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This programme contains scenes which some viewers may find upsetting | 0:00:02 | 0:00:04 | |
Your cleanliness is your responsibility, but I expect it taken serious. I shall advise on | 0:00:04 | 0:00:08 | |
girdle, corsage, garter and bustle, advice by which you will abide if you wish to thrive. Now the house | 0:00:08 | 0:00:13 | |
takes 60% of all earnings. It is a good sight less than most, girl. | 0:00:13 | 0:00:17 | |
In return, you shall find yourself free from harassment of any kind. | 0:00:17 | 0:00:20 | |
If you have a complaint to make, I will take your side, | 0:00:20 | 0:00:22 | |
no matter the grounds nor the Thomas in question. | 0:00:22 | 0:00:25 | |
In short, you will find yourself fed, safe and solvent. | 0:00:25 | 0:00:28 | |
Think on it. Return once you have. | 0:00:28 | 0:00:31 | |
Yes, ma'am. | 0:00:31 | 0:00:32 | |
Lucy! | 0:00:33 | 0:00:35 | |
Oh, Lucy! | 0:00:37 | 0:00:39 | |
Oh, darling. | 0:00:40 | 0:00:43 | |
I'll sweep and scrub the floors, change the girls' linen, | 0:00:43 | 0:00:46 | |
cook for them, do whatever you ask of me. | 0:00:46 | 0:00:48 | |
Ah, Lucy. You, a char? You would make step-sisters of my girls | 0:00:48 | 0:00:51 | |
and I would have mutiny in a week. | 0:00:51 | 0:00:54 | |
Now, tell me. Where have you been these last years? | 0:00:54 | 0:00:56 | |
Did one of our gentlemen make you his own? | 0:00:56 | 0:00:58 | |
-Lucy? -Please, Miss Susan. | 0:01:01 | 0:01:04 | |
Will you not let me work? | 0:01:04 | 0:01:06 | |
You know I cannot. | 0:01:07 | 0:01:08 | |
Then I know not what will become of me. | 0:01:11 | 0:01:13 | |
Lucy, look at you. | 0:01:15 | 0:01:17 | |
The truth of this world is that men have designed it | 0:01:17 | 0:01:20 | |
for their own purpose and pleasure. | 0:01:20 | 0:01:22 | |
And you, my darling, there is not one primitive desire | 0:01:22 | 0:01:26 | |
in their child-like minds that you do not fulfil. | 0:01:26 | 0:01:29 | |
Which is my curse, miss.... | 0:01:29 | 0:01:31 | |
one from which all the world profit... | 0:01:31 | 0:01:34 | |
save myself... | 0:01:34 | 0:01:36 | |
and one, it seems, I cannot now escape. | 0:01:36 | 0:01:38 | |
Christ on a pony. | 0:02:15 | 0:02:16 | |
Um... | 0:02:21 | 0:02:22 | |
Dead. Murdered. | 0:02:24 | 0:02:27 | |
Who is, lady? | 0:02:27 | 0:02:28 | |
It's all right. It's all right. | 0:02:31 | 0:02:33 | |
Two shillings is all. You spend less on butter, more perhaps on ale. | 0:03:05 | 0:03:11 | |
But a drop or three will raise you up when you need raising | 0:03:11 | 0:03:14 | |
and it's going to bring you peace after. | 0:03:14 | 0:03:16 | |
Help! Help me, somebody. | 0:03:16 | 0:03:17 | |
Hell's bells! Fetch the inspector! | 0:03:17 | 0:03:20 | |
Come sit down here, Miss. What you been up to? | 0:03:20 | 0:03:23 | |
-Lucy? -What is this? Who is she? | 0:03:23 | 0:03:27 | |
Her name's Lucy. Lucy Eames. | 0:03:27 | 0:03:29 | |
-Known to you how? -How do you think? She was one of Susan's. | 0:03:29 | 0:03:33 | |
-Lucy. -Blood's not hers, thank God. -Then whose? | 0:03:33 | 0:03:36 | |
Sir, she spoke of murder. | 0:03:36 | 0:03:39 | |
-Two murders. -Where, girl? | 0:03:39 | 0:03:41 | |
Dog's Neck. | 0:03:41 | 0:03:43 | |
Dog's Neck. | 0:03:43 | 0:03:45 | |
-It's what they call the rookery off the back of Cable. -St George's Cross? -That's right, sir. | 0:03:45 | 0:03:49 | |
That slum's due to meet the wrecking crew today. | 0:03:49 | 0:03:52 | |
-Can we get a blanket? Give me a blanket. -Miss, come here. Come here. | 0:03:52 | 0:03:56 | |
Miss, you see this whiskered gentleman here? | 0:04:07 | 0:04:11 | |
His name is Mr Artherton. You have need of anything, you ask him. | 0:04:11 | 0:04:15 | |
She may deserve them. She may not. | 0:04:22 | 0:04:24 | |
-Best not take chances. -Quite so. | 0:04:24 | 0:04:26 | |
Sergeant, that girl's no stranger to restraints. | 0:04:26 | 0:04:28 | |
Get the telegraph singing. See if any of our brethren had any cause | 0:04:28 | 0:04:31 | |
to lock up a Lucy Eames. | 0:04:31 | 0:04:33 | |
-Tart, I believe. -Yes, sir. | 0:04:35 | 0:04:38 | |
She's one of Miss Hart's girls, you say? | 0:04:39 | 0:04:42 | |
-Was. -When? -Two years ago maybe. | 0:04:42 | 0:04:44 | |
Susan found her lifting her drawers for the hauliers on Limehouse Cut, | 0:04:44 | 0:04:48 | |
took her in, fed her, waited till she was 16, let her loose. | 0:04:48 | 0:04:52 | |
She was something, Reid. | 0:04:54 | 0:04:56 | |
-Men stood in line half-way to Hoxton. -Lucky girl. | 0:04:56 | 0:04:59 | |
So why did they stop queuing? | 0:04:59 | 0:05:01 | |
Get these people out of here. Come on. Move along. | 0:05:07 | 0:05:10 | |
It's all coming down today whether you're out or not. | 0:05:11 | 0:05:14 | |
Order of S&C Railways. | 0:05:14 | 0:05:16 | |
Police coming through. Stand aside, gentlemen. | 0:05:18 | 0:05:21 | |
Excuse me, madam. Stand aside. | 0:05:21 | 0:05:24 | |
BABY CRIES Move! Out! | 0:05:25 | 0:05:28 | |
You, out! | 0:05:28 | 0:05:30 | |
He's gone. Though not long since. | 0:05:40 | 0:05:43 | |
-Still warm. -You. You stand there and watch this man bleed out? | 0:05:43 | 0:05:47 | |
That man...I did. | 0:05:47 | 0:05:49 | |
-Who is he? -Name's Roach. | 0:05:51 | 0:05:53 | |
Collected rents hereabout. | 0:05:53 | 0:05:55 | |
What use was he on the day this building comes down? | 0:05:58 | 0:06:01 | |
Whatever it was, they raised hell about it. | 0:06:01 | 0:06:05 | |
She calling him a devil, he swearing to end her | 0:06:05 | 0:06:08 | |
-if she didn't pipe herself down. -The woman? | 0:06:08 | 0:06:11 | |
Yeah, Maggie Eames. This is her place. | 0:06:11 | 0:06:14 | |
And those her children that wail out there? | 0:06:14 | 0:06:16 | |
Them and their whore of a sister. | 0:06:16 | 0:06:18 | |
-Sergeant, get them out of here. Have a man take them to their sister at Leman Street. -Yes, sir. | 0:06:18 | 0:06:22 | |
You have the tart? | 0:06:24 | 0:06:26 | |
-You saw her? -She was seen... | 0:06:26 | 0:06:29 | |
walking out of here like she'd washed herself in his blood. | 0:06:29 | 0:06:32 | |
You take note of any other? | 0:06:32 | 0:06:34 | |
On this day?! Amongst this exodus? | 0:06:34 | 0:06:38 | |
