Become Man Ripper Street


Become Man

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# Eight little whores With no hope of heaven

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# Gladstone may save one Then there'll be seven

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# Seven little whores all beggin' for a shilling,

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# One stays in Heneage Court Then there's a killing

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# Six little whores All glad to be alive... #

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Jack, rip em good and proper!

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# ..One sidles up to Jack

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# Then there are five... #

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Something to wet your lips, gentlemen?

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You see? A den of iniquity.

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I shall have it closed by the end of the week! Right as ever, Walter.

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Prig. I'll see to him.

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So, what d'you make of it?

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We're waiting for the entertainment, Rose.

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# ..Raise a hue and cry Then there's one less... #

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I'll be on that stage before long.

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Jack's girls started on the floor, same as me.

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All's I need is to catch an eye or two,

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a rich man to be snared and stand as my patron.

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Well, then, your success is assured.

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Thank you, Miss Susan.

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# ..Four and whore rhyme aright

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# So do three and me... #

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WOMAN SCREAMS

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Music hall. It's the opium of the masses

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and me and you are here for a dose of it. We come to support Rose.

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And I thought a change of scenery might improve your mood.

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Let's be having ya.

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# ..I'll set the town alight 'ere there are two!

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You can't hide from Jack.

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# Two little whores All shivering with fright

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# Seek a cosy doorway in the middle of the night

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# Jack's knife flashes...

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# Then there is but one... # Come 'ere! Let Jack look after ya.

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# And the last one is the ripest

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# For Jack's idea of fun, fun, fun, fun, fun... #

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Walter?

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Walter!

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Help! Help! Over here, something's happened.

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Help! My friend, he's, he's disappeared!

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Sir Walter De Souza. London City Council.

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Man of influence and authority. And known foe of the music halls.

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And now snatched from within one such.

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He will scorn them the bitterer now. Ah, Blewett!

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Inspector! We are grateful for your alacrity in this matter.

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I would shake the hand of the great Inspector Reid.

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Enemies we may be in the fictive world -

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but I hope I may call you friend, sir.

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What?

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You play at Ripper?

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Whilst you profit!

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Come, Inspector. We are artists.

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And artists must hold a mirror to the world they see.

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You will see my cell and my Sergeant's fists

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beating out a confession as to how you conspired to abduct

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a city councillor from your own theatre of vice.

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No, sir.

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Here you see his friend.

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We care for him.

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Mr Pembury, who was at Mr De Souza's side throughout.

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Good evening to you, sir. Will you tell us what has happened?

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Sergeant Drake!

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Yes, he, he was here... Miss Rose. Beside me.

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The lights went black. There was a disturbance.

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The lights returned. He'd vanished.

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Blewett - this darkness, is it part of the act?

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Indeed. Indispensable.

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And your workers stage and serving - all accounted for?

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Inspector. If I may, I don't see Ettie Leigh, servant girl.

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And the last time you saw her, man?

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I...my apologies. I only pay proper heed to the girls I...slit, sir.

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Excuse me, Sergeant. Ettie told me she'd see to the toff.

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You, Rose. As a serving girl, you know the routine?

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Like clockwork, Mr Reid.

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And the lights are dimmed for how long?

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Perhaps 15 seconds.

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So to exploit it, one would need similar knowledge. Ettie Leigh?

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We will find Sir Walter, Mr Pembury. But your...

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your own injuries, sir. The blood is not his own, Inspector.

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Your lackey pronounces it so.

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Reid.

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Take in an entertainment, do we?

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Entertainment's a broad term, Inspector.

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See, we have blood leading back through the stage door.

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Regular smeared intervals.

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Your boy Flight rootles around out there already.

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Knocked cold and dragged out.

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I've scoured the laneway, sir.

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What do you observe?

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Wheel tracks, sir.

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Carriage or cart? From the width of the rim, I would say a cart.

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COUGHS

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What is it, Constable?

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Er, it is excrement. Human, I believe.

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A night-soil cart? These streets are piped for sewerage.

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It was an artful escape. Everyone would have avoided them.

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Flight, throw your light over here.

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Cigarette ends where an accomplice must have waited.

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Tobacco's damp. I'll dry it out. See what brand was smoked.

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Flight, the night-soil men of London. Their numbers dwindle.

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Find all those whose collections pass nearby. Sir.

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Weed. It's Datura Stramonium - Jimson weed.

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Leaf of the Solanaceae family, found courtesy of my American brothers.

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Gypsies use it as an analgesic.

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And I believe it's being delivered in a new brand of cigarette,

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a brand aimed squarely at the ladies.

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'Joy cigarettes afford relief in cases of asthma and wheezing

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'and with a little perseverance, effect a permanent cure.'

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A cigarette for women?

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Inspector, sir, I've the night-soil man collected for you.

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Sergeant Artherton complained about the odour.

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I thought it best, however, not to leave him outdoors.

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Mr Urwin, sir.

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SHOUTING OUTSIDE

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Mr Urwin, a man has been snatched from Blewett's music hall.

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Your cart used for his removal.

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No, sir. Myself, my cart - we are blameless, I swear it.

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You shall speak, sir, if you have affection for yourself.

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My cart...it were thieved, two nights back.

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How was it thieved, Mr Urwin?

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There was many of them, sir. I fought hard as I could.

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But they prevailed, in time.

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Vicious, they were. Fierce, like lions.

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They were...women,

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were they not, Sir Urwin?

