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This programme contains some violent scenes and scenes which some viewers may find upsetting. | 0:00:02 | 0:00:08 | |
All you young soldiers, next week, we shall have cavalry. | 0:00:08 | 0:00:11 | |
Horses which will run and cannon which will fire! | 0:00:11 | 0:00:14 | |
We at the Manby Emporium, we never shall rest | 0:00:17 | 0:00:20 | |
to bring you children joy. | 0:00:20 | 0:00:22 | |
HE COUGHS | 0:00:25 | 0:00:28 | |
Nice and tight now. | 0:00:28 | 0:00:29 | |
They will not deny us their patent this time. | 0:00:30 | 0:00:33 | |
Oh, no, not for you, my beauty. | 0:00:33 | 0:00:38 | |
Let's see how this one does, eh? | 0:00:51 | 0:00:53 | |
HE CHUCKLES | 0:00:53 | 0:00:55 | |
You'll see. | 0:00:55 | 0:00:56 | |
Come on, out me way. Go on, go on. | 0:01:00 | 0:01:03 | |
Wish me luck, boy. | 0:01:11 | 0:01:12 | |
Toymaker. Found this morning in an alley off the High Road. | 0:02:50 | 0:02:53 | |
Dead man in Whitechapel - the world chokes on its breakfast. | 0:02:53 | 0:02:56 | |
It is our work, Captain. | 0:02:56 | 0:02:57 | |
It is yours, Reid. Me, I have other matters to attend to. | 0:02:57 | 0:03:00 | |
Hanging off a tart's tit? | 0:03:00 | 0:03:02 | |
Don't knock it till you've tried it, Sergeant. | 0:03:02 | 0:03:04 | |
Reid, I'm serious, I'm not... | 0:03:04 | 0:03:07 | |
Reid, what is this? | 0:03:12 | 0:03:13 | |
A 63-year-old man. | 0:03:15 | 0:03:16 | |
Series of wounds and fractures to the skull and jaw. | 0:03:16 | 0:03:19 | |
No. I mean this. | 0:03:19 | 0:03:21 | |
This is your new dead room. | 0:03:22 | 0:03:23 | |
Now, look here. | 0:03:26 | 0:03:27 | |
Curved indentations to the cheek and to the forehead. | 0:03:27 | 0:03:31 | |
Belt buckle. | 0:03:34 | 0:03:36 | |
Belt buckl-... | 0:03:36 | 0:03:37 | |
You see, now this is why I send for you. | 0:03:37 | 0:03:39 | |
What do you mean "mine"? | 0:03:39 | 0:03:41 | |
These are to the specification you described, is it not? | 0:03:41 | 0:03:45 | |
Now would you look here. Jaw flattened and the skull stoved in. | 0:03:46 | 0:03:50 | |
Hot water, too. | 0:03:52 | 0:03:54 | |
Your description was very precise. | 0:03:54 | 0:03:56 | |
It may well have been, Reid, but I was talking about | 0:03:56 | 0:03:58 | |
the John Hopkins in Baltimore, not a cop shop in East London. | 0:03:58 | 0:04:01 | |
Should we not aspire so high, you and I? | 0:04:05 | 0:04:08 | |
The mortis is set in. You'll have to wait to get in there. | 0:04:21 | 0:04:23 | |
This, though... | 0:04:26 | 0:04:27 | |
-Drake, a measuring tape. -Ah, drawer, top. | 0:04:29 | 0:04:32 | |
He has a name, this man. It's Manby. | 0:04:34 | 0:04:39 | |
And he has served the good children of this borough | 0:04:39 | 0:04:41 | |
a sight longer than you have whored through it. | 0:04:41 | 0:04:43 | |
Thank you, nurse. | 0:04:43 | 0:04:45 | |
-It's a small boot. -How small? | 0:04:51 | 0:04:53 | |
-Small. -Mr Reid, sir. The Vigilance Committee marches on us. | 0:04:53 | 0:04:59 | |
Reid, now, this room, I'm flattered, | 0:05:05 | 0:05:09 | |
but I have made no call to be deputised. | 0:05:09 | 0:05:12 | |
You would sooner return to your... | 0:05:12 | 0:05:14 | |
in-growing toenails and hawking snake oil? | 0:05:14 | 0:05:17 | |
Toenails and snake oil mean bread and whisky. | 0:05:17 | 0:05:19 | |
And how exactly do you intend to compensate for monies | 0:05:19 | 0:05:22 | |
left unearned, whilst I lead you from ignorance here? | 0:05:22 | 0:05:25 | |
Reid. | 0:05:29 | 0:05:30 | |
ANGRY COMMOTION | 0:05:33 | 0:05:36 | |
What's this, George Lusk? Finally decided on applying for uniform? | 0:05:44 | 0:05:49 | |
If matters weren't so grave, I'd be inclined to enjoy your comedy. | 0:05:50 | 0:05:53 | |
No, Inspector. | 0:05:55 | 0:05:56 | |
The men of Whitechapel do your job for you once more. | 0:05:56 | 0:06:00 | |
CROWD SHOUTS AGREEMENT | 0:06:00 | 0:06:01 | |
Thomas Gower. The lad what robbed and killed our toy seller. | 0:06:05 | 0:06:11 | |
CROWD JEERS | 0:06:11 | 0:06:13 | |
The Emergency Patrols were disbanded three month ago. | 0:06:14 | 0:06:18 | |
You vigilantes were stood down. | 0:06:18 | 0:06:20 | |
On whose say? | 0:06:20 | 0:06:22 | |
It's not for you to tell us | 0:06:22 | 0:06:23 | |
when we may organise, in defence of our community. | 0:06:23 | 0:06:26 | |
Better still, you thank us - | 0:06:26 | 0:06:28 | |
and consider yourself fortunate we bring a culprit across to ya. | 0:06:28 | 0:06:31 | |
I consider myself nothing of the kind when it comes to your presence | 0:06:31 | 0:06:34 | |
in this world, Lusk. | 0:06:34 | 0:06:35 | |
Now, this boy has done what you say, he will feel my outrage. | 0:06:35 | 0:06:39 | |
But I will not simply take YOUR word for it. Not you, Lusk. | 0:06:39 | 0:06:42 | |
Your own offences are as bad as the felons you hunt. | 0:06:42 | 0:06:45 | |
I don't ask you to. | 0:06:45 | 0:06:46 | |
These were found on the boy. | 0:06:49 | 0:06:50 | |
It's got its maker's mark on it. | 0:06:52 | 0:06:54 | |
And I have five witnesses saw him | 0:06:55 | 0:06:58 | |
leave the alleyway not two minutes before old Manby was come upon. | 0:06:58 | 0:07:01 | |
CROWD JEER | 0:07:01 | 0:07:03 | |
Names. Sworn statements. | 0:07:03 | 0:07:06 | |
That boy is to feel punishment. | 0:07:10 | 0:07:11 | |
