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This programme contains scenes which some viewers may find upsetting. | 0:00:02 | 0:00:06 | |
..Two tributaries of humanity, but here, this pump, | 0:00:06 | 0:00:10 | |
the signifier of that which unites all. All men made in one image. | 0:00:10 | 0:00:15 | |
So I declare unto you that God is light, | 0:00:15 | 0:00:18 | |
and in Him is no darkness at all. | 0:00:18 | 0:00:21 | |
GROANING | 0:00:21 | 0:00:23 | |
If we say that we have fellowship with Him | 0:00:23 | 0:00:27 | |
and walk in darkness, we lie, and we do not tell the truth. | 0:00:27 | 0:00:30 | |
That if we walk in the light, as He is in the light, | 0:00:30 | 0:00:35 | |
then we have fellowship, one with another. | 0:00:35 | 0:00:39 | |
MAN RETCHES | 0:00:39 | 0:00:41 | |
HE GROANS | 0:00:46 | 0:00:47 | |
Off him, you jackals and vermin! | 0:00:57 | 0:00:59 | |
Help me, my guts. | 0:01:13 | 0:01:15 | |
Stay away from the water. It is the King returned. | 0:01:28 | 0:01:31 | |
King Cholera. | 0:01:34 | 0:01:36 | |
I have sandwiches too. | 0:02:33 | 0:02:34 | |
You are kind to me, Mrs Reid. | 0:02:39 | 0:02:41 | |
I would take greater care of you, Kathleen, | 0:02:42 | 0:02:44 | |
if you'd name the man who would work you and then punish you so. | 0:02:44 | 0:02:48 | |
Kathleen? | 0:02:53 | 0:02:54 | |
No, Mrs Reid. | 0:02:54 | 0:02:55 | |
If you were you my friend, you wouldn't ask me this thing. | 0:02:56 | 0:02:59 | |
You might at the least have prepared a picnic, Reid. | 0:03:17 | 0:03:20 | |
Some German wine, perhaps. | 0:03:20 | 0:03:22 | |
I do not come here to seduce, Inspector Ressler. | 0:03:22 | 0:03:25 | |
-Well, then why, Reid? -Hobbs! | 0:03:25 | 0:03:28 | |
Six, sir! | 0:03:32 | 0:03:33 | |
Elizabeth Jackson. You lay claim to her, do you not? | 0:03:37 | 0:03:39 | |
Her dissected remains made landfall here. Blackfriars. | 0:03:39 | 0:03:43 | |
On Corporation land. A case for the City Police. | 0:03:43 | 0:03:47 | |
That makes her my case, not yours. You question this? | 0:03:47 | 0:03:52 | |
That parts of her washed up here? No. Her provenance, however... | 0:03:52 | 0:03:55 | |
-Provenance, Reid? -Where she came from. Where she was butchered. | 0:03:55 | 0:03:58 | |
Whether she is a Ripper victim at all. | 0:03:58 | 0:04:01 | |
The lad shouted "six". | 0:04:01 | 0:04:03 | |
-Yes, I heard. -Six is the number I had painted on a sack of pig-flesh. | 0:04:03 | 0:04:07 | |
It weighs the same as that package that washed up here. | 0:04:07 | 0:04:10 | |
I have had numerous such packages dropped into the river | 0:04:10 | 0:04:13 | |
at various intervals on both banks. | 0:04:13 | 0:04:16 | |
Number six began its journey in Battersea. | 0:04:16 | 0:04:18 | |
So this sack of pork has made its way five miles east of there? | 0:04:20 | 0:04:23 | |
This river has strong currents, Mr Ressler. | 0:04:23 | 0:04:26 | |
An eastward flow from the source, westward with the rise of the sea. | 0:04:26 | 0:04:29 | |
The tide and time are apiece with the day of Miss Jackson's discovery. | 0:04:29 | 0:04:33 | |
As this sack went into the river in Battersea, then so did she. | 0:04:33 | 0:04:36 | |
But the Ripper cuts his swathe here. The City and the East. | 0:04:36 | 0:04:39 | |
This woman is not such! | 0:04:39 | 0:04:41 | |
No! No, she must be. | 0:04:41 | 0:04:43 | |
This girl was diced, separated and put into the river | 0:04:43 | 0:04:47 | |
in order to obscure her murder. | 0:04:47 | 0:04:49 | |
The Ripper would have us sit up and pay heed, have men, men like you, | 0:04:51 | 0:04:54 | |
Inspector, clamour to add your names to the tally of those who have wandered after him. | 0:04:54 | 0:05:00 | |
-Inspector Reid! -Whitechapel calls you back, Reid. | 0:05:00 | 0:05:03 | |
-Inspector Reid! -Forget your dismay, inspector. | 0:05:03 | 0:05:06 | |
Have it from me and remember it well. | 0:05:06 | 0:05:07 | |
You want no part of this parade. | 0:05:09 | 0:05:11 | |
Inspector Reid, you must come immediately. | 0:05:11 | 0:05:13 | |
-Morning to you. -And to yourself. | 0:05:36 | 0:05:39 | |
You are alone here? | 0:05:39 | 0:05:42 | |
The world hides in fright when there's rumour of cholera. | 0:05:42 | 0:05:45 | |
-But not yourself. -No, sir. I make my home where men's fear lies. | 0:05:47 | 0:05:52 | |
I fight it for them. | 0:05:52 | 0:05:54 | |
Then you are welcome here. | 0:05:54 | 0:05:56 | |
-The dead man is here? -He is, sir. | 0:06:11 | 0:06:13 | |
Mr Jackson and Mr Drake delivered him to us. | 0:06:13 | 0:06:17 | |
You question whether his death is a matter for us? | 0:06:19 | 0:06:21 | |
-It is a medical issue, is it not? -If any more are dead, it'll be one of public order. | 0:06:21 | 0:06:25 | |
Then should the water pumps be broken? | 0:06:25 | 0:06:27 | |
Not until we confirm cholera. | 0:06:27 | 0:06:29 | |
Its water keeps most of this populace above ground. | 0:06:29 | 0:06:33 | |
We close the pumps, they'll be drinking from the river in a day. | 0:06:33 | 0:06:36 | |
And the dead will line the streets. | 0:06:36 | 0:06:38 | |
He's rigid. A spasm at the point of death. | 0:06:45 | 0:06:48 | |
The jaw is locked, but... | 0:06:48 | 0:06:49 | |
The gums are discoloured. | 0:06:53 | 0:06:54 | |
The tongue's engorged. | 0:06:57 | 0:06:59 | |
All the signs. | 0:06:59 | 0:07:02 | |
You have word out enquiring after other choleroids? | 0:07:02 | 0:07:05 | |
I do, sir. And nothing. | 0:07:05 | 0:07:07 | |
Fouled his fine suit too. | 0:07:11 | 0:07:13 | |
I was not here in '76, the last time the King cut his way through these streets. | 0:07:15 | 0:07:19 | |
Sudan, sir. I missed that particular party. | 0:07:21 | 0:07:24 | |
'75. I was in New Orleans when he came. | 0:07:24 | 0:07:28 | |
