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-She pretty, Reg? -Hard to say from this angle. | 0:00:02 | 0:00:05 | |
Well, you keep your bloody hands to yourself. | 0:00:05 | 0:00:08 | |
We're not long married, Mr Christie. Could do with some privacy. | 0:00:08 | 0:00:11 | |
I'm not having any more. | 0:00:12 | 0:00:14 | |
If you get rid of it, you'll have rid of me. | 0:00:14 | 0:00:17 | |
I have...helped couples in similar situations. | 0:00:17 | 0:00:21 | |
He's trained as a doctor, Tim. I trust him. | 0:00:21 | 0:00:24 | |
You've just got to tell Mr Christie everything's all right. | 0:00:24 | 0:00:27 | |
Bad news, I'm afraid. | 0:00:27 | 0:00:29 | |
What did you do to her? | 0:00:29 | 0:00:31 | |
They'll think you killed her. You could hang for this. | 0:00:31 | 0:00:35 | |
If anyone asks, you just say...Beryl's gone away. | 0:00:35 | 0:00:37 | |
They found the bodies. | 0:00:37 | 0:00:40 | |
Your wife, and your daughter. | 0:00:40 | 0:00:41 | |
-No. No. -To make this easy on yourself, | 0:00:41 | 0:00:44 | |
I suggest you make your confession now. | 0:00:44 | 0:00:48 | |
I never done it, Mum. Christie done it. | 0:00:48 | 0:00:50 | |
Christie's the one saying you done it. | 0:00:50 | 0:00:52 | |
INTRO PLAYS: Whispering Grass (Don't Tell The Trees) | 0:01:00 | 0:01:02 | |
FOOTSTEPS DESCEND | 0:01:02 | 0:01:04 | |
# Why do you whisper, green grass? | 0:01:10 | 0:01:16 | |
# Why tell the trees what ain't so? | 0:01:16 | 0:01:21 | |
# Whispering grass The trees don't have to know | 0:01:21 | 0:01:29 | |
# No, no | 0:01:29 | 0:01:31 | |
# Why tell them all your secrets? | 0:01:31 | 0:01:38 | |
# Who kissed there long ago? | 0:01:38 | 0:01:43 | |
# Whispering grass The trees don't need to know | 0:01:43 | 0:01:50 | |
# Don't you tell it to the breeze Or she will tell the birds and bees | 0:01:53 | 0:01:59 | |
# And everyone will know because you told the blabbering trees | 0:01:59 | 0:02:04 | |
# Yes, you told them once before | 0:02:04 | 0:02:09 | |
# It's no secret any more | 0:02:09 | 0:02:16 | |
# Why tell them all the old things? | 0:02:16 | 0:02:22 | |
# They're buried under the snow | 0:02:22 | 0:02:27 | |
# Whispering grass Don't tell the trees | 0:02:27 | 0:02:33 | |
# Cos the trees don't need to know... # | 0:02:33 | 0:02:39 | |
SONG SLOWS AND DISTORTS | 0:02:40 | 0:02:42 | |
TICKING | 0:02:53 | 0:02:57 | |
# Why tell them all the old things | 0:03:01 | 0:03:07 | |
# They're buried under the snow. # | 0:03:07 | 0:03:12 | |
BUZZING | 0:03:12 | 0:03:13 | |
-RADIO: -'..short pieces by anonymous composers. | 0:03:19 | 0:03:22 | |
'They're based on a plainsong setting and are taken from | 0:03:22 | 0:03:27 | |
'a volume of organ music printed by the 16th century publisher Attaingnant.' | 0:03:27 | 0:03:32 | |
ORGAN MUSIC PLAYS | 0:03:32 | 0:03:35 | |
BELLS CHIME | 0:04:10 | 0:04:13 | |
The prosecution calls witness John Reginald Halliday Christie. | 0:04:36 | 0:04:42 | |
I do solemnly declare that the evidence I shall give | 0:04:42 | 0:04:46 | |
shall be the truth, the whole truth and nothing but the truth, | 0:04:46 | 0:04:50 | |
so help me, God. | 0:04:50 | 0:04:51 | |
On the 8th November last year, you said in your statement | 0:05:01 | 0:05:05 | |
that you recalled being woken by something in the night? | 0:05:05 | 0:05:10 | |
Yes. | 0:05:10 | 0:05:11 | |
We were in bed, both in bed, my wife and I, and, um... | 0:05:12 | 0:05:16 | |
..we were startled by a very loud thud, | 0:05:17 | 0:05:21 | |
like something being dragged across the floor. | 0:05:21 | 0:05:25 | |
And is it true or is it not true | 0:05:25 | 0:05:28 | |
that the next time you saw Timothy Evans | 0:05:28 | 0:05:30 | |
he told you that Mrs Evans had gone to Bristol with the baby? | 0:05:30 | 0:05:34 | |
Yes, that's true. | 0:05:34 | 0:05:35 | |
What kind of character would you say the defendant was? | 0:05:37 | 0:05:41 | |
At first he seemed decent enough. | 0:05:42 | 0:05:45 | |
What changed your opinion? | 0:05:45 | 0:05:47 | |
The drinking. | 0:05:48 | 0:05:49 | |
MURMURING | 0:05:49 | 0:05:51 | |
And the rows. | 0:05:51 | 0:05:53 | |
