Browse content similar to Threads of Silk and Gold. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
VINCENT: I want to see the pyramids. | 0:00:02 | 0:00:04 | |
I want a suit made out of silk from Hong Kong. | 0:00:04 | 0:00:08 | |
I want my own blend of tobacco and a pipe of ivory. | 0:00:11 | 0:00:16 | |
I want a pair of shoes... made out of silver. | 0:00:16 | 0:00:20 | |
VINCENT GUFFAWS | 0:00:20 | 0:00:22 | |
That's the stupidest idea I think I've ever heard. | 0:00:22 | 0:00:26 | |
You'll be jealous. | 0:00:26 | 0:00:27 | |
This programme contains graphic violent scenes and some scenes which some viewers may find upsetting. | 0:00:28 | 0:00:31 | |
It's your turn. | 0:00:40 | 0:00:43 | |
I want you. | 0:00:47 | 0:00:48 | |
Nothing more. | 0:00:49 | 0:00:51 | |
Tell me. | 0:00:54 | 0:00:55 | |
-Tell me we can do this. -We can do this. | 0:00:56 | 0:01:00 | |
I promise you. | 0:01:01 | 0:01:03 | |
We have Quint's folio. | 0:01:03 | 0:01:06 | |
He'll pay. | 0:01:06 | 0:01:08 | |
He has to. | 0:01:08 | 0:01:11 | |
He'll pay whatever we want. | 0:01:11 | 0:01:14 | |
Then I want my suit and my silver bloody shoes. | 0:01:14 | 0:01:16 | |
HE CHUCKLES | 0:01:16 | 0:01:18 | |
Shit. Luke's gonna skin us. | 0:01:21 | 0:01:24 | |
Let him try. | 0:01:24 | 0:01:26 | |
Come next week, we'll be long gone from all of 'em. | 0:01:26 | 0:01:30 | |
All of this. | 0:01:30 | 0:01:32 | |
LOUD CHATTER | 0:01:42 | 0:01:45 | |
CHATTER | 0:02:01 | 0:02:03 | |
Harry Collins! Harry, liven up. | 0:02:10 | 0:02:13 | |
Regent Street, Baker Street, Haymarket. | 0:02:13 | 0:02:15 | |
David Goodbody. | 0:02:15 | 0:02:17 | |
David Goodbody. | 0:02:18 | 0:02:19 | |
David? | 0:02:20 | 0:02:21 | |
No Vincent neither. | 0:02:24 | 0:02:25 | |
Otto Roberts. | 0:02:26 | 0:02:28 | |
-Do you want to earn a few quid? -Special? | 0:02:28 | 0:02:31 | |
Harlequin. David's ground, but... | 0:02:31 | 0:02:34 | |
Early bird and all that. | 0:02:34 | 0:02:37 | |
-KNOCK AT DOOR MAN: -Please come in. | 0:02:37 | 0:02:39 | |
DOOR CREAKS | 0:02:39 | 0:02:41 | |
-You may close the door now. -I'm the boy you called for. | 0:02:41 | 0:02:44 | |
I, er...have something for you, sir. | 0:02:47 | 0:02:50 | |
Yes, David. | 0:02:50 | 0:02:52 | |
I believe you do. | 0:02:52 | 0:02:55 | |
ARTHERTON: Buggery, sodomy, and acts homosexual are crimes. | 0:03:27 | 0:03:32 | |
There'll be no bail, sir. Go. | 0:03:32 | 0:03:34 | |
-If you'll follow me, sir. -Next! | 0:03:34 | 0:03:38 | |
ARTHERTON: Oi! We'll have less of that! | 0:03:39 | 0:03:42 | |
Quite a haul, Inspector Ed. | 0:03:44 | 0:03:46 | |
Another foul molly house brought to ground by the brave crusaders of Leman Street. | 0:03:46 | 0:03:51 | |
On the side of the pansies now, are you? | 0:03:51 | 0:03:53 | |
-BEST: -On the side, as ever, only of justice. | 0:03:53 | 0:03:55 | |
Tell me, Sergeant, what room here for the cut-throats and filchers of Whitechapel, | 0:03:55 | 0:03:59 | |
when your cells runneth over with mandrakes and rantipoles? | 0:03:59 | 0:04:02 | |
Oh, no doubt you'd have the streets amok with arse-mongers. | 0:04:02 | 0:04:05 | |
Streets, sir? You raided a private residence. | 0:04:05 | 0:04:09 | |
Are there any, um... | 0:04:09 | 0:04:12 | |
are there any blue bloods this time? | 0:04:12 | 0:04:15 | |
Or are they all still running scared after Cleveland Street? | 0:04:15 | 0:04:18 | |
Do not ever again come here for your muckraking. | 0:04:18 | 0:04:22 | |
Escort Mr Best back to the gutter. | 0:04:22 | 0:04:24 | |
This is a free land, Inspector, first in the civilised world. | 0:04:24 | 0:04:26 | |
It is not muck I seek to shovel into cold light here, but rank hypocrisy! | 0:04:26 | 0:04:32 | |
Goulston Street, sir, telegraph boy. | 0:04:33 | 0:04:36 | |
-REID: -Otto Roberts? -FLIGHT: Yes, sir. | 0:04:37 | 0:04:39 | |
Who was it occupied this room? | 0:04:39 | 0:04:41 | |
Didn't give his name, sir. | 0:04:41 | 0:04:44 | |
-CHATTER FROM STREET -This ain't The Savoy. | 0:04:44 | 0:04:47 | |
Could have fooled me. His appearance? | 0:04:47 | 0:04:49 | |
Middle-aged business type. | 0:04:49 | 0:04:51 | |
Not too shabby, not too smart. He looked like anyone. | 0:04:51 | 0:04:55 | |
My guests don't care to be studied. | 0:04:56 | 0:04:58 | |
-Faces come and go. Some pay by the hour. -Did he? | 0:04:58 | 0:05:01 | |
Coughed up for day and night. Said he awaited a telegram. | 0:05:01 | 0:05:05 | |
I should send up the boy. | 0:05:05 | 0:05:07 | |
WOMAN: Get inside! Come on, Tommy! | 0:05:07 | 0:05:09 | |
If you could perchance hasten matters, | 0:05:09 | 0:05:13 | |
I should like to rent the room again before lunch. | 0:05:13 | 0:05:16 | |
Get him before Jackson. | 0:05:16 | 0:05:18 | |
CHATTER AND LAUGHTER | 0:05:23 | 0:05:25 | |
All right, which of you goddamn whoresons is a flimflam man, huh? | 0:05:26 | 0:05:30 | |
Come on, I'm not fresh off the... | 0:05:31 | 0:05:33 | |
Good to see you. I'll get a drink. | 0:05:33 | 0:05:35 | |
All right, we're not done here. | 0:05:36 | 0:05:39 | |
What say one of you fellas lends me the money for another hand, huh? | 0:05:42 | 0:05:45 | |
Dr Yankee. | 0:05:52 | 0:05:53 | |
Nice duds. | 0:05:54 | 0:05:56 | |
My ship came in. Gin for everyone. | 0:05:56 | 0:05:59 | |
CROWD CHEERING | 0:05:59 | 0:06:02 | |
-Must have been a goddamn galleon. -Call it a fleet. | 0:06:02 | 0:06:05 | |
Well, I'd love to say I don't begrudge you a penny, Charlie, but I'm a shitty liar. | 0:06:05 | 0:06:10 | |
BOTH CHUCKLE | 0:06:10 | 0:06:12 | |
How about you squaring some of what's owed, huh? | 0:06:12 | 0:06:16 | |
Plus interest, with thanks. | 0:06:24 | 0:06:27 | |
And I can do better than that, Doc. You've done me a turn once or twice. | 0:06:30 | 0:06:34 | |
All this... | 0:06:34 | 0:06:35 | |
it's there for the taking. | 0:06:35 | 0:06:37 | |
-You boy! You manage here? -Barely. | 0:06:39 | 0:06:43 | |
Messenger was sent this morning to Goulston Street. | 0:06:43 | 0:06:45 | |
-Is that so? -Harlequin Hotel. | 0:06:45 | 0:06:47 | |
Oh, that was... | 0:06:47 | 0:06:48 | |
He shouldn't have even been there. | 0:06:50 | 0:06:52 | |
-It wasn't his job. -Then whose? | 0:06:52 | 0:06:55 | |
David. David Goodbody. Around that way's his patch. | 0:06:55 | 0:06:58 | |
-My ears are burning. -I wish all of you was burning. | 0:06:58 | 0:07:00 | |
-What's afoot? -Otto's dead. | 0:07:00 | 0:07:03 | |
-What? -LUKE: Took your rounds | 0:07:04 | 0:07:06 | |
cos you'd done a bloody bunk, and some bastard killed him. | 0:07:06 | 0:07:09 | |