Each town, each settlement. Men, women and child rotting. | 0:07:29 | 0:07:32 | |
Food for flies. | 0:07:34 | 0:07:35 | |
We must expect more, then? | 0:07:38 | 0:07:39 | |
I'll get him open. Get you sure. | 0:07:40 | 0:07:43 | |
He had no other effects on him? | 0:07:45 | 0:07:46 | |
He was scavenged before they saw what he was. | 0:07:46 | 0:07:49 | |
This is a financial paper. He's a City man. | 0:07:51 | 0:07:54 | |
This may not be our problem. | 0:07:54 | 0:07:56 | |
Indeed. But a news vendor has written here. An address, perhaps? | 0:07:56 | 0:07:59 | |
We should cross to Corporation land, find his home, | 0:07:59 | 0:08:02 | |
see if others there suffer or no. | 0:08:02 | 0:08:05 | |
Reid, this is a whale, not a man. I'm going to need a hand in here. | 0:08:05 | 0:08:09 | |
They say no infection may pass through it. | 0:08:10 | 0:08:13 | |
Hobbs, the dead room requires an assistant. Go to Captain Jackson, see what he wants. | 0:08:13 | 0:08:17 | |
You'll enjoy that, Hobbs. | 0:08:17 | 0:08:18 | |
Yes, sir. | 0:08:18 | 0:08:19 | |
Sergeant Artherton, I want all other men out where people can see them, not hiding in here. | 0:08:21 | 0:08:25 | |
And any man found wearing a mask, I shall personally see them | 0:08:29 | 0:08:32 | |
exposed to one of Mr Lister's bacteria. | 0:08:32 | 0:08:34 | |
We'll not alarm these people by our absence. | 0:08:34 | 0:08:36 | |
Kathleen, please, this man who sells you, sells you and beats you, | 0:08:39 | 0:08:45 | |
you protect him and he will send you back here. | 0:08:45 | 0:08:47 | |
You and twenty others like you. | 0:08:47 | 0:08:49 | |
Perhaps he will, Mrs Reid. | 0:08:49 | 0:08:51 | |
But a woman has to work to find food and lodging in this city. | 0:08:51 | 0:08:54 | |
I work to find you that lodging. | 0:08:54 | 0:08:56 | |
And will there be any that does not insist upon churching me every Sunday? | 0:08:56 | 0:09:00 | |
Upon my knees, listing the sins I got on my back? | 0:09:00 | 0:09:04 | |
RETCHING | 0:09:05 | 0:09:07 | |
-Help me! -Nurse! | 0:09:07 | 0:09:09 | |
He's a big man, Hobbs. | 0:09:13 | 0:09:15 | |
When I cut, he's liable to fall away some, you're going to help me. | 0:09:15 | 0:09:18 | |
-Sir? -See, the tissue must be drawn back... | 0:09:18 | 0:09:23 | |
..to reveal the breastbone. Now, I need you to hold it. | 0:09:25 | 0:09:29 | |
Now pull. | 0:09:29 | 0:09:31 | |
Just peel the flesh back gently, evenly, while I cut. | 0:09:31 | 0:09:34 | |
The breastbone is held in place by cartilage. | 0:09:36 | 0:09:39 | |
We need to cut the lower jaw here. | 0:09:41 | 0:09:43 | |
The breastbone comes...off. | 0:09:44 | 0:09:47 | |
Pull the tongue and the trachea. | 0:09:50 | 0:09:52 | |
And now to access where this man's killer lives. | 0:09:54 | 0:09:57 | |
-And where's that, sir? -The bowel, Hobbs. | 0:09:57 | 0:10:00 | |
The bowel. | 0:10:03 | 0:10:04 | |
We step out of our jurisdiction now, Sergeant. Tread carefully. | 0:10:10 | 0:10:14 | |
DOGS BARK | 0:10:14 | 0:10:16 | |
Ma'am. | 0:10:16 | 0:10:17 | |
Money never begat courtesy, Bennet. | 0:10:19 | 0:10:22 | |
No, sir. | 0:10:22 | 0:10:23 | |
Excuse me. Could you tell me where this is delivered to? | 0:10:26 | 0:10:28 | |
Delivered each morning. | 0:10:41 | 0:10:43 | |
Our presence here marked. City Police, sir. | 0:10:43 | 0:10:46 | |
Let them mark it. | 0:10:46 | 0:10:47 | |
It's a German named Koch that saw them first. | 0:10:49 | 0:10:53 | |
Grew them too. | 0:10:55 | 0:10:57 | |
Cholera bacillus in a jar. | 0:10:57 | 0:11:00 | |
Saw how it loved dirt and dank earth, | 0:11:00 | 0:11:04 | |
how it lived to breed and spread in river basins. | 0:11:04 | 0:11:07 | |
And how if your glass was strong enough... | 0:11:09 | 0:11:11 | |
..you could actually see it in a man's gut. | 0:11:13 | 0:11:16 | |
And do you see it, sir? | 0:11:17 | 0:11:18 | |
No. No, Hobbs. I do not. | 0:11:20 | 0:11:22 | |
Captain Jackson. Word comes from the dispensary, sir. | 0:11:24 | 0:11:27 | |
-More dead? -Not yet, sir. But many sick. | 0:11:28 | 0:11:31 | |
If it's not cholera, then what? Find Reid, Hobbs. | 0:11:33 | 0:11:37 | |
Number 26, sir. We'll take a look. | 0:11:43 | 0:11:45 | |
You're Metropolitan Police and beyond your jurisdiction. | 0:11:47 | 0:11:51 | |
I suffer no obligation to you. | 0:11:51 | 0:11:53 | |
You will give us access. | 0:11:54 | 0:11:56 | |
Or I shall take you where we shall find you your obligation. | 0:11:56 | 0:11:59 | |
My thanks to you. | 0:12:03 | 0:12:04 | |
Sir? | 0:12:09 | 0:12:11 | |
Is she dead? | 0:12:15 | 0:12:16 | |
No. Opium, Sergeant. Have a look around. | 0:12:20 | 0:12:23 | |
Wake up, wake up. | 0:12:47 | 0:12:48 | |
What? | 0:12:48 | 0:12:51 | |
Ow, who are you? | 0:12:53 | 0:12:55 | |
The police, wench, is who we are. | 0:12:55 | 0:12:58 | |
-Whose lurk is this? -Mine. | 0:12:58 | 0:13:00 | |
The truth, toffer. | 0:13:01 | 0:13:03 | |
-Mine in name. His in spending. -His? | 0:13:04 | 0:13:06 | |
Big man. Small eyes. Pink like a pig. | 0:13:06 | 0:13:09 | |
-S'right. -How's your health? | 0:13:09 | 0:13:11 | |
-Well, my arm hurts, but apart from that... -Cramps, vomiting? | 0:13:11 | 0:13:15 | |
-No! Why? -What's his name, the man that installs you here? | 0:13:15 | 0:13:19 | |
-Winston. Algernon Winston. -He was with you last night? | 0:13:19 | 0:13:23 | |
He was. Raging all night about his head and his belly. | 0:13:23 | 0:13:26 | |
-Place of work? -I dunno. I swear it. Why would he tell me? | 0:13:26 | 0:13:30 | |
I don't care to ask which Jew fills his pockets. | 0:13:30 | 0:13:33 | |
-Then it's a bank? -Course it's a bleeding bank! -In the street? | 0:13:33 | 0:13:36 | |
You ever walk him back there after a night on your back? | 0:13:36 | 0:13:39 | |
New Inn. Huge black door. | 0:13:39 | 0:13:41 | |