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This the reason for your reticent shame?

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It is, Mr Reid.

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It is a crew of women we hunt, Sergeant.

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Oh believe me, Mr Artherton. When he hears what I have to share with him,

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he will be glad. Do you know, Mr Best,

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I keep a list of what might provoke such emotion in the Inspector.

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Indeed? Mmm.

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Various painful deaths befalling your good self feature frequently.

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Quite the charmer, are you not, Sergeant?

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I do try, Mr Best.

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Oh, now I feel the late hour.

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Flight, put an alert out for this man's cart.

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Find its resting place, we find De Souza.

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What's that? Was that Mr De Souza?

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How uncanny, Mr Reid.

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I received a letter from that very man just two hours ago,

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so I have come visiting to give you prior knowledge of tomorrow's paper.

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"I, Sir Walter De Souza, renounce any opposition

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"to my fellow LCC member Miss Cobden and her works".

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The original?

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How I am your friend, Mr Reid.

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Mr Best. I wonder, have you ever met Mr Urwin?

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I have not had the pleasure, sir.

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But I am an admirer of your work.

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Mr Urwin is perhaps the last remaining night-soil man

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of this parish.

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Good evening to you, inspector.

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Hop it, Jimmy.

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We must assume his female captors to have forced this retraction

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of his opposition to Miss Cobden. A Miss in the London County Council?

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How this city continues to evolve.

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It's a novelty, yes, but her reputation grows.

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Over 2,000 votes collected in '89.

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Yet more side with her now.

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What exactly is this opposition

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they seek to end with this declaration of De Souza's?

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De Souza has never hidden his bile from Cobden,

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or indeed any woman that seeks office.

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The first time she voted in the LCC, February this year,

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he served her with a writ. Blocked her right to do so again.

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And there is more. If he wins his court case,

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her actions will be prosecuted as illegal.

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Drake, send word to Cobden's office.

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In the meantime, any and all we have on the woman.

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You weren't being kind, about the music hall?

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Come, Rose - you know I am not that.

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Who'd have thought it, though.

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A man snatched,

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the police arriving...

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Sergeant Drake.

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He seem his self to you?

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Happy?

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Bella meets a need.

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A need you would not.

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You mistake my meaning, Miss Susan.

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I wish the pair a, a happy union - the happiest.

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KNOCK AT DOOR Come in.

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Forgive me intruding. My night's takings here for counting.

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Rose, meet Ida, newest to our home here.

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But fastest to our gentlemen's hearts already.

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Well, I should leave you to your business.

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I would not get in the way of Miss Susan's profits.

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WHISPERS: I'm proud of you, girl.

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Your new thoroughbred?

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Not near so sleek and lovely as you, darling.

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Captain.

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HE CLEARS THROAT

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Captain. One for you, two for me

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and 20 for the barber, Silas Duggan.

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Would you leave us, please? Yes, Miss Susan.

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You think it wise to air your weary gripes in front of that girl?

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I just think she should know who she's working for.

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So says the police stooge.

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Yeah, at least it's honest coin. No! That's an honest pittance.

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That does nothing - NOTHING -

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to address our currently calamitous situation.

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Oh, yeah, and whose fault is that current calamitous situation, Susan?

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Hmm?

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Who was it did the goddamn deal with Duggan, huh?

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Was it me?

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There you are, sir. Thank you.

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You are not yet due, madam. Should I be flattered?

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No. I come with a business proposition.

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Indeed. Tenter Street is a concern that makes money. Good money.

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I'm aware of this. Then take it. Buy it from me.

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But it's already mine.

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The premises are yours, but the business is mine.

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There would be no outlay for you, other than a fee for my discharge -

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on which you and I might agree, and which may provide for

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my husband and myself to remove ourselves from this quarter.

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It is a good and generous offer, Duggan.

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It's true, the house was a pigpen when I gave you tenancy of it.

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That house, that income may now be entirely yours.

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It will be mine - in due course.

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Only should I fail to make payment.

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Oh...

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but you will fail, one month or the next.

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Duggan, please.

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I have made you money. Much money.

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Now...

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I beg you, free me.

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But Madam, you may with ease be free. You have always known this.

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Come - is an act from which, as you say, you have readily profited,

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yet will not perform yourself.

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Some might call that hypocrisy.

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BELL JINGLES AND DOOR CLOSES

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HAWKER: Fresh bread, baked this morning!

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There are places nearby where you can get a hot meals and a cold drink.

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Thank you, Miss. God bless you.

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Turkish, sir. Ground with a burr-mill,

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sugared and blended and akin to tar.

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My thanks, Artherton. I just saw the damnedest thing.

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This woman I just passed in the street.

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No, scratch that, she was not a woman.

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Uh-huh. She was a goddess, Reid,

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to make even a heathen like you believe.

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What are we to make of this, Sergeant?

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Another blend for the American, I imagine.

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You should have seen her, she had gentle eyes, perfect face.

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And the body that one imagines under the... Yes. Thank you, Captain.

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Oh, no, please... Do continue on, sir.

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I apologise, Councillor Cobden.

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He is American and therefore lacking in manners and propriety.

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Well, then, we shall get along famously.

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Inspector Reid, I take it?

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You cannot think me a suspect in Sir Walter's disappearance?

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I was with my political agent.

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He can act as my witness if my word is not good enough for you.

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No, it is not you, but your supporters we are interested in.

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For once, the papers bear no lies.