Satan himself could have sauntered through and no man remark on it. | 0:06:38 | 0:06:42 | |
-Your name? -Denton. | 0:06:42 | 0:06:45 | |
Wait outside. Sergeant, shut the door. | 0:06:45 | 0:06:48 | |
-Constable, keep hold of this man. -Yes, sir. | 0:06:48 | 0:06:51 | |
So, she smashes the bottle into his head. | 0:06:58 | 0:07:01 | |
She stabs his throat with it. | 0:07:01 | 0:07:03 | |
He staggers, he shoots... | 0:07:03 | 0:07:05 | |
-No. -What? | 0:07:05 | 0:07:07 | |
This wound, the skin, subcutaneous fat... | 0:07:07 | 0:07:12 | |
See how clean it's penetrated? She stabbed him with that bottle, | 0:07:12 | 0:07:15 | |
the work would be jagged and the flesh scragged. This is a lancing. | 0:07:15 | 0:07:19 | |
Just one precise thrust. | 0:07:19 | 0:07:22 | |
Miss Eames, then. | 0:07:22 | 0:07:24 | |
She had no blade on her when she arrived. | 0:07:24 | 0:07:26 | |
-She could've ditched it. -Certainly. | 0:07:26 | 0:07:29 | |
But... | 0:07:30 | 0:07:31 | |
But she would have struggled to reach him from where she stood. | 0:07:31 | 0:07:35 | |
Lucy stood... | 0:07:35 | 0:07:38 | |
..here. | 0:07:39 | 0:07:41 | |
See the arc of arterial blood? | 0:07:41 | 0:07:44 | |
The heart's beat projects it from his severed artery, | 0:07:44 | 0:07:47 | |
strikes this wall, this wall, this window... | 0:07:47 | 0:07:50 | |
Then hits the girl, leaving that gap. | 0:07:50 | 0:07:52 | |
Give the man a cigar. | 0:07:52 | 0:07:54 | |
He was cut from behind by someone else. | 0:07:56 | 0:07:59 | |
-Go on. -She hits him with the gin bottle, blam. He shoots. | 0:07:59 | 0:08:03 | |
Gets stabbed from behind. He turns. He falls with the stripe of blood. | 0:08:03 | 0:08:08 | |
towards Lucy. But he shoots and misses. See that? | 0:08:08 | 0:08:11 | |
Missing because he's turning, aiming for another. Blam. | 0:08:11 | 0:08:15 | |
Blam. | 0:08:16 | 0:08:18 | |
Blam. | 0:08:18 | 0:08:20 | |
-Blam. -Towards whoever cut him. | 0:08:20 | 0:08:23 | |
Where's the last? The sixth? | 0:08:23 | 0:08:25 | |
-Lower than the others, sir. -It is. | 0:08:28 | 0:08:30 | |
It is, but...was it diverted? | 0:08:32 | 0:08:34 | |
By what? | 0:08:34 | 0:08:36 | |
You see this, Captain? | 0:08:37 | 0:08:39 | |
We have six bullets. We have one in her head. | 0:08:39 | 0:08:41 | |
Four passing directly into the wall in a correlating tangent. | 0:08:41 | 0:08:44 | |
And the last, the sixth, perhaps diverted through this window. | 0:08:44 | 0:08:48 | |
Then that's the slug we need. | 0:08:51 | 0:08:52 | |
Got ya. | 0:09:00 | 0:09:01 | |
It did pass through a body on its way out. It's blooded. | 0:09:05 | 0:09:09 | |
Then... | 0:09:12 | 0:09:14 | |
a fourth stood... | 0:09:14 | 0:09:16 | |
..here. In their hand, the knife that killed this man | 0:09:18 | 0:09:21 | |
and with him the answer as to why he blew this woman's brains out of her before he died. | 0:09:21 | 0:09:25 | |
These bodies, mark where they lay and they are for your dead room. | 0:09:25 | 0:09:28 | |
Sergeant, keep this room sealed. There will be truth in it, | 0:09:28 | 0:09:31 | |
but we must work it inch by every inch to find it. | 0:09:31 | 0:09:34 | |
You're police? | 0:09:39 | 0:09:40 | |
My name is Stanley Bone of the LCC. | 0:09:40 | 0:09:43 | |
Mine Reid. H Division. | 0:09:45 | 0:09:47 | |
What does it brings a board member of our new county council out to a slum clearance? | 0:09:47 | 0:09:51 | |
Do you offer your home to those here rendered without? | 0:09:51 | 0:09:55 | |
Mr Reid, I am advocate for the railway company | 0:09:55 | 0:09:58 | |
that makes this incursion. | 0:09:58 | 0:10:00 | |
Whatever has called you here takes place on its land. | 0:10:00 | 0:10:02 | |
It is murder that calls me here. | 0:10:02 | 0:10:04 | |
Murder? Of who? | 0:10:04 | 0:10:07 | |
Of a rent collector and tenant. | 0:10:07 | 0:10:09 | |
I am sorry, Inspector. | 0:10:10 | 0:10:12 | |
But whilst I pray for the poor departed, | 0:10:12 | 0:10:16 | |
that building comes down today. | 0:10:16 | 0:10:17 | |
No longer. It stays upright until I know what took place there. | 0:10:17 | 0:10:21 | |
And these workmen will stand idle on full wage | 0:10:21 | 0:10:23 | |
while you discern the details of a rent dispute? | 0:10:23 | 0:10:26 | |
Whatever it is that's discerned here, yes, they will. | 0:10:26 | 0:10:29 | |
Or are you not also advocate of the police? | 0:10:31 | 0:10:33 | |
Yes, of course. | 0:10:33 | 0:10:35 | |
You must do your duty, Inspector. | 0:10:35 | 0:10:37 | |
How now, Inspector? Come to see the march of progress, have we? | 0:10:42 | 0:10:47 | |
Those who now must find their shelter where they can? | 0:10:47 | 0:10:50 | |
-That your story, is it? -Oh, I am a man of compassion. | 0:10:50 | 0:10:53 | |
The benighted souls who must make their lives in such places | 0:10:53 | 0:10:58 | |
or meet their deaths there. | 0:10:58 | 0:11:00 | |
Just a name or two, Inspector, eh? | 0:11:02 | 0:11:04 | |
Someone here shall tell me eventually. Why should it not be you? | 0:11:04 | 0:11:07 | |
Because I would make your life harder than it need be, Mr Best. | 0:11:07 | 0:11:11 | |
Not the reverse. | 0:11:11 | 0:11:12 | |
It'll be all right, Lucy. It'll be all right. | 0:11:25 | 0:11:28 | |
Artherton, a Maria for St George's Cross. | 0:11:28 | 0:11:31 | |
Have Captain Jackson return with all...speed. | 0:11:31 | 0:11:34 | |
There, there. Come on. Shush. | 0:11:34 | 0:11:37 | |
What's brought you here? | 0:11:38 | 0:11:40 | |
Erm, our Lucy, Inspector. | 0:11:40 | 0:11:44 | |
-Miss Susan sent me to check on her. -And how do you find her? | 0:11:44 | 0:11:47 | |
As you see her, Mr Reid. Just...silent in her distress. | 0:11:49 | 0:11:55 | |
-Get home, girl. -Yes, sir. | 0:11:55 | 0:11:58 | |
She seemed calmed by the girl's presence, sir. | 0:12:01 | 0:12:04 | |
-I thought it conducive. Never mind that, Artherton. -Have you traced her? -Not myself, sir. The lad. | 0:12:04 | 0:12:08 | |
Well, Hobbs? | 0:12:09 | 0:12:11 | |
Well, it's only that the girl seems sad, to me, sir. | 0:12:12 | 0:12:15 | |
-Not bad. -No. -And like you said, she's worn irons before now, | 0:12:15 | 0:12:20 | |
-so I did a round of the asylums. -And you found knowledge of her? | 0:12:20 | 0:12:23 | |
