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BELLS CHIME DISTANTLY | 0:00:02 | 0:00:03 | |
This programme contains some violent scenes | 0:00:03 | 0:00:09 | |
and some scenes which some viewers may find upsetting. | 0:00:09 | 0:00:14 | |
-Daniel. -Theodore. You must be tired. | 0:00:17 | 0:00:20 | |
-I have rooms prepared... -No rest, Daniel. | 0:00:20 | 0:00:23 | |
The journey from New York is more comfortable now. | 0:00:23 | 0:00:26 | |
-I have made certain of it. -Oh. | 0:00:26 | 0:00:29 | |
Oh, er, my associate, Mr Goodnight. | 0:00:30 | 0:00:34 | |
-Mr Goodnight. -Sir. | 0:00:34 | 0:00:36 | |
Shall we? | 0:00:39 | 0:00:41 | |
Oh! Keys, Charlie. | 0:00:41 | 0:00:44 | |
Do you feel that you require protection in our city, Theodore? | 0:00:50 | 0:00:55 | |
I require it in life. | 0:00:56 | 0:00:58 | |
Lead on, Daniel. | 0:01:00 | 0:01:02 | |
Boys. | 0:01:12 | 0:01:14 | |
The next matter to which we attend. | 0:01:17 | 0:01:20 | |
We find her, there he will be also. | 0:01:23 | 0:01:26 | |
-Shelby. -Sir. -Mary. | 0:01:38 | 0:01:40 | |
Captain Jackson. | 0:01:40 | 0:01:41 | |
-Afternoon. -Afternoon, sir. | 0:01:44 | 0:01:46 | |
-Comfortable? -And what if I am? | 0:01:55 | 0:01:57 | |
He's stiff in mortis. Which means? | 0:02:54 | 0:02:56 | |
-Hobbs? -No less than 12 hours since he breathed his last, | 0:02:57 | 0:03:01 | |
but no more than three days, sir. | 0:03:01 | 0:03:04 | |
Stevedore, pissed on porter, falls in, drowns. | 0:03:05 | 0:03:09 | |
No, his jacket's too decent for that. Shirt and trousers, though. | 0:03:09 | 0:03:12 | |
There's this. | 0:03:12 | 0:03:13 | |
Burns. | 0:03:13 | 0:03:15 | |
Bad. But too precise to be fire or water. | 0:03:15 | 0:03:18 | |
-From a steampipe, perhaps? -Could he be some type of engineer? | 0:03:18 | 0:03:21 | |
His good coat on over his work clothes? | 0:03:21 | 0:03:23 | |
The lad improves. | 0:03:23 | 0:03:25 | |
He is drowned, however. | 0:03:25 | 0:03:26 | |
Well, you do have that right, Sergeant. | 0:03:26 | 0:03:28 | |
Drowned, drunk and murdered. Algae in his lungs, gin in his belly. | 0:03:28 | 0:03:33 | |
-And you have this. Hobbs, give me a hand. -Sorry. | 0:03:33 | 0:03:36 | |
His spinal cord is cut. | 0:03:41 | 0:03:43 | |
One stroke of a thin blade. | 0:03:45 | 0:03:47 | |
He was paralysed? | 0:03:47 | 0:03:48 | |
Mm-hmm. Then put in the water. | 0:03:48 | 0:03:51 | |
He would have kicked for sure but found himself capable of nothing more than sinking. | 0:03:51 | 0:03:56 | |
-Cruel. -Professional also. -Hm. | 0:03:56 | 0:03:58 | |
It was the West India Docks he was found? | 0:04:00 | 0:04:02 | |
Yes, sir. | 0:04:02 | 0:04:03 | |
Then did he come in on the tide from the foundry at Bow Creek? | 0:04:03 | 0:04:06 | |
Constable, get on the wires to the caretaker there. | 0:04:06 | 0:04:08 | |
-See if an engineer's reported missing. -Sir. | 0:04:08 | 0:04:11 | |
Gentlemen. Identify yourselves. | 0:04:30 | 0:04:32 | |
Police. H Division. Return the favour. | 0:04:32 | 0:04:35 | |
I'm Bruton. Fields, my secretary. | 0:04:35 | 0:04:37 | |
Neither of you the proprietor? | 0:04:37 | 0:04:39 | |
I pay both Fanthorpe's rent and wage. | 0:04:39 | 0:04:41 | |
In what capacity is he paid? | 0:04:41 | 0:04:43 | |
-As chief engineer to my shipping line. -Which is? | 0:04:43 | 0:04:46 | |
The Argentine Marine Company. | 0:04:46 | 0:04:49 | |
Your engineer, er, Fanthorpe. He was a big man. | 0:04:49 | 0:04:52 | |
Around 15 stones, two yards in height? | 0:04:52 | 0:04:55 | |
You have him? | 0:04:55 | 0:04:56 | |
-Cut and quartered in our dead room, I'm afraid. -He's dead?! | 0:04:56 | 0:05:00 | |
He was found caught in a sluice over West India Docks. | 0:05:00 | 0:05:03 | |
What? Drowned? | 0:05:03 | 0:05:05 | |
What was it Mr Fanthorpe made for you? | 0:05:05 | 0:05:07 | |
The means by which we might save our souls. | 0:05:08 | 0:05:10 | |
You and your wife are bound for the Americas. | 0:05:13 | 0:05:16 | |
Which line do you trust to carry you there? | 0:05:16 | 0:05:18 | |
For comfort, White Star. Swift Intercontinental for speed. | 0:05:20 | 0:05:24 | |
20 years ago, it would not have been so. | 0:05:24 | 0:05:26 | |
You'd have booked passage on an Argentine steamer and not thought twice about it. | 0:05:26 | 0:05:30 | |
Samuel Fanthorpe was to return us to those glories. | 0:05:30 | 0:05:33 | |
I'm bound to ask how. | 0:05:33 | 0:05:35 | |
Am I to simply hand you and your man my most prized confidence? | 0:05:35 | 0:05:38 | |
Mr Bruton, it was not simple misadventure that put Mr Fanthorpe in the Thames. | 0:05:38 | 0:05:42 | |
-It was murder. -Murder?! | 0:05:42 | 0:05:44 | |
It is an engine. Triple expansion. To drive a triple screw propeller. | 0:05:49 | 0:05:56 | |
That type of power inside us and the journey time to New York, | 0:05:56 | 0:05:58 | |
Buenos Aries, Cape Town would have been reduced by days | 0:05:58 | 0:06:01 | |
and our competitors nothing more than a sail on the horizon. | 0:06:01 | 0:06:05 | |
Mrs Fanthorpe! | 0:06:05 | 0:06:06 | |
-Martha. -What? | 0:06:06 | 0:06:09 | |
Would you allow us a moment, Mr Bruton? | 0:06:16 | 0:06:19 | |
-Martha, would you have me...? -No, Ezekiel Bruton, I would not. | 0:06:19 | 0:06:22 | |
What was it brought you to his place of work today? | 0:06:32 | 0:06:36 | |
