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This programme contains some scenes which some viewers may find upsetting | 0:00:02 | 0:00:10 | |
Now, let's see. | 0:00:11 | 0:00:13 | |
Yeah, a few of the red ones, please. | 0:00:13 | 0:00:15 | |
-Special someone, sir? -None more so. | 0:00:15 | 0:00:17 | |
They say "truest love", red tulips. Did you know that? | 0:00:20 | 0:00:23 | |
No, I didn't. | 0:00:23 | 0:00:24 | |
For every bloom a meaning, sir, and every colour too. | 0:00:24 | 0:00:27 | |
Might the lady care for another? | 0:00:27 | 0:00:29 | |
Yeah. Yeah, she likes these. | 0:00:29 | 0:00:31 | |
Love forever lasting. | 0:00:33 | 0:00:35 | |
Go on, then, let's have a couple of the yellow ones, then I'm off. | 0:00:37 | 0:00:40 | |
Well, girl? What meaning these? | 0:00:40 | 0:00:42 | |
Love without hope. | 0:00:45 | 0:00:46 | |
It's only bloody flowers, innit? | 0:00:50 | 0:00:52 | |
Rose? | 0:01:07 | 0:01:08 | |
Rose, girl, what happened? | 0:01:12 | 0:01:14 | |
You're leaving? | 0:01:22 | 0:01:24 | |
What else can I do? | 0:01:24 | 0:01:25 | |
He owns this playhouse, Bennet, but he don't own me. | 0:01:26 | 0:01:30 | |
Well... | 0:01:30 | 0:01:31 | |
What'll you do, girl? | 0:01:31 | 0:01:32 | |
Find honest work somewhere I ain't told to let the boss rut | 0:01:32 | 0:01:35 | |
and grunt atop me for the privilege of it. | 0:01:35 | 0:01:37 | |
I just... | 0:01:37 | 0:01:39 | |
I wanted something better for meself, Bennet. | 0:01:40 | 0:01:43 | |
Rose, there will be something better, girl. | 0:01:43 | 0:01:46 | |
I mean, you've more wits and heart about you than anyone I... | 0:01:46 | 0:01:52 | |
You'll see, things'll work out. | 0:01:57 | 0:02:00 | |
Things do work out. | 0:02:03 | 0:02:04 | |
She's a lucky lady, Bennet, your Bella. | 0:02:04 | 0:02:07 | |
I'd, uh... | 0:02:13 | 0:02:14 | |
I'd better be on me way. | 0:02:16 | 0:02:18 | |
I'm sorry, Rose, I am. | 0:02:27 | 0:02:30 | |
Pardon my lateness, love. | 0:02:57 | 0:02:59 | |
The inspector needed me... | 0:02:59 | 0:03:01 | |
Bella? | 0:03:02 | 0:03:04 | |
Bella? | 0:03:07 | 0:03:09 | |
You really need me to tell you this wasn't an accident? | 0:04:25 | 0:04:28 | |
Smells fishy, all right. | 0:04:28 | 0:04:30 | |
What is that stench? | 0:04:30 | 0:04:31 | |
It's whale oil. | 0:04:31 | 0:04:32 | |
This place was torched with whale oil. | 0:04:32 | 0:04:34 | |
MAN: Oi! It's the bloody Jews! | 0:04:36 | 0:04:39 | |
Hang a noose round the lot of the kike bastards! | 0:04:39 | 0:04:41 | |
-Who gave you these, boy? -Some bloke. | 0:04:44 | 0:04:46 | |
-Paid me to spread 'em. -What "bloke"? | 0:04:46 | 0:04:48 | |
-I dunno! His face was hid! -How about you leave him | 0:04:48 | 0:04:50 | |
and chase after the yids what done this? | 0:04:50 | 0:04:51 | |
You seem pretty sure who lit that match, son. | 0:04:51 | 0:04:53 | |
Left their mark, plain as day. | 0:04:53 | 0:04:55 | |
FLIGHT: Is that Hebrew? | 0:04:57 | 0:04:59 | |
Flight, get a photographer. | 0:05:07 | 0:05:09 | |
Yes, sir. | 0:05:09 | 0:05:10 | |
Sergeant. | 0:05:14 | 0:05:16 | |
I was expecting you at the... | 0:05:16 | 0:05:18 | |
church. | 0:05:18 | 0:05:19 | |
It's not like her, sir. | 0:05:20 | 0:05:22 | |
