Browse content similar to Tournament of Shadows. Check below for episodes and series from the same categories and more!
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This programme contains some violent scenes | 0:00:02 | 0:00:07 | |
Come on, boys, let's get in there! | 0:00:09 | 0:00:12 | |
Come on, move it, move it, move it! | 0:00:12 | 0:00:14 | |
Get out of the way, everybody. | 0:00:14 | 0:00:16 | |
Ladies and gentlemen. | 0:00:16 | 0:00:17 | |
Relief fund, spare a penny? Relief fund. | 0:00:19 | 0:00:22 | |
QUIET CHATTER | 0:00:41 | 0:00:44 | |
Joshua! Your piece is magnificent. | 0:00:47 | 0:00:50 | |
The Steward, Daniel. I need him. Where is he? | 0:00:50 | 0:00:52 | |
At the picket with the pamphleteers. | 0:00:52 | 0:00:54 | |
IN RUSSIAN: | 0:00:54 | 0:00:56 | |
The State is nothing but organised force. | 0:01:04 | 0:01:07 | |
But the courage of our Dockland brothers is spreading! | 0:01:07 | 0:01:11 | |
Men stand, at last, eye to eye with the cheap doll of the State, | 0:01:11 | 0:01:14 | |
stripped of her tinsel trappings! | 0:01:14 | 0:01:19 | |
At last, brothers, yes! | 0:01:19 | 0:01:22 | |
The veil torn asunder for all time! | 0:01:25 | 0:01:27 | |
Emily? | 0:02:39 | 0:02:40 | |
-Should I not wait outside, sir? -No, no. | 0:02:40 | 0:02:44 | |
She'll be cheered by the visit, I'm sure. Emily, I'm with Bennet. | 0:02:44 | 0:02:47 | |
Emily? | 0:02:47 | 0:02:49 | |
What on earth is going on? | 0:02:51 | 0:02:53 | |
Mrs Reid. | 0:02:56 | 0:02:58 | |
I'll, er... I'll wait in the parlour. | 0:03:00 | 0:03:03 | |
I heard a crashing in here. | 0:03:03 | 0:03:04 | |
The poor creature came down the flue. | 0:03:04 | 0:03:06 | |
I made to catch it then found myself sitting. | 0:03:06 | 0:03:11 | |
Looking at her books. | 0:03:11 | 0:03:15 | |
Her toys. | 0:03:15 | 0:03:17 | |
The music box you gave her. | 0:03:17 | 0:03:19 | |
I've barely entered this room in a year, Edmund. | 0:03:19 | 0:03:22 | |
And I've scarcely seen you all week. | 0:03:22 | 0:03:24 | |
This strike. It's taking up all my time. | 0:03:24 | 0:03:26 | |
I'll be home tonight, I promise. I brought you these, | 0:03:26 | 0:03:30 | |
before even the florists down tools. | 0:03:30 | 0:03:34 | |
I want it cleared, Edmund. | 0:03:34 | 0:03:36 | |
What? | 0:03:36 | 0:03:38 | |
This room. All of it. I want it cleared. | 0:03:40 | 0:03:42 | |
-I believe she went to church, sir. -Oh? | 0:04:01 | 0:04:05 | |
Inspector, I know this must be a difficult time for you. | 0:04:05 | 0:04:10 | |
And for Mrs Reid. I mean, | 0:04:10 | 0:04:12 | |
I know a year does not begin to ease the pain of losing her. | 0:04:12 | 0:04:15 | |
Thank you, Bennet. | 0:04:15 | 0:04:17 | |
-KNOCK AT DOOR -Inspector Reid? | 0:04:19 | 0:04:21 | |
The neighbours had been complaining about the whiff of gas, apparently. | 0:04:24 | 0:04:28 | |
Front was tarted up like a Cremorne grotto. | 0:04:28 | 0:04:30 | |
HE COUGHS | 0:04:33 | 0:04:37 | |
Do you take this for a gas blast? | 0:04:44 | 0:04:47 | |
The force didn't come from the pipes. | 0:04:47 | 0:04:49 | |
-Then where? -I'm working on it. | 0:04:49 | 0:04:51 | |
Poor bugger. | 0:04:55 | 0:04:56 | |
You can forget about gas, Reid. Here's your detonator. | 0:05:47 | 0:05:50 | |
-A bomb? -Yeah. | 0:05:52 | 0:05:54 | |
Found blasting caps behind the shelves. | 0:05:54 | 0:05:56 | |
Our boy was definitely a bomb-builder. | 0:05:56 | 0:05:58 | |
My guess is his dynamite was unstable. | 0:05:58 | 0:06:00 | |
Take him back to Leman Street. We need to find out who he was. | 0:06:00 | 0:06:03 | |
Hobbs, to the Yard - full emergency, man, we've a bomber. | 0:06:03 | 0:06:06 | |
-Should I tell the ones that was here? -What? | 0:06:06 | 0:06:10 | |
Two of them, sir. | 0:06:10 | 0:06:11 | |
-Before you three arrived. -Who? | 0:06:11 | 0:06:14 | |
Didn't give their names, sir. Just said they was Yard. | 0:06:14 | 0:06:16 | |
Took one look, they did, then made off in their hansom. | 0:06:16 | 0:06:19 | |
This rag's from Berner Street, that's a rock we need to kick over first. | 0:06:22 | 0:06:25 | |
The Workers' Educational Club. | 0:06:25 | 0:06:27 | |
Come on, lads. | 0:06:29 | 0:06:31 | |
DOOR CRASHES | 0:06:32 | 0:06:34 | |
The Special Branch, Reid. | 0:06:46 | 0:06:47 | |
Made the scene straightaway then struck directly at the vermin's nest. | 0:06:47 | 0:06:51 | |
Is this the start of a campaign, sir? What are we facing? | 0:06:51 | 0:06:55 | |
-I'm assured the matter is in hand. -I have the bomber's remains here. | 0:06:55 | 0:06:59 | |
-We have yet to identify... -Jew, name of Bloom. | 0:06:59 | 0:07:02 | |
Rabid anarchist and revolutionary of the Berner Street slough. | 0:07:02 | 0:07:05 | |
The Special Branch had been watching him for some time. | 0:07:05 | 0:07:08 | |
Perhaps they should have watched closer! | 0:07:08 | 0:07:09 | |
Bloom's death is a Special Branch case. | 0:07:09 | 0:07:12 | |
You stick to the strike. | 0:07:12 | 0:07:14 | |
None of us are safe from the leftist cancer. | 0:07:14 | 0:07:17 | |
-Have you read this? -Yes, I am aware of that. | 0:07:17 | 0:07:19 | |
"Should the strikers' action persist in paralysing our docks, | 0:07:19 | 0:07:22 | |
"the great machine by which five million people are fed and clothed | 0:07:22 | 0:07:26 | |
"will come to a dead stop - and what is to be the end of it all?" | 0:07:26 | 0:07:29 | |
What indeed! | 0:07:29 | 0:07:31 | |
The strikers are hardly revolutionists, sir. | 0:07:31 | 0:07:33 | |
Working men deserve fair pay. | 0:07:33 | 0:07:35 | |
Last week a dozen dockers who tried to work had their bones cracked - | 0:07:35 | 0:07:39 | |
a constable from J-Division went home with a bloodied nose. | 0:07:39 | 0:07:41 | |
-All I... -The great machine is breaking down. | 0:07:41 | 0:07:44 | |
With the greatest of respect, sir, | 0:07:44 | 0:07:47 | |
the strikers number in their thousands. | 0:07:47 | 0:07:49 | |
A handful of troublemakers does not make them all anarchists. | 0:07:49 | 0:07:52 | |