His absence from his place of living. | 0:06:36 | 0:06:38 | |
And when did you see him last? | 0:06:38 | 0:06:40 | |
Three days ago. | 0:06:40 | 0:06:42 | |
That is some time for a husband not to see his wife. | 0:06:42 | 0:06:44 | |
Not this husband. Nor this wife. | 0:06:44 | 0:06:46 | |
-Excuse me, ma'am? -You're married, Mr Reid? | 0:06:46 | 0:06:49 | |
-I am. -And your marriage is a picture of permanent joy? | 0:06:49 | 0:06:53 | |
No, I, er... | 0:06:53 | 0:06:55 | |
Mr Bruton there, he told me a little of the engine | 0:06:59 | 0:07:03 | |
your husband was designing for him | 0:07:03 | 0:07:05 | |
and its significance to AMC's future. He had finished the design? | 0:07:05 | 0:07:09 | |
He had not. It neared completion, however. | 0:07:09 | 0:07:13 | |
This engine, it was our last hope. | 0:07:15 | 0:07:19 | |
But our lines to South America, | 0:07:21 | 0:07:24 | |
the steel that sails them, they are not without some value. | 0:07:24 | 0:07:28 | |
And now I must present them to our predators. | 0:07:28 | 0:07:31 | |
And one such has made itself known to your shareholders? | 0:07:31 | 0:07:34 | |
-There is an offer, yes. -And you are dutybound to hear their vote | 0:07:34 | 0:07:36 | |
-on whether to accept or no. -Hear and obey. We sit in two days. | 0:07:36 | 0:07:40 | |
Then you understand why I must ask who makes this offer as this | 0:07:40 | 0:07:43 | |
may be a motive for murder? | 0:07:43 | 0:07:45 | |
The name of his company tripped easily from your tongue. | 0:07:46 | 0:07:50 | |
Swift Intercontinental. | 0:07:51 | 0:07:53 | |
Theodore Swift himself with his Pinkerton entourage | 0:07:55 | 0:07:58 | |
arrived from New York to see the deal closed. | 0:07:58 | 0:08:00 | |
Your work travels, Mr Best. | 0:08:00 | 0:08:02 | |
Picked that up in New York. | 0:08:05 | 0:08:07 | |
You are American. | 0:08:13 | 0:08:14 | |
-You know others similar? -What, in London this year? | 0:08:14 | 0:08:16 | |
As many as there are pigeons shitting in Grosvenor Square. | 0:08:18 | 0:08:22 | |
Ha! | 0:08:22 | 0:08:24 | |
There's a, er, there's a man goes about with her. | 0:08:24 | 0:08:30 | |
First I've seen of him. | 0:08:30 | 0:08:32 | |
And she, Miss, er, Hart. You call her a businesswoman? | 0:08:32 | 0:08:36 | |
-Turn of phrase. -Meaning? | 0:08:36 | 0:08:38 | |
What it commonly does. She runs whores. | 0:08:38 | 0:08:41 | |
Oh! | 0:08:41 | 0:08:42 | |
-From an address? -Indeed. -Which? | 0:08:45 | 0:08:48 | |
I know not. | 0:08:50 | 0:08:52 | |
Oh. | 0:08:52 | 0:08:53 | |
I want to thank you for your time, Mr Best. | 0:08:56 | 0:09:00 | |
You're very welcome. | 0:09:00 | 0:09:02 | |
BEST CRIES OUT | 0:09:05 | 0:09:07 | |
You lie. | 0:09:07 | 0:09:09 | |
She was shook down. | 0:09:09 | 0:09:11 | |
The police tolerate such business but when it rose into plain view, | 0:09:12 | 0:09:16 | |
-she was moved on. -To where? | 0:09:16 | 0:09:18 | |
I know...I know not. | 0:09:18 | 0:09:20 | |
Which is your constant refrain, Mr Best. A reporter so ignorant. | 0:09:20 | 0:09:25 | |
Back home, you'd be sweeping pencil shavings for pigfeed. | 0:09:25 | 0:09:28 | |
No, no. No, please. | 0:09:30 | 0:09:33 | |
MUFFLED SCREAMING | 0:09:33 | 0:09:36 | |
MUFFLED PANTING | 0:09:40 | 0:09:43 | |
I find you lie to me, I'm coming for your face. | 0:09:43 | 0:09:46 | |
So, gentlemen. Mr Bruton, Mr Fields, Mrs Fanthorpe. | 0:09:57 | 0:10:03 | |
Please, don't any of you leave London. | 0:10:05 | 0:10:07 | |
It is not I that will be leaving London, Reid. | 0:10:07 | 0:10:10 | |
It is my business. | 0:10:10 | 0:10:12 | |
Shall we? | 0:10:12 | 0:10:14 | |
Constable. | 0:10:27 | 0:10:29 | |
There is something of a chill about Mrs Fanthorpe which strikes strange. | 0:10:29 | 0:10:33 | |
Get yourself into civvies and keep a watch over her. | 0:10:33 | 0:10:36 | |
Find out if away from our eyes she chooses to mourn any heavier. | 0:10:36 | 0:10:41 | |
-Yes, sir. Th-th-thank you, sir. -Hm. | 0:10:41 | 0:10:45 | |
Artherton, we have the week's papers? | 0:10:48 | 0:10:50 | |
We do, sir. | 0:10:50 | 0:10:51 | |
Ah. Here. | 0:10:57 | 0:11:01 | |
"Swift Intercontinental's Mr TP Swift and his banker, | 0:11:01 | 0:11:04 | |
"Mr Daniel Goldman, both of whom declined to deny or confirm | 0:11:04 | 0:11:07 | |
"that the shipping magnate's visit from New York | 0:11:07 | 0:11:10 | |
"had any bearing on the emergency stockholder meeting | 0:11:10 | 0:11:13 | |
"called by the ailing transatlantic Argentine Marine." | 0:11:13 | 0:11:17 | |
Oh, Jackson, New York ship owner, name of Swift. | 0:11:18 | 0:11:21 | |
That mean anything to you? | 0:11:21 | 0:11:23 | |
Your reason for asking? | 0:11:27 | 0:11:29 | |
My apologies, Reid. I must disappoint for once. | 0:11:36 | 0:11:40 | |
KNOCKING | 0:11:46 | 0:11:48 | |
Excuse me, gentlemen. | 0:11:53 | 0:11:54 | |
Have you found her? | 0:11:59 | 0:12:00 | |
-It was never going to be easy. -Easy? | 0:12:02 | 0:12:05 | |
Frank, I don't pay you because you know how to get easy things done. | 0:12:05 | 0:12:08 | |
No, Mr Swift. | 0:12:08 | 0:12:11 | |
Susan! | 0:12:16 | 0:12:17 | |
Let's see if you can guess who's visiting on business? | 0:12:19 | 0:12:23 | |
Good evening to you, Captain Jackson. | 0:12:23 | 0:12:26 | |
Best. | 0:12:26 | 0:12:27 | |
What the hell's going on here? | 0:12:30 | 0:12:32 | |