He does not and we will string up every street Arab in the quarter | 0:07:11 | 0:07:17 | |
from the gaslights of the High Road! | 0:07:17 | 0:07:19 | |
CROWD JEERS | 0:07:19 | 0:07:21 | |
Get up! | 0:07:24 | 0:07:26 | |
Look at me, boy. | 0:07:31 | 0:07:32 | |
There's an army out there ready to roast you on their spit. | 0:07:34 | 0:07:37 | |
Look at him! | 0:07:37 | 0:07:38 | |
You see how a story emerges here that fits you for this crime? | 0:07:39 | 0:07:43 | |
I would be wary of this silence. | 0:07:53 | 0:07:55 | |
It may oblige me to send you to trial. | 0:07:55 | 0:07:58 | |
BOY SPITS | 0:07:58 | 0:07:59 | |
BOY CRIES OUT | 0:08:00 | 0:08:01 | |
DOOR SLAMS | 0:08:07 | 0:08:09 | |
Quiet in court. | 0:08:17 | 0:08:19 | |
The jury return with their verdict. | 0:08:20 | 0:08:23 | |
Boy's lawyer. Churches with my wife. | 0:08:27 | 0:08:30 | |
All rise! | 0:08:33 | 0:08:34 | |
How do you find the boy? | 0:08:44 | 0:08:46 | |
Guilty, your honour. | 0:08:48 | 0:08:50 | |
CHEERING FROM THE GALLERY | 0:08:50 | 0:08:51 | |
-WOMAN: -That'll teach ya! | 0:08:51 | 0:08:53 | |
My thanks to our jury for the speedy delivery | 0:08:53 | 0:08:56 | |
of sound verdict. | 0:08:56 | 0:08:58 | |
However, given the boy's barely comprehensible | 0:08:58 | 0:09:03 | |
and continued silence, | 0:09:03 | 0:09:05 | |
does counsel wish to speak for him | 0:09:05 | 0:09:07 | |
before I pass sentence on his guilt? | 0:09:07 | 0:09:09 | |
My Lord, I do. | 0:09:10 | 0:09:12 | |
This is a child stood here. | 0:09:14 | 0:09:16 | |
I would hope that you might recognise that as an opportunity | 0:09:16 | 0:09:20 | |
to assert the sanctity of that childhood and to be merciful. | 0:09:20 | 0:09:24 | |
This boy and the others like him | 0:09:24 | 0:09:26 | |
who we would blame for the violence on our streets, | 0:09:26 | 0:09:29 | |
it is not they who we should punish, | 0:09:29 | 0:09:31 | |
but the Fagins who stand behind them, directing that violence. | 0:09:31 | 0:09:34 | |
These innocents, we should protect. | 0:09:34 | 0:09:36 | |
You would urge an attempt at reformation? | 0:09:36 | 0:09:40 | |
I would. | 0:09:40 | 0:09:41 | |
Reformation be damned, Mr Eagles. | 0:09:41 | 0:09:44 | |
This child, we shall make an example of him. | 0:09:45 | 0:09:49 | |
No, my Lord, please! | 0:09:52 | 0:09:54 | |
He is 14 years old and admits nothing of this crime. | 0:09:54 | 0:09:57 | |
-VOICES FROM THE GALLERY: -Yeah! | 0:09:58 | 0:10:01 | |
Thomas Gower. | 0:10:04 | 0:10:05 | |
Three days hence, you will be taken to the gallows at Newgate, | 0:10:06 | 0:10:10 | |
where Mr Berry will deliver you | 0:10:10 | 0:10:13 | |
from this life and into the next. | 0:10:13 | 0:10:16 | |
CHEERING FROM THE GALLERY | 0:10:16 | 0:10:18 | |
Mrs Manby. | 0:10:26 | 0:10:27 | |
Inspector. I would thank you for your diligence and speed. | 0:10:27 | 0:10:31 | |
You and Mr Lusk, here. | 0:10:31 | 0:10:34 | |
You serve my husband and his memory well. | 0:10:34 | 0:10:37 | |
Inspector? | 0:10:37 | 0:10:39 | |
The boy is of tender years. The sentence... | 0:10:39 | 0:10:42 | |
..immoderate or apt? | 0:10:43 | 0:10:45 | |
My duty was to fetch the lad here. | 0:10:45 | 0:10:47 | |
All else is for greater men than I to settle. | 0:10:47 | 0:10:49 | |
Shame! Shame on you! You fetch a child to his murder, | 0:10:49 | 0:10:52 | |
wash your hands of him and call your duty served? | 0:10:52 | 0:10:55 | |
-Shame on you! Shame! -Get out of here, Miss. | 0:10:55 | 0:10:57 | |
SHE SHOUTS IN YIDDISH | 0:10:57 | 0:10:58 | |
Justice may not make friends, Reid. | 0:10:58 | 0:11:00 | |
I will not be silent! I will not! | 0:11:00 | 0:11:02 | |
Is the Jewess on your ticket, is she? | 0:11:03 | 0:11:05 | |
I know her not, though she is of my mind. | 0:11:05 | 0:11:08 | |
Then shall I ask my Sergeant to return her, | 0:11:08 | 0:11:10 | |
so I may remind you both of the facts here? | 0:11:10 | 0:11:12 | |
That this condemned boy was brought to you beaten blue by his captor? | 0:11:12 | 0:11:16 | |
No, Mr Eagles. That the victim's belongings were about him, | 0:11:16 | 0:11:20 | |
-that five men saw him depart the scene at some speed soon after... -Though none saw the act... | 0:11:20 | 0:11:23 | |
..that this boy is no stranger to violence. | 0:11:23 | 0:11:26 | |
And that finally, when presented with the opportunity, | 0:11:26 | 0:11:29 | |
he even now refuses to deny it. | 0:11:29 | 0:11:31 | |
Lusk and his hamheads have served an entire hymnal of guilt | 0:11:31 | 0:11:34 | |
and the world has sung from it. | 0:11:34 | 0:11:36 | |
Mr Reid, you are no stranger to the horrors of our city. | 0:11:36 | 0:11:39 | |
But have they poisoned your heart | 0:11:39 | 0:11:41 | |
so completely that you truly believe this boy - this boy alone - | 0:11:41 | 0:11:44 | |
capable of the savagery brought down on that man? | 0:11:44 | 0:11:47 | |
It's finding this boy's master that will bring true peace | 0:11:47 | 0:11:50 | |
to our streets, Inspector. | 0:11:50 | 0:11:52 | |
I will do what I can still, but Thomas Gower will hang. | 0:11:52 | 0:11:55 | |
Would you look me in the eye and say you rest easy with that? | 0:11:56 | 0:11:58 | |
Get out of here. Get out of here! | 0:12:25 | 0:12:26 | |
These young that riot here, Lusk will use their violence | 0:12:37 | 0:12:39 | |
