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-A streetwalker, Sir, found ripped. -SHE SCREAMS | 0:00:02 | 0:00:04 | |
This programme contains some scenes | 0:00:04 | 0:00:06 | |
which some viewers may find upsetting. | 0:00:06 | 0:00:08 | |
This man once called me a friend. | 0:00:08 | 0:00:09 | |
And then, amongst others, | 0:00:09 | 0:00:10 | |
you killed his brother. | 0:00:10 | 0:00:12 | |
Well, you know, he was never one to hold a grudge. | 0:00:12 | 0:00:15 | |
Stop! | 0:00:15 | 0:00:16 | |
Who is it tells me? | 0:00:16 | 0:00:17 | |
Police! | 0:00:17 | 0:00:18 | |
If I decide to finish with that life? | 0:00:19 | 0:00:22 | |
Then, you must be brave, Rose, | 0:00:22 | 0:00:24 | |
and look for another. | 0:00:24 | 0:00:25 | |
Always were a faker. | 0:00:30 | 0:00:31 | |
PEOPLE SCREAM | 0:00:31 | 0:00:33 | |
This man's rooms, now! | 0:00:33 | 0:00:35 | |
Another tart's been ripped | 0:00:37 | 0:00:38 | |
and I've a snitch sends me to you! | 0:00:38 | 0:00:41 | |
Take him! | 0:00:42 | 0:00:44 | |
The boy was crippled, | 0:00:47 | 0:00:49 | |
then put into the water to drown. | 0:00:49 | 0:00:51 | |
MURMURING | 0:00:57 | 0:01:00 | |
HE CLEARS HIS THROAT | 0:01:09 | 0:01:11 | |
All right, shut up, you evil drunks. | 0:01:11 | 0:01:13 | |
Shut it! | 0:01:16 | 0:01:17 | |
-HE SINGS: -# As I was a-walking By St James' Hospital | 0:01:18 | 0:01:24 | |
# Early the morning Though warm was the day | 0:01:24 | 0:01:28 | |
# When who should I see But one of my comrades | 0:01:28 | 0:01:33 | |
# All wrapped up in flannel And cold as the clay | 0:01:33 | 0:01:38 | |
ALL: # Then beat the drum lowly | 0:01:38 | 0:01:42 | |
# And play your pipe slowly | 0:01:42 | 0:01:44 | |
# And sound the dead march As you carry me along | 0:01:44 | 0:01:49 | |
# And fire your bundooks Right over my coffin | 0:01:49 | 0:01:54 | |
# For I'm a young trooper Cut down in my prime | 0:01:54 | 0:02:00 | |
-HE SINGS: -# 'The bugles were playing His mates were a-praying | 0:02:00 | 0:02:06 | |
# 'The chaplain was kneeling Down by his bed | 0:02:06 | 0:02:12 | |
# 'His poor head was aching His poor heart was breaking | 0:02:12 | 0:02:16 | |
# 'This poor young trooper Cut down in his prime | 0:02:16 | 0:02:22 | |
ALL: # 'Then beat the drum lowly And play your pipe slowly | 0:02:22 | 0:02:27 | |
# 'And sound the dead march As you carry me along | 0:02:27 | 0:02:33 | |
# And fire your bundooks Right over my coffin | 0:02:33 | 0:02:38 | |
# For I'm a young trooper Cut down in my prime. # | 0:02:38 | 0:02:43 | |
BOLTS OPEN | 0:02:57 | 0:02:59 | |
Reid. | 0:04:00 | 0:04:01 | |
-Dr Bagster-Phillips done his work? -He has, Sir. | 0:04:05 | 0:04:08 | |
Inspector Abberline was there. | 0:04:08 | 0:04:10 | |
Your dead room was requisitioned for him. | 0:04:10 | 0:04:12 | |
Another streetwalker, murdered, I shall say, | 0:04:22 | 0:04:25 | |
at the hands of your Captain Jackson. | 0:04:25 | 0:04:28 | |
And that is your surgeon's opinion? | 0:04:28 | 0:04:30 | |
He goes to prepare his report. | 0:04:31 | 0:04:33 | |
But is convinced, nonetheless, | 0:04:35 | 0:04:37 | |
that she is Ripper. | 0:04:37 | 0:04:40 | |
Throat-cut commencing left, terminating right. | 0:04:43 | 0:04:48 | |
Abrasions on the spine. | 0:04:48 | 0:04:49 | |
Access to the pelvic organs secured with one incision - | 0:04:49 | 0:04:53 | |
ribcage to pubis. | 0:04:53 | 0:04:56 | |
As before. | 0:04:56 | 0:04:57 | |
Parts of the bladder taken and the womb also. | 0:04:57 | 0:05:01 | |
That organ recovered at Captain Jackson's lodgings on Tenter Street. | 0:05:03 | 0:05:08 | |
And what is it led you to search there? | 0:05:08 | 0:05:12 | |
The same communication which reported this poor creature's whereabouts? | 0:05:12 | 0:05:15 | |
It is sufficient, Inspector, | 0:05:17 | 0:05:19 | |
to draw this case to a close and name him. | 0:05:19 | 0:05:23 | |
Do you think, Fred, | 0:05:23 | 0:05:25 | |
that hanging my American will return your sleep to you? | 0:05:25 | 0:05:28 | |
Obsessions are addictions. | 0:05:28 | 0:05:31 | |
Which may not be defeated by actions in the physical world, | 0:05:31 | 0:05:34 | |
but by a change of temper in the mind. | 0:05:34 | 0:05:37 | |
Come on, Reid, we both know what gives here. | 0:05:40 | 0:05:42 | |
Fred Abberline is... | 0:05:42 | 0:05:45 | |
Ah, he's fixated, I grant you. But he's honest. | 0:05:45 | 0:05:47 | |
Led to your innocence, he'll have you freed. | 0:05:47 | 0:05:50 | |
-And it's you that pilots him there, is it? -I hope to! | 0:05:50 | 0:05:53 | |
No. You really want to stop this? | 0:05:53 | 0:05:55 | |
-You want to save my neck from a stretching? -Of course I do. | 0:05:55 | 0:05:57 | |
Then, you return to me my pistol, you forget those keys of yours. | 0:05:57 | 0:06:00 | |
And you take a walk. | 0:06:00 | 0:06:01 | |
And have this fantasy given extra credence? | 0:06:01 | 0:06:03 | |
Have vigilante patrols scouring the streets | 0:06:03 | 0:06:06 | |
looking for your head to break? No. | 0:06:06 | 0:06:08 | |
No. You, bide your time and you trust in me. | 0:06:08 | 0:06:13 | |
Sergeant Artherton, do you recall the cigarette seller? | 0:06:19 | 0:06:22 | |
Joseph Lawende. | 0:06:22 | 0:06:23 | |
Er...witness at the Eddowes inquiry? | 0:06:23 | 0:06:25 | |
Saw who ever she was with that night. | 0:06:25 | 0:06:27 | |
Goes by the name of Lavender now, Sir. | 0:06:27 | 0:06:29 | |
-Have him rousted and brought to me. -Sir. | 0:06:29 | 0:06:31 | |
KNOCKING ON DOOR | 0:06:37 | 0:06:38 | |
SHE CLEARS HER THROAT | 0:06:42 | 0:06:43 | |
Come in. | 0:06:43 | 0:06:45 | |
Er...Rose, you have a visitor. | 0:06:45 | 0:06:48 | |
'I never expected to find you here, in Mrs Reid's shelter. | 0:06:48 | 0:06:51 | |
'When we are now' | 0:06:51 | 0:06:52 | |
quite recovered at Tenter Street. | 0:06:52 | 0:06:54 | |
Our gentlemen help us back to our feet. | 0:06:54 | 0:06:56 | |
All is as ever was. | 0:06:56 | 0:06:58 | |
Except, of course, the continued absence of Captain Jackson, | 0:06:59 | 0:07:03 | |
beneath the key of Mrs Reid here's husband. | 0:07:03 | 0:07:06 | |
And what will become of him, Miss Susan? | 0:07:08 | 0:07:10 | |
Mr Abberline makes his case. | 0:07:10 | 0:07:13 | |
They will call him Ripper. | 0:07:14 | 0:07:16 | |
And hang him. | 0:07:16 | 0:07:17 | |