-Who are you? -Am I under arrest? | 0:07:09 | 0:07:10 | |
-Watch your tongue, boy. VINCENT: -Vincent. | 0:07:10 | 0:07:13 | |
Featherwell. | 0:07:13 | 0:07:15 | |
I was with David today. Went to the fair in Bethnal Green. | 0:07:16 | 0:07:18 | |
-During work? -Isn't illegal to hate your job. | 0:07:18 | 0:07:22 | |
-Who was the telegram for? -I only had the address. | 0:07:22 | 0:07:25 | |
Is that usual? | 0:07:25 | 0:07:26 | |
It happens. We just deliver. | 0:07:26 | 0:07:29 | |
You, David, have you been at the Harlequin before? | 0:07:29 | 0:07:32 | |
No. | 0:07:32 | 0:07:34 | |
-Are you certain about that? -Yes. Yes, sir. | 0:07:39 | 0:07:42 | |
Help me discover what befell your friend. | 0:07:43 | 0:07:46 | |
I need to know where that telegram was sent from, when, and by whom. | 0:07:46 | 0:07:49 | |
I do not wish to make such a visit here again. | 0:07:49 | 0:07:51 | |
According to their ledger, the telegram was sent from a bureau in the city. | 0:07:56 | 0:07:59 | |
No name given. | 0:07:59 | 0:08:01 | |
You can see here, all these, day after day, week after week, | 0:08:01 | 0:08:03 | |
sent from the heart of the City to addresses in Whitechapel. | 0:08:03 | 0:08:06 | |
But no replies. The mail only travels one way. | 0:08:06 | 0:08:09 | |
That's banker's turf. | 0:08:09 | 0:08:11 | |
What business have well-to-do's telegraphing the rookery? | 0:08:11 | 0:08:13 | |
Why indeed? See here. David Goodbody lies. | 0:08:13 | 0:08:16 | |
He's been dispatched to the Harlequin three times this fortnight. | 0:08:16 | 0:08:20 | |
Find these other addresses. I want to know who's been receiving these missives. | 0:08:20 | 0:08:23 | |
Strangulation, then? | 0:08:23 | 0:08:25 | |
Silk fibres. | 0:08:26 | 0:08:28 | |
From a scarf maybe. | 0:08:28 | 0:08:30 | |
A knot tied in it. | 0:08:30 | 0:08:32 | |
And the boy was sexually active. | 0:08:32 | 0:08:35 | |
Very active, and not with women. | 0:08:35 | 0:08:38 | |
-Was he forced? -Not that I can see, least not today. | 0:08:38 | 0:08:41 | |
He was just, I don't know, an enthusiast. | 0:08:41 | 0:08:43 | |
They're bloody everywhere. | 0:08:43 | 0:08:45 | |
Don't knock it till you tried it, Benito. | 0:08:45 | 0:08:47 | |
I know some stevedores'd treat you like a princess. | 0:08:47 | 0:08:50 | |
Those addresses, almost all of them, | 0:08:51 | 0:08:52 | |
-flag the Harlequin. -I want to know the movements | 0:08:52 | 0:08:54 | |
of this boy, David. Trail him. | 0:08:54 | 0:08:56 | |
-And his friend, sir? The gobby one? -Him too. | 0:08:56 | 0:08:58 | |
Tierra del Fuego. | 0:09:04 | 0:09:06 | |
South America. | 0:09:08 | 0:09:10 | |
It's the land of fire. My friend Charlie gave it to me. | 0:09:11 | 0:09:14 | |
Might as well be goddamn hieroglyphics to me. | 0:09:16 | 0:09:18 | |
I mean, look at this. | 0:09:18 | 0:09:20 | |
You know anything about investments, | 0:09:20 | 0:09:23 | |
stocks, bridge loans? | 0:09:23 | 0:09:24 | |
Land of fire? Sounds like hell. | 0:09:26 | 0:09:29 | |
I'm looking for my friend... | 0:09:54 | 0:09:55 | |
David Goodbody. | 0:09:55 | 0:09:57 | |
He's off shift. | 0:09:58 | 0:10:00 | |
Who, then, might know where I could find him? | 0:10:01 | 0:10:05 | |
SWITCHBLADE CLICKING | 0:10:05 | 0:10:08 | |
I'll give it back. | 0:10:08 | 0:10:09 | |
-Tell Quint it was a mistake. -VINCENT: -No. | 0:10:09 | 0:10:11 | |
-We see this through. -How? | 0:10:11 | 0:10:13 | |
Quint's gonna kill us. I mean, that should have been me today. | 0:10:13 | 0:10:17 | |
I know that. | 0:10:17 | 0:10:19 | |
My love, believe me, I know that. | 0:10:19 | 0:10:22 | |
You're here and we're alive, | 0:10:22 | 0:10:23 | |
and, while blood still pumps in me, I'll not give up on the plans we've made. | 0:10:23 | 0:10:27 | |
Whoever Quint sent for us went to your patch | 0:10:28 | 0:10:31 | |
and assumed the boy who showed up was you. | 0:10:31 | 0:10:34 | |
-He didn't know Otto was Otto. -He doesn't know my face. | 0:10:34 | 0:10:37 | |
Nor mine. There's still time to see this through. | 0:10:37 | 0:10:41 | |
So, we hit back and we hit hard. | 0:10:41 | 0:10:43 | |
What we asked for, let's double it. | 0:10:43 | 0:10:46 | |
I'm going to see Freddie Best. We need to ensure we're safe. | 0:10:50 | 0:10:54 | |
-Come with. -I've a job. | 0:10:54 | 0:10:56 | |
-No. -Take my knife. | 0:11:01 | 0:11:03 | |
-And what about you? -Please. For this job, at least. | 0:11:03 | 0:11:07 | |
I told you. | 0:11:10 | 0:11:12 | |
We can do this. | 0:11:12 | 0:11:13 | |
LOUD CHATTER | 0:11:20 | 0:11:22 | |
-You heard about Otto? -Course I bloody did. | 0:11:36 | 0:11:38 | |
Poor sod. I thought you'd given up the frig jobs. | 0:11:38 | 0:11:42 | |
Money's money. | 0:11:43 | 0:11:44 | |
Is, um... | 0:11:44 | 0:11:45 | |
-..is Harry all right? -Harry's fine. | 0:11:47 | 0:11:49 | |
He sent this. Said he'd meet you at the Harlequin after his shift. | 0:11:51 | 0:11:54 | |
So, Otto, what do you know? | 0:11:54 | 0:11:57 | |
How would you like The Star to turn the biggest bank in London upside down? | 0:11:57 | 0:12:01 | |
-Just what the hell was Otto up to? -Otto wasn't. | 0:12:01 | 0:12:04 | |
He wasn't supposed to be there. | 0:12:04 | 0:12:06 | |
There's a copper watching us. | 0:12:07 | 0:12:08 | |
-VINCENT: -Freddie, go now. | 0:12:26 | 0:12:28 | |
-You're a policeman, are you not? -FLIGHT: Keep your voice down. | 0:12:44 | 0:12:46 | |
I am an abominable bugger, sir, a proud Uranian. | 0:12:46 | 0:12:50 | |
A hunter of hinder parts. | 0:12:50 | 0:12:53 | |
A keen participant in behaviours grotesque and indecent. | 0:12:53 | 0:12:55 | |
Homo sapiens homosexual. | 0:12:55 | 0:12:57 | |
Take me in. | 0:12:57 | 0:12:58 | |
You are aware of the consequences of the admission you made to my constable? | 0:13:34 | 0:13:39 | |
I fear, sir, there may have been a misunderstanding. | 0:13:42 | 0:13:45 | |
My intemperate consumption. You see, I'm... | 0:13:45 | 0:13:48 | |
The wretched gin had quite scrambled my faculties. | 0:13:50 | 0:13:53 | |
I recall not a word I uttered to your good man, | 0:13:53 | 0:13:56 | |
and I must insist I retract, in toto. | 0:13:56 | 0:14:00 | |
David Goodbody sells himself under the guise of his delivery rounds. | 0:14:00 | 0:14:04 | |
Nor is he, as my sergeant has discovered, the only telegraph boy to do so. | 0:14:04 | 0:14:08 | |
-Are you among them? -Certainly not. | 0:14:08 | 0:14:11 | |
Each to their own, mind you. | 0:14:11 | 0:14:14 | |
I myself am partial to a tight mimsy. | 0:14:14 | 0:14:16 | |