to justify his place on our streets. | 0:12:39 | 0:12:41 | |
And respect for badge and uniform suffer further, sir. | 0:12:41 | 0:12:44 | |
Oi! | 0:12:46 | 0:12:48 | |
Oi! | 0:12:48 | 0:12:49 | |
BOYS SHOUT | 0:12:49 | 0:12:51 | |
BOYS LAUGH | 0:12:51 | 0:12:53 | |
Oi! | 0:12:55 | 0:12:56 | |
Not so fast now, are ya? Eh? | 0:12:58 | 0:13:01 | |
Wait. This name on your knuckles, what does that stand for? | 0:13:01 | 0:13:04 | |
Do you know Thomas Gower? | 0:13:04 | 0:13:05 | |
Tom Gower? Of course I do and he'll never squeal on us, neither! | 0:13:05 | 0:13:09 | |
Aargh! | 0:13:09 | 0:13:10 | |
BOYS LAUGH | 0:13:10 | 0:13:12 | |
Vicious little runt! | 0:13:12 | 0:13:13 | |
What do you make of those markings? What is that? | 0:13:15 | 0:13:17 | |
A brotherhood? A gang? | 0:13:17 | 0:13:19 | |
Been gangs on these streets as long as there's been horse muck on them. | 0:13:20 | 0:13:23 | |
They're not near as young and savage as these. | 0:13:23 | 0:13:25 | |
Then their hands must be guided by another. | 0:13:25 | 0:13:28 | |
I would not tell him so, but there is something in Mr Eagles' | 0:13:30 | 0:13:33 | |
position I might lean toward. | 0:13:33 | 0:13:34 | |
We are to choke this boy now. But before we do, | 0:13:36 | 0:13:38 | |
I would have a broader picture painted as to what and why. | 0:13:38 | 0:13:41 | |
Find Captain Jackson. Bring him back to the dead room. Tell him... | 0:13:41 | 0:13:44 | |
Tell him I would have a more intimate study of our fellow, Manby. | 0:13:45 | 0:13:48 | |
KNOCKING ON DOOR | 0:13:52 | 0:13:54 | |
Good evening to you. | 0:14:00 | 0:14:02 | |
God sends his confections for the poor boys what's incarcerated here. | 0:14:02 | 0:14:06 | |
This way, sir. | 0:14:14 | 0:14:15 | |
Now, you tell me should any other come visit my boy. | 0:14:27 | 0:14:31 | |
I will, sir. | 0:14:31 | 0:14:32 | |
All right, Tom. | 0:14:41 | 0:14:43 | |
You must be strong in your silence, lad. | 0:14:44 | 0:14:46 | |
TOM CRIES | 0:14:49 | 0:14:52 | |
Rose, what... | 0:15:07 | 0:15:09 | |
Sergeant Drake bid me wake you. | 0:15:09 | 0:15:10 | |
I've been looking for you all night. | 0:15:12 | 0:15:14 | |
I should have thought to search the gutters. Where you been? | 0:15:14 | 0:15:17 | |
I don't know. | 0:15:37 | 0:15:38 | |
Get up! | 0:15:38 | 0:15:39 | |
We cannot open it. | 0:15:52 | 0:15:53 | |
Thoughts? | 0:15:55 | 0:15:57 | |
Cigarettes? Vanity case? | 0:15:57 | 0:15:59 | |
Murdered for that and tuppence ha'penny. No. | 0:15:59 | 0:16:02 | |
We're getting inside there any time soon? | 0:16:04 | 0:16:06 | |
We must be thorough, I suppose. | 0:16:07 | 0:16:09 | |
Drink this. | 0:16:09 | 0:16:11 | |
What's in that, Reid? | 0:16:18 | 0:16:19 | |
Various. Magnesia for the heartburn. | 0:16:19 | 0:16:21 | |
Rum. Sugar syrup. Cocaine. | 0:16:21 | 0:16:23 | |
Well, thank you. | 0:16:23 | 0:16:24 | |
I'd have you happy in your workplace. | 0:16:24 | 0:16:26 | |
JACKSON YELLS | 0:16:30 | 0:16:31 | |
-You have a bite-block, Reid? -I do. I do. | 0:16:31 | 0:16:33 | |
Ratcheted. | 0:16:33 | 0:16:35 | |
Well, look at you. | 0:16:35 | 0:16:36 | |
Huh. | 0:16:45 | 0:16:47 | |
What? What is it? | 0:16:47 | 0:16:49 | |
Take a look for yourself. | 0:16:49 | 0:16:50 | |
His tongue is cut out! | 0:16:52 | 0:16:53 | |
There's more in there than that, Reid. | 0:16:54 | 0:16:57 | |
Dental restorations. | 0:17:00 | 0:17:02 | |
Gold dental restorations. | 0:17:02 | 0:17:04 | |
We're told the boy's motive was theft, are we not? | 0:17:05 | 0:17:07 | |
He cuts the man's tongue out, yet disdains a year's worth | 0:17:09 | 0:17:12 | |
of picked pockets sat right in his face. | 0:17:12 | 0:17:14 | |
This was no smash and grab. | 0:17:16 | 0:17:17 | |
There is a wider purpose here. | 0:17:17 | 0:17:19 | |
Make good what you have done. | 0:17:19 | 0:17:21 | |
Whatever you say, Reid. | 0:17:22 | 0:17:24 | |
This matter of being dead - tell me it ain't all bad. | 0:17:32 | 0:17:35 | |
Always been a Manby on this street? | 0:17:40 | 0:17:42 | |
My day, it was her old man. | 0:17:42 | 0:17:44 | |
He didn't want the shop front changed. | 0:17:44 | 0:17:47 | |
She kept her name, husband took hers. | 0:17:47 | 0:17:49 | |
Took both daughter and business for his own. | 0:17:49 | 0:17:51 | |
What do you recall of the father? | 0:17:51 | 0:17:53 | |
Only that he'd see me and my kind off, if we loitered too near. | 0:17:53 | 0:17:57 | |
A version of Gower's luck was yours, too? | 0:17:57 | 0:17:59 | |
Well, his ill manner and ignorance, certainly. | 0:17:59 | 0:18:02 | |
Drew the line at murder, however. | 0:18:02 | 0:18:04 | |
Perhaps the recruiting sergeants were the saving of you, Bennett. | 0:18:04 | 0:18:07 | |
Perhaps they were, sir. | 0:18:07 | 0:18:09 | |
KNOCKING ON DOOR | 0:18:09 | 0:18:11 | |
Early in the day to be disturbing so recent a widow, Inspector. | 0:18:13 | 0:18:17 | |
Early in the day to have stopped with her, Lusk. | 0:18:17 | 0:18:19 | |
Should those sewer rats seek reprisal, | 0:18:19 | 0:18:22 | |
the widow knows she cannot rely on you for protection. | 0:18:22 | 0:18:25 | |
She can look to us for questions, however, and provide answers. | 0:18:25 | 0:18:28 | |
Your part in this matter is played, yet still you investigate? | 0:18:29 | 0:18:33 | |
What questions would those be, Mr Reid? | 0:18:34 | 0:18:38 | |