Firebrands and ruffians, Reid, | 0:07:52 | 0:07:54 | |
who must be brought to heel if social order is to prevail! | 0:07:54 | 0:07:57 | |
-And the East End is the root of it! -What do you suggest, sir? | 0:07:57 | 0:08:01 | |
Well, I believe you still have a Pinkerton on your ticket? | 0:08:02 | 0:08:05 | |
You don't seem to be hearing me, Reid. Not a chance. | 0:08:05 | 0:08:09 | |
Every other man in my shop is a known face, none with your experience. | 0:08:09 | 0:08:12 | |
Then I envy them. | 0:08:12 | 0:08:13 | |
-I told you there was coin in it. -And I told you it was dirty work. | 0:08:13 | 0:08:15 | |
Does every Pinkerton's conscience plague him thus? | 0:08:15 | 0:08:18 | |
Why don't you find a Pinkerton and ask them. | 0:08:18 | 0:08:21 | |
-I'm a surgeon, not a strike-breaker. -We are simply trying to keep order. | 0:08:21 | 0:08:25 | |
The last time they told me that, eight policemen wound up dead | 0:08:25 | 0:08:27 | |
with half the town on fire. | 0:08:27 | 0:08:29 | |
-This is not the Wild West. -Neither was Chicago. | 0:08:29 | 0:08:31 | |
The violent elements need to be picked out. | 0:08:31 | 0:08:33 | |
Now, I wish there were someone else I could ask, | 0:08:33 | 0:08:36 | |
but there is not. You will oblige me! | 0:08:36 | 0:08:37 | |
I'm not going to put down working men | 0:08:37 | 0:08:39 | |
for goddamn plutocratic high muckety-mucks... | 0:08:39 | 0:08:42 | |
Or Monro has told me to arrest you. | 0:08:42 | 0:08:44 | |
-For what?! -For whatever I please. | 0:08:44 | 0:08:47 | |
For whore-mongering, for brawling, for pistol-wielding, for card-fixing. | 0:08:47 | 0:08:52 | |
If there is a decency upheld by law in this land | 0:08:52 | 0:08:54 | |
it is a law you will have broken, so do not test me! | 0:08:54 | 0:08:57 | |
Well? | 0:08:58 | 0:09:00 | |
You can get to it after you've dealt with our man Bloom, here. | 0:09:04 | 0:09:08 | |
-He's got a name now? -So it seems. | 0:09:08 | 0:09:11 | |
Want to see what else he's got? | 0:09:15 | 0:09:17 | |
Stab wound? | 0:09:21 | 0:09:22 | |
Stabbed once. With skill. Straight into the heart. | 0:09:23 | 0:09:26 | |
He didn't blow himself up. | 0:09:26 | 0:09:28 | |
He was already dead when the bomb went off. | 0:09:28 | 0:09:31 | |
Send a full report on your way to the docks. | 0:09:31 | 0:09:34 | |
Inspector, you've a visitor. | 0:09:41 | 0:09:43 | |
May I offer you some water, Miss Goran? | 0:09:48 | 0:09:51 | |
Inspector, I... I need to talk to you | 0:09:51 | 0:09:54 | |
about the man who died in the blast. | 0:09:54 | 0:09:58 | |
Bloom? | 0:09:58 | 0:09:59 | |
His name is Joshua. I come on behalf of his brother | 0:09:59 | 0:10:03 | |
to request you release his remains. | 0:10:03 | 0:10:06 | |
Swift burial is our custom, Inspector. | 0:10:06 | 0:10:09 | |
May I ask how you knew Mr Bloom? | 0:10:09 | 0:10:12 | |
We fled Kiev together. | 0:10:12 | 0:10:14 | |
Travelled, on to London. | 0:10:16 | 0:10:18 | |
Were you aware of his politics? | 0:10:18 | 0:10:20 | |
I knew his beliefs and his hatred of violence. | 0:10:22 | 0:10:26 | |
The man I knew is no bomb-maker. Do you understand? | 0:10:26 | 0:10:30 | |
Forgive me, these were secreted amongst his affairs. | 0:10:32 | 0:10:37 | |
Do they mean anything to you? | 0:10:37 | 0:10:39 | |
You recognise these men? | 0:10:45 | 0:10:47 | |
No, but I've seen enough of Russian soldiers to last me a lifetime. | 0:10:47 | 0:10:51 | |
These uniforms are Russian? | 0:10:51 | 0:10:54 | |
This also. | 0:10:54 | 0:10:56 | |
The letters, at least, but I don't understand it. It's gibberish. | 0:10:56 | 0:10:59 | |
I should very much like to show these to Joshua's brother. | 0:10:59 | 0:11:02 | |
-Isaac is grieving, Inspector. -I appreciate that, but... | 0:11:02 | 0:11:05 | |
Then you'll appreciate he's unlikely to want visitations | 0:11:05 | 0:11:09 | |
from policemen who believe his brother wished to dynamite London. | 0:11:09 | 0:11:12 | |
I should like to speak to him because I believe his brother was murdered. | 0:11:12 | 0:11:15 | |
Will you allow me to show him? | 0:11:26 | 0:11:28 | |
I am sorry for you, Miss Goren. | 0:11:35 | 0:11:38 | |
Thank you. | 0:11:38 | 0:11:40 | |
-CROWD CHEERS -The policeman and the blackleg - savage hirelings both! | 0:11:41 | 0:11:45 | |
And faced with their fists, batons, bitter treachery, | 0:11:45 | 0:11:48 | |
must we not ask - is protest enough? | 0:11:48 | 0:11:51 | |
Mere protest! | 0:11:51 | 0:11:54 | |
When has vicious power ever heeded mere protest? | 0:11:54 | 0:11:57 | |
And faced with mere protest, | 0:11:59 | 0:12:01 | |
vicious power will crush your strike to dust! | 0:12:01 | 0:12:06 | |
Protest will be heard! | 0:12:06 | 0:12:09 | |
You anarchists just want a war with all that is. | 0:12:09 | 0:12:11 | |
All we want is fair pay. | 0:12:11 | 0:12:13 | |
War has been forced upon us! And the choice is not how we call ourselves. | 0:12:13 | 0:12:18 | |
The choice is slavery and hunger, or liberty and bread. | 0:12:18 | 0:12:23 | |
And if, with me, you choose the latter, then to arms! | 0:12:23 | 0:12:27 | |
To arms, say I! | 0:12:27 | 0:12:29 | |
A stake through the hearts of those vampires who will rule you! | 0:12:29 | 0:12:34 | |
Today, on this very dock, let us meet force with righteous force! | 0:12:36 | 0:12:43 | |
MUSIC TINKLES | 0:13:20 | 0:13:22 | |
CHILDREN LAUGH | 0:13:29 | 0:13:32 | |
MUSIC SLOWS THEN STOPS | 0:13:57 | 0:14:03 | |
Sir! Sir! Inspector Reid, sir! | 0:14:21 | 0:14:25 | |
Isaac will be a moment, Inspector. | 0:14:37 | 0:14:40 | |
-May I offer you some tea? -Thank you. | 0:14:40 | 0:14:42 | |
Please. | 0:15:00 | 0:15:02 | |
Do not touch it. | 0:15:02 | 0:15:04 | |
-These are Fibonacci spirals. -Spira mirabilis. | 0:15:06 | 0:15:11 | |
The Inspector knows his logarithmics. | 0:15:11 | 0:15:13 | |
Isn't it something? | 0:15:15 | 0:15:16 | |
Morphogenesis - evolution of pattern. | 0:15:17 | 0:15:22 | |