So where is he, then? | 0:13:47 | 0:13:49 | |
He's cold clay, woman. As gone as your girlhood. | 0:13:49 | 0:13:52 | |
Best find another fine suit to climb inside. | 0:13:52 | 0:13:55 | |
Off your patch twice in a day, Reid? | 0:14:01 | 0:14:04 | |
Put in for transfer? | 0:14:04 | 0:14:05 | |
We'd need grander manners and blacker boots for that. | 0:14:05 | 0:14:08 | |
-Aye, and a poker up our arseholes. -What is it your pit-dog says? | 0:14:08 | 0:14:11 | |
You enquire after my presence here, here's the reason for it. | 0:14:11 | 0:14:14 | |
I've a resident of your square mile on my slab, | 0:14:14 | 0:14:17 | |
-grey and stinking and every mark on him telling me cholera. -Keep your voice down, man. | 0:14:17 | 0:14:21 | |
-And keep your men off my manor. -Hobbs? | 0:14:21 | 0:14:24 | |
A message for you, sir. You're needed at the Eastern dispensary. | 0:14:24 | 0:14:28 | |
What, Constable? Are there more? | 0:14:28 | 0:14:30 | |
Don't think this forgotten. | 0:14:32 | 0:14:33 | |
-WOMAN: -Fetch a nurse. Fetch her quick. | 0:14:46 | 0:14:49 | |
RETCHING | 0:14:49 | 0:14:51 | |
BABY WAILS | 0:14:55 | 0:14:58 | |
Emily? | 0:14:58 | 0:15:00 | |
-Edmund? -Are you sick? -No, I am well. | 0:15:00 | 0:15:02 | |
Then why are you here? | 0:15:02 | 0:15:04 | |
-I was visiting. -One of your women? | 0:15:04 | 0:15:07 | |
Reid! | 0:15:11 | 0:15:13 | |
-Mrs Reid. -Captain. | 0:15:13 | 0:15:14 | |
It spreads. | 0:15:16 | 0:15:18 | |
-Indeed. -Is it what we fear? -Well, that depends on what you fear. | 0:15:18 | 0:15:20 | |
The fat man, his insides have a story to tell. | 0:15:20 | 0:15:24 | |
But that story ain't cholera. | 0:15:24 | 0:15:27 | |
What else could afflict so many? | 0:15:27 | 0:15:29 | |
I don't know. | 0:15:30 | 0:15:31 | |
Then what...? | 0:15:34 | 0:15:35 | |
What the hell is he doing here? | 0:15:39 | 0:15:40 | |
Ressler, you have an insight into what is happening here. | 0:15:42 | 0:15:45 | |
Now is your moment to tell me. Why do you follow us? | 0:15:45 | 0:15:48 | |
I have others. | 0:15:49 | 0:15:50 | |
Dead in such a way? How many? | 0:15:50 | 0:15:52 | |
-Four in two days. -Four! And you have kept this silent? | 0:15:52 | 0:15:56 | |
A panic in the City! We close for business, New York makes a million in our place. | 0:15:56 | 0:16:00 | |
And now the dead of Whitechapel flush you out. | 0:16:00 | 0:16:02 | |
We have a contamination. But of what? From where? | 0:16:05 | 0:16:07 | |
Ah, this hell! Hell rises up! | 0:16:07 | 0:16:10 | |
They rave. | 0:16:10 | 0:16:11 | |
Reid, one of mine. A waiter. | 0:16:13 | 0:16:15 | |
The word was, he fled from the eating house he served, | 0:16:15 | 0:16:17 | |
stripped in the street and gave himself to God's protection. | 0:16:17 | 0:16:20 | |
You have heard of ergotism? | 0:16:21 | 0:16:23 | |
-I'm with you. -Ergotism? | 0:16:25 | 0:16:27 | |
It is a fungal infection on the rye grain. | 0:16:27 | 0:16:30 | |
It's milled into the food chain. | 0:16:30 | 0:16:31 | |
Sustained exposure can lead to ravings and visions. | 0:16:31 | 0:16:35 | |
Sssh, I need you to tell me how you feel. | 0:16:37 | 0:16:40 | |
I burn, sir! My feet and my fingers are aflame! | 0:16:40 | 0:16:44 | |
Burning sensation in the extremities. | 0:16:44 | 0:16:45 | |
Medievals knew it as St Anthony's Fire. | 0:16:45 | 0:16:48 | |
Reid, ergotism. The man on my slab, | 0:16:48 | 0:16:50 | |
it doesn't account for the manner of his passing, | 0:16:50 | 0:16:53 | |
the gastric collapse that preceded it. | 0:16:53 | 0:16:55 | |
And yours the same? | 0:16:55 | 0:16:56 | |
Puked and shat themself to death? | 0:16:57 | 0:16:59 | |
Yes. | 0:16:59 | 0:17:00 | |
Well, we have a start, Captain. | 0:17:00 | 0:17:02 | |
-There is a test for ergotism, is there not? -Ehlrich's reagent. | 0:17:02 | 0:17:05 | |
-Ressler, you will bring your dead to my laboratory. -Reid, I cannot simply... | 0:17:05 | 0:17:09 | |
You can, you will! | 0:17:09 | 0:17:11 | |
Captain Jackson will make comparison. We'll work on finding a bacteria | 0:17:11 | 0:17:14 | |
-that unites these deaths. Tell us what we fight against. -Very well. | 0:17:14 | 0:17:18 | |
Sergeant Drake, you and I have interviews to conduct. | 0:17:18 | 0:17:20 | |
We should learn from these, how they may have ingested this infection. | 0:17:20 | 0:17:25 | |
Reid, I need you to bring me one. | 0:17:25 | 0:17:27 | |
A body near death. I need to study how it take 'em. | 0:17:27 | 0:17:30 | |
Go with him. | 0:17:32 | 0:17:33 | |
What is this that strikes here, Edmund? | 0:17:36 | 0:17:38 | |
I hope to find out. Go home, Emily. | 0:17:38 | 0:17:40 | |
-I have appointments in town with possible sponsors... -And I would have you safe | 0:17:40 | 0:17:44 | |
and crossed off the roll of those I fear for. | 0:17:44 | 0:17:47 | |
-Please, Emily, go home! -You forget how my every day is, | 0:17:47 | 0:17:50 | |
how I have feared for you, | 0:17:50 | 0:17:52 | |
and how those fears have been proved accurate? | 0:17:52 | 0:17:55 | |
I would do more with my life than sit by the fire | 0:17:55 | 0:17:58 | |
in grief and anxiety. | 0:17:58 | 0:18:00 | |
You dedicate your life to your service and at some sacrifice. | 0:18:02 | 0:18:05 | |
All I ask is that you allow me the same. | 0:18:05 | 0:18:08 | |
Boil your water, Emily. Eat nothing that has not been sealed. | 0:18:11 | 0:18:15 | |
With me, Sergeant. | 0:18:19 | 0:18:21 | |
Food? | 0:18:36 | 0:18:38 | |
Jedzenie? Pic? | 0:18:38 | 0:18:40 | |
Nothing? How long? | 0:18:41 | 0:18:44 | |
Three, three days? | 0:18:47 | 0:18:48 | |
I am sorry. | 0:18:51 | 0:18:52 | |
RETCHING | 0:19:01 | 0:19:02 | |
This contamination. We have Winston. Ressler has his dead. | 0:19:04 | 0:19:10 | |