Excuse us, Ma'am. | 0:18:38 | 0:18:40 | |
As to what connected your husband with this child. | 0:18:40 | 0:18:43 | |
Her loved husband's murder connected them, Reid! | 0:18:43 | 0:18:46 | |
And that boy is under key and condemned for it. | 0:18:46 | 0:18:48 | |
Mrs Manby, do you know what these are? | 0:18:49 | 0:18:52 | |
They are patent applications. | 0:18:53 | 0:18:55 | |
Such matters are costly. | 0:18:55 | 0:18:56 | |
They are four pounds for every filing and there are many. | 0:18:56 | 0:19:00 | |
I'm not sure your profits, given the volume, | 0:19:00 | 0:19:02 | |
would have stretched sufficiently. | 0:19:02 | 0:19:04 | |
Where do you suppose he found the wherewithal? | 0:19:04 | 0:19:06 | |
He wouldn't take from my daddy's till. Not never. | 0:19:08 | 0:19:11 | |
Then, do you see? | 0:19:12 | 0:19:14 | |
I must ask myself from whom he took the loan of it. | 0:19:14 | 0:19:17 | |
If he'd only speak, that boy could tell us, I'm sure. | 0:19:17 | 0:19:21 | |
Have you lost the last of your Scotched brains? | 0:19:53 | 0:19:57 | |
No. | 0:19:57 | 0:19:58 | |
I forensicate myself. | 0:19:58 | 0:20:01 | |
May a woman ask why? | 0:20:01 | 0:20:02 | |
If she swears to serenity. | 0:20:02 | 0:20:05 | |
You wait all morning to tell me that! | 0:20:06 | 0:20:09 | |
Why would you do that? | 0:20:09 | 0:20:10 | |
Because I knew how you'd react. | 0:20:10 | 0:20:13 | |
I told you when we sailed. I begged it of you. | 0:20:13 | 0:20:16 | |
Put it in the ocean. | 0:20:16 | 0:20:18 | |
How, now, would you prefer me to react? | 0:20:18 | 0:20:20 | |
Maybe as if the world has not, in fact, just ended. | 0:20:20 | 0:20:23 | |
An interested party gets their hands on that ring, | 0:20:23 | 0:20:25 | |
the end of the world's exactly what we are looking at, you and I. | 0:20:25 | 0:20:28 | |
Our life here? Finished. | 0:20:28 | 0:20:29 | |
All right, boys, let's see how we're doing. Jack? | 0:20:39 | 0:20:42 | |
Edmund. You are alive. | 0:20:46 | 0:20:49 | |
You are here so often these days, I have forgot how you look. | 0:20:49 | 0:20:52 | |
Then you come to remind yourself, do you? | 0:20:52 | 0:20:54 | |
Wanted a word with Mr Eagles. | 0:20:57 | 0:20:59 | |
Two minutes, Mr Reid. | 0:21:00 | 0:21:01 | |
-I should... -Emily. | 0:21:04 | 0:21:06 | |
These, er, places, will ever make me think of you. | 0:21:08 | 0:21:12 | |
The bells clanging, the faithful falling to their knees. | 0:21:13 | 0:21:16 | |
And you and I at home, | 0:21:18 | 0:21:20 | |
careless of God, abed in our sweat. | 0:21:20 | 0:21:23 | |
I would have those Sundays back. | 0:21:23 | 0:21:24 | |
Well, we live in different times now. | 0:21:26 | 0:21:28 | |
Once I had no need of church. | 0:21:32 | 0:21:34 | |
But now - coming here, speaking with Mr Eagles - I see that I do. | 0:21:34 | 0:21:37 | |
So do you, Edmund, if you'd only accept that she is dead. | 0:21:38 | 0:21:42 | |
What, Emily? What have you spoken to him of? | 0:21:42 | 0:21:44 | |
Mr Reid. Should I find you a ladle? | 0:21:48 | 0:21:51 | |
No! | 0:21:51 | 0:21:52 | |
No, Eagles. Not today. | 0:21:52 | 0:21:54 | |
I've a theory I would put to you - | 0:21:55 | 0:21:58 | |
how your boy might recover his voice. | 0:21:58 | 0:22:00 | |
I believe that tongue was taken as proof of the death itself. | 0:22:00 | 0:22:03 | |
It was Manby himself who was the aim of the assault, | 0:22:03 | 0:22:06 | |
not what was on his person. | 0:22:06 | 0:22:08 | |
We have enjoyed welcoming Mrs Reid at worship | 0:22:08 | 0:22:10 | |
and hope that the comfort she has found there | 0:22:10 | 0:22:12 | |
might be extended to yourself. | 0:22:12 | 0:22:14 | |
-Stay away from my wife, Eagles. -I simply ... | 0:22:14 | 0:22:16 | |
Take as fact that God's law holds no fear for me. | 0:22:16 | 0:22:19 | |
-WEEPING WOMAN: -Oh, my God. | 0:22:31 | 0:22:33 | |
They say it is a painless process. | 0:22:34 | 0:22:36 | |
Now, the executioner, Mr Berry, is a very clever man. | 0:22:36 | 0:22:39 | |
It takes a person's weight to establish | 0:22:41 | 0:22:43 | |
what length of rope they require. | 0:22:43 | 0:22:45 | |
Too long, they fall too far too fast | 0:22:47 | 0:22:49 | |
and the head comes clean off. | 0:22:49 | 0:22:51 | |
Too short and the neck is strangled, instead of dislocated. | 0:22:51 | 0:22:55 | |
-CHAPLAIN: -I say more than they... | 0:22:56 | 0:22:58 | |
There's not much of you, is there? | 0:22:59 | 0:23:01 | |
Wouldn't have thought you'd need much more than...ten foot. | 0:23:02 | 0:23:06 | |
Now, if it was you that ended that old man's life, I cannot say. | 0:23:13 | 0:23:17 | |
But this brotherhood you run with... | 0:23:17 | 0:23:19 | |
..you make a practice of cutting | 0:23:20 | 0:23:22 | |
men's tongues from their throats, do you? | 0:23:22 | 0:23:24 | |
What, boy? | 0:23:24 | 0:23:25 | |
It wasn't what he had on him, was it? | 0:23:28 | 0:23:30 | |
Manby himself was the target. | 0:23:30 | 0:23:31 | |
You must tell us who made him so. | 0:23:31 | 0:23:33 | |
Two days, Thomas. | 0:23:35 | 0:23:36 | |
I will stay beside you every hour until. | 0:23:36 | 0:23:39 | |
But this end awaits you... | 0:23:39 | 0:23:41 | |
unless you talk to us. | 0:23:41 | 0:23:43 | |
I have you. | 0:24:47 | 0:24:48 | |
What ring is it that you've lost? | 0:24:52 | 0:24:54 | |
Was it the one you wear about your neck? | 0:24:54 | 0:24:56 | |
