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It's only temporary - | 0:00:03 | 0:00:05 | |
a stepping stone. | 0:00:05 | 0:00:06 | |
We've been unlucky... | 0:00:06 | 0:00:08 | |
You'll always be my girl. | 0:00:08 | 0:00:09 | |
AIR RAID SIREN WAILS | 0:00:09 | 0:00:11 | |
I thought you were on duty. | 0:00:13 | 0:00:15 | |
Enforced break. | 0:00:15 | 0:00:16 | |
After 24 hours it's mandatory. | 0:00:16 | 0:00:18 | |
DOOR OPENS AND CLOSES | 0:00:18 | 0:00:21 | |
I saw you with me own two eyes. | 0:00:22 | 0:00:24 | |
I don't want you touching me ever again. | 0:00:24 | 0:00:26 | |
I met some smashing people, Ethel. | 0:00:26 | 0:00:29 | |
I think you'll like them. | 0:00:29 | 0:00:31 | |
You're very pretty. | 0:00:31 | 0:00:32 | |
Reg was telling me he trained to be a doctor. | 0:00:32 | 0:00:35 | |
SHE CHUCKLES | 0:00:35 | 0:00:37 | |
I saw the way you looked at her, Reg. | 0:00:37 | 0:00:39 | |
She's not one of the ones you pay for. | 0:00:39 | 0:00:40 | |
You keep a wide berth or I'll... | 0:00:40 | 0:00:42 | |
I'll ring his bloody neck. | 0:00:42 | 0:00:44 | |
I haven't seen her since the last time you were here. | 0:00:45 | 0:00:48 | |
She said something about coming to see you. | 0:00:48 | 0:00:50 | |
That looks like Muriel's coat. | 0:00:50 | 0:00:52 | |
It's mine. | 0:00:52 | 0:00:54 | |
Is she pretty, Reg? | 0:00:57 | 0:00:59 | |
Hard to say from this angle. | 0:00:59 | 0:01:01 | |
Well, you keep your bloody hands to yourself. | 0:01:01 | 0:01:03 | |
This programme contains some scenes which some viewers may find upsetting. | 0:01:10 | 0:01:16 | |
KNOCKING ON DOOR | 0:01:24 | 0:01:26 | |
Oh, you're back again, are you? | 0:01:28 | 0:01:30 | |
Yes, Mr Christie. We are. | 0:01:30 | 0:01:32 | |
Check in here. Check the next room. Two men round there. | 0:01:55 | 0:01:57 | |
And check the cellar. | 0:01:57 | 0:01:59 | |
HE SHRIEKS | 0:02:06 | 0:02:08 | |
Guv, round here. | 0:02:22 | 0:02:24 | |
-Whoo! -Woo! | 0:03:03 | 0:03:06 | |
THEY LAUGH | 0:03:06 | 0:03:08 | |
# My Bonnie lies over the ocean... # | 0:03:08 | 0:03:11 | |
Careful! | 0:03:11 | 0:03:12 | |
# My Bonnie lies over the sea... # | 0:03:12 | 0:03:14 | |
See how thin these walls are, Beryl? | 0:03:14 | 0:03:16 | |
I'll need to see about that. | 0:03:16 | 0:03:18 | |
What are you doing? | 0:03:18 | 0:03:20 | |
We don't want all and sundry knowing our business, do we? | 0:03:20 | 0:03:23 | |
Oh, and what've we got to hide? | 0:03:23 | 0:03:25 | |
It's a good job we won't be here long. | 0:03:25 | 0:03:27 | |
Tim. Tim! | 0:03:33 | 0:03:35 | |
What?! | 0:03:35 | 0:03:37 | |
What? | 0:03:38 | 0:03:41 | |
What've we got here, then? | 0:03:43 | 0:03:45 | |
Two careful owners, just a few miles on the clock... | 0:03:45 | 0:03:49 | |
Bodywork's in need of a bit of polish... | 0:03:49 | 0:03:52 | |
Mm. | 0:03:52 | 0:03:53 | |
Full service, was it? | 0:03:53 | 0:03:55 | |
THEY LAUGH | 0:03:57 | 0:03:58 | |
Come here. | 0:03:58 | 0:04:00 | |
Tim. Tim Evans. | 0:04:05 | 0:04:07 | |
Windsor. | 0:04:09 | 0:04:11 | |
Windsor? | 0:04:11 | 0:04:13 | |
Well, last time I was up Windsor was a job for the castle. | 0:04:13 | 0:04:16 | |
They see the van, mistake me for a groundsman. | 0:04:16 | 0:04:18 | |
The next thing, they're on about | 0:04:18 | 0:04:20 | |
a bulge in the turf that's interfering with the King's croquet. | 0:04:20 | 0:04:22 | |
So, I went over, flattened it with the sole of my shoe. | 0:04:22 | 0:04:25 | |
-He was so pleased, he gave me his ball. And his bat. -Mallet. | 0:04:25 | 0:04:29 | |
-You what? -You play croquet with a mallet, Tim. | 0:04:30 | 0:04:33 | |
Get a move on, Evans. | 0:04:36 | 0:04:38 | |
-All right, Adler. -I'm all right. | 0:04:38 | 0:04:40 | |
LABOURED FOOTSTEPS | 0:04:50 | 0:04:52 | |
CHRISTIE PANTS | 0:04:54 | 0:04:57 | |
Er, are you after something? | 0:04:57 | 0:04:59 | |
Just thought I'd go over a few house rules. | 0:04:59 | 0:05:02 | |
Reginald Christie. | 0:05:02 | 0:05:04 | |
Been on the ground floor for ten years now. | 0:05:04 | 0:05:07 | |
-I'm Beryl. -Oh... | 0:05:07 | 0:05:09 | |
Good evening, Mrs...? | 0:05:09 | 0:05:11 | |
Evans. We're not long married, Mr Christie. | 0:05:11 | 0:05:15 | |
Could do with some privacy. | 0:05:15 | 0:05:16 | |
Oh, you'll have no concerns on that front. | 0:05:16 | 0:05:18 | |
I was in the police force, decorated, in fact. | 0:05:18 | 0:05:22 | |
Left due to injuries sustained in the Great War. | 0:05:22 | 0:05:25 | |
I was a doctor on the front. | 0:05:25 | 0:05:27 | |
A doctor? | 0:05:27 | 0:05:28 | |
My uncle's a doctor. | 0:05:29 | 0:05:31 | |