One of your countrymen had cause to separate my ear from me. | 0:12:32 | 0:12:36 | |
A Pinkerton named Goodnight. | 0:12:36 | 0:12:39 | |
You do what you can to fix my head. | 0:12:42 | 0:12:44 | |
And I shall tell you all we spoke of, he and I. | 0:12:46 | 0:12:49 | |
After all, what is a Pinkerton | 0:12:54 | 0:12:58 | |
but a hired lawman who lives on another continent entirely? | 0:12:58 | 0:13:02 | |
He holds no sway here. | 0:13:02 | 0:13:03 | |
So why should I hand you to him? | 0:13:05 | 0:13:07 | |
You, Captain Jackson, whose value to me is almost beyond compare. | 0:13:10 | 0:13:16 | |
I fail to see how, Mr Best. | 0:13:16 | 0:13:18 | |
Well, it pertains to our mutual friend, Mr Reid, | 0:13:18 | 0:13:21 | |
and the steadfast alliance he makes with you. | 0:13:21 | 0:13:24 | |
A kinship so close that his reputation cannot help but be advanced by it. | 0:13:25 | 0:13:29 | |
Well, advanced, or blackened, | 0:13:32 | 0:13:34 | |
depending on the truth of your own life, Captain. | 0:13:34 | 0:13:39 | |
Your story is all I ask, | 0:13:39 | 0:13:41 | |
how the two of you are bound to this American, | 0:13:41 | 0:13:43 | |
something that, now I have suffered for affording you my protection, | 0:13:43 | 0:13:47 | |
I would have you share with me. | 0:13:47 | 0:13:48 | |
So, now I give you both the opportunity to unburden yourselves, | 0:13:52 | 0:13:57 | |
will you do so? | 0:13:57 | 0:14:01 | |
Or must I reconsider my approach to Mr Goodnight? | 0:14:01 | 0:14:04 | |
We would like nothing more than to help you, Mr Best. | 0:14:05 | 0:14:08 | |
But sadly I have not one inkling as to what you refer. | 0:14:08 | 0:14:12 | |
If you want to go reacquaint yourself with this Pinkerton | 0:14:12 | 0:14:14 | |
and his knife, I'm afraid we cannot stop you. | 0:14:14 | 0:14:17 | |
As you prefer. | 0:14:20 | 0:14:21 | |
Madam. | 0:14:24 | 0:14:25 | |
Those sons of bitches. They cannot do this. | 0:14:31 | 0:14:34 | |
I will not allow it. | 0:14:34 | 0:14:36 | |
Fine. Why don't you just march on down there and tell them all to go to hell? | 0:14:36 | 0:14:39 | |
-Oh, you quip, but I'm in earnest... -Sit down, will you? | 0:14:39 | 0:14:42 | |
You let me do the marching. | 0:14:45 | 0:14:46 | |
This man once called me a friend. | 0:14:48 | 0:14:50 | |
And then amongst others you killed his brother. | 0:14:50 | 0:14:53 | |
Well, he was never one to hold a grudge. I'll ask him what he wants. | 0:14:53 | 0:14:57 | |
And what if the answer is to kill you? | 0:14:59 | 0:15:01 | |
Then at least we'll know. | 0:15:01 | 0:15:03 | |
Mr Fields, a face like that will solve precisely nothing. | 0:15:09 | 0:15:13 | |
I apologise, Mr Bruton. | 0:15:15 | 0:15:17 | |
However, I fear for us, our survival. | 0:15:17 | 0:15:21 | |
My life savings are bound up in our company's stock. | 0:15:21 | 0:15:24 | |
And now, without Samuel's engine, I shall lose everything. | 0:15:24 | 0:15:27 | |
I'm going to tell you a thing, a secret thing. | 0:15:27 | 0:15:31 | |
Only two men have ever shared its knowledge, | 0:15:31 | 0:15:34 | |
and one of these now lies dead. | 0:15:34 | 0:15:35 | |
It pertains to Martha, Mrs Fanthorpe... | 0:15:37 | 0:15:40 | |
Gentlemen. | 0:16:04 | 0:16:05 | |
Men sank a cable in the sea, here to Nova Scotia. | 0:16:22 | 0:16:26 | |
News arrives from America in instants. | 0:16:26 | 0:16:28 | |
And what do they say, these Americans? | 0:16:28 | 0:16:32 | |
These are coded stock transactions. | 0:16:32 | 0:16:34 | |
Those from the floor of the Chicago Stock Exchange. You are Reid? | 0:16:34 | 0:16:40 | |
I am, sir. This is Drake, my sergeant. | 0:16:40 | 0:16:42 | |
And your business here? Urgent, I understand? | 0:16:42 | 0:16:45 | |
With Mr Swift. | 0:16:45 | 0:16:47 | |
You know my name? | 0:16:47 | 0:16:48 | |
I do. | 0:16:48 | 0:16:50 | |
Mr Swift is my guest in our city, Inspector. | 0:16:50 | 0:16:53 | |
Would you have me leave him to you? | 0:16:55 | 0:16:57 | |
That is his choice. | 0:16:57 | 0:16:58 | |
I have nothing to hide. Name your query. | 0:16:58 | 0:17:01 | |
-Accusations made against you. -Of what? -Conspiracy to murder. | 0:17:01 | 0:17:06 | |
-This is an outrage! -Nonetheless, it is true. A man is killed. | 0:17:07 | 0:17:10 | |
An engineer, name of Fanthorpe, contracted to Argentine Marine. | 0:17:10 | 0:17:13 | |
And no doubt it is young Mr Bruton lodges the claim. | 0:17:13 | 0:17:16 | |
You have men travelling with you, I understand. | 0:17:16 | 0:17:19 | |
-I have. -I would be grateful if you would confirm your whereabouts | 0:17:19 | 0:17:23 | |
day and night across the 21st and 22nd of this month. | 0:17:23 | 0:17:26 | |
Yours and your men. You can do that? | 0:17:26 | 0:17:29 | |
-Gladly. -If you'll follow us, gentlemen. | 0:17:29 | 0:17:32 | |
My er, associate, Mr Goodnight of the Pinkerton Agency. | 0:17:41 | 0:17:47 | |
Frank, show these lawmen our transit papers, will you? | 0:17:50 | 0:17:54 | |
As you can see, Mr Reid, | 0:18:20 | 0:18:21 | |
we put in to Liverpool late on the day you speak of. | 0:18:21 | 0:18:26 | |
The night, we were aboard the train south. | 0:18:26 | 0:18:29 | |
Well, a relief to have that squared away. | 0:18:32 | 0:18:37 | |
Hmm, Inspector? | 0:18:37 | 0:18:41 | |
And for our part, I'm sure we all understand that you, | 0:18:41 | 0:18:45 | |