Galileo said mathematics was the language | 0:15:22 | 0:15:24 | |
with which God has written the universe. | 0:15:24 | 0:15:26 | |
I seek the hidden words. You might term it a kind of detective work. | 0:15:26 | 0:15:31 | |
In my detective work I find little evidence of God. | 0:15:31 | 0:15:35 | |
But you seek order in all things, Inspector. | 0:15:35 | 0:15:39 | |
The notion of meaningless chaos is abhorrent to you. | 0:15:39 | 0:15:43 | |
Raw anarchy. I know what the word "anarchy" means to you policemen, | 0:15:43 | 0:15:49 | |
but you don't know what it meant to my brother. | 0:15:49 | 0:15:52 | |
Anarkhos - without ruler. No more nor less. | 0:15:52 | 0:15:55 | |
Joshua believed in altruism, | 0:15:57 | 0:16:01 | |
mutuality, peaceful end to man's dominion over man. | 0:16:01 | 0:16:05 | |
He railed against force of all kinds. | 0:16:05 | 0:16:08 | |
What was he doing with dynamite? | 0:16:08 | 0:16:10 | |
Deborah says you are trustworthy, Inspector Reid. | 0:16:13 | 0:16:16 | |
And that you believe Joshua was murdered. | 0:16:16 | 0:16:19 | |
What do you know of the Okhrana? | 0:16:20 | 0:16:23 | |
The Russian secret police. Agents of hate. | 0:16:23 | 0:16:26 | |
For them, a Jew with radical ideas is a double foe. | 0:16:26 | 0:16:30 | |
Mr Bloom, this is not Russia. | 0:16:30 | 0:16:32 | |
Don't be naive, Inspector. | 0:16:32 | 0:16:35 | |
Since they crushed the revolutionaries at home | 0:16:35 | 0:16:38 | |
the Okhrana has widened its jurisdiction. | 0:16:38 | 0:16:40 | |
They're in Berlin, Paris, London. | 0:16:40 | 0:16:42 | |
Berner Street was sanctuary to plenty of exiled radicals | 0:16:42 | 0:16:44 | |
and Joshua believed they had a spy there. | 0:16:44 | 0:16:46 | |
-He told me he'd obtained evidence. -The box? | 0:16:46 | 0:16:49 | |
This was his evidence. I'm sure of it. | 0:16:49 | 0:16:54 | |
A cipher, and a complex one. Military. | 0:16:57 | 0:17:00 | |
-Can you decrypt it? -In time, but there is no riddle to this. | 0:17:00 | 0:17:06 | |
Soldiers of the Russian Empire. | 0:17:06 | 0:17:09 | |
Joshua identified the Berner Street spy | 0:17:09 | 0:17:12 | |
and I think he was killed for it. | 0:17:12 | 0:17:14 | |
One of these men is my brother's killer. | 0:17:14 | 0:17:18 | |
He murdered Joshua and left a bomb to smear all radical thinkers. | 0:17:18 | 0:17:22 | |
That is what they do, Inspector. | 0:17:22 | 0:17:24 | |
Why do you imagine so many have fled Russia? | 0:17:24 | 0:17:26 | |
May I walk you somewhere, Miss Goren? | 0:17:30 | 0:17:33 | |
I would not like to keep you from your duties. | 0:17:33 | 0:17:35 | |
-No, no, it's quite all right. -Relief fund. Give a penny! Relief fund. | 0:17:35 | 0:17:41 | |
Is the basic dignity of the working man | 0:17:41 | 0:17:43 | |
too revolutionary for you, Inspector? | 0:17:43 | 0:17:45 | |
No, I have no issue with the strike, I fear its spread. | 0:17:48 | 0:17:51 | |
I hear the biscuit-makers are out in solidarity. | 0:17:51 | 0:17:54 | |
However will H-Division cope? | 0:17:54 | 0:17:56 | |
Well, we intend to riot all the way down Leman Street. | 0:17:56 | 0:17:59 | |
You may not believe this, Inspector, | 0:18:00 | 0:18:02 | |
but you and Joshua were not so different. | 0:18:02 | 0:18:05 | |
-Oh? He would have loathed everything I stand for! -He loathed injustice. | 0:18:05 | 0:18:09 | |
He looked around him, saw what was broken | 0:18:09 | 0:18:11 | |
and devoted his life to try and fix it. | 0:18:11 | 0:18:14 | |
By dismantling civilisation? | 0:18:14 | 0:18:15 | |
Inspector, if this is civilisation, you may count me | 0:18:15 | 0:18:19 | |
thoroughly curious to witness barbarism. | 0:18:19 | 0:18:21 | |
MEN SHOUT | 0:18:21 | 0:18:25 | |
Come on, gents - let's give the men some space, please. | 0:18:25 | 0:18:28 | |
MEN CHANT: Scabs! Scabs! | 0:18:28 | 0:18:31 | |
Move along now. Just move it along. | 0:18:31 | 0:18:35 | |
-Who wants to turn a blackleg green? -You stand aside! | 0:18:35 | 0:18:39 | |
-This stuff's bloody poison! -You're the poison, crusher. | 0:18:39 | 0:18:42 | |
Back off. Now. | 0:18:42 | 0:18:45 | |
Behold! The scab sheep and their herding bitch! | 0:19:02 | 0:19:05 | |
You move along, all of you! | 0:19:05 | 0:19:08 | |
Piss off, copper! | 0:19:08 | 0:19:09 | |
You heard me. I said clear out. | 0:19:11 | 0:19:15 | |
Smash the bastards! | 0:19:15 | 0:19:17 | |
CHEERING | 0:19:17 | 0:19:18 | |
QUIET FALLS, A BLADE IS UNSHEATHED | 0:19:27 | 0:19:30 | |
Revolution begins with decapitation of the State. | 0:19:30 | 0:19:35 | |
Who wants to carve the pig? | 0:19:35 | 0:19:37 | |
You? | 0:19:38 | 0:19:40 | |
You, then. | 0:19:40 | 0:19:41 | |
Are you warriors or gutless lackeys? | 0:19:43 | 0:19:46 | |
You. Or I'll have your eyes. | 0:19:47 | 0:19:49 | |
I want to do it. | 0:19:49 | 0:19:51 | |
Throat first so he can't scream. | 0:19:54 | 0:19:56 | |
SINGLE GUNSHOT | 0:20:08 | 0:20:11 | |
What do they call you, Yankee? | 0:20:18 | 0:20:19 | |
Richards. | 0:20:22 | 0:20:24 | |
Peter Morris. | 0:20:27 | 0:20:29 | |
So, what's an American doing in Whitechapel | 0:20:29 | 0:20:31 | |
with a gun under his coat? | 0:20:31 | 0:20:33 | |
I left the last town under a cloud. | 0:20:33 | 0:20:35 | |
Which town was that? | 0:20:36 | 0:20:37 | |
Chicago. | 0:20:39 | 0:20:40 | |
You were at the Haymarket? | 0:20:40 | 0:20:43 | |
Are you a Pinkerton? | 0:20:43 | 0:20:45 | |
-MORRIS SCOFFS -We heard reports of their treachery. | 0:20:45 | 0:20:49 | |
Factory owners didn't like the workers turning Red, | 0:20:49 | 0:20:52 | |
so the bastards hired the Pinks. | 0:20:52 | 0:20:55 | |
-Spying scum. -Crawled into us like a screwworm, | 0:20:55 | 0:20:58 | |
turning brother on brother. | 0:20:58 | 0:21:01 | |
It's said that a Pinkerton threw the bomb. | 0:21:01 | 0:21:04 | |
80,000 marching in peace. | 0:21:04 | 0:21:07 | |
Speeches for days with not a man harmed. | 0:21:07 | 0:21:09 | |