Yeah, travels the world, he does - healing the sick, | 0:05:31 | 0:05:33 | |
stitching up heads, princes and all sorts. | 0:05:33 | 0:05:36 | |
What's his name? | 0:05:36 | 0:05:37 | |
Oh, it's a big world, I doubt you'd know 'im. | 0:05:39 | 0:05:42 | |
Er...so... | 0:05:45 | 0:05:47 | |
Oh, er... | 0:05:50 | 0:05:53 | |
It's a bit on the small side, isn't it? | 0:05:53 | 0:05:56 | |
The print, I mean. | 0:05:56 | 0:05:57 | |
I'll summarise, if I may. "Visitors should be kept to a minimum. | 0:05:59 | 0:06:04 | |
"None after ten o'clock of the evening... | 0:06:04 | 0:06:07 | |
"Use of the lavatory is restricted to seven in the morning | 0:06:07 | 0:06:11 | |
"till ten at night... | 0:06:11 | 0:06:13 | |
"Unfortunately, there'll be no use of the back yard..." | 0:06:13 | 0:06:16 | |
No use at all? | 0:06:16 | 0:06:18 | |
Exclusive domain of the ground-floor flat, I'm afraid. | 0:06:18 | 0:06:21 | |
Well, we're on the list for a new-build, Mr Christie. | 0:06:21 | 0:06:25 | |
Inside WC. | 0:06:25 | 0:06:27 | |
Oh, that's a touch unhygienic for me, I'm afraid. | 0:06:27 | 0:06:30 | |
Well, we'll not be here long. | 0:06:30 | 0:06:32 | |
Well, rules are rules - the length of tenure is irrelevant. | 0:06:32 | 0:06:36 | |
Well, thanks ever so much, Mr Christie. | 0:06:36 | 0:06:39 | |
We've never had a place on our own, | 0:06:39 | 0:06:40 | |
so it'll be nice to know you're keeping an eye out. | 0:06:40 | 0:06:42 | |
-Won't it, Tim? -Yeah, I suppose so. | 0:06:42 | 0:06:45 | |
You'll have no trouble from us, Mr Christie, I promise. | 0:06:45 | 0:06:48 | |
Mrs Christie? | 0:06:55 | 0:06:57 | |
Tim. | 0:06:57 | 0:06:59 | |
Can you listen out for Geraldine? Beryl's not back yet. | 0:06:59 | 0:07:02 | |
Has she been fed? Only, I've got Mr Christie's tea to make. | 0:07:02 | 0:07:05 | |
Yeah. She'll be off in no time. | 0:07:05 | 0:07:07 | |
-Tim? -Mm? | 0:07:07 | 0:07:08 | |
It's Friday, Tim. | 0:07:08 | 0:07:10 | |
Is it? | 0:07:10 | 0:07:12 | |
The rent man. | 0:07:12 | 0:07:13 | |
Tell him I'll see him next week. | 0:07:14 | 0:07:16 | |
Reg told him that last week. | 0:07:16 | 0:07:18 | |
And he says you're a month in arrears... | 0:07:18 | 0:07:20 | |
I'll sort it, Mrs Christie, don't worry, yeah. | 0:07:20 | 0:07:22 | |
-Right... -See you. | 0:07:22 | 0:07:24 | |
'Billy's Dance is 50-1 - the rank outsider - and your | 0:07:46 | 0:07:50 | |
'Dad's got his wages on him. | 0:07:50 | 0:07:53 | |
'Now it's the second-to-last lap. | 0:07:53 | 0:07:55 | |
'The rider slips his stirrup. Billy stumbles. | 0:07:55 | 0:07:59 | |
'But he keeps coming, hoofing the hard ground - ' | 0:07:59 | 0:08:01 | |
squeezing past at the finish to take the race. | 0:08:01 | 0:08:04 | |
The crowd go wild! | 0:08:04 | 0:08:06 | |
I go wild. | 0:08:08 | 0:08:09 | |
I swear to God, as he crosses the line, that horse looks up at me | 0:08:10 | 0:08:15 | |
and...smiles. | 0:08:15 | 0:08:17 | |
DOOR OPENS AND CLOSES | 0:08:17 | 0:08:19 | |
Just like you. Well, then, let's get you to bed. | 0:08:19 | 0:08:24 | |
There we go. Stay there. | 0:08:27 | 0:08:29 | |
BABY GURGLES | 0:08:29 | 0:08:31 | |
Hiya. Where the hell have you been? | 0:08:31 | 0:08:33 | |
Come on, what you waiting for? | 0:08:35 | 0:08:38 | |
SHE GIGGLES | 0:08:38 | 0:08:40 | |
Where have you been? Oh... | 0:08:40 | 0:08:43 | |
It wasn't my fault, it was the girls. | 0:08:43 | 0:08:45 | |
The girls? Which girls? | 0:08:45 | 0:08:47 | |
KNOCKING | 0:08:47 | 0:08:49 | |
Evening. | 0:08:49 | 0:08:50 | |
He never lets me out. Not since I've had the baby. | 0:08:50 | 0:08:53 | |
Did you follow me home, Mr Christie? | 0:08:57 | 0:08:59 | |
No, no, no, I was just on my way back, as it happens. | 0:08:59 | 0:09:03 | |
BABY CRIES | 0:09:03 | 0:09:04 | |
Beryl...? | 0:09:04 | 0:09:06 | |
Tim, I was wondering if we could have a little talk? | 0:09:06 | 0:09:09 | |
Do you want to go and see to Geraldine? | 0:09:11 | 0:09:14 | |
Go on, she's been waiting all night for you. That's it. | 0:09:16 | 0:09:20 | |
Come on. That's it. | 0:09:20 | 0:09:22 | |
There's no easy way to say this, Tim... | 0:09:27 | 0:09:31 | |
Well, say it quick cos I need to get to bed. | 0:09:31 | 0:09:34 | |
It's... probably not as bad as it looks. | 0:09:34 | 0:09:36 | |
What do you mean? | 0:09:38 | 0:09:39 | |
Your Beryl. | 0:09:39 | 0:09:42 | |
She was seen, Tim. | 0:09:42 | 0:09:44 | |
If you're worried, I could ask | 0:09:48 | 0:09:49 | |
Mrs Christie to have a little word with her... | 0:09:49 | 0:09:53 | |
She knows what it means to be a wife, Tim. | 0:09:53 | 0:09:55 | |
Yeah, well, thanks, Mr Christie. That'd be nice of her. | 0:09:57 | 0:10:01 | |
