41 | 0:22:44 | |
Me? Fine. | 0:22:44 | 0:22:47 | |
KNOCK ON DOOR | 0:22:47 | 0:22:48 | |
Yeah? | 0:22:48 | 0:22:50 | |
Good luck. | 0:22:51 | 0:22:53 | |
-Boss. Rory. -Hey, skip. | 0:22:53 | 0:22:56 | |
Take a seat. | 0:22:58 | 0:23:00 | |
You know why I wanted to see you, don't you? | 0:23:08 | 0:23:10 | |
Well, I know it can't be good if you have to ask. | 0:23:10 | 0:23:13 | |
Conor and Rachel. They were together, weren't they? | 0:23:13 | 0:23:16 | |
-It's me, Angela. -Yeah. | 0:23:21 | 0:23:24 | |
Yeah, they were, briefly. | 0:23:24 | 0:23:26 | |
OK, so when I asked you, why did you say that they weren't? | 0:23:26 | 0:23:29 | |
-You know what that looks like, don't you? -That I lied. | 0:23:31 | 0:23:33 | |
No, I'm not saying that. | 0:23:33 | 0:23:35 | |
She dumps Conor for Brian. | 0:23:35 | 0:23:37 | |
-That doesn't make him a murderer. -Of course. | 0:23:39 | 0:23:41 | |
-But it's a how a lawyer makes it sound. -I know. -OK. | 0:23:41 | 0:23:44 | |
So you and I both know that every conviction is | 0:23:44 | 0:23:46 | |
built on the strength of the story | 0:23:46 | 0:23:48 | |
-and right now this is looking like... -A very good story. | 0:23:48 | 0:23:51 | |
Liam came to see me. | 0:23:57 | 0:23:59 | |
He's trying to help his daughter. | 0:24:00 | 0:24:03 | |
I have to go to the DPP with this, you know that? | 0:24:04 | 0:24:07 | |
I'm sorry. I have to follow where the evidence leads me. | 0:24:09 | 0:24:12 | |
And I have to follow my heart. | 0:24:15 | 0:24:18 | |
Yeah. | 0:24:18 | 0:24:20 | |
So what would you do? | 0:24:20 | 0:24:22 | |
He's my son. | 0:24:22 | 0:24:25 | |
What choice do I have? | 0:24:25 | 0:24:27 | |
What choice do you? | 0:24:36 | 0:24:39 | |
That's what's so awful about it. | 0:24:42 | 0:24:44 | |
If I was you, I'd arrest him too. | 0:24:46 | 0:24:49 | |
How are you getting on? | 0:25:08 | 0:25:10 | |
Good, yeah. Strange, but good. | 0:25:10 | 0:25:12 | |
You don't have to dive straight in, you know. | 0:25:19 | 0:25:21 | |
There's a lot to get your head around. | 0:25:21 | 0:25:24 | |
Maybe you should take some time off. | 0:25:24 | 0:25:27 | |
-Re-adjust. Have some fun. -Have some fun? | 0:25:27 | 0:25:31 | |
Maybe travel. Visit Simon in Australia? | 0:25:31 | 0:25:33 | |
If you'd fancy that, I'd happily pay. | 0:25:33 | 0:25:35 | |
All the time I was inside, | 0:25:35 | 0:25:36 | |
I just kept thinking I have got to do something with my life. | 0:25:36 | 0:25:40 | |
I get that, Michael, but... | 0:25:40 | 0:25:41 | |
If I went to Australia, I'd just spend a year feeling guilty. | 0:25:41 | 0:25:45 | |
I messed up. | 0:25:45 | 0:25:47 | |
I want to put it right, not have a holiday. | 0:25:47 | 0:25:50 | |
Right. | 0:25:52 | 0:25:53 | |
That's why I'm so grateful to you, you know? | 0:25:53 | 0:25:56 | |
What for? | 0:25:58 | 0:26:00 | |
What you did, promising me this place, | 0:26:02 | 0:26:06 | |
