The Good of This City Ripper Street


The Good of This City

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This programme contains scenes which some viewers may find upsetting

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Your cleanliness is your responsibility, but I expect it taken serious. I shall advise on

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girdle, corsage, garter and bustle, advice by which you will abide if you wish to thrive. Now the house

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takes 60% of all earnings. It is a good sight less than most, girl.

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In return, you shall find yourself free from harassment of any kind.

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If you have a complaint to make, I will take your side,

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no matter the grounds nor the Thomas in question.

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In short, you will find yourself fed, safe and solvent.

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Think on it. Return once you have.

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Yes, ma'am.

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Lucy!

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Oh, Lucy!

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Oh, darling.

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I'll sweep and scrub the floors, change the girls' linen,

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cook for them, do whatever you ask of me.

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Ah, Lucy. You, a char? You would make step-sisters of my girls

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and I would have mutiny in a week.

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Now, tell me. Where have you been these last years?

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Did one of our gentlemen make you his own?

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-Lucy?

-Please, Miss Susan.

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Will you not let me work?

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You know I cannot.

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Then I know not what will become of me.

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Lucy, look at you.

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The truth of this world is that men have designed it

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for their own purpose and pleasure.

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And you, my darling, there is not one primitive desire

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in their child-like minds that you do not fulfil.

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Which is my curse, miss....

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one from which all the world profit...

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save myself...

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and one, it seems, I cannot now escape.

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Christ on a pony.

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Um...

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Dead. Murdered.

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Who is, lady?

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It's all right. It's all right.

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Two shillings is all. You spend less on butter, more perhaps on ale.

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But a drop or three will raise you up when you need raising

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and it's going to bring you peace after.

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Help! Help me, somebody.

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Hell's bells! Fetch the inspector!

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Come sit down here, Miss. What you been up to?

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-Lucy?

-What is this? Who is she?

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Her name's Lucy. Lucy Eames.

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-Known to you how?

-How do you think? She was one of Susan's.

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-Lucy.

-Blood's not hers, thank God.

-Then whose?

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Sir, she spoke of murder.

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-Two murders.

-Where, girl?

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Dog's Neck.

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Dog's Neck.

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-It's what they call the rookery off the back of Cable.

-St George's Cross?

-That's right, sir.

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That slum's due to meet the wrecking crew today.

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-Can we get a blanket? Give me a blanket.

-Miss, come here. Come here.

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Miss, you see this whiskered gentleman here?

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His name is Mr Artherton. You have need of anything, you ask him.

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She may deserve them. She may not.

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-Best not take chances.

-Quite so.

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Sergeant, that girl's no stranger to restraints.

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Get the telegraph singing. See if any of our brethren had any cause

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to lock up a Lucy Eames.

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-Tart, I believe.

-Yes, sir.

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She's one of Miss Hart's girls, you say?

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-Was.

-When?

-Two years ago maybe.

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Susan found her lifting her drawers for the hauliers on Limehouse Cut,

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took her in, fed her, waited till she was 16, let her loose.

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She was something, Reid.

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-Men stood in line half-way to Hoxton.

-Lucky girl.

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So why did they stop queuing?

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Get these people out of here. Come on. Move along.

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It's all coming down today whether you're out or not.

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Order of S&C Railways.

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Police coming through. Stand aside, gentlemen.

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Excuse me, madam. Stand aside.

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BABY CRIES Move! Out!

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You, out!

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He's gone. Though not long since.

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-Still warm.

-You. You stand there and watch this man bleed out?

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That man...I did.

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-Who is he?

-Name's Roach.

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Collected rents hereabout.

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What use was he on the day this building comes down?

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Whatever it was, they raised hell about it.

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She calling him a devil, he swearing to end her

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-if she didn't pipe herself down.

-The woman?

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Yeah, Maggie Eames. This is her place.

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And those her children that wail out there?

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Them and their whore of a sister.

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-Sergeant, get them out of here. Have a man take them to their sister at Leman Street.

-Yes, sir.

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You have the tart?

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-You saw her?

-She was seen...

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walking out of here like she'd washed herself in his blood.

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You take note of any other?

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On this day?! Amongst this exodus?

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Satan himself could have sauntered through and no man remark on it.

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-Your name?

-Denton.

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Wait outside. Sergeant, shut the door.

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-Constable, keep hold of this man.

-Yes, sir.

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So, she smashes the bottle into his head.

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She stabs his throat with it.

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He staggers, he shoots...

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-No.

-What?

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This wound, the skin, subcutaneous fat...

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See how clean it's penetrated? She stabbed him with that bottle,

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the work would be jagged and the flesh scragged. This is a lancing.

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Just one precise thrust.

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Miss Eames, then.

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She had no blade on her when she arrived.

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-She could've ditched it.

-Certainly.

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But...

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But she would have struggled to reach him from where she stood.

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Lucy stood...

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..here.

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See the arc of arterial blood?

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The heart's beat projects it from his severed artery,

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strikes this wall, this wall, this window...

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Then hits the girl, leaving that gap.

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Give the man a cigar.

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He was cut from behind by someone else.

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-Go on.

-She hits him with the gin bottle, blam. He shoots.