Goodnight, Tim. | 0:10:03 | 0:10:05 | |
If I catch you out with another bloke... | 0:10:21 | 0:10:23 | |
I already told you, it wasn't me. | 0:10:23 | 0:10:25 | |
What do I need ANOTHER bloke for? | 0:10:25 | 0:10:27 | |
I don't want you going out with that Lucy Endecott again. | 0:10:27 | 0:10:30 | |
She's clever - Lucy. | 0:10:30 | 0:10:31 | |
Clever? | 0:10:31 | 0:10:33 | |
Yeah. She doesn't rush into things... | 0:10:33 | 0:10:35 | |
Beryl... | 0:10:35 | 0:10:37 | |
Beryl. You've got responsibilities now. | 0:10:37 | 0:10:40 | |
BABY GURGLES | 0:10:40 | 0:10:42 | |
Where you going? | 0:10:42 | 0:10:44 | |
Who was it said they saw me? | 0:10:44 | 0:10:45 | |
SHE CHUCKLES | 0:10:48 | 0:10:49 | |
And your uncle's isn't a doctor - he works down the garage. | 0:10:49 | 0:10:53 | |
Beryl! | 0:10:56 | 0:10:58 | |
Morning, Beryl. | 0:10:58 | 0:10:59 | |
Sorry about the noise last night, Mrs Christie. | 0:10:59 | 0:11:02 | |
That's all right, love, I thought you were | 0:11:02 | 0:11:03 | |
a burglar, coming in at that hour. | 0:11:03 | 0:11:05 | |
DOOR CLOSES | 0:11:11 | 0:11:13 | |
I just wanted to say thanks. To you and Mr Christie. | 0:11:13 | 0:11:16 | |
It's no bother, she's a sweet baby. | 0:11:16 | 0:11:19 | |
No, no, I mean about Beryl. | 0:11:19 | 0:11:21 | |
Beryl? | 0:11:21 | 0:11:22 | |
Yeah, Mr Christie said you'd talk some sense into her. | 0:11:22 | 0:11:25 | |
How's the patient this morning? Sore head? | 0:11:26 | 0:11:30 | |
Tim was just telling me about Beryl. | 0:11:30 | 0:11:32 | |
Oh. | 0:11:32 | 0:11:33 | |
If it's no bother, Mrs Christie...? | 0:11:33 | 0:11:35 | |
No, it's no bother. | 0:11:35 | 0:11:37 | |
We'll have her match-fit in no time. Won't we, Ethel?. | 0:11:37 | 0:11:40 | |
> See you upstairs, Ted. | 0:11:59 | 0:12:01 | |
About bloody time. | 0:12:06 | 0:12:08 | |
Sorry, boss. | 0:12:09 | 0:12:10 | |
Well, you're here now. Paddington Basin. | 0:12:10 | 0:12:13 | |
Just as I've shown you. | 0:12:17 | 0:12:19 | |
Beryl. Mrs Christie. | 0:12:25 | 0:12:27 | |
What's...? Who's put that there? | 0:12:39 | 0:12:42 | |
Ah, Tim. I've replaced it, so... | 0:12:47 | 0:12:51 | |
On loan, as it were. | 0:12:51 | 0:12:52 | |
Well, thanks, Mr Christie. That's kind of you. | 0:12:54 | 0:12:57 | |
And your lights went out, | 0:12:57 | 0:12:58 | |
so I popped a couple of shillings in the meter. | 0:12:58 | 0:13:00 | |
-Well, I haven't got anything.. -No. No... | 0:13:00 | 0:13:03 | |
As and when you can. | 0:13:03 | 0:13:05 | |
All right, Mum? | 0:13:31 | 0:13:33 | |
What are you after? | 0:13:36 | 0:13:39 | |
What? | 0:13:39 | 0:13:40 | |
Couple o' bob. It's the baby. | 0:13:43 | 0:13:46 | |
You know what she's like, she doesn't stop eating. | 0:13:46 | 0:13:50 | |
It's just till the weekend. | 0:13:51 | 0:13:53 | |
It is the weekend. | 0:13:53 | 0:13:54 | |
It's Beryl, Mum. | 0:13:58 | 0:14:00 | |
I give her five pound a week and she still can't make ends meet... | 0:14:00 | 0:14:02 | |
She got a new pair of shoes just the other day! | 0:14:02 | 0:14:05 | |
She's had it hard, your Beryl... | 0:14:05 | 0:14:07 | |
No mother, no schooling, no church. | 0:14:07 | 0:14:10 | |
She's doing a fine job, all things considered. | 0:14:10 | 0:14:13 | |
Well, you're not married to her. | 0:14:13 | 0:14:14 | |
And you're not having another penny off me | 0:14:14 | 0:14:16 | |
till you stop bad-mouthing her. | 0:14:16 | 0:14:18 | |
All right. | 0:14:23 | 0:14:25 | |
See you. | 0:14:27 | 0:14:28 | |
BABY CRIES | 0:15:09 | 0:15:11 | |
What's going on? | 0:15:12 | 0:15:14 | |
What? | 0:15:15 | 0:15:17 | |
I'm not having any more? | 0:15:19 | 0:15:21 | |
Any more? | 0:15:21 | 0:15:23 | |
How long have you known? | 0:15:26 | 0:15:28 | |
BABY BAWLS | 0:15:29 | 0:15:32 | |
Doesn't matter, I'm not keeping it. | 0:15:32 | 0:15:34 | |
Why didn't you tell me? | 0:15:34 | 0:15:36 | |
What's wrong with you? We're married. | 0:15:47 | 0:15:49 | |
It's what married people do. | 0:15:49 | 0:15:51 | |
You think you're too good for this, don't you? | 0:15:52 | 0:15:54 | |
You think you're too good for me. | 0:15:54 | 0:15:56 | |
What is it you want, Beryl? | 0:15:57 | 0:15:59 | |
You waiting for something special or what? | 0:16:00 | 0:16:03 | |
You get rid of it, you'll have rid of me. | 0:16:04 | 0:16:07 | |
All right, then... | 0:16:10 | 0:16:12 | |
WOMAN COOS TO BABY | 0:17:00 | 0:17:02 | |
Yes! Oh, here he is. | 0:17:03 | 0:17:05 | |
Not for much longer. | 0:17:05 | 0:17:07 | |
New job! De Havilland's, isn't it? | 0:17:07 | 0:17:10 | |
That's right. | 0:17:10 | 0:17:11 | |