It was so bad once that I-I had to call the police out. | 0:05:53 | 0:05:57 | |
Another time he almost pushed Mrs Evans out the window. | 0:05:57 | 0:06:02 | |
MUTTERING | 0:06:02 | 0:06:05 | |
Your witness. | 0:06:07 | 0:06:08 | |
-Mr Christie. -Hm? | 0:06:14 | 0:06:17 | |
Did you know that Mrs Evans was pregnant in November of last year? | 0:06:17 | 0:06:22 | |
My wife told me. | 0:06:22 | 0:06:25 | |
I'm sorry - could you speak up? | 0:06:25 | 0:06:27 | |
My wife told me. | 0:06:28 | 0:06:30 | |
Well, I'd like to suggest to you | 0:06:31 | 0:06:33 | |
that you attempted to perform an illegal abortion on Mrs Evans. | 0:06:33 | 0:06:37 | |
And in the process thereof, Mrs Evans lost her life. | 0:06:38 | 0:06:42 | |
In fact, I must suggest to you that not only are you responsible | 0:06:42 | 0:06:46 | |
for the death of Mrs Evans, but also for her little girl, | 0:06:46 | 0:06:49 | |
that on the Tuesday evening, with Timothy Evans' help, | 0:06:49 | 0:06:53 | |
you carried the dead body of Mrs Evans down to Mr Kitchener's flat. | 0:06:53 | 0:06:58 | |
No, no, no. That's absolutely ridiculous. | 0:06:58 | 0:07:01 | |
At the time, the fibrositis in my back | 0:07:02 | 0:07:06 | |
was so bad I could scarcely bend. | 0:07:06 | 0:07:08 | |
I had to crawl out of bed, and if I wanted to pick something up | 0:07:08 | 0:07:14 | |
off the floor, I had to get down on my hands and knees. | 0:07:14 | 0:07:19 | |
It's physically impossible. | 0:07:19 | 0:07:21 | |
In fact, I am still under a great deal of treatment for the pain. | 0:07:21 | 0:07:27 | |
Would you like a seat, Mr Christie? | 0:07:29 | 0:07:31 | |
Oh, yes, please, Your Honour. | 0:07:34 | 0:07:36 | |
You are, are you not, a man of good character? | 0:07:53 | 0:07:56 | |
Well, I have had some trouble. | 0:07:58 | 0:08:02 | |
Would that be the conviction for the malicious wounding of a young woman? | 0:08:04 | 0:08:08 | |
A crime for which you were sentenced to six months' imprisonment? | 0:08:08 | 0:08:12 | |
Yes, yes, but... it was an act of self-defence. | 0:08:12 | 0:08:18 | |
No further questions, Your Honour. | 0:08:21 | 0:08:24 | |
Who was she, Reg? | 0:08:32 | 0:08:33 | |
I didn't want to worry you, Ethel. | 0:08:35 | 0:08:38 | |
I was renting a room from her for three and tuppence. | 0:08:40 | 0:08:43 | |
A not immodest sum, | 0:08:44 | 0:08:47 | |
which I felt should include hot water and a mattress. | 0:08:47 | 0:08:51 | |
She disagreed with me and came at me... | 0:08:51 | 0:08:54 | |
with a cricket bat. | 0:08:54 | 0:08:56 | |
They should've taken her away there and then, | 0:08:56 | 0:08:58 | |
but she told them it was all me. | 0:08:58 | 0:09:01 | |
I'm just glad you weren't there to witness it. | 0:09:04 | 0:09:06 | |
I've witnessed it now, haven't I, all right? | 0:09:06 | 0:09:09 | |
Along with every Tom, Dick and Harry in that courtroom. | 0:09:09 | 0:09:12 | |
Oh, Ethel. | 0:09:12 | 0:09:13 | |
I've been through enough today. I need you by my side. | 0:09:16 | 0:09:20 | |
I can't be more than ten paces from a WC, | 0:09:24 | 0:09:30 | |
never mind my fibrositis. | 0:09:30 | 0:09:33 | |
It is most inconvenient. | 0:09:33 | 0:09:35 | |
It's incapacitating is what it is. | 0:09:36 | 0:09:39 | |
-I can imagine. -Hm. | 0:09:39 | 0:09:40 | |
I should be at home in bed, | 0:09:40 | 0:09:42 | |
-not facing the Spanish Inquisition in a crowded courtroom. -Hm. | 0:09:42 | 0:09:46 | |
I can give you some more pills. Strengthen the dose. | 0:09:47 | 0:09:50 | |
I don't need more tablets. I need a doctor's note. | 0:09:50 | 0:09:55 | |
I can't be expected to stand there in my condition. | 0:09:56 | 0:09:59 | |
I'm unfit to testify, Dr Odess, that's the long and the short of it. | 0:10:00 | 0:10:04 | |
Mr Christie, for me to sanction your absence from court, | 0:10:04 | 0:10:07 | |
you would really need to be gravely ill. | 0:10:07 | 0:10:10 | |
At death's door, so to speak. | 0:10:10 | 0:10:12 | |
What is it, Ethel? | 0:10:16 | 0:10:18 | |
How do we know it weren't the builders? | 0:10:21 | 0:10:23 | |
The builders? | 0:10:23 | 0:10:25 | |
We both know it wasn't the builders, don't we? | 0:10:27 | 0:10:30 | |
How do we know? | 0:10:30 | 0:10:32 | |