Which is why I would have you back with me, Rose. | 0:07:19 | 0:07:21 | |
A room of your very own. | 0:07:21 | 0:07:23 | |
A key with which you can come and go as you please. | 0:07:23 | 0:07:26 | |
Rose, you are not imprisoned here. | 0:07:26 | 0:07:28 | |
I know, Mrs Reid. | 0:07:28 | 0:07:30 | |
But, Miss Hart, I cannot permit you to come here | 0:07:30 | 0:07:32 | |
if you do so to procure. | 0:07:32 | 0:07:34 | |
Rose, this woman would make a penniless drudge of you. | 0:07:34 | 0:07:37 | |
I would not. | 0:07:37 | 0:07:39 | |
I give her a home, | 0:07:39 | 0:07:40 | |
somewhere from which she may choose what to make of herself. | 0:07:40 | 0:07:43 | |
Rose? | 0:07:43 | 0:07:44 | |
Is it your wish that you remain here a while longer yet? | 0:07:45 | 0:07:48 | |
It is, Mrs Reid. | 0:07:49 | 0:07:52 | |
Miss Susan, you took me from the streets and gave me a home. | 0:07:52 | 0:07:56 | |
But I am set now on improving my circumstances further still. | 0:07:58 | 0:08:03 | |
And how will you do that, girl? | 0:08:03 | 0:08:05 | |
I would not hex myself by saying yet. | 0:08:05 | 0:08:07 | |
But I do hope to tell you all, very soon. | 0:08:09 | 0:08:12 | |
SHE SIGHS | 0:08:25 | 0:08:26 | |
Mr Lavender, I'm most grateful for your visit. | 0:08:30 | 0:08:33 | |
Am I to believe there was choice in the matter? | 0:08:33 | 0:08:36 | |
What does that man do here!? | 0:08:36 | 0:08:38 | |
He helps us. | 0:08:40 | 0:08:41 | |
And may confirm your convictions, Chief Inspector, | 0:08:41 | 0:08:45 | |
that Jackson is Ripper. | 0:08:45 | 0:08:47 | |
Your office, now! | 0:08:47 | 0:08:50 | |
Do you not consider witness identification a key constituent? | 0:08:50 | 0:08:53 | |
That man, an eccentric at best, a loon at worst, | 0:08:53 | 0:08:57 | |
had full clap of the man with Catherine Eddowes | 0:08:57 | 0:08:59 | |
and still could not describe him to us! | 0:08:59 | 0:09:01 | |
But now, we have something that we lacked then - | 0:09:01 | 0:09:03 | |
we have a suspect in custody for him to make comparison. | 0:09:03 | 0:09:06 | |
Or are you afraid of what he might say? | 0:09:06 | 0:09:09 | |
Follow us, Mr Lavender. | 0:09:14 | 0:09:16 | |
Mr Lavender, it is a year since, I know. | 0:09:18 | 0:09:20 | |
But there is a man beyond we wish you to study. | 0:09:20 | 0:09:23 | |
Please, Sir. Step forward. | 0:09:28 | 0:09:30 | |
Closer. | 0:09:31 | 0:09:32 | |
Look at him! | 0:09:33 | 0:09:35 | |
Well? | 0:09:41 | 0:09:43 | |
No, I cannot say. | 0:09:43 | 0:09:46 | |
It is what I have tried to tell you. | 0:09:46 | 0:09:49 | |
Yes, that night... | 0:09:51 | 0:09:54 | |
..I saw him. | 0:09:55 | 0:09:57 | |
But I saw nothing in him! | 0:09:58 | 0:10:01 | |
Where his face should be... | 0:10:01 | 0:10:03 | |
..only darkness. | 0:10:05 | 0:10:06 | |
It's The Ripper. | 0:10:07 | 0:10:10 | |
HE SIGHS | 0:10:10 | 0:10:11 | |
He is dybbuk. | 0:10:11 | 0:10:13 | |
HE SIGHS | 0:10:13 | 0:10:15 | |
You chase him... | 0:10:15 | 0:10:17 | |
HE CHUCKLES | 0:10:17 | 0:10:18 | |
..you are fools. | 0:10:18 | 0:10:19 | |
Whatever peace you have known, | 0:10:19 | 0:10:22 | |
you will know it no longer. | 0:10:22 | 0:10:23 | |
Only calamity... | 0:10:23 | 0:10:25 | |
..and turmoil. | 0:10:27 | 0:10:28 | |
Evil on your shoulder. | 0:10:30 | 0:10:33 | |
This all does nothing, Edmund. | 0:10:33 | 0:10:35 | |
Come on. | 0:10:37 | 0:10:39 | |
Your Ripper is not for finding. | 0:10:39 | 0:10:43 | |
Only for hunting! | 0:10:43 | 0:10:45 | |
Well, that went well. | 0:10:47 | 0:10:48 | |
Thank you. | 0:10:58 | 0:10:59 | |
Hobbs' wife. | 0:11:11 | 0:11:13 | |
Come to collect his personals. | 0:11:13 | 0:11:15 | |
Hobbs was married!? | 0:11:16 | 0:11:17 | |
I had no...I had no idea. | 0:11:18 | 0:11:21 | |
No, Sir. | 0:11:22 | 0:11:24 | |
Oh, Sergeant. | 0:11:26 | 0:11:28 | |
I'd hear your thoughts on what we might next do for Captain Jackson? | 0:11:28 | 0:11:31 | |
I was set on an afternoon in The Bear, Sir. | 0:11:31 | 0:11:33 | |
I am owed time, as you know. | 0:11:33 | 0:11:36 | |
Sergeant Drake! | 0:11:48 | 0:11:50 | |
You explain yourself. | 0:11:52 | 0:11:53 | |
If you work to free Captain Jackson, | 0:11:53 | 0:11:56 | |
or whatever name it is we should now call him by, | 0:11:56 | 0:11:59 | |
I'm sorry, but you must do so alone. | 0:11:59 | 0:12:03 | |
You honestly think him guilty of this woman's killing? | 0:12:03 | 0:12:05 | |
The others also? That we at last have our man? | 0:12:05 | 0:12:07 | |
Mr Reid, I care not. | 0:12:07 | 0:12:09 | |
All I know is, the man who made that woman widow, Frank Goodnight, | 0:12:09 | 0:12:14 | |
he came to this town in search of our American. | 0:12:14 | 0:12:17 | |
Your association with Captain Jackson... | 0:12:17 | 0:12:21 | |
it has done us little but ill, | 0:12:21 | 0:12:23 | |
in my humble opinion. | 0:12:23 | 0:12:24 | |
Look at these last months, Bennet. We've done some good with his help, have we not? | 0:12:24 | 0:12:28 | |
You tell that to Dick Hobbs. | 0:12:28 | 0:12:29 | |
See if you can rouse agreement from him. | 0:12:29 | 0:12:32 | |
Miss Erskin. | 0:12:51 | 0:12:52 | |
I am sorry if I am late, Mr Trumper. | 0:12:52 | 0:12:54 | |
I, I missed my omnibus at Bethnal Green and had to wait... | 0:12:54 | 0:12:56 | |
Not at all, it's wonderful to see you again. | 0:12:56 | 0:13:00 | |
You did have me worried, however... | 0:13:00 | 0:13:02 | |
-..that you might have changed your mind. -Oh, no, Sir. | 0:13:04 | 0:13:07 | |
I, I've been greatly looking forward to meeting with you once more. | 0:13:07 | 0:13:12 | |
Shall we take a walk? | 0:13:12 | 0:13:14 | |
'When I saw the Estancia for the first time,' | 0:13:14 | 0:13:17 | |
two day's ride from Buenos Aries, it is magnificent. | 0:13:17 | 0:13:22 | |
It's 50,000 acres, 70,000 head of cattle. | 0:13:22 | 0:13:25 | |
But there have been sacrifices. | 0:13:25 | 0:13:27 | |
Ten hard years of labour and... | 0:13:27 | 0:13:29 | |
Well... | 0:13:31 | 0:13:32 | |
..I am a man who wishes for a family. | 0:13:34 | 0:13:38 | |
For a wife. | 0:13:38 | 0:13:40 | |
I would find that wife here rather than in the Argentine. | 0:13:40 | 0:13:43 | |
To think that we were introduced through the pages of a newspaper... | 0:13:43 | 0:13:47 | |
Well, it is a wonder. | 0:13:47 | 0:13:50 | |
Miss Erskine. | 0:13:50 | 0:13:52 | |