I weren't eavesdropping. Promise. The whole house heard her. | 0:24:56 | 0:25:00 | |
Is it very valuable to you? | 0:25:02 | 0:25:04 | |
It belonged to a man that I knew. | 0:25:08 | 0:25:10 | |
A good friend. A, er... | 0:25:11 | 0:25:12 | |
..brother. | 0:25:14 | 0:25:15 | |
Dead now. | 0:25:16 | 0:25:17 | |
Mr Eagles! | 0:25:25 | 0:25:27 | |
Thomas? | 0:25:31 | 0:25:33 | |
Shh! It ain't safe here. | 0:25:33 | 0:25:35 | |
What do you mean? | 0:25:35 | 0:25:36 | |
Please. It ain't. | 0:25:36 | 0:25:38 | |
If you want me to tell you what I know, | 0:25:39 | 0:25:41 | |
you get that bluebottle and fetch me out of here. | 0:25:41 | 0:25:43 | |
You understand? | 0:25:43 | 0:25:44 | |
-I go to send word. -Mr Eagles, will I go to hell for this? | 0:25:45 | 0:25:49 | |
Your bravery will save you and all others who serve this man. | 0:25:49 | 0:25:53 | |
I will be back. And soon. | 0:25:53 | 0:25:54 | |
Ready them. | 0:26:09 | 0:26:11 | |
Mr Reid, sir! | 0:26:25 | 0:26:26 | |
From Mr Eagles, sir. | 0:26:27 | 0:26:28 | |
Have a Maria readied and despatched for Newgate. | 0:26:32 | 0:26:35 | |
Hobbs, you travel with them. You tell no-one, you keep him hid. | 0:26:35 | 0:26:38 | |
BOYS CHANT | 0:26:43 | 0:26:47 | |
Whoa! | 0:27:31 | 0:27:33 | |
HORSES WHINNY | 0:27:33 | 0:27:35 | |
The way's... The way's barricaded. | 0:27:40 | 0:27:42 | |
You, man! Stop! | 0:27:43 | 0:27:45 | |
Wait there, Thomas. | 0:27:45 | 0:27:46 | |
No, Thomas. You're to wait inside. | 0:27:47 | 0:27:49 | |
Thomas Gower! | 0:27:52 | 0:27:53 | |
The love we bear you. Does that not mean nothing to you? | 0:27:56 | 0:27:59 | |
Squeal, would ya? | 0:28:00 | 0:28:01 | |
Me and your brothers? | 0:28:02 | 0:28:03 | |
You know we cannot let you live now, Tom. | 0:28:04 | 0:28:07 | |
Hey? | 0:28:08 | 0:28:10 | |
You shall not take him. | 0:28:10 | 0:28:11 | |
You shall not! | 0:28:11 | 0:28:13 | |
Who is this man that stops me? | 0:28:15 | 0:28:17 | |
My name is Patrick Eagles. | 0:28:18 | 0:28:20 | |
You pass through me first. | 0:28:24 | 0:28:25 | |
You, run. | 0:28:27 | 0:28:28 | |
Mr Eagles, no! | 0:28:28 | 0:28:30 | |
Run. Thomas, run! | 0:28:30 | 0:28:31 | |
I'd know your name, sir, | 0:28:34 | 0:28:36 | |
before I crack your skull. | 0:28:36 | 0:28:37 | |
Now, Thomas. Go! | 0:28:38 | 0:28:39 | |
Go on. | 0:28:39 | 0:28:40 | |
I said I'd know your name. | 0:28:41 | 0:28:43 | |
Or do you give it only to the farm animals you lie with? | 0:28:43 | 0:28:45 | |
BOYS CHANT AND JEER | 0:28:47 | 0:28:50 | |
EAGLES GROANS | 0:28:50 | 0:28:51 | |
Inspector! Inspector! | 0:29:10 | 0:29:12 | |
Inspector Reid! | 0:29:14 | 0:29:15 | |
The streets sing with rumours of your folly. | 0:29:15 | 0:29:18 | |
Can it be true you've lost him? | 0:29:18 | 0:29:20 | |
Remember, Reid. Boys from gaslights. | 0:29:20 | 0:29:22 | |
Are you here on this earth to bring me to murder? | 0:29:22 | 0:29:25 | |
You keep the peace! | 0:29:25 | 0:29:26 | |
See how he loses command of the streets and now of himself? | 0:29:26 | 0:29:30 | |
Get your hands off me! | 0:29:30 | 0:29:31 | |
These children run riot over him. | 0:29:31 | 0:29:33 | |
The lawyer. | 0:29:41 | 0:29:43 | |
Signs signature - belt buckle. | 0:29:44 | 0:29:46 | |
Signs less so. | 0:29:46 | 0:29:48 | |
It's a ring. | 0:29:50 | 0:29:51 | |
-DRAKE: -Sir. | 0:29:51 | 0:29:53 | |
Look at me, Constable. | 0:29:59 | 0:30:00 | |
It is a fool who joins a fight he cannot win. | 0:30:01 | 0:30:04 | |
I would far rather have you here, alive talking to me, than otherwise. | 0:30:04 | 0:30:08 | |
Have you seen this man before? | 0:30:08 | 0:30:10 | |
Some kind of Scouser, I think. | 0:30:10 | 0:30:12 | |
Scouse!? | 0:30:12 | 0:30:14 | |
And he had these tattoos, Sir, all about his hands. | 0:30:14 | 0:30:17 | |
You know, picture cards. Like the youth has and a hundred more. | 0:30:18 | 0:30:21 | |
Who is this that brings his way of life to my streets? A usurer? | 0:30:23 | 0:30:27 | |
Who kills for monies left unpaid, then gulls and fits | 0:30:27 | 0:30:30 | |
young boys for his own violence. | 0:30:30 | 0:30:31 | |
And now hunts one such, before he'd tell us what he knows. | 0:30:31 | 0:30:34 | |
Then we must hunt Thomas Gower also, but faster and smarter. | 0:30:34 | 0:30:37 | |
Hobbs, you go to records. | 0:30:37 | 0:30:39 | |
We need to find somewhere that he might consider safe, as home. | 0:30:39 | 0:30:42 | |
You search every record and birth certificate of every family | 0:30:42 | 0:30:44 | |
-that might match his name. -Yes, sir. | 0:30:44 | 0:30:46 | |
Sergeant, get yourself to Newgate. | 0:30:46 | 0:30:48 | |
My guess is that ship's sprung a leak. | 0:30:48 | 0:30:50 | |
And I think I know where. | 0:30:50 | 0:30:51 | |
He's your brother. | 0:30:58 | 0:31:01 | |
His world - it starts and ends in the same place as yours does. | 0:31:01 | 0:31:07 | |
And yet you still can't find him. | 0:31:09 | 0:31:11 | |
Now... | 0:31:17 | 0:31:18 | |
..you get back out there, | 0:31:20 | 0:31:21 | |
and you return only should you have something of value to report. | 0:31:21 | 0:31:25 | |
Gower. Thomas. Years 1872 to '78. | 0:31:28 | 0:31:32 | |
You, there, I want a word with you! | 0:31:35 | 0:31:37 | |
Who is he? Who'd you tell? | 0:31:47 | 0:31:50 | |
Just a man. Like you. | 0:31:51 | 0:31:54 | |