First thing Monday, I'm on a plane to Europe. | 0:17:11 | 0:17:13 | |
Europe? Whereabouts in Europe? | 0:17:13 | 0:17:15 | |
They weren't specific. | 0:17:16 | 0:17:18 | |
Hadn't you better find out? | 0:17:18 | 0:17:20 | |
DOOR BANGS | 0:17:26 | 0:17:29 | |
I tell you what, it's over. | 0:17:29 | 0:17:31 | |
We're finished - and I'll tell you something - it's the best day | 0:17:31 | 0:17:34 | |
of my life. | 0:17:34 | 0:17:35 | |
There's a girl at work who's caught my eye. | 0:17:35 | 0:17:38 | |
18. Stunner, know what I mean? | 0:17:39 | 0:17:42 | |
'A real looker, you know. | 0:17:42 | 0:17:44 | |
'But here's the bit I never would've guessed - you see, her dad | 0:17:44 | 0:17:47 | |
'owns the company, so she's, you know, | 0:17:47 | 0:17:50 | |
'what she is, she's one of those...' | 0:17:50 | 0:17:53 | |
Go on, son, top it up. Go on, son. | 0:17:53 | 0:17:56 | |
'That's it!' | 0:17:56 | 0:17:58 | |
What does he look like? | 0:18:37 | 0:18:39 | |
LAUGHTER | 0:18:39 | 0:18:41 | |
Oh, yeah. | 0:18:48 | 0:18:50 | |
-Tim.... -Left the baby, have you? | 0:18:50 | 0:18:51 | |
-Mrs Christie's looking after her. -Where have you been, who've you been out with? | 0:18:51 | 0:18:55 | |
-Just Lucy. -Just Lucy! Come here, I'll give you a good bloody hiding! | 0:18:55 | 0:18:57 | |
-Get off me! -Come here! -Get off me! You're a liar, Tim Evans. | 0:18:57 | 0:19:00 | |
You've got no job with de Havilland's - I spoke to them | 0:19:00 | 0:19:04 | |
this morning - they've never even heard of you! | 0:19:04 | 0:19:06 | |
Yeah? Who told you that? Come here. Where you going to go? | 0:19:06 | 0:19:09 | |
-Come here. -You're a liar. | 0:19:09 | 0:19:11 | |
-You're a liar. Admit it! -Shut up. Shut Up! | 0:19:11 | 0:19:14 | |
Lies and make-believe. And you wonder why I don't want another one? | 0:19:14 | 0:19:18 | |
Shut up! One more word... One more word... | 0:19:18 | 0:19:20 | |
Come on. That's enough! | 0:19:20 | 0:19:23 | |
It's that brother of yours. Accusing me about that bloody watch. | 0:19:23 | 0:19:26 | |
His own brother-in-law. That's why I can't get a better job. | 0:19:26 | 0:19:29 | |
You deserve everything you got. | 0:19:29 | 0:19:31 | |
GLASS SHATTERS | 0:19:34 | 0:19:35 | |
BABY CRIES | 0:19:35 | 0:19:37 | |
I'm sorry. | 0:19:42 | 0:19:43 | |
Why do you feel you have to lie, Tim? | 0:19:49 | 0:19:52 | |
The job - just admit you made it up. | 0:19:53 | 0:19:56 | |
All right. | 0:19:59 | 0:20:01 | |
I haven't got a job with de Havilland's. | 0:20:02 | 0:20:05 | |
It's... | 0:20:05 | 0:20:07 | |
It's all stories. | 0:20:07 | 0:20:10 | |
All of it. | 0:20:10 | 0:20:11 | |
Are you happy? | 0:20:15 | 0:20:16 | |
Don't go. | 0:20:18 | 0:20:20 | |
It'll be all right, Tim. | 0:20:54 | 0:20:56 | |
I'm not a bad 'un, am I, Mr Christie? | 0:21:10 | 0:21:12 | |
-No. -Well, that's what she thinks! | 0:21:12 | 0:21:15 | |
No, no. | 0:21:17 | 0:21:20 | |
Women need to be handled with care, Tim. | 0:21:23 | 0:21:26 | |
Whenever Mrs Christie isn't feeling herself, | 0:21:29 | 0:21:32 | |
I find that | 0:21:32 | 0:21:34 | |
a small act of kindness does the trick. | 0:21:34 | 0:21:37 | |
You'll be all right, Tim. You'll be all right. | 0:21:43 | 0:21:46 | |
Cup of tea? | 0:21:50 | 0:21:52 | |
You come in when you're ready. | 0:22:00 | 0:22:02 | |
-Oh. -Tim. | 0:22:40 | 0:22:41 | |
I've been informed that the builders will be starting work on the front | 0:22:41 | 0:22:45 | |
of the house today. | 0:22:45 | 0:22:48 | |
I thought you should know. | 0:22:48 | 0:22:50 | |
Oh, thanks, Mr Christie. | 0:22:50 | 0:22:52 | |
And, er, I suggest that you keep your valuables under lock and key. | 0:22:53 | 0:22:58 | |
Mr Christie...? | 0:22:58 | 0:22:59 | |
That's nice, it's, er, it's new, is it? | 0:23:01 | 0:23:04 | |
Yeah, belongs to a friend. Keeping it for his aunt. | 0:23:04 | 0:23:08 | |
Is that right? | 0:23:08 | 0:23:10 | |
Fit for a king, isn't it, Beryl? | 0:23:23 | 0:23:25 | |
It's very nice. | 0:23:26 | 0:23:27 | |
Second one's easier, love, trust me. | 0:23:28 | 0:23:31 | |
Oh, look at that. | 0:23:32 | 0:23:34 | |
Be careful you don't scratch it! | 0:23:42 | 0:23:44 | |
I'll keep an eye. | 0:23:44 | 0:23:46 | |
I'd be a surgeon now - | 0:24:01 | 0:24:02 | |
if it wasn't for the war... | 0:24:02 | 0:24:04 | |
Oh, yeah. | 0:24:04 | 0:24:06 | |
Is, er, is everything all right, Mr Christie? | 0:24:06 | 0:24:09 | |
I'll come right to the point, Tim... | 0:24:09 | 0:24:12 | |
Ethel and I are worried. | 0:24:14 | 0:24:16 | |
About what? | 0:24:16 | 0:24:17 | |
Your Beryl. | 0:24:17 | 0:24:20 | |
She's intent on getting rid of the baby. | 0:24:20 | 0:24:23 | |