Without wishing to seem over-forward, | 0:13:52 | 0:13:56 | |
but do you imagine that such a life might suit you? | 0:13:56 | 0:13:59 | |
Mr Trumper, I... | 0:14:00 | 0:14:01 | |
..I know nothing of the world except for this patch of sky right here. | 0:14:03 | 0:14:08 | |
But I would change that. | 0:14:09 | 0:14:11 | |
Do you think that you might begin to call me...Victor? | 0:14:11 | 0:14:16 | |
I'm Rose. | 0:14:18 | 0:14:20 | |
Rose. | 0:14:20 | 0:14:21 | |
HE CHUCKLES | 0:14:23 | 0:14:24 | |
As we agreed, I've brought us a picnic. | 0:14:24 | 0:14:27 | |
HE CHUCKLES | 0:14:27 | 0:14:29 | |
SHE CHUCKLES | 0:14:32 | 0:14:35 | |
HE CHUCKLES | 0:14:36 | 0:14:38 | |
SHE LAUGHS | 0:14:38 | 0:14:40 | |
Miss Rose? Are you unwell? | 0:14:43 | 0:14:46 | |
I feel I, I might... | 0:14:48 | 0:14:51 | |
Oh, please! Someone? | 0:14:53 | 0:14:55 | |
Call a carriage! | 0:14:55 | 0:14:56 | |
Can you hear me? | 0:14:57 | 0:14:58 | |
Cheers, Neville. | 0:15:21 | 0:15:23 | |
HE PANTS | 0:15:29 | 0:15:32 | |
This one? | 0:15:34 | 0:15:35 | |
He, er...he threw his neighbour's son | 0:15:35 | 0:15:38 | |
off the roof of Christ Church Spitalfield. | 0:15:38 | 0:15:41 | |
The company I keep these days, Reid. | 0:15:41 | 0:15:44 | |
Sergeant Drake. | 0:15:54 | 0:15:55 | |
Miss Susan. | 0:15:57 | 0:15:58 | |
Rose is no longer with us. | 0:15:58 | 0:16:00 | |
Have you not heard? | 0:16:00 | 0:16:03 | |
Oh, I heard all right. I er... | 0:16:03 | 0:16:05 | |
It is the reason I come. | 0:16:09 | 0:16:11 | |
Is it true, Sergeant, you were sweet on Rose? | 0:16:15 | 0:16:19 | |
But that she let you down? | 0:16:19 | 0:16:20 | |
That makes her a fool | 0:16:24 | 0:16:27 | |
and more besides. | 0:16:27 | 0:16:29 | |
There's not a girl here | 0:16:29 | 0:16:30 | |
who doesn't think you are the finest of men. | 0:16:30 | 0:16:32 | |
Miss Bella... | 0:16:45 | 0:16:46 | |
Sergeant? | 0:16:46 | 0:16:47 | |
..would you keep a secret for me? | 0:16:47 | 0:16:49 | |
Till my death. | 0:16:49 | 0:16:51 | |
If we just sat here for a while, | 0:16:51 | 0:16:54 | |
in this chair, you and I. | 0:16:54 | 0:16:57 | |
And perhaps I might sleep for a moment or so. | 0:16:59 | 0:17:03 | |
If we did that... | 0:17:05 | 0:17:06 | |
..would you tell no-one what passed? | 0:17:07 | 0:17:09 | |
I er...I do not ask you to lie, | 0:17:11 | 0:17:15 | |
simply to say nothing if questioned. | 0:17:15 | 0:17:18 | |
House broken up on Truman. | 0:17:46 | 0:17:48 | |
Street theft, Commercial Street. | 0:17:48 | 0:17:50 | |
Street theft, Aldgate Corner. | 0:17:50 | 0:17:52 | |
Three counts of public indecency down at Petticoat. | 0:17:52 | 0:17:55 | |
Two men cutlassed at closing time at the Shipwrights. One now dead. | 0:17:55 | 0:17:58 | |
Two missing persons, both teenage girls. | 0:17:58 | 0:18:00 | |
One on Sidney, the other, Cheshire. | 0:18:00 | 0:18:03 | |
Are you finished, Artherton? | 0:18:03 | 0:18:04 | |
That is today's roll, Sir. Yes. | 0:18:04 | 0:18:07 | |
Mrs Reid? | 0:18:07 | 0:18:08 | |
-ALL: -Morning, Madam. | 0:18:08 | 0:18:10 | |
Come in, Emily. | 0:18:10 | 0:18:11 | |
It is the third night this week you've slept in that cot. | 0:18:18 | 0:18:21 | |
-Is it more comfortable than it looks? -No. | 0:18:21 | 0:18:24 | |
No, I er...I'm tired, Emily. | 0:18:24 | 0:18:26 | |
I'd fall asleep on pins. | 0:18:26 | 0:18:28 | |
I come because... | 0:18:33 | 0:18:35 | |
..I confess myself disturbed. | 0:18:36 | 0:18:39 | |
Rose. The girl I took in from Miss Hart's. | 0:18:41 | 0:18:44 | |
What of her? | 0:18:44 | 0:18:45 | |
She did not return last night. | 0:18:45 | 0:18:47 | |
Edmund, I thought her sincere. | 0:18:48 | 0:18:50 | |
What do you suppose might happen, Bennet, if we sat here all day? | 0:19:17 | 0:19:20 | |
We'd be drunk, Mr Reid. | 0:19:26 | 0:19:27 | |
Whisky. | 0:19:27 | 0:19:29 | |
Your Rose... | 0:19:38 | 0:19:39 | |
She's not my Rose. | 0:19:39 | 0:19:41 | |
She's not mine... | 0:19:41 | 0:19:43 | |
..as you well know. | 0:19:45 | 0:19:46 | |
According to Mrs Reid, Rose did not return to the shelter last night. | 0:19:48 | 0:19:51 | |
Then, she returns to type. | 0:19:51 | 0:19:53 | |
That was my response also until Mrs Reid told me | 0:19:53 | 0:19:56 | |
the shelter had been broke into. | 0:19:56 | 0:19:57 | |
Nothing taken but the girl's personals. | 0:19:57 | 0:20:00 | |
What use our work, Bennet... | 0:20:04 | 0:20:07 | |
..if we cannot care for those we love? | 0:20:08 | 0:20:10 | |
DOOR OPENS | 0:20:14 | 0:20:16 | |
-You said the wastepaper had been cleared? -Uh-huh. | 0:20:21 | 0:20:24 | |
You noticed it full. | 0:20:24 | 0:20:25 | |
The newspapers, writing paper. It struck me as strange. | 0:20:25 | 0:20:29 | |
What? That she could read and write? | 0:20:29 | 0:20:31 | |
I suppose so, yes. | 0:20:31 | 0:20:32 | |
The Ragged School, on Field Lane. | 0:20:32 | 0:20:35 | |
She went there every day till she was 16. | 0:20:35 | 0:20:37 | |
Did you see what she read and wrote here? | 0:20:39 | 0:20:41 | |
Er...letters, many of them. | 0:20:41 | 0:20:43 | |
-Received and sent. -Letters? | 0:20:43 | 0:20:45 | |
-Will you fetch me paper? -Uh-huh. | 0:20:47 | 0:20:49 | |
Did she speak also of a wide network of friends and family | 0:20:53 | 0:20:57 | |
with whom she would correspond? | 0:20:57 | 0:20:59 | |
She has none, Sir. | 0:20:59 | 0:21:01 | |
Thank you. | 0:21:01 | 0:21:02 | |
You see these? | 0:21:12 | 0:21:13 | |
Circles. Many circles. | 0:21:13 | 0:21:16 | |
These letters, Emily, do you think it possible | 0:21:19 | 0:21:21 | |
she might have ran and responded to adverts in the Lonely Hearts? | 0:21:21 | 0:21:24 | |
It is possible, yes. | 0:21:24 | 0:21:26 | |
Sergeant, we are going back to work. | 0:21:29 | 0:21:31 | |
Does that suit you? | 0:21:31 | 0:21:32 | |
Yes, Mr Reid, it does. | 0:21:34 | 0:21:36 | |
Artherton. Read me that roll again. | 0:21:37 | 0:21:39 | |
-Yes, Sir. Er, house broken up on Truman Street. -Yes. | 0:21:39 | 0:21:42 | |
-Street theft, Commercial Street. -Yes, yes. | 0:21:42 | 0:21:44 | |
-Three counts of public indecency. -Yes. | 0:21:44 | 0:21:46 | |
-Two men cutlassed at closing. -Move on! | 0:21:46 | 0:21:49 | |
And two missing persons, both teenage girls. | 0:21:49 | 0:21:51 | |
-What ages, precisely? -17 and 19, Sir. | 0:21:51 | 0:21:53 | |