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We believe a gang of women did act in your name in snatching De Souza.

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Do you know an Ettie Lee?

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No. Did you incite any woman to action against De Souza?

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To do so would be self murder. How so?

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Sir Walter's capture looks set to ruin me. The court case approaches.

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If he is not found, is not safe,

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I will have lost before I have even begun.

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I made a promise to my voters, Inspector.

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I want to see it through.

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And yet they would darken your name with this criminal act.

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Do not think the irony lost on me.

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Tell me, what kind of woman supports you. What unites them?

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That they work. Or they have work stolen from them.

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That they are mistreated by the men who employ them,

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ignored, dismissed without due cause,

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spoken over, used for carnal pursuits, dispossessed.

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The ill-used women of this city could number an army.

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They start with a gang.

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Tell me, do you keep record of those who seek assistance from you?

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It makes me feel quite the dullard, but yes.

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Then I would have you share it with me, Councillor.

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Will you have them sent over?

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So, I am to be deputised to you?

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I...

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What's this? "Do I qualify for badge and warrant card now?"

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You men. Fast eyes through these, if you please.

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We search for women with both heavy grievance

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and frequent communication with Miss Cobden.

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Let's get to it, Sergeant. Sir.

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WHISPERING

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Both men asked for Miss Ida.

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Said they would pay over and above.

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DOOR CLOSES

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Good evening to you, sir. Madam.

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Miss Ida. Thrice in one week.

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We are flattered.

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Ida, show your gentleman to your room. Yes, Miss Susan.

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GIGGLING

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That man has had my very best.

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First Rose, then Bella,

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and neither could lay claim to such regular loyalty.

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Along with you, girl. See to refreshments.

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GLASS SHATTERING

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Charity!

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Charity, fetch a broom. Yes, Miss Susan.

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Ida, why are you not with your gentleman?

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The gent has particular tastes, Miss Susan.

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You wish me to accommodate, do you not?

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No. I would speak with him myself.

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I do not allow all and every behaviour under my roof.

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Please, Miss. I made sure to charge extra.

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Who are you?

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What have you done?

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CLATTERING

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FOOTSTEPS

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DOOR SHUTS

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HORSE AND CART DRAW OFF

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Help! Help, sir!

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Please, help!

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What is it girl? Miss Susan. Tenter Street,

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she's been taken.

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Perkins! Fetch Jackson!

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Where?

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Where? Ida's room.

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Miss Charity...

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What's happened to Miss Susan? Go!

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Look, this is her earring.

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Won by myself at dice.

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Charity, what did you see here? What happened?

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Miss Susan...taken, sir.

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I gathered that, girl, but by who, goddamit?

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Which of these sons of bitches...?

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Jackson, will you just give the girl some peace?

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What's this, Sergeant? Another mewling tart for you to defend?

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Captain, Captain, gather yourself. Look...

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I do not know any man who would spirit a woman away

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into the night without first taking his clothes.

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See here? Violence used to take whoever lay here.

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Now...

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who was it entertained here, girl?

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Miss Ida, sir. Our new girl.

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And she is here?

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No. Disappeared also, sir.

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Calm, now, who did you see?

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I was in the parlour.

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A brick came through the window there when I was sweeping up.

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But...

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I saw them.

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The man and Miss Susan carried between them.

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Stowed aboard a cart of some kind, sir.

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But Ida herself was not so mistreated.

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No, Captain Jackson.

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She walked alongside.

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Similar method, is it not?

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Like De Souza and the girl Ettie who worked there.

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The brick, through the window, a distraction also,

0:22:120:22:15

as with the blackout at Blewett's. The same means of escape.

0:22:150:22:18

The same gang of women, must be? And Susan just got in their way.

0:22:180:22:21

Look, there's some dirt here.

0:22:240:22:26

This man - the client - this man is the target, the purpose.

0:22:260:22:30

His name, Charity?

0:22:300:22:32

We all look to our own, sir.

0:22:320:22:34

His face is known to me, but...his name is not.

0:22:340:22:37

But others have known him in the past.

0:22:390:22:41

Miss Rose and, er...Mrs Drake.

0:22:440:22:47

We must have them both interviewed. If you would, er...

0:22:500:22:54

permit me to interview your wife, Sergeant.

0:22:540:22:56

You... Wait! Forgive me, Miss Susan. No harm was meant to come your way.

0:23:210:23:26

She wakes then?

0:23:260:23:28

I would have audience with you myself. Raine, my name.

0:23:280:23:32

I knew I liked the measure of you, first I had eyes on you.

0:23:490:23:52

Now, all the more.

0:23:520:23:54

Do not force me to make you prisoner.

0:24:000:24:03

Friend is much more to my liking. Friend?!

0:24:030:24:05

I am attacked in my house, abducted, and brought to this hovel.

0:24:050:24:09

My girls.

0:24:090:24:11

If any one of them are harmed, I shall slice you lip to tip.

0:24:110:24:16

Your premises was all that was required.

0:24:160:24:18

Premises! My business! Now ruined. Word will spread.

0:24:180:24:22

Which man will now trust in the security of my house?

0:24:220:24:25

You do not need such as Ely.

0:24:270:24:31

His deeds are evil, as is the man.

0:24:310:24:35

You think I have no knowledge of evil men?

0:24:350:24:37

Or care either which way for their deeds?

0:24:370:24:39

You care for this, then?

0:24:390:24:41

Mags.