Well, the noise. The thud... | 0:10:32 | 0:10:37 | |
that woke us up, it was on a Tuesday, wasn't it? | 0:10:37 | 0:10:41 | |
About, um, midnight. | 0:10:41 | 0:10:45 | |
He must've been moving her across the boards. | 0:10:45 | 0:10:48 | |
The weight of her. He must've done it when he came in from work. | 0:10:48 | 0:10:53 | |
She was fine when I left her. | 0:10:53 | 0:10:55 | |
She said, um, she didn't want to go through with it, | 0:10:55 | 0:10:58 | |
and by the time I'd packed my bag, she was fast asleep from the pill. | 0:10:58 | 0:11:05 | |
You should never been up there in the first place. | 0:11:07 | 0:11:10 | |
Don't I know it? | 0:11:10 | 0:11:11 | |
Telling her you're a doctor! | 0:11:11 | 0:11:13 | |
I was just trying to help, Ethel. | 0:11:13 | 0:11:15 | |
Showing her those medical books, | 0:11:15 | 0:11:17 | |
like you know the first thing about it. | 0:11:17 | 0:11:19 | |
Now that's enough! | 0:11:19 | 0:11:20 | |
I'm a bag of nerves, Ethel. | 0:11:24 | 0:11:27 | |
Let's not mention helping Beryl | 0:11:29 | 0:11:32 | |
with her...well, her problem. | 0:11:32 | 0:11:35 | |
Or we'll be dragged into this good and proper and before... | 0:11:36 | 0:11:40 | |
before you know it, they'll be saying I killed her. | 0:11:40 | 0:11:43 | |
Honestly, I don't think I'll sleep a wink tonight. | 0:11:43 | 0:11:46 | |
Not a wink. | 0:11:46 | 0:11:47 | |
I do solemnly declare that the evidence I shall give | 0:11:55 | 0:11:58 | |
shall be the truth, the whole truth and nothing but the truth, | 0:11:58 | 0:12:01 | |
so help me, God. | 0:12:01 | 0:12:03 | |
Mrs Ethel Christie? | 0:12:07 | 0:12:09 | |
Yes. | 0:12:09 | 0:12:10 | |
You are the wife of the last witness. | 0:12:11 | 0:12:14 | |
Do you remember one night in November being wakened by a bump? | 0:12:15 | 0:12:19 | |
Yes, I do. | 0:12:22 | 0:12:23 | |
Did you hear anything unusual after the noise which woke you up? | 0:12:24 | 0:12:29 | |
Well, afterwards... | 0:12:33 | 0:12:34 | |
..I heard a noise as if... | 0:12:35 | 0:12:39 | |
..furniture was being moved about. | 0:12:41 | 0:12:44 | |
Did you ever go into the Evans' flat after the bump in the night? | 0:12:44 | 0:12:49 | |
No, I don't think so. | 0:12:49 | 0:12:51 | |
So far as you know, | 0:12:51 | 0:12:53 | |
did Mr Christie ever go into the flat after that night? | 0:12:53 | 0:12:57 | |
No, I don't think so. | 0:12:58 | 0:13:00 | |
Thank you, Mrs Christie. | 0:13:01 | 0:13:03 | |
Your name is Timothy John Evans? | 0:13:09 | 0:13:13 | |
Yes, sir. | 0:13:15 | 0:13:17 | |
How old are you? | 0:13:17 | 0:13:18 | |
25. | 0:13:20 | 0:13:21 | |
Is it true you confessed to the murder of your wife and child? | 0:13:24 | 0:13:27 | |
I have confessed it, sir, but it's... It is not true. | 0:13:32 | 0:13:37 | |
So you did not put your wife's body down a manhole? | 0:13:37 | 0:13:41 | |
No, sir. | 0:13:41 | 0:13:44 | |
Well, why did you say you did? | 0:13:44 | 0:13:46 | |
Well, that's what Mr Christie told me he was going to do with her. | 0:13:52 | 0:13:55 | |
Why did you suddenly go to the police? | 0:13:55 | 0:13:58 | |
Because I was getting worried about my daughter Geraldine. | 0:13:59 | 0:14:02 | |
So, you confessed to murder because you were worried about your daughter? | 0:14:02 | 0:14:07 | |
No... | 0:14:09 | 0:14:10 | |
When I found out my daughter was dead I had nothing else to live for. | 0:14:10 | 0:14:16 | |
And wasn't it also a lie that you helped Mr Christie carry your wife's body downstairs, | 0:14:16 | 0:14:22 | |
when we know he was physically incapable of doing that? | 0:14:22 | 0:14:26 | |
Or even carrying the child? | 0:14:26 | 0:14:27 | |
I heard what he said... | 0:14:32 | 0:14:34 | |
..but I still say I helped him carry my wife's body. | 0:14:36 | 0:14:39 | |
I did it all on the advice of Mr Christie. | 0:14:40 | 0:14:43 | |
And this is the same Mr Christie you allege performed an illegal abortion on your wife? | 0:14:43 | 0:14:49 | |
And yet we know she was killed by strangling, not by abortion. | 0:14:50 | 0:14:55 | |
Can you suggest why Mr Christie should have strangled your wife? | 0:14:59 | 0:15:03 | |
