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This programme contains some scenes which some viewers may find upsetting. | 0:00:02 | 0:00:09 | |
LABOURED BREATHING | 0:00:09 | 0:00:12 | |
SHE MOANS | 0:00:15 | 0:00:16 | |
SHE GROANS | 0:00:18 | 0:00:19 | |
Argh! | 0:00:24 | 0:00:27 | |
Argh! | 0:00:31 | 0:00:33 | |
Help! | 0:00:35 | 0:00:36 | |
Get the beast out before it cleaves me in two! | 0:00:38 | 0:00:42 | |
SHE SCREAMS | 0:00:42 | 0:00:45 | |
Get your bastard hands inside me and tug the bugger free! | 0:00:48 | 0:00:52 | |
Fetch Treves. | 0:00:52 | 0:00:53 | |
Chloroform, now! | 0:00:59 | 0:01:00 | |
Which nimgimmer's this, then? | 0:01:00 | 0:01:01 | |
The one who's to cut you open, woman. | 0:01:01 | 0:01:04 | |
BABY CRIES | 0:01:16 | 0:01:19 | |
GURGLING | 0:01:28 | 0:01:30 | |
FOOTSTEPS | 0:01:35 | 0:01:37 | |
TRICKLING; SHE CRIES OUT | 0:02:01 | 0:02:04 | |
Please, sir, he's mine. I beg you! | 0:02:10 | 0:02:14 | |
Please do not take him from me! | 0:02:14 | 0:02:16 | |
SHE SCREAMS | 0:02:19 | 0:02:21 | |
Morning porter found her, at the foot of the Eastern Stair. | 0:02:23 | 0:02:26 | |
She came to you when? | 0:02:26 | 0:02:28 | |
A touch after eight this night last, | 0:02:28 | 0:02:31 | |
as I prepared my testimony for the Linklater enquiry. She was filthy. | 0:02:31 | 0:02:35 | |
Cursed like a stevedore. | 0:02:35 | 0:02:37 | |
Her son delivered by Caesar one hour later and now removed. | 0:02:37 | 0:02:42 | |
We know not where. Or by whom. | 0:02:42 | 0:02:45 | |
Whoever pushed her down that stairwell, I should think. | 0:02:45 | 0:02:48 | |
With a mother now dead, poor child, | 0:02:48 | 0:02:50 | |
vulnerable does not quite cover it, Inspector. | 0:02:50 | 0:02:52 | |
No belongings? | 0:02:52 | 0:02:53 | |
Nothing to say her name or who might miss her now? | 0:02:53 | 0:02:56 | |
None. | 0:02:56 | 0:02:57 | |
Then she goes to my American at Leman Street. | 0:02:57 | 0:03:00 | |
One last thing you should see. | 0:03:00 | 0:03:03 | |
Sergeant, help me turn her. | 0:03:06 | 0:03:08 | |
It may help identify her. | 0:03:09 | 0:03:11 | |
Oh, blimey. | 0:03:21 | 0:03:22 | |
Who's to say you are not beautiful? | 0:04:17 | 0:04:19 | |
Wilson! | 0:04:21 | 0:04:23 | |
Jedediah Shine lays his sergeant in earth this morning. | 0:04:23 | 0:04:27 | |
Needs must, our respects are paid. | 0:04:27 | 0:04:29 | |
It is yet to be stated how, precisely, | 0:04:35 | 0:04:37 | |
Sergeant Linklater met his end. | 0:04:37 | 0:04:39 | |
Granted, the iron railing that passed through him had a say. | 0:04:39 | 0:04:42 | |
But there are whisperings on the wind, Wilson, | 0:04:42 | 0:04:44 | |
our dear friend Edmund Reid may have lent a shoulder to that passing. | 0:04:44 | 0:04:48 | |
Talk of the wolf. | 0:04:49 | 0:04:51 | |
How now, Inspector? | 0:04:53 | 0:04:54 | |
Such an injury, Mr Reid. | 0:04:57 | 0:05:00 | |
It changes a man. | 0:05:01 | 0:05:02 | |
Humbles him, in fact. | 0:05:02 | 0:05:04 | |
Humble Fred Best. | 0:05:06 | 0:05:07 | |
I wonder how it is you show your faces here. | 0:05:09 | 0:05:11 | |
He was my friend. | 0:05:16 | 0:05:17 | |
And yet you are happy to remain at the side of a man | 0:05:19 | 0:05:21 | |
whose hand is suspected in that friend's own timely demise? | 0:05:21 | 0:05:25 | |
You ought to be careful, Mr Shine, making such statements. | 0:05:25 | 0:05:28 | |
How, Sergeant? | 0:05:28 | 0:05:30 | |
Fellas might ask, what's to be gained from slurring | 0:05:30 | 0:05:34 | |
the reputation of a man such as Mr Reid. | 0:05:34 | 0:05:36 | |
Yeah, indeed. | 0:05:36 | 0:05:37 | |
And that slur hides the truth. Whose? | 0:05:37 | 0:05:40 | |
Yours! Inspector. Your activities in this division. | 0:05:40 | 0:05:44 | |
Wilson! | 0:05:45 | 0:05:47 | |
You are a disgrace to badge and uniform. | 0:05:47 | 0:05:49 | |
It is your inspector here that is the disgrace, and you would slur me? | 0:05:50 | 0:05:54 | |
Then I must seek recompense. | 0:05:54 | 0:05:55 | |
Then seek it, sir! | 0:05:55 | 0:05:57 | |
Word had it you'd left the roped ring. | 0:05:57 | 0:05:59 | |
Word has it right. | 0:05:59 | 0:06:00 | |
Well, then, I confess myself relieved that you have not | 0:06:00 | 0:06:03 | |
grown entirely soft... | 0:06:03 | 0:06:07 | |
on your whore wife's perjury of love. | 0:06:07 | 0:06:09 | |
No. Not here. Not now. | 0:06:09 | 0:06:12 | |
But soon, Sergeant. Once the world has heard Mr Treves sworn testament | 0:06:12 | 0:06:19 | |
and knows Inspector Reid for the killer he is. | 0:06:19 | 0:06:23 | |
Bruising and breakage to the hip, pelvis, | 0:06:31 | 0:06:34 | |
knee and back. Her humerus, radius and ulna, however, are intact. | 0:06:34 | 0:06:39 | |
She didn't use her arms to break the fall. | 0:06:39 | 0:06:41 | |
She kept the child clutched to her chest. | 0:06:41 | 0:06:43 | |
She died to protect it. | 0:06:43 | 0:06:44 | |
A mother's instinct. | 0:06:44 | 0:06:46 | |
Gone to nothing. | 0:06:46 | 0:06:47 | |
Treves described her as filthy and abject, didn't he? | 0:06:47 | 0:06:51 | |
But I think she is beautiful. | 0:06:52 | 0:06:55 | |
And whoever cared for her thought the same. | 0:06:55 | 0:06:59 | |
Torn and distressed. However, the stitching is highly skilled... | 0:06:59 | 0:07:03 | |
These threads, stolen most likely. | 0:07:03 | 0:07:05 | |
Tell me, did she steal her skin as well? | 0:07:05 | 0:07:08 | |
See her face - zinc oxide. It keeps the skin fair. | 0:07:09 | 0:07:13 | |
Kept well for a while. | 0:07:13 | 0:07:14 | |
Oh, she was kept perfect. | 0:07:14 | 0:07:16 | |
And yet, no attempt was made to remove...that from her. | 0:07:20 | 0:07:25 | |
You think that makes her, what? Less than human? | 0:07:25 | 0:07:27 | |
We were all animals once, it is now said. | 0:07:27 | 0:07:29 | |