Yes, sir. The Lark House at Bethnal Green. | 0:12:23 | 0:12:25 | |
-And do they send someone? -A Dr Crabbe comes. | 0:12:25 | 0:12:28 | |
-Karl Crabbe himself? -Sir. | 0:12:28 | 0:12:31 | |
He's made a progress with hysterics | 0:12:31 | 0:12:33 | |
that no other doctor of the mind has yet. | 0:12:33 | 0:12:35 | |
Good work, Hobbs. You did right. | 0:12:37 | 0:12:39 | |
Choose two men, take a Maria to Sergeant Drake. He'll have instructions for you. | 0:12:39 | 0:12:42 | |
-Yes, sir. -Give me the keys to those cuffs. | 0:12:42 | 0:12:44 | |
Sit. | 0:12:49 | 0:12:50 | |
No. No, child. That is not what is...required of you here. | 0:13:01 | 0:13:06 | |
Are you wounded in any way? | 0:13:07 | 0:13:09 | |
Sit. | 0:13:25 | 0:13:26 | |
All I want from you is to talk. | 0:13:26 | 0:13:30 | |
Whatever pleases you, sir. | 0:13:30 | 0:13:31 | |
Drink this. | 0:13:34 | 0:13:36 | |
Can you remember what it was brought you here? | 0:13:41 | 0:13:44 | |
What happened at the Dog's Neck? | 0:13:44 | 0:13:47 | |
My mama killed, sir. | 0:13:47 | 0:13:49 | |
Not just your mother. | 0:13:49 | 0:13:50 | |
A man, too. | 0:13:51 | 0:13:53 | |
Yes. Do you know him? | 0:13:53 | 0:13:55 | |
What did you see? | 0:13:57 | 0:13:58 | |
Forgive me, Miss Eames. His blood was shed all upon you. | 0:14:01 | 0:14:04 | |
May I go now, sir? | 0:14:06 | 0:14:08 | |
Where is it that you think you are, Lucy? | 0:14:12 | 0:14:15 | |
I forget. | 0:14:21 | 0:14:22 | |
Your mama, this man... | 0:14:27 | 0:14:30 | |
Help me help you and think. | 0:14:31 | 0:14:34 | |
What did you see? | 0:14:34 | 0:14:35 | |
Just my darkness. | 0:14:37 | 0:14:38 | |
When I woke up, they were there laid before me. | 0:14:40 | 0:14:43 | |
-And not another soul? -No-one. -You are sure? | 0:14:43 | 0:14:47 | |
There's nothing that I'm sure of in this world, sir. | 0:14:50 | 0:14:52 | |
Lucy, you are aware that you are with child, are you not? | 0:14:54 | 0:14:58 | |
BABY CRIES | 0:15:08 | 0:15:09 | |
Dr Crabbe. | 0:15:11 | 0:15:13 | |
Lucy! | 0:15:15 | 0:15:17 | |
Mr Reid. | 0:15:20 | 0:15:22 | |
Sir. | 0:15:22 | 0:15:23 | |
I heard you speak last month. At Lincoln's Inn. | 0:15:23 | 0:15:25 | |
At the college! A man I know told me I droned that day. | 0:15:25 | 0:15:29 | |
He cannot have been listening. | 0:15:29 | 0:15:30 | |
And now you have found and cared for our Lucy. | 0:15:30 | 0:15:34 | |
Dr Crabbe, you should know, | 0:15:34 | 0:15:36 | |
Miss Eames' mother is killed this day. | 0:15:36 | 0:15:38 | |
Oh, my poor dear girl. | 0:15:41 | 0:15:43 | |
And another man, too, the name of Roach. Do you know him, sir? | 0:15:43 | 0:15:46 | |
No, I do not. Was Lucy present? | 0:15:46 | 0:15:48 | |
She was. | 0:15:48 | 0:15:50 | |
But remembers not a thing? | 0:15:50 | 0:15:51 | |
Get both these bodies to my dead room! | 0:15:53 | 0:15:55 | |
The man who drops them will be assisting me at autopsy. | 0:15:55 | 0:15:58 | |
No! Wait! Wait! | 0:16:00 | 0:16:01 | |
SHE SCREAMS | 0:16:01 | 0:16:02 | |
Take them away now! Hurry! Hurry! | 0:16:02 | 0:16:05 | |
Reid, I... I'm sorry. | 0:16:22 | 0:16:23 | |
She is epileptic? | 0:16:27 | 0:16:29 | |
She is ailed by that, yes. Other conditions, also. | 0:16:29 | 0:16:33 | |
Inspector, I know you must question her further | 0:16:33 | 0:16:36 | |
but I would lodge her in my care until you next have need of her. | 0:16:36 | 0:16:39 | |
Artherton, prepare the papers. | 0:16:41 | 0:16:43 | |
Davis, can we lift her? | 0:16:43 | 0:16:44 | |
Thank you. | 0:16:44 | 0:16:46 | |
There Lucy. All is well, all is well. | 0:16:46 | 0:16:50 | |
Dr Crabbe, one last question before you go. | 0:16:56 | 0:16:58 | |
For how long has Miss Eames been a patient of yours? | 0:16:58 | 0:17:00 | |
A little over two years now, | 0:17:00 | 0:17:02 | |
but she is not permanently resident with me. | 0:17:02 | 0:17:05 | |
You keep no watch over her? | 0:17:05 | 0:17:06 | |
Inspector, to find her health, it is of considerable importance | 0:17:06 | 0:17:10 | |
that Lucy's life feel as commonplace as yours or mine. | 0:17:10 | 0:17:14 | |
That cannot be the case if she feel we assess her every move. | 0:17:14 | 0:17:17 | |
When she is ill, she comes to me. | 0:17:17 | 0:17:20 | |
When well, she lives as she pleases. | 0:17:20 | 0:17:23 | |
TODDLER GABBLES | 0:17:24 | 0:17:25 | |
Excuse me. | 0:17:28 | 0:17:29 | |
Sir. These nippers? | 0:17:35 | 0:17:37 | |
I have an idea where they may rest | 0:17:37 | 0:17:39 | |
until we know better what will become of them. | 0:17:39 | 0:17:41 | |
Miss Goren? Miss Goren, I am sorry. I come to impose on you once more. | 0:17:55 | 0:17:59 | |
Oh! We are friends now, Inspector. | 0:17:59 | 0:18:02 | |
You must never apologise for your visit. | 0:18:02 | 0:18:05 | |
This is Betsy. | 0:18:05 | 0:18:06 | |
Hello, Betsy! | 0:18:06 | 0:18:07 | |
Girls, say hello to Betsy. | 0:18:09 | 0:18:11 | |
What is this poor child's story? | 0:18:13 | 0:18:15 | |
Er, her mother is dead and her sister... | 0:18:15 | 0:18:18 | |
Her sister is of no use to her for now. | 0:18:18 | 0:18:20 | |
No father or uncle? | 0:18:20 | 0:18:22 | |
It's men that are the ruin of this family, Miss Goren. | 0:18:22 | 0:18:24 | |
Oh, this family and many like them, Inspector. | 0:18:24 | 0:18:27 | |
You disagree? | 0:18:28 | 0:18:30 | |
No, no. No, merely, my wife would say the same. | 0:18:30 | 0:18:33 | |
Mrs Reid must be a woman of great sense and clarity. | 0:18:36 | 0:18:40 | |
She is that, yes. | 0:18:40 | 0:18:42 | |
Then I would like to meet her. | 0:18:42 | 0:18:43 | |
My many thanks again, Miss Goren. | 0:18:48 | 0:18:50 | |
If I have news, you'll be the first to know. | 0:18:52 | 0:18:55 | |
You remember, Lucy? Your room? | 0:19:13 | 0:19:15 | |
Just as it ever was. | 0:19:15 | 0:19:18 | |
'Strange, were like she weren't even there. | 0:19:43 | 0:19:46 | |
'Barely even recognised me.' | 0:19:46 | 0:19:47 | |
Anyways, I don't know why you're getting yourself in such a palaver about her. | 0:19:49 | 0:19:53 | |
Think she gave two tosses for you when she swanned off like Ellen Terry herself? | 0:19:53 | 0:19:57 | |
She was worth ten of you, girl. | 0:19:57 | 0:19:59 | |