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Gets stabbed from behind. He turns. He falls with the stripe of blood.

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towards Lucy. But he shoots and misses. See that?

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Missing because he's turning, aiming for another. Blam.

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Blam.

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Blam.

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-Blam.

-Towards whoever cut him.

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Where's the last? The sixth?

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-Lower than the others, sir.

-It is.

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It is, but...was it diverted?

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By what?

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You see this, Captain?

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We have six bullets. We have one in her head.

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Four passing directly into the wall in a correlating tangent.

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And the last, the sixth, perhaps diverted through this window.

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Then that's the slug we need.

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Got ya.

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It did pass through a body on its way out. It's blooded.

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Then...

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a fourth stood...

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..here. In their hand, the knife that killed this man

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and with him the answer as to why he blew this woman's brains out of her before he died.

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These bodies, mark where they lay and they are for your dead room.

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Sergeant, keep this room sealed. There will be truth in it,

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but we must work it inch by every inch to find it.

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You're police?

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My name is Stanley Bone of the LCC.

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Mine Reid. H Division.

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What does it brings a board member of our new county council out to a slum clearance?

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Do you offer your home to those here rendered without?

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Mr Reid, I am advocate for the railway company

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that makes this incursion.

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Whatever has called you here takes place on its land.

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It is murder that calls me here.

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Murder? Of who?

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Of a rent collector and tenant.

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I am sorry, Inspector.

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But whilst I pray for the poor departed,

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that building comes down today.

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No longer. It stays upright until I know what took place there.

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And these workmen will stand idle on full wage

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while you discern the details of a rent dispute?

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Whatever it is that's discerned here, yes, they will.

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Or are you not also advocate of the police?

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Yes, of course.

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You must do your duty, Inspector.

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How now, Inspector? Come to see the march of progress, have we?

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Those who now must find their shelter where they can?

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-That your story, is it?

-Oh, I am a man of compassion.

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The benighted souls who must make their lives in such places

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or meet their deaths there.

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Just a name or two, Inspector, eh?

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Someone here shall tell me eventually. Why should it not be you?

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Because I would make your life harder than it need be, Mr Best.

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Not the reverse.

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It'll be all right, Lucy. It'll be all right.

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Artherton, a Maria for St George's Cross.

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Have Captain Jackson return with all...speed.

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There, there. Come on. Shush.

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What's brought you here?

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Erm, our Lucy, Inspector.

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-Miss Susan sent me to check on her.

-And how do you find her?

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As you see her, Mr Reid. Just...silent in her distress.

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-Get home, girl.

-Yes, sir.

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She seemed calmed by the girl's presence, sir.

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-I thought it conducive. Never mind that, Artherton.

-Have you traced her?

-Not myself, sir. The lad.

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Well, Hobbs?

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Well, it's only that the girl seems sad, to me, sir.

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-Not bad.

-No.

-And like you said, she's worn irons before now,

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-so I did a round of the asylums.

-And you found knowledge of her?

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Yes, sir. The Lark House at Bethnal Green.

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-And do they send someone?

-A Dr Crabbe comes.

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-Karl Crabbe himself?

-Sir.

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He's made a progress with hysterics

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that no other doctor of the mind has yet.

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Good work, Hobbs. You did right.

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Choose two men, take a Maria to Sergeant Drake. He'll have instructions for you.

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-Yes, sir.

-Give me the keys to those cuffs.

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Sit.

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No. No, child. That is not what is...required of you here.

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Are you wounded in any way?

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Sit.

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All I want from you is to talk.

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Whatever pleases you, sir.

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Drink this.

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Can you remember what it was brought you here?

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What happened at the Dog's Neck?

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My mama killed, sir.

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Not just your mother.

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A man, too.

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Yes. Do you know him?

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What did you see?

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Forgive me, Miss Eames. His blood was shed all upon you.

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May I go now, sir?

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Where is it that you think you are, Lucy?

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I forget.

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Your mama, this man...

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Help me help you and think.

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What did you see?

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Just my darkness.

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When I woke up, they were there laid before me.

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-And not another soul?

-No-one.

-You are sure?

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There's nothing that I'm sure of in this world, sir.

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Lucy, you are aware that you are with child, are you not?

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BABY CRIES

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Dr Crabbe.

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Lucy!

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Mr Reid.

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Sir.

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I heard you speak last month. At Lincoln's Inn.

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At the college! A man I know told me I droned that day.

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He cannot have been listening.

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And now you have found and cared for our Lucy.

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Dr Crabbe, you should know,

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Miss Eames' mother is killed this day.

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Oh, my poor dear girl.

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And another man, too, the name of Roach. Do you know him, sir?

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No, I do not. Was Lucy present?

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She was.

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But remembers not a thing?

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Get both these bodies to my dead room!

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The man who drops them will be assisting me at autopsy.

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No! Wait! Wait!

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SHE SCREAMS

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Take them away now! Hurry! Hurry!

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Reid, I... I'm sorry.

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She is epileptic?

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She is ailed by that, yes. Other conditions, also.

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Inspector, I know you must question her further

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but I would lodge her in my care until you next have need of her.

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Artherton, prepare the papers.