Some more closely related than others. | 0:07:29 | 0:07:31 | |
I would, in conscience, | 0:07:31 | 0:07:33 | |
leave off riding Sergeant Drake. He has buried a friend today. | 0:07:33 | 0:07:38 | |
Blessed though she may be, this woman was murdered | 0:07:38 | 0:07:40 | |
and her child taken. | 0:07:40 | 0:07:42 | |
This tail is a vestige. | 0:07:42 | 0:07:44 | |
It is a memento of all that we once were. | 0:07:44 | 0:07:46 | |
In water, beneath the canopy. | 0:07:48 | 0:07:49 | |
Sergeant Drake. | 0:07:51 | 0:07:52 | |
The freak shows were run off the street fronts last year, | 0:07:52 | 0:07:55 | |
but there was talk, was there not, of Tom Norman's troop splintering, | 0:07:55 | 0:07:58 | |
a faction returning from Nottingham? | 0:07:58 | 0:08:00 | |
Hidden away under the railway arches, up on Artillery. | 0:08:00 | 0:08:03 | |
Chief Inspector Abberline. | 0:08:07 | 0:08:09 | |
Inspector Reid. | 0:08:09 | 0:08:10 | |
Reinforcements. | 0:08:11 | 0:08:13 | |
He's a boy. I said... I asked... Not another boy. | 0:08:24 | 0:08:28 | |
Sergeant? You are short here. I am correct in that understanding? | 0:08:28 | 0:08:34 | |
You are. | 0:08:34 | 0:08:35 | |
He is. We are, sir. | 0:08:36 | 0:08:40 | |
You believe there to be a line outside my office, do you? | 0:08:40 | 0:08:43 | |
A battalion of gnarled veterans, each and every one of them | 0:08:43 | 0:08:47 | |
begging to bring their fight to your division? | 0:08:47 | 0:08:49 | |
Light, friend? This one. | 0:08:49 | 0:08:50 | |
Detective Constable Flight - | 0:08:50 | 0:08:53 | |
worked overtime in uniform on his own coin, his collar rate | 0:08:53 | 0:08:58 | |
in so doing sufficient to push both yours and mine into the corner. | 0:08:58 | 0:09:02 | |
In Bloomsbury, Fred. | 0:09:02 | 0:09:04 | |
And now appointed to the CID. He wishes to work here. | 0:09:04 | 0:09:08 | |
He volunteers for this sink, Edmund. For Whitechapel. | 0:09:08 | 0:09:12 | |
Inspector Reid. It is an honour. I shan't let you down, sir. | 0:09:18 | 0:09:24 | |
Easily said, Constable. Harder to prove. | 0:09:24 | 0:09:27 | |
Inspector, private word? | 0:09:28 | 0:09:30 | |
Little birdie hopped on my shoulder earlier. | 0:09:34 | 0:09:36 | |
Told me a story about a ruckus at a funeral. | 0:09:36 | 0:09:39 | |
That birdie currently sporting a tea cup for an ear? | 0:09:39 | 0:09:41 | |
Oi! You two! | 0:09:41 | 0:09:43 | |
If Drake cannot keep his spleen inside him, | 0:09:43 | 0:09:46 | |
it is up to you to provide discipline. | 0:09:46 | 0:09:49 | |
Oi! | 0:09:49 | 0:09:51 | |
Sergeant Linklater was his friend. | 0:09:51 | 0:09:54 | |
And Jedediah Shine is his superior. | 0:09:54 | 0:09:56 | |
And if that superior merits such insubordination, | 0:09:56 | 0:09:58 | |
merits worse than that, perhaps? | 0:09:58 | 0:10:00 | |
No. You leave be. | 0:10:00 | 0:10:02 | |
It's not as if your name is currently being sung from the rooftops with the acme of probity. | 0:10:02 | 0:10:08 | |
And should Treves not clear you at that inquest, so it will remain. | 0:10:08 | 0:10:12 | |
You are my friend, but, Ed - | 0:10:12 | 0:10:16 | |
you make accusations against a man of such standing without evidence. | 0:10:16 | 0:10:22 | |
No. You hear me? Inspector? Am I heard? | 0:10:22 | 0:10:29 | |
To Artillery. | 0:10:34 | 0:10:35 | |
All men of ambition need a trade to fall back on, Miss Hart. | 0:10:41 | 0:10:44 | |
A skill, which keeps both body and soul apiece | 0:10:44 | 0:10:48 | |
when the wind of fortune turns cold. | 0:10:48 | 0:10:51 | |
So I'm glad to see you're not broken by our new terms, Miss Hart. | 0:10:51 | 0:10:54 | |
You do not wish to count it? | 0:11:02 | 0:11:03 | |
We are friends. And friends do not break trust. | 0:11:03 | 0:11:07 | |
Or forget their obligations to each other. | 0:11:08 | 0:11:12 | |
Obligations which, should you need reminder, might be forgot, | 0:11:15 | 0:11:20 | |
within just one word and just one night. If you have my meaning? | 0:11:20 | 0:11:26 | |
If that will be all, Mr Duggan. | 0:11:26 | 0:11:28 | |
Oh. | 0:11:31 | 0:11:32 | |
Do send my regards to your pistol twister. | 0:11:32 | 0:11:34 | |
You must have him working those skilled fingers to the knuckle. | 0:11:34 | 0:11:38 | |
What ho! Caliban! I say! | 0:11:56 | 0:12:00 | |
Wouldst thou seek to violate the honour of my child? | 0:12:02 | 0:12:07 | |
I will rack thee, Caliban, | 0:12:07 | 0:12:12 | |
make thee roar that beasts shall tremble at thy din. | 0:12:12 | 0:12:16 | |
That's enough now, Sergeant, I think. | 0:12:30 | 0:12:33 | |
Now, now, lady. This sideshow is now shut down. | 0:12:33 | 0:12:36 | |
On what grounds? | 0:12:36 | 0:12:38 | |
On the grounds of a murder inquiry, Miss Pettigrew. | 0:12:38 | 0:12:40 | |
Murder and abduction. An infant boy taken from his murdered mother. | 0:12:40 | 0:12:45 | |
And you believe we can help you in this because? | 0:12:45 | 0:12:48 | |
She also had a blessing. | 0:12:48 | 0:12:51 | |
A protrusion at the base of her spine. | 0:12:51 | 0:12:53 | |
A tail? | 0:12:55 | 0:12:57 | |
You must mean Stella Brooks. | 0:12:57 | 0:13:00 | |
Oh, John. | 0:13:01 | 0:13:03 | |
She was found last night, Mr Goode. | 0:13:07 | 0:13:09 | |
And a child? | 0:13:09 | 0:13:10 | |
You say, her child? | 0:13:12 | 0:13:15 | |
A boy. We believe alive. | 0:13:15 | 0:13:18 | |
But taken. Oh! | 0:13:19 | 0:13:21 | |
When did you last see her, Mr Goode? | 0:13:21 | 0:13:24 | |
Almost seven months ago to the day. | 0:13:24 | 0:13:28 | |
That is precise recall. | 0:13:28 | 0:13:29 | |
I have been looking for her. | 0:13:29 | 0:13:32 | |
She was what - your lover? | 0:13:32 | 0:13:34 | |
At the hospital, she was unaccompanied? | 0:13:39 | 0:13:42 | |