Oh, Rose, come here, come here. I'm so sorry. | 0:20:01 | 0:20:04 | |
(I fear for her. And I blame myself.) | 0:20:05 | 0:20:07 | |
Get Reid, Sergeant. | 0:20:18 | 0:20:19 | |
Yes, Commissioner Munro. | 0:20:19 | 0:20:22 | |
Two issues, Reid. | 0:20:22 | 0:20:24 | |
One, whoever did this. From behind. | 0:20:25 | 0:20:28 | |
They had to push upwards from underneath to do so. | 0:20:28 | 0:20:31 | |
So I reckon they would be shorter. The blade's about four inches. | 0:20:31 | 0:20:34 | |
A good point, a switch-blade most likely. A well-made one. | 0:20:34 | 0:20:38 | |
The second issue? | 0:20:38 | 0:20:40 | |
This woman. | 0:20:40 | 0:20:42 | |
There are fibroids in her womb. | 0:20:43 | 0:20:45 | |
Explain. | 0:20:45 | 0:20:47 | |
It's like cankers. Over time they deform the uterus. | 0:20:47 | 0:20:51 | |
The children? | 0:20:51 | 0:20:53 | |
She ain't been confined for over ten years. | 0:20:53 | 0:20:56 | |
So what then? Are they Lucy's? | 0:20:56 | 0:20:58 | |
KNOCKING AT DOOR | 0:20:58 | 0:20:59 | |
Commissioner Munro calls for you, Sir. | 0:20:59 | 0:21:01 | |
You're to go with him to the Dog's Neck railway excavation. | 0:21:01 | 0:21:04 | |
They are but a few weeks old, | 0:21:17 | 0:21:19 | |
but these places already have the chill of eternity. | 0:21:19 | 0:21:22 | |
Why bring me here, Sir? | 0:21:23 | 0:21:25 | |
Just hear the man out, Reid. His concern should be ours, also. | 0:21:25 | 0:21:29 | |
Inspector. Inspector, please! | 0:21:35 | 0:21:36 | |
Thank you for responding so speedily to my invitation. | 0:21:39 | 0:21:42 | |
Yourself in particular, Inspector. | 0:21:42 | 0:21:44 | |
Get to it, Bone, I have two murders above us need investigation. | 0:21:44 | 0:21:47 | |
And I will have you returned to them in short order, Mr Reid. | 0:21:47 | 0:21:50 | |
As soon as you've seen just what is built here. | 0:21:50 | 0:21:52 | |
Track is laid. For a railway. It is nothing new. | 0:21:52 | 0:21:55 | |
Perhaps not new. But newly efficient. | 0:21:55 | 0:21:58 | |
Every man - a yard back from the line! | 0:21:58 | 0:22:01 | |
MACHINES WHIR | 0:22:07 | 0:22:10 | |
500 volts run beneath the rivers of the junction at Liverpool Street, | 0:22:18 | 0:22:23 | |
split there to travel east, west and onwards, Mr Reid. | 0:22:23 | 0:22:27 | |
Onwards, for ever. Down the next century and the one that follows - | 0:22:27 | 0:22:32 | |
an organism of transport. | 0:22:32 | 0:22:33 | |
Every borough connected, one to the other. | 0:22:33 | 0:22:35 | |
The poor, sir - not simply the rich - will travel, | 0:22:35 | 0:22:38 | |
for the cost of half a pot of jam, from one end of our city to another. | 0:22:38 | 0:22:42 | |
Their everyday horizon extended, | 0:22:42 | 0:22:44 | |
their aspirations improved accordingly. | 0:22:44 | 0:22:46 | |
Mr Bone, I have never contested the value of this machinery to people's lives. | 0:22:46 | 0:22:50 | |
Then assist it. | 0:22:50 | 0:22:51 | |
Inspector, the investment structure we have constructed for this | 0:22:51 | 0:22:55 | |
venture, it is as reticulated as the network we would build. | 0:22:55 | 0:22:58 | |
Each section of line has a completion guarantee. | 0:22:58 | 0:23:01 | |
That guarantee fulfilled, the next tranche of capital is released. | 0:23:01 | 0:23:04 | |
Should the demolition crew above ground stand idle | 0:23:04 | 0:23:06 | |
for many hours more, we risk the collapse of the entire venture. | 0:23:06 | 0:23:11 | |
I beg you, sir. I beg you. | 0:23:11 | 0:23:13 | |
Let them proceed. | 0:23:15 | 0:23:16 | |
Good day to you, fine sirs. | 0:23:19 | 0:23:21 | |
Who is this gentleman? | 0:23:21 | 0:23:22 | |
His name is Best. He writes for The Star. | 0:23:22 | 0:23:25 | |
You know me not, Councillor. But I come to know you, Sir. | 0:23:25 | 0:23:27 | |
This is private land. | 0:23:27 | 0:23:29 | |
Remove yourself or Inspector Reid shall do so with his boot. | 0:23:29 | 0:23:32 | |
And this here is common land from which I shall ask Mr Bone my questions, | 0:23:32 | 0:23:35 | |
of how he feels, four months into its life, | 0:23:35 | 0:23:38 | |
our new county council proceeds. | 0:23:38 | 0:23:40 | |
If its civic enlightenments are not compromised by the... | 0:23:40 | 0:23:44 | |
commercial instincts of its councillors. | 0:23:44 | 0:23:48 | |
I shall not stand here and listen to these insinuations. | 0:23:48 | 0:23:51 | |
Everything we do, we do for the good of this city | 0:23:51 | 0:23:53 | |
and the benefit of those who build their lives within it. | 0:23:53 | 0:23:55 | |
Commissioner, Inspector. | 0:23:55 | 0:23:58 | |
I'm sure they appreciate your dedication, sir. | 0:23:58 | 0:24:01 | |
Yes, the sacrifices you have made to your own life. | 0:24:01 | 0:24:04 | |
Your wife, watching the sea roll in all alone down in Hove. | 0:24:04 | 0:24:08 | |
No children to comfort you. | 0:24:08 | 0:24:10 | |
The pleasures of a home life foregone in pursuit of others' happiness. | 0:24:10 | 0:24:14 | |
It must ail you, Sir. | 0:24:14 | 0:24:16 | |
It must play on those finely-tuned nerves of yours. | 0:24:16 | 0:24:19 | |
Or do you find other ways of easing that pain..? | 0:24:20 | 0:24:23 | |
Best! Enough. Get gone. | 0:24:23 | 0:24:26 | |
Whatever you say, Inspector. | 0:24:26 | 0:24:28 | |
But do not think me gone long. | 0:24:28 | 0:24:30 | |
For myself, Mr Bone's vision of a liberal city commune is of little bearing. | 0:24:35 | 0:24:40 | |
No, sir. | 0:24:40 | 0:24:41 | |
What is of greater importance to me is this - | 0:24:41 | 0:24:43 | |
that each occasion a slum is raised to the ground, | 0:24:43 | 0:24:46 | |
it is replaced by the type of brick and clean steel on which | 0:24:46 | 0:24:50 | |
the bacteria of the criminal classes can no longer fester. | 0:24:50 | 0:24:54 | |
The greater the number of homeless we send to the wider world, | 0:24:54 | 0:24:57 | |
the faster our measure of crime falls. | 0:24:57 | 0:25:00 | |
You have my meaning, inspector. | 0:25:00 | 0:25:02 | |
Whatever it is your men do in that rookery, it stops by end of day | 0:25:02 | 0:25:05 | |
or they will find themselves amidst the rubble. | 0:25:05 | 0:25:08 | |
'There will be sign.' | 0:25:10 | 0:25:11 | |
This person might have vanished as if a ghost, | 0:25:11 | 0:25:14 | |