-One on Sidney Street, one on Cheshire? -Sir. | 0:21:53 | 0:21:55 | |
No tarts or destitutes, then? | 0:21:55 | 0:21:57 | |
No, both house maids. | 0:21:57 | 0:21:58 | |
Reported last night, but missing since when? | 0:21:58 | 0:22:00 | |
One on 19th, the other the 22nd. | 0:22:00 | 0:22:02 | |
Get men to their addresses. All their personal effects returned here. | 0:22:02 | 0:22:05 | |
Yes, Mr Reid. Johnson! Michaels! | 0:22:05 | 0:22:07 | |
With me, Sergeant. We return to our past. | 0:22:07 | 0:22:09 | |
All our Ripper suspects, Sir? | 0:22:11 | 0:22:12 | |
High earners, very, | 0:22:12 | 0:22:15 | |
I look for one in particular. | 0:22:15 | 0:22:17 | |
Here. | 0:22:18 | 0:22:19 | |
Here! | 0:22:21 | 0:22:23 | |
What? | 0:22:30 | 0:22:31 | |
Are you so desperate, Inspector, | 0:22:31 | 0:22:33 | |
that you rake through all the suspects we ever knew? | 0:22:33 | 0:22:36 | |
We have the man, in your cell. | 0:22:36 | 0:22:39 | |
Those two missing girls' particulars, Sir. | 0:22:41 | 0:22:44 | |
They were using the Lonely Hearts and all. | 0:22:45 | 0:22:48 | |
Ah, you see, the favoured here are highlighted? | 0:22:49 | 0:22:53 | |
Which is why I look for this man. | 0:22:53 | 0:22:56 | |
Victor Silver. | 0:22:56 | 0:23:00 | |
Cattleman. | 0:23:00 | 0:23:01 | |
Land in the Argentine. | 0:23:01 | 0:23:03 | |
Slaughters his beef there. | 0:23:03 | 0:23:05 | |
Refrigerates it to board his reefer ship. | 0:23:05 | 0:23:08 | |
Ships it for sale - New York, the Continent, London. | 0:23:08 | 0:23:11 | |
And once he got here, | 0:23:11 | 0:23:13 | |
the way he liked to operate - | 0:23:13 | 0:23:14 | |
he placed these personals, | 0:23:14 | 0:23:16 | |
like the ones used by our missing girls. | 0:23:16 | 0:23:19 | |
He responded to them also, met these girls, charmed them, drugged them | 0:23:19 | 0:23:23 | |
took them off the streets. Why? | 0:23:23 | 0:23:25 | |
We never knew. The only way he came to eye is one of them caught him | 0:23:25 | 0:23:28 | |
slipping a dose of narcotics into her drink. | 0:23:28 | 0:23:31 | |
They fought, he produced a knife. | 0:23:31 | 0:23:34 | |
A long one, very sharp. | 0:23:34 | 0:23:36 | |
It failed to stop her from kicking his bollocks in and running to us. | 0:23:36 | 0:23:40 | |
But, for a week or two, we fancied him for Ripper. Do you remember? | 0:23:40 | 0:23:43 | |
And then, we ruled him out. | 0:23:43 | 0:23:46 | |
For good reasons. | 0:23:46 | 0:23:48 | |
Ones which I am surprised you have forgot. | 0:23:48 | 0:23:52 | |
Sergeant, read from the file. | 0:23:52 | 0:23:55 | |
The up-front summation will suffice. | 0:23:55 | 0:23:58 | |
Victor Silver, cattle importer. | 0:23:58 | 0:24:00 | |
Deceased 15th of Sep... | 0:24:00 | 0:24:02 | |
Deceased 15th of September 1888. | 0:24:04 | 0:24:07 | |
A year ago. | 0:24:07 | 0:24:08 | |
Read on. | 0:24:08 | 0:24:09 | |
The details of his death. | 0:24:09 | 0:24:11 | |
Drowned aboard the steam launch, The Pride Of Wapping. | 0:24:11 | 0:24:14 | |
Drowned aboard the steam launch, The Pride Of Wapping... | 0:24:14 | 0:24:18 | |
No. | 0:24:18 | 0:24:19 | |
Missing. | 0:24:19 | 0:24:20 | |
No body found or washed up. | 0:24:22 | 0:24:24 | |
77 drowned. Five lost. | 0:24:25 | 0:24:28 | |
171 saved. Myself included. | 0:24:28 | 0:24:30 | |
This man, Silver. Mr Reid? It is the first time I've heard his name. | 0:24:37 | 0:24:41 | |
There were many names mentioned last year. Hardly surprising to forget a few. | 0:24:41 | 0:24:44 | |
Yes, Sir. But tell me if I overstep. The Pride Of Wapping? | 0:24:44 | 0:24:47 | |
Was that not the launch from which your daughter...? | 0:24:47 | 0:24:50 | |
Sergeant. You overstep. | 0:24:50 | 0:24:51 | |
Dear Miss Erskine, | 0:25:09 | 0:25:10 | |
I am Clara, Victor's sister. | 0:25:10 | 0:25:13 | |
You took ill, so he brought you to our home. | 0:25:13 | 0:25:17 | |
It is morning. | 0:25:17 | 0:25:18 | |
I was worried you might never wake. | 0:25:18 | 0:25:20 | |
I cannot remember when I ever slept so sound. | 0:25:20 | 0:25:24 | |
Is there somewhere you need to be? | 0:25:24 | 0:25:27 | |
If there is, I...I cannot remember. | 0:25:27 | 0:25:31 | |
Then, please. I have laid out some clothes. | 0:25:31 | 0:25:34 | |
When you are ready, join us for breakfast. | 0:25:34 | 0:25:38 | |
KNOCKING ON DOOR | 0:25:48 | 0:25:50 | |
Dear Rose. Please. | 0:25:50 | 0:25:53 | |
This is my other brother, Barnaby. | 0:25:54 | 0:25:57 | |
And our young friend, Mary. | 0:25:59 | 0:26:01 | |
You are very pretty, Miss. | 0:26:06 | 0:26:09 | |
Please come. | 0:26:11 | 0:26:12 | |
BELL TINKLES | 0:26:18 | 0:26:20 | |
Barnaby? | 0:26:21 | 0:26:22 | |
Excuse me, Miss Rose. | 0:26:22 | 0:26:24 | |
Rose. | 0:26:28 | 0:26:30 | |
It was my greatest hope to find you still here. | 0:26:30 | 0:26:32 | |
I have been made most welcome. | 0:26:32 | 0:26:35 | |
I am blessed with my family. | 0:26:35 | 0:26:37 | |
BELL KEEPS TINKLING | 0:26:37 | 0:26:38 | |
Do you not agree? | 0:26:38 | 0:26:40 | |
Barnaby, see to the bell. | 0:26:40 | 0:26:42 | |
It is the most common of plagues, Mr Reid. | 0:26:48 | 0:26:52 | |
Loneliness. | 0:26:52 | 0:26:54 | |
It is the city's curse. | 0:26:54 | 0:26:55 | |
But this, our Lonely Hearts, the remedy. | 0:26:55 | 0:26:59 | |
Now, you may dictate the details of your desired love. | 0:26:59 | 0:27:02 | |
Our team of editors, | 0:27:02 | 0:27:04 | |
their one aim to lead you toward the happiness that all men merit, | 0:27:04 | 0:27:08 | |
they will transcribe, print and forward the missives of your passion | 0:27:08 | 0:27:12 | |
for the smallest of prices and in total anonymity. | 0:27:12 | 0:27:15 | |
But were we to construct and place our own, | 0:27:15 | 0:27:17 | |
you would print and run it for us? | 0:27:17 | 0:27:19 | |
Oh, so you do seek a wife for your Sergeant. | 0:27:19 | 0:27:23 | |
Your head is a sight to behold, scribbler. | 0:27:23 | 0:27:26 | |
You want me to match this side with the other? | 0:27:29 | 0:27:31 | |
Mr Drake, come now. | 0:27:31 | 0:27:33 | |
HE CHUCKLES | 0:27:33 | 0:27:34 | |
Oh, you know me. Hmm? Ever obliging. | 0:27:34 | 0:27:38 | |
But I would know | 0:27:40 | 0:27:42 | |
what reward we, here at The Star, | 0:27:42 | 0:27:44 | |
might expect for such a service. | 0:27:44 | 0:27:47 | |
Perhaps... | 0:27:47 | 0:27:49 | |