The method that she's entertaining, it-it, it won't work. | 0:24:23 | 0:24:27 | |
There might be consequences. | 0:24:29 | 0:24:31 | |
What are you talking about? | 0:24:31 | 0:24:33 | |
The establishment that she means to visit, off Praed Street, it's... | 0:24:33 | 0:24:38 | |
(You don't want her going down there, Tim.) | 0:24:38 | 0:24:41 | |
In my policing days I witnessed some terrible scenes down there. | 0:24:42 | 0:24:48 | |
Oh, but she's having it... The baby. | 0:24:48 | 0:24:50 | |
She's having it, Mr Christie. | 0:24:50 | 0:24:51 | |
Women know their own minds, Tim, and their bodies. | 0:24:51 | 0:24:55 | |
If your Beryl wants to wait a few years, perhaps it's for the best. | 0:24:57 | 0:25:01 | |
Now... | 0:25:05 | 0:25:07 | |
I have helped couples in... | 0:25:07 | 0:25:11 | |
similar situations...Tim. | 0:25:11 | 0:25:16 | |
What is it? | 0:25:16 | 0:25:17 | |
It's all about the human body. | 0:25:18 | 0:25:20 | |
Male and female. | 0:25:21 | 0:25:23 | |
What does it say? | 0:25:25 | 0:25:26 | |
It's very technical. | 0:25:26 | 0:25:28 | |
The thing is, Tim, I'm worried about what she might do to herself... | 0:25:31 | 0:25:36 | |
I mean, think of Geraldine. | 0:25:37 | 0:25:39 | |
Geraldine? Oh, she'll not do anything to Geraldine. | 0:25:39 | 0:25:42 | |
Well, if you do come to a meeting of minds, my method is very safe. | 0:25:42 | 0:25:47 | |
W-What is this...method...? | 0:25:51 | 0:25:55 | |
Well, the laws of medical confidentiality prohibit | 0:25:57 | 0:26:01 | |
me from going into details, Tim. | 0:26:01 | 0:26:03 | |
Suffice to say, that not every Tom, Dick and Harry | 0:26:03 | 0:26:06 | |
can be made privy to the procedure, | 0:26:06 | 0:26:08 | |
for obvious reasons. You do trust me, don't you, Tim? | 0:26:08 | 0:26:13 | |
Yeah, of course, of course I do, Mr Christie, yeah... | 0:26:13 | 0:26:16 | |
Well, it's the lesser of two evils. | 0:26:16 | 0:26:18 | |
You can't knowingly... | 0:26:20 | 0:26:24 | |
bring an unwanted child into the world, Tim. | 0:26:24 | 0:26:27 | |
You said, it's, um, very safe...? | 0:26:29 | 0:26:33 | |
Well... | 0:26:35 | 0:26:36 | |
It's not without risk, Tim... I must say. | 0:26:38 | 0:26:43 | |
You don't have to decide now. | 0:26:46 | 0:26:48 | |
I do and I have - goodnight, Mr Christie. | 0:26:54 | 0:26:59 | |
Goodnight. | 0:27:04 | 0:27:05 | |
FOOTSTEPS APPROACH | 0:27:11 | 0:27:14 | |
I need to go back to work, Tim. | 0:27:33 | 0:27:34 | |
Work? | 0:27:36 | 0:27:37 | |
You know, Mr Christie says... | 0:27:39 | 0:27:41 | |
I know what Mr Christie says. | 0:27:41 | 0:27:43 | |
HE FILLS KETTLE | 0:27:45 | 0:27:47 | |
Then what are you so worried about? | 0:27:47 | 0:27:50 | |
What's wrong with you? Why don't you want it? | 0:27:51 | 0:27:54 | |
He's trained as a doctor, Tim. I trust him. | 0:27:59 | 0:28:01 | |
We can wait a bit. | 0:28:03 | 0:28:04 | |
Save some money. | 0:28:08 | 0:28:09 | |
Do it properly next time. | 0:28:09 | 0:28:10 | |
Maybe even wait for the new house? | 0:28:15 | 0:28:17 | |
You've just got to tell Mr Christie - "Everything's all right." | 0:28:21 | 0:28:25 | |
RATTLE SHAKES QUIETLY | 0:29:12 | 0:29:14 | |
Don't forget to tell Mr Christie. | 0:29:20 | 0:29:22 | |
Morning, Tim. | 0:29:36 | 0:29:38 | |
Everything's all right. | 0:29:44 | 0:29:45 | |
Oh...Tim... | 0:31:08 | 0:31:11 | |
Bad news, I'm afraid. | 0:31:15 | 0:31:17 | |
What, about Beryl? | 0:31:20 | 0:31:22 | |
Mm. | 0:31:23 | 0:31:26 | |
I'm very sorry. | 0:31:26 | 0:31:28 | |
You go on up... I'll be just behind you. | 0:31:31 | 0:31:35 | |
I put her in with the baby. | 0:31:39 | 0:31:41 | |
DOOR OPENS | 0:31:59 | 0:32:03 | |
Beryl? | 0:32:17 | 0:32:19 | |
HE EXHALES SLOWLY | 0:32:26 | 0:32:28 | |
HE SNIFFS | 0:32:53 | 0:32:55 | |
HE GASPS | 0:32:58 | 0:33:00 | |
Beryl. | 0:33:03 | 0:33:04 | |
DOOR KNOCKS | 0:33:06 | 0:33:07 | |
Oh, dear, dear, dear. | 0:33:13 | 0:33:15 | |
What's the blood from, Mr Christie? | 0:33:26 | 0:33:28 | |
How long has she been lying here? | 0:33:34 | 0:33:36 | |
About three o'clock...Tim. | 0:33:46 | 0:33:50 | |
There was nothing I could do. Her stomach was septic. | 0:33:55 | 0:33:59 | |
Another day, she'd... She'd've been in the hospital. | 0:33:59 | 0:34:02 | |
What did you do to her? | 0:34:04 | 0:34:06 | |
Nothing unorthodox, Tim. The same method any doctor would apply. | 0:34:07 | 0:34:12 | |
Just what you asked for. | 0:34:14 | 0:34:16 | |
Here, you, you leave everything to me. | 0:34:22 | 0:34:24 | |
I'll iron everything out. | 0:34:28 | 0:34:30 | |
Come on. | 0:34:35 | 0:34:36 | |
Now, as hard as it is to contemplate, Tim... | 0:34:38 | 0:34:44 | |