but a ghost they are not. | 0:25:14 | 0:25:16 | |
Wherever they have passed, the space through which they have done so must bear witness. | 0:25:16 | 0:25:19 | |
We three - we take one more pass of this place together. | 0:25:19 | 0:25:23 | |
On your knees, then. | 0:25:30 | 0:25:32 | |
Oh. | 0:25:41 | 0:25:42 | |
What, Hobbs? What is it? | 0:25:42 | 0:25:44 | |
It's gin, Sir. | 0:25:48 | 0:25:50 | |
Sir? Look at this, blonde hair. | 0:25:56 | 0:25:59 | |
The mother's, most likely. | 0:25:59 | 0:26:01 | |
What's that? | 0:26:18 | 0:26:20 | |
It's a herb. | 0:26:20 | 0:26:21 | |
Dropped. Brushed aside. | 0:26:21 | 0:26:24 | |
One that I have smelled before. | 0:26:24 | 0:26:26 | |
Hobbs. It's time we knew more about our dead Mr Roach. | 0:26:29 | 0:26:32 | |
Get to Companies House. Find out what you can about his work, | 0:26:32 | 0:26:35 | |
-whether he collected on his own behalf or for others. -Sir. | 0:26:35 | 0:26:37 | |
Sergeant - you're with me. | 0:26:37 | 0:26:39 | |
I have a notion of what may have passed here. | 0:26:39 | 0:26:41 | |
That's for upstairs, cheeky. | 0:26:43 | 0:26:45 | |
Sergeant Drake! | 0:26:46 | 0:26:48 | |
Get your skinny prick out of here! | 0:26:52 | 0:26:54 | |
Fetch Miss Susan! | 0:26:55 | 0:26:56 | |
Will you arrest me, Sir? | 0:26:58 | 0:27:00 | |
No, girl. | 0:27:00 | 0:27:01 | |
I hope he's not left you out of pocket. | 0:27:06 | 0:27:09 | |
GIGGLES | 0:27:09 | 0:27:10 | |
Mr Drake, you do say the funniest things. | 0:27:10 | 0:27:13 | |
Your mistress. Where is she? | 0:27:13 | 0:27:15 | |
This had best be a raid. | 0:27:15 | 0:27:17 | |
If you've come simply to say your good-evenings, I shall be seeking compensation. | 0:27:17 | 0:27:20 | |
No good-evenings. This is not a raid, either. | 0:27:20 | 0:27:23 | |
I seek an interview, Madam. | 0:27:23 | 0:27:25 | |
This way. But leave your sergeant down there. | 0:27:25 | 0:27:28 | |
He may moon at my girl gratis. | 0:27:28 | 0:27:31 | |
I'll be outside sir. | 0:27:33 | 0:27:34 | |
Your accomplice's very own suite. | 0:27:48 | 0:27:50 | |
Will you indulge me, Miss Hart? | 0:27:57 | 0:28:00 | |
Allow me to weary you with some details of my day? | 0:28:00 | 0:28:03 | |
You? Weary me, Inspector? | 0:28:03 | 0:28:05 | |
That girl you once ran. | 0:28:07 | 0:28:09 | |
Lucy. A good girl. | 0:28:09 | 0:28:11 | |
She left for what we hoped were better times. | 0:28:12 | 0:28:15 | |
Better or no, | 0:28:15 | 0:28:16 | |
she appears this morning at my station, striped in blood, | 0:28:16 | 0:28:18 | |
keening after her dead mother. | 0:28:18 | 0:28:20 | |
I've heard of it. And I mourn for her. | 0:28:20 | 0:28:22 | |
Hmm. Yes. | 0:28:24 | 0:28:26 | |
And the man, too, Roach. | 0:28:27 | 0:28:29 | |
His carotid opened with a stab of a honed switch-blade? | 0:28:30 | 0:28:34 | |
I prefer you spare me that imagery, Mr Reid. | 0:28:34 | 0:28:37 | |
Your sensitivities affronted, are they? | 0:28:37 | 0:28:39 | |
This plant on Captain Jackson's desk. | 0:28:41 | 0:28:44 | |
What of it? | 0:28:44 | 0:28:45 | |
Pennyroyal, is it not? | 0:28:48 | 0:28:51 | |
What that man keeps in this room, I find I prefer not to inquire. | 0:28:51 | 0:28:54 | |
Then perhaps I might educate you? | 0:28:54 | 0:28:56 | |
I'd be honoured. | 0:28:56 | 0:28:58 | |
Pennyroyal, when brewed strong as an infusion, may bring on miscarriage. | 0:28:58 | 0:29:01 | |
I confess I am surprised a woman in your line of work, ignorant of this. | 0:29:04 | 0:29:09 | |
What can I say, Mr Reid? We are cautious in this house. | 0:29:09 | 0:29:13 | |
Miss Eames is, I would say, a little under three month pregnant. | 0:29:14 | 0:29:18 | |
Then I mourn for her once more. | 0:29:18 | 0:29:20 | |
As I say - cautious. | 0:30:03 | 0:30:06 | |
You best attend to that, Susan. | 0:30:24 | 0:30:27 | |
A bullet wound might soon go septic. | 0:30:27 | 0:30:29 | |
Think of the names I can speak of! | 0:30:32 | 0:30:34 | |
The many men of yours whose pleasure's been found in my house! | 0:30:34 | 0:30:37 | |
-Those ranked higher than you...! -Will you get her locked down! | 0:30:37 | 0:30:40 | |
You! And you! And you have all been guests in my house! | 0:30:40 | 0:30:44 | |
With me, Jackson. | 0:30:45 | 0:30:46 | |
No, Reid! | 0:30:52 | 0:30:54 | |
I swear it, I have no clue as to what she's doing here. | 0:30:54 | 0:30:58 | |
How skilled you are, Captain. | 0:31:00 | 0:31:02 | |
Your claims to know nothing of what takes place beneath your own roof. | 0:31:02 | 0:31:05 | |
I am dismayed at myself, | 0:31:07 | 0:31:09 | |
that I would trust a man so transparently false. | 0:31:09 | 0:31:12 | |
The two of you - you and Susan - the lies that you hide behind, | 0:31:14 | 0:31:19 | |
lies that I have allowed to go untested. | 0:31:19 | 0:31:22 | |
Allowed in the foolish instinct that some good might come from it! | 0:31:22 | 0:31:28 | |
That you might be worth the faith that I have placed in you! | 0:31:28 | 0:31:32 | |
I am, Reid. | 0:31:32 | 0:31:33 | |
You are in a rage and I understand that rage, but I... | 0:31:33 | 0:31:36 | |
No. | 0:31:39 | 0:31:40 | |
You knew of her guilt and a man who holds secrets is a secretive man. | 0:31:40 | 0:31:44 | |
And you have the right to pronounce on that, do you? | 0:31:49 | 0:31:53 | |
That mess about your shoulder. | 0:31:53 | 0:31:54 | |
All who have laid eyes on it, every man in this station | 0:31:57 | 0:31:59 | |
too afraid to talk about it even amongst themselves. | 0:31:59 | 0:32:03 | |
Does Drake enquire after it? | 0:32:03 | 0:32:05 | |
Because I'd lay money on it that he doesn't. | 0:32:05 | 0:32:08 | |
Well, that's loyalty for you, Reid. | 0:32:08 | 0:32:10 | |
A dog unable to question the pain or motivation of the man | 0:32:12 | 0:32:15 | |
that it tails about the place. | 0:32:15 | 0:32:16 | |
Well, I shall ask you. I'd hear you speak of what befell your girl... | 0:32:16 | 0:32:19 | |
You ever speak of her again, I shall not trouble myself with | 0:32:22 | 0:32:27 | |
asking after the secrets of your life, Captain. | 0:32:27 | 0:32:31 | |
I shall chain you in a cell underground | 0:32:31 | 0:32:33 | |
and take billy club to you until they pour from you like water. | 0:32:33 | 0:32:36 | |