0:24:410:24:42

Ely the cause.

0:24:570:24:58

He might as well have done it to her himself.

0:24:580:25:01

Come...

0:25:070:25:08

Mrs Drake. Good morning. My many thanks.

0:25:250:25:29

Study each item in turn.

0:25:300:25:32

If we can establish the identity of the client,

0:25:320:25:34

it may help us discover Miss Hart's whereabouts.

0:25:340:25:37

I set eyes on that bitch Ida, I'll smash her teeth through her jaw.

0:25:370:25:40

Shined.

0:25:470:25:48

Regular like.

0:25:480:25:50

Gutteridge?

0:25:510:25:52

Liked to see his face in his toecap.

0:25:560:25:58

But he were a big man... and this boot too small.

0:25:590:26:02

Hitchley?

0:26:070:26:09

Liked to smoke throughout, did he not?

0:26:120:26:14

Eridge.

0:26:190:26:21

Remember?

0:26:210:26:22

Haughty.

0:26:220:26:23

Always wished to, you know, finish...

0:26:230:26:26

..not inside as such.

0:26:280:26:29

Said we was all riddled.

0:26:310:26:33

Mrs Drake?

0:26:360:26:37

No. See the embroidery.

0:26:370:26:40

Eridge wasn't the kind for flowers.

0:26:400:26:43

Ely.

0:26:440:26:45

Ely.

0:26:450:26:47

Cruel.

0:26:470:26:48

Thomas Ely.

0:26:480:26:50

His home? His work?

0:26:500:26:52

Lawyerman.

0:26:520:26:53

My dear Bella, you are brave. You do know that, don't ya?

0:26:550:26:59

I shall see you tonight, husband.

0:27:010:27:03

Rose.

0:27:070:27:08

Mrs Drake.

0:27:080:27:09

Sergeant. Miss Rose.

0:27:120:27:14

We have a politician, a lawyer.

0:27:190:27:21

Men of influence snatched unsuspecting from their daily pursuits

0:27:210:27:25

by a gang of women, one of whose number may be planted

0:27:250:27:27

amongst those activities.

0:27:270:27:29

We may not assume De Souza their first.

0:27:290:27:31

So we must search the city's crimes for one similar.

0:27:310:27:34

One which may show us where this plotting began. Artherton, Jackson,

0:27:340:27:37

he studies the soil stamped into the Tenter Street carpeting, does he not?

0:27:370:27:40

He pursues it still, sir. Delicate work.

0:27:400:27:43

Very well. Sergeant, you are with me.

0:27:430:27:45

Ah, we have another, sir.

0:27:490:27:51

Two weeks back. C Division.

0:27:510:27:53

A gentleman snatched from his lunchtime stroll

0:27:530:27:55

through a department store.

0:27:550:27:57

A fire set off, their distraction - a dresser girl, their insider,

0:27:570:27:59

she also then disappeared.

0:27:590:28:01

Cullington. His work?

0:28:010:28:02

Yes, sir. Factory foreman.

0:28:020:28:04

Not quite a lawyer or a politician.

0:28:040:28:06

No. Which factory?

0:28:060:28:07

The Covent Garden shoe-makers.

0:28:070:28:10

Before that, however... What?

0:28:100:28:12

..the match factory at Bow.

0:28:120:28:14

Cullington left after the strike in '88.

0:28:140:28:16

The match-girls strike. Quite so, sir.

0:28:160:28:19

During the picket, Cullington acted as barrier

0:28:190:28:21

between the women and the owners.

0:28:210:28:23

After the settlement,

0:28:230:28:24

it was felt he no longer had the support of the workforce. The match-girls.

0:28:240:28:27

The match-girls. Show me a group of women more ill used than the match-girls.

0:28:270:28:32

Miss Cobden.

0:28:320:28:34

Miss Cobden, she is committed to those girls.

0:28:340:28:38

To answering their grievances, even though their strike is now past.

0:28:380:28:43

Phossy jaw! Necrosis of the jawbone.

0:28:450:28:47

The phosphorous from the yellow-tipped matches

0:28:470:28:50

converts into biphosphonates - these laid down in the bone

0:28:500:28:53

to then eat it away. Abscesses lead to brain inflammation, then mutism.

0:28:530:28:57

Then death. The Jimson in those smokes.

0:28:570:28:59

Taken for pain relief.

0:28:590:29:01

Deputations from match-girls.

0:29:010:29:02

Here, "They have been trying to get the poor girls to say

0:29:020:29:05

"that it is all lies and has been printed and trying to make us

0:29:050:29:08

"sign papers that it's all lies."

0:29:080:29:10

Papers. Legal papers. Ely, the lawyer.

0:29:100:29:13

Papers prepared by him, perhaps?

0:29:130:29:14

That is the means by which the strike was laid to rest, sir.

0:29:140:29:17

The girls were manipulated into silence, promised improvements in their conditions.

0:29:170:29:21

But these improvements so scant that Miss Cobden, others like her,

0:29:210:29:24

some of the girls even too, refused to accept this change in provision.

0:29:240:29:27

And here is De Souza all set to bring Miss Cobden to heel and silence her.

0:29:270:29:30

Cullington - the foreman who refused to hear their complaints,

0:29:300:29:33

Ely to serve legal writ,

0:29:330:29:34

De Souza to silence their champion. Sergeant, travel to Bow.