Nothing upon her but the ragged clothes she wore. | 0:13:42 | 0:13:45 | |
But those clothes...once pretty. | 0:13:45 | 0:13:49 | |
She had been, at one point at least, well treated. | 0:13:49 | 0:13:51 | |
By folk with money. Here, brother. Let me give you something. | 0:13:51 | 0:13:54 | |
There is nothing for me! | 0:13:54 | 0:13:56 | |
Out the way, Haystack. | 0:14:09 | 0:14:10 | |
That man...trussed up as Caliban, with you, all last night? | 0:14:16 | 0:14:19 | |
He was. And all here will confirm it. | 0:14:19 | 0:14:22 | |
That's an impressive artifice you got there. | 0:14:24 | 0:14:26 | |
Oh, it's not artifice. It's John's gift. | 0:14:26 | 0:14:30 | |
He's impervious to pain. But not, alas, to suffering. | 0:14:31 | 0:14:36 | |
And Miss Brooks? What of her? | 0:14:36 | 0:14:39 | |
Rootless. Orphaned. Tom Norman had her displayed in a glass cabinet - | 0:14:39 | 0:14:44 | |
only her rear, mind. | 0:14:44 | 0:14:45 | |
For an extra penny, they could open the box and a man might tug on her. | 0:14:45 | 0:14:49 | |
And no family? | 0:14:49 | 0:14:50 | |
No friends other than yourselves to tell who might mean her such harm? | 0:14:50 | 0:14:54 | |
There is a friend. And he is known to you already, sir. | 0:14:54 | 0:14:58 | |
You must, Joseph. | 0:15:12 | 0:15:15 | |
You must say what you saw. | 0:15:15 | 0:15:19 | |
KNOCKING | 0:15:19 | 0:15:20 | |
Come! | 0:15:20 | 0:15:21 | |
Mr Treves. | 0:15:23 | 0:15:24 | |
How can I help you, Inspector? | 0:15:27 | 0:15:30 | |
I'd have you confirm something. | 0:15:30 | 0:15:32 | |
What of it? | 0:15:37 | 0:15:39 | |
In one week, you will stand in front of a judicial inquiry | 0:15:39 | 0:15:42 | |
and pronounce what took my sergeant from this life. | 0:15:42 | 0:15:46 | |
I would know now if you will tell precisely what it was | 0:15:46 | 0:15:49 | |
you witnessed when you came upon Edmund Reid at my man's bedside. | 0:15:49 | 0:15:54 | |
That is for me to share with none other than the coroner. | 0:15:54 | 0:15:57 | |
Good day to you. | 0:16:02 | 0:16:04 | |
Good day, Mr Merrick. | 0:16:04 | 0:16:05 | |
You are a good man, sir. | 0:16:10 | 0:16:11 | |
But you have no clue of the suffering that is meted out | 0:16:14 | 0:16:19 | |
in the Leman Street cells. | 0:16:19 | 0:16:20 | |
Suffering that | 0:16:20 | 0:16:23 | |
Inspector Reid sanctions in the name of investigation. | 0:16:23 | 0:16:27 | |
KNOCKING | 0:16:27 | 0:16:29 | |
Mr Treves? | 0:16:29 | 0:16:31 | |
J...Joseph? | 0:16:31 | 0:16:32 | |
There is a matter urgent, | 0:16:32 | 0:16:35 | |
I believe, which I would share with you. | 0:16:35 | 0:16:39 | |
Mr Merrick. I don't believe I have had the pleasure. | 0:16:39 | 0:16:41 | |
I... My... My apologies. | 0:16:46 | 0:16:50 | |
Do not disturb. | 0:16:52 | 0:16:55 | |
KNOCKING | 0:17:09 | 0:17:11 | |
HE BREATHES HEAVILY | 0:17:19 | 0:17:20 | |
Hush now. No panic, Mr M. No harm is meant here. | 0:17:20 | 0:17:26 | |
Not yet, leastwise. | 0:17:26 | 0:17:28 | |
Please, my supports... | 0:17:33 | 0:17:36 | |
I'm suffocating... | 0:17:36 | 0:17:39 | |
Upsadaisy. | 0:17:44 | 0:17:45 | |
So it is true, then? | 0:17:47 | 0:17:49 | |
You must sleep upright, like a marionette on a puppeteer's shelf? | 0:17:49 | 0:17:53 | |
This life - six bags of shit till Sunday, is it not? | 0:17:57 | 0:18:01 | |
And here am I about to make yours worse. | 0:18:01 | 0:18:03 | |
You see, it strikes me you may have laid eyes on me some place before. | 0:18:05 | 0:18:10 | |
The night my man Linklater passed? | 0:18:10 | 0:18:14 | |
No, I...I must have myself confused. | 0:18:16 | 0:18:22 | |
That is a relief. | 0:18:22 | 0:18:25 | |
Nevertheless... | 0:18:25 | 0:18:27 | |
I hope neither of us will now forget the other. | 0:18:29 | 0:18:31 | |
Forget how easy it is for me to come by and say, "How do, Mr Merrick? | 0:18:33 | 0:18:38 | |
"I do hope the day finds you well. And safe. | 0:18:38 | 0:18:42 | |
"And not inclined to say nothing you should not." | 0:18:42 | 0:18:46 | |
Are we understood, sir? | 0:18:46 | 0:18:48 | |
Sergeant Artherton, how do we find Mr Flight? | 0:19:03 | 0:19:06 | |
He is calm, sir. And quiet. | 0:19:06 | 0:19:09 | |
Which is a bonus. Mr Flight, would you agree with that assessment? | 0:19:09 | 0:19:12 | |
I would always agree with my sergeant. | 0:19:12 | 0:19:14 | |
Oh, biddable, are we? Servile, even? | 0:19:14 | 0:19:16 | |
We shall see. For now, Detective, | 0:19:16 | 0:19:18 | |
let's see how developed your archive and telegraph skills are. | 0:19:18 | 0:19:20 | |
John Goode. A common enough name and most uncommon man. | 0:19:20 | 0:19:24 | |
See what you can find. | 0:19:24 | 0:19:25 | |
I want to know why he would run from us. | 0:19:25 | 0:19:27 | |
Follow me. Up here, son. | 0:19:27 | 0:19:30 | |
Yes, sir. | 0:19:30 | 0:19:32 | |
Mr Merrick. | 0:19:38 | 0:19:40 | |
Mr Merrick... | 0:19:40 | 0:19:41 | |
Detective Inspector Reid. I'd hoped to talk with you. | 0:19:41 | 0:19:44 | |
Please. I...I am not well. | 0:19:46 | 0:19:47 | |
I have only a few questions, Mr Merrick. | 0:19:47 | 0:19:49 | |
I have said that I am unwell!! | 0:19:49 | 0:19:51 | |
Sir, sir, sir, sir, sir... | 0:19:51 | 0:19:53 | |
No! You overstep, Inspector. Or have you no respect for my wishes? | 0:19:53 | 0:19:59 | |
Of course. | 0:19:59 | 0:20:00 | |
But it is a friend of yours from the side shows... No, sir! | 0:20:00 | 0:20:02 | |
Reid! This is unconscionable! | 0:20:02 | 0:20:06 | |
You will not bring your Leman Street ways to this hospital again. | 0:20:06 | 0:20:09 | |
But... No, sir. | 0:20:09 | 0:20:12 | |
Joseph. I'm sorry, Joseph. | 0:20:18 | 0:20:19 | |
Does Mr Merrick have knowledge of her, sir? | 0:20:27 | 0:20:29 | |
If he does, he will not share it with me. | 0:20:29 | 0:20:33 | |