Am I clear? | 0:32:38 | 0:32:39 | |
Am I? | 0:32:41 | 0:32:43 | |
My innocence in all this? | 0:32:44 | 0:32:47 | |
There is a suspect down the way with a bullet wound, | 0:32:57 | 0:33:01 | |
requiring disinfection and needlework. | 0:33:01 | 0:33:04 | |
'You make no attempt to hide your guilt.' | 0:33:09 | 0:33:11 | |
Why should I? I feel no shame for the act. | 0:33:11 | 0:33:14 | |
The animal had killed the woman, was set to do the same to Lucy. | 0:33:14 | 0:33:17 | |
I did only as you would have done, Inspector. | 0:33:17 | 0:33:19 | |
I should take your word for that? | 0:33:19 | 0:33:21 | |
Take what you will, Inspector. It is the truth. | 0:33:21 | 0:33:23 | |
Careful, Quack! | 0:33:23 | 0:33:25 | |
The truth, and the two of you? | 0:33:25 | 0:33:28 | |
-Three unlikelier bedfellows a man would struggle to find. -Indeed. | 0:33:28 | 0:33:31 | |
You ask your questions, Mr Reid. | 0:33:31 | 0:33:34 | |
I will answer and then you may decide if I do so truthfully or no. | 0:33:34 | 0:33:37 | |
What brought you to Dog's Neck? | 0:33:39 | 0:33:41 | |
-Lucy. -She invited you? | 0:33:41 | 0:33:42 | |
-I followed her there. -From? | 0:33:42 | 0:33:43 | |
Tenter Street. | 0:33:43 | 0:33:44 | |
Two years and not a word, | 0:33:47 | 0:33:49 | |
not a solitary clue as to whether she lived or breathed. | 0:33:49 | 0:33:52 | |
Then, dressed fine as a lady, she knocks on my door. | 0:33:52 | 0:33:56 | |
What did she want? | 0:33:56 | 0:33:57 | |
Her old room back. | 0:33:57 | 0:33:59 | |
But she was dressed fine, you say? | 0:33:59 | 0:34:01 | |
I have no explanation for it, Sergeant, just the fact of it. | 0:34:01 | 0:34:04 | |
Then what did you say to her, Susan? | 0:34:04 | 0:34:06 | |
That, thoroughbred or no, | 0:34:06 | 0:34:07 | |
three months pregnant, she was no use whatsoever to your stable. | 0:34:07 | 0:34:12 | |
Then what? | 0:34:14 | 0:34:15 | |
Why ask me? | 0:34:15 | 0:34:16 | |
I imagine, being fond of her, you felt remorse. | 0:34:16 | 0:34:20 | |
And you hurried after the girl, Pennyroyal in hand, | 0:34:20 | 0:34:23 | |
to tell her that, were she to find herself free of her burden, | 0:34:23 | 0:34:26 | |
she might once again be welcome. | 0:34:26 | 0:34:28 | |
Hmm? | 0:34:28 | 0:34:29 | |
But it is what you found there that interests me the most. | 0:34:32 | 0:34:35 | |
I heard her from the street. | 0:34:37 | 0:34:39 | |
-She raged at him. -Margaret? | 0:34:41 | 0:34:43 | |
On what topic? | 0:34:45 | 0:34:47 | |
They were flattening the place. | 0:34:47 | 0:34:48 | |
He wanted his dues before they did so. | 0:34:48 | 0:34:51 | |
No. | 0:34:51 | 0:34:52 | |
She screamed of what she knew of him. | 0:34:53 | 0:34:57 | |
And that she would be silent no longer. | 0:34:57 | 0:34:59 | |
And he said that she would if she knew what would allow her to keep on breathing. | 0:34:59 | 0:35:04 | |
I heard glass break. | 0:35:04 | 0:35:06 | |
The bottle against his head? | 0:35:06 | 0:35:08 | |
The reports of a revolver. | 0:35:08 | 0:35:10 | |
-Lucy screaming. -You entered. | 0:35:10 | 0:35:13 | |
Lucy was hysteric. | 0:35:13 | 0:35:14 | |
You produced your blade. | 0:35:14 | 0:35:16 | |
You cut... | 0:35:17 | 0:35:19 | |
..from behind. | 0:35:20 | 0:35:22 | |
And what of Lucy? | 0:35:25 | 0:35:27 | |
I left her there. | 0:35:29 | 0:35:31 | |
Squirming in the dirt. | 0:35:32 | 0:35:34 | |
-Why d'you stare? It is a case solved. -Reid. | 0:35:56 | 0:36:00 | |
No longer, American, away with ya. | 0:36:00 | 0:36:02 | |
Reid, do you intend to charge her on this? | 0:36:02 | 0:36:05 | |
For saving a girl's life? | 0:36:05 | 0:36:07 | |
A man was killed by her hand. | 0:36:07 | 0:36:08 | |
A slumlord ape set on murder. | 0:36:08 | 0:36:10 | |
Still a man. | 0:36:10 | 0:36:11 | |
And you never thought it worth asking why this man took | 0:36:11 | 0:36:15 | |
a pistol to this woman. | 0:36:15 | 0:36:17 | |
Or whose threat he carried with him? | 0:36:17 | 0:36:19 | |
Captain Jackson, I shall be the master of all enquiries I make of myself. | 0:36:19 | 0:36:23 | |
Door, please, Sergeant. | 0:36:23 | 0:36:24 | |
Is it worth asking? Do you think, sir? | 0:36:41 | 0:36:43 | |
Yes, Bennet. I suspect it is. | 0:36:44 | 0:36:45 | |
David, be quiet. Down and sleep. Goodnight. | 0:36:58 | 0:37:01 | |
-Goodnight, Miss. -Good night, good night. Sleep! | 0:37:01 | 0:37:04 | |
'Go'natt. Sov Gott. | 0:37:04 | 0:37:06 | |
Oh, Ellie, I have your dolly. | 0:37:06 | 0:37:08 | |
There...tuck down. Good night. | 0:37:08 | 0:37:12 | |
Go to sleep. Good night. | 0:37:12 | 0:37:16 | |
Oh, no! | 0:38:18 | 0:38:19 | |
Betsy, Betsy. | 0:38:22 | 0:38:24 | |
Betsy? Betsy? | 0:38:35 | 0:38:38 | |
Miss Goren? | 0:38:52 | 0:38:53 | |
It seems all I bring to you is violence and distress. | 0:38:59 | 0:39:02 | |
Find the children, please, Inspector. | 0:39:05 | 0:39:08 | |
Lucy Eames. | 0:39:22 | 0:39:23 | |
-Two years since, you say she walked away from your house with no warning? -I do. | 0:39:23 | 0:39:28 | |
The oldest child found in that room, I guess she approached that age. | 0:39:28 | 0:39:31 | |
-Do you agree? -Mmm. | 0:39:31 | 0:39:33 | |
Then I suggest this to you. | 0:39:33 | 0:39:34 | |
That you cast her out for the same reason you cast her out this day just passed, | 0:39:34 | 0:39:38 | |
that she was pregnant and no longer welcome in your house. | 0:39:38 | 0:39:42 | |
You think me callous, Inspector. And perhaps I am that. | 0:39:53 | 0:39:59 | |
But I loved that girl like a sister. | 0:39:59 | 0:40:02 | |
And she never did say what took her away. | 0:40:03 | 0:40:06 | |
But I had my theories. | 0:40:06 | 0:40:07 | |
Proceed. | 0:40:09 | 0:40:11 | |
-The first of her...attacks... -The fits from which she suffers? | 0:40:11 | 0:40:15 | |
It had come two months previous. Near scared the Thomas with whom she was engaged, to his death. | 0:40:15 | 0:40:21 | |
There were more? | 0:40:21 | 0:40:23 | |
Perhaps five, graver too. | 0:40:23 | 0:40:25 | |
We found her gone the day after the last one had left her. | 0:40:25 | 0:40:29 | |
My belief? She went to find their remedy. | 0:40:29 | 0:40:33 | |
Gentlemen, please, come this way. | 0:41:17 | 0:41:18 | |
In the treatment you conducted with her, | 0:41:18 | 0:41:22 | |