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Davis, can we lift her?

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Thank you.

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There Lucy. All is well, all is well.

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Dr Crabbe, one last question before you go.

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For how long has Miss Eames been a patient of yours?

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A little over two years now,

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but she is not permanently resident with me.

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You keep no watch over her?

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Inspector, to find her health, it is of considerable importance

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that Lucy's life feel as commonplace as yours or mine.

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That cannot be the case if she feel we assess her every move.

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When she is ill, she comes to me.

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When well, she lives as she pleases.

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TODDLER GABBLES

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Excuse me.

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Sir. These nippers?

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I have an idea where they may rest

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until we know better what will become of them.

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Miss Goren? Miss Goren, I am sorry. I come to impose on you once more.

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Oh! We are friends now, Inspector.

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You must never apologise for your visit.

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This is Betsy.

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Hello, Betsy!

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Girls, say hello to Betsy.

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What is this poor child's story?

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Er, her mother is dead and her sister...

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Her sister is of no use to her for now.

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No father or uncle?

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It's men that are the ruin of this family, Miss Goren.

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Oh, this family and many like them, Inspector.

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You disagree?

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No, no. No, merely, my wife would say the same.

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Mrs Reid must be a woman of great sense and clarity.

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She is that, yes.

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Then I would like to meet her.

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My many thanks again, Miss Goren.

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If I have news, you'll be the first to know.

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You remember, Lucy? Your room?

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Just as it ever was.

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'Strange, were like she weren't even there.

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'Barely even recognised me.'

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Anyways, I don't know why you're getting yourself in such a palaver about her.

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Think she gave two tosses for you when she swanned off like Ellen Terry herself?

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She was worth ten of you, girl.

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Oh, Rose, come here, come here. I'm so sorry.

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(I fear for her. And I blame myself.)

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Get Reid, Sergeant.

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Yes, Commissioner Munro.

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Two issues, Reid.

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One, whoever did this. From behind.

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They had to push upwards from underneath to do so.

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So I reckon they would be shorter. The blade's about four inches.

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A good point, a switch-blade most likely. A well-made one.

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The second issue?

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This woman.

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There are fibroids in her womb.

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Explain.

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It's like cankers. Over time they deform the uterus.

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The children?

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She ain't been confined for over ten years.

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So what then? Are they Lucy's?

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KNOCKING AT DOOR

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Commissioner Munro calls for you, Sir.

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You're to go with him to the Dog's Neck railway excavation.

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They are but a few weeks old,

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but these places already have the chill of eternity.

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Why bring me here, Sir?

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Just hear the man out, Reid. His concern should be ours, also.

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Inspector. Inspector, please!

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Thank you for responding so speedily to my invitation.

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Yourself in particular, Inspector.

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Get to it, Bone, I have two murders above us need investigation.

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And I will have you returned to them in short order, Mr Reid.

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As soon as you've seen just what is built here.

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Track is laid. For a railway. It is nothing new.

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Perhaps not new. But newly efficient.

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Every man - a yard back from the line!

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MACHINES WHIR

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500 volts run beneath the rivers of the junction at Liverpool Street,

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split there to travel east, west and onwards, Mr Reid.

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Onwards, for ever. Down the next century and the one that follows -

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an organism of transport.

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Every borough connected, one to the other.

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The poor, sir - not simply the rich - will travel,

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for the cost of half a pot of jam, from one end of our city to another.

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Their everyday horizon extended,

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their aspirations improved accordingly.

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Mr Bone, I have never contested the value of this machinery to people's lives.

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Then assist it.

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Inspector, the investment structure we have constructed for this

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venture, it is as reticulated as the network we would build.

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Each section of line has a completion guarantee.

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That guarantee fulfilled, the next tranche of capital is released.

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Should the demolition crew above ground stand idle

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for many hours more, we risk the collapse of the entire venture.

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I beg you, sir. I beg you.

0:23:110:23:13

Let them proceed.

0:23:150:23:16

Good day to you, fine sirs.

0:23:190:23:21

Who is this gentleman?

0:23:210:23:22

His name is Best. He writes for The Star.

0:23:220:23:25

You know me not, Councillor. But I come to know you, Sir.

0:23:250:23:27

This is private land.

0:23:270:23:29

Remove yourself or Inspector Reid shall do so with his boot.

0:23:290:23:32

And this here is common land from which I shall ask Mr Bone my questions,

0:23:320:23:35

of how he feels, four months into its life,

0:23:350:23:38

our new county council proceeds.

0:23:380:23:40

If its civic enlightenments are not compromised by the...

0:23:400:23:44

commercial instincts of its councillors.

0:23:440:23:48

I shall not stand here and listen to these insinuations.

0:23:480:23:51

Everything we do, we do for the good of this city

0:23:510:23:53

and the benefit of those who build their lives within it.

0:23:530:23:55

Commissioner, Inspector.

0:23:550:23:58

I'm sure they appreciate your dedication, sir.

0:23:580:24:01

Yes, the sacrifices you have made to your own life.

0:24:010:24:04

Your wife, watching the sea roll in all alone down in Hove.

0:24:040:24:08

No children to comfort you.

0:24:080:24:10

The pleasures of a home life foregone in pursuit of others' happiness.