Then the police came to move us and the Pinks knew how to bury us. | 0:21:09 | 0:21:12 | |
Yeah, it was a goddamn Pinkerton, all right. | 0:21:12 | 0:21:14 | |
I saw the bomb leave his hand. | 0:21:14 | 0:21:16 | |
Then I saw bodies blown to pieces in a city at war, | 0:21:16 | 0:21:19 | |
while the best men of the revolution went to the scaffold for it. | 0:21:19 | 0:21:23 | |
Their murders shall not be in vain for the Pinkertons did us a service. | 0:21:23 | 0:21:29 | |
Yes, a service. | 0:21:29 | 0:21:32 | |
Let us be known for brutal force. | 0:21:32 | 0:21:36 | |
Let terror be our tool! | 0:21:36 | 0:21:38 | |
Freedom is not given, it is taken. | 0:21:39 | 0:21:42 | |
The men they hanged in Chicago were martyrs. | 0:21:42 | 0:21:45 | |
The men that they hanged in Chicago were my brothers | 0:21:45 | 0:21:49 | |
and I've come here to see that fight through. | 0:21:49 | 0:21:51 | |
Then we need more soldiers like you. | 0:21:54 | 0:21:56 | |
What we need is escalation. | 0:21:56 | 0:21:58 | |
We shall talk further, American. | 0:22:00 | 0:22:03 | |
Tomorrow the struggle begins anew. | 0:22:05 | 0:22:08 | |
REID: Who's handling the Bloom case at the Yard? | 0:22:56 | 0:22:58 | |
Man's name is Constantine, golden boy of the Special Branch. | 0:22:59 | 0:23:05 | |
The Okhrana is mixed up in it. | 0:23:05 | 0:23:08 | |
Russian spies in Whitechapel. | 0:23:08 | 0:23:12 | |
It's a new world. | 0:23:12 | 0:23:15 | |
Ed. | 0:23:17 | 0:23:19 | |
Edmund? | 0:23:19 | 0:23:22 | |
Let it go, friend. | 0:23:22 | 0:23:24 | |
This is my division, not Constantine's. | 0:23:24 | 0:23:26 | |
I'm not talking about your damn Russian. | 0:23:26 | 0:23:30 | |
I'm talking about your daughter. | 0:23:30 | 0:23:32 | |
You do not understand. | 0:23:34 | 0:23:36 | |
I understand better than anyone else and you know that. | 0:23:36 | 0:23:40 | |
It's been a year. Let it go. | 0:23:41 | 0:23:44 | |
Emily asked me to clear her room. Clear it. | 0:23:49 | 0:23:54 | |
Erase her from our home. | 0:23:54 | 0:23:56 | |
-A mother's grief. -For a child who lives! | 0:23:56 | 0:23:58 | |
-Edmund... -She's out there, Fred. I feel it. | 0:23:58 | 0:24:02 | |
But I... I, er... | 0:24:04 | 0:24:08 | |
The same dream. | 0:24:09 | 0:24:11 | |
Almost a year to the day and every night the same. | 0:24:12 | 0:24:16 | |
Shadows swarming round her and... | 0:24:17 | 0:24:21 | |
She lives. | 0:24:21 | 0:24:23 | |
I've a hansom. I'll take you home. | 0:24:24 | 0:24:27 | |
These are my streets. I'll walk them. | 0:24:27 | 0:24:28 | |
Er, I'm not sure I fully understand, sir. | 0:24:38 | 0:24:40 | |
How can I be clearer, Reid? You pull your American and you do it now. | 0:24:40 | 0:24:45 | |
But the strike? | 0:24:45 | 0:24:46 | |
If I decide to alter the tactics of our policing, | 0:24:46 | 0:24:49 | |
I may do so without your consultation, Inspector. | 0:24:49 | 0:24:52 | |
As you wish. | 0:24:52 | 0:24:53 | |
Commissioner, I should like a word with | 0:24:55 | 0:24:57 | |
Superintendent Constantine of the Special Branch. | 0:24:57 | 0:25:00 | |
Concerning? | 0:25:00 | 0:25:02 | |
Concerning the part of the Russian Okhrana | 0:25:02 | 0:25:04 | |
in the murder of Joshua Bloom. | 0:25:04 | 0:25:06 | |
Reid, have you or have you not been told this is not your damned case?! | 0:25:09 | 0:25:15 | |
I would have thought you had enough on your plate | 0:25:15 | 0:25:18 | |
bringing some semblance of order to this hellhole of a division. | 0:25:18 | 0:25:22 | |
Or have I missed something? | 0:25:22 | 0:25:24 | |
Did you manage to catch your whore-killer | 0:25:24 | 0:25:27 | |
who made a bloodbath of your streets? | 0:25:27 | 0:25:29 | |
Or does he remain amok | 0:25:29 | 0:25:31 | |
while you skip after fanciful notions of Russian assassins? | 0:25:31 | 0:25:35 | |
I will tolerate no further insubordination! | 0:25:35 | 0:25:38 | |
Do you understand?! | 0:25:38 | 0:25:39 | |
Hobbs, get out of uniform and get down to the dock. | 0:25:49 | 0:25:51 | |
Find Jackson and tell him... | 0:25:51 | 0:25:53 | |
Peter Morris. Berner Street radical. | 0:25:56 | 0:25:59 | |
He would've had the sergeant's head for a football. | 0:25:59 | 0:26:01 | |
I want him in irons. Where did you follow him? Show me. | 0:26:01 | 0:26:05 | |
I followed him west along the river, to this house here. | 0:26:05 | 0:26:09 | |
This house? Chesham House? You're certain? | 0:26:09 | 0:26:13 | |
This is the Russian Embassy. | 0:26:13 | 0:26:14 | |
You said Morris was at Berner Street. Look at that. Do you see him? | 0:26:14 | 0:26:18 | |
That's him. | 0:26:19 | 0:26:21 | |
That's Peter Morris. | 0:26:21 | 0:26:23 | |
This is our killer. | 0:26:25 | 0:26:27 | |
Morris is Bloom's Russian spy. | 0:26:28 | 0:26:31 | |
He wants me to meet him later. | 0:26:34 | 0:26:36 | |
Go with. Bring him in. Be careful. | 0:26:38 | 0:26:40 | |
-Where are you going? -Going to see some Russians. | 0:26:40 | 0:26:43 | |
Oh, er, Jackson... | 0:26:45 | 0:26:47 | |
I, er... | 0:26:49 | 0:26:51 | |
You're welcome. | 0:26:54 | 0:26:56 | |
I think not. | 0:27:12 | 0:27:14 | |
I'm not presenting it for debate. | 0:27:14 | 0:27:16 | |
He was followed from Whitechapel. | 0:27:16 | 0:27:18 | |
You've a Jew problem there, no? | 0:27:18 | 0:27:21 | |
In Russia we stamp them out, | 0:27:23 | 0:27:26 | |
in England you throw your doors wide open. | 0:27:26 | 0:27:28 | |
I'm sorry you find our liberties so distasteful, Mr Volsky. | 0:27:28 | 0:27:32 | |
And I am sorry it has taken you so long to curtail them. | 0:27:32 | 0:27:36 | |
I heard that, er, at last you have raided a den of Jew radicals. | 0:27:36 | 0:27:42 | |
Finish the job, Inspector - crush them. | 0:27:42 | 0:27:45 | |
Or they will murder your Queen, | 0:27:45 | 0:27:47 | |
no less viciously than they murdered our Tsar. | 0:27:47 | 0:27:51 | |
You sent Peter Morris to London to stir them up and paint them black. | 0:27:51 | 0:27:56 | |
I believe their flag was already black. | 0:27:56 | 0:28:00 | |