Come to me with threats and violence. | 0:31:54 | 0:31:55 | |
-Name! -He never gave it. | 0:31:55 | 0:31:58 | |
Honest. See me for the coward I am. | 0:32:00 | 0:32:03 | |
I'd tell you if I knew. | 0:32:03 | 0:32:04 | |
I don't know why you all care so much about one boy. | 0:32:09 | 0:32:12 | |
One little Christ-killer. | 0:32:12 | 0:32:14 | |
What d'you call him? | 0:32:16 | 0:32:18 | |
Saw his little prick when we scrubbed him. He's cut. | 0:32:18 | 0:32:22 | |
It's a Jewboy you fight for. | 0:32:23 | 0:32:24 | |
-Well? -Nothing, sir. | 0:32:31 | 0:32:32 | |
Keep looking. | 0:32:32 | 0:32:35 | |
Throw out the Gentiles. | 0:32:35 | 0:32:37 | |
Jewish? | 0:32:37 | 0:32:39 | |
Mr Reid, sir. | 0:32:44 | 0:32:46 | |
I have him! | 0:32:48 | 0:32:49 | |
The orphanage off Castlemaine. | 0:32:53 | 0:32:55 | |
I have not seen him | 0:33:20 | 0:33:21 | |
since the day you delivered him to the hangman. | 0:33:21 | 0:33:24 | |
I don't know why you believe he would return. | 0:33:24 | 0:33:27 | |
Because he owes his name to you. | 0:33:27 | 0:33:29 | |
An English name. | 0:33:32 | 0:33:33 | |
It was an English world in which he hoped to survive. | 0:33:35 | 0:33:39 | |
He had none he was born with? | 0:33:39 | 0:33:40 | |
He might have. | 0:33:42 | 0:33:43 | |
The cruelty men found him, trapping rats for food in a railway yard. | 0:33:44 | 0:33:49 | |
He was eight and knew no parent to tell him it. | 0:33:50 | 0:33:53 | |
And you became that parent... | 0:33:53 | 0:33:55 | |
..that person to whom he may now turn. | 0:33:57 | 0:33:58 | |
Miss Goren, you will get word to me | 0:34:00 | 0:34:02 | |
should he come to you for refuge, will you not? | 0:34:02 | 0:34:04 | |
I will, Inspector. | 0:34:05 | 0:34:07 | |
Then I thank you. | 0:34:10 | 0:34:12 | |
She lies. Or she is soon to. | 0:34:20 | 0:34:23 | |
We wait. | 0:34:23 | 0:34:24 | |
No girls. Are you sure? | 0:34:52 | 0:34:53 | |
If there was, I would have enjoyed one. I checked. | 0:34:55 | 0:35:00 | |
I did not. | 0:35:00 | 0:35:02 | |
Listen to me! | 0:35:02 | 0:35:04 | |
That ring was on his fist | 0:35:04 | 0:35:05 | |
when he beat a man to death with it only last night. | 0:35:05 | 0:35:07 | |
He's an evil one. | 0:35:07 | 0:35:10 | |
You be wary. | 0:35:10 | 0:35:11 | |
You forget who we are? What we have done? | 0:35:11 | 0:35:14 | |
Get out! Get out! Don't come back here, till you have him! | 0:36:02 | 0:36:05 | |
Who is this that intrudes here? | 0:36:21 | 0:36:24 | |
Woman, how do you know where to find me? | 0:36:25 | 0:36:28 | |
I know many things. | 0:36:30 | 0:36:32 | |
How to make a man rich, for example. | 0:36:32 | 0:36:34 | |
You would serve me well. | 0:36:34 | 0:36:36 | |
-Serve you? -Indeed. | 0:36:36 | 0:36:39 | |
You make me equity partner in this here enterprise of yours, | 0:36:44 | 0:36:48 | |
you will feel our benefit. | 0:36:48 | 0:36:50 | |
You're touched or you're drunk... | 0:36:53 | 0:36:56 | |
..or you're both. | 0:36:59 | 0:37:00 | |
No, sir, I'm neither. | 0:37:01 | 0:37:03 | |
Imagine... | 0:37:03 | 0:37:05 | |
I bring my girls into your service. | 0:37:05 | 0:37:08 | |
Their, erm, encouragements, | 0:37:08 | 0:37:10 | |
inflame men to greater exploits at your tables. | 0:37:10 | 0:37:13 | |
Any losses you suffer will be recouped by way of the pointed | 0:37:15 | 0:37:19 | |
lust your briefly-enriched patrons exert upon the girls | 0:37:19 | 0:37:22 | |
who've aroused them so. | 0:37:22 | 0:37:23 | |
You are indeed... | 0:37:27 | 0:37:28 | |
..a woman. | 0:37:32 | 0:37:33 | |
And you're indeed a man. | 0:37:44 | 0:37:46 | |
Will you show me your tables? | 0:37:50 | 0:37:53 | |
Place a bet? | 0:37:53 | 0:37:54 | |
Perhaps we may rehearse our intentions a little. | 0:37:55 | 0:37:58 | |
The woman! Stop her! Stop her! | 0:38:43 | 0:38:46 | |
No, stop! | 0:38:58 | 0:38:59 | |
Steal from me, would you? | 0:39:02 | 0:39:04 | |
Let me think of what I shall take from you in return. | 0:39:04 | 0:39:08 | |
This pretty nose, perhaps? | 0:39:08 | 0:39:10 | |
GUNSHOT | 0:39:10 | 0:39:12 | |
-Drop that. -Drop her. | 0:39:15 | 0:39:17 | |
That ring is ours and she's mine. | 0:39:19 | 0:39:21 | |
This I give to you. | 0:39:26 | 0:39:28 | |
That's not enough. Not near. | 0:39:29 | 0:39:30 | |
Well, I guess we're at a pass, you and me. | 0:39:35 | 0:39:37 | |
We are. | 0:39:37 | 0:39:38 | |
Wait! Wait! Wait! Wait! | 0:39:42 | 0:39:45 | |
I have more to trade. I have, erm, information. | 0:39:46 | 0:39:50 | |
Valuable information about... | 0:39:50 | 0:39:51 | |
..Thomas Gower. | 0:39:54 | 0:39:56 | |
See, Sergeant, she goes to him. | 0:40:02 | 0:40:04 | |
Thomas, this will always be your home, but we must find an answer... | 0:40:09 | 0:40:13 | |
The answer may have found you. | 0:40:13 | 0:40:15 | |
You will not take him ... | 0:40:16 | 0:40:17 | |
I can keep him safe, Miss Goren. The street cannot. | 0:40:17 | 0:40:20 | |
-How is he called, this Scouse you hide from? -Please... -Carmichael. | 0:40:20 | 0:40:24 | |
..don't be rough with him, he's only a boy! | 0:40:24 | 0:40:26 | |
And you collect his debt for him? | 0:40:26 | 0:40:27 | |
-Debt, my arse. -Then what, Thomas? What work does he set you to? | 0:40:27 | 0:40:31 | |
WHISTLING | 0:40:31 | 0:40:32 | |
It's him! | 0:40:32 | 0:40:34 | |
CHILDREN CHANT | 0:40:34 | 0:40:36 | |