you must perform your duties. | 0:18:45 | 0:18:46 | |
My, er, my apologies, Mr Swift. | 0:18:49 | 0:18:51 | |
Don't mention it. | 0:18:52 | 0:18:53 | |
Hey, Reid. | 0:18:57 | 0:18:58 | |
You're the Jake brought that slumlord to ground | 0:19:00 | 0:19:03 | |
a few months back, right? Read about you in the news. | 0:19:03 | 0:19:07 | |
Way the hacker had it in the story, it was a woman brought him to you. | 0:19:07 | 0:19:11 | |
Never stated such, but the sense was she kept a cathouse. | 0:19:11 | 0:19:15 | |
And so? | 0:19:17 | 0:19:18 | |
It, er, trouble you to tell me which and where? | 0:19:18 | 0:19:23 | |
No. No trouble at all, if I had the knowledge. We moved her on. | 0:19:23 | 0:19:28 | |
-Any notion of where she might have relocated? -Um... | 0:19:28 | 0:19:31 | |
None. You heard tell of Miss Hart's whereabouts, Sergeant? | 0:19:34 | 0:19:38 | |
-No, sir. -You see, Mr Goodnight? | 0:19:38 | 0:19:40 | |
We'd gladly be of service to you but we currently lack the means. | 0:19:40 | 0:19:44 | |
Good day to you, sir. | 0:19:45 | 0:19:46 | |
And so? | 0:19:49 | 0:19:51 | |
These Limeys, they lie, they don't lie. Who's to know? | 0:19:51 | 0:19:55 | |
They're like altar boys. | 0:19:55 | 0:19:57 | |
British police? | 0:19:57 | 0:19:59 | |
Not the first likeness which strikes round my way. | 0:19:59 | 0:20:01 | |
I've wiped worse shit off my shoe. | 0:20:01 | 0:20:03 | |
Well, you leave them be right now. | 0:20:03 | 0:20:05 | |
This other matter, there are developments. | 0:20:05 | 0:20:09 | |
A change in the game. | 0:20:09 | 0:20:10 | |
Have Charlie and the boys keep on the search for her | 0:20:11 | 0:20:14 | |
while you collect a package for me. | 0:20:14 | 0:20:19 | |
Your American newspapers, sir. | 0:20:30 | 0:20:32 | |
Is there something wrong, Mallinson? | 0:20:33 | 0:20:36 | |
Off you go, then. | 0:20:36 | 0:20:37 | |
Let us see if we can find you, my Pinkerton friends. | 0:20:40 | 0:20:43 | |
Afternoon, Frank. | 0:20:48 | 0:20:49 | |
I'd wish you the same if I knew what they were calling you these days. | 0:20:54 | 0:20:58 | |
How you stand this place, I do not know. | 0:21:10 | 0:21:12 | |
Oh, you grow accustomed while the charms reveal themselves. | 0:21:12 | 0:21:16 | |
As I recall, it was only the one charm brought you here. | 0:21:16 | 0:21:19 | |
Nah, she moved on. Decided I wasn't to her liking after all. | 0:21:19 | 0:21:24 | |
You're awful breezy about a woman that cost you so much. | 0:21:24 | 0:21:27 | |
Others too. | 0:21:27 | 0:21:28 | |
What passed that day, I never meant it to go like that. | 0:21:29 | 0:21:33 | |
I was sorry for them. | 0:21:33 | 0:21:35 | |
I still mourn for William. | 0:21:35 | 0:21:37 | |
-Would it make any bones to say they drew on me first? -None. | 0:21:39 | 0:21:43 | |
And when the time comes, you'd best do the same to me. | 0:21:44 | 0:21:48 | |
It wouldn't change the upshot now, would it? | 0:21:48 | 0:21:50 | |
I'm not as quick as you, Frank. | 0:21:53 | 0:21:55 | |
Which is why you find me here. | 0:21:58 | 0:22:00 | |
I came to see exactly what it is brings you by. | 0:22:02 | 0:22:04 | |
If there's a version of the future | 0:22:06 | 0:22:08 | |
that includes you and yours heading home happy, | 0:22:08 | 0:22:11 | |
well, that is me resting easy right here. | 0:22:11 | 0:22:13 | |
-We were friends once. -Wouldn't mean anything we were still. | 0:22:21 | 0:22:24 | |
Was she worth it? | 0:22:27 | 0:22:28 | |
I told you. She moved on. | 0:22:30 | 0:22:32 | |
You forget I was by your side the day you first saw her. | 0:22:32 | 0:22:34 | |
-You expect me to believe you'd lose such a prize? -I do. -Well, I don't. | 0:22:34 | 0:22:38 | |
Why is it no man in this world will ever trust me? | 0:22:38 | 0:22:41 | |
Maybe they see you for what you really are. | 0:22:42 | 0:22:45 | |
And what is that, Frank? | 0:22:45 | 0:22:46 | |
A low, false, murdering, sonofabitch cocksucker. | 0:22:48 | 0:22:53 | |
Well, I didn't come by here to be insulted. | 0:22:57 | 0:23:00 | |
So, if you don't mind... | 0:23:00 | 0:23:03 | |
..I'll be heading on now. | 0:23:05 | 0:23:06 | |
What? Here? | 0:23:10 | 0:23:12 | |
From what I recall, your master might baulk at such a rumpus | 0:23:13 | 0:23:16 | |
so near his seat of operations. | 0:23:16 | 0:23:18 | |
I know he would have while I was on his ticket. | 0:23:18 | 0:23:20 | |
Don't think I won't find you. You and that stuck-up boxy! | 0:23:24 | 0:23:29 | |
I have my way, you both will die in this stinking shitpit! | 0:23:29 | 0:23:32 | |
Goodnight, Goodnight... | 0:23:54 | 0:23:56 | |
"William Goodnight and his men | 0:23:57 | 0:23:59 | |
"killed in battle by the Pinkerton traitor, Matthew Judge, | 0:23:59 | 0:24:03 | |
"following his abduction for ransom of the daughter of Theodore Swift. | 0:24:03 | 0:24:07 | |
"His pursuers thus over-powered, Judge vanished into the Hoboken dockside." | 0:24:07 | 0:24:12 | |
Matthew Judge? | 0:24:15 | 0:24:17 | |
Every ruination my life has ever known, your mark upon it! | 0:24:17 | 0:24:22 | |
All of you! Back to your rooms. | 0:24:24 | 0:24:27 | |
We're resting today. | 0:24:27 | 0:24:28 | |
Anyhow, this is really all down to you getting your grill in the news. | 0:24:30 | 0:24:34 | |
Oh, no, it is not! This is down to you getting above your station | 0:24:34 | 0:24:37 | |