I can't tell you how grateful I am. | 0:26:06 | 0:26:08 | |
It's what got me through. | 0:26:09 | 0:26:12 | |
DOORBELL RINGS | 0:26:14 | 0:26:16 | |
Hi, Liam. | 0:26:22 | 0:26:24 | |
Hey. Come in, come in. | 0:26:24 | 0:26:26 | |
I have it for you, the reference. | 0:26:31 | 0:26:33 | |
Hi, Rachel. | 0:26:38 | 0:26:40 | |
Listen, Nikki told me you spoke to her about Conor and Rachel. | 0:26:41 | 0:26:45 | |
-Yeah. I, er... -What about? | 0:26:46 | 0:26:48 | |
-I just explained to them what was going on. -What did you say? | 0:26:49 | 0:26:52 | |
-He said you were a couple. -Why? | 0:26:54 | 0:26:56 | |
You went over there crying your eyes out, sweetheart. | 0:26:58 | 0:27:01 | |
I just tried to let them know how you were feeling. | 0:27:01 | 0:27:03 | |
What does that make them think about Conor? | 0:27:03 | 0:27:06 | |
It doesn't look great. | 0:27:07 | 0:27:09 | |
I'm sorry. | 0:27:12 | 0:27:14 | |
I've made things worse, haven't I? | 0:27:14 | 0:27:17 | |
-I did write him a really nice reference. -Dad. | 0:27:17 | 0:27:19 | |
It's your dad's job to look after you, Rachel. | 0:27:21 | 0:27:23 | |
Thanks for the reference. | 0:27:26 | 0:27:28 | |
What the hell were you thinking? You know what that will do to Conor? | 0:27:36 | 0:27:39 | |
-I have to save you. -I don't need saving. -Really? | 0:27:39 | 0:27:42 | |
You charge up to the guards like that, it's not going to take | 0:27:42 | 0:27:44 | |
a genius to figure you might be guilty about something. | 0:27:44 | 0:27:47 | |
So you want an innocent man to be locked up? | 0:27:47 | 0:27:48 | |
If it's a choice between that and my own daughter, yeah. | 0:27:48 | 0:27:51 | |
-You're a monster. -Am I? | 0:27:51 | 0:27:54 | |
If I'm a monster, who made me one? | 0:27:54 | 0:27:56 | |
You have no idea, do you, what I had to do? | 0:27:59 | 0:28:02 | |
-What are you talking about? -With him! | 0:28:02 | 0:28:05 | |
With Brian's body. What I did. | 0:28:05 | 0:28:07 | |
How'd it go? | 0:28:12 | 0:28:14 | |
The means is the wheel brace. | 0:28:15 | 0:28:18 | |
The motive is jealousy over Rachel and Brian's attempted blackmail. | 0:28:22 | 0:28:26 | |
The opportunity? The fight they said they had at the Pipes. | 0:28:28 | 0:28:32 | |
That's not enough. | 0:28:32 | 0:28:33 | |
Believe me, it is. | 0:28:35 | 0:28:37 | |
All any jury wants is a story. | 0:28:37 | 0:28:39 | |
So what are we going to do? | 0:28:41 | 0:28:43 | |
I wish I knew. | 0:28:51 | 0:28:52 | |
You see, every time I close my eyes, Rachel, all I can see is him... | 0:28:55 | 0:28:58 | |
..lying there. All that blood. | 0:29:00 | 0:29:02 | |
Dad... | 0:29:02 | 0:29:04 | |
You know how hard it is to get a man's body into the boot of a car? | 0:29:05 | 0:29:08 | |
Do you? | 0:29:08 | 0:29:11 | |
It's like it doesn't want to go in there. | 0:29:11 | 0:29:13 | |
You have to twist it. | 0:29:13 | 0:29:15 | |