Inspector, Russia is not the source | 0:28:00 | 0:28:05 | |
of every malady that afflicts Britannia, | 0:28:05 | 0:28:08 | |
nor of every dead Hebrew found in Whitechapel. | 0:28:08 | 0:28:12 | |
I'm sorry I can't be of more help. | 0:28:12 | 0:28:14 | |
How do you know he was Jewish? | 0:28:14 | 0:28:16 | |
The man I believe Morris killed. You said, "Dead Hebrew". | 0:28:16 | 0:28:20 | |
I didn't say he was Jewish. | 0:28:20 | 0:28:23 | |
Aren't they all, in your foul warren? | 0:28:24 | 0:28:29 | |
Now, if you will excuse me, Inspector, | 0:28:31 | 0:28:34 | |
I have to attend to more pressing matters of State. Good day. | 0:28:34 | 0:28:38 | |
Stand Morris down, or I'll see him hang. | 0:28:41 | 0:28:44 | |
Inspector. | 0:28:49 | 0:28:50 | |
This one says he knows you. | 0:28:50 | 0:28:53 | |
It's polyalphabetic. I was able to use Kasiski's Test. | 0:28:57 | 0:29:01 | |
-And? -A communique about a soldier - Commander Yevgeny Zotkin, | 0:29:01 | 0:29:04 | |
expert in sabotage and explosives, sent here by the Okhrana. | 0:29:04 | 0:29:08 | |
Zotkin. He's going by the name Morris. | 0:29:08 | 0:29:09 | |
He was at the Russian Embassy. | 0:29:09 | 0:29:11 | |
-Inspector, the communique describes his mission. -To smear anarchists and radicals. | 0:29:11 | 0:29:15 | |
-To bomb London in their name. -Where? | 0:29:15 | 0:29:19 | |
It does not say - only that he is to unleash death and havoc on the city. | 0:29:19 | 0:29:23 | |
I need to know the target! | 0:29:23 | 0:29:25 | |
How can I stop a bomb if I don't know the target? | 0:29:25 | 0:29:27 | |
Hobbs! All divisions, full alert - | 0:29:30 | 0:29:32 | |
we have proof a Russian bomber's at large. | 0:29:32 | 0:29:34 | |
And wire Monro, I'm coming to the Yard. | 0:29:34 | 0:29:36 | |
'Let us battle no more!' | 0:29:36 | 0:29:38 | |
Sirs, I stand here to offer not rancour, but reason! | 0:29:38 | 0:29:43 | |
Has not this war exhausted us? | 0:29:43 | 0:29:45 | |
Can we any of us face yet more grim attrition? Enough, I say! | 0:29:45 | 0:29:50 | |
-Then give us our tanner! -CHEERING | 0:29:50 | 0:29:53 | |
Good sirs, good sirs! | 0:29:53 | 0:29:55 | |
Would you allow socialists and communists to bankrupt...? | 0:29:55 | 0:29:58 | |
He wants me to meet him on the corner. | 0:29:58 | 0:30:00 | |
Just watch my back and get the son of a bitch. | 0:30:00 | 0:30:02 | |
We march under no flag, Mr Norwood - neither red nor black! | 0:30:02 | 0:30:06 | |
We wave the banner only of fairness, and ask for a fair sixpence! | 0:30:06 | 0:30:10 | |
CHEERING | 0:30:10 | 0:30:13 | |
-There can be no wage raise! -CROWD BOOS | 0:30:13 | 0:30:17 | |
It is impossible! Men, are not your pantries empty? | 0:30:17 | 0:30:22 | |
Do not your children hunger more by the day? | 0:30:22 | 0:30:25 | |
Your jobs - good, paying toil - remain for you. | 0:30:25 | 0:30:29 | |
The company is prepared to forgive - yes, to rehire any man | 0:30:29 | 0:30:32 | |
who longs for coin in his pocket and bread in his belly. | 0:30:32 | 0:30:37 | |
HORSE'S HOOVES TRUNDLE | 0:30:41 | 0:30:43 | |
Wrong turn! | 0:30:49 | 0:30:51 | |
Driver! | 0:30:52 | 0:30:53 | |
I'm Superintendent Constantine. | 0:31:17 | 0:31:20 | |
You wished to speak to me. | 0:31:20 | 0:31:22 | |
There is a Russian bomber in the city. | 0:31:24 | 0:31:26 | |
Mm, about that. Stay away from Yevgeny Zotkin. | 0:31:26 | 0:31:31 | |
You think we don't know who he is, Reid? | 0:31:31 | 0:31:34 | |
That you're ahead of the game? Yes, Zotkin is Peter Morris. | 0:31:34 | 0:31:38 | |
When the Russians sent him here, we were wise to it, arrested him. | 0:31:38 | 0:31:41 | |
Then why is he on the loose? | 0:31:41 | 0:31:43 | |
Because we made him our agent too, you bloody fool. | 0:31:43 | 0:31:48 | |
The Russians are right about the anarchists, communists, socialists - | 0:31:48 | 0:31:52 | |
all the revolutionary scum. | 0:31:52 | 0:31:53 | |
-And we share an aim - to flush them to the gutter. -You share an aim?! | 0:31:53 | 0:32:00 | |
Zotkin was sent to make London burn! | 0:32:00 | 0:32:02 | |
I'm keeping London safer than you know. | 0:32:02 | 0:32:04 | |
Zotkin's been feeding us information from his embassy. | 0:32:04 | 0:32:08 | |
He's on my leash now, not the Russians'. | 0:32:08 | 0:32:11 | |
-And who tugged his leash to kill Bloom? -Bloom was a menace. | 0:32:11 | 0:32:14 | |
-He was a pacifist! -He had ideas, Reid, and people listened. | 0:32:14 | 0:32:18 | |
Ideas are far more dangerous than any bomb. | 0:32:18 | 0:32:21 | |
Do you want the Paris Commune rebuilt here, | 0:32:21 | 0:32:25 | |
open war on the streets of London? | 0:32:25 | 0:32:26 | |
I already have explosions on my streets! | 0:32:26 | 0:32:29 | |
YOU are an accessory to murder and Monro shall hear of this. | 0:32:29 | 0:32:32 | |
I can hear perfectly well, Inspector. | 0:32:32 | 0:32:35 | |
Commissioner, you allowed this? | 0:32:35 | 0:32:37 | |
I allowed Zotkin to be deployed among the anarchists. | 0:32:37 | 0:32:39 | |
To provoke them, to break them down, to discredit Bloom, | 0:32:39 | 0:32:44 | |
not to detonate him. | 0:32:44 | 0:32:46 | |
Zotkin had no choice. | 0:32:46 | 0:32:48 | |
But then it became apparent that nobody here | 0:32:48 | 0:32:50 | |
was able to follow their damn orders. | 0:32:50 | 0:32:53 | |
If he'd merely planted dynamite on Bloom, Bloom could've still exposed him. | 0:32:53 | 0:32:56 | |
You gave Zotkin the dynamite?! | 0:32:56 | 0:32:58 | |
Yes, Reid, and thanks to me, the Berner Street cesspit is no more. | 0:32:58 | 0:33:03 | |
Sir, our best asset remains Zotkin, not Reid's Yankee pox-doctor. | 0:33:03 | 0:33:07 | |
With Zotkin, I can end this bloody strike before our city falls apart. | 0:33:07 | 0:33:12 | |
And that is the only matter in hand - the defence of the realm. | 0:33:12 | 0:33:16 | |
Constantine is right. These are desperate times. | 0:33:16 | 0:33:21 | |
You have your duties at H-Division, Inspector. Return to them. | 0:33:21 | 0:33:25 | |