0:24:100:24:14

It must ail you, Sir.

0:24:140:24:16

It must play on those finely-tuned nerves of yours.

0:24:160:24:19

Or do you find other ways of easing that pain..?

0:24:200:24:23

Best! Enough. Get gone.

0:24:230:24:26

Whatever you say, Inspector.

0:24:260:24:28

But do not think me gone long.

0:24:280:24:30

For myself, Mr Bone's vision of a liberal city commune is of little bearing.

0:24:350:24:40

No, sir.

0:24:400:24:41

What is of greater importance to me is this -

0:24:410:24:43

that each occasion a slum is raised to the ground,

0:24:430:24:46

it is replaced by the type of brick and clean steel on which

0:24:460:24:50

the bacteria of the criminal classes can no longer fester.

0:24:500:24:54

The greater the number of homeless we send to the wider world,

0:24:540:24:57

the faster our measure of crime falls.

0:24:570:25:00

You have my meaning, inspector.

0:25:000:25:02

Whatever it is your men do in that rookery, it stops by end of day

0:25:020:25:05

or they will find themselves amidst the rubble.

0:25:050:25:08

'There will be sign.'

0:25:100:25:11

This person might have vanished as if a ghost,

0:25:110:25:14

but a ghost they are not.

0:25:140:25:16

Wherever they have passed, the space through which they have done so must bear witness.

0:25:160:25:19

We three - we take one more pass of this place together.

0:25:190:25:23

On your knees, then.

0:25:300:25:32

Oh.

0:25:410:25:42

What, Hobbs? What is it?

0:25:420:25:44

It's gin, Sir.

0:25:480:25:50

Sir? Look at this, blonde hair.

0:25:560:25:59

The mother's, most likely.

0:25:590:26:01

What's that?

0:26:180:26:20

It's a herb.

0:26:200:26:21

Dropped. Brushed aside.

0:26:210:26:24

One that I have smelled before.

0:26:240:26:26

Hobbs. It's time we knew more about our dead Mr Roach.

0:26:290:26:32

Get to Companies House. Find out what you can about his work,

0:26:320:26:35

-whether he collected on his own behalf or for others.

-Sir.

0:26:350:26:37

Sergeant - you're with me.

0:26:370:26:39

I have a notion of what may have passed here.

0:26:390:26:41

That's for upstairs, cheeky.

0:26:430:26:45

Sergeant Drake!

0:26:460:26:48

Get your skinny prick out of here!

0:26:520:26:54

Fetch Miss Susan!

0:26:550:26:56

Will you arrest me, Sir?

0:26:580:27:00

No, girl.

0:27:000:27:01

I hope he's not left you out of pocket.

0:27:060:27:09

GIGGLES

0:27:090:27:10

Mr Drake, you do say the funniest things.

0:27:100:27:13

Your mistress. Where is she?

0:27:130:27:15

This had best be a raid.

0:27:150:27:17

If you've come simply to say your good-evenings, I shall be seeking compensation.

0:27:170:27:20

No good-evenings. This is not a raid, either.

0:27:200:27:23

I seek an interview, Madam.

0:27:230:27:25

This way. But leave your sergeant down there.

0:27:250:27:28

He may moon at my girl gratis.

0:27:280:27:31

I'll be outside sir.

0:27:330:27:34

Your accomplice's very own suite.

0:27:480:27:50

Will you indulge me, Miss Hart?

0:27:570:28:00

Allow me to weary you with some details of my day?

0:28:000:28:03

You? Weary me, Inspector?

0:28:030:28:05

That girl you once ran.

0:28:070:28:09

Lucy. A good girl.

0:28:090:28:11

She left for what we hoped were better times.

0:28:120:28:15

Better or no,

0:28:150:28:16

she appears this morning at my station, striped in blood,

0:28:160:28:18

keening after her dead mother.

0:28:180:28:20

I've heard of it. And I mourn for her.

0:28:200:28:22

Hmm. Yes.

0:28:240:28:26

And the man, too, Roach.

0:28:270:28:29

His carotid opened with a stab of a honed switch-blade?

0:28:300:28:34

I prefer you spare me that imagery, Mr Reid.

0:28:340:28:37

Your sensitivities affronted, are they?

0:28:370:28:39

This plant on Captain Jackson's desk.

0:28:410:28:44

What of it?

0:28:440:28:45

Pennyroyal, is it not?

0:28:480:28:51

What that man keeps in this room, I find I prefer not to inquire.

0:28:510:28:54

Then perhaps I might educate you?

0:28:540:28:56

I'd be honoured.

0:28:560:28:58

Pennyroyal, when brewed strong as an infusion, may bring on miscarriage.

0:28:580:29:01

I confess I am surprised a woman in your line of work, ignorant of this.

0:29:040:29:09

What can I say, Mr Reid? We are cautious in this house.

0:29:090:29:13

Miss Eames is, I would say, a little under three month pregnant.

0:29:140:29:18

Then I mourn for her once more.

0:29:180:29:20

As I say - cautious.

0:30:030:30:06

You best attend to that, Susan.

0:30:240:30:27

A bullet wound might soon go septic.