-and making eyes at me. -If we play by those rules, | 0:24:37 | 0:24:39 | |
it's down to you getting born in the first place. | 0:24:39 | 0:24:42 | |
Besides, it weren't long before you were making them right back. | 0:24:42 | 0:24:46 | |
Anybody. Any man other than you would have caused me less trouble. | 0:24:49 | 0:24:53 | |
Any other woman and I'd still be sat in The Roost playing cards | 0:24:54 | 0:24:58 | |
with the Goodnight brothers. | 0:24:58 | 0:25:00 | |
But you don't see me bitching about it. | 0:25:00 | 0:25:03 | |
You know, I know a thing or two about the finding of pleasure in this world. | 0:25:07 | 0:25:10 | |
But I've got to tell you, your endless ball-breaking aside, | 0:25:10 | 0:25:15 | |
those few months... | 0:25:15 | 0:25:16 | |
..they hit the heights for me. | 0:25:19 | 0:25:21 | |
You find me another man still happy to say that to his wife | 0:25:21 | 0:25:24 | |
three years after the fact. You're going to listen to me. | 0:25:24 | 0:25:28 | |
I'm going to leave you now. | 0:25:33 | 0:25:36 | |
I'm going to run some errands, collect a belonging of mine, | 0:25:36 | 0:25:39 | |
and then I'm going to come back to you. And then I'm going to do what I've done countless times before. | 0:25:39 | 0:25:44 | |
I'm going to leave this town for another. | 0:25:44 | 0:25:46 | |
If you wish to remain unmolested... | 0:25:46 | 0:25:49 | |
come with me. | 0:25:49 | 0:25:51 | |
I'd feel more comfortable if you kept this on you. | 0:26:31 | 0:26:35 | |
You never know when you might need it. | 0:26:35 | 0:26:37 | |
No word of Jackson, sir, nothing. | 0:26:42 | 0:26:45 | |
Neville over The Bear says he's not seen him all day. | 0:26:45 | 0:26:48 | |
Then strange days are upon us indeed. | 0:26:48 | 0:26:51 | |
What is it, Mr Reid? | 0:26:51 | 0:26:53 | |
Yesterday, before I sent Hobbs out after Mrs Fanthorpe, | 0:26:53 | 0:26:57 | |
I had him dispatch wires. Mr Fanthorpe's bankers, | 0:26:57 | 0:27:01 | |
his past employers, the station where he was raised, here, | 0:27:01 | 0:27:03 | |
the institute where he trained. | 0:27:03 | 0:27:05 | |
All and anything that might tell me the details of his life and now this. | 0:27:05 | 0:27:09 | |
Bradford Technical College, with the one fact to report, | 0:27:09 | 0:27:13 | |
that the man graduated LAST in a class of 15. | 0:27:13 | 0:27:17 | |
This is the genius set to transform Mr Bruton's fortunes, is it? | 0:27:17 | 0:27:20 | |
We are asked to believe so, yes. | 0:27:20 | 0:27:23 | |
-Mr Reid, sir, your wife begs a moment. -My wife? | 0:27:23 | 0:27:26 | |
Unless she has a twin, sir. | 0:27:26 | 0:27:28 | |
-Emily? -Edmund, I need your help. Will you come to the shelter? | 0:27:33 | 0:27:37 | |
-Miss Goren. Good evening. -Inspector. | 0:27:52 | 0:27:55 | |
Deborah found them at the foot of Trinity Row. | 0:27:55 | 0:27:58 | |
-Who is it did this to you? -Who do you think? A man! | 0:27:58 | 0:28:02 | |
He is a policeman. | 0:28:02 | 0:28:04 | |
Still a man. | 0:28:04 | 0:28:06 | |
And also my husband. | 0:28:06 | 0:28:07 | |
Four of them. Clipped whiskers and long coats. Americans. | 0:28:14 | 0:28:20 | |
They had pictures and searched for Long Susan. | 0:28:20 | 0:28:24 | |
Oi! | 0:28:29 | 0:28:31 | |
WOMEN SCREAM | 0:28:31 | 0:28:32 | |
'MAN: Your mistress?! | 0:28:38 | 0:28:40 | |
-'GIRL: -She's not here, sir. She's not here, sir! | 0:28:40 | 0:28:42 | |
-'Tell me! -She's not here! | 0:28:42 | 0:28:44 | |
'Get up!' | 0:28:47 | 0:28:48 | |
Easy... | 0:29:50 | 0:29:51 | |
You. | 0:29:55 | 0:29:56 | |
Stop. | 0:29:58 | 0:30:00 | |
Who is it tells me? | 0:30:03 | 0:30:05 | |
P-police. | 0:30:05 | 0:30:07 | |
Now you stand your ground. | 0:30:10 | 0:30:12 | |
No. | 0:30:15 | 0:30:16 | |
Altar boy. I come for you. | 0:30:19 | 0:30:22 | |
I didn't know where else to go. | 0:31:55 | 0:31:57 | |
Artherton, why am I roused from my home? | 0:32:19 | 0:32:21 | |
Longshoreman pulled him out of Shadwell Basin. | 0:32:28 | 0:32:31 | |
Where's Jackson? | 0:32:34 | 0:32:35 | |
-Men were sent to Tenter Street for him, sir. -No sign? | 0:32:37 | 0:32:40 | |
None. The cathouse was empty. Ransacked. | 0:32:40 | 0:32:42 | |
Not the boy. | 0:32:50 | 0:32:52 | |
How, Mr Reid? | 0:32:56 | 0:32:57 | |
I, er... | 0:33:00 | 0:33:01 | |
He cannot have been dead longer than ten hours and yet there is mortis. | 0:33:09 | 0:33:12 | |
There is something in his hand. | 0:33:20 | 0:33:22 | |
Oh, Hobbs, get men to the Fanthorpe warehouse and find Mrs Fanthorpe. | 0:33:42 | 0:33:49 | |
The boy was sent to follow her. | 0:33:49 | 0:33:51 | |
-Inside and out, all along that stretch. Miss nothing. -Yes, sir. | 0:33:51 | 0:33:54 | |
Help me, Bennet. | 0:34:11 | 0:34:13 | |
Wait. There. | 0:34:23 | 0:34:24 | |
His spinal cord was cut. | 0:34:24 | 0:34:27 | |
Fanthorpe had the same. | 0:34:27 | 0:34:28 | |
All dispatched, sir. | 0:34:35 | 0:34:36 | |
The boy was crippled, then put into the water to drown. | 0:34:38 | 0:34:42 | |
Sweet Jesus. | 0:34:46 | 0:34:47 | |
Mr Reid. When you find the persons who've done this... | 0:34:50 | 0:34:54 | |
..we may kill them, may we not, sir? | 0:34:57 | 0:34:59 | |
-PISTOL COCKS -Long day? | 0:35:10 | 0:35:12 | |
The longest. | 0:35:15 | 0:35:17 | |
A day in which your services would have been most valued. | 0:35:17 | 0:35:21 | |
I can't always be by your side, Reid. | 0:35:21 | 0:35:22 | |
