The King Came Calling Ripper Street


The King Came Calling

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This programme contains scenes which some viewers may find upsetting.

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..Two tributaries of humanity, but here, this pump,

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the signifier of that which unites all. All men made in one image.

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So I declare unto you that God is light,

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and in Him is no darkness at all.

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GROANING

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If we say that we have fellowship with Him

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and walk in darkness, we lie, and we do not tell the truth.

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That if we walk in the light, as He is in the light,

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then we have fellowship, one with another.

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MAN RETCHES

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HE GROANS

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Off him, you jackals and vermin!

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Help me, my guts.

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Stay away from the water. It is the King returned.

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King Cholera.

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I have sandwiches too.

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You are kind to me, Mrs Reid.

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I would take greater care of you, Kathleen,

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if you'd name the man who would work you and then punish you so.

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Kathleen?

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No, Mrs Reid.

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If you were you my friend, you wouldn't ask me this thing.

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You might at the least have prepared a picnic, Reid.

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Some German wine, perhaps.

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I do not come here to seduce, Inspector Ressler.

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-Well, then why, Reid?

-Hobbs!

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Six, sir!

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Elizabeth Jackson. You lay claim to her, do you not?

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Her dissected remains made landfall here. Blackfriars.

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On Corporation land. A case for the City Police.

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That makes her my case, not yours. You question this?

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That parts of her washed up here? No. Her provenance, however...

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-Provenance, Reid?

-Where she came from. Where she was butchered.

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Whether she is a Ripper victim at all.

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The lad shouted "six".

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-Yes, I heard.

-Six is the number I had painted on a sack of pig-flesh.

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It weighs the same as that package that washed up here.

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I have had numerous such packages dropped into the river

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at various intervals on both banks.

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Number six began its journey in Battersea.

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So this sack of pork has made its way five miles east of there?

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This river has strong currents, Mr Ressler.

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An eastward flow from the source, westward with the rise of the sea.

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The tide and time are apiece with the day of Miss Jackson's discovery.

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As this sack went into the river in Battersea, then so did she.

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But the Ripper cuts his swathe here. The City and the East.

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This woman is not such!

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No! No, she must be.

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This girl was diced, separated and put into the river

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in order to obscure her murder.

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The Ripper would have us sit up and pay heed, have men, men like you,

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Inspector, clamour to add your names to the tally of those who have wandered after him.

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-Inspector Reid!

-Whitechapel calls you back, Reid.

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-Inspector Reid!

-Forget your dismay, inspector.

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Have it from me and remember it well.

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You want no part of this parade.

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Inspector Reid, you must come immediately.

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-Morning to you.

-And to yourself.

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You are alone here?

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The world hides in fright when there's rumour of cholera.

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-But not yourself.

-No, sir. I make my home where men's fear lies.

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I fight it for them.

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Then you are welcome here.

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-The dead man is here?

-He is, sir.

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Mr Jackson and Mr Drake delivered him to us.

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You question whether his death is a matter for us?

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-It is a medical issue, is it not?

-If any more are dead, it'll be one of public order.

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Then should the water pumps be broken?

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Not until we confirm cholera.

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Its water keeps most of this populace above ground.

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We close the pumps, they'll be drinking from the river in a day.

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And the dead will line the streets.

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He's rigid. A spasm at the point of death.

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The jaw is locked, but...

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The gums are discoloured.

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The tongue's engorged.

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All the signs.

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You have word out enquiring after other choleroids?

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I do, sir. And nothing.

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Fouled his fine suit too.

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I was not here in '76, the last time the King cut his way through these streets.

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Sudan, sir. I missed that particular party.

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'75. I was in New Orleans when he came.

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Each town, each settlement. Men, women and child rotting.

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Food for flies.

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We must expect more, then?

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I'll get him open. Get you sure.

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He had no other effects on him?

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He was scavenged before they saw what he was.

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This is a financial paper. He's a City man.

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This may not be our problem.

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Indeed. But a news vendor has written here. An address, perhaps?

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We should cross to Corporation land, find his home,

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see if others there suffer or no.

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Reid, this is a whale, not a man. I'm going to need a hand in here.

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They say no infection may pass through it.

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Hobbs, the dead room requires an assistant. Go to Captain Jackson, see what he wants.

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You'll enjoy that, Hobbs.

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Yes, sir.

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Sergeant Artherton, I want all other men out where people can see them, not hiding in here.

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And any man found wearing a mask, I shall personally see them

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exposed to one of Mr Lister's bacteria.

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We'll not alarm these people by our absence.

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Kathleen, please, this man who sells you, sells you and beats you,

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you protect him and he will send you back here.

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You and twenty others like you.

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Perhaps he will, Mrs Reid.

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But a woman has to work to find food and lodging in this city.

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I work to find you that lodging.