A rosy notch. | 0:14:16 | 0:14:18 | |
A dewy flower. | 0:14:18 | 0:14:20 | |
You and David are in straits. Otto Roberts is dead because of it. | 0:14:20 | 0:14:24 | |
Do you feel no guilt? An innocent boy lies slain. | 0:14:24 | 0:14:28 | |
Innocent? | 0:14:28 | 0:14:29 | |
Yes. | 0:14:30 | 0:14:32 | |
Though you'd shackle him, would you not? | 0:14:33 | 0:14:35 | |
Catamite. Sodomite. Pervert. | 0:14:36 | 0:14:39 | |
A moral bankrupt fit for your shackles. | 0:14:40 | 0:14:43 | |
Are you gonna be charging me with aught, sir? I've got a shift coming up | 0:14:46 | 0:14:49 | |
and people do need their telegrams. | 0:14:49 | 0:14:51 | |
-Toodle-pip, sirs. -ARTHERTON: Off he goes, then. | 0:15:00 | 0:15:03 | |
Proud Polly Prick-tickler. | 0:15:03 | 0:15:05 | |
Gamahuching his way through every molly house back to St Martin's. | 0:15:05 | 0:15:08 | |
Are we short of homosexuals wasting our cell space, Sergeant? | 0:15:08 | 0:15:12 | |
We could have broken him, sir. | 0:15:13 | 0:15:14 | |
There's an egg in the box with a far softer shell. | 0:15:14 | 0:15:17 | |
-REID: You run them. Confess it. -No, sir! | 0:15:19 | 0:15:21 | |
Yes, sir! You pander and pimp those boys, who ought to be safe in your care. | 0:15:21 | 0:15:26 | |
They swing for such, do they not, Sergeant? Indecent predators | 0:15:27 | 0:15:30 | |
of our noble youth. | 0:15:30 | 0:15:31 | |
They swing in agony, sir, and justly so. | 0:15:31 | 0:15:33 | |
I run nothing! | 0:15:33 | 0:15:35 | |
I just...I just try to do my job. | 0:15:35 | 0:15:37 | |
I want to move upstairs, learn to...to use the wire. | 0:15:38 | 0:15:42 | |
-Which boys are the renters? -I don't know. | 0:15:42 | 0:15:45 | |
-Not all, just... -David Goodbody. | 0:15:45 | 0:15:47 | |
Otto Roberts. Vincent Featherwell. | 0:15:47 | 0:15:49 | |
-Who else? Who else?! -There are others. | 0:15:49 | 0:15:52 | |
What else were David and Vincent involved in? | 0:15:52 | 0:15:54 | |
Your friend, Otto Roberts, | 0:15:54 | 0:15:56 | |
was killed in David's place. If you seek any kind of justice | 0:15:56 | 0:15:58 | |
for him, you speak. | 0:15:58 | 0:15:59 | |
David, there's...there's a man he sees. | 0:16:01 | 0:16:04 | |
A well-to-do. I've heard David and Vincent talk of him. | 0:16:04 | 0:16:07 | |
His...love for David, | 0:16:07 | 0:16:09 | |
and how they might...capitalise. | 0:16:09 | 0:16:13 | |
-Blackmail? -I don't know. | 0:16:13 | 0:16:14 | |
But it wouldn't be the first time. | 0:16:14 | 0:16:17 | |
-This man of David's, who is he? -A banker, sir. | 0:16:18 | 0:16:21 | |
Name of Quint. Solomon Quint. | 0:16:21 | 0:16:24 | |
Quint, Solomon. | 0:16:24 | 0:16:26 | |
He's at the House of Barings, sir. | 0:16:26 | 0:16:29 | |
Get me a hansom. | 0:16:29 | 0:16:30 | |
Inspector Reid? Franklin Stone. A pleasure. | 0:17:00 | 0:17:02 | |
We can speak in my office. | 0:17:02 | 0:17:03 | |
I hear you're looking for Sol Quint? | 0:17:04 | 0:17:06 | |
-I am. You work with him? -Mm, ten years. | 0:17:06 | 0:17:09 | |
His work being what, exactly? | 0:17:09 | 0:17:12 | |
You might call him a haruspex. | 0:17:12 | 0:17:14 | |
In ancient times, certain priests, haruspices, | 0:17:15 | 0:17:17 | |
would examine the entrails of sacrificed beasts, | 0:17:17 | 0:17:19 | |
thus to determine the fate of men and nations. | 0:17:19 | 0:17:22 | |
Just so, Solomon Quint would sink his hands into the grimy slew of phenomena, | 0:17:22 | 0:17:29 | |
economic, political and geographic, | 0:17:29 | 0:17:31 | |
and, from what he found there, determine our fortunes. | 0:17:31 | 0:17:35 | |
Quite literally. | 0:17:36 | 0:17:37 | |
Investments. He would analyse investments? | 0:17:37 | 0:17:40 | |
And the risks thereof. | 0:17:42 | 0:17:44 | |
Can I offer you a refreshment? | 0:17:49 | 0:17:50 | |
Thank you, no. | 0:17:50 | 0:17:52 | |
Temperate man. | 0:17:53 | 0:17:55 | |
Bravo. | 0:17:56 | 0:17:57 | |
Forgive my flippancy, sir. This has been a most difficult time. | 0:18:00 | 0:18:04 | |
Sol left under something of a cloud. | 0:18:04 | 0:18:07 | |
He's no longer with Barings? Since when? | 0:18:07 | 0:18:09 | |
Almost a week. | 0:18:11 | 0:18:13 | |
His work had become... | 0:18:14 | 0:18:16 | |
erratic. | 0:18:16 | 0:18:19 | |
A man in his position cannot afford to be erratic. | 0:18:19 | 0:18:21 | |
Sol Quint was the most brilliant of his kind, sir. | 0:18:25 | 0:18:27 | |
Until, er... | 0:18:28 | 0:18:30 | |
Well, he was a dear friend and I'm not a man given to indiscretion. | 0:18:32 | 0:18:36 | |
But your candour is much appreciated, sir. | 0:18:37 | 0:18:40 | |
Suffice it to say Sol Quint's marital bed was infrequently troubled by his presence. | 0:18:45 | 0:18:50 | |
He had certain pastimes. | 0:18:51 | 0:18:54 | |
In truth, I think the man was heartsick. | 0:18:54 | 0:18:56 | |
Perhaps in every life, at some point, we must make such a choice. | 0:18:56 | 0:19:01 | |
What choice, Mr Stone? | 0:19:01 | 0:19:03 | |
Between love and gold, Inspector. | 0:19:04 | 0:19:06 | |
Love and gold. | 0:19:07 | 0:19:08 | |
My duty is to the House of Barings. | 0:19:08 | 0:19:11 | |
I have not... | 0:19:11 | 0:19:12 | |
..the luxury... | 0:19:13 | 0:19:14 | |
..of placing anything before gold. | 0:19:17 | 0:19:20 | |
Not even Sol Quint. | 0:19:21 | 0:19:22 | |
I was obligated to dismiss him. | 0:19:25 | 0:19:27 | |
If you'd oblige me, Mr Stone, I shall need Mr Quint's address. | 0:19:28 | 0:19:32 | |
My folio. You were simply to recover my folio... | 0:19:32 | 0:19:36 | |
..and now an innocent boy lies dead. | 0:19:38 | 0:19:40 | |
HE SIGHS | 0:19:40 | 0:19:42 | |
No. | 0:19:42 | 0:19:44 | |
Tell Mr Stone, I...I need to see him. | 0:19:44 | 0:19:46 | |
I can't... | 0:19:47 | 0:19:50 | |
I cannot... | 0:19:50 | 0:19:51 | |
They know, man! | 0:19:51 | 0:19:53 | |
The boys know, and now double would they wring from me! | 0:19:54 | 0:19:57 | |
Chide me not, Mr Quint. | 0:19:57 | 0:19:59 | |
It is to your mess I endeavour to take my broom. | 0:19:59 | 0:20:03 | |
My apologies. | 0:20:06 | 0:20:08 | |
The older boy. | 0:20:10 | 0:20:12 | |
Were you aware of his friendship with the newspaperman Fred Best? | 0:20:12 | 0:20:16 | |
Does...does Mr Stone know? | 0:20:16 | 0:20:18 | |
Well, I must see him. | 0:20:22 | 0:20:23 | |
This is our last chance to... | 0:20:25 | 0:20:26 | |
..come forth open-handed before the bank investors. | 0:20:27 | 0:20:30 | |
Mr Stone would prefer that all parties keep their counsel. | 0:20:30 | 0:20:35 | |
It is fundamental, Mr Quint, that you keep your counsel. | 0:20:36 | 0:20:41 | |