did she speak at all of children born unto her? | 0:41:22 | 0:41:25 | |
She did not. | 0:41:27 | 0:41:28 | |
Nor of the child she carries in her belly now? | 0:41:29 | 0:41:33 | |
Mr Reid, my patients - past, present, future... | 0:41:33 | 0:41:37 | |
I have no family of my own and as a consequence, | 0:41:38 | 0:41:42 | |
they are doubly precious to me. | 0:41:42 | 0:41:45 | |
Such love means I will not judge them nor demand their secrets. | 0:41:45 | 0:41:50 | |
They come to me, arms wide for assistance | 0:41:50 | 0:41:53 | |
and I render it without condition. | 0:41:53 | 0:41:56 | |
Until Lucy chooses freely to tell me | 0:41:56 | 0:41:59 | |
the details of her life away from here, I will not ask her of them. | 0:41:59 | 0:42:04 | |
Then that - and I hope you will forgive me for this, doctor - | 0:42:04 | 0:42:06 | |
that must be my task. | 0:42:06 | 0:42:08 | |
Lucy. | 0:42:11 | 0:42:13 | |
I bring greetings from Miss Susan. | 0:42:23 | 0:42:27 | |
Miss Susan is a lady. | 0:42:31 | 0:42:34 | |
As are you, Lucy. | 0:42:34 | 0:42:36 | |
Not I, sir. I would be so. | 0:42:36 | 0:42:41 | |
But am not. | 0:42:41 | 0:42:43 | |
And who is it says so? | 0:42:43 | 0:42:46 | |
The world. Its law. | 0:42:46 | 0:42:49 | |
God's law. | 0:42:50 | 0:42:52 | |
Because you have children and are unmarried? | 0:42:53 | 0:42:57 | |
Many reasons, sir. | 0:42:59 | 0:43:00 | |
Tell me, Lucy, what, what was it brought you to Miss Susan yesterday? | 0:43:05 | 0:43:10 | |
Miss Susan sent me away. | 0:43:11 | 0:43:13 | |
I know, I know. | 0:43:13 | 0:43:15 | |
But, after two years and with child inside you. | 0:43:15 | 0:43:19 | |
It is desperate of you. | 0:43:19 | 0:43:20 | |
Tell me, Lucy, please, will you name that despair? | 0:43:21 | 0:43:25 | |
Lucy? Lucy? | 0:43:29 | 0:43:33 | |
The children that your mother cared for, | 0:43:33 | 0:43:36 | |
the child that is inside you now. | 0:43:36 | 0:43:38 | |
Which man is father to them, Lucy? | 0:43:38 | 0:43:40 | |
It is but one man, is it not? | 0:43:40 | 0:43:42 | |
Do not be frighted, child. | 0:43:42 | 0:43:44 | |
It is in my gift to guarantee your safety. | 0:43:44 | 0:43:47 | |
No, no I cannot! | 0:43:50 | 0:43:51 | |
-No, I cannot, I cannot, no! -Calm. Calm. Calm, child! | 0:43:51 | 0:43:55 | |
There...sshh...all right. | 0:44:25 | 0:44:29 | |
Miss Eames' medication. Mr Reid would know its contents. | 0:44:44 | 0:44:48 | |
-Hobbs, Hobbs, Hobbs, slow down, say again, say again. -Yes sir. | 0:44:57 | 0:45:00 | |
Sir, Gordon Roach - that's the murdered rent collector, sir - | 0:45:00 | 0:45:04 | |
-has a company name of Roach Collections. -Imaginative. | 0:45:04 | 0:45:08 | |
Yes... No. | 0:45:08 | 0:45:11 | |
-Roach Collections pays into and receives stipend from a trust. -Name of? | 0:45:11 | 0:45:15 | |
-Stickleton. The Stickleton Trust. -Its board members? | 0:45:15 | 0:45:18 | |
Not listed. The only name that of a lawyer. | 0:45:18 | 0:45:21 | |
A Mr Pinch. | 0:45:21 | 0:45:23 | |
Now, I visited Mr Pinch - well, Mr Pinch's clerk, that is. | 0:45:23 | 0:45:27 | |
-And impressed on him the value of this... -Yes, yes, Hobbs, skip to it. | 0:45:27 | 0:45:30 | |
Sir, the only trustee of the Stickleton Trust is Mr Stanley Bone. | 0:45:30 | 0:45:35 | |
Sergeant Drake! With me! | 0:45:39 | 0:45:41 | |
Stanley Bone. Everything you have. | 0:45:46 | 0:45:48 | |
Now. | 0:45:48 | 0:45:49 | |
Hang it. | 0:46:02 | 0:46:03 | |
Fred Best tells you he needs something shown in return. | 0:46:22 | 0:46:25 | |
You do as I ask, I will give to you a story that, though you connive | 0:46:25 | 0:46:29 | |
and bribe your way to the devil himself - it will not be bettered. | 0:46:29 | 0:46:32 | |
-Go on. -How Stanley Bone - secret slumlord - | 0:46:32 | 0:46:36 | |
is exposed by the actions of a whore-runner. | 0:46:36 | 0:46:39 | |
Corruption and sex, Mr Best. | 0:46:39 | 0:46:43 | |
Surely it does not come more honeyed than that. | 0:46:43 | 0:46:45 | |
Oh, yeah, Mama! | 0:46:45 | 0:46:47 | |
I have you now! Where's Reid? | 0:46:47 | 0:46:51 | |
He's out, he may be some time. | 0:46:51 | 0:46:55 | |
Well you're going to tell me. Or I'm going to shoot Hobbs here. | 0:46:55 | 0:46:58 | |
Relax, Hobbs. Man, I'm only joking. | 0:46:59 | 0:47:02 | |
I could no more shoot you than I could shoot my own mother. | 0:47:02 | 0:47:05 | |
Artherton, on the other hand... | 0:47:05 | 0:47:08 | |
As you know, Inspector, | 0:47:09 | 0:47:11 | |
he was one of the first raised up in January by our new council. | 0:47:11 | 0:47:14 | |
Now in March he and his friends agree that the Dockhead slum | 0:47:14 | 0:47:16 | |
in Southwark make way for the S&C Railway and its very first tunnel. | 0:47:16 | 0:47:20 | |
-The Dockhead was also owned and collected by the Stickleton Trust? -It was. | 0:47:20 | 0:47:24 | |
Thus Mr Bone recommends the compulsory purchase of his own slum. | 0:47:24 | 0:47:27 | |
Mm-hm and profits tidily. | 0:47:27 | 0:47:29 | |
Mr Best, the last I saw you, you made heavy weather of matters | 0:47:29 | 0:47:32 | |
that relate more closely to Mr Bone's personal status. | 0:47:32 | 0:47:34 | |
-I did. It is true. -Elaborate, if you please? | 0:47:34 | 0:47:38 | |
Mr Bone is a man who came to ambition late. | 0:47:38 | 0:47:41 | |
His youth was not a happy one. Beset with fits. | 0:47:41 | 0:47:44 | |
He is epileptic? | 0:47:44 | 0:47:47 | |
-Was. He eventually found the cure. -And the cure? Where was it found? | 0:47:47 | 0:47:50 | |
You will let me pass, or you will suck on this iron! | 0:47:50 | 0:47:53 | |
Sir, stop! You can't go in there! | 0:47:53 | 0:47:55 | |
Drake. | 0:47:58 | 0:47:59 | |
Look, I swear I'm not going to shoot you, only...tell Reid... | 0:48:01 | 0:48:07 | |
...that the vial... Lucy's medication... Uh... | 0:48:08 | 0:48:13 | |
What? What is it? | 0:48:13 | 0:48:16 | |
It is amphetamine! | 0:48:16 | 0:48:18 | |
The doctor who gave Mr Bone his cure. | 0:48:22 | 0:48:24 | |
-His name is Crabbe, is it not? -It is, Mr Reid. | 0:48:24 | 0:48:27 | |
We go. Ah, one last question. You jibed about his bachelor status. | 0:48:27 | 0:48:30 | |
What did you mean by this? | 0:48:30 | 0:48:32 | |