Upstairs. | 0:40:36 | 0:40:37 | |
THEY CHANT | 0:40:37 | 0:40:42 | |
Keep him hid. | 0:40:50 | 0:40:51 | |
Come now. Come. | 0:40:55 | 0:40:56 | |
Inspector! | 0:40:56 | 0:40:58 | |
A parlay, sir. | 0:41:04 | 0:41:05 | |
You have nowhere to go! | 0:41:08 | 0:41:11 | |
What is your aim here? | 0:41:23 | 0:41:24 | |
To have my boy returned where he belong | 0:41:27 | 0:41:29 | |
and then we can all go home, safe and warm. | 0:41:29 | 0:41:34 | |
If I choose to deny you this? | 0:41:34 | 0:41:36 | |
Do you have children, Inspector? | 0:41:41 | 0:41:44 | |
But if you do not, I pity you. | 0:41:45 | 0:41:49 | |
The love they bear you. You see this youth here? | 0:41:49 | 0:41:54 | |
No idea what that youth will do for me, do ya? | 0:41:56 | 0:41:58 | |
Own a grown man's savagery, for example. | 0:42:00 | 0:42:03 | |
I tell him to tear this place apart and everybody - | 0:42:05 | 0:42:09 | |
young and old - inside and they'll do it and they'll thank me. | 0:42:09 | 0:42:13 | |
Now, what manner of atrocity do you wish to be served here? | 0:42:16 | 0:42:22 | |
Will you give him up or no? | 0:42:23 | 0:42:24 | |
I will not. | 0:42:30 | 0:42:31 | |
His word will send you to the rope. | 0:42:31 | 0:42:33 | |
He is my prisoner and in my protection. | 0:42:33 | 0:42:36 | |
Then, at the time of my choosing, Inspector... | 0:42:38 | 0:42:41 | |
..we will end you all this night! | 0:42:42 | 0:42:45 | |
There will be nothing left to indicate who or what | 0:42:45 | 0:42:49 | |
took place here. | 0:42:49 | 0:42:51 | |
It will be my Passover! | 0:42:51 | 0:42:53 | |
And it will be on your head. | 0:42:56 | 0:42:57 | |
These walls and doors are sturdy enough. We are secure. | 0:43:08 | 0:43:11 | |
They are still not many, cannot stay outside for ever. All will be well. | 0:43:12 | 0:43:16 | |
Did you hear what the Inspector said? All will be well. | 0:43:17 | 0:43:21 | |
Perhaps if we ask him nicely, he may put you to your beds. | 0:43:21 | 0:43:26 | |
What do you think? | 0:43:26 | 0:43:27 | |
Which one is yours? | 0:43:47 | 0:43:49 | |
Head up, lad. | 0:44:23 | 0:44:24 | |
No good ever came from moping. | 0:44:25 | 0:44:26 | |
This one, Mr Lusk. | 0:44:44 | 0:44:45 | |
Thomas Gower. | 0:44:47 | 0:44:48 | |
You. To what end do you bother me? | 0:44:57 | 0:44:59 | |
I bring you news. | 0:44:59 | 0:45:00 | |
Which, if acted on, will bring you all you seek. | 0:45:00 | 0:45:03 | |
These children? Do you know where they have come from? | 0:45:09 | 0:45:13 | |
Not all, no. | 0:45:14 | 0:45:15 | |
If a girl, say, was brought to you and had perhaps lost | 0:45:20 | 0:45:25 | |
the memory of her home and her name, would you take her in? | 0:45:25 | 0:45:28 | |
I would, yes. | 0:45:29 | 0:45:32 | |
And I would hope that, in time, | 0:45:32 | 0:45:34 | |
her name, her memory, would return to her. | 0:45:34 | 0:45:36 | |
(Children...) | 0:45:38 | 0:45:40 | |
Men say some are born evil, others blameless. | 0:45:40 | 0:45:44 | |
The truth, in my experience, is simpler. They are mirrors - | 0:45:44 | 0:45:48 | |
as evil, or as innocent as the world that gives life to them. | 0:45:48 | 0:45:51 | |
And this world - I need not to tell you this, sir - this world is a wicked one. | 0:45:51 | 0:45:55 | |
Then why, why do you take on this burden of care? | 0:45:55 | 0:45:57 | |
I am a secular woman, Inspector. | 0:45:57 | 0:45:59 | |
I have seen too much of the truth of things to be otherwise. | 0:45:59 | 0:46:03 | |
But this of my faith I hold onto - | 0:46:03 | 0:46:06 | |
"Save but one life and you save the world entire." | 0:46:06 | 0:46:09 | |
What does this stand for, anyway? | 0:46:19 | 0:46:22 | |
I got some of me own, you know. | 0:46:25 | 0:46:27 | |
Came by it in Egypt. | 0:46:35 | 0:46:36 | |
In the army? | 0:46:36 | 0:46:38 | |
Holy man painted it - made offerings and prayers for me, | 0:46:39 | 0:46:42 | |
in his tent, in the desert. | 0:46:42 | 0:46:44 | |
Said it would let me sleep. | 0:46:45 | 0:46:47 | |
What d'you need 'em for? | 0:46:49 | 0:46:50 | |
Things I kept seeing. | 0:46:52 | 0:46:54 | |
Things I didn't want to see. | 0:46:55 | 0:46:57 | |
Fair dos, then. Your go. | 0:47:00 | 0:47:02 | |
Pictures mean different things. | 0:47:08 | 0:47:10 | |
King's a mugging, | 0:47:12 | 0:47:13 | |
Knave's a house-break. | 0:47:13 | 0:47:15 | |
No Queens? | 0:47:24 | 0:47:26 | |
Queen's a rape. | 0:47:27 | 0:47:28 | |
And Manby? Which is he? | 0:47:28 | 0:47:31 | |
We ain't supposed to take none their belongings. | 0:47:52 | 0:47:55 | |
Save for their tongues. | 0:47:55 | 0:47:56 | |
Save that. | 0:47:58 | 0:47:59 | |
He was ruining her. His inventions and his patent applications. | 0:48:17 | 0:48:22 | |
Had his hands in her Daddy's till, after all. | 0:48:22 | 0:48:25 | |
It wasn't a debt you were collecting, was it? | 0:48:25 | 0:48:27 | |
Carmichael is paid to have men killed...correct? | 0:48:27 | 0:48:32 | |
And he instructs you in the killing of them. | 0:48:32 | 0:48:35 | |
Their tongue cut clean to prove it. | 0:48:35 | 0:48:37 | |
-The wife paid. -All I knew, she wanted him gone. | 0:48:42 | 0:48:46 | |
CRASHING | 0:48:52 | 0:48:53 | |
-Out of your beds! Out of your beds! -Get in the corner! | 0:49:05 | 0:49:08 | |
BANGING | 0:49:11 | 0:49:12 | |
ORPHANS SCREAM | 0:49:12 | 0:49:14 | |