Shove it, ram it, jam it in there like a lump of raw meat! | 0:29:15 | 0:29:20 | |
Driving him to the water, | 0:29:21 | 0:29:24 | |
that's when I was sure someone was going to see me. | 0:29:24 | 0:29:27 | |
And I smelled the sea air | 0:29:30 | 0:29:32 | |
and I flopped him back out of the boot again | 0:29:32 | 0:29:35 | |
and this time when I was dragging him, he felt different. | 0:29:35 | 0:29:37 | |
This thing, seeping into me. | 0:29:39 | 0:29:42 | |
I flopped him over the wall and I heard the splash and it was relief. | 0:29:46 | 0:29:50 | |
But you know what, sweetheart? | 0:29:50 | 0:29:52 | |
If you said to me right now, "Dad, would you do it again? | 0:29:56 | 0:29:59 | |
"Would you go through that whole night again?" | 0:29:59 | 0:30:02 | |
I would. | 0:30:02 | 0:30:03 | |
Because you're mine. | 0:30:07 | 0:30:09 | |
You're my flesh and blood. | 0:30:10 | 0:30:13 | |
If that makes me a monster, then... | 0:30:15 | 0:30:17 | |
But, sweetheart, I need you to let me know what I did was worth it. | 0:30:21 | 0:30:25 | |
Where are you going? | 0:30:30 | 0:30:31 | |
-I'm sorry... -Yeah. -..for yesterday. He's my brother. | 0:30:42 | 0:30:45 | |
Yeah. Well, I lost one of mine. | 0:30:45 | 0:30:46 | |
I'll get you a coffee. | 0:30:49 | 0:30:51 | |
-How's Luke, after his jab? -He's still in bad form. | 0:30:53 | 0:30:57 | |
-What are you doing? -I'm making a coffee. | 0:30:59 | 0:31:01 | |
-For who? -For David. | 0:31:01 | 0:31:03 | |
-Paid? -No, not yet. | 0:31:03 | 0:31:05 | |
2.50, yeah? | 0:31:07 | 0:31:09 | |
-Jeez, he's moodier than you are. -I have a reason. | 0:31:09 | 0:31:13 | |
I'm sorry. Really. It was my brother's first day out. | 0:31:15 | 0:31:18 | |
And I just don't want him to come between us. | 0:31:18 | 0:31:21 | |
Do you want to know something? I've been dreading him coming out. | 0:31:23 | 0:31:27 | |
-I thought you wanted to see him. -I do. But... | 0:31:27 | 0:31:30 | |
I want you and Luke more. | 0:31:32 | 0:31:35 | |
And I just don't want him to push you away. And he is. | 0:31:35 | 0:31:40 | |
Drink your coffee. | 0:31:40 | 0:31:42 | |
-Did you say something to my dad? -No. | 0:31:42 | 0:31:45 | |
He's in a right mood. | 0:31:45 | 0:31:47 | |
Families, eh? | 0:31:47 | 0:31:48 | |
Will you be at yours later? With Michael? | 0:31:53 | 0:31:57 | |
-I guess so. -Right. | 0:31:57 | 0:31:59 | |
I'll bring Luke over. | 0:31:59 | 0:32:00 | |
-RAPPING AT WINDOW -Niamh! | 0:32:02 | 0:32:04 | |
Have you seen the state of the place? | 0:32:04 | 0:32:05 | |
-It's a pigsty. Sort it, will you? -Dad... | 0:32:05 | 0:32:08 | |
Just do it, OK? | 0:32:08 | 0:32:10 | |
SHE BANGS CUP ON TABLE | 0:32:11 | 0:32:12 | |
Look, I'm sorry to do this to you, Flynn. You're just too expensive. | 0:32:13 | 0:32:16 | |
Yeah. All right. Thanks. | 0:32:17 | 0:32:21 | |
PHONE SLAMS DOWN | 0:32:21 | 0:32:22 | |
Highland Tyres? We go back 15 years. | 0:32:24 | 0:32:28 | |