Yes. | 0:20:43 | 0:20:44 | |
Of course it is. | 0:20:45 | 0:20:47 | |
I understand now why you came. | 0:20:50 | 0:20:52 | |
I would have given David anything. | 0:20:54 | 0:20:56 | |
Anything he asked. I... | 0:20:56 | 0:20:58 | |
I loved him. | 0:21:00 | 0:21:02 | |
I love him still. | 0:21:05 | 0:21:07 | |
You must think me a bloody fool, sir. | 0:21:10 | 0:21:12 | |
I do not pretend to understand the things that love makes men do. | 0:21:12 | 0:21:16 | |
But every man I've known has suffered for it. | 0:21:17 | 0:21:19 | |
Yet what else is there, Mr Self? | 0:21:19 | 0:21:22 | |
How else to know, | 0:21:24 | 0:21:26 | |
even for a moment, | 0:21:26 | 0:21:28 | |
that we live? | 0:21:28 | 0:21:30 | |
CHATTER OUTSIDE | 0:21:42 | 0:21:45 | |
-What's this? -Charlie Frost. | 0:21:51 | 0:21:52 | |
Paid back the money I loaned him. | 0:21:52 | 0:21:54 | |
-At least that's something. CHUCKLES: -You should have seen him. | 0:21:54 | 0:21:56 | |
He was suited and booted. | 0:21:56 | 0:21:59 | |
All in finery like a tailor's dummy. | 0:21:59 | 0:22:02 | |
Susan, you remember when I was talking about a way to get us out from under? | 0:22:03 | 0:22:08 | |
-I'm trying to count. -Yeah, I know that, but listen. | 0:22:08 | 0:22:10 | |
-Look, can you see I'm trying to count? -Hey. | 0:22:10 | 0:22:13 | |
-WOMAN LAUGHS OUTSIDE -What is it? | 0:22:15 | 0:22:17 | |
Silas Duggan. | 0:22:22 | 0:22:23 | |
Duggan. What about him? | 0:22:27 | 0:22:28 | |
-He wants more. -How much more? | 0:22:29 | 0:22:32 | |
More than I have and more than I can make. | 0:22:32 | 0:22:34 | |
I can't take more from the girls. I can't. | 0:22:35 | 0:22:38 | |
He's squeezing us week by week. | 0:22:40 | 0:22:41 | |
Darling, what if I was to tell you | 0:22:41 | 0:22:43 | |
there was a way out of this that didn't involve running? | 0:22:43 | 0:22:45 | |
Now, Charlie Frost, he's no genius, but Charlie Frost knows some people. | 0:22:49 | 0:22:54 | |
There's a mine. | 0:22:54 | 0:22:56 | |
Silver and copper. The land is lousy with it. | 0:22:57 | 0:23:01 | |
Charlie put in what little he had. Within a week, 200. | 0:23:01 | 0:23:04 | |
This is your notion of out from under? | 0:23:06 | 0:23:08 | |
To gamble what meagre pot Silas Duggan does not extort? | 0:23:08 | 0:23:11 | |
That's the beauty of it. It ain't a gamble, and the value just soars. | 0:23:11 | 0:23:15 | |
Ah, the man whose numeracy extends to the price of liquor and tail, | 0:23:19 | 0:23:22 | |
this man will make himself a titan of high finance? | 0:23:22 | 0:23:26 | |
All right. | 0:23:28 | 0:23:29 | |
Just got to settle with Duggan my way. | 0:23:32 | 0:23:34 | |
You'll not settle anything with Duggan. | 0:23:34 | 0:23:37 | |
Oh, tell me, Susan, huh? You tell me what to do. | 0:23:37 | 0:23:39 | |
Tell me how I'm supposed to help you, cos you kept this goddamn thing a secret. | 0:23:39 | 0:23:43 | |
Now the son of a bitch is turning the screw. | 0:23:43 | 0:23:45 | |
-GUN COCKS -All I wanted was you and me. | 0:23:45 | 0:23:48 | |
-Don't. -Should have done this from the start. | 0:23:48 | 0:23:50 | |
-You don't know him. -He's about to know me. | 0:23:50 | 0:23:53 | |
-Duggan! -DOORS CREAK | 0:24:08 | 0:24:11 | |
HE PANTS | 0:24:11 | 0:24:13 | |
-JACKSON: -Silas Duggan! | 0:24:14 | 0:24:15 | |
Whiskers too, or just a trim for the barnet, nice rub of oil? | 0:24:22 | 0:24:26 | |
Oh, I'm not the one getting a haircut, you chiselling piece of shit. | 0:24:26 | 0:24:30 | |
Out of my affections for your good lady, I'm reluctant to post you home in pieces. | 0:24:32 | 0:24:36 | |
Leave now and we'll call this parley... an idle fancy. | 0:24:36 | 0:24:41 | |
Fancy? | 0:24:42 | 0:24:44 | |
Duggan, I am real as hell. You've had your last penny out of my lady. | 0:24:46 | 0:24:48 | |
You try to squeeze one farthing more... | 0:24:48 | 0:24:50 | |
-GUN COCKS -..I'm gonna see you paid in lead. | 0:24:50 | 0:24:51 | |
HE GROANS | 0:24:53 | 0:24:55 | |
You dare cross me, dare whisper the name Silas Duggan to your police whip cracker, | 0:24:59 | 0:25:03 | |
dare even dream about my handsome likeness... | 0:25:03 | 0:25:06 | |
HE GROANS | 0:25:06 | 0:25:09 | |
..I shall skin you from nose to toes. | 0:25:09 | 0:25:11 | |
Here shall I take my razor to your pizzle, make a gelding of you. | 0:25:11 | 0:25:16 | |
Have you stood by mewling, as I spatchcock your wife upon my bunk. | 0:25:16 | 0:25:22 | |
HE MOANS | 0:25:22 | 0:25:24 | |
Now leave my shop, cowboy, | 0:25:33 | 0:25:36 | |
and tell your whore mistress I shall bill her for the broken glass. | 0:25:36 | 0:25:40 | |
HE GROANS | 0:25:41 | 0:25:44 | |
Mr Quint does all right for himself, doesn't he, sir? | 0:25:49 | 0:25:52 | |
Maybe I should become a banker. | 0:25:52 | 0:25:53 | |
I'm just home from the dressmaker's. I think he's in his study. | 0:25:53 | 0:25:57 | |
-KNOCKS -Mr Quint? | 0:25:57 | 0:26:00 | |
Mr Quint, it's the police. | 0:26:01 | 0:26:03 | |
SHE GASPS AND SOBS | 0:26:08 | 0:26:10 | |
SHE SOBS | 0:26:12 | 0:26:14 | |
DOOR SQUEAKS Inspector? | 0:26:42 | 0:26:44 | |
If I may, sir. | 0:26:44 | 0:26:46 | |
Sergeant, join me? | 0:26:47 | 0:26:49 | |
Unless of course Mrs...Mrs Drake... | 0:26:49 | 0:26:52 | |
Oh, no. No. | 0:26:52 | 0:26:54 | |
Always time for just the one, sir. | 0:26:54 | 0:26:56 | |
GLASSES CLINK | 0:26:56 | 0:26:58 | |
Hm. | 0:27:01 | 0:27:03 | |
What is the purpose of our work, Bennet? | 0:27:04 | 0:27:07 | |
The law? | 0:27:09 | 0:27:10 | |
In your opinion. | 0:27:10 | 0:27:12 | |
HE SIGHS | 0:27:12 | 0:27:14 | |
To protect, sir. | 0:27:15 | 0:27:16 | |
That's why I came to H Division, to protect. | 0:27:17 | 0:27:20 | |
A man, blackmailed by a boy for illicit affection, | 0:27:20 | 0:27:25 | |
takes anguished revenge on another... | 0:27:25 | 0:27:28 | |
and then, stricken with guilt, | 0:27:28 | 0:27:31 | |
ends himself. | 0:27:31 | 0:27:32 | |
So, whom did the law protect today? | 0:27:36 | 0:27:38 | |
Far from protect, does it not occur to you that, but for the law, | 0:27:39 | 0:27:42 | |
both Solomon Quint and Otto Roberts would be alive? | 0:27:42 | 0:27:45 | |
What, then, sir? | 0:27:46 | 0:27:48 | |
Do we choose the laws we see fit to enforce? | 0:27:49 | 0:27:52 | |
We have our obligations, but our work today... | 0:27:52 | 0:27:56 | |
..if Mr Quint is any example... | 0:27:58 | 0:28:01 | |
..I begin to think a law that makes a crime of human love | 0:28:02 | 0:28:04 | |
will police itself in pure... | 0:28:04 | 0:28:07 | |