All this, it is the same affliction, but none yet die. | 0:19:10 | 0:19:15 | |
And what should we learn from this, sir? | 0:19:15 | 0:19:17 | |
I know not. Not yet. | 0:19:17 | 0:19:19 | |
Sergeant Drake, have a Maria brought to the porter's exit. | 0:19:21 | 0:19:25 | |
Sir? | 0:19:25 | 0:19:26 | |
I think we have the Captain's case study. | 0:19:26 | 0:19:28 | |
-What's your name? -George. | 0:19:32 | 0:19:34 | |
George. George, I have a mind to take you from here. | 0:19:34 | 0:19:37 | |
-To where? -To peace. Four walls, a bed. | 0:19:37 | 0:19:41 | |
The devils that chase you will not find you there. | 0:19:41 | 0:19:43 | |
It tests positive for ergotism. | 0:20:50 | 0:20:52 | |
But that cannot be all. | 0:20:58 | 0:21:00 | |
My husband. | 0:21:08 | 0:21:09 | |
Dead some ten years now. | 0:21:11 | 0:21:13 | |
I had not been told you were also bereaved. | 0:21:20 | 0:21:22 | |
Yes. | 0:21:24 | 0:21:26 | |
A daughter. | 0:21:28 | 0:21:29 | |
I see. | 0:21:29 | 0:21:30 | |
Hmm, you lose a girl, | 0:21:32 | 0:21:33 | |
and come to me seeking the funds to house a hundred. | 0:21:33 | 0:21:36 | |
He seems strong. He will fight. | 0:21:43 | 0:21:45 | |
In which case, he is ideal. | 0:21:45 | 0:21:47 | |
Any change in this man's temper, you call Captain Jackson. | 0:21:52 | 0:21:55 | |
Inspector Reid! | 0:21:55 | 0:21:57 | |
I... | 0:22:04 | 0:22:06 | |
..bring out my dead. | 0:22:06 | 0:22:07 | |
In our shelter, women would find care and compassion. | 0:22:10 | 0:22:14 | |
And we would make them safe, Mrs Gable. | 0:22:14 | 0:22:17 | |
And improve them also? | 0:22:17 | 0:22:19 | |
If they seek to improve themselves, we will help them. | 0:22:19 | 0:22:22 | |
Through prayer and their promise of chastity? | 0:22:22 | 0:22:26 | |
Through whatever means they choose for themselves. | 0:22:26 | 0:22:29 | |
No mention of their sin? On God's place in their redemption? | 0:22:30 | 0:22:36 | |
Ma'am, I fear such emphasis will only turn them away in the fear | 0:22:36 | 0:22:41 | |
that judgement and punishment await them. | 0:22:41 | 0:22:44 | |
Mrs Reid... | 0:22:45 | 0:22:46 | |
My husband was held as a good man. | 0:22:50 | 0:22:52 | |
A good husband to myself. | 0:22:54 | 0:22:56 | |
And how, our family made a point of saying, | 0:22:56 | 0:22:59 | |
how unlucky we were not to be blessed with children. | 0:22:59 | 0:23:02 | |
The imputation being how unlucky he was to find himself burdened | 0:23:04 | 0:23:08 | |
with so barren a wife. | 0:23:08 | 0:23:11 | |
Mrs Gable, I'm...I am deeply sorry for your trouble, but... | 0:23:11 | 0:23:14 | |
Do you not wonder at the reason for this curse, hmm? | 0:23:14 | 0:23:17 | |
At my husband and his prowling through your Whitechapel laneways. | 0:23:19 | 0:23:24 | |
At the dripping pinchcocks with whom he lay | 0:23:24 | 0:23:27 | |
and whose foulness he came home to put inside his wife. | 0:23:27 | 0:23:32 | |
That man, this, this Ripper. | 0:23:33 | 0:23:36 | |
I celebrated his judgement and his punishment. | 0:23:36 | 0:23:40 | |
Please, Ma'am, I am not well. | 0:23:40 | 0:23:42 | |
And I have no pity for you. | 0:23:42 | 0:23:44 | |
I considered your proposal perhaps worthy of endowment. | 0:23:44 | 0:23:47 | |
That indeed an institution where these women may come to see | 0:23:47 | 0:23:51 | |
the sin and error of their ways might prove a corrective | 0:23:51 | 0:23:54 | |
to their number on the streets. But instead you come here to insult me | 0:23:54 | 0:23:58 | |
with your talk of compassion. For whores, Mrs Reid. For whores! | 0:23:58 | 0:24:02 | |
I must... | 0:24:02 | 0:24:04 | |
Are you all right, missus? Are you all right? | 0:24:13 | 0:24:15 | |
-We have ergot. -That can't be all. | 0:24:20 | 0:24:22 | |
You think a cocktail? | 0:24:22 | 0:24:24 | |
-Then this is not contamination by misadventure. -It is poison. | 0:24:24 | 0:24:27 | |
-Deliberately constructed. -It does not act immediately. | 0:24:27 | 0:24:30 | |
-There are those afflicted who have not eaten for days. -It acts by accumulation. | 0:24:30 | 0:24:35 | |
Seduction. The body absorbs it in increments, becomes weakened. | 0:24:35 | 0:24:39 | |
Can't fight and then death follows. | 0:24:39 | 0:24:41 | |
-Your men continue their survey of all afflicted? -They do. | 0:24:41 | 0:24:45 | |
-First results are inconclusive. -There's a lot of gin. | 0:24:45 | 0:24:48 | |
-And more than half are on the skillet. -Skillet? | 0:24:48 | 0:24:51 | |
Water and flour, in a stir. | 0:24:51 | 0:24:54 | |
-And what is made with it? -It is drunk, Mr Ressler, | 0:24:54 | 0:24:56 | |
by those who cannot find nutrition elsewhere. Violence and persecution | 0:24:56 | 0:25:00 | |
have driven them a thousand miles from their home. | 0:25:00 | 0:25:02 | |
They choose these streets for safety and shelter, find murder and mayhem in their stead. | 0:25:02 | 0:25:06 | |
And now they cannot eat, for fear that may kill them also. | 0:25:06 | 0:25:08 | |
Get these dead open. Find out what relationship the contents of their insides bear with each other. | 0:25:10 | 0:25:14 | |
There are many still live. | 0:25:14 | 0:25:16 | |
If you decipher this poison, they may remain so. | 0:25:16 | 0:25:18 | |
CHILD LAUGHS IN THE DISTANCE | 0:25:28 | 0:25:31 | |
LAUGHTER CONTINUES | 0:25:41 | 0:25:42 | |
LOUDER LAUGHTER | 0:25:59 | 0:26:02 | |
Bennet! Bennet, will you, will you do me a service? | 0:26:15 | 0:26:19 | |
-Name it, sir. -Mrs Reid. I may not leave here at this time | 0:26:19 | 0:26:23 | |
but I would know she was...well. | 0:26:23 | 0:26:25 | |
It will be my pleasure, sir. | 0:26:25 | 0:26:28 | |
Drake. Take a turn past Tenter Street, as well, will you? | 0:26:28 | 0:26:33 | |
God! | 0:26:36 | 0:26:38 | |
GROANING | 0:26:40 | 0:26:42 | |
God help me! | 0:26:42 | 0:26:43 | |