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And will there be any that does not insist upon churching me every Sunday?

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Upon my knees, listing the sins I got on my back?

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RETCHING

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-Help me!

-Nurse!

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He's a big man, Hobbs.

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When I cut, he's liable to fall away some, you're going to help me.

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-Sir?

-See, the tissue must be drawn back...

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..to reveal the breastbone. Now, I need you to hold it.

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Now pull.

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Just peel the flesh back gently, evenly, while I cut.

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The breastbone is held in place by cartilage.

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We need to cut the lower jaw here.

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The breastbone comes...off.

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Pull the tongue and the trachea.

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And now to access where this man's killer lives.

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-And where's that, sir?

-The bowel, Hobbs.

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The bowel.

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We step out of our jurisdiction now, Sergeant. Tread carefully.

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DOGS BARK

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Ma'am.

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Money never begat courtesy, Bennet.

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No, sir.

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Excuse me. Could you tell me where this is delivered to?

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Delivered each morning.

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Our presence here marked. City Police, sir.

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Let them mark it.

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It's a German named Koch that saw them first.

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Grew them too.

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Cholera bacillus in a jar.

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Saw how it loved dirt and dank earth,

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how it lived to breed and spread in river basins.

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And how if your glass was strong enough...

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..you could actually see it in a man's gut.

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And do you see it, sir?

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No. No, Hobbs. I do not.

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Captain Jackson. Word comes from the dispensary, sir.

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-More dead?

-Not yet, sir. But many sick.

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If it's not cholera, then what? Find Reid, Hobbs.

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Number 26, sir. We'll take a look.

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You're Metropolitan Police and beyond your jurisdiction.

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I suffer no obligation to you.

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You will give us access.

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Or I shall take you where we shall find you your obligation.

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My thanks to you.

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Sir?

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Is she dead?

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No. Opium, Sergeant. Have a look around.

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Wake up, wake up.

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What?

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Ow, who are you?

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The police, wench, is who we are.

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-Whose lurk is this?

-Mine.

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The truth, toffer.

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-Mine in name. His in spending.

-His?

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Big man. Small eyes. Pink like a pig.

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-S'right.

-How's your health?

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-Well, my arm hurts, but apart from that...

-Cramps, vomiting?

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-No! Why?

-What's his name, the man that installs you here?

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-Winston. Algernon Winston.

-He was with you last night?

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He was. Raging all night about his head and his belly.

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-Place of work?

-I dunno. I swear it. Why would he tell me?

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I don't care to ask which Jew fills his pockets.

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-Then it's a bank?

-Course it's a bleeding bank!

-In the street?

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You ever walk him back there after a night on your back?

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New Inn. Huge black door.

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So where is he, then?

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He's cold clay, woman. As gone as your girlhood.

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Best find another fine suit to climb inside.

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Off your patch twice in a day, Reid?

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Put in for transfer?

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We'd need grander manners and blacker boots for that.

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-Aye, and a poker up our arseholes.

-What is it your pit-dog says?

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You enquire after my presence here, here's the reason for it.

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I've a resident of your square mile on my slab,

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-grey and stinking and every mark on him telling me cholera.

-Keep your voice down, man.

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-And keep your men off my manor.

-Hobbs?

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A message for you, sir. You're needed at the Eastern dispensary.

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What, Constable? Are there more?

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Don't think this forgotten.

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-WOMAN:

-Fetch a nurse. Fetch her quick.

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RETCHING

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BABY WAILS

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Emily?

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-Edmund?

-Are you sick?

-No, I am well.

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Then why are you here?

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-I was visiting.

-One of your women?

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Reid!

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-Mrs Reid.

-Captain.

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It spreads.

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-Indeed.

-Is it what we fear?

-Well, that depends on what you fear.

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The fat man, his insides have a story to tell.

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But that story ain't cholera.

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What else could afflict so many?

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I don't know.

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Then what...?

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What the hell is he doing here?

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Ressler, you have an insight into what is happening here.

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Now is your moment to tell me. Why do you follow us?

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I have others.

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Dead in such a way? How many?

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-Four in two days.

-Four! And you have kept this silent?

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A panic in the City! We close for business, New York makes a million in our place.

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And now the dead of Whitechapel flush you out.

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We have a contamination. But of what? From where?

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Ah, this hell! Hell rises up!

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They rave.

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Reid, one of mine. A waiter.

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The word was, he fled from the eating house he served,

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stripped in the street and gave himself to God's protection.

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You have heard of ergotism?

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-I'm with you.

-Ergotism?

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It is a fungal infection on the rye grain.

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It's milled into the food chain.

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Sustained exposure can lead to ravings and visions.

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Sssh, I need you to tell me how you feel.

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I burn, sir! My feet and my fingers are aflame!

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Burning sensation in the extremities.