0:30:270:30:29

Think of the names I can speak of!

0:30:320:30:34

The many men of yours whose pleasure's been found in my house!

0:30:340:30:37

-Those ranked higher than you...!

-Will you get her locked down!

0:30:370:30:40

You! And you! And you have all been guests in my house!

0:30:400:30:44

With me, Jackson.

0:30:450:30:46

No, Reid!

0:30:520:30:54

I swear it, I have no clue as to what she's doing here.

0:30:540:30:58

How skilled you are, Captain.

0:31:000:31:02

Your claims to know nothing of what takes place beneath your own roof.

0:31:020:31:05

I am dismayed at myself,

0:31:070:31:09

that I would trust a man so transparently false.

0:31:090:31:12

The two of you - you and Susan - the lies that you hide behind,

0:31:140:31:19

lies that I have allowed to go untested.

0:31:190:31:22

Allowed in the foolish instinct that some good might come from it!

0:31:220:31:28

That you might be worth the faith that I have placed in you!

0:31:280:31:32

I am, Reid.

0:31:320:31:33

You are in a rage and I understand that rage, but I...

0:31:330:31:36

No.

0:31:390:31:40

You knew of her guilt and a man who holds secrets is a secretive man.

0:31:400:31:44

And you have the right to pronounce on that, do you?

0:31:490:31:53

That mess about your shoulder.

0:31:530:31:54

All who have laid eyes on it, every man in this station

0:31:570:31:59

too afraid to talk about it even amongst themselves.

0:31:590:32:03

Does Drake enquire after it?

0:32:030:32:05

Because I'd lay money on it that he doesn't.

0:32:050:32:08

Well, that's loyalty for you, Reid.

0:32:080:32:10

A dog unable to question the pain or motivation of the man

0:32:120:32:15

that it tails about the place.

0:32:150:32:16

Well, I shall ask you. I'd hear you speak of what befell your girl...

0:32:160:32:19

You ever speak of her again, I shall not trouble myself with

0:32:220:32:27

asking after the secrets of your life, Captain.

0:32:270:32:31

I shall chain you in a cell underground

0:32:310:32:33

and take billy club to you until they pour from you like water.

0:32:330:32:36

Am I clear?

0:32:380:32:39

Am I?

0:32:410:32:43

My innocence in all this?

0:32:440:32:47

There is a suspect down the way with a bullet wound,

0:32:570:33:01

requiring disinfection and needlework.

0:33:010:33:04

'You make no attempt to hide your guilt.'

0:33:090:33:11

Why should I? I feel no shame for the act.

0:33:110:33:14

The animal had killed the woman, was set to do the same to Lucy.

0:33:140:33:17

I did only as you would have done, Inspector.

0:33:170:33:19

I should take your word for that?

0:33:190:33:21

Take what you will, Inspector. It is the truth.

0:33:210:33:23

Careful, Quack!

0:33:230:33:25

The truth, and the two of you?

0:33:250:33:28

-Three unlikelier bedfellows a man would struggle to find.

-Indeed.

0:33:280:33:31

You ask your questions, Mr Reid.

0:33:310:33:34

I will answer and then you may decide if I do so truthfully or no.

0:33:340:33:37

What brought you to Dog's Neck?

0:33:390:33:41

-Lucy.

-She invited you?

0:33:410:33:42

-I followed her there.

-From?

0:33:420:33:43

Tenter Street.

0:33:430:33:44

Two years and not a word,

0:33:470:33:49

not a solitary clue as to whether she lived or breathed.

0:33:490:33:52

Then, dressed fine as a lady, she knocks on my door.

0:33:520:33:56

What did she want?

0:33:560:33:57

Her old room back.

0:33:570:33:59

But she was dressed fine, you say?

0:33:590:34:01

I have no explanation for it, Sergeant, just the fact of it.

0:34:010:34:04

Then what did you say to her, Susan?

0:34:040:34:06

That, thoroughbred or no,

0:34:060:34:07

three months pregnant, she was no use whatsoever to your stable.

0:34:070:34:12

Then what?

0:34:140:34:15

Why ask me?

0:34:150:34:16

I imagine, being fond of her, you felt remorse.

0:34:160:34:20

And you hurried after the girl, Pennyroyal in hand,

0:34:200:34:23

to tell her that, were she to find herself free of her burden,

0:34:230:34:26

she might once again be welcome.

0:34:260:34:28

Hmm?

0:34:280:34:29

But it is what you found there that interests me the most.

0:34:320:34:35

I heard her from the street.

0:34:370:34:39

-She raged at him.

-Margaret?

0:34:410:34:43

On what topic?

0:34:450:34:47

They were flattening the place.

0:34:470:34:48

He wanted his dues before they did so.

0:34:480:34:51

No.

0:34:510:34:52

She screamed of what she knew of him.

0:34:530:34:57

And that she would be silent no longer.

0:34:570:34:59

And he said that she would if she knew what would allow her to keep on breathing.

0:34:590:35:04

I heard glass break.

0:35:040:35:06

The bottle against his head?

0:35:060:35:08

The reports of a revolver.

0:35:080:35:10

-Lucy screaming.

-You entered.