despair. | 0:28:07 | 0:28:08 | |
-DRAKE: They're for the lady. BELLA: -Thank you. | 0:28:15 | 0:28:17 | |
DRAKE: There you go. | 0:28:17 | 0:28:19 | |
They're so beautiful. | 0:28:20 | 0:28:22 | |
You're quiet today. | 0:28:30 | 0:28:31 | |
Forgive me, my love. | 0:28:33 | 0:28:35 | |
The Inspector was turning all philosophical on me. | 0:28:35 | 0:28:38 | |
Gave me an 'eadache. | 0:28:38 | 0:28:41 | |
We'll have words. Can't have him wearing out that noggin. | 0:28:41 | 0:28:45 | |
The law's the law, right? | 0:28:49 | 0:28:51 | |
And policemen serve it. | 0:28:52 | 0:28:54 | |
We don't ask all the whys and wherefores, do we? | 0:28:54 | 0:28:56 | |
Otherwise...well, what then? | 0:28:56 | 0:28:59 | |
But the Inspector, when it comes to banging up poofs and Mary Anns... | 0:28:59 | 0:29:04 | |
CHUCKLES: To see him, he's a man all scooped of belief. | 0:29:04 | 0:29:08 | |
Do you believe in it? | 0:29:10 | 0:29:11 | |
Hell's bells. Not you too? | 0:29:13 | 0:29:15 | |
Maybe he just understands what it is to be lonely. | 0:29:15 | 0:29:18 | |
Say a law was made tomorrow... | 0:29:20 | 0:29:22 | |
..for you to love me was a crime. | 0:29:23 | 0:29:25 | |
They say it's filthy and unnatural. | 0:29:25 | 0:29:28 | |
Would you stop, Bennet? Turn off your love like a gas tap, just to obey? | 0:29:29 | 0:29:34 | |
I'd be the filthiest scofflaw this land had ever seen. | 0:29:37 | 0:29:40 | |
-WOMAN: -Eggs! Get your eggs! | 0:29:40 | 0:29:42 | |
Bella? | 0:29:43 | 0:29:45 | |
-Bella, it's you. -You're mistaken. | 0:29:47 | 0:29:49 | |
-Who was that? -I don't know. | 0:29:52 | 0:29:54 | |
She seemed to know you. | 0:29:54 | 0:29:56 | |
There was a part of my life before Tenter Street | 0:29:56 | 0:29:59 | |
full of cruelty and sadness. | 0:29:59 | 0:30:02 | |
She was a working girl? | 0:30:02 | 0:30:04 | |
Please can we go home now, Bennet? There's a chill. | 0:30:04 | 0:30:06 | |
Of course, love. | 0:30:06 | 0:30:08 | |
DOOR OPENS | 0:30:20 | 0:30:22 | |
You look beautiful. | 0:30:27 | 0:30:28 | |
SIGHS: You're drunk. | 0:30:30 | 0:30:32 | |
I thought it before I was drunk, and I'll think it after I'm dead. | 0:30:33 | 0:30:37 | |
I've thought it every moment since I first saw you. | 0:30:40 | 0:30:43 | |
You're all the true beauty in this world. | 0:30:44 | 0:30:47 | |
You're bleeding. | 0:30:59 | 0:31:00 | |
You remember. | 0:31:00 | 0:31:01 | |
There was a night, me and you, we took a balloon over Chicago. | 0:31:03 | 0:31:08 | |
It was all laid out. It was electric, the city. | 0:31:10 | 0:31:14 | |
It was like starlight, and I said some words to you. | 0:31:15 | 0:31:19 | |
You swore you would weave our lives together... | 0:31:19 | 0:31:22 | |
..with threads of silk and gold. | 0:31:23 | 0:31:25 | |
I made myself believe that I could live up to you. | 0:31:25 | 0:31:27 | |
-I never cared about money. -It ain't about the money. | 0:31:27 | 0:31:30 | |
I mean, what do I have to give you? I got nothing left. | 0:31:32 | 0:31:34 | |
I broke every promise I ever made you, I brought you down to this. | 0:31:34 | 0:31:37 | |
-CRYING: -And now I can't even protect you. | 0:31:37 | 0:31:39 | |
-Matthew. -I ain't a man, Caitlin. | 0:31:39 | 0:31:40 | |
-Don't. -I'm not a man. | 0:31:40 | 0:31:42 | |
Don't make this about your wounded pride. | 0:31:42 | 0:31:45 | |
-I see the way you look at me. -Oh, you see nothing! | 0:31:45 | 0:31:48 | |
The only thing you ever look to is your next swashbuckling bloody daydream. | 0:31:49 | 0:31:53 | |
You finish your bottle. I will not indulge your self-pity. | 0:31:54 | 0:31:59 | |
DOOR OPENS | 0:32:00 | 0:32:02 | |
DOOR CLOSES | 0:32:02 | 0:32:04 | |
They're in. | 0:32:30 | 0:32:31 | |
Come here. | 0:32:44 | 0:32:45 | |
I've been worried sick, Harry. | 0:32:56 | 0:32:58 | |
CAMERA CLICKS | 0:33:07 | 0:33:09 | |
CAMERA CLICKS | 0:33:10 | 0:33:11 | |
CAMERA CLICKS | 0:33:14 | 0:33:16 | |
JACKSON SIGHS | 0:33:25 | 0:33:28 | |
BONES CRUNCH | 0:33:36 | 0:33:38 | |
CLEARS THROAT | 0:33:44 | 0:33:45 | |
Flight! | 0:33:48 | 0:33:50 | |
Suicide, huh? And the gun was in this hand? | 0:33:51 | 0:33:54 | |
Yes. | 0:33:54 | 0:33:56 | |
Phalanges of the digitus medius and secondus. | 0:33:56 | 0:34:00 | |
Multiple fractures. | 0:34:00 | 0:34:03 | |
-Could he pull the trigger? -With broken fingers? | 0:34:03 | 0:34:05 | |
He's forced to write a note. | 0:34:05 | 0:34:07 | |
Crack. Gun's jammed in his hand. | 0:34:07 | 0:34:09 | |
Boom. | 0:34:09 | 0:34:11 | |
Whoever wanted Mr Quint dead, it sure as hell wasn't Mr Quint. | 0:34:11 | 0:34:15 | |
Madam, I understand this is a, er... | 0:34:23 | 0:34:25 | |
..painful time for you, so forgive my bluntness. | 0:34:26 | 0:34:30 | |
Was your husband a man with enemies? | 0:34:32 | 0:34:34 | |
Only himself. | 0:34:34 | 0:34:37 | |
I no longer believe his death to be suicide. | 0:34:38 | 0:34:42 | |
Can you help me understand who might have killed him? | 0:34:42 | 0:34:46 | |
I...I have no idea. He... | 0:34:46 | 0:34:49 | |
..he was a gentle man. | 0:34:50 | 0:34:52 | |
I spoke to Franklin Stone at Barings yesterday. | 0:34:52 | 0:34:56 | |
He intimated you and Mr Quint might have been facing certain...marital issues. | 0:34:56 | 0:35:01 | |
Sol and I were married for 20 years, and we loved each other, Inspector. | 0:35:03 | 0:35:07 | |
If Sol had issues, they were with Franklin Stone and not me. | 0:35:07 | 0:35:11 | |
-What issues? -I know not. | 0:35:11 | 0:35:13 | |
"A matter of gravest principle," was all he said. | 0:35:13 | 0:35:16 | |
Some work he'd been conducting, regarding the Argentine. | 0:35:17 | 0:35:20 | |
May I see this work? | 0:35:20 | 0:35:21 | |
All his files are at the House of Barings. | 0:35:21 | 0:35:23 | |
He had some, but...some days ago his folio was stolen. | 0:35:24 | 0:35:28 | |
And he did not report it? | 0:35:28 | 0:35:31 | |
I believe the culprit was... | 0:35:34 | 0:35:36 | |
..someone whose acquaintance he sought not to expose. | 0:35:37 | 0:35:40 | |
A boy. | 0:35:41 | 0:35:42 | |
-Do not judge him, Inspector Reid. -I do no such thing. | 0:35:46 | 0:35:49 | |
This boy. | 0:35:52 | 0:35:54 | |
David, David Goodbody? | 0:35:54 | 0:35:56 | |
I wouldn't know. | 0:35:56 | 0:35:58 | |
My husband was a private man, | 0:36:01 | 0:36:03 | |
and there were things he saw fit not to share with me. | 0:36:03 | 0:36:06 | |
But I was never lied to, nor deceived by him. Our marriage was... | 0:36:08 | 0:36:10 | |
An arrangement? | 0:36:10 | 0:36:12 | |