Oh... | 0:15:09 | 0:15:11 | |
Well... | 0:15:11 | 0:15:13 | |
..he was home all day. | 0:15:14 | 0:15:17 | |
He was home all day. | 0:15:17 | 0:15:19 | |
That is a circumstance. It is not a reason. | 0:15:19 | 0:15:22 | |
Again - can you suggest why he strangled your wife? | 0:15:25 | 0:15:29 | |
No, I can't. | 0:15:36 | 0:15:38 | |
Then can you suggest why he should've strangled your daughter, two days later? | 0:15:40 | 0:15:45 | |
No. | 0:15:48 | 0:15:50 | |
The prosecution recalls John Reginald Halliday Christie. | 0:15:52 | 0:15:57 | |
It appears from what we have heard today | 0:15:58 | 0:16:00 | |
that Mr Timothy Evans' sole line of defence rests on attacking you, | 0:16:00 | 0:16:05 | |
-a perfectly innocent man. -Ahem. | 0:16:05 | 0:16:08 | |
He alleges that you killed Mrs Evans while performing an abortion. | 0:16:08 | 0:16:13 | |
Whereas, no evidence of any abortion exists. | 0:16:13 | 0:16:16 | |
Mr Humphreys is making the assumption that his witness | 0:16:16 | 0:16:19 | |
is innocent and the defendant is not. | 0:16:19 | 0:16:21 | |
You cannot describe Mr Christie as a perfectly innocent man. | 0:16:21 | 0:16:24 | |
What were you doing in the First World War, Mr Christie? | 0:16:24 | 0:16:27 | |
I was in, um, Duke of Wellington's Regiment | 0:16:29 | 0:16:35 | |
and Notts and Derby, | 0:16:35 | 0:16:40 | |
and I was gassed twice. | 0:16:40 | 0:16:42 | |
I was blinded for three months. | 0:16:43 | 0:16:46 | |
I never spoke for three-and-a-half years. | 0:16:48 | 0:16:51 | |
Blinded? | 0:16:51 | 0:16:53 | |
And you could not speak for three years? | 0:16:53 | 0:16:56 | |
Three-and-a-half years. | 0:16:56 | 0:16:57 | |
The last time you were in trouble with the police | 0:16:59 | 0:17:01 | |
for any offence was in 1938, correct? | 0:17:01 | 0:17:06 | |
Yes. | 0:17:06 | 0:17:08 | |
12 years ago. | 0:17:08 | 0:17:09 | |
And in this last war, despite your disabilities, | 0:17:09 | 0:17:14 | |
you served with the Reserve Police for several years? | 0:17:14 | 0:17:16 | |
Is that right? | 0:17:16 | 0:17:18 | |
Yes, sir. I was commended on two occasions. | 0:17:18 | 0:17:21 | |
So, you are an injured war veteran and a commended officer of the law. | 0:17:21 | 0:17:27 | |
The man who accuses you of murder | 0:17:28 | 0:17:30 | |
and abortion and swearing his life away is a self-confessed liar, who, | 0:17:30 | 0:17:36 | |
on a previous occasion, | 0:17:36 | 0:17:38 | |
attempted to throw his own wife out of the window. | 0:17:38 | 0:17:41 | |
Yes. | 0:17:46 | 0:17:48 | |
Timothy Evans... | 0:18:29 | 0:18:32 | |
the jury finds you guilty of the murder of your daughter Geraldine Evans. | 0:18:32 | 0:18:37 | |
You will be taken from here to a place of execution, | 0:18:40 | 0:18:43 | |
and there you shall hang by the neck until you are dead. | 0:18:43 | 0:18:48 | |
It wasn't me. | 0:18:54 | 0:18:56 | |
Murderer! Murderer! | 0:18:56 | 0:18:59 | |
Don't you dare call him that. He's a good man! | 0:19:02 | 0:19:06 | |
SHE SOBS | 0:19:06 | 0:19:08 | |
Egg, Mrs Christie? | 0:19:20 | 0:19:22 | |
Thanks. | 0:19:22 | 0:19:24 | |
He'll have the shock of his life when he opens the door. | 0:19:34 | 0:19:36 | |
He'll be bowled over. | 0:19:36 | 0:19:38 | |
We don't want to be any trouble. We can always stay at a bed and breakfast. | 0:19:41 | 0:19:44 | |
Here, don't be daft. It's nice to see you. | 0:19:44 | 0:19:47 | |
Aye, it's no trouble. | 0:19:47 | 0:19:49 | |
It's been ever so hard, ain't it Reg? | 0:19:54 | 0:19:57 | |
I treated that lad like a son. Lent him money. | 0:19:57 | 0:20:02 | |
Tried to teach him to read and write, | 0:20:02 | 0:20:04 | |
and this is the thanks I get - accusations of the foulest nature. | 0:20:04 | 0:20:08 | |
You would never have known it, to look at him. | 0:20:10 | 0:20:13 | |
He seemed like the gentle type. | 0:20:13 | 0:20:15 | |
Well, you just met him for five minutes. | 0:20:15 | 0:20:17 | |
Living with him, you saw a different side altogether. The rows. | 0:20:17 | 0:20:20 | |
The drinking. The fights. | 0:20:20 | 0:20:24 | |
It must be hard still living there? | 0:20:25 | 0:20:28 | |
Aye, we want to move, but you know what the council's like. | 0:20:28 | 0:20:32 | |