..we must dispose of the body. | 0:34:46 | 0:34:48 | |
I can dispose of her...down the drain. | 0:34:55 | 0:34:59 | |
The drain...? | 0:34:59 | 0:35:01 | |
Sit down, Tim. | 0:35:01 | 0:35:02 | |
Otherwise, the-the police will, will have to be involved. | 0:35:06 | 0:35:10 | |
Well, I didn't do nothing. | 0:35:10 | 0:35:12 | |
Oh, yes, but they don't know that, do they? | 0:35:12 | 0:35:16 | |
I mean... Think of how it'll look to them... | 0:35:16 | 0:35:19 | |
You've been rowing with Beryl a lot lately. | 0:35:19 | 0:35:22 | |
Likely as not, they'll jump to the wrong conclusion. | 0:35:22 | 0:35:25 | |
They'll think you killed her. You could hang for this. | 0:35:27 | 0:35:30 | |
Hang? | 0:35:32 | 0:35:33 | |
TIM GASPS AND SNIFFLES | 0:35:39 | 0:35:40 | |
Well, I-I I'd better take the baby to Mum's. | 0:35:40 | 0:35:43 | |
No, no, no, no, no, no. | 0:35:43 | 0:35:45 | |
No, no. That'll just attract attention, you see. | 0:35:45 | 0:35:48 | |
If anyone asks, just say... | 0:35:52 | 0:35:54 | |
..Beryl's gone away. | 0:35:57 | 0:35:58 | |
Wh-what about Geraldine? Will...Mrs Christie watch her? | 0:35:59 | 0:36:04 | |
No. | 0:36:04 | 0:36:05 | |
No. No. | 0:36:05 | 0:36:07 | |
She's got work, Tim. Same as you. | 0:36:09 | 0:36:12 | |
I tell you what, I do know of a very nice couple in Acton | 0:36:15 | 0:36:19 | |
who've not managed to have a baby of their own. | 0:36:19 | 0:36:21 | |
I'm sure they'd jump at the chance to look after her. | 0:36:23 | 0:36:26 | |
I'll, I'll feed her today, | 0:36:32 | 0:36:34 | |
and then I'll pop round and... | 0:36:34 | 0:36:36 | |
..see what they say. | 0:36:37 | 0:36:39 | |
How's that sound? | 0:36:39 | 0:36:41 | |
Thanks, Mr Christie. | 0:36:45 | 0:36:47 | |
-Thanks. -Dear, oh, dear. | 0:36:48 | 0:36:50 | |
Oh, dear, oh, dear. | 0:36:52 | 0:36:54 | |
TIM SOBS QUIETLY | 0:37:00 | 0:37:03 | |
DOOR CLOSES | 0:37:03 | 0:37:05 | |
You're going on a holiday, Geraldine. An adventure. | 0:37:51 | 0:37:55 | |
A nice big house with a garden... Animals, everything you want. | 0:37:58 | 0:38:05 | |
I promise to come and see you soon, | 0:38:06 | 0:38:09 | |
as soon as I get everything ironed out. | 0:38:09 | 0:38:11 | |
Might even take you to the races. | 0:38:19 | 0:38:21 | |
BABY GURGLES | 0:38:22 | 0:38:24 | |
Come on. | 0:38:30 | 0:38:32 | |
Oh, Tim. | 0:38:35 | 0:38:36 | |
I know, I know, it's... | 0:38:40 | 0:38:42 | |
It's hard, Tim. | 0:38:42 | 0:38:43 | |
BABY CRIES | 0:38:45 | 0:38:48 | |
Oh. | 0:38:51 | 0:38:53 | |
I thought you should have these, Tim. | 0:38:53 | 0:38:55 | |
You get set up properly. | 0:39:06 | 0:39:08 | |
You can send for the baby. | 0:39:08 | 0:39:10 | |
If anyone comes round asking questions, they'll know to trust me. | 0:39:13 | 0:39:17 | |
BABY CRIES | 0:39:21 | 0:39:23 | |
They're a lovely couple. Lovely couple, Tim. | 0:39:25 | 0:39:29 | |
She'll be in safe hands. | 0:39:29 | 0:39:31 | |
Don't you worry... | 0:39:31 | 0:39:32 | |
Shall I? | 0:39:36 | 0:39:39 | |
Oh, I know. I know. | 0:39:39 | 0:39:42 | |
Shh, shh. | 0:39:42 | 0:39:44 | |
BABY CRIES | 0:39:46 | 0:39:49 | |
Thanks, Mr Christie. | 0:40:02 | 0:40:04 | |
BABY CRIES | 0:40:14 | 0:40:16 | |
DOOR CLOSES | 0:40:32 | 0:40:34 | |
BELLS RING | 0:41:05 | 0:41:08 | |
'I was coming off to Cardiff and the car broke down, | 0:41:13 | 0:41:15 | |
'and I thought I'd pop in.' | 0:41:15 | 0:41:17 | |
'Come in, son, come in!' | 0:41:17 | 0:41:19 | |
Vi. Vi. Look who it is. | 0:41:19 | 0:41:22 | |
SHE LAUGHS | 0:41:22 | 0:41:23 | |
Hello, Auntie Vi. | 0:41:23 | 0:41:25 | |
Hello, lovely boy! Mwah! | 0:41:25 | 0:41:27 | |
How are you? | 0:41:27 | 0:41:28 | |
Oh, well... is Beryl and the baby with you? | 0:41:28 | 0:41:31 | |
No, she's, er, gone to Brighton for a holiday. | 0:41:31 | 0:41:33 | |
Stay with her dad. | 0:41:33 | 0:41:35 | |
Well, will you go and join them? | 0:41:35 | 0:41:37 | |
Ah, well, once the car's fixed, I'll have to get straight back | 0:41:37 | 0:41:39 | |
to work, won't I? | 0:41:39 | 0:41:41 | |
How long did they say they'd be with the car? | 0:41:41 | 0:41:43 | |
Ah, couple of days, I'd imagine, no longer. | 0:41:43 | 0:41:46 | |
Come and sit down. I'll make you a cup of tea. | 0:41:47 | 0:41:50 | |
Ah, thank you. Not much changed in here, is there? | 0:41:50 | 0:41:52 | |
No. | 0:41:52 | 0:41:54 | |
All right, bud? | 0:41:58 | 0:41:59 | |
Broke again, is it? | 0:42:03 | 0:42:05 | |
Yes, it is. | 0:42:05 | 0:42:06 | |
FOOTSTEPS APPROACH | 0:42:27 | 0:42:29 | |
Tea, boys? | 0:42:29 | 0:42:30 | |
There you go. Tim? | 0:42:32 | 0:42:34 | |
Thanks, Auntie Vi. | 0:42:34 | 0:42:35 | |