So you boil all water. You eat nothing that cannot be heated first. | 0:26:47 | 0:26:51 | |
And nothing preserved or canned | 0:26:51 | 0:26:53 | |
that has not been made so in the last six months. | 0:26:53 | 0:26:56 | |
Thank you. | 0:26:56 | 0:26:57 | |
-And should you see Miss Rose... -I'll keep her safe, Sergeant. | 0:27:01 | 0:27:04 | |
Don't worry. | 0:27:06 | 0:27:07 | |
Mrs Reid? | 0:27:15 | 0:27:16 | |
Mrs Reid? | 0:27:32 | 0:27:33 | |
Mrs Reid? | 0:27:36 | 0:27:37 | |
Mrs Reid, it's only me. It's Sergeant Drake. | 0:27:41 | 0:27:44 | |
Mrs Reid? | 0:27:47 | 0:27:49 | |
Mrs Reid? | 0:27:50 | 0:27:51 | |
You'll be all right. | 0:28:01 | 0:28:02 | |
His temperature soars. His pulse too. | 0:28:20 | 0:28:23 | |
Sir. Your name? | 0:28:23 | 0:28:25 | |
The name's Jackson. | 0:28:25 | 0:28:27 | |
And I am George. | 0:28:27 | 0:28:29 | |
It's good to know you, George. | 0:28:29 | 0:28:31 | |
No, sir. It is not. For I am a bad man. | 0:28:32 | 0:28:36 | |
George, there are none of us that are good. | 0:28:36 | 0:28:40 | |
Now, listen to me. I need you to tell me what you feel. | 0:28:40 | 0:28:43 | |
My guts, sir. They churn like they're full of nails. | 0:28:44 | 0:28:47 | |
What else? Do you burn? | 0:28:47 | 0:28:49 | |
Do you see things? | 0:28:52 | 0:28:53 | |
Yes, sir. Demons, that rise in me. | 0:28:54 | 0:28:58 | |
I would speak of my sins. | 0:29:00 | 0:29:03 | |
All men sin. | 0:29:03 | 0:29:04 | |
But none so bad as I. | 0:29:06 | 0:29:08 | |
Reid, is that preacher still lurking by your door? | 0:29:08 | 0:29:11 | |
They talk of the Ripper as if he was the first | 0:29:12 | 0:29:15 | |
to bring violence to a woman. | 0:29:15 | 0:29:16 | |
But I know that feeling, sir. | 0:29:18 | 0:29:19 | |
How they bend to a fist driven hard into their kidneys. | 0:29:21 | 0:29:25 | |
The fear in their eyes to see a knife at their throat. | 0:29:25 | 0:29:28 | |
My God, am I forsaken? | 0:29:32 | 0:29:35 | |
I'd wager so, brother. I'd wager so. | 0:29:38 | 0:29:41 | |
Name's George, Preacher. | 0:29:43 | 0:29:44 | |
George, my son. | 0:29:47 | 0:29:49 | |
Joy shall be in heaven over one sinner who have repenteth, | 0:29:49 | 0:29:54 | |
more than nine and ninety just persons who need no repentance. | 0:29:54 | 0:30:01 | |
GEORGE SPLUTTERS | 0:30:01 | 0:30:03 | |
Was anything learnt here? | 0:30:09 | 0:30:11 | |
I don't know. Get him to the lab. | 0:30:11 | 0:30:13 | |
-His eyes, they were conjunctival. -And what of it? | 0:30:15 | 0:30:18 | |
-The other substance you look for could be some kind of heavy metal compound. -Arsenic? | 0:30:18 | 0:30:22 | |
Perhaps. But how, how is it packaged and delivered to these men? | 0:30:22 | 0:30:27 | |
There's alum husks here. Lodged. Resisting digestion. | 0:30:30 | 0:30:35 | |
Alum? From unprocessed flour? | 0:30:35 | 0:30:37 | |
Skillet, most likely. A pie, perhaps. | 0:30:37 | 0:30:39 | |
And in these first men? | 0:30:39 | 0:30:41 | |
Bread. Much processed. | 0:30:45 | 0:30:48 | |
-Processed? -Ground to the extreme. | 0:30:48 | 0:30:50 | |
All nutritional value removed from it. White bread. | 0:30:50 | 0:30:53 | |
-But still flour. -Yes. | 0:30:53 | 0:30:55 | |
So this cocktail that our poisoner constructs is made, ground, | 0:30:55 | 0:30:59 | |
powdered and then milled into flour. | 0:30:59 | 0:31:01 | |
My God. | 0:31:01 | 0:31:03 | |
Skillet, pies, pastries, cakes. | 0:31:03 | 0:31:06 | |
It is in everything. | 0:31:06 | 0:31:08 | |
Run your tests, Captain, find what it is we face. | 0:31:08 | 0:31:10 | |
Fetch the Inspector. Tell him Mrs Reid is sick. | 0:31:12 | 0:31:15 | |
Get the inspector's bed out. | 0:31:15 | 0:31:17 | |
Help me with her head. That's it, that's it. | 0:31:19 | 0:31:22 | |
-How bad is it, Bennet? -She'll be fine. | 0:31:24 | 0:31:26 | |
-She's a strong woman, sir. -Please, bring towels and water. | 0:31:29 | 0:31:32 | |
Emily, we have you safe. | 0:31:36 | 0:31:38 | |
We have you safe. | 0:31:40 | 0:31:41 | |
And we apply ourselves to what will take this sickness from you. | 0:31:41 | 0:31:44 | |
The Marsh Test, gentlemen. | 0:31:51 | 0:31:53 | |
That shelf, if you please, Sergeant. | 0:31:54 | 0:31:57 | |
The brown bottle, sodium hypochlorite. | 0:31:57 | 0:32:00 | |
And pour me a glass, will you? | 0:32:00 | 0:32:02 | |
If this residue dissolves, it is arsenic. | 0:32:06 | 0:32:09 | |
-And if it does not? -Then there is but one other. | 0:32:09 | 0:32:11 | |
-Reid, should you not be with her? -I am no use to her there. | 0:32:12 | 0:32:15 | |
Well? | 0:32:17 | 0:32:18 | |
It is antimony. A fatal toxin. | 0:32:25 | 0:32:29 | |
In amalgam with ergot. | 0:32:29 | 0:32:30 | |
Such a death. | 0:32:32 | 0:32:33 | |
This man, he is an evil one. | 0:32:33 | 0:32:36 | |
Then we must find him, sir, and stop him. | 0:32:36 | 0:32:39 | |
Easy to say, Sergeant. | 0:32:39 | 0:32:41 | |
He may do his work at bakery, at mill, at wholesale. | 0:32:41 | 0:32:44 | |
-He may be in Dundee for all we know. -No. | 0:32:44 | 0:32:46 | |
He will be hid in these streets somewhere. | 0:32:46 | 0:32:48 | |
Watching. | 0:32:48 | 0:32:50 | |
I know this type of man. | 0:32:51 | 0:32:52 | |
He wants his work seen. | 0:32:54 | 0:32:55 | |
MEN SHOUT OVER MACHINERY NOISE | 0:33:16 | 0:33:21 | |
Our pimp here gives up his life yesterday | 0:33:41 | 0:33:44 | |
and we must assume others also. Yet these... | 0:33:44 | 0:33:48 | |
..dead some 36 hours or more. | 0:33:51 | 0:33:53 | |
A breather between them and this. | 0:33:53 | 0:33:56 | |
Two waves of attack. The first, small. Five men. | 0:33:56 | 0:33:59 | |
The second wider, we know not how many, indecipherable. | 0:33:59 | 0:34:02 | |
Yet these, these first we may study. | 0:34:02 | 0:34:05 | |