..a companionship. | 0:36:14 | 0:36:16 | |
And a loving one. | 0:36:16 | 0:36:18 | |
We each wanted for the other happiness, wherever that may be found, | 0:36:18 | 0:36:23 | |
and what is love, sir, if not that? | 0:36:23 | 0:36:26 | |
-DAVID: -Quint's dead? How does Fred Best know? | 0:36:31 | 0:36:33 | |
-VINCENT: -He talks to the coppers. | 0:36:33 | 0:36:34 | |
He says Quint was killed and... | 0:36:34 | 0:36:37 | |
Cunny bastard whores! | 0:36:38 | 0:36:41 | |
I'm sorry. | 0:36:45 | 0:36:48 | |
Why? | 0:36:48 | 0:36:49 | |
-This should have been so easy. -It isn't over yet. | 0:36:49 | 0:36:52 | |
Quint's dead, David. | 0:36:52 | 0:36:54 | |
-What's he gonna pay us now? -He's dead because they're afraid. | 0:36:56 | 0:36:59 | |
What we have is dangerous, and they know it | 0:37:00 | 0:37:03 | |
and they want us to be afraid also. You said we can do this. | 0:37:03 | 0:37:06 | |
You made me believe it, and I believe it still. | 0:37:06 | 0:37:09 | |
Then we take 'em on? | 0:37:13 | 0:37:16 | |
We give 'em true cause to tremble. | 0:37:16 | 0:37:18 | |
I want those boys back in here. | 0:37:21 | 0:37:23 | |
Flight said Vincent was hugger-mugger with Fred Best. See what he knows. | 0:37:23 | 0:37:27 | |
Sir. | 0:37:27 | 0:37:28 | |
A word in your... | 0:37:32 | 0:37:34 | |
Left in an hurry, did we? | 0:37:39 | 0:37:41 | |
From Vincent. | 0:37:44 | 0:37:46 | |
My name is David Goodbody. | 0:37:54 | 0:37:56 | |
I wish to speak to Inspector Reid. | 0:37:56 | 0:37:58 | |
My sergeant saw you selling yourself to a man. | 0:38:07 | 0:38:10 | |
Rather reckless of you now, to present yourself thus. | 0:38:10 | 0:38:14 | |
I believe in justice, sir. | 0:38:14 | 0:38:16 | |
I have information... concerning Mr Quint. | 0:38:19 | 0:38:22 | |
One of your sexual partners, is he not? The victim of your blackmail? | 0:38:22 | 0:38:26 | |
Mr Quint and I only talked... | 0:38:26 | 0:38:29 | |
-Ah. -..sir. It isn't a crime, is it, | 0:38:29 | 0:38:31 | |
for a lonely man to find brief peace in talk? | 0:38:31 | 0:38:34 | |
No, not yet. | 0:38:34 | 0:38:35 | |
His folio was stolen. Would you know anything about that? | 0:38:37 | 0:38:40 | |
No, sir. | 0:38:40 | 0:38:41 | |
And this talk concerned what? | 0:38:41 | 0:38:43 | |
He was afraid. | 0:38:43 | 0:38:44 | |
Said they were against him. | 0:38:45 | 0:38:47 | |
-Who? -Said they'd destroyed his files, | 0:38:47 | 0:38:50 | |
and would cut out his tongue just because he told the truth. | 0:38:50 | 0:38:53 | |
Who, boy? Who is it would silence him? | 0:38:53 | 0:38:56 | |
I came here of my own accord, sir. | 0:38:56 | 0:38:59 | |
Will I be free to leave as such? | 0:39:01 | 0:39:02 | |
It is a dangerous game you play, David. | 0:39:03 | 0:39:05 | |
We do what we have to, sir. | 0:39:05 | 0:39:07 | |
-Why? -Love. | 0:39:07 | 0:39:09 | |
-Vincent? -My love is unnameable. | 0:39:09 | 0:39:13 | |
You tell me who Quint feared, then you may leave. | 0:39:17 | 0:39:19 | |
He mentioned the name Franklin. | 0:39:19 | 0:39:22 | |
Franklin Stone. | 0:39:23 | 0:39:25 | |
And the burden of Argentina. | 0:39:25 | 0:39:27 | |
STONE: That accusation is absurd. | 0:39:27 | 0:39:29 | |
I make no accusation, Mr Stone, merely enquiry. | 0:39:29 | 0:39:33 | |
I paid Sol Quint to report. | 0:39:33 | 0:39:34 | |
What possible interest could I have in destroying his work? | 0:39:34 | 0:39:36 | |
That, sir, is my enquiry. | 0:39:36 | 0:39:38 | |
Perhaps his analysis proved... incommodious. | 0:39:38 | 0:39:42 | |
Concerning the Argentine, for instance. | 0:39:44 | 0:39:47 | |
I believe this house had significant investment there. | 0:39:47 | 0:39:50 | |
Perhaps you would like to share with me | 0:39:51 | 0:39:53 | |
the name of he who flings such night soil at my door. | 0:39:53 | 0:39:55 | |
Perhaps you would share with me Mr Quint's recent work. | 0:39:55 | 0:39:59 | |
I should like full access to his files. | 0:39:59 | 0:40:01 | |
Of course. | 0:40:03 | 0:40:04 | |
However, there is the small matter of due process. | 0:40:09 | 0:40:12 | |
After all, Sol's death occurred in Hampstead, did it not, | 0:40:12 | 0:40:15 | |
which is the jurisdiction of S Division, | 0:40:15 | 0:40:17 | |
and we here fall under City of London policing, not you... | 0:40:17 | 0:40:20 | |
KNOCKS TABLE | 0:40:20 | 0:40:21 | |
..Metropolitan fellows. | 0:40:21 | 0:40:23 | |
See, the information in our files is very sensitive, Inspector. | 0:40:23 | 0:40:27 | |
I really must insist on having the correct warrants and assurances. | 0:40:27 | 0:40:30 | |
If it would be of any help, I could enquire of Commissioner Bradford. | 0:40:30 | 0:40:33 | |
I'll be seeing him at my club...later. | 0:40:33 | 0:40:36 | |
I understand Mr Quint's folio went missing of late. | 0:40:40 | 0:40:43 | |
Must be bothersome to such an assiduous custodian of his work. | 0:40:44 | 0:40:48 | |
Let's both hope it turns up soon, shall we? | 0:40:50 | 0:40:53 | |
They told me the police would come. | 0:41:06 | 0:41:08 | |
They bloody telegraphed me, those sodomites. | 0:41:08 | 0:41:11 | |
Make a fool of me, and they will ruin this bank. | 0:41:11 | 0:41:15 | |
I need more time. | 0:41:17 | 0:41:19 | |
I need you to get me more time. | 0:41:20 | 0:41:22 | |
-VINCENT: -Freddie. | 0:41:28 | 0:41:29 | |
How's that mutton cooking? | 0:41:31 | 0:41:33 | |
Fred, listen to me. If anything should happen... | 0:41:33 | 0:41:36 | |
What? | 0:41:36 | 0:41:38 | |
Look, tell me what you've gotten into. | 0:41:38 | 0:41:41 | |
Eh? Even your telegram sounded shit-scared. | 0:41:41 | 0:41:43 | |
If they come for David and me, there's a folio. | 0:41:43 | 0:41:47 | |
Take it. Publish it. | 0:41:48 | 0:41:50 | |
-Where? -It's stashed. | 0:41:51 | 0:41:53 | |
BEST: Where?! | 0:41:55 | 0:41:56 | |
Hold up, jug-ear. Where's the Mary Ann? I know you've been meeting up. | 0:42:10 | 0:42:12 | |
-Help him, please! Please help him! -What? | 0:42:12 | 0:42:15 | |
-Go! -Where?! | 0:42:15 | 0:42:17 | |
He's down by the tannery! | 0:42:17 | 0:42:18 | |
GASPING AND GRUNTING | 0:42:23 | 0:42:26 | |
Oh! Aah! | 0:42:33 | 0:42:35 | |
HE SCREAMS | 0:42:46 | 0:42:48 | |
HE GROANS | 0:42:56 | 0:42:58 | |
Aah! Aah! Aah! | 0:43:01 | 0:43:04 | |
HE PANTS MR SELF GROANS | 0:43:06 | 0:43:08 | |
Shit. | 0:43:09 | 0:43:12 | |
DOOR BANGS | 0:43:12 | 0:43:14 | |
HE GROANS | 0:43:16 | 0:43:19 | |
HE CHOKES | 0:43:22 | 0:43:24 | |
Go. | 0:43:26 | 0:43:28 | |
-CHOKING: -The documents. | 0:43:28 | 0:43:31 | |
-Give them to Fred. -You will not die. You will not die. | 0:43:31 | 0:43:34 | |