an interview with your gunslinger Ripper? | 0:27:49 | 0:27:52 | |
What price these personal advertisements? | 0:27:52 | 0:27:54 | |
-Ten pence. -Then that is your reward, Mr Best. | 0:27:54 | 0:27:57 | |
HE CHUCKLES | 0:27:57 | 0:27:59 | |
'As you compose your messages,' | 0:27:59 | 0:28:00 | |
remember this, | 0:28:00 | 0:28:02 | |
he will want you naive, young, | 0:28:02 | 0:28:04 | |
lonely and lost in this world. | 0:28:04 | 0:28:06 | |
You may dictate your messages to these men here. | 0:28:06 | 0:28:08 | |
And when you do, you speak from the heart. | 0:28:08 | 0:28:11 | |
It is our Rose for whom we do so. | 0:28:11 | 0:28:13 | |
I am a gentle girl, shy at first, | 0:28:13 | 0:28:16 | |
but eager to demonstrate... | 0:28:16 | 0:28:19 | |
Rose? | 0:28:29 | 0:28:30 | |
Are there those that miss and wonder after you? | 0:28:34 | 0:28:37 | |
No, Victor. | 0:28:39 | 0:28:41 | |
Not a soul? | 0:28:42 | 0:28:43 | |
It makes me weep to think of you so alone. | 0:28:48 | 0:28:52 | |
I do not feel so in your home, however. | 0:28:54 | 0:28:57 | |
I feel as happy here as I ever have. | 0:28:57 | 0:28:59 | |
A rose, for a Rose. | 0:29:07 | 0:29:10 | |
You need not be so gallant. | 0:29:20 | 0:29:22 | |
Not with me. | 0:29:22 | 0:29:24 | |
Do I offend, Sir? | 0:29:31 | 0:29:32 | |
It's quite all right, Rose. | 0:29:35 | 0:29:36 | |
Here... | 0:29:38 | 0:29:39 | |
Some more cordial? | 0:29:41 | 0:29:42 | |
No, I... | 0:29:46 | 0:29:47 | |
..I don't think I will. | 0:29:48 | 0:29:50 | |
Perhaps it's time I took my leave of you. | 0:29:53 | 0:29:55 | |
No, Rose. We grow far too fond of you here. | 0:29:56 | 0:29:59 | |
Do we not, Brother? | 0:30:03 | 0:30:04 | |
We do, Victor. | 0:30:04 | 0:30:06 | |
SHE SCREAMS | 0:30:06 | 0:30:07 | |
Have Clara calm her. | 0:30:07 | 0:30:09 | |
Let me go! | 0:30:09 | 0:30:10 | |
Put me down, let me go! | 0:30:10 | 0:30:13 | |
HAMMERING | 0:30:13 | 0:30:14 | |
There is violence in that one, Victor. | 0:30:14 | 0:30:17 | |
She has worth, however. | 0:30:17 | 0:30:18 | |
Not if she scratch the eyes from the man to whom she is sold. | 0:30:18 | 0:30:21 | |
HE SIGHS | 0:30:21 | 0:30:22 | |
Sweet sister. You shall look after her. | 0:30:22 | 0:30:25 | |
And when seven weeks at sea have passed, | 0:30:25 | 0:30:27 | |
well, she'll be grateful merely to be alive. | 0:30:27 | 0:30:30 | |
Clara. | 0:30:30 | 0:30:31 | |
Hold firm. | 0:30:31 | 0:30:33 | |
We have but one more package yet to collect. | 0:30:33 | 0:30:36 | |
And then, we can set to sea, | 0:30:36 | 0:30:38 | |
safe in the knowledge that we need not return until the new century. | 0:30:38 | 0:30:42 | |
Should we wish to return at all? | 0:30:42 | 0:30:44 | |
Now go. You've left the child alone | 0:30:47 | 0:30:49 | |
and, though we need no longer bind her to her bed, | 0:30:49 | 0:30:53 | |
she may still run from us, given the opportunity. | 0:30:53 | 0:30:55 | |
You're to see all of these printed in the morning run. | 0:31:00 | 0:31:02 | |
And take receipt of all marked applicants yourself. | 0:31:02 | 0:31:05 | |
-You... -You heard me, scribbler! | 0:31:05 | 0:31:07 | |
GIRL MUTTERS IN HER SLEEP | 0:31:16 | 0:31:19 | |
HE SIGHS | 0:31:41 | 0:31:43 | |
What is it? | 0:31:43 | 0:31:44 | |
The accident I told you of. | 0:31:50 | 0:31:52 | |
My daughter. | 0:31:54 | 0:31:55 | |
There was a man aboard that boat. | 0:31:57 | 0:32:00 | |
A man whose remains were also never recovered... | 0:32:04 | 0:32:09 | |
..but all thought him dead. | 0:32:11 | 0:32:13 | |
This man, I... | 0:32:13 | 0:32:16 | |
..I believe him returned. | 0:32:17 | 0:32:18 | |
And if he indeed survived, then... | 0:32:20 | 0:32:23 | |
..so also you think perhaps your daughter. | 0:32:25 | 0:32:30 | |
I have always known it. | 0:32:33 | 0:32:35 | |
I have known she was out there, somewhere. | 0:32:36 | 0:32:39 | |
But this, this secret dream that now takes life... | 0:32:39 | 0:32:43 | |
It is not for you to share with me. | 0:32:44 | 0:32:47 | |
Your daughter had a mother. | 0:32:52 | 0:32:54 | |
A mother who would have me call her dead and gone... | 0:32:54 | 0:32:57 | |
No, Edmund, no! | 0:32:57 | 0:33:00 | |
I cannot be the sounding board for your guilt. | 0:33:00 | 0:33:04 | |
You seek forgiveness? | 0:33:08 | 0:33:10 | |
An ally in the hope that your life | 0:33:11 | 0:33:13 | |
might return to what it once was? | 0:33:13 | 0:33:16 | |
I cannot provide these things for you. | 0:33:17 | 0:33:20 | |
SHE SIGHS | 0:33:21 | 0:33:23 | |
Please. | 0:33:23 | 0:33:25 | |
You should go home. | 0:33:25 | 0:33:26 | |
Have you been here all night? | 0:33:38 | 0:33:40 | |
Please sit down, Emily, I would speak with you. | 0:33:41 | 0:33:44 | |
One of the five unrecovered from the steam cruiser that day. | 0:33:57 | 0:34:00 | |
A man. | 0:34:02 | 0:34:04 | |
Name of Silver. | 0:34:04 | 0:34:06 | |
I believe he still breathes. | 0:34:08 | 0:34:10 | |
Mathilda. | 0:34:10 | 0:34:12 | |
She was with him. | 0:34:12 | 0:34:14 | |
How?! | 0:34:15 | 0:34:16 | |
Because...she was with me. | 0:34:16 | 0:34:20 | |
And I was at work. | 0:34:22 | 0:34:23 | |
He was a candidate of mine. | 0:34:26 | 0:34:28 | |
For Ripper. | 0:34:29 | 0:34:31 | |
I had men put on his lodgings | 0:34:31 | 0:34:33 | |
with orders to alert me, should he leave. | 0:34:33 | 0:34:36 | |
I came home... | 0:34:36 | 0:34:37 | |
For the first time in, in ten days. | 0:34:37 | 0:34:39 | |
You had asked me to. | 0:34:39 | 0:34:41 | |
So that you might go visiting in Harrow. | 0:34:41 | 0:34:43 | |
So that I may have an hour or two for myself! | 0:34:43 | 0:34:46 | |
If...if you even begin to lay this at my door, | 0:34:46 | 0:34:49 | |
I will leave this moment and you will never see me more. | 0:34:49 | 0:34:52 | |
Word came. | 0:34:54 | 0:34:55 | |
He was moving south. | 0:34:56 | 0:34:58 | |
And so, you decided to take her with you. | 0:34:58 | 0:35:01 | |
To have our daughter by your side as you stalked this man. | 0:35:03 | 0:35:08 | |
Should I have left her here? | 0:35:08 | 0:35:09 | |
Yes, Edmund! You should have! | 0:35:09 | 0:35:12 | |
SHE SOBS | 0:35:14 | 0:35:15 | |
You say she was with him. | 0:35:20 | 0:35:22 | |
We picked him up on Petticoat Lane. | 0:35:24 | 0:35:26 | |
She held my hand as we walked south. | 0:35:29 | 0:35:32 | |
For the docks, at St Catherine's. | 0:35:32 | 0:35:35 | |