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Medievals knew it as St Anthony's Fire.

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Reid, ergotism. The man on my slab,

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it doesn't account for the manner of his passing,

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the gastric collapse that preceded it.

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And yours the same?

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Puked and shat themself to death?

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Yes.

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Well, we have a start, Captain.

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-There is a test for ergotism, is there not?

-Ehlrich's reagent.

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-Ressler, you will bring your dead to my laboratory.

-Reid, I cannot simply...

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You can, you will!

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Captain Jackson will make comparison. We'll work on finding a bacteria

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-that unites these deaths. Tell us what we fight against.

-Very well.

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Sergeant Drake, you and I have interviews to conduct.

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We should learn from these, how they may have ingested this infection.

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Reid, I need you to bring me one.

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A body near death. I need to study how it take 'em.

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Go with him.

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What is this that strikes here, Edmund?

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I hope to find out. Go home, Emily.

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-I have appointments in town with possible sponsors...

-And I would have you safe

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and crossed off the roll of those I fear for.

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-Please, Emily, go home!

-You forget how my every day is,

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how I have feared for you,

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and how those fears have been proved accurate?

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I would do more with my life than sit by the fire

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in grief and anxiety.

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You dedicate your life to your service and at some sacrifice.

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All I ask is that you allow me the same.

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Boil your water, Emily. Eat nothing that has not been sealed.

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With me, Sergeant.

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Food?

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Jedzenie? Pic?

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Nothing? How long?

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Three, three days?

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I am sorry.

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RETCHING

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This contamination. We have Winston. Ressler has his dead.

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All this, it is the same affliction, but none yet die.

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And what should we learn from this, sir?

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I know not. Not yet.

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Sergeant Drake, have a Maria brought to the porter's exit.

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Sir?

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I think we have the Captain's case study.

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-What's your name?

-George.

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George. George, I have a mind to take you from here.

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-To where?

-To peace. Four walls, a bed.

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The devils that chase you will not find you there.

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It tests positive for ergotism.

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But that cannot be all.

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My husband.

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Dead some ten years now.

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I had not been told you were also bereaved.

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Yes.

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A daughter.

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I see.

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Hmm, you lose a girl,

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and come to me seeking the funds to house a hundred.

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He seems strong. He will fight.

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In which case, he is ideal.

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Any change in this man's temper, you call Captain Jackson.

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Inspector Reid!

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I...

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..bring out my dead.

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In our shelter, women would find care and compassion.

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And we would make them safe, Mrs Gable.

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And improve them also?

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If they seek to improve themselves, we will help them.

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Through prayer and their promise of chastity?

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Through whatever means they choose for themselves.

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No mention of their sin? On God's place in their redemption?

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Ma'am, I fear such emphasis will only turn them away in the fear

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that judgement and punishment await them.

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Mrs Reid...

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My husband was held as a good man.

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A good husband to myself.

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And how, our family made a point of saying,

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how unlucky we were not to be blessed with children.

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The imputation being how unlucky he was to find himself burdened

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with so barren a wife.

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Mrs Gable, I'm...I am deeply sorry for your trouble, but...

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Do you not wonder at the reason for this curse, hmm?

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At my husband and his prowling through your Whitechapel laneways.

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At the dripping pinchcocks with whom he lay

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and whose foulness he came home to put inside his wife.

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That man, this, this Ripper.

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I celebrated his judgement and his punishment.

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Please, Ma'am, I am not well.

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And I have no pity for you.

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I considered your proposal perhaps worthy of endowment.

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That indeed an institution where these women may come to see

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the sin and error of their ways might prove a corrective

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to their number on the streets. But instead you come here to insult me

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with your talk of compassion. For whores, Mrs Reid. For whores!

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I must...

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Are you all right, missus? Are you all right?

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-We have ergot.

-That can't be all.

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You think a cocktail?

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-Then this is not contamination by misadventure.

-It is poison.

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-Deliberately constructed.

-It does not act immediately.

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-There are those afflicted who have not eaten for days.

-It acts by accumulation.

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Seduction. The body absorbs it in increments, becomes weakened.

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Can't fight and then death follows.

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-Your men continue their survey of all afflicted?

-They do.

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-First results are inconclusive.

-There's a lot of gin.

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-And more than half are on the skillet.

-Skillet?

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Water and flour, in a stir.

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-And what is made with it?

-It is drunk, Mr Ressler,

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by those who cannot find nutrition elsewhere. Violence and persecution

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have driven them a thousand miles from their home.

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They choose these streets for safety and shelter, find murder and mayhem in their stead.

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And now they cannot eat, for fear that may kill them also.

0:25:060:25:08

Get these dead open. Find out what relationship the contents of their insides bear with each other.

0:25:100:25:14

There are many still live.

0:25:140:25:16

If you decipher this poison, they may remain so.