You're privy to this only because your pitiful attempts at investigation are a hindrance. | 0:33:28 | 0:33:34 | |
I need not stress the import of discretion. | 0:33:34 | 0:33:38 | |
Go to hell. | 0:33:38 | 0:33:40 | |
You used to like water, didn't you, Reid? | 0:33:41 | 0:33:45 | |
Boats. You and Mathilda. Yeah, what a terrible loss. | 0:33:45 | 0:33:50 | |
A little girl, so innocent of our world. | 0:33:50 | 0:33:53 | |
How well you did to shield her from all its jagged shadows. | 0:33:53 | 0:33:56 | |
You could never blame yourself, Reid. | 0:33:56 | 0:33:59 | |
And nor could Emily. Why ever should she have reason to blame you? | 0:33:59 | 0:34:04 | |
Well, we know, don't we? | 0:34:04 | 0:34:07 | |
The import of discretion, Inspector. | 0:34:07 | 0:34:09 | |
Oh, and your Yankee. I may have a use for him after all. | 0:34:14 | 0:34:19 | |
Good day. | 0:34:19 | 0:34:20 | |
Comrade. | 0:34:36 | 0:34:38 | |
You'd better have a bunch of roses for me, | 0:34:38 | 0:34:41 | |
cos I don't like being stood up. | 0:34:41 | 0:34:42 | |
It could not be helped. I was being followed. Police. | 0:34:42 | 0:34:46 | |
-You lose them? -Police are idiot dogs. | 0:34:46 | 0:34:49 | |
For a man of wit and purpose, gulling them is child's play. | 0:34:49 | 0:34:53 | |
Let's get a drink. | 0:34:54 | 0:34:56 | |
It's easy to talk of escalation. | 0:34:59 | 0:35:02 | |
But talk achieves nothing, Mr Richards. | 0:35:02 | 0:35:05 | |
We must ask ourselves - how deep is our conviction? | 0:35:05 | 0:35:11 | |
How broad our courage? | 0:35:11 | 0:35:14 | |
I came here to win a war. | 0:35:14 | 0:35:15 | |
That blade. Indian, isn't it? | 0:35:18 | 0:35:22 | |
-What of it? -You been? | 0:35:22 | 0:35:26 | |
There are police spies... among our comrades here. | 0:35:29 | 0:35:33 | |
Did you know that, Mr Richards? | 0:35:34 | 0:35:37 | |
I had heard it. | 0:35:39 | 0:35:41 | |
My lodgings are being watched. We'll talk further at yours. | 0:35:41 | 0:35:45 | |
You son of a bitch, I'll kill both... | 0:35:51 | 0:35:54 | |
GIRLS SING | 0:36:11 | 0:36:13 | |
I know who killed Joshua. And I know why. | 0:36:20 | 0:36:23 | |
But I cannot do anything about it. He is protected. | 0:36:23 | 0:36:28 | |
By whom? | 0:36:29 | 0:36:30 | |
By the police. | 0:36:30 | 0:36:32 | |
I was wrong. | 0:36:37 | 0:36:39 | |
He was nothing like you. He was unafraid to pursue the truth. | 0:36:39 | 0:36:44 | |
Please leave. | 0:36:44 | 0:36:45 | |
-Deborah... -In Russia the police drove us from our homes. | 0:36:45 | 0:36:48 | |
They murdered, tortured with impunity. | 0:36:48 | 0:36:52 | |
Joshua saved my life, Inspector. | 0:36:52 | 0:36:54 | |
We came here because we thought we'd be safe. Get out. | 0:36:54 | 0:36:58 | |
Get out! Out! | 0:36:58 | 0:37:01 | |
I'm sorry. | 0:37:05 | 0:37:07 | |
-Are you hurt? -No, no. | 0:37:07 | 0:37:10 | |
Let me see. | 0:37:10 | 0:37:11 | |
What happened to you? | 0:37:13 | 0:37:14 | |
At first I... | 0:37:17 | 0:37:19 | |
felt its shadow, then I saw the second boat bearing down on us. | 0:37:19 | 0:37:24 | |
The hull split. | 0:37:24 | 0:37:26 | |
We were thrown down the deck. | 0:37:29 | 0:37:31 | |
Mathilda... | 0:37:32 | 0:37:34 | |
Mathilda slid away from me. | 0:37:37 | 0:37:39 | |
Something fell, something molten, crushing. | 0:37:41 | 0:37:44 | |
And I could not reach her. | 0:37:45 | 0:37:47 | |
Watched her vanish over the side. | 0:37:48 | 0:37:51 | |
Then everything went dark. | 0:37:52 | 0:37:53 | |
-I'm so sorry. -They never found her. | 0:37:56 | 0:37:58 | |
They found bodies, they dredged the water, | 0:38:02 | 0:38:04 | |
accounted for every soul...but five. | 0:38:04 | 0:38:07 | |
Five? | 0:38:07 | 0:38:09 | |
Five people did not die that day. | 0:38:09 | 0:38:12 | |
How, I do not know, but, er... | 0:38:14 | 0:38:16 | |
..it is so, must be so. | 0:38:17 | 0:38:19 | |
And Mathilda is one of them. | 0:38:19 | 0:38:20 | |
She's alive, Miss Goren. | 0:38:22 | 0:38:24 | |
I feel it. | 0:38:25 | 0:38:27 | |
I feel it in my marrow. | 0:38:28 | 0:38:30 | |
Does your wife have... this sense also? | 0:38:32 | 0:38:36 | |
Perhaps it is too hard for her to cling to so frail a... | 0:38:41 | 0:38:46 | |
It is not frail! | 0:38:46 | 0:38:48 | |
I... I... | 0:38:53 | 0:38:54 | |
It was my fault. | 0:39:04 | 0:39:06 | |
-How could that be? -And they knew. | 0:39:06 | 0:39:10 | |
They knew. | 0:39:10 | 0:39:12 | |
Oh, hello! That's nice. | 0:39:16 | 0:39:19 | |
-Thank you, Miss Goren. -Whatever for, Inspector? | 0:39:24 | 0:39:28 | |
DOOR OPENS | 0:39:44 | 0:39:46 | |
Morris, sir. | 0:39:54 | 0:39:56 | |
I'm afraid he, erm... | 0:39:56 | 0:39:58 | |
We weren't able to, er... | 0:39:58 | 0:40:00 | |
Miss Goren. | 0:40:05 | 0:40:06 | |
Sir, if I may? | 0:40:30 | 0:40:31 | |
I'm going home. | 0:40:31 | 0:40:33 | |
DOOR OPENS | 0:40:41 | 0:40:43 | |
Edmund? Is something the matter? | 0:40:43 | 0:40:45 | |
I, er... | 0:40:45 | 0:40:47 | |
I needed... | 0:40:49 | 0:40:50 | |
Your weeds? | 0:40:53 | 0:40:55 | |
Your mourning weeds. | 0:40:55 | 0:40:57 | |
I have to. | 0:40:57 | 0:40:59 | |
Excuse me. I'm to the shelter. | 0:41:03 | 0:41:05 | |
Please don't. Please. | 0:41:05 | 0:41:07 | |
-Please stay...stay with me here a while. -They need me. | 0:41:09 | 0:41:12 | |
I need you! | 0:41:12 | 0:41:14 | |
Could you consider that once, | 0:41:14 | 0:41:16 | |
just once before your shelter and your church? | 0:41:16 | 0:41:19 | |
At last you rouse. | 0:41:39 | 0:41:41 | |
I was beginning to fear Mr Morris had damaged what little brains you have. | 0:41:41 | 0:41:45 | |
Where's Susan? | 0:41:47 | 0:41:48 | |
Locked up with her whores. | 0:41:48 | 0:41:50 | |
Be a helpful fellow | 0:41:50 | 0:41:51 | |
and I shan't fling them all in the syphilitic asylum. | 0:41:51 | 0:41:54 | |
Who the hell are you? | 0:41:54 | 0:41:56 | |
I am Superintendent Constantine. | 0:41:56 | 0:41:58 | |
Police? Morris is yours? | 0:41:59 | 0:42:03 | |