Snails'd get more done. | 0:20:34 | 0:20:36 | |
You want to watch that, Reg. | 0:20:36 | 0:20:38 | |
Janice works for the council now. | 0:20:38 | 0:20:40 | |
Oh, do you, love? That's nice. | 0:20:40 | 0:20:43 | |
Anyway, Harry, you wouldn't believe the state of place now. | 0:20:54 | 0:20:57 | |
Way the street is. It's filthy. | 0:20:57 | 0:21:00 | |
-Isn't it, Reg? And all them immigrants. -Hm. | 0:21:02 | 0:21:06 | |
You, er, ever think about coming back here? | 0:21:06 | 0:21:10 | |
For good, I mean? | 0:21:10 | 0:21:12 | |
It doesn't look like much, but they'll be up within the year. | 0:21:18 | 0:21:21 | |
Plumbed bathrooms, central heating. | 0:21:21 | 0:21:23 | |
Central heating, Reg. | 0:21:23 | 0:21:24 | |
Sky-high bills, no doubt. | 0:21:26 | 0:21:29 | |
Lovely views. | 0:21:29 | 0:21:31 | |
We'd never get one. | 0:21:33 | 0:21:35 | |
Never say never. | 0:21:35 | 0:21:36 | |
Janice can pull a string or two. | 0:21:36 | 0:21:38 | |
Can you? | 0:21:38 | 0:21:39 | |
I'll have a word with my friend in Housing. | 0:21:39 | 0:21:42 | |
He'll get you on the list. | 0:21:42 | 0:21:43 | |
-We don't want to be any trouble. -No, it's no trouble. | 0:21:43 | 0:21:47 | |
What do you think, Reg? | 0:21:47 | 0:21:49 | |
I think we're getting carried away. | 0:21:49 | 0:21:52 | |
FOOTSTEPS DESCEND | 0:22:12 | 0:22:13 | |
Hello. Beresford Brown. | 0:22:15 | 0:22:17 | |
Can I help you? | 0:22:18 | 0:22:20 | |
We've moved in upstairs. | 0:22:20 | 0:22:23 | |
Moved in? | 0:22:24 | 0:22:26 | |
Mr Christie. I'll be up later to go over some rules. | 0:22:28 | 0:22:34 | |
What rules would that be? | 0:22:34 | 0:22:36 | |
The house rules. | 0:22:36 | 0:22:37 | |
You work for the landlord? | 0:22:37 | 0:22:39 | |
No, no, no... | 0:22:39 | 0:22:41 | |
but I happen to be the longest-sitting tenant. | 0:22:41 | 0:22:46 | |
They're your rules, then, not mine. | 0:22:46 | 0:22:49 | |
Evening. | 0:22:49 | 0:22:50 | |
-He's a nice enough chap. -He was laughing at you. | 0:22:58 | 0:23:03 | |
What're you talking about? | 0:23:03 | 0:23:05 | |
Reg's house rules. | 0:23:05 | 0:23:07 | |
Why've we come back, eh? | 0:23:15 | 0:23:17 | |
We could have had a nice new house, | 0:23:17 | 0:23:18 | |
but that's not what you wanted, is it? | 0:23:18 | 0:23:20 | |
All I want is a bit of piece and quiet, love. | 0:23:20 | 0:23:23 | |
You're invisible down here. | 0:23:25 | 0:23:28 | |
No prying eyes. | 0:23:28 | 0:23:30 | |
Creeping out at night. | 0:23:30 | 0:23:32 | |
Well, I won't keep your dirty secrets a day longer, do you hear me? | 0:23:32 | 0:23:36 | |
You need to lie down, Ethel. | 0:23:38 | 0:23:41 | |
Lie down? | 0:23:41 | 0:23:43 | |
I sent an innocent man to his death because of you. | 0:23:43 | 0:23:45 | |
That baby was fine when I went up to check on her. | 0:23:45 | 0:23:48 | |
Tim were out at work. It couldn't have been him. | 0:23:48 | 0:23:51 | |
It should've been you at the end of that rope. Do you hear me? It should've been you. | 0:23:51 | 0:23:54 | |
I'm taking you to see Dr Odess. | 0:23:54 | 0:23:56 | |
You'll do no such thing! | 0:23:56 | 0:23:59 | |
Y-You're not to blame, love. | 0:24:00 | 0:24:02 | |
It's the strain, it's taking its toll. | 0:24:02 | 0:24:06 | |
Odess'll know what to do. | 0:24:09 | 0:24:11 | |
I won't see him! | 0:24:11 | 0:24:13 | |
Well, have a home visit. Maybe he'll come here. | 0:24:13 | 0:24:17 | |
Perhaps he'll, er, bring the head doctor. | 0:24:20 | 0:24:24 | |
Second opinion. | 0:24:26 | 0:24:28 | |
Ethel? | 0:25:30 | 0:25:32 | |
I've been attacked. | 0:25:32 | 0:25:34 | |
Her upstairs. | 0:25:35 | 0:25:37 | |
The darkie. | 0:25:37 | 0:25:39 | |
She hit me! | 0:25:39 | 0:25:40 | |
She accused me of blocking her in the hall. | 0:25:40 | 0:25:43 | |
Are you going to stand for that? | 0:25:47 | 0:25:49 | |
Your own wife being physically assaulted in her own home. | 0:25:49 | 0:25:52 | |
By a foreigner. | 0:25:52 | 0:25:54 | |
If that's not the thin end of the wedge, I don't know what is! | 0:25:54 | 0:25:58 | |
MAN SINGS | 0:26:07 | 0:26:12 | |
BABY CRYING BEHIND DOOR | 0:26:25 | 0:26:29 | |