Down. Down. | 0:49:14 | 0:49:16 | |
-Sergeant. -Oi! | 0:49:17 | 0:49:19 | |
At them! | 0:49:32 | 0:49:33 | |
Get at them! | 0:49:34 | 0:49:36 | |
SCREAMING | 0:49:41 | 0:49:42 | |
Inspector! | 0:49:48 | 0:49:49 | |
How about it? | 0:49:49 | 0:49:50 | |
Me and you? | 0:49:50 | 0:49:51 | |
SCREAMING | 0:50:10 | 0:50:13 | |
Woman, you are dead! | 0:50:33 | 0:50:35 | |
Oi, Liverpool! | 0:50:39 | 0:50:41 | |
Stand aside for the Vigilance Men. | 0:50:41 | 0:50:43 | |
Thomas Gower?! | 0:50:48 | 0:50:49 | |
Where are you, boy? | 0:50:53 | 0:50:54 | |
It's time you came home, lad. | 0:50:59 | 0:51:00 | |
GUNSHOT | 0:51:03 | 0:51:05 | |
SCREAMING AND CRYING | 0:51:05 | 0:51:06 | |
Grab 'em. Quick! | 0:51:23 | 0:51:25 | |
I'll take that boy, now... | 0:51:37 | 0:51:39 | |
as recompense for my actions here. | 0:51:39 | 0:51:41 | |
And I will tell you what I told this man... | 0:51:43 | 0:51:46 | |
..that he is my prisoner and in my protection. | 0:51:47 | 0:51:49 | |
You think yourself above the law, you'd best start acting as such. | 0:51:54 | 0:51:58 | |
Come on, out! | 0:52:09 | 0:52:10 | |
Now, whatever has passed here, whatever we say of you, | 0:52:15 | 0:52:18 | |
that you were Carmichael's creature in all of this. We cannot be certain the courts will agree. | 0:52:18 | 0:52:22 | |
You get him away. Far away. | 0:52:22 | 0:52:24 | |
Go with him, Thomas. | 0:52:25 | 0:52:27 | |
Thank you, sir, he'll make a great little soldier. | 0:52:47 | 0:52:51 | |
His name's Sergeant Randall and you do as he says. | 0:52:58 | 0:53:01 | |
Now, I've told him you are 18. | 0:53:02 | 0:53:04 | |
The ship leaves Gravesend in the morning. | 0:53:04 | 0:53:07 | |
You're saving me? | 0:53:08 | 0:53:09 | |
No. I do no such thing. | 0:53:09 | 0:53:12 | |
Where you go to, all you've yet known will seem no more | 0:53:12 | 0:53:16 | |
than a Sunday fair. | 0:53:16 | 0:53:18 | |
Here. | 0:53:23 | 0:53:24 | |
In you get, lad. | 0:53:34 | 0:53:36 | |
Look sharp. | 0:53:36 | 0:53:37 | |
Carmichael's ring. | 0:53:42 | 0:53:43 | |
So I see. | 0:53:46 | 0:53:48 | |
And what perplexes me... | 0:53:51 | 0:53:53 | |
is that two years previous, there was a wire | 0:53:53 | 0:53:56 | |
from your Pinkerton brothers in Chicago. | 0:53:56 | 0:53:59 | |
The name sent to the constabularies of the known world - | 0:54:00 | 0:54:04 | |
"Search for a man, alive or dead," | 0:54:04 | 0:54:07 | |
and if you look here... | 0:54:07 | 0:54:10 | |
engraved in the inner is the very same name... | 0:54:10 | 0:54:14 | |
..Matthew Judge. | 0:54:16 | 0:54:18 | |
Tell me, | 0:54:21 | 0:54:22 | |
did you chance upon that name during your time with the Pinkertons? | 0:54:22 | 0:54:26 | |
No. | 0:54:29 | 0:54:30 | |
No, Reid. I can't really say that I have. | 0:54:31 | 0:54:34 | |
-I thought it worth asking. -Always worth that. | 0:54:36 | 0:54:39 | |
A sergeant's rate. Computed daily. | 0:54:42 | 0:54:44 | |
What I shall pay you for your services. Does it wash? | 0:54:47 | 0:54:50 | |
Do not dicker with me, Captain. You are of great service to me. | 0:54:54 | 0:54:59 | |
You have saved souls this past night. | 0:54:59 | 0:55:01 | |
But...do not think my curiosity, as to how you knew I needed such, | 0:55:01 | 0:55:05 | |
is easily put to bed. | 0:55:05 | 0:55:06 | |
Well, then, it washes. | 0:55:09 | 0:55:11 | |
Did you return that wire? | 0:55:18 | 0:55:19 | |
-From the Pinks. -Oh, I did. I did. | 0:55:21 | 0:55:24 | |
Told them the ring was recovered from a murderous kidsman. | 0:55:24 | 0:55:28 | |
And that if their Matthew Judge was anything, he was dead. | 0:55:28 | 0:55:32 | |
WOMAN SCREAMING HYSTERICALLY | 0:55:46 | 0:55:48 | |
You! I will haunt you and drag you to hell with me! | 0:55:50 | 0:55:56 | |
Go home, Sergeant. | 0:55:59 | 0:56:01 | |
Thank you, sir. | 0:56:04 | 0:56:05 | |
WHISPERED PRAYER | 0:56:19 | 0:56:23 | |
You pray for Mr Eagles. | 0:56:42 | 0:56:43 | |
It is a waste... A terrible waste. | 0:56:46 | 0:56:49 | |
It is not. | 0:56:49 | 0:56:51 | |
A child breathes that would not have. | 0:56:52 | 0:56:54 | |
Had Mr Eagles lived, many more would have come to thank him. | 0:56:54 | 0:56:57 | |
"Whoever saves one life, saves the world entire." | 0:57:00 | 0:57:03 | |
It is from the Talmud, I believe. | 0:57:09 | 0:57:12 | |
Emily, I know what you told Mr Eagles. You had no business doing so. | 0:57:20 | 0:57:25 | |
What am I to do, Edmund? | 0:57:26 | 0:57:28 | |
I mourn her. | 0:57:31 | 0:57:32 | |
And because you will not, I must do so alone. | 0:57:34 | 0:57:37 | |
Mr Eagles was kind to me. | 0:57:39 | 0:57:41 | |
He allowed me to speak of her. | 0:57:41 | 0:57:43 | |
To imagine her in heaven. | 0:57:45 | 0:57:47 | |
To imagine a life... beyond this pain. | 0:57:47 | 0:57:51 | |
-Would you deny me that? -I would take your pain. | 0:57:54 | 0:57:56 | |
I would amplify it a hundredfold and bear it for you every day of what remains of my life. | 0:57:57 | 0:58:02 | |
But...I cannot do what you ask. | 0:58:02 | 0:58:06 | |
You listen to me. You stay with me. | 0:58:14 | 0:58:17 | |
You stay alive. Stay alive. | 0:58:17 | 0:58:18 | |
You live. | 0:58:18 | 0:58:20 | |
You stay with me. | 0:58:20 | 0:58:22 | |
Please. | 0:58:22 | 0:58:23 | |
I will do anything. | 0:58:26 | 0:58:28 | |
Subtitles by Red Bee Media Ltd | 0:58:51 | 0:58:54 |