And now will be so no longer, I imagine. | 0:35:22 | 0:35:25 | |
Now that Miss Hart's pursuers are upon her. | 0:35:25 | 0:35:27 | |
You still keep that ring, locked in your desk? | 0:35:29 | 0:35:32 | |
Then I'll have it from you. | 0:35:32 | 0:35:34 | |
What little I know of you, I know this. You would not fire on me. | 0:35:42 | 0:35:49 | |
You wouldn't be the first lawman I kill. | 0:35:49 | 0:35:51 | |
Nonetheless, you will not kill me. | 0:35:51 | 0:35:54 | |
No sign of Mrs Fanthorpe, sir. | 0:35:56 | 0:35:59 | |
But there was this rag soaked in chloroform. | 0:35:59 | 0:36:01 | |
And this man? Would you risk him? | 0:36:01 | 0:36:04 | |
It's my ring and I will take it from you. Right now. | 0:36:06 | 0:36:10 | |
You are he then, the Matthew Judge engraved on the inner. | 0:36:18 | 0:36:24 | |
Drake. | 0:36:24 | 0:36:25 | |
Oblige me, will you? | 0:36:29 | 0:36:31 | |
It was given to me by my father. | 0:36:39 | 0:36:40 | |
Despite all the circumstances, it does feel good to wear it again. | 0:36:44 | 0:36:47 | |
You should know, whoever put the knife in the engineer's back, | 0:36:47 | 0:36:50 | |
they did the same to Dick Hobbs this day. | 0:36:50 | 0:36:52 | |
I'm sorry to hear that. | 0:36:53 | 0:36:55 | |
Another fact, he's in mortis no longer than ten hours since his murdering. | 0:36:55 | 0:36:59 | |
Before you run, you have any thoughts as to how this can be so? | 0:36:59 | 0:37:03 | |
Drownings, on occasion, if the water's very cold | 0:37:06 | 0:37:08 | |
and the shock of it, er, immediate, the body can convulse | 0:37:08 | 0:37:12 | |
and lock itself immediately in a cadaveric spasm. | 0:37:12 | 0:37:15 | |
The effects developing into mortis. | 0:37:15 | 0:37:17 | |
-That a service to you? -Yes, it is. -Well, I'm glad of that at least. | 0:37:20 | 0:37:24 | |
Stop him! Stop that man! | 0:37:24 | 0:37:27 | |
Drake! Wait, wait! Let him go! | 0:37:27 | 0:37:29 | |
Let him go. | 0:37:29 | 0:37:30 | |
-That man?! -Back to work! Back to work! Here... | 0:37:30 | 0:37:34 | |
Now, there are others more deserving of your rage, Sergeant. | 0:37:38 | 0:37:42 | |
The same men pursue Miss Hart as finished Fanthorpe, | 0:37:42 | 0:37:45 | |
murdered Hobbs and abducted Martha Fanthorpe. | 0:37:45 | 0:37:48 | |
Now, this spasm just spoke of, | 0:37:48 | 0:37:50 | |
it resembles rigor mortis but presents itself earlier. | 0:37:50 | 0:37:54 | |
In which event, this man Goodnight | 0:37:54 | 0:37:56 | |
and his master can no longer claim themselves absent from London. | 0:37:56 | 0:37:59 | |
What are they to gain from taking this woman? | 0:37:59 | 0:38:01 | |
-They wanted the engineer dead, he is dead. -They don't have all the facts. | 0:38:01 | 0:38:05 | |
Bruton has a secret. He's been guarding it for years. | 0:38:05 | 0:38:08 | |
It wasn't Samuel Fanthorpe he built his hopes upon. | 0:38:08 | 0:38:11 | |
It is his wife, Martha. She might secure Swift's defeat. | 0:38:11 | 0:38:16 | |
Then why keep her alive? | 0:38:16 | 0:38:17 | |
If I am right, a woman like this, with strength to hide herself | 0:38:17 | 0:38:22 | |
yet to perform such genius, she may be too valuable to extinguish. | 0:38:22 | 0:38:28 | |
If we find Martha Fanthorpe, we shall have our answers. | 0:38:28 | 0:38:31 | |
Susan! | 0:38:47 | 0:38:48 | |
Susan?! | 0:38:53 | 0:38:55 | |
Susan! | 0:38:59 | 0:39:00 | |
-SUSAN: -'Matthew, despite what I have said, your arrival in my life, | 0:39:09 | 0:39:13 | |
'it is still the greatest happiness I have known. | 0:39:13 | 0:39:17 | |
'I go to give them something of what they want from us | 0:39:17 | 0:39:19 | |
'in the hope they will let you run. So you do that. You run.' | 0:39:19 | 0:39:24 | |
I rack myself to think why I should not scatter your brains over this fine furniture. | 0:39:50 | 0:39:55 | |
Search the place. | 0:39:58 | 0:39:59 | |
What the hell is this?! What are you doing?! | 0:40:02 | 0:40:05 | |
-Just a few questions. -Get your hands off me! | 0:40:05 | 0:40:08 | |
You take a trip to Bow Creek of late, Mr Goodnight? | 0:40:08 | 0:40:10 | |
What happens there, Reid? | 0:40:10 | 0:40:13 | |
Women are drugged and abducted. A young lad gets killed. | 0:40:13 | 0:40:18 | |
Oh? | 0:40:18 | 0:40:19 | |
Where is Martha Fanthorpe? | 0:40:22 | 0:40:25 | |
I have no idea of who you speak, Inspector. | 0:40:25 | 0:40:28 | |
Mr Reid! | 0:40:28 | 0:40:30 | |
You have taken leave of yourself, sir. | 0:40:30 | 0:40:33 | |
-And? -Nothing. She's not here. | 0:40:33 | 0:40:36 | |
You put that gun down and you explain yourself! | 0:40:36 | 0:40:40 | |
I'd ask how it is you come to associate with kidnappers | 0:40:41 | 0:40:44 | |
-and murderers, Mr Goldman. -Slander! | 0:40:44 | 0:40:46 | |
Your proof, Inspector? | 0:40:47 | 0:40:49 | |
He has none. | 0:40:49 | 0:40:51 | |
Well, Reid? Justify yourself, man. | 0:40:52 | 0:40:55 | |
You will burn for this, Inspector! | 0:41:08 | 0:41:10 | |
Perhaps. But if I am right, Mr Goldman, | 0:41:10 | 0:41:12 | |
and you have simply sat by to admire the dividend you make from kidnap | 0:41:12 | 0:41:16 | |
and murder, so will you. | 0:41:16 | 0:41:18 | |
Thank you, Daniel. | 0:41:37 | 0:41:38 | |
Theodore. We've worked hard for you here. | 0:41:43 | 0:41:47 | |
And in six hours' time, we'll provide the funds | 0:41:47 | 0:41:49 | |