0:29:340:29:38

Find that factory manager,

0:29:380:29:40

hang him by his ankles over one of his dipping vats and have from him

0:29:400:29:43

the roll of girls that refused to accept his scant settlement.

0:29:430:29:47

Sir.

0:29:470:29:49

We are nearing the root and reason of this.

0:29:490:29:52

Flight, fetch me coffee.

0:29:520:29:53

Go on.

0:29:550:29:56

DOOR OPENS

0:30:280:30:30

Raine!

0:30:310:30:34

What game is this, young lady?!

0:30:340:30:36

Hide and seek.

0:30:370:30:39

GIRLS GIGGLE

0:30:400:30:42

See?

0:30:430:30:46

You are not alone in wishing your girls a better measure of living.

0:30:460:30:50

Here, they feel part of a family.

0:30:520:30:54

They are thieves.

0:30:560:30:57

What is this improved life you promise?

0:31:000:31:03

One lived behind bars?

0:31:030:31:05

One of freedom...compassion.

0:31:050:31:09

These girls have been

0:31:100:31:12

saved from slavery and disease and given a place...

0:31:120:31:15

..a voice.

0:31:170:31:19

I insist on everything that was never insisted upon for me.

0:31:190:31:23

Education of the self, control of the self, respect of the self.

0:31:230:31:30

Rebuilding what was ruined.

0:31:300:31:33

Here they are turned to no-one's account but their own. You!

0:31:330:31:38

You would have them spread-legging your service

0:31:380:31:41

and pocket your 60%.

0:31:410:31:43

My girls are treated better than any.

0:31:440:31:47

In my care they are tended to when sick, have as much security

0:31:470:31:50

as might be afforded them anywhere in this world!

0:31:500:31:53

And who profits?

0:31:530:31:54

It is my business.

0:31:560:31:58

You think yourself a woman liberated and independent.

0:31:580:32:02

I do.

0:32:020:32:04

And what of the men who leave your house loose and sated?

0:32:040:32:08

Do you think on them and what they have enjoyed

0:32:080:32:11

so that you can proclaim your liberation?

0:32:110:32:14

SHE SCOFFS

0:32:190:32:21

Come with me.

0:32:210:32:23

DOOR OPENS

0:32:230:32:25

I've been wounded.

0:32:280:32:30

There was a letter-knife in the bedroom.

0:32:300:32:33

Ely used it.

0:32:340:32:35

A needle and thread, there.

0:32:380:32:40

You will oblige me?

0:32:420:32:43

I am not one of your mulish girls.

0:32:430:32:45

But I cannot ask one of my girls.

0:32:460:32:49

I am their leader.

0:32:520:32:53

They may not see me so...mortal.

0:32:540:32:57

Perhaps you understand?

0:33:000:33:01

Your hand is steady.

0:33:200:33:22

SHE GROANS

0:33:280:33:29

SHE GASPS

0:33:320:33:34

You wonder at my scars.

0:33:360:33:37

First was a carriage.

0:33:400:33:41

Same...

0:33:440:33:45

one that took my mother from this world.

0:33:450:33:51

Left me with nothing but my infant sister,

0:33:510:33:54

Ma held in her arms.

0:33:540:33:56

The rest - must a woman explain how she came by such...

0:33:560:34:01

stripes?

0:34:010:34:02

By the hands of men.

0:34:060:34:07

Your sister. Is she still amongst you?

0:34:100:34:12

She is not.

0:34:130:34:14

She helped build this, however.

0:34:170:34:20

This kingdom of ours.

0:34:240:34:25

You've made all this.

0:34:290:34:30

You started with nothing.

0:34:320:34:34

I started with everything, and yet nothing is my own.

0:34:350:34:38

Not such the independent woman, then?

0:34:390:34:42

No.

0:34:440:34:45

Many's the woman who has come down here...

0:34:470:34:50

..and had her vision of the world changed.

0:34:530:34:56

What will it take to change your vision of the world?

0:34:580:35:00

These men you have taken.

0:35:020:35:05

The revenge you seek.

0:35:050:35:07

Everything your sister and yourself have built up -

0:35:070:35:10

it will drive it into the dirt.

0:35:100:35:12

How dare you speak of her?

0:35:210:35:22

What do you know of her?!

0:35:260:35:30

I didn't mean...

0:35:310:35:32

Or me. Of what we do here!

0:35:320:35:35

SHE CHOKES You - a woman that runs whores!

0:35:350:35:39

No. I will not brook any more from you!

0:35:400:35:44

Mags!

0:35:440:35:45

You have no wish to be our friend?

0:35:450:35:48

I shall use you for another purpose.

0:35:480:35:51

May I introduce Sir Walter De Souza?

0:35:520:35:56

Mr Thomas Ely, you already know.

0:35:560:35:58

And Mr Henry Cullington.

0:35:580:36:00

Raine, what are you doing?

0:36:020:36:04

WHIMPERING

0:36:040:36:05

Raine, stop, please! Please!

0:36:080:36:11

No, Raine please, I beg you, think of what you do!

0:36:140:36:16

MUFFLED FRANTIC WHIMPERING

0:36:160:36:18

MUFFLED SCREAMING

0:36:220:36:24

The world will hear us now.

0:36:300:36:32

What will they make of you?

0:36:440:36:46

For surely a day will come when not only one woman -

0:36:460:36:49

but hundreds will take their fully-enfranchised position

0:36:490:36:54

among you and none shall remark on it

0:36:540:36:56

as anything more than the everyday heartbeat of political life.