Do you remember how she loved the boats? | 0:35:35 | 0:35:37 | |
We bought tickets. | 0:35:39 | 0:35:41 | |
The launch sailed. | 0:35:41 | 0:35:43 | |
Mathilda joined a gaggle of young | 0:35:43 | 0:35:44 | |
running back and forth on the upper deck. | 0:35:44 | 0:35:47 | |
Which is where I found him. | 0:35:48 | 0:35:50 | |
He had met a girl, Veronica Atkins. | 0:35:50 | 0:35:54 | |
Her drowned body recovered one week later, at Greenwich. | 0:35:55 | 0:35:59 | |
He had bought her lemonade. | 0:36:01 | 0:36:03 | |
Which I feared he would drug. | 0:36:03 | 0:36:05 | |
I stepped forward, he saw me. | 0:36:05 | 0:36:08 | |
Knew me for what I was. | 0:36:08 | 0:36:09 | |
At which moment it all came to pass. | 0:36:13 | 0:36:16 | |
The ship struck. | 0:36:16 | 0:36:18 | |
The hull split. | 0:36:18 | 0:36:20 | |
The deck lurching into the air. | 0:36:20 | 0:36:22 | |
The gaggle of girls, slipping across it. | 0:36:22 | 0:36:25 | |
Mathilda calling for me as she fell. | 0:36:27 | 0:36:29 | |
All was aflame. | 0:36:31 | 0:36:33 | |
The steam pipe came down upon me. I could not move. | 0:36:33 | 0:36:36 | |
Could not reach her as she fell past this man, into the water beneath him. | 0:36:38 | 0:36:43 | |
Where he, unable to cling on, also fell an instant later. | 0:36:43 | 0:36:48 | |
Do you see, Emily? | 0:36:50 | 0:36:51 | |
He might be able to say. | 0:36:53 | 0:36:55 | |
To recall... | 0:36:56 | 0:36:57 | |
..that no, she sank like a rock to the floor of the Thames. | 0:36:59 | 0:37:03 | |
Or that yes, she clung to driftwood. | 0:37:03 | 0:37:08 | |
Or even to he, himself. | 0:37:08 | 0:37:10 | |
-SHE SOBS: -Stop. Stop. | 0:37:10 | 0:37:11 | |
You raise a hope that sinks its claws into me. | 0:37:13 | 0:37:16 | |
If it is forlorn... | 0:37:17 | 0:37:19 | |
..Edmund, I dare not think what will become of us. | 0:37:22 | 0:37:25 | |
Florence, authoress and composer of music. | 0:37:29 | 0:37:32 | |
32, wishes to meet with a true gentleman. | 0:37:32 | 0:37:35 | |
Too old. | 0:37:35 | 0:37:37 | |
Help! | 0:37:44 | 0:37:46 | |
Help! | 0:37:46 | 0:37:48 | |
BELL TINKLES | 0:37:52 | 0:37:53 | |
Eat up. | 0:38:04 | 0:38:05 | |
Help! | 0:38:12 | 0:38:13 | |
WOMAN'S VOICE: 'Help! Help me! Help! | 0:38:13 | 0:38:18 | |
'Help!' | 0:38:18 | 0:38:20 | |
Help! | 0:38:20 | 0:38:21 | |
BELLS TINKLE | 0:38:21 | 0:38:22 | |
HE SIGHS | 0:38:25 | 0:38:26 | |
BELLS CONTINUE TINKLING | 0:38:26 | 0:38:29 | |
Don't move, sit here, don't move. | 0:38:30 | 0:38:35 | |
DOOR SLAMS SHUT | 0:38:41 | 0:38:43 | |
MUFFLED MOAN | 0:38:45 | 0:38:46 | |
MUFFLED MOAN | 0:38:48 | 0:38:50 | |
Madison! | 0:39:10 | 0:39:11 | |
Send to Inspector Reid. | 0:39:13 | 0:39:15 | |
Tell him there's a lonely-heart cattleman here. | 0:39:15 | 0:39:17 | |
Name of Trumper. | 0:39:17 | 0:39:20 | |
Victor Trumper. | 0:39:20 | 0:39:21 | |
You. Name? | 0:39:23 | 0:39:24 | |
Bella. | 0:39:24 | 0:39:25 | |
I cannot watch from close. | 0:39:29 | 0:39:31 | |
This man, if it is he, he has had sight of me before. | 0:39:31 | 0:39:35 | |
The Sergeant here will never be far. We have a carriage outside. | 0:39:35 | 0:39:39 | |
For caution, Bella. | 0:39:46 | 0:39:48 | |
I am very proud of you. | 0:39:48 | 0:39:49 | |
SHE SIGHS | 0:39:56 | 0:39:57 | |
Miss Culver? | 0:40:22 | 0:40:23 | |
Mr...Trumper? | 0:40:23 | 0:40:25 | |
Well, I am sure all who see you say the same, | 0:40:31 | 0:40:33 | |
that you are, forgive me, a beautiful woman. | 0:40:33 | 0:40:37 | |
-Miss? -Bella. | 0:40:39 | 0:40:41 | |
I cannot see him clear enough. | 0:40:41 | 0:40:43 | |
Would you call me Victor? | 0:40:46 | 0:40:48 | |
Shall we stroll a little? | 0:40:49 | 0:40:51 | |
I should like that. | 0:40:53 | 0:40:54 | |
Riggs and Michaels track along the ridge above. Drake in their steps. | 0:40:56 | 0:40:59 | |
None closer than 50 yard. I shall cut left. | 0:40:59 | 0:41:01 | |
See if I can get closer. Go, go. | 0:41:01 | 0:41:02 | |
I took the liberty. | 0:41:23 | 0:41:25 | |
Please. | 0:41:28 | 0:41:29 | |
It's lemonade. | 0:41:37 | 0:41:38 | |
Made by my sister. | 0:41:40 | 0:41:41 | |
Where was it you lived, before you came to this city? | 0:41:56 | 0:41:59 | |
Southend, Sir. | 0:41:59 | 0:42:01 | |
Please, call me Victor. | 0:42:01 | 0:42:04 | |
Do drink some more of your lemonade... | 0:42:04 | 0:42:07 | |
We should walk a little more. | 0:42:09 | 0:42:11 | |
No, Sir. I'm happy here. | 0:42:11 | 0:42:13 | |
No, you shall call me Victor. | 0:42:13 | 0:42:17 | |
And we shall walk. | 0:42:17 | 0:42:18 | |
You! | 0:42:22 | 0:42:23 | |
Whoever you are, you stop right there! | 0:42:23 | 0:42:26 | |
You. It is you. | 0:42:26 | 0:42:29 | |
If I see any of you move, she's dead. | 0:42:29 | 0:42:31 | |
Sergeant Drake! | 0:42:38 | 0:42:39 | |
GUNSHOT | 0:42:43 | 0:42:44 | |
No! | 0:42:44 | 0:42:45 | |
HE CHOKES | 0:42:54 | 0:42:55 | |
Damn you, Silver. | 0:42:56 | 0:42:58 | |
Damn you, you stay alive. You stay alive! | 0:42:58 | 0:43:00 | |
Give it to me, you're all right. | 0:43:00 | 0:43:02 | |
Yes. You remember me? | 0:43:05 | 0:43:07 | |
You remember me, you remember my little girl, Silver? | 0:43:07 | 0:43:10 | |
You remember her also? | 0:43:10 | 0:43:13 | |
Tell me! Did she live? Do you have her? | 0:43:13 | 0:43:16 | |
Did you see her, do you have her? | 0:43:16 | 0:43:19 | |
No! | 0:43:22 | 0:43:23 | |
No! No! No! | 0:43:23 | 0:43:25 | |
No! No! No! | 0:43:25 | 0:43:27 | |
He's the only one, he's the only one, you understand? | 0:43:27 | 0:43:30 | |
He's the only one who could say, whether she lives! | 0:43:30 | 0:43:32 | |
His sister. | 0:43:32 | 0:43:34 | |
HE GASPS | 0:43:34 | 0:43:35 | |
He spoke of his sister. | 0:43:35 | 0:43:37 | |
'Jackson!' | 0:43:38 | 0:43:40 | |
Are you still on my ticket? | 0:43:40 | 0:43:41 | |
Yes, I am. | 0:43:41 | 0:43:43 | |
Then, I need you now by my side. | 0:43:43 | 0:43:44 | |
I need to know where he's been the last 48 hours. | 0:43:47 | 0:43:49 | |
You can help me. | 0:43:49 | 0:43:50 | |
He has Miss Rose under key somewhere. | 0:43:53 | 0:43:56 | |
Others also. | 0:43:56 | 0:43:57 | |
This was about him. | 0:43:59 | 0:44:00 | |
-You expect me to work like this? -Yes, I do for now. Yes! | 0:44:00 | 0:44:02 | |
Well, then get him stripped, goddamit! | 0:44:02 | 0:44:05 | |