0:25:160:25:18

CHILD LAUGHS IN THE DISTANCE

0:25:280:25:31

LAUGHTER CONTINUES

0:25:410:25:42

LOUDER LAUGHTER

0:25:590:26:02

Bennet! Bennet, will you, will you do me a service?

0:26:150:26:19

-Name it, sir.

-Mrs Reid. I may not leave here at this time

0:26:190:26:23

but I would know she was...well.

0:26:230:26:25

It will be my pleasure, sir.

0:26:250:26:28

Drake. Take a turn past Tenter Street, as well, will you?

0:26:280:26:33

God!

0:26:360:26:38

GROANING

0:26:400:26:42

God help me!

0:26:420:26:43

So you boil all water. You eat nothing that cannot be heated first.

0:26:470:26:51

And nothing preserved or canned

0:26:510:26:53

that has not been made so in the last six months.

0:26:530:26:56

Thank you.

0:26:560:26:57

-And should you see Miss Rose...

-I'll keep her safe, Sergeant.

0:27:010:27:04

Don't worry.

0:27:060:27:07

Mrs Reid?

0:27:150:27:16

Mrs Reid?

0:27:320:27:33

Mrs Reid?

0:27:360:27:37

Mrs Reid, it's only me. It's Sergeant Drake.

0:27:410:27:44

Mrs Reid?

0:27:470:27:49

Mrs Reid?

0:27:500:27:51

You'll be all right.

0:28:010:28:02

His temperature soars. His pulse too.

0:28:200:28:23

Sir. Your name?

0:28:230:28:25

The name's Jackson.

0:28:250:28:27

And I am George.

0:28:270:28:29

It's good to know you, George.

0:28:290:28:31

No, sir. It is not. For I am a bad man.

0:28:320:28:36

George, there are none of us that are good.

0:28:360:28:40

Now, listen to me. I need you to tell me what you feel.

0:28:400:28:43

My guts, sir. They churn like they're full of nails.

0:28:440:28:47

What else? Do you burn?

0:28:470:28:49

Do you see things?

0:28:520:28:53

Yes, sir. Demons, that rise in me.

0:28:540:28:58

I would speak of my sins.

0:29:000:29:03

All men sin.

0:29:030:29:04

But none so bad as I.

0:29:060:29:08

Reid, is that preacher still lurking by your door?

0:29:080:29:11

They talk of the Ripper as if he was the first

0:29:120:29:15

to bring violence to a woman.

0:29:150:29:16

But I know that feeling, sir.

0:29:180:29:19

How they bend to a fist driven hard into their kidneys.

0:29:210:29:25

The fear in their eyes to see a knife at their throat.

0:29:250:29:28

My God, am I forsaken?

0:29:320:29:35

I'd wager so, brother. I'd wager so.

0:29:380:29:41

Name's George, Preacher.

0:29:430:29:44

George, my son.

0:29:470:29:49

Joy shall be in heaven over one sinner who have repenteth,

0:29:490:29:54

more than nine and ninety just persons who need no repentance.

0:29:540:30:01

GEORGE SPLUTTERS

0:30:010:30:03

Was anything learnt here?

0:30:090:30:11

I don't know. Get him to the lab.

0:30:110:30:13

-His eyes, they were conjunctival.

-And what of it?

0:30:150:30:18

-The other substance you look for could be some kind of heavy metal compound.

-Arsenic?

0:30:180:30:22

Perhaps. But how, how is it packaged and delivered to these men?

0:30:220:30:27

There's alum husks here. Lodged. Resisting digestion.

0:30:300:30:35

Alum? From unprocessed flour?

0:30:350:30:37

Skillet, most likely. A pie, perhaps.

0:30:370:30:39

And in these first men?

0:30:390:30:41

Bread. Much processed.

0:30:450:30:48

-Processed?

-Ground to the extreme.

0:30:480:30:50

All nutritional value removed from it. White bread.

0:30:500:30:53

-But still flour.

-Yes.

0:30:530:30:55

So this cocktail that our poisoner constructs is made, ground,

0:30:550:30:59

powdered and then milled into flour.

0:30:590:31:01

My God.

0:31:010:31:03

Skillet, pies, pastries, cakes.

0:31:030:31:06

It is in everything.

0:31:060:31:08

Run your tests, Captain, find what it is we face.

0:31:080:31:10

Fetch the Inspector. Tell him Mrs Reid is sick.

0:31:120:31:15

Get the inspector's bed out.

0:31:150:31:17

Help me with her head. That's it, that's it.

0:31:190:31:22

-How bad is it, Bennet?

-She'll be fine.

0:31:240:31:26

-She's a strong woman, sir.

-Please, bring towels and water.

0:31:290:31:32

Emily, we have you safe.

0:31:360:31:38

We have you safe.