They must show us the way to our poisoner. Mr Ressler, | 0:34:05 | 0:34:08 | |
you must have thought on the details of these men, commonalities that might bind them? | 0:34:08 | 0:34:12 | |
-I have, of course. But nothing. -No. We do not allow nothing! | 0:34:12 | 0:34:14 | |
-There must be a connection! -Reid, iodine in the cabinet. | 0:34:14 | 0:34:18 | |
-What are they doing now? -If you don't know and I don't, | 0:34:19 | 0:34:22 | |
-sir, it's often best not to ask. -First to last, if you please. | 0:34:22 | 0:34:25 | |
First to die, Mr Ressler. | 0:34:27 | 0:34:29 | |
Yes, erm, of course, um... | 0:34:29 | 0:34:30 | |
-First. -Name? | 0:34:32 | 0:34:34 | |
Er, Dursley. | 0:34:34 | 0:34:35 | |
If I may? | 0:34:43 | 0:34:44 | |
Hackett. | 0:34:46 | 0:34:48 | |
Blackstone. | 0:34:50 | 0:34:52 | |
Grubb. | 0:34:56 | 0:34:57 | |
And Winston. | 0:35:00 | 0:35:01 | |
-Correlation? -They made their living within Corporation Land. | 0:35:08 | 0:35:11 | |
-We are there already, Mr Ressler. -Beyond that, nothing. | 0:35:11 | 0:35:14 | |
Dursley, a surgeon, practice on King William's Street. | 0:35:17 | 0:35:21 | |
Hackett, a clerk at Barings, third level. | 0:35:21 | 0:35:23 | |
Blackstone, a busboy at Sweetings restaurant. | 0:35:23 | 0:35:26 | |
Grubb, an under-manager at Lloyds of London. | 0:35:26 | 0:35:29 | |
This man, your man, name of Winston, a broker at Goldman's. | 0:35:29 | 0:35:33 | |
He lived within the square mile. | 0:35:33 | 0:35:35 | |
He, Marylebone, travelled by carriage. | 0:35:35 | 0:35:38 | |
Hackney, by omnibus. Stepney, also omnibus, different route, however. | 0:35:38 | 0:35:43 | |
Blackstone, your very own Whitechapel, | 0:35:43 | 0:35:46 | |
took to his feet each day. | 0:35:46 | 0:35:48 | |
No sign or record they knew one another from a hole in Bishopsgate. | 0:35:48 | 0:35:51 | |
-Then we must look harder. Drake, do you have your map? -Yes, sir. | 0:35:51 | 0:35:54 | |
Dursley, Grubb. Omnibus routes? | 0:35:56 | 0:35:58 | |
Dursley, Bethnal Green Road. Grubb, Whitechapel Road. | 0:35:58 | 0:36:02 | |
-Places of work? -Here and here. | 0:36:02 | 0:36:05 | |
Mr Dursley could have disembarked here, sir, | 0:36:05 | 0:36:07 | |
cut down Commercial Street to his work. | 0:36:07 | 0:36:10 | |
-All roads lead to Whitechapel. -Indeed and our waiter, Blackstone, | 0:36:10 | 0:36:13 | |
-on foot to Sweetings also. -That doesn't wash, Reid. | 0:36:13 | 0:36:16 | |
These two, Winston and Hackett. | 0:36:16 | 0:36:18 | |
He in the square mile itself, he west of there. | 0:36:18 | 0:36:21 | |
-What would bring them here? -What has always brought men here? | 0:36:21 | 0:36:24 | |
Captain, a hand lens. | 0:36:30 | 0:36:32 | |
In his rooms I found a sugar mixture, a knife, some muslin. | 0:36:38 | 0:36:42 | |
I thought it for his woman, but if you remember, she was a blonde. | 0:36:42 | 0:36:46 | |
And naturally so. The remaining hair on the muslin was dark. | 0:36:46 | 0:36:49 | |
-He strips himself? -On his chest, yes. | 0:36:49 | 0:36:52 | |
His legs are also stripped so. | 0:36:54 | 0:36:56 | |
You're asking yourself, does this man like to play a lady? | 0:36:56 | 0:37:00 | |
This man, Hackett, I found something...irregular in his gut. | 0:37:00 | 0:37:05 | |
-What? -Semen. | 0:37:05 | 0:37:08 | |
And you thought not to say! | 0:37:08 | 0:37:10 | |
Well, it had no relevance. | 0:37:10 | 0:37:12 | |
Look, whatever raises another man's flag is no business of mine. | 0:37:12 | 0:37:15 | |
Mr Ressler, whether these two played backgammon together or no, | 0:37:15 | 0:37:19 | |
it is a current upon which they both float. | 0:37:19 | 0:37:22 | |
Ready a carriage for Winston's apartments. | 0:37:22 | 0:37:24 | |
We shall pick it clean for anything which speaks of these desires. | 0:37:24 | 0:37:27 | |
And we may have our link. | 0:37:27 | 0:37:29 | |
You know what this is. Can it be stopped? | 0:37:38 | 0:37:42 | |
In a body that's recently ingested its first dose, | 0:37:44 | 0:37:47 | |
an enema or lavage might remove it, but beyond that, | 0:37:47 | 0:37:52 | |
Reid, you've seen this for yourself. It does not kill in one strike. | 0:37:52 | 0:37:55 | |
A strong body might fight it off. | 0:37:55 | 0:37:57 | |
For those of who it has already taken its grip, | 0:37:57 | 0:38:00 | |
science, medicine, they only take you so far. | 0:38:01 | 0:38:04 | |
And then they drop you like a stone. | 0:38:04 | 0:38:06 | |
Captain, I only ask you this. Will you keep watch over Mrs Reid? | 0:38:10 | 0:38:14 | |
Consider it done. | 0:38:15 | 0:38:16 | |
Reid, your wife. | 0:38:22 | 0:38:25 | |
You have what men have always had. | 0:38:27 | 0:38:29 | |
What is that, Captain? | 0:38:29 | 0:38:31 | |
Hope. | 0:38:31 | 0:38:32 | |
Mr Reid, sir? | 0:38:47 | 0:38:48 | |
Word comes from the dispensary. And the London as well. | 0:38:51 | 0:38:53 | |
They start to die. | 0:38:55 | 0:38:57 | |
God of all creation, send forth your power to heal these afflicted. | 0:39:02 | 0:39:08 | |
You cleansed the lepers, gave sight to the blind | 0:39:08 | 0:39:12 | |
and by simple command empowered the crippled to rise up and walk. | 0:39:12 | 0:39:16 | |
I know this bawdy house. | 0:40:35 | 0:40:37 | |
Mr Reid. | 0:40:37 | 0:40:39 | |
FALSETTO VOICE SINGS | 0:40:41 | 0:40:45 | |
APPLAUSE AND CHEERING | 0:40:51 | 0:40:53 | |
Police! Everybody, stay calm. | 0:40:53 | 0:40:55 | |
Sit, sit, sit, sit! | 0:40:55 | 0:40:56 | |
Everybody stay where they are and stay calm. | 0:40:56 | 0:40:58 | |
-This is no raid. This is no raid! -Sit down! | 0:40:58 | 0:41:01 | |
Get your hands off! | 0:41:01 | 0:41:04 | |
Then calm your men! | 0:41:04 | 0:41:06 | |
Calm yours, madam! | 0:41:06 | 0:41:07 | |
You have my word. All this quarter know I prosecute no bawdy house. | 0:41:07 | 0:41:11 | |