0:35:100:35:13

Lucy was hysteric.

0:35:130:35:14

You produced your blade.

0:35:140:35:16

You cut...

0:35:170:35:19

..from behind.

0:35:200:35:22

And what of Lucy?

0:35:250:35:27

I left her there.

0:35:290:35:31

Squirming in the dirt.

0:35:320:35:34

-Why d'you stare? It is a case solved.

-Reid.

0:35:560:36:00

No longer, American, away with ya.

0:36:000:36:02

Reid, do you intend to charge her on this?

0:36:020:36:05

For saving a girl's life?

0:36:050:36:07

A man was killed by her hand.

0:36:070:36:08

A slumlord ape set on murder.

0:36:080:36:10

Still a man.

0:36:100:36:11

And you never thought it worth asking why this man took

0:36:110:36:15

a pistol to this woman.

0:36:150:36:17

Or whose threat he carried with him?

0:36:170:36:19

Captain Jackson, I shall be the master of all enquiries I make of myself.

0:36:190:36:23

Door, please, Sergeant.

0:36:230:36:24

Is it worth asking? Do you think, sir?

0:36:410:36:43

Yes, Bennet. I suspect it is.

0:36:440:36:45

David, be quiet. Down and sleep. Goodnight.

0:36:580:37:01

-Goodnight, Miss.

-Good night, good night. Sleep!

0:37:010:37:04

'Go'natt. Sov Gott.

0:37:040:37:06

Oh, Ellie, I have your dolly.

0:37:060:37:08

There...tuck down. Good night.

0:37:080:37:12

Go to sleep. Good night.

0:37:120:37:16

Oh, no!

0:38:180:38:19

Betsy, Betsy.

0:38:220:38:24

Betsy? Betsy?

0:38:350:38:38

Miss Goren?

0:38:520:38:53

It seems all I bring to you is violence and distress.

0:38:590:39:02

Find the children, please, Inspector.

0:39:050:39:08

Lucy Eames.

0:39:220:39:23

-Two years since, you say she walked away from your house with no warning?

-I do.

0:39:230:39:28

The oldest child found in that room, I guess she approached that age.

0:39:280:39:31

-Do you agree?

-Mmm.

0:39:310:39:33

Then I suggest this to you.

0:39:330:39:34

That you cast her out for the same reason you cast her out this day just passed,

0:39:340:39:38

that she was pregnant and no longer welcome in your house.

0:39:380:39:42

You think me callous, Inspector. And perhaps I am that.

0:39:530:39:59

But I loved that girl like a sister.

0:39:590:40:02

And she never did say what took her away.

0:40:030:40:06

But I had my theories.

0:40:060:40:07

Proceed.

0:40:090:40:11

-The first of her...attacks...

-The fits from which she suffers?

0:40:110:40:15

It had come two months previous. Near scared the Thomas with whom she was engaged, to his death.

0:40:150:40:21

There were more?

0:40:210:40:23

Perhaps five, graver too.

0:40:230:40:25

We found her gone the day after the last one had left her.

0:40:250:40:29

My belief? She went to find their remedy.

0:40:290:40:33

Gentlemen, please, come this way.

0:41:170:41:18

In the treatment you conducted with her,

0:41:180:41:22

did she speak at all of children born unto her?

0:41:220:41:25

She did not.

0:41:270:41:28

Nor of the child she carries in her belly now?

0:41:290:41:33

Mr Reid, my patients - past, present, future...

0:41:330:41:37

I have no family of my own and as a consequence,

0:41:380:41:42

they are doubly precious to me.

0:41:420:41:45

Such love means I will not judge them nor demand their secrets.

0:41:450:41:50

They come to me, arms wide for assistance

0:41:500:41:53

and I render it without condition.

0:41:530:41:56

Until Lucy chooses freely to tell me

0:41:560:41:59

the details of her life away from here, I will not ask her of them.

0:41:590:42:04

Then that - and I hope you will forgive me for this, doctor -

0:42:040:42:06

that must be my task.

0:42:060:42:08

Lucy.

0:42:110:42:13

I bring greetings from Miss Susan.

0:42:230:42:27

Miss Susan is a lady.

0:42:310:42:34

As are you, Lucy.

0:42:340:42:36

Not I, sir. I would be so.

0:42:360:42:41

But am not.

0:42:410:42:43

And who is it says so?

0:42:430:42:46

The world. Its law.

0:42:460:42:49

God's law.

0:42:500:42:52

Because you have children and are unmarried?

0:42:530:42:57

Many reasons, sir.

0:42:590:43:00

Tell me, Lucy, what, what was it brought you to Miss Susan yesterday?

0:43:050:43:10

Miss Susan sent me away.

0:43:110:43:13

I know, I know.

0:43:130:43:15

But, after two years and with child inside you.

0:43:150:43:19

It is desperate of you.

0:43:190:43:20

Tell me, Lucy, please, will you name that despair?

0:43:210:43:25

Lucy? Lucy?

0:43:290:43:33

The children that your mother cared for,

0:43:330:43:36

the child that is inside you now.

0:43:360:43:38

Which man is father to them, Lucy?

0:43:380:43:40

It is but one man, is it not?