0:31:400:31:41

And we apply ourselves to what will take this sickness from you.

0:31:410:31:44

The Marsh Test, gentlemen.

0:31:510:31:53

That shelf, if you please, Sergeant.

0:31:540:31:57

The brown bottle, sodium hypochlorite.

0:31:570:32:00

And pour me a glass, will you?

0:32:000:32:02

If this residue dissolves, it is arsenic.

0:32:060:32:09

-And if it does not?

-Then there is but one other.

0:32:090:32:11

-Reid, should you not be with her?

-I am no use to her there.

0:32:120:32:15

Well?

0:32:170:32:18

It is antimony. A fatal toxin.

0:32:250:32:29

In amalgam with ergot.

0:32:290:32:30

Such a death.

0:32:320:32:33

This man, he is an evil one.

0:32:330:32:36

Then we must find him, sir, and stop him.

0:32:360:32:39

Easy to say, Sergeant.

0:32:390:32:41

He may do his work at bakery, at mill, at wholesale.

0:32:410:32:44

-He may be in Dundee for all we know.

-No.

0:32:440:32:46

He will be hid in these streets somewhere.

0:32:460:32:48

Watching.

0:32:480:32:50

I know this type of man.

0:32:510:32:52

He wants his work seen.

0:32:540:32:55

MEN SHOUT OVER MACHINERY NOISE

0:33:160:33:21

Our pimp here gives up his life yesterday

0:33:410:33:44

and we must assume others also. Yet these...

0:33:440:33:48

..dead some 36 hours or more.

0:33:510:33:53

A breather between them and this.

0:33:530:33:56

Two waves of attack. The first, small. Five men.

0:33:560:33:59

The second wider, we know not how many, indecipherable.

0:33:590:34:02

Yet these, these first we may study.

0:34:020:34:05

They must show us the way to our poisoner. Mr Ressler,

0:34:050:34:08

you must have thought on the details of these men, commonalities that might bind them?

0:34:080:34:12

-I have, of course. But nothing.

-No. We do not allow nothing!

0:34:120:34:14

-There must be a connection!

-Reid, iodine in the cabinet.

0:34:140:34:18

-What are they doing now?

-If you don't know and I don't,

0:34:190:34:22

-sir, it's often best not to ask.

-First to last, if you please.

0:34:220:34:25

First to die, Mr Ressler.

0:34:270:34:29

Yes, erm, of course, um...

0:34:290:34:30

-First.

-Name?

0:34:320:34:34

Er, Dursley.

0:34:340:34:35

If I may?

0:34:430:34:44

Hackett.

0:34:460:34:48

Blackstone.

0:34:500:34:52

Grubb.

0:34:560:34:57

And Winston.

0:35:000:35:01

-Correlation?

-They made their living within Corporation Land.

0:35:080:35:11

-We are there already, Mr Ressler.

-Beyond that, nothing.

0:35:110:35:14

Dursley, a surgeon, practice on King William's Street.

0:35:170:35:21

Hackett, a clerk at Barings, third level.

0:35:210:35:23

Blackstone, a busboy at Sweetings restaurant.

0:35:230:35:26

Grubb, an under-manager at Lloyds of London.

0:35:260:35:29

This man, your man, name of Winston, a broker at Goldman's.

0:35:290:35:33

He lived within the square mile.

0:35:330:35:35

He, Marylebone, travelled by carriage.

0:35:350:35:38

Hackney, by omnibus. Stepney, also omnibus, different route, however.

0:35:380:35:43

Blackstone, your very own Whitechapel,

0:35:430:35:46

took to his feet each day.

0:35:460:35:48

No sign or record they knew one another from a hole in Bishopsgate.

0:35:480:35:51

-Then we must look harder. Drake, do you have your map?

-Yes, sir.

0:35:510:35:54

Dursley, Grubb. Omnibus routes?

0:35:560:35:58

Dursley, Bethnal Green Road. Grubb, Whitechapel Road.

0:35:580:36:02

-Places of work?

-Here and here.

0:36:020:36:05

Mr Dursley could have disembarked here, sir,

0:36:050:36:07

cut down Commercial Street to his work.

0:36:070:36:10

-All roads lead to Whitechapel.

-Indeed and our waiter, Blackstone,

0:36:100:36:13

-on foot to Sweetings also.

-That doesn't wash, Reid.

0:36:130:36:16

These two, Winston and Hackett.

0:36:160:36:18

He in the square mile itself, he west of there.

0:36:180:36:21

-What would bring them here?

-What has always brought men here?

0:36:210:36:24

Captain, a hand lens.

0:36:300:36:32

In his rooms I found a sugar mixture, a knife, some muslin.

0:36:380:36:42

I thought it for his woman, but if you remember, she was a blonde.