She'll be missing you. | 0:42:38 | 0:42:40 | |
I'll have to bring her back a present, won't I? | 0:42:43 | 0:42:46 | |
Something special. | 0:42:46 | 0:42:48 | |
METAL BANGS | 0:43:13 | 0:43:16 | |
DOOR OPENS AND CLOSES | 0:43:20 | 0:43:23 | |
Afternoon. | 0:43:27 | 0:43:29 | |
Sit down, Tim. | 0:43:42 | 0:43:43 | |
We've had a letter... | 0:43:54 | 0:43:55 | |
From your mother. | 0:43:58 | 0:44:00 | |
Oh, yeah. What does she have to say for herself? | 0:44:00 | 0:44:03 | |
"Well, Vi, I don't know what lies Tim have told you down there. | 0:44:07 | 0:44:11 | |
"I know nothing about him, as I have not seen him for three weeks. | 0:44:11 | 0:44:15 | |
"And I have not seen Beryl or the baby for a month..." | 0:44:15 | 0:44:18 | |
Well, that's a load of rubbish, innit? | 0:44:18 | 0:44:20 | |
"His name stinks up here, everywhere I go - people asking for him | 0:44:20 | 0:44:24 | |
"for money he owes them, I am ashamed to say he's my son..." | 0:44:24 | 0:44:28 | |
And Beryl's dad's not seen them neither. | 0:44:28 | 0:44:31 | |
The truth is... | 0:44:37 | 0:44:39 | |
The truth is Beryl... She left me and the baby. | 0:44:41 | 0:44:44 | |
Went off with another man. | 0:44:46 | 0:44:48 | |
-Your Beryl? -Yeah. | 0:44:48 | 0:44:50 | |
Well, what about the baby? | 0:44:51 | 0:44:53 | |
I-I took her to some good Welsh people I know in London. | 0:44:56 | 0:44:59 | |
-Oh, come on! -Oh! | 0:44:59 | 0:45:01 | |
Newport folk who couldn't have a baby of their own. | 0:45:01 | 0:45:03 | |
I-I gave them some money, so she'd be fine for a while. | 0:45:03 | 0:45:06 | |
Why didn't you just take her to your mother's? Hmm? | 0:45:06 | 0:45:08 | |
Because she's too busy with work, isn't she? | 0:45:08 | 0:45:10 | |
Why didn't you bring the baby to me? | 0:45:10 | 0:45:12 | |
Well, I didn't think about that, Aunt Vi, did I?! | 0:45:12 | 0:45:14 | |
You've been telling us lies all this time. | 0:45:15 | 0:45:18 | |
No. I haven't, I haven't, I swear. I swear to you. | 0:45:18 | 0:45:22 | |
You have, Tim. | 0:45:22 | 0:45:24 | |
I think it's time that...you were on your way. | 0:45:29 | 0:45:32 | |
OK. | 0:45:40 | 0:45:41 | |
Thank you. | 0:46:28 | 0:46:30 | |
What time's the train? | 0:46:51 | 0:46:53 | |
Think they're on the hour. | 0:46:53 | 0:46:55 | |
Plenty of time, then. | 0:46:55 | 0:46:56 | |
Will you, er, tell Aunt Vi I'm sorry? | 0:46:59 | 0:47:03 | |
If you sort things out, Tim. | 0:47:06 | 0:47:08 | |
BELLS RING | 0:47:29 | 0:47:34 | |
'About the beginning of October... | 0:47:37 | 0:47:42 | |
'my wife, Beryl Susan Evans...' | 0:47:42 | 0:47:45 | |
..told me she was expecting a baby... | 0:47:47 | 0:47:49 | |
She then said she was going to get rid of it. | 0:47:53 | 0:47:56 | |
She started...syringing herself | 0:47:58 | 0:48:01 | |
and taking tablets and.... | 0:48:01 | 0:48:03 | |
She was making herself ill. | 0:48:03 | 0:48:06 | |
I told her she was being silly. | 0:48:06 | 0:48:09 | |
I said, "What difference will one more make?" You know? | 0:48:09 | 0:48:12 | |
A few days later, I was stopped at a transport cafe, | 0:48:15 | 0:48:18 | |
somewhere between Ipswich and Colchester, I can't really | 0:48:18 | 0:48:21 | |
remember where exactly, but... | 0:48:21 | 0:48:24 | |
And I got talking to a stranger. | 0:48:24 | 0:48:26 | |
He saw I was in a state and asked why? | 0:48:28 | 0:48:30 | |
I explained. | 0:48:32 | 0:48:33 | |
And he gave me a bottle wrapped in brown paper. | 0:48:35 | 0:48:37 | |
He said it would do the trick. | 0:48:37 | 0:48:40 | |
Beryl found it in my pocket, while she was looking for a cigarette. | 0:48:40 | 0:48:44 | |
I told her what it was and not to take it. | 0:48:45 | 0:48:49 | |
When I got home that night, all the lights were out. | 0:48:51 | 0:48:55 | |
She was just... | 0:48:58 | 0:48:59 | |
..laying there on the bed, not moving. | 0:49:01 | 0:49:05 | |
I spoke to her but she didn't answer. | 0:49:10 | 0:49:13 | |
She was... She wasn't breathing. | 0:49:15 | 0:49:18 | |
Um... | 0:49:27 | 0:49:30 | |
I, er, then... | 0:49:30 | 0:49:32 | |
I then waited till about one in the morning... | 0:49:34 | 0:49:37 | |
..and I took | 0:49:38 | 0:49:39 | |
her down the stairs and out the front door. | 0:49:39 | 0:49:42 | |
Then disposed of her down the drain. | 0:49:44 | 0:49:46 | |
It took three officers to lift the lid of the manhole | 0:50:39 | 0:50:42 | |
outside 10 Rillington Place last night... | 0:50:42 | 0:50:45 | |
There's nothing in there. | 0:50:48 | 0:50:49 | |
Why would you lie about a thing like that? | 0:50:52 | 0:50:55 | |
Erm... | 0:51:04 | 0:51:07 | |