John Goode's books. That's some technical reading. | 0:20:34 | 0:20:38 | |
Mr Galton. Mr Galton is a cousin of Mr Darwin. | 0:20:38 | 0:20:42 | |
This, he investigates | 0:20:42 | 0:20:43 | |
if our abilities might be inherited from our parents, | 0:20:43 | 0:20:46 | |
and if we, in turn, hand on those same abilities to our children. | 0:20:46 | 0:20:51 | |
Pugilism, for example. | 0:20:51 | 0:20:53 | |
Or depravity. Quite. | 0:20:53 | 0:20:55 | |
Here, his argument evolves. He invents a term - eugenics. | 0:20:55 | 0:21:01 | |
Suggests that the qualities to which we might aspire | 0:21:01 | 0:21:03 | |
could be bred into the family line. | 0:21:03 | 0:21:06 | |
And what of the weak? | 0:21:06 | 0:21:07 | |
The weak, the idle, the ugly, the dim-witted, the mad. | 0:21:07 | 0:21:11 | |
The deformed? | 0:21:11 | 0:21:13 | |
They are to be bred out. | 0:21:13 | 0:21:15 | |
Take a seat, Detective. | 0:21:24 | 0:21:25 | |
Drink, Flight? | 0:21:29 | 0:21:30 | |
My thanks. No. | 0:21:30 | 0:21:32 | |
A Mick that doesn't take a sip, uh? | 0:21:32 | 0:21:34 | |
And a unicorn stopped traffic on the East India Dock Road. | 0:21:34 | 0:21:37 | |
What do you have, Flight? | 0:21:37 | 0:21:39 | |
John Goode, sir. | 0:21:39 | 0:21:40 | |
Sit down. Not so hard to dig out. | 0:21:40 | 0:21:42 | |
The man has history here, recent, but history nonetheless. | 0:21:42 | 0:21:45 | |
Fines for drunken brawling, mainly. | 0:21:45 | 0:21:47 | |
Ropemakers, The Trinity - that's low-rent boozing, even round here. | 0:21:49 | 0:21:52 | |
The first we know of him here. He and a woman breaking the peace, | 0:21:52 | 0:21:54 | |
assaulting one another in the street. | 0:21:54 | 0:21:56 | |
And see her name, Mr Reid... | 0:21:56 | 0:21:58 | |
Stella Brooks. | 0:22:00 | 0:22:02 | |
Nothing before, not a sneeze, and then September 22nd, this. | 0:22:02 | 0:22:06 | |
Almost precisely seven months past. When she leaves him. | 0:22:06 | 0:22:08 | |
And his behaviour degenerating in her absence. | 0:22:08 | 0:22:11 | |
And this the reason for her leaving? | 0:22:11 | 0:22:12 | |
Did she drop on him the news that she carried his child? | 0:22:12 | 0:22:15 | |
He didn't exactly rejoice. | 0:22:15 | 0:22:16 | |
They fight. She leaves. And he hunts her. | 0:22:16 | 0:22:18 | |
He hunts her down the same streets. | 0:22:18 | 0:22:21 | |
Here - more arrests for vagrancy, drunkeness. | 0:22:21 | 0:22:25 | |
Ropemakers, Trinity, Thomas Street. There's pattern to his behaviour. | 0:22:25 | 0:22:29 | |
And so, I thought, Inspector, | 0:22:29 | 0:22:32 | |
if I took a turn through those streets myself, | 0:22:32 | 0:22:34 | |
I might build an understanding of him, may indeed pick up his trail. | 0:22:34 | 0:22:38 | |
Then go. | 0:22:41 | 0:22:43 | |
Flight - Drake goes with you. | 0:22:43 | 0:22:45 | |
I'm sure Mrs Drake expects the sergeant. | 0:22:45 | 0:22:47 | |
He's right. She does. Take Drake or you're scrubbing latrines. | 0:22:47 | 0:22:50 | |
Nursemaid, is it? | 0:22:52 | 0:22:54 | |
Just watch him. | 0:22:54 | 0:22:55 | |
You know, Drake or no Drake - | 0:22:57 | 0:22:59 | |
this place is going to shit in his shoes one day or the next. | 0:22:59 | 0:23:02 | |
He ain't Hobbs. | 0:23:02 | 0:23:03 | |
He ain't. | 0:23:05 | 0:23:07 | |
Will you eat, Captain? | 0:23:09 | 0:23:11 | |
Sorry, Reid. I got, er, I got dinner with the lady tonight. | 0:23:11 | 0:23:14 | |
Oh, of course, of course, of course. | 0:23:14 | 0:23:16 | |
The challenge we face, therefore, those of us who rightly | 0:23:24 | 0:23:28 | |
refuse to accept the biological status of our species, | 0:23:28 | 0:23:32 | |
is how the debilities and handicaps | 0:23:32 | 0:23:36 | |
that impair our existence might be corrected for our heirs. | 0:23:36 | 0:23:43 | |
What is called for, I believe, is courage, the courage and conviction. | 0:23:43 | 0:23:49 | |
Systematically, to experiment upon the whole process of breeding. | 0:23:50 | 0:23:56 | |
But not amongst Sativa or Crustacea. | 0:23:56 | 0:23:59 | |
On complex organisms... | 0:24:00 | 0:24:03 | |
organisms more like ourselves, in fact. | 0:24:03 | 0:24:07 | |
The correction and improvement of humankind is indeed realisable. | 0:24:20 | 0:24:28 | |
Thank you. | 0:24:28 | 0:24:29 | |
APPLAUSE | 0:24:29 | 0:24:31 | |
I say? | 0:24:31 | 0:24:32 | |
Hello, there? | 0:24:32 | 0:24:34 | |
I say, this wing is research fellows only. | 0:24:34 | 0:24:38 | |
Do I know you? | 0:24:38 | 0:24:40 | |
Oi! Get back here. | 0:24:40 | 0:24:43 | |
Three separate occasions, he was ejected for brawling. | 0:24:49 | 0:24:53 | |
Only two of us in that doss-house. We get cornered. | 0:24:54 | 0:24:57 | |
It's a long fight out. | 0:24:57 | 0:24:59 | |
Should we be so frightened, Sergeant? | 0:24:59 | 0:25:01 | |
Come then, Constable. I shall show you. | 0:25:03 | 0:25:07 | |
Pretty, ain't it? | 0:25:17 | 0:25:19 | |
John Goode? | 0:25:20 | 0:25:22 | |
I seek a John Goode. | 0:25:26 | 0:25:28 | |
How does one find a man in such a place? | 0:25:29 | 0:25:31 | |
They are not men no more. You may not tell 'em apart. | 0:25:33 | 0:25:36 | |
Come. Our luck is already chanced. | 0:25:43 | 0:25:45 | |
John Goode? Oi! | 0:25:47 | 0:25:49 | |
Do you bob from me? | 0:25:51 | 0:25:53 | |
Police. Get back. | 0:25:53 | 0:25:55 | |
Pigs! Bloody fool! Pigs in the pen. | 0:25:55 | 0:25:59 | |
Back off! | 0:25:59 | 0:26:00 | |
Back! Back off! Run! | 0:26:05 | 0:26:11 | |
Clever fellow, ain't ya? | 0:26:11 | 0:26:13 | |
Tough bugger, ain't you? | 0:26:30 | 0:26:34 | |
Right, Detective Constable, run along now. | 0:26:35 | 0:26:39 | |
Is there no-one at home waits for you, Albert? | 0:26:39 | 0:26:41 | |
Not currently, Mrs Drake. | 0:26:41 | 0:26:43 | |
You should call me Bella. | 0:26:43 | 0:26:44 | |