0:36:420:36:46

And naturally so. The remaining hair on the muslin was dark.

0:36:460:36:49

-He strips himself?

-On his chest, yes.

0:36:490:36:52

His legs are also stripped so.

0:36:540:36:56

You're asking yourself, does this man like to play a lady?

0:36:560:37:00

This man, Hackett, I found something...irregular in his gut.

0:37:000:37:05

-What?

-Semen.

0:37:050:37:08

And you thought not to say!

0:37:080:37:10

Well, it had no relevance.

0:37:100:37:12

Look, whatever raises another man's flag is no business of mine.

0:37:120:37:15

Mr Ressler, whether these two played backgammon together or no,

0:37:150:37:19

it is a current upon which they both float.

0:37:190:37:22

Ready a carriage for Winston's apartments.

0:37:220:37:24

We shall pick it clean for anything which speaks of these desires.

0:37:240:37:27

And we may have our link.

0:37:270:37:29

You know what this is. Can it be stopped?

0:37:380:37:42

In a body that's recently ingested its first dose,

0:37:440:37:47

an enema or lavage might remove it, but beyond that,

0:37:470:37:52

Reid, you've seen this for yourself. It does not kill in one strike.

0:37:520:37:55

A strong body might fight it off.

0:37:550:37:57

For those of who it has already taken its grip,

0:37:570:38:00

science, medicine, they only take you so far.

0:38:010:38:04

And then they drop you like a stone.

0:38:040:38:06

Captain, I only ask you this. Will you keep watch over Mrs Reid?

0:38:100:38:14

Consider it done.

0:38:150:38:16

Reid, your wife.

0:38:220:38:25

You have what men have always had.

0:38:270:38:29

What is that, Captain?

0:38:290:38:31

Hope.

0:38:310:38:32

Mr Reid, sir?

0:38:470:38:48

Word comes from the dispensary. And the London as well.

0:38:510:38:53

They start to die.

0:38:550:38:57

God of all creation, send forth your power to heal these afflicted.

0:39:020:39:08

You cleansed the lepers, gave sight to the blind

0:39:080:39:12

and by simple command empowered the crippled to rise up and walk.

0:39:120:39:16

I know this bawdy house.

0:40:350:40:37

Mr Reid.

0:40:370:40:39

FALSETTO VOICE SINGS

0:40:410:40:45

APPLAUSE AND CHEERING

0:40:510:40:53

Police! Everybody, stay calm.

0:40:530:40:55

Sit, sit, sit, sit!

0:40:550:40:56

Everybody stay where they are and stay calm.

0:40:560:40:58

-This is no raid. This is no raid!

-Sit down!

0:40:580:41:01

Get your hands off!

0:41:010:41:04

Then calm your men!

0:41:040:41:06

Calm yours, madam!

0:41:060:41:07

You have my word. All this quarter know I prosecute no bawdy house.

0:41:070:41:11

-Even one such as mine?

-Even that.

0:41:110:41:14

Madam, there are two men I would seek your help in placing.

0:41:150:41:19

Mr Ressler, your likenesses.

0:41:190:41:21

Prepare yourself. They might have looked differently when they lived.

0:41:210:41:25

They visited here, yes.

0:41:280:41:31

-Regular?

-Lunchtime each day.

0:41:310:41:34

And you fed them, madam?

0:41:340:41:35

No, sir. This is no chop house.

0:41:370:41:41

The Molly House.

0:41:430:41:44

The Molly House.

0:41:460:41:48

Here. Mr Winston's work at Barings, Mr Hackett's - Goldman's.

0:41:480:41:53

So they find their lunch on their way back to their desks?

0:41:530:41:56

So we presume. I must take an interest in this section here,

0:41:560:41:58

where the routes are joined. Ressler, the omnibus stations you spoke of?

0:41:580:42:02

Dursley here. Grubb here.

0:42:020:42:05

And Blackstone, our waiter, his home and route?

0:42:050:42:08

Here to here.

0:42:080:42:09

This web of streets, a convergence where they meet.

0:42:100:42:14

-We walk these routes, then?

-We do.

0:42:140:42:16

We must find the place at which their lives intersected

0:42:160:42:19

and hope to learn from it why they are joined in death also.

0:42:190:42:22

Inspector! Look.

0:42:300:42:32

'A milling for new customers, Mrs Gable.

0:43:220:43:25

'A special batch.

0:43:250:43:26

The bakers of London will all soon be shouting our name, ma'am.

0:43:260:43:30

Hmm.

0:43:300:43:31

These can go, Harris. This way, ma'am.

0:43:320:43:34

'As you see, all is ever as it should be.

0:43:380:43:42

Yes, I can see as it ever should be.

0:43:420:43:45

It is you that insists on these inspections, not myself.

0:43:450:43:48

It is your mill, Ma'am.