Which makes it even harder to let them go. | 0:32:28 | 0:32:30 | |
Right, I'm off. Won't be long. | 0:32:31 | 0:32:34 | |
-Hey. -How are you getting on? -He's doing well, aren't you, love? | 0:32:34 | 0:32:38 | |
-Four hours in, and we're already up on the day, so... -Great. | 0:32:38 | 0:32:41 | |
Mum, we need to sort a new contract. | 0:32:41 | 0:32:44 | |
-What for? -For me. | 0:32:44 | 0:32:45 | |
The new CEO! | 0:32:45 | 0:32:47 | |
-SHE SCOFFS -Right. | 0:32:47 | 0:32:49 | |
When are you going to tell him? | 0:32:55 | 0:32:57 | |
When he's less manic. | 0:32:57 | 0:33:00 | |
-He misunderstood, that's all. -That's one hell of a misunderstanding. | 0:33:00 | 0:33:04 | |
-I told him the business would be his... -Exactly. -..when I retire. | 0:33:04 | 0:33:08 | |
That will have been the small print, then, because | 0:33:08 | 0:33:10 | |
-I don't remember you saying that. -I never specified a timescale. | 0:33:10 | 0:33:13 | |
Are you going to screw over your own son? | 0:33:13 | 0:33:15 | |
-I am not screwing him over, Claire! -Try telling him that. | 0:33:15 | 0:33:19 | |
-Oh, that's wrong. -What? | 0:33:28 | 0:33:29 | |
-Those eggs are poached. It's wrong. -That's what you asked me for, OK? | 0:33:29 | 0:33:33 | |
Fried. | 0:33:33 | 0:33:34 | |
Dad? | 0:33:34 | 0:33:35 | |
-It was fried, wasn't it, your eggs? -Dad? | 0:33:35 | 0:33:38 | |
Liam, it's grand, I can do it. | 0:33:38 | 0:33:39 | |
What? I can't? Look, this is my cafe, OK? | 0:33:39 | 0:33:41 | |
-I wasn't saying that. -I didn't... No! You know what? You know what? | 0:33:41 | 0:33:44 | |
-Get out. -Dad! | 0:33:44 | 0:33:46 | |
Actually, everybody out! Come on. Chop, chop. Get out. | 0:33:46 | 0:33:49 | |
Ladies, up, out. Come on, let's go. You, out. | 0:33:49 | 0:33:52 | |
-DOOR BELL RINGS -We're closed. Bye-bye. Go. | 0:33:52 | 0:33:55 | |
Yeah, you, too. Come on. Here, I'll help you. | 0:33:55 | 0:33:58 | |
-Here's your bag. Go on. Go. -DOOR SLAMS | 0:33:58 | 0:34:00 | |
Leave it with me. I'll sort it. | 0:34:01 | 0:34:04 | |
Flynn! You know me. | 0:34:04 | 0:34:06 | |
SHE LAUGHS | 0:34:06 | 0:34:09 | |
Absolutely. Yeah. Speak soon. Bye. Bye. | 0:34:09 | 0:34:14 | |
How did it go? | 0:34:14 | 0:34:15 | |
Good, yeah. | 0:34:16 | 0:34:18 | |
If we can get another artic, there's a Cork run in the offing. | 0:34:18 | 0:34:21 | |
How do we do that? | 0:34:21 | 0:34:23 | |
We invest. Like you have in me. | 0:34:23 | 0:34:25 | |
SHE LAUGHS | 0:34:26 | 0:34:28 | |
-How's it going? -He's doing great. | 0:34:29 | 0:34:32 | |
Well, Katie's coming round, with Luke. | 0:34:34 | 0:34:38 | |
Today? | 0:34:38 | 0:34:40 | |
Yeah. | 0:34:40 | 0:34:41 | |
That's big of her. | 0:34:41 | 0:34:42 | |
Yeah. It's huge. | 0:34:42 | 0:34:45 | |
Great. I should be home around...seven. | 0:34:46 | 0:34:50 | |
Isn't it a bit soon for this? They can't be happy you're out early. | 0:34:50 | 0:34:54 | |