0:36:560:37:01

Bluntly, sirs - if you are for progress, then you are for me!

0:37:010:37:06

Forgive the intrusion, it is born only out of necessity.

0:37:060:37:11

Sir Walter?

0:37:110:37:13

I'm afraid not, but we are close.

0:37:130:37:14

Here, madam - it is a list of all the women from the match factory

0:37:140:37:18

who refused settlement for their grievances.

0:37:180:37:20

The match-girls? Mmm.

0:37:200:37:22

You believe they are responsible for the man's abduction?

0:37:220:37:25

And not just the one man, miss.

0:37:250:37:26

Please. The names on the list, do any seem familiar to you?

0:37:260:37:29

Here, Agnes Thornell.

0:37:310:37:33

She came to me with her head and shoulders

0:37:340:37:36

entirely obscured with black lace - mourning weeds.

0:37:360:37:39

My thanks. We will find her.

0:37:390:37:41

You will not succeed, Inspector.

0:37:410:37:43

The poor woman died of her phossy jaw.

0:37:430:37:45

HE GASPS Her visits to you, was she alone?

0:37:450:37:49

No. She led a faction. She and another firebrand.

0:37:490:37:55

Well, after Agnes died, I never saw her again.

0:37:550:37:57

But I always fancied a familial closeness.

0:37:590:38:02

Familial?

0:38:020:38:04

Ah, here, another Thornell. Raine. Raine Thornell.

0:38:040:38:09

Thank you again, Miss Cobden, good evening.

0:38:090:38:12

Raine Thornell...

0:38:140:38:15

Nothing. Not a single record.

0:38:150:38:17

The wit and resilience to evade the law at every turn.

0:38:170:38:19

Miss Susan! I have word for you, Inspector.

0:38:210:38:24

Jackson? We have sent for him, sir.

0:38:270:38:29

Sit down. I'll get you a drink.

0:38:290:38:31

Jesus! Susan!

0:38:360:38:37

What did they do to you, darling?

0:38:380:38:40

Captain, a moment. These are from separate men?

0:38:400:38:43

Not now, Reid. Captain.

0:38:430:38:44

Three right-handed index fingers. Cut through

0:38:450:38:48

the digital artery...

0:38:480:38:51

There is word. "Have the woman Hart carry this bag

0:38:510:38:54

"filled with the ransom of 500 guineas compensation

0:38:540:38:57

"to Petticoat Lane, tomorrow at four o'clock in the afternoon.

0:38:570:39:00

"If neither, she, nor the bag, nor the money are there,

0:39:000:39:02

"Masters Cullington, de Souza and Ely will die."

0:39:020:39:06

Where are they hid, Miss Hart?

0:39:060:39:08

My eyes were bound. I have no idea.

0:39:110:39:13

You have no clue?!

0:39:130:39:15

Hey - she answered you already, Reid.

0:39:150:39:17

Let me fix you up.

0:39:170:39:18

500 guineas. The notion of De Souza's imminent death

0:39:430:39:46

oiled the wheels somewhat.

0:39:460:39:48

Along with my word to the Commissioner that it would not

0:39:480:39:51

leave my sight. This division does not bow to ransom demands.

0:39:510:39:54

But we may allow ourselves the pretence of doing so.

0:39:540:39:56

And how exactly do you intend to hand it off?

0:39:560:39:58

As was requested.

0:39:580:40:00

Absolutely not! Goddamn it!

0:40:000:40:01

She's not going anywhere except home.

0:40:010:40:02

Does he speak for you?

0:40:040:40:06

He has never yet.

0:40:060:40:07

No. Well...?

0:40:090:40:10

I shall do it.

0:40:120:40:13

What the hell are you doing? You call me his stooge!

0:40:150:40:17

Why are you doing this for him?!

0:40:170:40:18

I am not doing it for him. I do it for them.

0:40:180:40:22

Those girls.

0:40:220:40:24

Because perhaps this way they might find a way through this

0:40:240:40:26

that does not involve a man and a rope.

0:40:260:40:28

Ourselves and the Captain, we will be hidden in plain sight,

0:40:320:40:36

alert to your safety.

0:40:360:40:37

You will hand the bag to Raine and then you will turn about

0:40:370:40:40

and you will leave. And then we shall follow her to wherever it is

0:40:400:40:44

they hide and only then, strike.

0:40:440:40:47

Retrieve both cash and captives.

0:40:470:40:49

If those men are alive, those women will avoid the hangman.

0:40:500:40:53

You have my word.

0:40:530:40:54

SHOUTING AND CHATTERING

0:40:580:41:00

You ARE a dutiful girl.

0:42:020:42:04

Raine, whatever your plan, be wise, think again.

0:42:160:42:19

The police will take you.

0:42:190:42:21

You're guilty of kidnap, ransom - your girls all of them complicit.

0:42:210:42:25

Please, I would not see you all hang.

0:42:250:42:27

You would do better to have a little faith in womankind.

0:42:270:42:32

SHE CHUCKLES QUIETLY

0:43:510:43:52

Wait! Get off me! Get off me! You, stay there. You, stay there!

0:44:100:44:13

BACKGROUND CHATTER OF STALL-HOLDERS AND CUSTOMERS

0:44:220:44:25

HUBBUB OF MIXED VOICES

0:44:300:44:33

You did not call out to the police.

0:45:050:45:07

I did not.