0:43:480:43:50

It is ever important to us that you see what work we perform for you.

0:43:500:43:56

Of course. Lead on, Mr Claxton.

0:43:560:43:59

Lead on.

0:43:590:44:00

Good day, gentlemen.

0:44:030:44:05

Same time next week, Mr Claxton?

0:44:060:44:08

Of course, Mrs Gable.

0:44:080:44:09

You'll be ready, I'm sure.

0:44:090:44:11

-Ready as ever, Ma'am.

-Sergeant, no man leaves.

0:44:130:44:17

Inspectors Reid and Ressler, police. Your names and business here.

0:44:170:44:22

Flora Gable. I am proprietor.

0:44:220:44:24

Claxton. General manager.

0:44:240:44:26

Well, Mrs Gable, Mr Claxton, a batch of flour you sold went bad.

0:44:260:44:30

-Bad?

-Men died.

0:44:300:44:32

-This sickness?

-Yes, ma'am.

0:44:320:44:33

Mr Claxton, help these men.

0:44:360:44:37

Yes, of course. Please, come with me.

0:44:370:44:40

-The batches are all logged and recorded. You have the number?

-I do.

0:44:400:44:44

-The number, sir?

-Mr Ressler will give it to you.

0:45:000:45:02

Thank you, sir.

0:45:020:45:03

-This your office, Mr Claxton?

-It is, sir. Yes, sir.

0:45:090:45:12

-You install these cabinets yourself?

-If memory serves, sir.

0:45:170:45:21

Reid, every man likes a good cabinet, but is this quite the time?

0:45:220:45:26

Did you notice the dimensions of this room from without, when we entered?

0:45:420:45:46

It is a rectangle, Mr Ressler.

0:45:460:45:48

Now we are inside, how does it look?

0:45:530:45:56

-Like a cube, Reid.

-It does so.

0:45:560:45:59

Mr Ressler.

0:46:110:46:12

-MRS GABLE GASPS

-Reid!

0:46:310:46:33

I have worked hard, Mr Reid. And now, look,

0:46:360:46:39

it is synthesised as a liquid. Much faster in its actions.

0:46:390:46:44

An increased agony in death, also.

0:46:440:46:46

-Mrs Gable?

-Yes.

0:46:490:46:51

-Those papers on the desk.

-Yes.

0:46:510:46:53

Take them, please.

0:46:530:46:54

The steel bin at your feet. Drop them in there.

0:46:560:46:58

Those matches on the desk.

0:47:000:47:02

Strike them.

0:47:030:47:04

And burn the papers.

0:47:090:47:10

The delivery details.

0:47:150:47:16

If you please, we shall leave now.

0:47:180:47:20

MRS GABLE SCREAMS

0:47:270:47:29

Please, don't!

0:47:290:47:30

-Drake! Sergeant Drake!

-Mr Reid, sir!

0:47:370:47:40

-Stand your man down, Reid!

-Drake, he has the poison!

-Stay back!

0:47:400:47:44

Drake, you recall a conversation we had some while ago on John Stuart Mill and his philosophy?

0:47:440:47:48

-I do, sir. His principle of happiness.

-And do you recall what,

0:47:480:47:51

when faced with a choice, he held the proper course of action to be?

0:47:510:47:54

Whatever would lead to the greater well-being, sir.

0:47:540:47:57

Tell me where it is! Tell me where the rest of it is!

0:48:030:48:06

I will tell you nothing, nothing. Only this.

0:48:060:48:09

There is more, more even than before,

0:48:090:48:12

making its glorious way into this world this very moment.

0:48:120:48:17

-Reid!

-Your evil has poisoned my wife!

0:48:170:48:20

We'll get nothing if you kill him.

0:48:200:48:22

Not if I kill him immediately, no.

0:48:230:48:25

Get him strapped to a cot in our dead room.

0:48:480:48:50

-You are going to save lives, Claxton!

-No!

0:48:500:48:53

Edmund...

0:49:120:49:14

Edmund, I see her...

0:49:150:49:18

..our darling.

0:49:210:49:22

I see her aflame and in water.

0:49:240:49:28

You listen to me. You listen to me. You stay alive.

0:49:300:49:35

Stay alive. You live.

0:49:360:49:37

HE GASPS

0:49:460:49:50

Curious as to your interest, Mr Claxton.

0:50:100:50:13

That man. The Ripper.

0:50:160:50:20

His brutality.

0:50:220:50:23

How many? Seven? At most?

0:50:260:50:31

And his name, all set to haunt this city for a thousand years.

0:50:340:50:38

I have already tripled his score.

0:50:410:50:43

Think how long they'll talk of me.

0:50:470:50:49

They will talk of you to the same extent

0:50:570:51:00

they have the length of your life so far.