These in his coat, they are customs dockets | 0:44:08 | 0:44:10 | |
for cargo transit aboard a ship - the Clara May. | 0:44:10 | 0:44:15 | |
Eight separate items. Large ones too. | 0:44:15 | 0:44:17 | |
-She sails in a day. -There's matter in his lungs. | 0:44:17 | 0:44:20 | |
What is it? | 0:44:20 | 0:44:22 | |
I can't say yet. | 0:44:22 | 0:44:24 | |
I need to remove the tissue, set it in wax and make a cross-section. | 0:44:24 | 0:44:27 | |
Then I can tell you. | 0:44:27 | 0:44:29 | |
HE SNIFFS | 0:44:29 | 0:44:30 | |
What's this? Smell. | 0:44:30 | 0:44:31 | |
-I have to cook it. -Cook it? | 0:44:36 | 0:44:37 | |
Yes! Cook it! Get some scissors and cut a patch. | 0:44:37 | 0:44:41 | |
And?! | 0:44:58 | 0:44:59 | |
Patience, Reid. | 0:44:59 | 0:45:00 | |
It's just a matter of minutes. | 0:45:02 | 0:45:03 | |
So, is this her? | 0:45:05 | 0:45:07 | |
-This the woman I am supposed to have slaughtered? -What if she is? | 0:45:07 | 0:45:11 | |
If I could see a way of clearing myself of this, | 0:45:24 | 0:45:28 | |
would you grant it to me? | 0:45:28 | 0:45:29 | |
-Not if it involve you leaving this room, Captain. -It does not. | 0:45:29 | 0:45:33 | |
Just tell me you ain't burned Frank Goodnight. | 0:45:33 | 0:45:36 | |
One dead Pinkerton. | 0:45:41 | 0:45:44 | |
Any man stands in my way shall find my foot on his throat! | 0:45:44 | 0:45:48 | |
The three of you. | 0:45:51 | 0:45:53 | |
I'll see you on the rope with him. | 0:45:53 | 0:45:55 | |
Enough! | 0:45:55 | 0:45:57 | |
This man is Homer Jackson, he is my surgeon! | 0:46:04 | 0:46:08 | |
I man I trust to show me to the truth, as I have always done. | 0:46:10 | 0:46:13 | |
Now, make your case, Captain. | 0:46:14 | 0:46:16 | |
Do you see any stripes here? | 0:46:19 | 0:46:21 | |
Blood drawn? | 0:46:21 | 0:46:23 | |
No. | 0:46:23 | 0:46:24 | |
This woman, dead five days. Yes? | 0:46:25 | 0:46:27 | |
Yes. | 0:46:27 | 0:46:29 | |
You see here, these two finger nails broken. | 0:46:29 | 0:46:32 | |
Skin, from her assailant. | 0:46:37 | 0:46:39 | |
Now, Inspector you will confirm | 0:46:39 | 0:46:41 | |
-that I have not yet opened this sack. -I will. | 0:46:41 | 0:46:43 | |
Frank Goodnight, the man that I shot dead out there. | 0:46:44 | 0:46:48 | |
A man with a long history of malice held in my direction. | 0:46:48 | 0:46:52 | |
What do you see? | 0:46:55 | 0:46:56 | |
Scratches. Four of them. | 0:46:56 | 0:46:59 | |
The two middle deepest. Corresponding with the broken nails. | 0:46:59 | 0:47:01 | |
Right hand to left side of neck. | 0:47:01 | 0:47:03 | |
-Circumstance. Chance. -I have not yet finished. | 0:47:03 | 0:47:05 | |
Sergeant Drake, describe me. | 0:47:05 | 0:47:08 | |
An adjective or two. | 0:47:08 | 0:47:09 | |
-American. -So you keep saying. | 0:47:10 | 0:47:13 | |
-Feckless. -Come on! Describe my appearance. | 0:47:13 | 0:47:15 | |
Unwashed. Scraggly. | 0:47:15 | 0:47:17 | |
Thank you! Frank Goodnight here was not. | 0:47:17 | 0:47:19 | |
You can smell the hair-oil on him still. | 0:47:19 | 0:47:22 | |
Macassar. | 0:47:23 | 0:47:25 | |
It was wound about her fingers. | 0:47:25 | 0:47:27 | |
Smell it. | 0:47:28 | 0:47:29 | |
HE SNIFFS | 0:47:31 | 0:47:33 | |
Strike you as familiar at all? | 0:47:33 | 0:47:35 | |
If you wish to pursue your current course of action, you be my guest. | 0:47:35 | 0:47:40 | |
You and I will be pitched apart, Fred. | 0:47:40 | 0:47:43 | |
The press will celebrate it, your name blackened, or mine. | 0:47:43 | 0:47:47 | |
But the same truth still abides. | 0:47:47 | 0:47:49 | |
This man is not the man you seek. | 0:47:49 | 0:47:51 | |
Now... | 0:47:53 | 0:47:54 | |
..will you let us get about our duty? | 0:47:55 | 0:47:57 | |
Well? | 0:48:06 | 0:48:07 | |
It's organic. | 0:48:12 | 0:48:13 | |
Lignified. | 0:48:13 | 0:48:15 | |
Could be sawdust or wood shavings. | 0:48:15 | 0:48:19 | |
In his lungs! | 0:48:19 | 0:48:20 | |
Heavily calloused. | 0:48:22 | 0:48:24 | |
What's he been building? | 0:48:24 | 0:48:25 | |
The patch from his trousers. | 0:48:25 | 0:48:27 | |
Ah, ammonia. | 0:48:30 | 0:48:32 | |
The refrigeration wadding on his ship? Is he stripping it? | 0:48:32 | 0:48:34 | |
To make his hold more inhabitable? | 0:48:34 | 0:48:36 | |
Sir, the customs dockets. eight different units. | 0:48:36 | 0:48:39 | |
He's constructing his own sea-cans. | 0:48:39 | 0:48:41 | |
Each one large enough to hold a grown woman | 0:48:41 | 0:48:43 | |
while he traffics her across to South America. | 0:48:43 | 0:48:45 | |
But it's seven weeks to the Argentine. | 0:48:45 | 0:48:47 | |
-Captain, the medicine with which he doped that girl? -Laudanum. | 0:48:47 | 0:48:49 | |
Cut with passion flower tincture. Keeps you calm and happy | 0:48:49 | 0:48:52 | |
-no matter the circumstance. -So you'd need a lot. | 0:48:52 | 0:48:54 | |
More than you'd collect from your neighbourhood druggist. | 0:48:54 | 0:48:57 | |
Sergeant, find out where his ship is at dock. | 0:48:57 | 0:48:59 | |
Get a list of all the pharmaceutical wholesalers within two miles of it. | 0:48:59 | 0:49:02 | |
Number 64! | 0:49:10 | 0:49:11 | |
Here! | 0:49:11 | 0:49:12 | |
BELL TINKERS | 0:49:16 | 0:49:18 | |
Miss Silver! If that is your name. We have your brother. | 0:49:18 | 0:49:21 | |
-Which? Victor? -There is another? | 0:49:23 | 0:49:26 | |
THEY WHISPER: She must know where these girls are kept. | 0:49:37 | 0:49:40 | |
Reid, there's a strategy that I'd like to put to you. | 0:49:40 | 0:49:44 | |
It's going to require Drake, here. | 0:49:44 | 0:49:46 | |
Go on. | 0:49:47 | 0:49:48 | |
-I would see Victor. -Would you? | 0:49:57 | 0:49:59 | |
While he is otherwise occupied, Miss Silver. | 0:50:02 | 0:50:04 | |
My company will have to do. Now. | 0:50:06 | 0:50:08 | |
This is what I know. | 0:50:08 | 0:50:10 | |
You, your brothers... | 0:50:10 | 0:50:12 | |
turn young women's loneliness to your own account. | 0:50:12 | 0:50:15 | |
You draw them in. Seduce. Drug. | 0:50:15 | 0:50:17 | |
House them in cargo cans for their shipping to South America. | 0:50:19 | 0:50:22 | |
And... | 0:50:24 | 0:50:25 | |
Well, there my knowledge finds its limit. | 0:50:26 | 0:50:30 | |
There is much lies beyond those limits, Inspector. | 0:50:30 | 0:50:33 | |
For one thing, | 0:50:33 | 0:50:35 | |
where it is you imprison your cargo before its journey? | 0:50:35 | 0:50:40 | |