I...I said that to protect a man named Christie. | 0:51:07 | 0:51:11 | |
The only thing that's not true is the part about meeting | 0:51:13 | 0:51:15 | |
a man in a cafe and disposing of my wife's body. | 0:51:15 | 0:51:18 | |
All the rest is true. | 0:51:19 | 0:51:20 | |
John Christie lives on the ground floor. | 0:51:24 | 0:51:27 | |
He said he could get rid of the baby without no risk. | 0:51:27 | 0:51:30 | |
-DOOR KNOCKS -That's what he said. | 0:51:30 | 0:51:32 | |
Can you, um, can you get a message to my mum? | 0:51:40 | 0:51:42 | |
Ask her to, to go and see Christie and get the address in Acton | 0:51:44 | 0:51:48 | |
where the baby is staying. Tell her to go and see her. | 0:51:48 | 0:51:51 | |
KNOCKING | 0:51:52 | 0:51:54 | |
I-I need you to get the address. | 0:52:26 | 0:52:28 | |
W-Where the baby's staying, so then we can pick her up and... | 0:52:28 | 0:52:31 | |
And you can... | 0:52:31 | 0:52:32 | |
And you'd understand. | 0:52:32 | 0:52:34 | |
Mr Evans... | 0:52:37 | 0:52:38 | |
They found the bodies. | 0:52:44 | 0:52:45 | |
Your wife... | 0:52:47 | 0:52:48 | |
..and your daughter. | 0:52:51 | 0:52:52 | |
No, no. | 0:53:08 | 0:53:09 | |
That's impossible. | 0:53:12 | 0:53:14 | |
CLAMOUR | 0:53:43 | 0:53:44 | |
METAL BANGS | 0:54:22 | 0:54:24 | |
I know you're a liar. You strangled Beryl. | 0:54:24 | 0:54:27 | |
You strangled her with a piece of rope from your van. | 0:54:32 | 0:54:35 | |
No. | 0:54:35 | 0:54:36 | |
-You strangled your wife! -And then what happened? | 0:54:36 | 0:54:39 | |
-Tell me what you did. -What happened? | 0:54:40 | 0:54:43 | |
What did you do? | 0:54:43 | 0:54:44 | |
# My Bonnie lies over the ocean | 0:54:48 | 0:54:52 | |
# Oh, bring back my Bonnie to me | 0:54:53 | 0:54:57 | |
# Bring back Bring back | 0:55:01 | 0:55:05 | |
# Bring back my Bonnie to me | 0:55:06 | 0:55:09 | |
# Bring back Oh, bring back | 0:55:13 | 0:55:17 | |
# Bring back my Bonnie to me. # | 0:55:18 | 0:55:22 | |
Come on, Tim. You strangled her. | 0:55:25 | 0:55:28 | |
You strangled her with a...? | 0:55:30 | 0:55:33 | |
With... | 0:55:33 | 0:55:35 | |
Come on, Tim. | 0:55:36 | 0:55:37 | |
With a piece of rope from my van. | 0:55:38 | 0:55:41 | |
And then what happened, eh? | 0:55:43 | 0:55:45 | |
What? You waited till the Christies had gone to bed, and then...? | 0:55:48 | 0:55:52 | |
Then... | 0:55:57 | 0:56:00 | |
I took her... I took her down the stairs and to the wash house. | 0:56:00 | 0:56:03 | |
DOOR CREAKS | 0:56:26 | 0:56:28 | |
Oh, Tim... what have you done? | 0:56:30 | 0:56:34 | |
I never done it, Mum. | 0:56:36 | 0:56:37 | |
Christie done it. | 0:56:39 | 0:56:40 | |
I promise. | 0:56:42 | 0:56:43 | |
Tell Christie I want to see him. | 0:56:55 | 0:56:57 | |
He's the only one who can help me now. | 0:56:57 | 0:56:59 | |
I went to see him last night. | 0:57:01 | 0:57:03 | |
-Yeah? -He wouldn't let me in. | 0:57:03 | 0:57:06 | |
-Why? -He got the police on me. | 0:57:06 | 0:57:08 | |
This way, Mr Christie. | 0:57:12 | 0:57:14 | |
MR CHRISTIE! | 0:57:15 | 0:57:17 | |
MR CHRISTIE! | 0:57:17 | 0:57:18 | |
No. He knows. I need to speak to him. | 0:57:20 | 0:57:22 | |
Sit yourself down. | 0:57:22 | 0:57:24 | |
I need to see him. He knows, he knows. | 0:57:24 | 0:57:27 | |
He's the one who knows. I need to speak to him. | 0:57:27 | 0:57:29 | |
Tim! | 0:57:29 | 0:57:31 | |
Christie's the one saying you done it. | 0:57:31 | 0:57:34 | |
We'll be as quick as we can, Mr Christie. | 0:57:39 | 0:57:43 | |
Glad to hear it. | 0:57:43 | 0:57:44 | |
I do solemnly declare that the evidence I shall give | 0:57:51 | 0:57:54 | |
shall be the truth, | 0:57:54 | 0:57:56 | |
the whole truth and nothing but the truth, so help me, God. | 0:57:56 | 0:57:59 | |
Mr Christie, you are, are you not, a man of good character? | 0:57:59 | 0:58:03 | |
I'm unfit to testify, Dr Odess. | 0:58:03 | 0:58:05 | |
Mr Christie - | 0:58:05 | 0:58:06 | |
you would really need to be gravely ill. | 0:58:06 | 0:58:08 | |
She was fine when I left her. | 0:58:08 | 0:58:10 | |
Before you know it, he was saying I killed her. | 0:58:10 | 0:58:12 | |
You come back later, you can have a coat or two, if you like. | 0:58:12 | 0:58:15 | |
Thanks, Mr Christie. | 0:58:15 | 0:58:17 | |
You're invisible down here. Creeping out at night. | 0:58:17 | 0:58:19 | |
Well, I won't keep | 0:58:19 | 0:58:21 | |
your dirty secrets a day longer, do you hear me? | 0:58:21 | 0:58:23 | |
You need to lie down, Ethel. | 0:58:23 | 0:58:25 | |
Mr Timothy Evans' sole line of defence | 0:58:25 | 0:58:27 | |
rests on attacking you... | 0:58:27 | 0:58:28 | |
..a perfectly innocent man. | 0:58:30 | 0:58:32 |