0:51:000:51:04

Precious little, I should think,

0:51:040:51:07

which may go some way to explain your need to make it otherwise.

0:51:070:51:11

Now, it is already abroad

0:51:110:51:13

that this was an accident, terrible,

0:51:130:51:17

but a contamination, not a poisoning.

0:51:170:51:20

Your employer, Mrs Gable, stands by to confirm this to all who ask.

0:51:200:51:24

You, Mr Claxton, will be quite, quite forgotten, I promise you.

0:51:240:51:30

But not by those whose loved ones are in our hospitals.

0:51:330:51:36

Not by you, eh, Mr Reid?

0:51:360:51:40

Not by you.

0:51:400:51:42

Nor by your wife.

0:51:420:51:43

Steady, sir, steady.

0:51:440:51:46

Captain Jackson.

0:51:530:51:54

My surgeon. He is American.

0:51:570:52:01

Now, which is the more urgent? The pain of your arm or the ergot

0:52:020:52:07

and antimony that sprint, even now, through your innards?

0:52:070:52:10

There's still time for you, I'd imagine.

0:52:180:52:20

Then, please, wash it from me.

0:52:210:52:25

Really?

0:52:250:52:26

Would you rather not have me examine this break?

0:52:280:52:30

No, no! HE SCREAMS

0:52:300:52:33

A pity for you that we have had a run on our stores of anaesthetic.

0:52:360:52:39

If you tell us where your last consignment is sent for,

0:52:390:52:41

we might find that after all, we have some spare.

0:52:410:52:45

Captain Jackson, how long before this toxin makes its way

0:52:450:52:48

-from gut to bloodstream?

-I shall never tell you.

0:52:480:52:50

My death shall join the great number I have put in this world.

0:52:520:52:55

Again.

0:52:580:53:00

HE SCREAMS

0:53:000:53:03

Until he tells you.

0:53:050:53:06

CLAXTON SOBS

0:53:060:53:09

Dearest Father of all mankind...

0:53:110:53:13

DISTANT SCREAMING

0:53:130:53:14

He has given it to you?

0:53:410:53:42

Yes, sir. Everything.

0:53:440:53:47

We have the delivery details, the batch number.

0:53:470:53:51

Thank you, Bennet.

0:53:510:53:52

Emily.

0:54:070:54:09

My own sweet Emily.

0:54:110:54:13

If you will only come back to me, I will, I will tell you.

0:54:150:54:19

I will tell you why I am the way I am and why I cannot mourn her...

0:54:210:54:25

..like you do.

0:54:290:54:30

Please.

0:54:360:54:38

I will do anything.

0:54:380:54:40

SHE MOANS SOFTLY

0:54:410:54:43

Emily! Emily! Emily!

0:54:430:54:45

Edmund, she was waving to me.

0:54:540:54:57

My darling was calling me on.

0:55:000:55:02

Mrs Reid.

0:55:240:55:26

You may have heard that the mill is to be sold.

0:55:300:55:33

I did.

0:55:350:55:36

Your first endowment.

0:55:450:55:46

More will follow on the first day of each and every month.

0:55:480:55:51

Without judgement,

0:56:010:56:03

without punishment and without God if need be?

0:56:030:56:07

As you would have it, Mrs Reid.

0:56:130:56:15

-Thank you.

-I must go.

0:56:240:56:26

You are fixed on this plan, then, despite all that has passed?

0:56:310:56:36

I am.

0:56:360:56:37

I am and with greater conviction.

0:56:400:56:42

Edmund, it was your will kept me alive those hours.

0:56:440:56:48

It is a powerful force.

0:56:480:56:50

Please do not set it against me.

0:56:530:56:54

Reid, I cannot help but think the man's further excesses,

0:57:110:57:16

his need to move beyond that initial batch...

0:57:160:57:19

Dozens have perished, your wife almost among them...

0:57:190:57:23

Had I not bowed to pressure to keep those bodies secret,

0:57:230:57:27

the public knowledge of those deaths

0:57:270:57:29

might have been enough to sate his madness.

0:57:290:57:32

Word of advice, Ressler. This work we perform,

0:57:320:57:35

it does not serve to look backward.

0:57:350:57:37

This city, wickedness will ever leave its spores here.

0:57:390:57:43

You and I, we are not magicians, we cannot see through walls

0:57:430:57:46

or into men's minds.

0:57:460:57:48

Dozens perished, but hundreds who were ill are now well once more.

0:57:480:57:53

We fight.

0:57:550:57:56

We fight with all the skills we may muster.

0:57:570:58:00

Beyond that, we may do no more.

0:58:000:58:03

Can you remember what it was brought you here?

0:58:150:58:18

His blood was shed all upon you.

0:58:180:58:19

What did you see?

0:58:210:58:23

'Tis my darkness.

0:58:230:58:24

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