-Even one such as mine? -Even that. | 0:41:11 | 0:41:14 | |
Madam, there are two men I would seek your help in placing. | 0:41:15 | 0:41:19 | |
Mr Ressler, your likenesses. | 0:41:19 | 0:41:21 | |
Prepare yourself. They might have looked differently when they lived. | 0:41:21 | 0:41:25 | |
They visited here, yes. | 0:41:28 | 0:41:31 | |
-Regular? -Lunchtime each day. | 0:41:31 | 0:41:34 | |
And you fed them, madam? | 0:41:34 | 0:41:35 | |
No, sir. This is no chop house. | 0:41:37 | 0:41:41 | |
The Molly House. | 0:41:43 | 0:41:44 | |
The Molly House. | 0:41:46 | 0:41:48 | |
Here. Mr Winston's work at Barings, Mr Hackett's - Goldman's. | 0:41:48 | 0:41:53 | |
So they find their lunch on their way back to their desks? | 0:41:53 | 0:41:56 | |
So we presume. I must take an interest in this section here, | 0:41:56 | 0:41:58 | |
where the routes are joined. Ressler, the omnibus stations you spoke of? | 0:41:58 | 0:42:02 | |
Dursley here. Grubb here. | 0:42:02 | 0:42:05 | |
And Blackstone, our waiter, his home and route? | 0:42:05 | 0:42:08 | |
Here to here. | 0:42:08 | 0:42:09 | |
This web of streets, a convergence where they meet. | 0:42:10 | 0:42:14 | |
-We walk these routes, then? -We do. | 0:42:14 | 0:42:16 | |
We must find the place at which their lives intersected | 0:42:16 | 0:42:19 | |
and hope to learn from it why they are joined in death also. | 0:42:19 | 0:42:22 | |
Inspector! Look. | 0:42:30 | 0:42:32 | |
'A milling for new customers, Mrs Gable. | 0:43:22 | 0:43:25 | |
'A special batch. | 0:43:25 | 0:43:26 | |
The bakers of London will all soon be shouting our name, ma'am. | 0:43:26 | 0:43:30 | |
Hmm. | 0:43:30 | 0:43:31 | |
These can go, Harris. This way, ma'am. | 0:43:32 | 0:43:34 | |
'As you see, all is ever as it should be. | 0:43:38 | 0:43:42 | |
Yes, I can see as it ever should be. | 0:43:42 | 0:43:45 | |
It is you that insists on these inspections, not myself. | 0:43:45 | 0:43:48 | |
It is your mill, Ma'am. | 0:43:48 | 0:43:50 | |
It is ever important to us that you see what work we perform for you. | 0:43:50 | 0:43:56 | |
Of course. Lead on, Mr Claxton. | 0:43:56 | 0:43:59 | |
Lead on. | 0:43:59 | 0:44:00 | |
Good day, gentlemen. | 0:44:03 | 0:44:05 | |
Same time next week, Mr Claxton? | 0:44:06 | 0:44:08 | |
Of course, Mrs Gable. | 0:44:08 | 0:44:09 | |
You'll be ready, I'm sure. | 0:44:09 | 0:44:11 | |
-Ready as ever, Ma'am. -Sergeant, no man leaves. | 0:44:13 | 0:44:17 | |
Inspectors Reid and Ressler, police. Your names and business here. | 0:44:17 | 0:44:22 | |
Flora Gable. I am proprietor. | 0:44:22 | 0:44:24 | |
Claxton. General manager. | 0:44:24 | 0:44:26 | |
Well, Mrs Gable, Mr Claxton, a batch of flour you sold went bad. | 0:44:26 | 0:44:30 | |
-Bad? -Men died. | 0:44:30 | 0:44:32 | |
-This sickness? -Yes, ma'am. | 0:44:32 | 0:44:33 | |
Mr Claxton, help these men. | 0:44:36 | 0:44:37 | |
Yes, of course. Please, come with me. | 0:44:37 | 0:44:40 | |
-The batches are all logged and recorded. You have the number? -I do. | 0:44:40 | 0:44:44 | |
-The number, sir? -Mr Ressler will give it to you. | 0:45:00 | 0:45:02 | |
Thank you, sir. | 0:45:02 | 0:45:03 | |
-This your office, Mr Claxton? -It is, sir. Yes, sir. | 0:45:09 | 0:45:12 | |
-You install these cabinets yourself? -If memory serves, sir. | 0:45:17 | 0:45:21 | |
Reid, every man likes a good cabinet, but is this quite the time? | 0:45:22 | 0:45:26 | |
Did you notice the dimensions of this room from without, when we entered? | 0:45:42 | 0:45:46 | |
It is a rectangle, Mr Ressler. | 0:45:46 | 0:45:48 | |
Now we are inside, how does it look? | 0:45:53 | 0:45:56 | |
-Like a cube, Reid. -It does so. | 0:45:56 | 0:45:59 | |
Mr Ressler. | 0:46:11 | 0:46:12 | |
-MRS GABLE GASPS -Reid! | 0:46:31 | 0:46:33 | |
I have worked hard, Mr Reid. And now, look, | 0:46:36 | 0:46:39 | |
it is synthesised as a liquid. Much faster in its actions. | 0:46:39 | 0:46:44 | |
An increased agony in death, also. | 0:46:44 | 0:46:46 | |
-Mrs Gable? -Yes. | 0:46:49 | 0:46:51 | |
-Those papers on the desk. -Yes. | 0:46:51 | 0:46:53 | |
Take them, please. | 0:46:53 | 0:46:54 | |
The steel bin at your feet. Drop them in there. | 0:46:56 | 0:46:58 | |
Those matches on the desk. | 0:47:00 | 0:47:02 | |
Strike them. | 0:47:03 | 0:47:04 | |
And burn the papers. | 0:47:09 | 0:47:10 | |
The delivery details. | 0:47:15 | 0:47:16 | |
If you please, we shall leave now. | 0:47:18 | 0:47:20 | |
MRS GABLE SCREAMS | 0:47:27 | 0:47:29 | |
Please, don't! | 0:47:29 | 0:47:30 | |
-Drake! Sergeant Drake! -Mr Reid, sir! | 0:47:37 | 0:47:40 | |
-Stand your man down, Reid! -Drake, he has the poison! -Stay back! | 0:47:40 | 0:47:44 | |
Drake, you recall a conversation we had some while ago on John Stuart Mill and his philosophy? | 0:47:44 | 0:47:48 | |
-I do, sir. His principle of happiness. -And do you recall what, | 0:47:48 | 0:47:51 | |
when faced with a choice, he held the proper course of action to be? | 0:47:51 | 0:47:54 | |
Whatever would lead to the greater well-being, sir. | 0:47:54 | 0:47:57 | |
Tell me where it is! Tell me where the rest of it is! | 0:48:03 | 0:48:06 | |
I will tell you nothing, nothing. Only this. | 0:48:06 | 0:48:09 | |
There is more, more even than before, | 0:48:09 | 0:48:12 | |
making its glorious way into this world this very moment. | 0:48:12 | 0:48:17 | |
-Reid! -Your evil has poisoned my wife! | 0:48:17 | 0:48:20 | |
We'll get nothing if you kill him. | 0:48:20 | 0:48:22 | |
Not if I kill him immediately, no. | 0:48:23 | 0:48:25 | |
Get him strapped to a cot in our dead room. | 0:48:48 | 0:48:50 | |
-You are going to save lives, Claxton! -No! | 0:48:50 | 0:48:53 | |
Edmund... | 0:49:12 | 0:49:14 | |
Edmund, I see her... | 0:49:15 | 0:49:18 | |