0:45:080:45:10

I would help you and yours.

0:45:100:45:12

Plenty enough girls to look to.

0:45:120:45:15

I do not require another.

0:45:150:45:17

But I come as your equal - your friend, not your charge.

0:45:170:45:22

Why would you want my life?

0:45:220:45:24

Because perhaps now, I see beneath the surface of my life.

0:45:240:45:29

I take orders from a man to come here.

0:45:310:45:34

I service the needs of another I call husband.

0:45:340:45:37

And yet there is another still...

0:45:370:45:38

a man - Duggan - who owns me.

0:45:400:45:42

No other soul have I shared this with.

0:45:440:45:47

He seeks to trade my debt for my flesh.

0:45:470:45:51

Whatever comes to pass...

0:45:540:45:56

..you must swear it to yourself,

0:45:590:46:00

that you will not cave in to this animal's demands.

0:46:000:46:03

The first time changes you...

0:46:050:46:07

for ever. I would not want that for you.

0:46:070:46:11

DOOR BANGS

0:46:130:46:15

Reid, I swear to God, if anything happens to her...

0:46:150:46:17

I swear! But what is it you fear?

0:46:170:46:18

You saw the pair, same as I, close in congress.

0:46:180:46:21

And what exactly is your point?

0:46:210:46:23

That too much of this story still remains a mystery.

0:46:230:46:25

One that you might still have a hand in unravelling.

0:46:250:46:27

Now muzzle your temper, Captain. Return to your laboratory.

0:46:270:46:31

That soil may yet lead us to her.

0:46:310:46:32

Forgive us, Councillor, we are somewhat pressed.

0:46:370:46:40

As I can see, Inspector. I merely wish to let you know

0:46:400:46:43

that the woman Raine,

0:46:430:46:45

I've a clue as to where she might call home.

0:46:450:46:47

Her sister, Agnes,

0:46:470:46:49

I was not the first advocate she sought out.

0:46:490:46:51

She spoke bitterly of her home parish

0:46:510:46:52

where she might have expected succour but received none.

0:46:520:46:55

St John at Hackney, Inspector.

0:46:550:46:57

Bow matchworks and surrounds.

0:47:230:47:26

St John at Hackney. Thanks to Miss Cobden, our search narrows.

0:47:280:47:32

There are women located in this section.

0:47:320:47:33

The soil burned hard and fast.

0:47:330:47:35

That means there's heavy residue of organic matter within it - peat.

0:47:350:47:39

Fossilised microscopic remains throughout.

0:47:390:47:41

That kind of dirt can only be found in one place - marshland.

0:47:410:47:44

Hackney Marshes. Flight, find Urwin,

0:47:440:47:46

cover this stretch of ground with him, find his cart. Yes, sir.

0:47:460:47:49

SHE CHUCKLES GLEEFULLY

0:47:530:47:55

SHE CONTINUES CHUCKLING

0:48:000:48:04

Gather it up, girls.

0:48:070:48:09

This is our compensation.

0:48:090:48:10

We have won at last.

0:48:100:48:12

We move out in the morning.

0:48:150:48:16

Miss Susan, you're one of us now!

0:48:160:48:19

For the first time in my life, I am glad to catch this stench.

0:48:260:48:29

Inspector, we have found the girls. Are you sure? Urwin, is it your cart?

0:48:290:48:32

Treated poorly, but, yes, mine.

0:48:320:48:33

House on Gilpin Road.

0:48:330:48:35

Artherton, fetch Captain Jackson. Sir. Thank you, sir. Jimmy.

0:48:350:48:38

EXCITED CHATTER

0:48:450:48:48

Where's Raine? Have you seen her?

0:48:510:48:53

She's gone downstairs.

0:48:530:48:54

Raine? Raine? Your girls wait on you.

0:48:590:49:03

Come no further. I will be quick.

0:49:030:49:05

This I do for my sister.

0:49:060:49:07

You should have paid me heed. Now you are party to this.

0:49:110:49:16

You would kill them? You will all hang.

0:49:170:49:20

I care not. Not since Agnes.

0:49:200:49:23

The rot did not stop at her jaw.

0:49:250:49:28

It crept up into her brain, into her skull, into who she was.

0:49:280:49:33

Until she did not know even me.

0:49:330:49:37

A sister yet stranger.

0:49:370:49:40

I was supposed to protect her. Always.

0:49:400:49:44

MEN WHIMPER

0:49:440:49:47

You! Dare whimper like a child(!)

0:49:500:49:54

You who would rob my girls of every hope!

0:49:540:49:58

No, no, no.

0:49:580:49:59

I did not... Do not touch me!

0:50:030:50:04

I know you understand me.

0:50:060:50:13

SHE STRIKES MATCH

0:50:130:50:14

When these men burn...

0:50:150:50:17

you will, I hope, join us.

0:50:180:50:22

Now!

0:50:270:50:28

No! You would betray me? You betray yourself.

0:50:330:50:35

THUDDING WOMEN: To the back door.

0:50:350:50:37

This is not freedom. Not for your girls. Not for you.

0:50:370:50:40

This is blind violence - the preserve of all those

0:50:400:50:42

that have left their scars on your back. You have become man, Raine.

0:50:420:50:46

No! Don't tell me I am that!

0:50:460:50:48

WOMEN SHOUT

0:50:500:50:52

VOICES SHOUT OVER EACH OTHER

0:50:540:50:57

Give it up.