MUFFLED VOICE BEHIND DOOR | 0:26:43 | 0:26:44 | |
They take you here and they take you there | 0:26:46 | 0:26:49 | |
and they make you feel like a millionaire. | 0:26:49 | 0:26:52 | |
# London is the place for me London, this lovely city. # | 0:26:52 | 0:26:59 | |
Did you talk to him? | 0:27:12 | 0:27:13 | |
Yes, I did, love. There'll be no more trouble. | 0:27:15 | 0:27:19 | |
All right. | 0:27:25 | 0:27:26 | |
DOOR SHUTS | 0:27:34 | 0:27:35 | |
DOOR SHUTS | 0:28:16 | 0:28:17 | |
# Why do you whisper, green grass? | 0:28:17 | 0:28:22 | |
# Why tell the trees what ain't so? | 0:28:22 | 0:28:26 | |
# Whispering grass The trees don't have to know | 0:28:27 | 0:28:35 | |
# No, no | 0:28:35 | 0:28:38 | |
# Why tell them all your secrets? | 0:28:38 | 0:28:44 | |
# Who kissed there long ago? | 0:28:44 | 0:28:49 | |
# Whispering grass... # | 0:28:49 | 0:28:51 | |
Ethel, darling. | 0:28:51 | 0:28:53 | |
# ..The trees don't need to know. # | 0:28:53 | 0:28:57 | |
SHE WHIMPERS | 0:29:01 | 0:29:03 | |
SONG CONTINUES FAINTLY | 0:29:10 | 0:29:11 | |
SHE GAGS | 0:29:20 | 0:29:23 | |
HE SIGHS | 0:29:42 | 0:29:43 | |
THUD | 0:30:44 | 0:30:46 | |
Mr Christie! | 0:32:07 | 0:32:08 | |
I was just coming round to see Ethel. | 0:32:09 | 0:32:12 | |
She's still in Halifax, I'm afraid. | 0:32:13 | 0:32:15 | |
She's had to extend her stay. | 0:32:15 | 0:32:17 | |
Why's that, then? | 0:32:17 | 0:32:19 | |
-Her brother took a turn for the worse. -Oh. | 0:32:19 | 0:32:21 | |
We might have to move back permanently. | 0:32:23 | 0:32:26 | |
Well, that'd be a shame. | 0:32:26 | 0:32:28 | |
It's families for you. You can't put a price. | 0:32:28 | 0:32:33 | |
Well, if she's not back by Christmas you'll have to come to us. | 0:32:33 | 0:32:36 | |
Hm. Thank you very much. | 0:32:36 | 0:32:38 | |
I suffered the first one at the Evans trial. | 0:32:44 | 0:32:47 | |
I was the star witness, you know. | 0:32:47 | 0:32:50 | |
-Dr Odess told me. -Hm. | 0:32:50 | 0:32:51 | |
My concern is what happens during these lapses, what I might do, | 0:32:51 | 0:32:58 | |
that I might injure myself... | 0:32:58 | 0:33:02 | |
or, God forbid, somebody else. | 0:33:02 | 0:33:05 | |
The other day, Mrs Christie, she found me in the middle of the kitchen floor. | 0:33:05 | 0:33:08 | |
No idea how I got there. | 0:33:08 | 0:33:10 | |
I think you should come in, stay for a while. | 0:33:10 | 0:33:13 | |
That way we can get a proper look at you. | 0:33:15 | 0:33:17 | |
Oh, no, no, no, no. | 0:33:17 | 0:33:20 | |
I don't think I could leave my wife. | 0:33:20 | 0:33:22 | |
She's terrified of the neighbours. | 0:33:22 | 0:33:24 | |
And why is that? | 0:33:24 | 0:33:25 | |
They're coloureds, you see. | 0:33:25 | 0:33:26 | |
I don't want to take up much more of your time. | 0:33:28 | 0:33:31 | |
-I just wanted to put you in the picture, as it were. -Hm. | 0:33:31 | 0:33:36 | |
It's one bedroom, but because it's... You're on the ground floor, | 0:34:03 | 0:34:07 | |
-you've got the garden, see? -Is it nice? | 0:34:07 | 0:34:09 | |
Oh, it's very nice. Decent size, too. | 0:34:09 | 0:34:12 | |
Some of these so-called gardens, they're like somewhere you'd exercise a prisoner. | 0:34:13 | 0:34:17 | |
SHE LAUGHS | 0:34:17 | 0:34:18 | |
-You're funny. -Hm. | 0:34:18 | 0:34:20 | |
All right, Rina? | 0:34:23 | 0:34:25 | |
Alex, Mr Christie. | 0:34:25 | 0:34:26 | |
How do you do? | 0:34:28 | 0:34:30 | |
Alex. | 0:34:30 | 0:34:31 | |
HE KNOCKS | 0:34:57 | 0:34:58 | |
Just looking. | 0:34:58 | 0:35:00 | |
Be my guest. | 0:35:00 | 0:35:01 | |
They're my wife's. | 0:35:04 | 0:35:05 | |
Whatever takes your fancy. | 0:35:08 | 0:35:10 | |
-Thank you. -Hm. | 0:35:13 | 0:35:15 | |
Won't she mind? | 0:35:15 | 0:35:17 | |
Oh, no. | 0:35:17 | 0:35:18 | |
She's got more clothes than she knows what to do with. Hm. | 0:35:18 | 0:35:23 | |
Take that one, Rina. And that one. | 0:35:28 | 0:35:32 | |
I did say just the one item. It's not a free-for-all, I'm afraid. | 0:35:32 | 0:35:38 | |
Look. I-I'm sorry, I-I've changed my mind. | 0:35:44 | 0:35:49 | |
I wasn't expecting a second occupant. | 0:35:49 | 0:35:52 | |
You'll have to find accommodation elsewhere, I'm afraid. | 0:35:52 | 0:35:55 | |