-HE SIGHS -Well, it was... | 0:34:54 | 0:34:56 | |
actually her idea. | 0:34:56 | 0:34:59 | |
Right. | 0:34:59 | 0:35:00 | |
See? New start. | 0:35:00 | 0:35:02 | |
-Dad! What is wrong? -What's going on? | 0:35:06 | 0:35:10 | |
Dad went mental in the cafe. I'm surprised he's not up for assault. | 0:35:10 | 0:35:13 | |
-He's just under pressure, Niamh. -From what? | 0:35:13 | 0:35:15 | |
Oh, just butt out, Niamh, will you? | 0:35:15 | 0:35:17 | |
-You're a mess. -Yeah. And? | 0:35:17 | 0:35:18 | |
-Niamh, he's OK. -Are you serious? | 0:35:18 | 0:35:21 | |
Come on, there is something going on between you two. | 0:35:22 | 0:35:25 | |
What aren't you telling me? | 0:35:29 | 0:35:31 | |
-I'm sorry. I'm sorry, I'm just really, really tired. -Tired? | 0:35:40 | 0:35:44 | |
This isn't tired, it's psychotic. | 0:35:44 | 0:35:47 | |
We have a mortgage to pay, remember? This cafe has to work. | 0:35:47 | 0:35:49 | |
And it's not going to work if you're throwing out customers. | 0:35:49 | 0:35:52 | |
It's not his fault, it's mine. | 0:35:52 | 0:35:53 | |
Right? | 0:35:55 | 0:35:57 | |
I did something. | 0:35:57 | 0:35:58 | |
-Ra... -Dad, would you just shut up and let her speak? | 0:35:58 | 0:36:01 | |
Brian used me. And I thought he loved me, but he didn't. | 0:36:05 | 0:36:09 | |
So, who did I blame? | 0:36:10 | 0:36:12 | |
The one man who really did love me. | 0:36:13 | 0:36:15 | |
And now, I've messed up this family, and... | 0:36:19 | 0:36:20 | |
I'm just so sorry. | 0:36:21 | 0:36:23 | |
-Here you go, guys. -Thanks. | 0:36:33 | 0:36:35 | |
Good day? | 0:36:38 | 0:36:40 | |
-Yeah. Good. Got a lot done. -Good. | 0:36:40 | 0:36:43 | |
You know, some of those systems she's using are really prehistoric, | 0:36:44 | 0:36:47 | |
-cross-referencing tachies with... -DOOR BELL | 0:36:47 | 0:36:50 | |
That'll be her. | 0:36:51 | 0:36:53 | |
DOOR CLOSES IN BACKGROUND | 0:36:57 | 0:36:58 | |
Hiya. | 0:37:00 | 0:37:02 | |
-Hi. -Hi. | 0:37:02 | 0:37:03 | |
Can I get you something? | 0:37:07 | 0:37:08 | |
-Um, yeah. Half a glass would be great, thanks. -Sure. | 0:37:08 | 0:37:12 | |
Hiya, Luke. How's it going? | 0:37:14 | 0:37:16 | |
BABY GURGLES | 0:37:17 | 0:37:19 | |
Can I hold him? | 0:37:19 | 0:37:20 | |
OK. | 0:37:23 | 0:37:24 | |
BABY SQUEALS | 0:37:28 | 0:37:29 | |
Ah, he's gorgeous! | 0:37:36 | 0:37:38 | |
-You're doing a great job, Katie. Fantastic. -Thanks. | 0:37:40 | 0:37:44 | |
He's the head off you, Dave. Do you think he could run a business? | 0:37:45 | 0:37:48 | |
I've got plans, down at Harbour Haulage. | 0:37:48 | 0:37:51 | |
Even today, amazing deal, we're going to take over Dublin. | 0:37:51 | 0:37:54 | |
Michael. | 0:37:54 | 0:37:55 | |
-Uncle Michael, huh? -BABY WHINES | 0:37:55 | 0:37:57 | |
Is that OK? | 0:38:00 | 0:38:02 | |
-Can I have him back, please? -Katie. | 0:38:02 | 0:38:04 | |