0:43:400:43:42

Do not be frighted, child.

0:43:420:43:44

It is in my gift to guarantee your safety.

0:43:440:43:47

No, no I cannot!

0:43:500:43:51

-No, I cannot, I cannot, no!

-Calm. Calm. Calm, child!

0:43:510:43:55

There...sshh...all right.

0:44:250:44:29

Miss Eames' medication. Mr Reid would know its contents.

0:44:440:44:48

-Hobbs, Hobbs, Hobbs, slow down, say again, say again.

-Yes sir.

0:44:570:45:00

Sir, Gordon Roach - that's the murdered rent collector, sir -

0:45:000:45:04

-has a company name of Roach Collections.

-Imaginative.

0:45:040:45:08

Yes... No.

0:45:080:45:11

-Roach Collections pays into and receives stipend from a trust.

-Name of?

0:45:110:45:15

-Stickleton. The Stickleton Trust.

-Its board members?

0:45:150:45:18

Not listed. The only name that of a lawyer.

0:45:180:45:21

A Mr Pinch.

0:45:210:45:23

Now, I visited Mr Pinch - well, Mr Pinch's clerk, that is.

0:45:230:45:27

-And impressed on him the value of this...

-Yes, yes, Hobbs, skip to it.

0:45:270:45:30

Sir, the only trustee of the Stickleton Trust is Mr Stanley Bone.

0:45:300:45:35

Sergeant Drake! With me!

0:45:390:45:41

Stanley Bone. Everything you have.

0:45:460:45:48

Now.

0:45:480:45:49

Hang it.

0:46:020:46:03

Fred Best tells you he needs something shown in return.

0:46:220:46:25

You do as I ask, I will give to you a story that, though you connive

0:46:250:46:29

and bribe your way to the devil himself - it will not be bettered.

0:46:290:46:32

-Go on.

-How Stanley Bone - secret slumlord -

0:46:320:46:36

is exposed by the actions of a whore-runner.

0:46:360:46:39

Corruption and sex, Mr Best.

0:46:390:46:43

Surely it does not come more honeyed than that.

0:46:430:46:45

Oh, yeah, Mama!

0:46:450:46:47

I have you now! Where's Reid?

0:46:470:46:51

He's out, he may be some time.

0:46:510:46:55

Well you're going to tell me. Or I'm going to shoot Hobbs here.

0:46:550:46:58

Relax, Hobbs. Man, I'm only joking.

0:46:590:47:02

I could no more shoot you than I could shoot my own mother.

0:47:020:47:05

Artherton, on the other hand...

0:47:050:47:08

As you know, Inspector,

0:47:090:47:11

he was one of the first raised up in January by our new council.

0:47:110:47:14

Now in March he and his friends agree that the Dockhead slum

0:47:140:47:16

in Southwark make way for the S&C Railway and its very first tunnel.

0:47:160:47:20

-The Dockhead was also owned and collected by the Stickleton Trust?

-It was.

0:47:200:47:24

Thus Mr Bone recommends the compulsory purchase of his own slum.

0:47:240:47:27

Mm-hm and profits tidily.

0:47:270:47:29

Mr Best, the last I saw you, you made heavy weather of matters

0:47:290:47:32

that relate more closely to Mr Bone's personal status.

0:47:320:47:34

-I did. It is true.

-Elaborate, if you please?

0:47:340:47:38

Mr Bone is a man who came to ambition late.

0:47:380:47:41

His youth was not a happy one. Beset with fits.

0:47:410:47:44

He is epileptic?

0:47:440:47:47

-Was. He eventually found the cure.

-And the cure? Where was it found?

0:47:470:47:50

You will let me pass, or you will suck on this iron!

0:47:500:47:53

Sir, stop! You can't go in there!

0:47:530:47:55

Drake.

0:47:580:47:59

Look, I swear I'm not going to shoot you, only...tell Reid...

0:48:010:48:07

...that the vial... Lucy's medication... Uh...

0:48:080:48:13

What? What is it?

0:48:130:48:16

It is amphetamine!

0:48:160:48:18

The doctor who gave Mr Bone his cure.

0:48:220:48:24

-His name is Crabbe, is it not?

-It is, Mr Reid.

0:48:240:48:27

We go. Ah, one last question. You jibed about his bachelor status.

0:48:270:48:30

What did you mean by this?

0:48:300:48:32

That is the last piece of my puzzle, Mr Reid.

0:48:320:48:35

There was tell he had a woman cached away somewhere

0:48:350:48:38

and a set of bastards, too.

0:48:380:48:39

And did you find them?

0:48:390:48:40

Never could, Mr Reid. More's the pity, eh?

0:48:400:48:43

Indeed.

0:48:430:48:45

Your carriage is here.

0:48:500:48:51

A carriage that takes you to honour the latest chapter of your ever more celebrated life in this city.

0:48:560:49:03

Think on that.

0:49:070:49:09

Remember how you lived the first you came to me -

0:49:110:49:14

cursed by fits and reliance on your merciless wife.

0:49:140:49:18

Do you think I forget? Am I not grateful for what you have done for me?

0:49:180:49:23

I question your commitment to all that still lies ahead of us.