by which Argentine Marine votes itself into your ownership. | 0:41:49 | 0:41:54 | |
That achieved, you and your men will leave | 0:41:54 | 0:41:58 | |
and you will not darken these halls again. | 0:41:58 | 0:42:01 | |
What? | 0:42:08 | 0:42:09 | |
-Will you kill me? -You think me incapable of it? | 0:42:12 | 0:42:15 | |
I didn't say that, Caitlin. | 0:42:15 | 0:42:18 | |
So, what is it brings you here? | 0:42:20 | 0:42:24 | |
-There's a kindness I'd ask of you. -Kind? | 0:42:24 | 0:42:27 | |
Isn't a word you ever had much call to use in my direction. | 0:42:28 | 0:42:31 | |
Let Matthew be. Call Frank Goodnight and his dogs off. | 0:42:31 | 0:42:36 | |
I invited the man into my home, | 0:42:37 | 0:42:39 | |
paid his wage to keep watch on you. So he steals you from me, | 0:42:39 | 0:42:44 | |
ships you here to live as a cathouse madam. | 0:42:44 | 0:42:46 | |
Now you wish me to forgive that insult, | 0:42:47 | 0:42:51 | |
I'd know what you offer in return. | 0:42:51 | 0:42:53 | |
Myself. You may take me home again. | 0:42:55 | 0:42:58 | |
And if you still consider me marriageable, I shall divorce my husband. | 0:42:58 | 0:43:02 | |
Should I allow him to live. | 0:43:02 | 0:43:04 | |
And accept your choice for me. Whatever's your pleasure. | 0:43:04 | 0:43:09 | |
-Theodore, Goldman is... -Frank! | 0:43:09 | 0:43:12 | |
If you or any of your men harm my daughter, | 0:43:12 | 0:43:15 | |
you will find yourself outside my protection. | 0:43:15 | 0:43:17 | |
Barnes! | 0:43:43 | 0:43:45 | |
Have them bring in last week's maritime trades. | 0:43:48 | 0:43:50 | |
All sales of Argentine Marine, | 0:43:51 | 0:43:55 | |
all acquisitions of Swift Intercontinental. | 0:43:55 | 0:43:58 | |
No, Theodore. It was understood! | 0:44:02 | 0:44:05 | |
I understand your rage. | 0:44:05 | 0:44:07 | |
But she is my daughter and I have undertaken to bring you to heel. | 0:44:07 | 0:44:11 | |
I am not your dog. | 0:44:11 | 0:44:12 | |
Oh yes, Frank. You are. You let Matthew Judge run. | 0:44:12 | 0:44:16 | |
Besides, there's more than one way to skin this particular cat... | 0:44:16 | 0:44:21 | |
..if you have the stomach for it? | 0:44:23 | 0:44:25 | |
GIRL SCREAMS | 0:44:44 | 0:44:46 | |
Here. Just yesterday. | 0:44:58 | 0:45:02 | |
A vast number of Argentine sold at cutdown. | 0:45:02 | 0:45:06 | |
And then, minutes later, the same trader makes a sizeable acquisition | 0:45:06 | 0:45:11 | |
in Swift Intercontinental. | 0:45:11 | 0:45:13 | |
Have you been able to discover on whose behalf the trade was made? | 0:45:13 | 0:45:16 | |
An employee of the company itself. A man named Fields. | 0:45:16 | 0:45:19 | |
Mr Reid! | 0:45:33 | 0:45:34 | |
Peek-a-boo. | 0:45:44 | 0:45:45 | |
Mr Fields, never make a plan in haste. | 0:45:49 | 0:45:51 | |
Who could blame you, once Fanthorpe was found dead, | 0:45:51 | 0:45:54 | |
of wanting to disencumber yourself from falling Argentine stock? | 0:45:54 | 0:45:58 | |
Did Bruton fail to inform you till after the fact that it was with the lady where the inspiration lay? | 0:45:58 | 0:46:03 | |
I have worked endlessly, every breathing moment of my adult life for that family. What was I to do? | 0:46:05 | 0:46:11 | |
Watch my entire livelihood go up in flames | 0:46:11 | 0:46:13 | |
with no safeguard for my future? | 0:46:13 | 0:46:15 | |
So you went to Swift and told him what you knew? | 0:46:15 | 0:46:17 | |
He promised she would not be harmed. Once the sale was completed | 0:46:17 | 0:46:21 | |
and he left the city, she could be released. | 0:46:21 | 0:46:23 | |
But a man from my company got in their road and he paid for it, with his life. | 0:46:23 | 0:46:27 | |
Surely this interrogation can wait, | 0:46:31 | 0:46:33 | |
Inspector? The shareholders' meeting? | 0:46:33 | 0:46:36 | |
-They've not started yet, Miss. -Do you have a carriage? -We do. | 0:46:36 | 0:46:40 | |
Then show me to it. And don't "Miss" me, Sergeant. | 0:46:40 | 0:46:43 | |
MUTTERING | 0:46:54 | 0:46:57 | |
This extraordinary shareholders' meeting will come to order. | 0:46:57 | 0:47:01 | |
As you know, there is but one item upon the agenda. | 0:47:14 | 0:47:18 | |
Unless Mr Bruton has anything to say? | 0:47:19 | 0:47:22 | |
I suggest we move directly to a vote. | 0:47:25 | 0:47:27 | |
All those in favour of forced sale... | 0:47:29 | 0:47:32 | |
Wait there, if you please, sir. | 0:47:32 | 0:47:33 | |
Before votes are cast, there are facts you should learn. | 0:47:35 | 0:47:39 | |
Martha? | 0:47:44 | 0:47:46 | |
I want to watch you swing, scum! | 0:48:02 | 0:48:03 | |
-Gentlemen, calm down. -What is this? Explain yourself, sir! | 0:48:06 | 0:48:09 | |
No, I should allow Mrs Fanthorpe and Mr Bruton to do that. | 0:48:09 | 0:48:13 | |
Get him out of here. | 0:48:13 | 0:48:15 | |
Please, gentleman. Take your seats. | 0:48:15 | 0:48:19 | |
May the lady and I have five minutes of your time? | 0:48:19 | 0:48:22 | |
But for what purpose, sir? | 0:48:22 | 0:48:24 | |
To show you, I hope, that all is not lost for our company, | 0:48:24 | 0:48:29 | |
that we assemble an innovation to our engines that will render ours | 0:48:29 | 0:48:35 | |
the fastest fleet in all commercial maritime history. | 0:48:35 | 0:48:39 | |
But our engineer is dead, is he not? | 0:48:39 | 0:48:42 | |
Mr Fanthorpe may sadly be so, yes. | 0:48:42 | 0:48:45 | |