0:50:590:51:01

Give it up!

0:51:010:51:02

Jackson! Jackson!

0:51:080:51:10

Where's Susan? Where's Susan?

0:51:100:51:13

THEY YELL

0:51:130:51:16

No!

0:51:170:51:18

Tell me that I am not that!

0:51:180:51:21

Tell me I am not that!

0:51:210:51:22

(Cut them loose. Cut them loose.

0:51:220:51:24

(If you kill them, all here will hang.)

0:51:240:51:27

RAINE GASPS AND SNIFFS

0:51:290:51:32

(Cut them loose.)

0:51:390:51:40

THEY GASP AND PANT

0:51:430:51:46

GUNSHOT

0:51:550:51:56

No! No, Raine...

0:51:560:51:59

RAINE MOANS

0:51:590:52:02

SUSAN SOBS

0:52:020:52:04

No, no...

0:52:040:52:07

Hey, Susan? No...

0:52:080:52:10

Susan?

0:52:100:52:11

Don't touch me!

0:52:110:52:13

SHE SOBS No...

0:52:130:52:15

CLAMOURING VOICES

0:52:270:52:30

Come here.

0:52:300:52:32

INDISTINCT EXCHANGE

0:52:320:52:34

I intend to protest this outrage

0:52:340:52:36

to the very highest level - to the Commissioner himself.

0:52:360:52:39

Come to the station with me and I will take a statement, sir.

0:52:390:52:44

BACKGROUND CHATTER

0:52:440:52:47

They killed her. They killed Miss Raine.

0:52:550:52:58

If I placed you in harm's way, madam, I am sorry for it.

0:53:040:53:08

What will happen to her girls?

0:53:080:53:11

I shall do all I can to speak for these women.

0:53:110:53:14

They will not see the rope.

0:53:140:53:16

But you, why did you run with her?

0:53:160:53:19

Raine wanted the best for those girls and so did I.

0:53:190:53:25

Life - it singularly fails to reward good intentions.

0:53:270:53:31

We want something better for ourselves, better for those we love.

0:53:310:53:35

And then...

0:53:360:53:37

WOMEN SHOUT

0:53:370:53:40

The city, my readers and myself, all are awash with

0:53:550:53:59

relief at your return. None more so than Miss Cobden,

0:53:590:54:03

here at my behest. A chance for rapprochement,

0:54:030:54:07

and who better than The Star to report it? The truce.

0:54:070:54:10

This is how much damage women cause.

0:54:180:54:21

But I would rather lose each remaining finger

0:54:210:54:25

than shake hands with her.

0:54:250:54:26

Print a retraction of the letter forced from me.

0:54:270:54:30

My opposition to female involvement in politics...

0:54:300:54:33

Miss Cobden, do not think him representative of all of us.

0:54:330:54:36

Two more different men I could not think of.

0:54:360:54:38

Where Sir Walter is so consumed with meanness, with revenge,

0:54:380:54:41

you are a good man, compassionate and right-headed.

0:54:410:54:45

What does this mean for you?

0:54:450:54:46

I rally my team, fight the good fight -

0:54:460:54:49

I think you rather know the drill.

0:54:490:54:51

Continue on with his will so set against you and you risk prison.

0:54:510:54:54

At least I'd be under your lock and key, Inspector.

0:54:540:54:57

Forgive me, I am for ever in jest.

0:54:590:55:02

STREET TRADER CALLS OUT

0:55:100:55:12

KNOCKING AT DOOR

0:55:130:55:15

KNOCKING AT DOOR Miss Susan?

0:55:190:55:20

Come in, Rose. Come in, Rose.

0:55:230:55:27

Oh, Miss Susan.

0:55:360:55:38

You cannot imagine my relief

0:55:420:55:44

to hear of your safe return.

0:55:440:55:46

And...

0:55:470:55:48

And happiness which...

0:55:500:55:51

Well, is it true, Miss Susan,

0:55:530:55:55

what Mr Blewett says,

0:55:550:55:57

that you are to stand as my patron?

0:55:570:55:59

I would have you close to me, Rose.

0:55:590:56:01

Not owned yet again by another man

0:56:030:56:05

whose only motives are for his own enrichment, never your own.

0:56:050:56:08

Then you are ever my saviour, Miss.

0:56:080:56:11

(No, Rose. I was never that.)

0:56:140:56:18

DOOR OPENS

0:56:180:56:20

That woman... Raine.

0:56:430:56:45

I couldn't see her intentions

0:56:490:56:50

but she was a crazy woman, Susan.

0:56:500:56:52

I saw her. I thought she was going to take you from me.

0:56:520:56:55

I thought...

0:56:580:56:59

I thought I was saving you, darling.

0:57:030:57:05

The water grows cold. You want me to warm some up for you?

0:57:120:57:15

Maybe fetch you some more towels?

0:57:150:57:17

No. I want you to leave me in peace.

0:57:170:57:20

Detective Flight's face is right, his voice righter still.

0:57:520:57:55

In the time available, he's the best we have.

0:57:550:57:58

Good morning, Lemonade.

0:57:580:57:59

I'll take whiskey from you now, miss.

0:57:590:58:01

What are you offering? You scare me.

0:58:010:58:04

What do you call a dead Englishman?

0:58:040:58:06

A good start.

0:58:060:58:07

Police.

0:58:070:58:08

There will be peace.

0:58:130:58:14

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0:58:350:58:38

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