Now! Fred! | 0:43:34 | 0:43:37 | |
Go! Now. | 0:43:37 | 0:43:39 | |
I won't leave you. | 0:43:39 | 0:43:41 | |
I want... | 0:43:41 | 0:43:43 | |
I want... | 0:43:43 | 0:43:44 | |
..a hammock made of silk | 0:43:45 | 0:43:48 | |
in warm sun. | 0:43:48 | 0:43:50 | |
-SOBBING: -I want you to stay with me. | 0:43:50 | 0:43:53 | |
Please... | 0:43:53 | 0:43:54 | |
RUNNING STEPS | 0:44:00 | 0:44:02 | |
HE SOBS | 0:44:06 | 0:44:08 | |
I, James Self... | 0:44:12 | 0:44:14 | |
..hereby confess to the murders | 0:44:16 | 0:44:17 | |
of Otto Roberts, Solomon Quint and Vincent Featherwell. | 0:44:17 | 0:44:23 | |
I killed them | 0:44:24 | 0:44:26 | |
of my own full accord | 0:44:26 | 0:44:28 | |
for reasons | 0:44:28 | 0:44:31 | |
spiteful and indecent. | 0:44:31 | 0:44:33 | |
Bull! You killed on orders. | 0:44:33 | 0:44:36 | |
You wish to avoid the noose, you will give me a name. | 0:44:37 | 0:44:41 | |
I killed them of my own full accord... | 0:44:42 | 0:44:45 | |
..for reasons spiteful and indecent. | 0:44:46 | 0:44:50 | |
You are no less a messenger boy than Roberts and Featherwell. | 0:44:50 | 0:44:53 | |
And did they ever question those by whom they were sent, | 0:44:53 | 0:44:57 | |
or seek to comprehend the message they delivered? | 0:44:57 | 0:45:00 | |
For whom do you kill? | 0:45:00 | 0:45:02 | |
Franklin Stone? | 0:45:02 | 0:45:04 | |
Why lay down your life? | 0:45:04 | 0:45:06 | |
Do you see, I am all that stands between you and the rope? Tell me! | 0:45:06 | 0:45:11 | |
On my death, all I have, plus a settlement of insurance, | 0:45:11 | 0:45:16 | |
will be directed to my boy. | 0:45:16 | 0:45:18 | |
Do you understand, law man? | 0:45:20 | 0:45:22 | |
The one goodness I may achieve in this wretched life | 0:45:22 | 0:45:25 | |
will be the timely leaving of it. | 0:45:25 | 0:45:27 | |
Bring me your rope. | 0:45:31 | 0:45:33 | |
-How is he? -How would you be? | 0:45:42 | 0:45:44 | |
David. | 0:45:51 | 0:45:52 | |
David, the man who killed Vincent and Otto and Mr Quint, | 0:45:54 | 0:45:58 | |
he will not talk to me, | 0:45:58 | 0:46:00 | |
and so I need you to tell me all that you can. | 0:46:00 | 0:46:03 | |
We needed money. | 0:46:07 | 0:46:08 | |
We serviced men. | 0:46:10 | 0:46:11 | |
Sometimes, if there was an opportunity, we'd filch something, | 0:46:11 | 0:46:15 | |
a pocketbook, a briefcase, | 0:46:15 | 0:46:18 | |
then ransom it back. | 0:46:18 | 0:46:20 | |
The money was nothing to them... | 0:46:20 | 0:46:23 | |
..next to the world knowing them for who they were. | 0:46:24 | 0:46:26 | |
And you took Mr Quint's folio? | 0:46:26 | 0:46:28 | |
-SOBS: -But Vincent knew this was different. | 0:46:31 | 0:46:34 | |
Mr Quint's work was... | 0:46:35 | 0:46:37 | |
Vincent said it would make England shake. | 0:46:38 | 0:46:40 | |
-The Argentine was crumbling and... -What about the Argentine? | 0:46:40 | 0:46:44 | |
I don't know. | 0:46:44 | 0:46:46 | |
He just said it wouldn't hold, that Mr Quint saw a storm coming. | 0:46:46 | 0:46:50 | |
-That's a goddamn lie. -Jackson, Jackson. | 0:46:50 | 0:46:52 | |
-SOBS: -We just wanted to be free! -David. | 0:46:53 | 0:46:56 | |
David, where is Mr Quint's work? | 0:46:56 | 0:46:59 | |
HE SOBS | 0:46:59 | 0:47:01 | |
Where? | 0:47:01 | 0:47:02 | |
What is it, Reid? Is it about the Argentine? | 0:47:14 | 0:47:16 | |
The country's in debt. Vast debt. | 0:47:16 | 0:47:19 | |
They borrowed to cover themselves, underwritten by the House of Barings. | 0:47:19 | 0:47:22 | |
Argentina has run out of gold. They can't pay. | 0:47:22 | 0:47:24 | |
Quint saw how deeply Barings was exposed. | 0:47:24 | 0:47:26 | |
What the hell are you saying? | 0:47:26 | 0:47:28 | |
It's Quint's storm. It's a massive default. | 0:47:28 | 0:47:30 | |
All investment in that country is about to become worthless. | 0:47:30 | 0:47:31 | |
That's...that...that's horse shit. There's silver and there¹s copper in... | 0:47:31 | 0:47:35 | |
The country's bankrupt, man. Look, it's all here in black and white. Look. | 0:47:35 | 0:47:38 | |
What, you have interests there? Since when? | 0:47:40 | 0:47:43 | |
Stone was allowing the bubble to inflate. He was fuelling it. | 0:47:46 | 0:47:49 | |
Why, sir? | 0:47:49 | 0:47:50 | |
Ever more investment, ever more for the bank. Quint kept their correspondence. | 0:47:50 | 0:47:55 | |
Sir, all of this, it's as crooked as fish hooks | 0:47:56 | 0:48:01 | |
but how does it give us proof of murder? | 0:48:01 | 0:48:04 | |
This! | 0:48:06 | 0:48:07 | |
This is what you have been hunting and killed for. | 0:48:08 | 0:48:12 | |
You know as well as I, you have no proof of any crime at my hand. | 0:48:12 | 0:48:14 | |
James Self will break. | 0:48:14 | 0:48:16 | |
I know not a fellow by that name... | 0:48:16 | 0:48:18 | |
..and the only thing you can prove | 0:48:21 | 0:48:23 | |
is I acted in the best interests of my bank and its investors. | 0:48:23 | 0:48:25 | |
By lying to them? | 0:48:25 | 0:48:28 | |
By burying this? | 0:48:28 | 0:48:30 | |
How could you believe you'd avert disaster by denying it was happening? | 0:48:30 | 0:48:33 | |
STONE: Not denying. Delaying. | 0:48:33 | 0:48:36 | |
An hour ago, I concluded the last of my meetings with Lord Rothschild | 0:48:36 | 0:48:39 | |
and the Governor of the Bank of England. | 0:48:39 | 0:48:41 | |
They have agreed a loan sufficient to cover the debts of this House. | 0:48:41 | 0:48:43 | |
Had they not done so, had news of our exposure in Argentina become known... | 0:48:43 | 0:48:48 | |
Do you not comprehend the nexus, sir? | 0:48:56 | 0:48:58 | |
The connections inexorable of this age? | 0:48:58 | 0:49:00 | |
Do you imagine the telegram wires encircling our globe | 0:49:00 | 0:49:04 | |
are like angels' harp strings thrumming gently? | 0:49:04 | 0:49:07 | |
They are a garrotte, sir. | 0:49:07 | 0:49:08 | |
They necessitate unorthodox stratagems for survival. | 0:49:08 | 0:49:12 | |
Had news broken earlier, Barings would have been ruined. | 0:49:12 | 0:49:14 | |
Bank runs would have spread like the plague. | 0:49:17 | 0:49:18 | |
The economic heartbeat of our city... country, Empire, convulsing. | 0:49:18 | 0:49:24 | |
Would you have the whole world wear the rags of Whitechapel? | 0:49:27 | 0:49:30 | |
I saved this bank. | 0:49:34 | 0:49:35 | |
And what of your investors beyond this bank, | 0:49:35 | 0:49:38 | |
blindly stacking their livelihoods upon your pyre? | 0:49:38 | 0:49:40 | |
You sound like Sol Quint, | 0:49:40 | 0:49:42 | |