You should call her Mrs Drake. | 0:26:44 | 0:26:47 | |
I lay my head at Mrs Burton's lodging house on Commercial Street. | 0:26:47 | 0:26:51 | |
Once I am settled, I shall find more permanent accommodation. | 0:26:51 | 0:26:54 | |
Well, head you home and get your rest. | 0:26:54 | 0:26:57 | |
Rest, Mrs Drake? | 0:26:57 | 0:26:59 | |
Not this night. Villainy does not rest. | 0:26:59 | 0:27:02 | |
I do not intend to either. My thanks, Mrs Drake. Sergeant. | 0:27:02 | 0:27:05 | |
Where did you come from? | 0:27:08 | 0:27:10 | |
Over the hills and far away. | 0:27:10 | 0:27:12 | |
What's stopping us? Life ain't work. | 0:27:15 | 0:27:18 | |
Cairo, you and me. | 0:27:19 | 0:27:20 | |
Your sergeant's salary stretches this far, does it? No. | 0:27:22 | 0:27:24 | |
We're going to take what we've made here, we're going to cash in... | 0:27:24 | 0:27:27 | |
And what has been made here, save the names Long Susan | 0:27:27 | 0:27:30 | |
and Captain Jackson? C'mon, I see the bills you count. | 0:27:30 | 0:27:32 | |
I see the numbers you scratched in, in that ledger. | 0:27:32 | 0:27:34 | |
Yes, but once counted, you do not see where those bills leave to. | 0:27:34 | 0:27:38 | |
Nothing here is yours. Nothing here is mine. | 0:27:41 | 0:27:46 | |
Then whose? | 0:27:50 | 0:27:52 | |
Three years - you never asked. Never cared. | 0:27:56 | 0:28:00 | |
Hey, you're the one that wanted to play business-lady | 0:28:00 | 0:28:02 | |
and now I'm asking. | 0:28:02 | 0:28:03 | |
Whose is it? | 0:28:06 | 0:28:08 | |
Whose?! | 0:28:13 | 0:28:14 | |
Silas Duggan. | 0:28:17 | 0:28:19 | |
'..businesswoman who gives all the profits away to somebody else, | 0:28:19 | 0:28:24 | |
'I wonder why I didn't think of that!?' | 0:28:24 | 0:28:26 | |
I swear to God, you... | 0:28:26 | 0:28:28 | |
are as dead in the head as this slab of meat! | 0:28:28 | 0:28:30 | |
How could you be so god damn reckless? | 0:28:32 | 0:28:34 | |
So, so, so, so god damn... What?! What?! | 0:28:34 | 0:28:36 | |
..irresponsible!? From you! | 0:28:36 | 0:28:38 | |
I mean it. I had a right to know. | 0:28:38 | 0:28:40 | |
You have no rights, save the ones you took, for gratis, | 0:28:40 | 0:28:45 | |
each and every night, in my view and hearing. | 0:28:45 | 0:28:48 | |
Things were different then. | 0:28:48 | 0:28:49 | |
No. The same. | 0:28:49 | 0:28:52 | |
And the same reality prevails. This place - its people and profits. | 0:28:52 | 0:28:59 | |
The property of...Silas Duggan. | 0:28:59 | 0:29:02 | |
We were destitute, wanted, criminal. | 0:29:04 | 0:29:10 | |
Not what you would call a sound investment. Duggan took the chance. | 0:29:12 | 0:29:18 | |
No. What he took was our lives, Susan. Ground rent plus 50% income. | 0:29:18 | 0:29:25 | |
Any more, Mr Shine? | 0:29:33 | 0:29:35 | |
Sufficient, I think, Mr Duggan. | 0:29:35 | 0:29:38 | |
Barton, good of you to come when summoned. | 0:29:41 | 0:29:45 | |
I wait on your orders, Inspector, you know that. | 0:29:45 | 0:29:48 | |
Nothing like loyalty, is there, Mr Duggan? | 0:29:48 | 0:29:51 | |
Oh, nothing in the world, Mr Shine. | 0:29:51 | 0:29:54 | |
I'm relieving you of your everyday duties, Barton, | 0:29:54 | 0:29:56 | |
send you to some surveillance. | 0:29:56 | 0:29:58 | |
Because as we know, elephants do not forget. | 0:29:59 | 0:30:02 | |
Inspector Reid! | 0:30:12 | 0:30:14 | |
I will not stand. | 0:30:14 | 0:30:15 | |
Mr Merrick. I am well known to you and I mean no harm. | 0:30:15 | 0:30:18 | |
I come only to enquire after a friend to you - Stella. | 0:30:18 | 0:30:21 | |
Stella Brooks, delivered of her child | 0:30:21 | 0:30:24 | |
just hours before she...met her death here, sir, on these corridors. | 0:30:24 | 0:30:29 | |
HE CRIES | 0:30:31 | 0:30:34 | |
When was it you last saw her? | 0:30:41 | 0:30:44 | |
September. L...last year. | 0:30:44 | 0:30:47 | |
After they had fought and she had left him? Yes. | 0:30:47 | 0:30:51 | |
And can you say, was it on account of her pregnancy? | 0:30:51 | 0:30:55 | |
She said she could not forgive him. | 0:30:55 | 0:30:59 | |
Because he struck her? | 0:30:59 | 0:31:01 | |
No - she could not forgive him | 0:31:01 | 0:31:03 | |
for...for the rage he felt at the child inside her. | 0:31:03 | 0:31:08 | |
Did she say where it was she meant to go? | 0:31:10 | 0:31:15 | |
To John's father - a doctor. | 0:31:15 | 0:31:17 | |
And did Goode know this? | 0:31:17 | 0:31:19 | |
John had for ever kept his family a secret from her, his true name also. | 0:31:19 | 0:31:25 | |
The father, a man of wealth, well able to care for her | 0:31:25 | 0:31:28 | |
and her child - did she mention a name? | 0:31:28 | 0:31:30 | |
No, she did not, Mr Reid. I cannot help you further, I... | 0:31:32 | 0:31:39 | |
Mr Merrick, your help in this matter... | 0:31:39 | 0:31:42 | |
..it is invaluable. | 0:31:43 | 0:31:45 | |
Been like this all night, they have. 'Your ingratitude is dazzling!' | 0:32:01 | 0:32:04 | |
Oh, so I'm supposed to be grateful for this slave status, huh? | 0:32:04 | 0:32:07 | |
Oh, good morning, Reid. | 0:32:07 | 0:32:09 | |
And, er, what is it that brings you by? | 0:32:09 | 0:32:11 | |
There's insight I'd share with you. | 0:32:11 | 0:32:13 | |
So you didn't come for your shirts then? | 0:32:13 | 0:32:16 | |
Oh, come on - you truly believe I cannot tell | 0:32:16 | 0:32:19 | |
when another man's shirts are laundered in my own house? | 0:32:19 | 0:32:21 | |
Although given your head, you would not have it so | 0:32:21 | 0:32:23 | |
a great deal longer now, would you? | 0:32:23 | 0:32:26 | |
What? You will not tell your friend and accomplice? Then allow me. | 0:32:26 | 0:32:32 | |
Your mercenary hireling has designs on a change of location. | 0:32:32 | 0:32:37 | |