For another, who it is keeps watch on them there? | 0:50:40 | 0:50:43 | |
Your other brother. | 0:50:43 | 0:50:45 | |
He indeed. | 0:50:45 | 0:50:46 | |
Barnaby. | 0:50:48 | 0:50:49 | |
If Victor and I are not returned home, | 0:50:49 | 0:50:51 | |
alone and unharmed by nightfall, | 0:50:51 | 0:50:53 | |
he will not falter. | 0:50:53 | 0:50:55 | |
He will kill them all and not think twice. | 0:50:55 | 0:50:57 | |
I, er... | 0:50:57 | 0:50:58 | |
I would avoid that. | 0:51:00 | 0:51:01 | |
As would I. | 0:51:03 | 0:51:04 | |
Then, best you tell me where it is he keeps them. | 0:51:04 | 0:51:07 | |
What did Victor say when you asked him this? | 0:51:07 | 0:51:09 | |
He remained silent. | 0:51:09 | 0:51:11 | |
Then, so shall I. | 0:51:11 | 0:51:12 | |
The child killer! | 0:51:14 | 0:51:16 | |
Get him stripped. | 0:51:16 | 0:51:17 | |
What the hell are you doing? | 0:51:20 | 0:51:22 | |
Creole trapper showed me how. | 0:51:22 | 0:51:24 | |
Never attempted it myself though. | 0:51:24 | 0:51:27 | |
May I ask how it was you found us? | 0:51:29 | 0:51:31 | |
You have a girl known to us. | 0:51:31 | 0:51:33 | |
We looked for her. | 0:51:33 | 0:51:35 | |
Which girl? | 0:51:35 | 0:51:36 | |
You tell me the ones you have taken, | 0:51:36 | 0:51:38 | |
I shall let you know when you land upon her. | 0:51:38 | 0:51:40 | |
And if you are mistaken and she is not with us? | 0:51:40 | 0:51:44 | |
Our search will continue and you and your brothers will still swing. | 0:51:44 | 0:51:47 | |
And the lives Barnaby will take. | 0:51:47 | 0:51:49 | |
Those innocent dead, | 0:51:49 | 0:51:52 | |
will they haunt you? | 0:51:52 | 0:51:54 | |
My life here. | 0:51:54 | 0:51:55 | |
The dead are something to which I have grown accustomed. | 0:51:56 | 0:51:59 | |
Innocent or blameworthy. | 0:51:59 | 0:52:01 | |
And yet, you believe one of ours known to you. | 0:52:01 | 0:52:05 | |
Perhaps I will list them for you. | 0:52:06 | 0:52:08 | |
Three serving maids, | 0:52:09 | 0:52:11 | |
we have done well from that particular constituency. | 0:52:11 | 0:52:14 | |
Two nurses. A shop girl. | 0:52:15 | 0:52:17 | |
Another, I believe, a whore seeking not to be so any longer. | 0:52:18 | 0:52:22 | |
And our last... | 0:52:22 | 0:52:24 | |
Well, she was due to be delivered this afternoon. | 0:52:25 | 0:52:28 | |
Have I named her? | 0:52:29 | 0:52:31 | |
Hmmm, Inspector? | 0:52:31 | 0:52:33 | |
Oh, there is one more. | 0:52:35 | 0:52:36 | |
You have described them all. There were but eight cargo dockets. | 0:52:36 | 0:52:39 | |
This one does not travel in the hold. | 0:52:39 | 0:52:41 | |
She is far too precious for that. | 0:52:44 | 0:52:46 | |
No, this one we keep close. | 0:52:46 | 0:52:48 | |
We nurture, Inspector. | 0:52:50 | 0:52:52 | |
For when she's grown just a few more years, | 0:52:53 | 0:52:56 | |
well, imagine the price we shall fetch for her. | 0:52:56 | 0:52:58 | |
Oh? | 0:53:00 | 0:53:01 | |
It was you. | 0:53:03 | 0:53:04 | |
The policeman on the boat that day. | 0:53:06 | 0:53:08 | |
Victor told me how you screamed for your girl... | 0:53:09 | 0:53:12 | |
You will tell me where you keep her! | 0:53:12 | 0:53:14 | |
I will not! | 0:53:14 | 0:53:15 | |
You wish to see brother Victor? | 0:53:15 | 0:53:17 | |
Come. You shall! | 0:53:17 | 0:53:18 | |
No! | 0:53:22 | 0:53:23 | |
No! You watch, you watch. | 0:53:23 | 0:53:26 | |
Where?! | 0:53:26 | 0:53:27 | |
There is not much provided in this world | 0:53:34 | 0:53:36 | |
which aids the course of justice. | 0:53:36 | 0:53:38 | |
So we take what we can, Miss Silver. | 0:53:38 | 0:53:40 | |
Do it, Sergeant! | 0:53:40 | 0:53:41 | |
No! Stop! | 0:53:41 | 0:53:42 | |
-You will tell me? -I will! -Hold your arm! | 0:53:42 | 0:53:45 | |
Victor! | 0:53:45 | 0:53:47 | |
You work well. | 0:53:50 | 0:53:52 | |
Help! | 0:53:59 | 0:54:00 | |
With me! | 0:54:01 | 0:54:02 | |
Gentle, Barnaby. | 0:54:12 | 0:54:14 | |
Where did you find her? | 0:54:48 | 0:54:50 | |
No, not from the boat. | 0:54:50 | 0:54:52 | |
Merely alone on a street corner. | 0:54:52 | 0:54:54 | |
Inspector, that day, | 0:54:56 | 0:55:00 | |
Victor reported seeing no other. | 0:55:00 | 0:55:02 | |
He said he thought it a miracle he was saved. | 0:55:05 | 0:55:08 | |
Perhaps, then, he lived on borrowed time. | 0:55:08 | 0:55:11 | |
He is dead, Miss Silver. | 0:55:12 | 0:55:14 | |
By the hand of the last girl he would have taken. | 0:55:15 | 0:55:18 | |
-Then in your cell, he...? -Another. | 0:55:18 | 0:55:20 | |
Made to look like him. | 0:55:20 | 0:55:21 | |
No! You...you deceiver. | 0:55:23 | 0:55:26 | |
No, you killer! No! | 0:55:26 | 0:55:29 | |
No! | 0:55:29 | 0:55:30 | |
SHE CRIES | 0:55:30 | 0:55:35 | |
Hello. | 0:55:46 | 0:55:47 | |
I am Mr Reid. | 0:55:49 | 0:55:51 | |
'Dear Bennet.' | 0:56:04 | 0:56:06 | |
I wish that this letter finds you well and in good health. | 0:56:06 | 0:56:10 | |
I myself continue to improve | 0:56:10 | 0:56:12 | |
under the auspices of Mrs Reid's generous charity. | 0:56:12 | 0:56:15 | |
There are many things I regret in this life, | 0:56:15 | 0:56:18 | |
but it is the way I have behaved with you that brings me most shame. | 0:56:18 | 0:56:21 | |
SHE SIGHS | 0:56:37 | 0:56:39 | |
KNOCKING ON THE DOOR | 0:56:50 | 0:56:52 | |
And this is Miss Goren. | 0:57:01 | 0:57:03 | |
You'll be safe here. | 0:57:03 | 0:57:05 | |
She is a good friend to us. | 0:57:05 | 0:57:07 | |
SHE SIGHS | 0:57:29 | 0:57:30 | |
Come on. | 0:57:30 | 0:57:31 | |
-Morning. -Morning. | 0:57:49 | 0:57:51 | |
-Sergeant. -Mr Reid. | 0:57:53 | 0:57:55 | |
Chief Inspector Abberline? | 0:57:59 | 0:58:01 | |
Notable by his absence. | 0:58:01 | 0:58:03 | |
-That man, I never knew one that needed his pipes cleaned more. -Hmmm. | 0:58:03 | 0:58:06 | |
KNOCKING ON DOOR | 0:58:06 | 0:58:07 | |
-Mr Reid, Sir. -What is it, Sergeant? | 0:58:07 | 0:58:09 | |
-Ironmongers at Nelson. -Wagstaff? | 0:58:09 | 0:58:12 | |
His creditors foreclose | 0:58:12 | 0:58:13 | |
and he has shut his doors with four of his customers inside. | 0:58:13 | 0:58:16 | |
Swears to murder them all, if the bailiffs come for him. | 0:58:16 | 0:58:19 | |
-Is he armed? -Yes, Sir. | 0:58:19 | 0:58:21 | |
Well? | 0:58:21 | 0:58:22 | |
Shall we? | 0:58:25 | 0:58:26 | |
Subtitles by Red Bee Media Ltd | 0:58:50 | 0:58:54 |