and my obligations are not to them, but to this House. | 0:49:42 | 0:49:45 | |
Then let the world see how this House does business. | 0:49:46 | 0:49:50 | |
Your naivety demeans you. | 0:49:52 | 0:49:54 | |
Those whose fortunes I have saved are free to think ill of me, | 0:49:58 | 0:50:03 | |
to shun me at the club... | 0:50:03 | 0:50:05 | |
..to divest themselves of their sullied funds... | 0:50:06 | 0:50:08 | |
..in tender compassion give every squalid pound to their stricken fellow men. | 0:50:10 | 0:50:16 | |
Do you imagine they will? No. | 0:50:18 | 0:50:21 | |
Because love and justice are not the primal forces of our world, sir. | 0:50:21 | 0:50:25 | |
Gold is the primal force of our world. | 0:50:28 | 0:50:31 | |
You believe, as Sol did, in right and wrong, but there is only... | 0:50:31 | 0:50:35 | |
..profit and loss. | 0:50:36 | 0:50:38 | |
You believe in laws... | 0:50:40 | 0:50:42 | |
..but there are only ledgers. | 0:50:44 | 0:50:46 | |
Would that it were otherwise, Inspector Reid. | 0:50:47 | 0:50:50 | |
Would that it were. | 0:50:50 | 0:50:51 | |
Would that my friend worked down the hallway still, | 0:50:52 | 0:50:56 | |
free to take lunch with me every Friday... | 0:50:56 | 0:50:59 | |
..as was our wont. | 0:51:02 | 0:51:04 | |
-We all have our obligations. -Yes, Mr Stone. | 0:51:07 | 0:51:10 | |
That we do. | 0:51:11 | 0:51:12 | |
DOOR OPENS | 0:51:19 | 0:51:21 | |
DOOR SHUTS | 0:51:22 | 0:51:24 | |
It is a meagre justice gets meted today. | 0:51:25 | 0:51:29 | |
But if the world may not know Franklin Stone for a murderer, | 0:51:30 | 0:51:33 | |
let them know him for a merchant of fraud and greed. | 0:51:33 | 0:51:36 | |
I'll serve up that bastard's head, stuffed with an apple. | 0:51:38 | 0:51:42 | |
This will take you as far as the station. | 0:51:45 | 0:51:47 | |
From there your path is your own. | 0:51:47 | 0:51:49 | |
Vincent and I were in love. | 0:51:51 | 0:51:53 | |
There is no path without him worth treading. | 0:51:53 | 0:51:57 | |
Yet tread on we must, one step at a time. | 0:51:57 | 0:52:00 | |
Good luck, David. | 0:52:02 | 0:52:03 | |
SUSAN: You took my money and gambled it on an empty hole in Argentina. | 0:52:11 | 0:52:16 | |
Get it back. | 0:52:16 | 0:52:17 | |
-JACKSON: -I tried. | 0:52:18 | 0:52:19 | |
I talked to Charlie. Uh...yeah, he's in deep too. | 0:52:19 | 0:52:23 | |
We can't get it back. Nobody can. It's, er... | 0:52:26 | 0:52:30 | |
..it's gone. | 0:52:31 | 0:52:33 | |
It's gone? | 0:52:33 | 0:52:34 | |
Jesus, Caitlin. Scream at me. Scratch my eyes out. | 0:52:38 | 0:52:41 | |
Throw something. | 0:52:43 | 0:52:44 | |
I'll never give you a scrap of feeling ever again. | 0:52:45 | 0:52:49 | |
I was just trying to get us out. | 0:52:49 | 0:52:51 | |
You get out. | 0:52:52 | 0:52:53 | |
Did you hear me? | 0:52:56 | 0:52:57 | |
Put down my whisky and get out. | 0:52:57 | 0:53:01 | |
I'm gonna think of something, OK? I swear... | 0:53:01 | 0:53:03 | |
From this moment, I don't care what you think or swear or do. | 0:53:03 | 0:53:07 | |
You betrayed me. | 0:53:07 | 0:53:08 | |
Do you have any idea what you've done? You betrayed me. | 0:53:08 | 0:53:13 | |
You took our money, which I made, and you threw it away. | 0:53:13 | 0:53:17 | |
You were right about one thing. | 0:53:22 | 0:53:24 | |
You aren't a man. | 0:53:25 | 0:53:26 | |
Get out. | 0:53:29 | 0:53:30 | |
CARRIAGE PASSING OUTSIDE | 0:53:49 | 0:53:51 | |
KNOCKS | 0:54:23 | 0:54:25 | |
Miss Cobden, I hope you'll excuse the hour. | 0:54:27 | 0:54:30 | |
It is excused, Inspector. | 0:54:31 | 0:54:33 | |
You see, I, er...I have of late had cause for...reflection. | 0:54:36 | 0:54:41 | |
Would you care to sit, | 0:54:41 | 0:54:43 | |
or would you prefer to share the results of your ruminations from the threshold? | 0:54:43 | 0:54:47 | |
It is a rare thing to find a friend in this world, a...a true friend. | 0:54:53 | 0:54:58 | |
Rarer still one that might... become more. | 0:54:59 | 0:55:03 | |
There are some that do and risk all for it... | 0:55:08 | 0:55:11 | |
..and, even though the world and all its might | 0:55:13 | 0:55:15 | |
might seek to snuff out their...love... | 0:55:15 | 0:55:18 | |
they burn with it, fierce and bright, like the sun. | 0:55:18 | 0:55:21 | |
The love that I have known, | 0:55:21 | 0:55:24 | |
the strength needed of me was not there. | 0:55:24 | 0:55:27 | |
I failed, er... | 0:55:29 | 0:55:31 | |
..I failed my wife, Miss Cobden. | 0:55:35 | 0:55:37 | |
I would not have that pain visited upon you. | 0:55:38 | 0:55:41 | |
You said the past was naught but black magnetism. | 0:55:42 | 0:55:46 | |
If I allowed, you would help me resist it. | 0:55:46 | 0:55:48 | |
I have... | 0:55:48 | 0:55:50 | |
..had enough of the darkness... | 0:55:51 | 0:55:53 | |
..if you would help me know the sun. | 0:55:55 | 0:55:58 | |
Well, Edmund... | 0:56:01 | 0:56:02 | |
..I do hope you're not going to launch into sonnets | 0:56:04 | 0:56:07 | |
every time you wish to take me for dinner and a dance. | 0:56:07 | 0:56:10 | |
I should find all the swooning quite tiresome. | 0:56:15 | 0:56:18 | |
I will not be your mistress. I will not stand | 0:56:31 | 0:56:34 | |
for shady encounters and stolen assignations. | 0:56:34 | 0:56:38 | |
-I, er...I cannot divorce... -Nor do I ask that. | 0:56:38 | 0:56:41 | |
But if we are to burn fierce as the sun... | 0:56:44 | 0:56:47 | |
..then I should have us share our light with the world entire. | 0:56:48 | 0:56:51 | |
Shall we? | 0:57:03 | 0:57:04 | |
SWITCHBLADE CLICKS | 0:57:10 | 0:57:13 | |
SWITCHBLADE CLICKS | 0:57:14 | 0:57:16 | |
Name me a price, boy. | 0:57:27 | 0:57:28 | |
It's named. | 0:57:28 | 0:57:30 | |
HE CHOKES | 0:57:30 | 0:57:33 | |
HE GROANS | 0:57:40 | 0:57:42 | |
STONE GASPS AND MOANS | 0:57:47 | 0:57:49 | |
A bed for the night, Maggie, that's all. | 0:57:54 | 0:57:57 | |
Each soul here, when first they came, | 0:57:57 | 0:57:58 | |
had reason never to trust again. | 0:57:58 | 0:58:00 | |
It's the bloody Jews! Hang the noose around the lot of the kike bastards! | 0:58:02 | 0:58:05 | |
-REID: -Whoever seeks to set Jew against Gentile would do the same for the Irish. | 0:58:05 | 0:58:08 | |
-Your love for him is not real, Bella. -It is. | 0:58:08 | 0:58:10 | |
No, it is not. | 0:58:10 | 0:58:11 | |
Who are you? | 0:58:11 | 0:58:13 | |
Will you have at me with your billy club? | 0:58:13 | 0:58:15 | |
Bennet, no! Leave him be. I'll explain. | 0:58:15 | 0:58:18 | |
I saw her, Bennet, with a man. | 0:58:18 | 0:58:19 |