But he is not, and has never been, our engineer. | 0:48:45 | 0:48:50 | |
That privilege, ours too, belongs to Mrs Fanthorpe. | 0:48:50 | 0:48:56 | |
A woman?! | 0:48:56 | 0:48:58 | |
I am that, sir, yes. | 0:48:58 | 0:49:00 | |
You have lost all reason. No, Mr Bruton, a thousand times no! | 0:49:00 | 0:49:05 | |
Martha, please sit! | 0:49:05 | 0:49:07 | |
A female engineer? Never! No, sir... | 0:49:07 | 0:49:11 | |
-Gentlemen, please... -No, sir, I shan't accept... | 0:49:11 | 0:49:13 | |
It will only take a moment to listen to Mrs Fanthorpe's proposals. | 0:49:13 | 0:49:17 | |
Gentlemen! | 0:49:17 | 0:49:18 | |
Inspector! I'm glad to have found you. | 0:49:36 | 0:49:39 | |
Wanted you to be the first to comment on your employing | 0:49:39 | 0:49:42 | |
of Matthew Judge, a wanted murderer and the abductor | 0:49:42 | 0:49:45 | |
of the daughter of Mr Theodore Swift. | 0:49:45 | 0:49:48 | |
Mr Best, I'm afraid the story has moved on a yard or two now. | 0:49:49 | 0:49:52 | |
Nobody move or I snap his goddamn neck! | 0:50:10 | 0:50:13 | |
Everybody stay where they are! | 0:50:13 | 0:50:15 | |
TWO GUNSHOTS | 0:50:17 | 0:50:19 | |
Next one's in your head, Frank. | 0:50:24 | 0:50:25 | |
Let him go. | 0:50:27 | 0:50:28 | |
I let him go, they kill me. | 0:50:31 | 0:50:32 | |
I will if you don't. | 0:50:32 | 0:50:34 | |
If you do, they're going to give you what you want most in this world... | 0:50:34 | 0:50:37 | |
..your chance at me. | 0:50:42 | 0:50:43 | |
One shell a man, one shot apiece. | 0:50:45 | 0:50:49 | |
Toss 'em! | 0:50:52 | 0:50:53 | |
You still got that piece I gave you? | 0:50:59 | 0:51:00 | |
Take out all the brass bar one. | 0:51:08 | 0:51:09 | |
Give it to him. | 0:51:15 | 0:51:17 | |
Do it. | 0:51:17 | 0:51:18 | |
You kept in training? | 0:51:40 | 0:51:41 | |
Not so much. | 0:51:43 | 0:51:44 | |
Then I fear for you. | 0:51:46 | 0:51:47 | |
I do work with one advantage, however. | 0:51:50 | 0:51:55 | |
You want to tell me? | 0:51:55 | 0:51:56 | |
It's my home field. | 0:52:05 | 0:52:06 | |
Always were a faker. | 0:52:51 | 0:52:53 | |
You shouldn't have killed the boy, Frank. | 0:52:53 | 0:52:55 | |
I never knew a man who could make cheating so heroic. | 0:53:25 | 0:53:28 | |
Care to take a turn with me, Miss Hart? | 0:53:35 | 0:53:37 | |
I will. | 0:53:39 | 0:53:40 | |
I know no man named Judge. | 0:53:52 | 0:53:53 | |
I do know a man named Homer Jackson, | 0:53:55 | 0:53:57 | |
however, a police surgeon in this quarter | 0:53:57 | 0:54:00 | |
who just took down a cold-blooded, murdering Pinkerton out of New York. | 0:54:00 | 0:54:03 | |
That story enough for you, Best? | 0:54:03 | 0:54:05 | |
For now, Inspector. | 0:54:07 | 0:54:09 | |
He was a mad dog, that one. | 0:54:14 | 0:54:16 | |
His actions, no man could control them. | 0:54:16 | 0:54:19 | |
Your bodyguard, a lone killer acting on his own whim? | 0:54:19 | 0:54:24 | |
You think that's enough to spare you, do you? | 0:54:24 | 0:54:27 | |
I KNOW it will be. | 0:54:27 | 0:54:29 | |
Think of all the great men who have made their fortunes through me, Mr Reid. | 0:54:30 | 0:54:35 | |
All that I know of them. | 0:54:35 | 0:54:37 | |
All that I will tell from behind your bars. | 0:54:37 | 0:54:41 | |
You will not regret this, Mrs Fanthorpe. | 0:55:23 | 0:55:26 | |
You have promised me the full expression of my talents | 0:55:26 | 0:55:29 | |
and vision and that is all I've ever wanted from this life. | 0:55:29 | 0:55:32 | |
Then you travel in the correct direction. | 0:55:32 | 0:55:35 | |
America will prove much more accommodating. | 0:55:36 | 0:55:40 | |
Not so stuck in its ways as this place. | 0:55:40 | 0:55:42 | |
A woman like you, you will do very well indeed. | 0:55:44 | 0:55:48 | |
So is this the lot for a bobby's wife, then? | 0:56:20 | 0:56:23 | |
Never knowing when you're likely to come home? | 0:56:23 | 0:56:26 | |
Yeah, it can be. | 0:56:26 | 0:56:29 | |
And as you've said not long past, it is not much of a life. | 0:56:29 | 0:56:35 | |
You, er, you come to me out of fear, Rose. | 0:56:37 | 0:56:41 | |
Not natural affection. | 0:56:42 | 0:56:46 | |
I know I'm not much. | 0:56:48 | 0:56:50 | |
But I am worth better than that. | 0:56:52 | 0:56:54 | |
Then what's to become of me? | 0:56:55 | 0:56:57 | |
Your mistress is returned to her house. | 0:56:57 | 0:57:01 | |
You could do likewise if you wish. | 0:57:01 | 0:57:03 | |
And if I do not? If I decide to finish with that life? | 0:57:03 | 0:57:07 | |
Then you must be brave, Rose, and look for another. | 0:57:07 | 0:57:12 | |
Now get along with you, girl. | 0:57:16 | 0:57:17 | |
FLIES BUZZ | 0:57:21 | 0:57:23 | |
TRAIN WHISTLE BLOWS DISTANTLY | 0:57:26 | 0:57:28 | |
Chief Inspector Abberline? | 0:57:38 | 0:57:40 | |
This man's rooms, now. | 0:57:40 | 0:57:43 | |
There! | 0:57:45 | 0:57:47 | |
Another tart's been ripped. Another snitch sends me to you. | 0:57:47 | 0:57:51 | |
Take him. | 0:58:08 | 0:58:10 | |
Do you think that hanging my American will return your sleep to you? | 0:58:12 | 0:58:16 | |
Are you so desperate, Inspector, | 0:58:16 | 0:58:18 | |
that you rake through all the suspects we ever knew? | 0:58:18 | 0:58:21 | |
I believe him returned. | 0:58:21 | 0:58:23 | |
What use our work if we cannot care for those we love? | 0:58:26 | 0:58:29 |