-You what? -Hm. | 0:35:55 | 0:35:57 | |
You playing at? Wasting our time. | 0:35:57 | 0:35:58 | |
You said we had the run of the place! | 0:35:58 | 0:36:01 | |
Rina. | 0:36:03 | 0:36:04 | |
Oh, no, no, no, no. You can take the blouses. | 0:36:09 | 0:36:14 | |
Don't worry. | 0:36:14 | 0:36:15 | |
You come back later, you can have a coat or two if you like. | 0:36:17 | 0:36:21 | |
Just don't bring him, though. | 0:36:21 | 0:36:23 | |
-Thanks, Mr Christie. -Hm. | 0:36:23 | 0:36:25 | |
DOOR SHUTS | 0:36:33 | 0:36:34 | |
# May you have friends come a-calling | 0:36:57 | 0:37:03 | |
# And maybe snowflakes falling | 0:37:03 | 0:37:08 | |
# That's a Christmas wish from me to you | 0:37:08 | 0:37:14 | |
# And may your home be filled | 0:37:15 | 0:37:19 | |
# With love and laughter... # | 0:37:19 | 0:37:23 | |
SONG CONTINUES FAINTLY THEN STOPS | 0:37:25 | 0:37:28 | |
DOOR OPENS | 0:37:37 | 0:37:39 | |
Come on in, love. | 0:37:41 | 0:37:42 | |
DOOR SQUEAKS | 0:37:45 | 0:37:47 | |
I'll have to put a bit of oil on that. Bit squeaky. | 0:37:47 | 0:37:51 | |
Go on through. | 0:37:53 | 0:37:55 | |
It's a perfectly safe procedure, love. Don't you worry. | 0:38:04 | 0:38:08 | |
There you are, love. | 0:38:16 | 0:38:18 | |
Right. Let me get your coat. | 0:38:21 | 0:38:25 | |
Let's have this. | 0:38:34 | 0:38:36 | |
There we are. | 0:38:49 | 0:38:51 | |
You sit down. | 0:38:53 | 0:38:54 | |
There we are. | 0:38:59 | 0:39:01 | |
I know. I know, love. | 0:39:08 | 0:39:09 | |
Let's take those shoes. | 0:39:14 | 0:39:16 | |
Number one. | 0:39:19 | 0:39:20 | |
Two. | 0:39:22 | 0:39:24 | |
Let's just...pop those there. | 0:39:25 | 0:39:29 | |
Don't you worry, I've done this before. | 0:39:38 | 0:39:42 | |
Be back in a tick. | 0:39:44 | 0:39:46 | |
DOOR CLOSES | 0:39:52 | 0:39:53 | |
DOOR CLOSES | 0:40:01 | 0:40:03 | |
Where did you go? | 0:40:21 | 0:40:23 | |
Have a top up. | 0:40:24 | 0:40:26 | |
SHE LAUGHS | 0:40:36 | 0:40:38 | |
Here. | 0:40:38 | 0:40:39 | |
Here. | 0:40:42 | 0:40:43 | |
HISSING | 0:41:05 | 0:41:07 | |
All right, love. | 0:41:10 | 0:41:12 | |
Bottoms up. | 0:41:15 | 0:41:17 | |
-There you are. -Hm. | 0:41:18 | 0:41:19 | |
SHE CRIES OUT | 0:41:28 | 0:41:30 | |
SHE SCREAMS | 0:41:30 | 0:41:32 | |
SHE SCREAMS | 0:41:36 | 0:41:38 | |
LABOURED BREATHING | 0:41:47 | 0:41:50 | |
HE GRUNTS | 0:43:31 | 0:43:33 | |
BANGING | 0:44:12 | 0:44:14 | |
CREAKING | 0:44:19 | 0:44:21 | |
BANGING | 0:44:21 | 0:44:23 | |
Morning, Reg. | 0:44:53 | 0:44:55 | |
Morning. | 0:44:56 | 0:44:57 | |
Can I come in? | 0:44:57 | 0:44:59 | |
Well, it's a bit of a state in here... | 0:45:00 | 0:45:02 | |
I don't mind. | 0:45:02 | 0:45:04 | |
Ethel's away. | 0:45:04 | 0:45:07 | |
Housekeeping's not my strong suit. | 0:45:08 | 0:45:10 | |
Moving out, Reg? | 0:45:13 | 0:45:16 | |
-Fingers crossed. -Oh. | 0:45:17 | 0:45:19 | |
The council have found us a flat in Willesden. | 0:45:20 | 0:45:24 | |
Here, Judy. | 0:45:28 | 0:45:29 | |
It's a two-bed. | 0:45:29 | 0:45:31 | |
Have a seat. | 0:45:33 | 0:45:35 | |
Cup of tea? | 0:45:41 | 0:45:42 | |
No. | 0:45:42 | 0:45:43 | |
There's something you need to know. | 0:45:43 | 0:45:45 | |
There's been three burglaries on this street in the past month. | 0:45:45 | 0:45:48 | |
That's well above average. | 0:45:48 | 0:45:50 | |
You want me to keep my eyes open? | 0:45:50 | 0:45:53 | |
If you don't mind. | 0:45:53 | 0:45:54 | |
You leave it to me. | 0:45:54 | 0:45:56 | |
How long's Ethel gone for? | 0:45:59 | 0:46:01 | |
A fortnight or so. | 0:46:01 | 0:46:03 | |
You're not wrong, Reg. | 0:46:05 | 0:46:07 | |
Wrong? | 0:46:09 | 0:46:10 | |
About your housekeeping. | 0:46:11 | 0:46:13 | |
HE SNIFFS What's that stink? | 0:46:17 | 0:46:20 | |
It's the neighbours. | 0:46:23 | 0:46:25 | |
They're darkies. | 0:46:25 | 0:46:28 | |
All that foreign food. | 0:46:28 | 0:46:30 | |
Herbs and spices. | 0:46:31 | 0:46:33 | |
-I don't know why they can't eat English. -Hm. | 0:46:33 | 0:46:37 | |
Anyway, I'll see myself out. | 0:46:39 | 0:46:42 | |
DOOR OPENS THEN CLOSES | 0:46:50 | 0:46:54 | |
HE SIGHS | 0:47:30 | 0:47:31 | |
Are you all right, sir? | 0:51:29 | 0:51:30 | |