Wishes to up and leave you, Inspector. | 0:32:37 | 0:32:39 | |
Come on, don't be such a baby, Reid. | 0:32:39 | 0:32:41 | |
You think this is the garden spot of the world? | 0:32:43 | 0:32:45 | |
My one ambition to remain here, chained to you? | 0:32:45 | 0:32:48 | |
Anyway - it's not like I'll be sailing away any time soon! | 0:32:48 | 0:32:51 | |
You know, this brooding martyr thing you perfect - it can really grate. | 0:32:52 | 0:32:57 | |
John Goode. Not his real name. | 0:32:57 | 0:32:59 | |
What of him? | 0:33:01 | 0:33:03 | |
A rich man's son, finding fellowship in a freak show. | 0:33:03 | 0:33:06 | |
We must ask why. The thing with the poker. | 0:33:06 | 0:33:08 | |
It's a skill, not a handicap. But the palsy... | 0:33:08 | 0:33:10 | |
The tremor in him. So whilst I still may make use of it, | 0:33:10 | 0:33:12 | |
set your great medical mind to that, will you? | 0:33:12 | 0:33:15 | |
Detective Constable Flight. | 0:33:22 | 0:33:24 | |
Mr Reid. | 0:33:24 | 0:33:25 | |
In the future, you will do Sergeant Drake the service | 0:33:25 | 0:33:27 | |
of knowing what is best for you. Will you not? | 0:33:27 | 0:33:31 | |
I will, sir. | 0:33:31 | 0:33:32 | |
Now, speak. | 0:33:32 | 0:33:34 | |
John Goode has been incarcerated - not in gaol, however. | 0:33:34 | 0:33:38 | |
Two spells at The Lark House Asylum. | 0:33:38 | 0:33:40 | |
Can you speculate as to which physician? | 0:33:40 | 0:33:44 | |
Karl Crabbe. | 0:33:44 | 0:33:45 | |
The very same. | 0:33:45 | 0:33:46 | |
What tricks did he play on Mr Goode, I wonder? | 0:33:46 | 0:33:49 | |
Inspector Reid. | 0:34:12 | 0:34:14 | |
A pleasing interruption to an otherwise dull year. | 0:34:14 | 0:34:18 | |
I forget. | 0:34:28 | 0:34:30 | |
Oh, really, Inspector? In the current mood? | 0:34:33 | 0:34:37 | |
My mind advances, but my frame is frail. | 0:34:37 | 0:34:41 | |
How would your newly sullied reputation cope | 0:34:41 | 0:34:43 | |
with another interview concluding in a man's death? | 0:34:43 | 0:34:47 | |
Gossip, Reid. It's a fact of prison life. | 0:34:47 | 0:34:50 | |
Were I to tell you the life of an infant boy | 0:34:53 | 0:34:55 | |
depended on your speaking, might that make impact? | 0:34:55 | 0:34:58 | |
Not really. | 0:34:59 | 0:35:00 | |
Then what, Doctor? | 0:35:00 | 0:35:02 | |
There is a tale told, Inspector. | 0:35:06 | 0:35:09 | |
The guards here tell it. Of your wife. | 0:35:09 | 0:35:13 | |
Rending herself in the Leman Street gutter. | 0:35:14 | 0:35:17 | |
Sergeant Drake has heard the tale too, I see. | 0:35:18 | 0:35:21 | |
How difficult for you all. | 0:35:21 | 0:35:24 | |
What is it you want? | 0:35:24 | 0:35:25 | |
To hear it from you, Reid. The man who brought me so low. | 0:35:25 | 0:35:30 | |
Sergeant Drake. | 0:35:34 | 0:35:35 | |
Sir? Leave us. | 0:35:35 | 0:35:37 | |
But... You heard, Sergeant. | 0:35:37 | 0:35:39 | |
Captain Jackson found her. In The Bear. | 0:36:00 | 0:36:03 | |
Barely dressed, it is said. Demanding drink. | 0:36:03 | 0:36:07 | |
He attempted to remove her. She would not be removed. | 0:36:07 | 0:36:13 | |
And so he carried her. | 0:36:13 | 0:36:15 | |
Which is when she screamed. | 0:36:15 | 0:36:17 | |
In the street. You tended to her? | 0:36:17 | 0:36:20 | |
I did. | 0:36:20 | 0:36:22 | |
Your sergeant, all others to bear witness? | 0:36:22 | 0:36:25 | |
And no man to ask you why? | 0:36:28 | 0:36:30 | |
Why such hysteria grew in her. | 0:36:30 | 0:36:32 | |
What cruelty could possibly merit so public a humiliation? | 0:36:35 | 0:36:41 | |
What did you do to her, Inspector? | 0:36:46 | 0:36:48 | |
I... | 0:36:53 | 0:36:55 | |
..I lied. | 0:36:57 | 0:36:59 | |
Lied, you say? | 0:37:00 | 0:37:02 | |
On what subject? | 0:37:04 | 0:37:06 | |
Damn you! | 0:37:07 | 0:37:08 | |
I offered her unfair hope and I deceived her. | 0:37:18 | 0:37:21 | |
I gave her false cause to believe our lost daughter alive. | 0:37:23 | 0:37:27 | |
And I took another woman to my bed. | 0:37:27 | 0:37:29 | |
Do you know, Inspector, of all the emotions, | 0:37:36 | 0:37:38 | |
which is the most insidious and entrapping? | 0:37:38 | 0:37:41 | |
Shame. | 0:37:44 | 0:37:45 | |
It carves its home in the marrow of your bones | 0:37:47 | 0:37:52 | |
and rests there for all time. | 0:37:52 | 0:37:55 | |
Where can I find him? This John Goode. | 0:38:16 | 0:38:19 | |
Whatever he is truly called. My secrets for his. | 0:38:19 | 0:38:23 | |
A name I cannot give you. | 0:38:26 | 0:38:27 | |
But there is a father, a doctor, as you know. | 0:38:28 | 0:38:31 | |
And there was a brother. | 0:38:31 | 0:38:32 | |
Both boys subjected to a regime, a physical regime akin, | 0:38:32 | 0:38:36 | |
you might say, to torture. | 0:38:36 | 0:38:38 | |
Feats of strength insisted upon. | 0:38:38 | 0:38:40 | |
Their bodies stretched from an early age, beaten with sticks, | 0:38:40 | 0:38:43 | |
bent double. But to what end, however? | 0:38:43 | 0:38:44 | |
He could never articulate it with precision. | 0:38:44 | 0:38:47 | |
Only that he and his brother shared a curse. | 0:38:47 | 0:38:51 | |
A curse that killed the boys' mother. A curse of the blood. | 0:38:51 | 0:38:55 | |
And what of the brother? | 0:38:55 | 0:38:57 | |
Drowned himself one morning, beneath the waters of the Serpentine. | 0:38:57 | 0:39:02 | |
The child you fear for, | 0:39:03 | 0:39:06 | |
if it is Goode's, he will think it similarly cursed. | 0:39:06 | 0:39:10 | |
A curse of the blood, as Dr Crabbe would have it, Goode's palsy, | 0:39:23 | 0:39:27 | |
the premature death of his mother. | 0:39:27 | 0:39:29 | |
An inherited handicap. | 0:39:29 | 0:39:30 | |
Yes, and so - the medical mind? | 0:39:30 | 0:39:33 | |
Huntington's Chorea! Huntington's Chorea. Slow death sentence, Reid. | 0:39:35 | 0:39:40 | |