Get Reid. H-Division. Now. | 0:42:05 | 0:42:09 | |
Edmund Reid can't help you, Homer. | 0:42:09 | 0:42:11 | |
So, what do you want? | 0:42:13 | 0:42:15 | |
No more than your mark. | 0:42:15 | 0:42:17 | |
This is a confession. | 0:42:18 | 0:42:20 | |
Your confession. | 0:42:22 | 0:42:23 | |
That you plotted this very day, with the help of other strike supporters | 0:42:23 | 0:42:27 | |
and foul leftist denizens, the bombing of a Dock Company warehouse. | 0:42:27 | 0:42:32 | |
And by the grace of God - or your own stupidity - an empty warehouse. | 0:42:32 | 0:42:38 | |
But a terrorist act nonetheless, | 0:42:38 | 0:42:40 | |
against a noble champion of commerce. | 0:42:40 | 0:42:42 | |
How could you? | 0:42:43 | 0:42:44 | |
I can imagine the authorities will need to meet | 0:42:47 | 0:42:50 | |
such an escalation of strike tactics with decisive force. | 0:42:50 | 0:42:53 | |
You'd let Morris bomb the city to break a strike? | 0:42:54 | 0:42:59 | |
You're a goddamn maniac. | 0:43:00 | 0:43:03 | |
And you, Homer, were an anarchist in the Haymarket massacre. | 0:43:03 | 0:43:05 | |
-I was a Pinkerton. -Mm. | 0:43:05 | 0:43:08 | |
Allow me to share with you my intriguing discovery. | 0:43:10 | 0:43:13 | |
In the last ten years, no Captain Homer Jackson | 0:43:13 | 0:43:19 | |
has boarded a ship from America nor disembarked one here. | 0:43:19 | 0:43:22 | |
And the Pinkertons seem never to have heard of you. | 0:43:22 | 0:43:26 | |
All of which begs a question. | 0:43:29 | 0:43:32 | |
Is Homer Jackson real? | 0:43:33 | 0:43:36 | |
Is he flesh and blood, the hearty stuff of man? | 0:43:36 | 0:43:40 | |
Or but a ghostly vapour of dim fancy? | 0:43:40 | 0:43:43 | |
JACKSON GROANS | 0:43:48 | 0:43:52 | |
We have need of a scapegoat, Captain. | 0:43:52 | 0:43:55 | |
And you are he. | 0:43:56 | 0:43:57 | |
Sign. | 0:44:04 | 0:44:05 | |
Listen to me, Constantine. | 0:44:05 | 0:44:07 | |
I've known men like Morris before. He ain't your running dog. | 0:44:07 | 0:44:12 | |
I had to stop him from gutting a policeman. | 0:44:12 | 0:44:15 | |
You think you're handling him? He's handling you. | 0:44:15 | 0:44:18 | |
JACKSON SCREAMS | 0:44:18 | 0:44:21 | |
Sign. | 0:44:25 | 0:44:26 | |
You don't really seem to be hearing me. | 0:44:26 | 0:44:29 | |
Morris does not give a shit about your empty warehouse | 0:44:29 | 0:44:32 | |
and you're giving him free reign to blow a hole in London! | 0:44:32 | 0:44:36 | |
We need to fix that ugly mouth of yours. | 0:44:36 | 0:44:38 | |
JACKSON GRUNTS | 0:44:49 | 0:44:51 | |
I'll sign it! I'll sign it! | 0:44:52 | 0:44:56 | |
I'll sign it. | 0:44:56 | 0:44:58 | |
Come and get your cream, Peaches. | 0:45:35 | 0:45:38 | |
Who are you? | 0:45:48 | 0:45:50 | |
My name's Homer Jackson. | 0:45:50 | 0:45:52 | |
And I'm all flesh and blood. | 0:46:08 | 0:46:10 | |
Hello, Ed. | 0:46:30 | 0:46:31 | |
Tea? | 0:46:31 | 0:46:33 | |
Why not? | 0:46:33 | 0:46:34 | |
They knew it all, Fred. The Special Branch. | 0:46:47 | 0:46:50 | |
How could they know? | 0:46:51 | 0:46:53 | |
I confided once, | 0:46:54 | 0:46:56 | |
in but one living soul. | 0:46:56 | 0:46:58 | |
So, how could they know about Mathilda? | 0:46:59 | 0:47:03 | |
I had to. | 0:47:08 | 0:47:10 | |
They gave me no choice, you know how they are now. | 0:47:10 | 0:47:13 | |
They said you'd compromised their operation. | 0:47:15 | 0:47:17 | |
Defence of the realm? | 0:47:17 | 0:47:19 | |
Monro sent me... | 0:47:28 | 0:47:30 | |
..a last warning. | 0:47:31 | 0:47:32 | |
Unless you rescind, consent to silence, | 0:47:33 | 0:47:36 | |
he will concoct a premise for your disgrace and expulsion. | 0:47:36 | 0:47:43 | |
Jackson? | 0:48:13 | 0:48:14 | |
Constantine. | 0:48:15 | 0:48:17 | |
Give me that goddamn chair! | 0:48:19 | 0:48:20 | |
He's sent Morris out with a bomb. | 0:48:27 | 0:48:30 | |
He thinks the target is an empty warehouse, | 0:48:31 | 0:48:34 | |
but Morris is playing him, I know it. | 0:48:34 | 0:48:35 | |
Constantine. Where is he? | 0:48:35 | 0:48:37 | |
Out cold in the whores' boudoir. | 0:48:38 | 0:48:40 | |
Then we finish this. | 0:48:40 | 0:48:42 | |
Get me Drake! Now! | 0:48:42 | 0:48:44 | |
Ugh! Oh! | 0:48:52 | 0:48:55 | |
You've lost your mind, Inspector. | 0:48:59 | 0:49:01 | |
Zotkin's bomb. Where? | 0:49:01 | 0:49:03 | |
I'll have you thrown out of the police. | 0:49:03 | 0:49:05 | |
Try again. | 0:49:07 | 0:49:09 | |
Perhaps you should ask Superintendent Constantine. | 0:49:09 | 0:49:13 | |
You gulled him, not me. | 0:49:13 | 0:49:15 | |
I had the communique decoded. | 0:49:15 | 0:49:17 | |
Zotkin is not here to vandalise a derelict warehouse. | 0:49:17 | 0:49:20 | |
His plan is to wreak havoc and death. Where?! | 0:49:20 | 0:49:23 | |
The chess game our two empires are playing in - | 0:49:25 | 0:49:29 | |
India, Persia, Afghanistan. | 0:49:29 | 0:49:32 | |
This is the game we play here in London. | 0:49:32 | 0:49:35 | |
Do you know what we call it in Russia? Turniry Teney. | 0:49:35 | 0:49:40 | |
Tournament of Shadows. | 0:49:40 | 0:49:43 | |
And that is what you are chasing, Inspector - a shadow. | 0:49:43 | 0:49:48 | |
The closer you try to shine your little torch, | 0:49:48 | 0:49:51 | |
the less you will ever see. | 0:49:51 | 0:49:53 | |
Now, let me out before I declare you an enemy of the Russian Empire. | 0:49:53 | 0:49:57 | |
Your Zotkin was sent to pray on desperate men, | 0:49:58 | 0:50:02 | |
foment them, | 0:50:02 | 0:50:04 | |
give them the taste of the blood of fatted rulers. | 0:50:04 | 0:50:06 | |
He would have had them slaughter my sergeant. | 0:50:06 | 0:50:08 | |
Imagine what meat they'd make of you. | 0:50:08 | 0:50:10 | |
They will do nothing | 0:50:10 | 0:50:13 | |
because there is a cloud of death coming for this city | 0:50:13 | 0:50:18 | |
and they will be the first among thousands to taste its bitter rain. | 0:50:18 | 0:50:24 | |