That is the last piece of my puzzle, Mr Reid. | 0:48:32 | 0:48:35 | |
There was tell he had a woman cached away somewhere | 0:48:35 | 0:48:38 | |
and a set of bastards, too. | 0:48:38 | 0:48:39 | |
And did you find them? | 0:48:39 | 0:48:40 | |
Never could, Mr Reid. More's the pity, eh? | 0:48:40 | 0:48:43 | |
Indeed. | 0:48:43 | 0:48:45 | |
Your carriage is here. | 0:48:50 | 0:48:51 | |
A carriage that takes you to honour the latest chapter of your ever more celebrated life in this city. | 0:48:56 | 0:49:03 | |
Think on that. | 0:49:07 | 0:49:09 | |
Remember how you lived the first you came to me - | 0:49:11 | 0:49:14 | |
cursed by fits and reliance on your merciless wife. | 0:49:14 | 0:49:18 | |
Do you think I forget? Am I not grateful for what you have done for me? | 0:49:18 | 0:49:23 | |
I question your commitment to all that still lies ahead of us. | 0:49:23 | 0:49:27 | |
Roach silenced the woman. | 0:49:27 | 0:49:30 | |
I have had the children separated and removed a hundred mile from here, as you suggested. | 0:49:30 | 0:49:34 | |
I do not refer to your unloved bastards, as you well know. | 0:49:34 | 0:49:37 | |
It was your success had this sanatorium built, | 0:49:39 | 0:49:45 | |
and she my gift to you in return. | 0:49:45 | 0:49:48 | |
A child, blooming into woman, who would see in you | 0:49:48 | 0:49:51 | |
not the stammering lunatic of your youth, | 0:49:51 | 0:49:55 | |
but a vision of strength and hope. | 0:49:55 | 0:49:58 | |
You have enjoyed her. | 0:50:01 | 0:50:03 | |
But she is all used now. | 0:50:05 | 0:50:07 | |
And must have her mind cleaned of all she knows of you. | 0:50:07 | 0:50:11 | |
But she is so young... | 0:50:16 | 0:50:18 | |
She too may find the temperance you have led me toward. | 0:50:18 | 0:50:23 | |
No. She grows ever more disturbed. And this Reid draws close. | 0:50:23 | 0:50:28 | |
I will not allow you to make ruins of the life I have built for you. | 0:50:28 | 0:50:33 | |
She must be silenced so put her from your mind, | 0:50:33 | 0:50:37 | |
as you have the memory of the man you once were. | 0:50:37 | 0:50:40 | |
And leave me to bring her a more permanent peace. | 0:50:42 | 0:50:47 | |
Karl, I would say goodbye. | 0:50:57 | 0:50:59 | |
Thank you, nurse. | 0:51:10 | 0:51:11 | |
Stanley? | 0:51:15 | 0:51:17 | |
Say what you need to say. | 0:51:19 | 0:51:21 | |
Goodbye, Lucy, goodbye, my love. | 0:51:27 | 0:51:32 | |
Stanley? Stanley, where do they take me? | 0:51:33 | 0:51:37 | |
I... I've got another inside me, Stanley, I got another. Stanley? | 0:51:37 | 0:51:43 | |
It's all right, Councillor Bone. | 0:51:43 | 0:51:46 | |
We cannot build a railway without that we demolish a slum or two. | 0:51:46 | 0:51:52 | |
Sta... | 0:51:52 | 0:51:53 | |
Wait. That was Bone! | 0:52:15 | 0:52:16 | |
It can wait. We keep our course. | 0:52:16 | 0:52:18 | |
Hush, Lucy. Shh, imagine it. | 0:52:21 | 0:52:26 | |
A calm entire. Hmm, no questions, no hurtful thoughts. | 0:52:29 | 0:52:37 | |
No urgent and unhappy desires. | 0:52:41 | 0:52:44 | |
Simply peace. | 0:52:49 | 0:52:50 | |
You found us. | 0:53:15 | 0:53:16 | |
It was not easy. You've hidden this refuge well. | 0:53:16 | 0:53:19 | |
But that is a benefit to those you house. | 0:53:19 | 0:53:22 | |
-It is. -Miss Goren? | 0:53:22 | 0:53:24 | |
Inspector. | 0:53:25 | 0:53:26 | |
Nicholas? Betsy? Hello! | 0:53:32 | 0:53:35 | |
Come here, you! | 0:53:37 | 0:53:39 | |
Come on, let's go inside, shall we? And show you the room Mrs Reid has got for us. | 0:53:41 | 0:53:44 | |
Yeah? Come on. | 0:53:44 | 0:53:45 | |
Will you take tea, Miss Goren. | 0:53:45 | 0:53:47 | |
Yes, thank you. | 0:53:47 | 0:53:49 | |
APPLAUSE | 0:53:57 | 0:53:59 | |
Gentlemen! Ladies! The switch is thrown. The line is live. | 0:54:03 | 0:54:07 | |
And beneath this earth here, the electric age forges on. | 0:54:07 | 0:54:12 | |
CHEERING | 0:54:12 | 0:54:14 | |
This railway, this underground railway is the capstone of all that we - | 0:54:14 | 0:54:18 | |
your grateful servants - would build here. | 0:54:18 | 0:54:21 | |
The foundation, ladies and gentlemen, of a new city. | 0:54:21 | 0:54:24 | |
A city that - though it rises from dank and fetid earth - | 0:54:24 | 0:54:27 | |
will gleam with the purpose and clarity of a summer morning. | 0:54:27 | 0:54:31 | |
Because if the future stands for anything - it stands for hope! | 0:54:31 | 0:54:34 | |
You do not have to do this thing. | 0:54:53 | 0:54:55 | |
I do, Inspector. | 0:54:57 | 0:54:59 | |
H Division's Inspector Reid! What intrusion is this? | 0:55:10 | 0:55:14 | |
Yes, Stanley. I still have my wits. | 0:55:16 | 0:55:19 | |
Miss, Miss. What is your name? | 0:55:20 | 0:55:22 | |
Her name is not relevant. Her story is. | 0:55:22 | 0:55:24 | |
I know you, Stanley Bone. | 0:55:28 | 0:55:29 | |
You proclaim to these good people about the future's gleaming hope, | 0:55:31 | 0:55:37 | |
but the tongue you speak with is forked. | 0:55:37 | 0:55:41 | |
And the future you speak of, it is built on evil and corruption. | 0:55:41 | 0:55:45 | |
You had me as your slave, denied our children... | 0:55:47 | 0:55:51 | |
had my mother murdered and you would have sent me to a living hell had it not been for this inspector here. | 0:55:51 | 0:55:56 | |
You are no man, but you are a beast that has risen | 0:55:58 | 0:56:03 | |
deep from the earth in which you dig into. | 0:56:03 | 0:56:06 | |
Mr Stanley Bone! | 0:56:18 | 0:56:20 | |
You halt for the police! | 0:56:22 | 0:56:23 | |
Watch yourself, off the track. Turn it off, somebody! | 0:56:39 | 0:56:43 | |
Christ alive! | 0:56:44 | 0:56:46 | |
You're famous. From a Leman Street cell to the front page in a day. | 0:57:06 | 0:57:11 | |
Someone must be fond of you. | 0:57:11 | 0:57:14 | |
Hmm, such fame is impermanent. | 0:57:14 | 0:57:16 | |
You'd better hope so. Otherwise, it's going to be you and me lacking in permanence. | 0:57:16 | 0:57:21 | |
Whoever we contend with here, they are no ordinary cracksmen. | 0:57:37 | 0:57:40 | |
Again! | 0:57:41 | 0:57:42 | |
-All men stand equal before the law, do they not? -That is the law. | 0:57:42 | 0:57:46 | |
It is your law. Is it yours? | 0:57:46 | 0:57:48 | |
Subtitles by Red Bee Media Ltd | 0:58:00 | 0:58:03 |