What? | 0:39:40 | 0:39:42 | |
The piecemeal loss of all that makes you feel human. | 0:39:42 | 0:39:45 | |
If either or both of the parents manifest signs of the disease, | 0:39:45 | 0:39:50 | |
one or more of the offspring will invariably suffer also. | 0:39:50 | 0:39:53 | |
If, however, those children manage to go through life | 0:39:53 | 0:39:56 | |
and never manifest, the thread is broken. | 0:39:56 | 0:39:59 | |
The reason why, then, | 0:39:59 | 0:40:00 | |
this doctor father sought to make his sons impervious? | 0:40:00 | 0:40:03 | |
To breed out the mutation. | 0:40:03 | 0:40:05 | |
What, then, would he have made of Miss Brooks' tail? | 0:40:05 | 0:40:08 | |
Perhaps he did not get sight of it. Not for a good while. | 0:40:08 | 0:40:11 | |
He enjoyed her beauty, until he claps eyes on her behind. | 0:40:11 | 0:40:13 | |
His disgust sending her to the streets. | 0:40:13 | 0:40:16 | |
Until... Until he wonders at his grandson, | 0:40:16 | 0:40:19 | |
at what manner of man he might become. | 0:40:19 | 0:40:21 | |
And goes to reclaim him. | 0:40:21 | 0:40:23 | |
Five, sir. Five men drowned in the Serpentine that year. | 0:40:55 | 0:40:59 | |
Corcoran. Robert Corcoran, age 25. | 0:40:59 | 0:41:03 | |
There is a zoologist named Corcoran. | 0:41:03 | 0:41:07 | |
He's a... He's a research fellow | 0:41:07 | 0:41:09 | |
at the Natural History extension of the British Museum. | 0:41:09 | 0:41:12 | |
He concerns himself almost exclusively with the practical | 0:41:12 | 0:41:16 | |
development of theories first pronounced by Jean-Baptiste Lamarck. | 0:41:16 | 0:41:20 | |
The biological inheritance of acquired characteristics. | 0:41:20 | 0:41:23 | |
Our children, Flight. The strength and skills acquired in this life, | 0:41:23 | 0:41:26 | |
so he proposes, may be handed down to those who must live the next. | 0:41:26 | 0:41:30 | |
Corcoran is Goode's father, Corcoran has the child. | 0:41:30 | 0:41:33 | |
Sergeant Drake, a hansom. We are for South Kensington. | 0:41:33 | 0:41:35 | |
Sir, should I...? | 0:41:35 | 0:41:37 | |
Big boy's game now, son. | 0:41:39 | 0:41:41 | |
GURGLING | 0:41:52 | 0:41:53 | |
Mr, take your mask off. | 0:42:13 | 0:42:16 | |
Go on, take your mask off. | 0:42:16 | 0:42:19 | |
JEERING AND SHOUTING | 0:42:19 | 0:42:22 | |
ALL SHOUT | 0:42:39 | 0:42:41 | |
Back! All of you! Back! | 0:42:51 | 0:42:54 | |
Sir. Here, sir. With me. | 0:42:56 | 0:43:00 | |
What is wrong with you? | 0:43:03 | 0:43:06 | |
This man is your fellow! You would stone him?! | 0:43:06 | 0:43:09 | |
You call him monster?! | 0:43:09 | 0:43:11 | |
Hm? Look on your own sins! | 0:43:11 | 0:43:14 | |
Sir, what is it that's brought you here? | 0:43:16 | 0:43:19 | |
Inspector Reid. | 0:43:19 | 0:43:21 | |
I...I would speak with him. | 0:43:21 | 0:43:26 | |
I...I believe it urgent. | 0:43:26 | 0:43:28 | |
The Inspector pursues a case. | 0:43:28 | 0:43:30 | |
But I might bring you to him, sir. | 0:43:30 | 0:43:33 | |
Driver! Step to it. | 0:43:40 | 0:43:42 | |
Alexander. | 0:43:57 | 0:43:59 | |
Hello, Papa. | 0:43:59 | 0:44:00 | |
Is he well? | 0:44:04 | 0:44:05 | |
He is fed and begins to thrive. | 0:44:05 | 0:44:09 | |
And the future? Is his blood cursed? | 0:44:09 | 0:44:13 | |
Well, the science is not yet exact. | 0:44:13 | 0:44:16 | |
But the work we performed, you and I, your strength, Alexander... | 0:44:16 | 0:44:21 | |
My strength, my strength to absorb your pain. | 0:44:21 | 0:44:27 | |
I made you strong | 0:44:27 | 0:44:29 | |
so that our descendants might not suffer your curse. | 0:44:29 | 0:44:32 | |
I have hope for this boy. | 0:44:32 | 0:44:34 | |
But none for myself. | 0:44:39 | 0:44:41 | |
Not then, not now. | 0:44:43 | 0:44:44 | |
No. | 0:44:46 | 0:44:47 | |
His mother, Stella. The day she came to you. | 0:44:50 | 0:44:57 | |
You must have rejoiced at her? So fine, so strong. | 0:44:57 | 0:45:02 | |
What happened? Did you finally have full sight of her? | 0:45:02 | 0:45:09 | |
That thing. | 0:45:09 | 0:45:11 | |
We are not so backward as a race | 0:45:11 | 0:45:13 | |
that she could not have had it removed. | 0:45:13 | 0:45:15 | |
But do you not see, Father? | 0:45:15 | 0:45:18 | |
She had the most fortunate gift of all. | 0:45:18 | 0:45:21 | |
She felt no shame for who she was. | 0:45:23 | 0:45:28 | |
And you killed her. | 0:45:30 | 0:45:32 | |
She would not hand him to me. | 0:45:32 | 0:45:35 | |
Slipped. Had she only understood what was best for the child... | 0:45:35 | 0:45:41 | |
Best for him! What is best for him? | 0:45:41 | 0:45:45 | |
That he suffer witnessing your everyday revolution of hope | 0:45:45 | 0:45:50 | |
and despair at his progress? | 0:45:50 | 0:45:52 | |
Or lack of it? Is that his future? | 0:45:52 | 0:45:55 | |
No. | 0:45:56 | 0:45:57 | |
Best he never knows you. | 0:45:57 | 0:45:59 | |
Or me. Or himself. | 0:46:01 | 0:46:04 | |
Alexander, you hand that boy back to me! | 0:46:04 | 0:46:08 | |
I am too well-conditioned, Father. | 0:46:10 | 0:46:13 | |
Alexander, stop! | 0:46:16 | 0:46:18 | |
Alexander! Stop! | 0:46:18 | 0:46:21 | |
Stop! | 0:46:22 | 0:46:24 | |
Alexander, do not hurt that child! | 0:46:30 | 0:46:32 | |
Alexander! | 0:46:36 | 0:46:39 | |
William Corcoran? Where is the child? | 0:46:44 | 0:46:46 | |
You are for jail, sir. Murder and abduction. | 0:46:46 | 0:46:49 | |
I care not for myself, officer. | 0:46:49 | 0:46:51 | |
No! Wait! Mr Goode, wait! | 0:46:54 | 0:46:57 | |
Back! Back, stay back! | 0:46:57 | 0:47:00 | |
Mr Goode. I beg you, I beg you. Think what you are doing. | 0:47:00 | 0:47:04 | |
I know all too well. | 0:47:04 | 0:47:07 | |
I seek only to reduce | 0:47:07 | 0:47:10 | |
the amount of suffering in this world. We are cursed! | 0:47:10 | 0:47:13 | |