The chemical store, where he jumped me - they was unloading Paris Green. | 0:50:24 | 0:50:29 | |
That's arsenic. He blows that, he's going to poison half the city. | 0:50:29 | 0:50:32 | |
The game's already over, Reid. | 0:50:32 | 0:50:35 | |
And you lost! | 0:50:35 | 0:50:38 | |
Sergeant. Release Mr Volsky. | 0:50:38 | 0:50:40 | |
Argh! | 0:50:43 | 0:50:45 | |
You can't do this! | 0:50:46 | 0:50:48 | |
Reid! | 0:50:51 | 0:50:53 | |
CROWD JEERS | 0:50:56 | 0:50:59 | |
Open the gates! | 0:50:59 | 0:51:01 | |
TICKING | 0:51:14 | 0:51:17 | |
TICKING GROWS LOUDER | 0:51:17 | 0:51:20 | |
Shit. | 0:51:20 | 0:51:21 | |
He's here. Find it, find the bomb! | 0:51:24 | 0:51:26 | |
TICKING CONTINUES | 0:51:36 | 0:51:39 | |
JACKSON SCREAMS | 0:51:47 | 0:51:49 | |
Zotkin! | 0:51:49 | 0:51:50 | |
Can you defuse them? | 0:52:00 | 0:52:01 | |
You help him. | 0:52:01 | 0:52:03 | |
Come on. | 0:52:04 | 0:52:06 | |
Turn the small one so the clockwork faces towards me. | 0:52:14 | 0:52:17 | |
Be careful. | 0:52:17 | 0:52:19 | |
FAINT TICKING CONTINUES IN BACKGROUND | 0:52:33 | 0:52:36 | |
One down. | 0:52:42 | 0:52:43 | |
Zotkin! It's over! | 0:52:43 | 0:52:46 | |
-ECHOING: -Edmund Reid. It's barely begun. | 0:52:46 | 0:52:50 | |
I doubt that imbecile Constantine will forgive me this time. | 0:52:52 | 0:52:55 | |
But you're going to let me walk away. | 0:52:55 | 0:52:58 | |
That's right, Inspector, follow my voice. | 0:53:02 | 0:53:05 | |
Take this. | 0:53:07 | 0:53:08 | |
Clamp the black one. | 0:53:08 | 0:53:11 | |
-This one? -Yeah, steady. | 0:53:11 | 0:53:13 | |
It's still turning. | 0:53:24 | 0:53:26 | |
-Put another one in! -I don't have another one. | 0:53:26 | 0:53:28 | |
-You got a match? -A match? | 0:53:31 | 0:53:32 | |
Give me a match, goddammit! | 0:53:32 | 0:53:34 | |
TICKING STOPS | 0:53:42 | 0:53:44 | |
JACKSON EXHALES HEAVILY | 0:53:44 | 0:53:46 | |
Neither of us wishes to meet death today, Inspector. | 0:53:51 | 0:53:54 | |
But only one of us fears her not. | 0:53:54 | 0:53:57 | |
You will let me walk away. | 0:53:57 | 0:54:00 | |
Or you will burn with me | 0:54:00 | 0:54:01 | |
and every tonne of arsenic, mercury, sulphur. | 0:54:01 | 0:54:06 | |
Our cinders in a poison rainbow over London | 0:54:06 | 0:54:09 | |
and every drawn breath turned into venom. | 0:54:09 | 0:54:12 | |
Maybe they were right - | 0:54:15 | 0:54:17 | |
the anarchists who preach beauty in destruction. | 0:54:17 | 0:54:20 | |
The beauty of your precious city crippled. | 0:54:20 | 0:54:23 | |
The beauty of your Jew radicals bearing all blame. | 0:54:23 | 0:54:26 | |
Dasvidaniya, Inspector. | 0:54:29 | 0:54:31 | |
-Turniry Teney. -What? | 0:54:31 | 0:54:33 | |
Beware your shadow. | 0:54:33 | 0:54:34 | |
Glass jaw. | 0:54:42 | 0:54:43 | |
Needless to say, the Yard is wholly appreciative of your efforts. | 0:54:48 | 0:54:51 | |
What about Constantine? | 0:54:51 | 0:54:53 | |
The man is a disgrace, his days at the Special Branch are over. | 0:54:53 | 0:54:56 | |
Once he's handed Zotkin back to the Russians. | 0:54:56 | 0:54:59 | |
Once he's what? | 0:54:59 | 0:55:00 | |
-Orders have been handed down. -From whom?! | 0:55:00 | 0:55:02 | |
From the Home Secretary, Reid. | 0:55:02 | 0:55:04 | |
You're aware of the Empire's issues with Hindustan. | 0:55:04 | 0:55:07 | |
Some months ago the Russians captured two of our operatives | 0:55:07 | 0:55:10 | |
along the border. Zotkin will be traded for them. | 0:55:10 | 0:55:13 | |
This man intended to bomb London. He must stand trial and be sentenced. | 0:55:13 | 0:55:16 | |
I'd like to see that Russian bastard swing no less than you. | 0:55:16 | 0:55:20 | |
But it's over, Reid. | 0:55:20 | 0:55:21 | |
Zotkin returns to his own. | 0:55:21 | 0:55:23 | |
Without his disruption, the strikers have won the day. | 0:55:25 | 0:55:29 | |
Let order resume in our city. | 0:55:32 | 0:55:33 | |
Thanks for your time. | 0:55:44 | 0:55:46 | |
Miss Goren. | 0:55:59 | 0:56:01 | |
Inspector. | 0:56:01 | 0:56:02 | |
SHE SPEAKS IN HEBREW | 0:56:04 | 0:56:06 | |
I am sorry I could not do more. | 0:56:16 | 0:56:18 | |
Joshua was right. | 0:56:20 | 0:56:22 | |
Justice has become a commodity. | 0:56:22 | 0:56:25 | |
Is this the shadow of what is to be, Inspector? | 0:56:27 | 0:56:30 | |
My brother used to say, | 0:56:32 | 0:56:35 | |
"The future belongs to men of reason, not of faith." | 0:56:35 | 0:56:40 | |
On that I would agree with him. | 0:56:40 | 0:56:42 | |
Yet there are scholars of the Talmud who tell us | 0:56:42 | 0:56:46 | |
the day we throw off the shackles of government | 0:56:46 | 0:56:49 | |
and accept no authority but God's, | 0:56:49 | 0:56:52 | |
none will hurt or destroy. | 0:56:52 | 0:56:54 | |
They say we shall have then the true order of universal harmony. | 0:56:54 | 0:57:00 | |
And you share his belief? | 0:57:00 | 0:57:02 | |
I'm not a prophet... | 0:57:03 | 0:57:05 | |
..or a revolutionist. | 0:57:07 | 0:57:08 | |
I'm a mathematician. And mathematics tells us something different. | 0:57:08 | 0:57:13 | |
The entropy of the universe tends to a maximum. | 0:57:14 | 0:57:18 | |
Do you understand? | 0:57:18 | 0:57:21 | |
A little. | 0:57:21 | 0:57:22 | |
Disorder, Inspector. | 0:57:22 | 0:57:25 | |
Everything - from the smallest system to our entire world - | 0:57:25 | 0:57:31 | |
moves always, irretrievably, from order into chaos. | 0:57:31 | 0:57:37 | |
And there is nothing to be done about it. | 0:57:39 | 0:57:41 | |
Do you share that belief? | 0:57:43 | 0:57:45 | |
No. | 0:57:48 | 0:57:49 | |
Oh? | 0:57:51 | 0:57:53 | |
Perhaps you are, after all, a man of faith. | 0:57:53 | 0:57:56 | |
The next matter to which we attend. | 0:58:02 | 0:58:05 | |
We find her, there he will be also. | 0:58:05 | 0:58:08 | |
'Any man other than you would have caused me less trouble.' | 0:58:08 | 0:58:11 | |
GIRL SCREAMS | 0:58:11 | 0:58:13 | |
Long day? | 0:58:17 | 0:58:19 | |
The longest. | 0:58:19 | 0:58:21 | |
Subtitles by Red Bee Media Ltd | 0:58:43 | 0:58:46 |