..our darling. | 0:49:21 | 0:49:22 | |
I see her aflame and in water. | 0:49:24 | 0:49:28 | |
You listen to me. You listen to me. You stay alive. | 0:49:30 | 0:49:35 | |
Stay alive. You live. | 0:49:36 | 0:49:37 | |
HE GASPS | 0:49:46 | 0:49:50 | |
Curious as to your interest, Mr Claxton. | 0:50:10 | 0:50:13 | |
That man. The Ripper. | 0:50:16 | 0:50:20 | |
His brutality. | 0:50:22 | 0:50:23 | |
How many? Seven? At most? | 0:50:26 | 0:50:31 | |
And his name, all set to haunt this city for a thousand years. | 0:50:34 | 0:50:38 | |
I have already tripled his score. | 0:50:41 | 0:50:43 | |
Think how long they'll talk of me. | 0:50:47 | 0:50:49 | |
They will talk of you to the same extent | 0:50:57 | 0:51:00 | |
they have the length of your life so far. | 0:51:00 | 0:51:04 | |
Precious little, I should think, | 0:51:04 | 0:51:07 | |
which may go some way to explain your need to make it otherwise. | 0:51:07 | 0:51:11 | |
Now, it is already abroad | 0:51:11 | 0:51:13 | |
that this was an accident, terrible, | 0:51:13 | 0:51:17 | |
but a contamination, not a poisoning. | 0:51:17 | 0:51:20 | |
Your employer, Mrs Gable, stands by to confirm this to all who ask. | 0:51:20 | 0:51:24 | |
You, Mr Claxton, will be quite, quite forgotten, I promise you. | 0:51:24 | 0:51:30 | |
But not by those whose loved ones are in our hospitals. | 0:51:33 | 0:51:36 | |
Not by you, eh, Mr Reid? | 0:51:36 | 0:51:40 | |
Not by you. | 0:51:40 | 0:51:42 | |
Nor by your wife. | 0:51:42 | 0:51:43 | |
Steady, sir, steady. | 0:51:44 | 0:51:46 | |
Captain Jackson. | 0:51:53 | 0:51:54 | |
My surgeon. He is American. | 0:51:57 | 0:52:01 | |
Now, which is the more urgent? The pain of your arm or the ergot | 0:52:02 | 0:52:07 | |
and antimony that sprint, even now, through your innards? | 0:52:07 | 0:52:10 | |
There's still time for you, I'd imagine. | 0:52:18 | 0:52:20 | |
Then, please, wash it from me. | 0:52:21 | 0:52:25 | |
Really? | 0:52:25 | 0:52:26 | |
Would you rather not have me examine this break? | 0:52:28 | 0:52:30 | |
No, no! HE SCREAMS | 0:52:30 | 0:52:33 | |
A pity for you that we have had a run on our stores of anaesthetic. | 0:52:36 | 0:52:39 | |
If you tell us where your last consignment is sent for, | 0:52:39 | 0:52:41 | |
we might find that after all, we have some spare. | 0:52:41 | 0:52:45 | |
Captain Jackson, how long before this toxin makes its way | 0:52:45 | 0:52:48 | |
-from gut to bloodstream? -I shall never tell you. | 0:52:48 | 0:52:50 | |
My death shall join the great number I have put in this world. | 0:52:52 | 0:52:55 | |
Again. | 0:52:58 | 0:53:00 | |
HE SCREAMS | 0:53:00 | 0:53:03 | |
Until he tells you. | 0:53:05 | 0:53:06 | |
CLAXTON SOBS | 0:53:06 | 0:53:09 | |
Dearest Father of all mankind... | 0:53:11 | 0:53:13 | |
DISTANT SCREAMING | 0:53:13 | 0:53:14 | |
He has given it to you? | 0:53:41 | 0:53:42 | |
Yes, sir. Everything. | 0:53:44 | 0:53:47 | |
We have the delivery details, the batch number. | 0:53:47 | 0:53:51 | |
Thank you, Bennet. | 0:53:51 | 0:53:52 | |
Emily. | 0:54:07 | 0:54:09 | |
My own sweet Emily. | 0:54:11 | 0:54:13 | |
If you will only come back to me, I will, I will tell you. | 0:54:15 | 0:54:19 | |
I will tell you why I am the way I am and why I cannot mourn her... | 0:54:21 | 0:54:25 | |
..like you do. | 0:54:29 | 0:54:30 | |
Please. | 0:54:36 | 0:54:38 | |
I will do anything. | 0:54:38 | 0:54:40 | |
SHE MOANS SOFTLY | 0:54:41 | 0:54:43 | |
Emily! Emily! Emily! | 0:54:43 | 0:54:45 | |
Edmund, she was waving to me. | 0:54:54 | 0:54:57 | |
My darling was calling me on. | 0:55:00 | 0:55:02 | |
Mrs Reid. | 0:55:24 | 0:55:26 | |
You may have heard that the mill is to be sold. | 0:55:30 | 0:55:33 | |
I did. | 0:55:35 | 0:55:36 | |
Your first endowment. | 0:55:45 | 0:55:46 | |
More will follow on the first day of each and every month. | 0:55:48 | 0:55:51 | |
Without judgement, | 0:56:01 | 0:56:03 | |
without punishment and without God if need be? | 0:56:03 | 0:56:07 | |
As you would have it, Mrs Reid. | 0:56:13 | 0:56:15 | |
-Thank you. -I must go. | 0:56:24 | 0:56:26 | |
You are fixed on this plan, then, despite all that has passed? | 0:56:31 | 0:56:36 | |
I am. | 0:56:36 | 0:56:37 | |
I am and with greater conviction. | 0:56:40 | 0:56:42 | |
Edmund, it was your will kept me alive those hours. | 0:56:44 | 0:56:48 | |
It is a powerful force. | 0:56:48 | 0:56:50 | |
Please do not set it against me. | 0:56:53 | 0:56:54 | |
Reid, I cannot help but think the man's further excesses, | 0:57:11 | 0:57:16 | |
his need to move beyond that initial batch... | 0:57:16 | 0:57:19 | |
Dozens have perished, your wife almost among them... | 0:57:19 | 0:57:23 | |
Had I not bowed to pressure to keep those bodies secret, | 0:57:23 | 0:57:27 | |
the public knowledge of those deaths | 0:57:27 | 0:57:29 | |
might have been enough to sate his madness. | 0:57:29 | 0:57:32 | |
Word of advice, Ressler. This work we perform, | 0:57:32 | 0:57:35 | |
it does not serve to look backward. | 0:57:35 | 0:57:37 | |
This city, wickedness will ever leave its spores here. | 0:57:39 | 0:57:43 | |
You and I, we are not magicians, we cannot see through walls | 0:57:43 | 0:57:46 | |
or into men's minds. | 0:57:46 | 0:57:48 | |
Dozens perished, but hundreds who were ill are now well once more. | 0:57:48 | 0:57:53 | |
We fight. | 0:57:55 | 0:57:56 | |
We fight with all the skills we may muster. | 0:57:57 | 0:58:00 | |
Beyond that, we may do no more. | 0:58:00 | 0:58:03 | |
Can you remember what it was brought you here? | 0:58:15 | 0:58:18 | |
His blood was shed all upon you. | 0:58:18 | 0:58:19 | |
What did you see? | 0:58:21 | 0:58:23 | |
'Tis my darkness. | 0:58:23 | 0:58:24 | |
Subtitles by Red Bee Media Ltd | 0:58:50 | 0:58:54 |