But sir, I beg you. The child's fate cannot yet be known. | 0:47:13 | 0:47:17 | |
BABY CRIES | 0:47:17 | 0:47:19 | |
Please, John! Listen to him! | 0:47:25 | 0:47:28 | |
Joseph? | 0:47:30 | 0:47:31 | |
Mr Reid is known to me, John. | 0:47:31 | 0:47:34 | |
I...I...I...I trust in him, would...would help him. | 0:47:34 | 0:47:39 | |
Would...would help you. | 0:47:39 | 0:47:41 | |
No-one can help, Joseph. My brother knew that. | 0:47:47 | 0:47:52 | |
But what of Stella's wishes for her child? | 0:47:52 | 0:47:56 | |
She is gone, Joseph, and this child and I, we are left with this truth. | 0:47:56 | 0:48:04 | |
And what is that? That there is no hope for you? | 0:48:04 | 0:48:09 | |
There is a monster in him. | 0:48:09 | 0:48:12 | |
As surely as there is one in me. | 0:48:12 | 0:48:16 | |
John, look at me. Do it. | 0:48:25 | 0:48:29 | |
Do it! | 0:48:29 | 0:48:30 | |
Am I not monstrous? | 0:48:35 | 0:48:38 | |
It is the truth of my every waking moment. | 0:48:41 | 0:48:45 | |
And yet, despite all, I feel joy. | 0:48:45 | 0:48:51 | |
No, I do, I do! | 0:48:51 | 0:48:53 | |
I hear the bells ring from my room, the chatter of the nurses. | 0:48:53 | 0:48:59 | |
Once, beyond my window, | 0:49:00 | 0:49:04 | |
I...I watched one of their number make love to the night porter. | 0:49:04 | 0:49:11 | |
I...I...I have never known that, John. | 0:49:12 | 0:49:18 | |
The...the secret intimacy of a woman, | 0:49:18 | 0:49:22 | |
that might have told me I was...desired. | 0:49:22 | 0:49:28 | |
Beautiful in another's eyes. | 0:49:29 | 0:49:33 | |
You, you have known that, John. | 0:49:33 | 0:49:35 | |
Do...do you remember it? | 0:49:36 | 0:49:40 | |
I do. | 0:49:40 | 0:49:42 | |
And what does it feel like? | 0:49:42 | 0:49:45 | |
It felt like peace. | 0:49:45 | 0:49:47 | |
Would you deny your son that peace, that...that joy? | 0:49:49 | 0:49:57 | |
That...that hope? | 0:49:57 | 0:49:59 | |
It is life, John. | 0:50:02 | 0:50:05 | |
Only life. | 0:50:07 | 0:50:08 | |
What you hold in your arms. | 0:50:10 | 0:50:13 | |
For ever and always, Mr Merrick, I shall remember you for this. | 0:50:40 | 0:50:46 | |
He is my friend. You would do no less, Mr Reid. | 0:50:46 | 0:50:53 | |
You put all above yourself. I know that of you, sir. | 0:50:53 | 0:50:58 | |
You are the best of men. | 0:50:58 | 0:51:01 | |
It is no happy accident I came to you today. | 0:51:01 | 0:51:05 | |
I...I know not what the result of this will be, | 0:51:07 | 0:51:11 | |
but there is knowledge I must share with you. | 0:51:11 | 0:51:15 | |
I...I...I should have said before, long before, but you see, | 0:51:15 | 0:51:21 | |
I...I saw him. | 0:51:21 | 0:51:23 | |
I...I saw Inspector Shine murder Sergeant Linklater. | 0:51:23 | 0:51:30 | |
Detective Constable Flight! | 0:51:34 | 0:51:36 | |
You will escort Mr Merrick back to his rooms at The London. | 0:51:36 | 0:51:39 | |
You remain outside his door, and allow no man access | 0:51:39 | 0:51:42 | |
unless it is myself. | 0:51:42 | 0:51:43 | |
Yes, sir. Please, Mr Merrick. Allow me. | 0:51:43 | 0:51:46 | |
With me, Sergeant. | 0:51:54 | 0:51:55 | |
We must bring Chief Inspector Abberline here | 0:51:55 | 0:51:58 | |
to hear Mr Merrick's testimony. | 0:51:58 | 0:51:59 | |
How do, Mr Merrick. | 0:53:11 | 0:53:13 | |
Why the long face? | 0:53:17 | 0:53:19 | |
Could not do as you were bid, could you? | 0:53:21 | 0:53:26 | |
Are you not the brave and noble fellow | 0:53:26 | 0:53:33 | |
and I quite the contrary? | 0:53:33 | 0:53:37 | |
Forced to make a habit of stealing through these corridors | 0:53:38 | 0:53:44 | |
to end another man's life. | 0:53:44 | 0:53:48 | |
I might almost resent you for it. | 0:53:50 | 0:53:53 | |
No, no. | 0:54:10 | 0:54:13 | |
Please, please... | 0:54:13 | 0:54:18 | |
What will men say? | 0:54:20 | 0:54:22 | |
The Elephant Man hoped to lay down in rest... | 0:54:24 | 0:54:30 | |
..like any other Englishman. | 0:54:35 | 0:54:38 | |
A forlorn and now tragic hope. | 0:54:46 | 0:54:53 | |
He must have lain back. To rest his head. | 0:56:04 | 0:56:07 | |
Oh, Joseph. | 0:56:10 | 0:56:11 | |
You have your peace now. | 0:56:12 | 0:56:14 | |
What is this? | 0:56:42 | 0:56:44 | |
You may well ask. | 0:56:44 | 0:56:45 | |
I have, this past hour, | 0:56:45 | 0:56:48 | |
come from the grieving fireside of Frederick Treves. | 0:56:48 | 0:56:53 | |
He is decided on what the Linklater jury shall now hear from him. | 0:56:53 | 0:56:57 | |
Your sergeant succumbed to his injuries, Jedediah. | 0:56:59 | 0:57:03 | |
I will not accept that, Fred. | 0:57:03 | 0:57:05 | |
Myself likewise, Chief Inspector. | 0:57:05 | 0:57:07 | |
Nonetheless, you shall both do so. | 0:57:07 | 0:57:10 | |
There will be no more talk of this officer and his role that night. | 0:57:12 | 0:57:18 | |
And you, Edmund. | 0:57:18 | 0:57:21 | |
You will cease all questioning | 0:57:21 | 0:57:23 | |
and suspicion of Inspector Shine's good name. | 0:57:23 | 0:57:27 | |
You ask the impossible. | 0:57:27 | 0:57:29 | |
You ask me to wilfully fail in my duty. | 0:57:29 | 0:57:32 | |
You are both too valuable | 0:57:32 | 0:57:34 | |
to the preservation of peace in this quarter. | 0:57:34 | 0:57:37 | |
And I will not have that undermined. | 0:57:37 | 0:57:40 | |
The two of you. | 0:57:43 | 0:57:46 | |
You shake hands. | 0:57:46 | 0:57:48 | |
Now! | 0:57:59 | 0:58:00 | |
I take orders from a man to come here. | 0:58:10 | 0:58:13 | |
I service the needs of another I call husband. | 0:58:13 | 0:58:15 | |
And there is the man Duggan who owns me. | 0:58:15 | 0:58:18 | |
Reid, I swear to God if anything happens to her... | 0:58:18 | 0:58:20 | |
What is it you fear? What is it you fear? | 0:58:20 | 0:58:22 | |
Subtitles by Red Bee Media Ltd | 0:58:39 | 0:58:42 |