Yes. | 0:51:33 | 0:51:34 | |
Take off your hat. | 0:51:36 | 0:51:37 | |
I think you need to come with me down to the station, Mr Christie. | 0:51:43 | 0:51:47 | |
We've got Mrs Christie under the sitting room, | 0:51:52 | 0:51:55 | |
Hectorina MacLellan, Rita Nelson and Kathleen Maloney in the kitchen, | 0:51:55 | 0:52:01 | |
Muriel Eady and Ruth Fuerst in the back garden. | 0:52:01 | 0:52:07 | |
We found this. | 0:52:07 | 0:52:08 | |
Four different types of pubic hair, | 0:52:12 | 0:52:14 | |
none of which match any of the bodies found. | 0:52:14 | 0:52:17 | |
Were there others, Mr Christie? | 0:52:19 | 0:52:22 | |
There is something... | 0:52:22 | 0:52:24 | |
Something comes to mind, but I don't know what... | 0:52:25 | 0:52:28 | |
Is it about Beryl Evans? Tim Evans' wife? | 0:52:28 | 0:52:31 | |
It could be that. | 0:52:31 | 0:52:33 | |
You do know I've not been well for a good time? | 0:52:33 | 0:52:36 | |
You said that. | 0:52:36 | 0:52:38 | |
I've been suffering from fibrositis, enteritis. | 0:52:38 | 0:52:44 | |
Last year I had a nervous breakdown. | 0:52:45 | 0:52:48 | |
Dr Petit from St Charles Hospital will verify it. | 0:52:48 | 0:52:52 | |
Did you kill Beryl Evans? | 0:52:52 | 0:52:54 | |
I have an idea that I strangled Mrs Evans, yes. | 0:52:58 | 0:53:02 | |
What about the baby? | 0:53:08 | 0:53:09 | |
Let me assure you, Inspector, | 0:53:16 | 0:53:20 | |
that I've absolutely no idea | 0:53:20 | 0:53:25 | |
what happened to the Evans' baby. | 0:53:25 | 0:53:28 | |
I do not recollect seeing it on the Tuesday or any time afterwards. | 0:53:28 | 0:53:34 | |
KEYS JANGLE | 0:53:47 | 0:53:48 | |
DOOR IS UNLOCKED | 0:53:48 | 0:53:50 | |
Good morning. | 0:53:53 | 0:53:55 | |
It's all there. They're saying you killed the baby. | 0:53:58 | 0:54:03 | |
I don't believe I did, | 0:54:05 | 0:54:07 | |
but if I did, it would just confuse matters to say so... | 0:54:07 | 0:54:14 | |
..when they've already hanged a man. | 0:54:16 | 0:54:19 | |
Even so, the jury'll have you hung, drawn and quartered | 0:54:19 | 0:54:21 | |
before you can so much as set foot into that courtroom. | 0:54:21 | 0:54:24 | |
It's a question of cognisance and culpability. | 0:54:24 | 0:54:28 | |
I have a preponderancy to blackouts, and so say the finest medical minds. | 0:54:28 | 0:54:33 | |
Without cognisance there can be no culpability. | 0:54:36 | 0:54:40 | |
You can't hang a man who's not in charge of his faculties. | 0:54:40 | 0:54:44 | |
Can I have my glasses back, please? | 0:54:46 | 0:54:48 | |
DOOR IS LOCKED | 0:54:55 | 0:54:56 | |
CLAMOURING | 0:55:02 | 0:55:05 | |
John Reginald Halliday Christie, | 0:55:09 | 0:55:13 | |
the jury find you guilty of the murder of your wife, | 0:55:13 | 0:55:16 | |
Ethel Christie. | 0:55:16 | 0:55:18 | |
From here you will be taken to a place of execution | 0:55:18 | 0:55:21 | |
and hanged by the neck until you are dead. | 0:55:21 | 0:55:25 | |
May the Lord have mercy on your soul. | 0:55:25 | 0:55:28 | |
Tell them you killed Geraldine! Tell them my son was innocent! | 0:55:28 | 0:55:33 | |
Is there anything else you want to tell me, Reginald? | 0:55:36 | 0:55:39 | |
What time is it? | 0:55:51 | 0:55:52 | |
Almost nine. | 0:55:53 | 0:55:55 | |
It can't be. | 0:55:57 | 0:55:58 | |
Do you want to confess now? | 0:56:00 | 0:56:02 | |
Will it help me? | 0:56:05 | 0:56:07 | |
I'm sorry... | 0:56:23 | 0:56:25 | |
..for Ethel. | 0:56:28 | 0:56:29 | |
And the others? | 0:56:32 | 0:56:33 | |
It might help if you could say their names. | 0:56:37 | 0:56:40 | |
Ruth. | 0:56:43 | 0:56:44 | |
Muriel. | 0:56:52 | 0:56:53 | |
Rita. | 0:56:58 | 0:57:00 | |
Kathleen. | 0:57:02 | 0:57:04 | |
Hectorina. | 0:57:07 | 0:57:08 | |
And Beryl. | 0:57:17 | 0:57:19 | |
SHOUTING FROM OUTSIDE | 0:57:24 | 0:57:25 | |
And the baby? | 0:57:25 | 0:57:26 | |
Geraldine? | 0:57:28 | 0:57:31 | |
BANGING ON DOOR | 0:57:31 | 0:57:32 | |
That was all. | 0:57:34 | 0:57:35 | |
Are you sure? | 0:57:36 | 0:57:38 | |
DOOR OPENS | 0:57:38 | 0:57:41 | |
SHOUTING AND JEERING CONTINUES | 0:57:41 | 0:57:45 | |
HE PANTS | 0:58:05 | 0:58:06 | |
HE YELPS | 0:58:09 | 0:58:10 |