-BABY CRIES -Yes, sorry. | 0:38:07 | 0:38:08 | |
Sorry, I... | 0:38:10 | 0:38:11 | |
I know you mean well, Michael. | 0:38:13 | 0:38:15 | |
I know you've done your time. | 0:38:15 | 0:38:18 | |
It's just, you know, Darren... | 0:38:19 | 0:38:21 | |
Darren never gets to be called Uncle Darren. | 0:38:22 | 0:38:25 | |
You understand that, do you? | 0:38:25 | 0:38:27 | |
DOOR CLOSES IN BACKGROUND | 0:38:28 | 0:38:30 | |
Ah! I see the party has started. | 0:38:31 | 0:38:33 | |
-Yeah, I'm just going. -Oh? | 0:38:33 | 0:38:36 | |
It's just going to take a bit of time. | 0:38:40 | 0:38:42 | |
DARREN SIGHS | 0:38:45 | 0:38:46 | |
-Where are you going? -To see if she's OK. | 0:38:46 | 0:38:49 | |
Michael. It might feel good for Katie to forgive you, | 0:38:51 | 0:38:54 | |
-but you don't need it. -But I do. | 0:38:54 | 0:38:57 | |
I rushed you. I just wanted everything to be OK for Michael. | 0:38:59 | 0:39:02 | |
-And what about me? -You said you could handle it. | 0:39:02 | 0:39:04 | |
Yeah, I thought I could, but I can't. I'm sorry. | 0:39:04 | 0:39:06 | |
You don't have to apologise. Katie, with a bit of time... | 0:39:06 | 0:39:09 | |
I don't think so, David. | 0:39:09 | 0:39:11 | |
He's always going to be at yours, isn't he? | 0:39:12 | 0:39:14 | |
I'm always at your house. with your folks and Keith. | 0:39:14 | 0:39:16 | |
They're not exactly the biggest fans of mine. | 0:39:16 | 0:39:18 | |
This is completely different, and you know it. | 0:39:18 | 0:39:21 | |
I know. | 0:39:25 | 0:39:27 | |
So, what are you saying? | 0:39:29 | 0:39:32 | |
We can never be a family together? | 0:39:32 | 0:39:34 | |
Because I couldn't do that. | 0:39:36 | 0:39:37 | |
Me, you and Luke, that was starting to work again, wasn't it? | 0:39:40 | 0:39:45 | |
Yeah, it was. | 0:39:46 | 0:39:48 | |
Let's get a place of our own. Just the three of us. | 0:39:53 | 0:39:57 | |
I made it strong. | 0:40:02 | 0:40:03 | |
What you said... Thank you. | 0:40:10 | 0:40:13 | |
I've done everything wrong. | 0:40:16 | 0:40:18 | |
This is bad, isn't it? | 0:40:20 | 0:40:22 | |
I think there might be only one way to sort this out, sweetheart. | 0:40:26 | 0:40:29 | |
I think we have to go to the guards. | 0:40:31 | 0:40:33 | |
What? | 0:40:33 | 0:40:35 | |
Confess. | 0:40:35 | 0:40:36 | |
-No, we can't. -You were right. | 0:40:38 | 0:40:40 | |
You were right, I am a monster. I shouldn't have said any of that. | 0:40:40 | 0:40:44 | |
-You didn't need to hear any of that. -But I did. | 0:40:44 | 0:40:47 | |
I shouldn't have went to the guards. It was crazy. | 0:40:47 | 0:40:51 | |
I just wanted to make myself feel better about Conor and, | 0:40:51 | 0:40:55 | |
you know, just take away some of the guilt. | 0:40:55 | 0:40:57 | |
So, what do we do? | 0:40:58 | 0:41:00 | |
From now on, no more slip-ups, OK? | 0:41:04 | 0:41:07 | |
I'll support you 100%. We'll get through this. | 0:41:07 | 0:41:10 |