0:49:230:49:27

Roach silenced the woman.

0:49:270:49:30

I have had the children separated and removed a hundred mile from here, as you suggested.

0:49:300:49:34

I do not refer to your unloved bastards, as you well know.

0:49:340:49:37

It was your success had this sanatorium built,

0:49:390:49:45

and she my gift to you in return.

0:49:450:49:48

A child, blooming into woman, who would see in you

0:49:480:49:51

not the stammering lunatic of your youth,

0:49:510:49:55

but a vision of strength and hope.

0:49:550:49:58

You have enjoyed her.

0:50:010:50:03

But she is all used now.

0:50:050:50:07

And must have her mind cleaned of all she knows of you.

0:50:070:50:11

But she is so young...

0:50:160:50:18

She too may find the temperance you have led me toward.

0:50:180:50:23

No. She grows ever more disturbed. And this Reid draws close.

0:50:230:50:28

I will not allow you to make ruins of the life I have built for you.

0:50:280:50:33

She must be silenced so put her from your mind,

0:50:330:50:37

as you have the memory of the man you once were.

0:50:370:50:40

And leave me to bring her a more permanent peace.

0:50:420:50:47

Karl, I would say goodbye.

0:50:570:50:59

Thank you, nurse.

0:51:100:51:11

Stanley?

0:51:150:51:17

Say what you need to say.

0:51:190:51:21

Goodbye, Lucy, goodbye, my love.

0:51:270:51:32

Stanley? Stanley, where do they take me?

0:51:330:51:37

I... I've got another inside me, Stanley, I got another. Stanley?

0:51:370:51:43

It's all right, Councillor Bone.

0:51:430:51:46

We cannot build a railway without that we demolish a slum or two.

0:51:460:51:52

Sta...

0:51:520:51:53

Wait. That was Bone!

0:52:150:52:16

It can wait. We keep our course.

0:52:160:52:18

Hush, Lucy. Shh, imagine it.

0:52:210:52:26

A calm entire. Hmm, no questions, no hurtful thoughts.

0:52:290:52:37

No urgent and unhappy desires.

0:52:410:52:44

Simply peace.

0:52:490:52:50

You found us.

0:53:150:53:16

It was not easy. You've hidden this refuge well.

0:53:160:53:19

But that is a benefit to those you house.

0:53:190:53:22

-It is.

-Miss Goren?

0:53:220:53:24

Inspector.

0:53:250:53:26

Nicholas? Betsy? Hello!

0:53:320:53:35

Come here, you!

0:53:370:53:39

Come on, let's go inside, shall we? And show you the room Mrs Reid has got for us.

0:53:410:53:44

Yeah? Come on.

0:53:440:53:45

Will you take tea, Miss Goren.

0:53:450:53:47

Yes, thank you.

0:53:470:53:49

APPLAUSE

0:53:570:53:59

Gentlemen! Ladies! The switch is thrown. The line is live.

0:54:030:54:07

And beneath this earth here, the electric age forges on.

0:54:070:54:12

CHEERING

0:54:120:54:14

This railway, this underground railway is the capstone of all that we -

0:54:140:54:18

your grateful servants - would build here.

0:54:180:54:21

The foundation, ladies and gentlemen, of a new city.

0:54:210:54:24

A city that - though it rises from dank and fetid earth -

0:54:240:54:27

will gleam with the purpose and clarity of a summer morning.

0:54:270:54:31

Because if the future stands for anything - it stands for hope!

0:54:310:54:34

You do not have to do this thing.

0:54:530:54:55

I do, Inspector.

0:54:570:54:59

H Division's Inspector Reid! What intrusion is this?

0:55:100:55:14

Yes, Stanley. I still have my wits.

0:55:160:55:19

Miss, Miss. What is your name?

0:55:200:55:22

Her name is not relevant. Her story is.

0:55:220:55:24

I know you, Stanley Bone.

0:55:280:55:29

You proclaim to these good people about the future's gleaming hope,

0:55:310:55:37

but the tongue you speak with is forked.

0:55:370:55:41

And the future you speak of, it is built on evil and corruption.

0:55:410:55:45

You had me as your slave, denied our children...

0:55:470:55:51

had my mother murdered and you would have sent me to a living hell had it not been for this inspector here.

0:55:510:55:56

You are no man, but you are a beast that has risen

0:55:580:56:03

deep from the earth in which you dig into.

0:56:030:56:06

Mr Stanley Bone!

0:56:180:56:20

You halt for the police!

0:56:220:56:23

Watch yourself, off the track. Turn it off, somebody!

0:56:390:56:43

Christ alive!

0:56:440:56:46

You're famous. From a Leman Street cell to the front page in a day.

0:57:060:57:11

Someone must be fond of you.

0:57:110:57:14

Hmm, such fame is impermanent.

0:57:140:57:16

You'd better hope so. Otherwise, it's going to be you and me lacking in permanence.

0:57:160:57:21

Whoever we contend with here, they are no ordinary cracksmen.

0:57:370:57:40

Again!

0:57:410:57:42

-All men stand equal before the law, do they not?

-That is the law.

0:57:420:57:46

It is your law. Is it yours?

0:57:460:57:48

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