I know my Bella, she's in trouble, I can feel it. | 0:05:22 | 0:05:24 | |
I've, er... I've scoured the streets. | 0:05:25 | 0:05:28 | |
I don't know what else to do. | 0:05:29 | 0:05:30 | |
You're certain there's no signs of abduction? | 0:05:32 | 0:05:34 | |
I don't think so. Least, not what I could see. | 0:05:34 | 0:05:38 | |
Bennet, when you first started courting Bella... | 0:05:38 | 0:05:41 | |
-(CLEARS THROAT) -..I had concern... | 0:05:41 | 0:05:42 | |
Reid. | 0:05:42 | 0:05:43 | |
-Concern? -Not every wild cat can be tamed. | 0:05:45 | 0:05:50 | |
-You're wrong about her. -Look, Drake. | 0:05:50 | 0:05:53 | |
Did you talk to Susan? | 0:05:54 | 0:05:56 | |
-She's not back on her back! -Only to see if she has any other ideas. | 0:05:56 | 0:06:00 | |
No! | 0:06:01 | 0:06:02 | |
Why don't me and you go ask her, huh? | 0:06:02 | 0:06:05 | |
-REID: -Long Susan threw you out. Are you welcome there? | 0:06:05 | 0:06:08 | |
About as welcome as your advice on every man's goddamn marriage. | 0:06:08 | 0:06:12 | |
I just... | 0:06:19 | 0:06:21 | |
I just need a small sum for lodging, till I find a new playhouse. | 0:06:21 | 0:06:24 | |
Rose, I've got nothing to give you. | 0:06:24 | 0:06:27 | |
The music hall remains your best option. | 0:06:27 | 0:06:30 | |
So I should just...crawl back to Blewett, then, should I? | 0:06:34 | 0:06:36 | |
Let him take what he wants? | 0:06:36 | 0:06:38 | |
Doesn't matter how hard we try, does it, girl? | 0:06:38 | 0:06:41 | |
In the end, we pay with the basest coin of all. | 0:06:42 | 0:06:44 | |
KNOCK ON DOOR | 0:06:44 | 0:06:46 | |
Sorry, are we interrupting something? It's about Bella. | 0:06:48 | 0:06:53 | |
She never spoke of family, friends or anyone | 0:06:55 | 0:06:58 | |
and I learnt long ago in the running of this house not to pry. | 0:06:58 | 0:07:01 | |
Well, was there ever a... | 0:07:03 | 0:07:05 | |
..another...gentleman? | 0:07:06 | 0:07:08 | |
Before the sergeant, that is. | 0:07:09 | 0:07:11 | |
Not known to me. Rose? | 0:07:12 | 0:07:16 | |
Nor me. | 0:07:16 | 0:07:17 | |
I am sorry, Sergeant. I wish I could tell you more. | 0:07:17 | 0:07:20 | |
I have matters to attend. You're welcome to finish your tea. | 0:07:20 | 0:07:25 | |
Susan. | 0:07:27 | 0:07:28 | |
Susan! | 0:07:34 | 0:07:35 | |
-Goddamn it! -Don't touch me. | 0:07:37 | 0:07:38 | |
And do not call again on this house, unannounced. | 0:07:38 | 0:07:41 | |
Or what? You'll call the police? | 0:07:41 | 0:07:43 | |
This is my home, Susan! | 0:07:43 | 0:07:45 | |
This is my home. | 0:07:51 | 0:07:52 | |
-Bennet... -You keep away from me, girl. | 0:07:55 | 0:07:57 | |
Bennet, I'm your friend. | 0:07:57 | 0:07:58 | |
No! | 0:07:58 | 0:08:00 | |
No, I should've been home. | 0:08:00 | 0:08:03 | |
Not with you. | 0:08:03 | 0:08:04 | |
If I'd been home, she wouldn't be gone, would she? | 0:08:04 | 0:08:07 | |
Nothing good comes from being round you. | 0:08:08 | 0:08:11 | |
MAN: Get back! | 0:08:14 | 0:08:15 | |
MAN: It was the Catholics! | 0:08:16 | 0:08:18 | |
MAN PRAYS IN HEBREW | 0:08:23 | 0:08:25 | |
What sorrow the Catholics have visited on us, Detective Reid. | 0:08:49 | 0:08:52 | |
-Inspector. -Mr Bloom. | 0:08:52 | 0:08:55 | |
A religious war brews in Whitechapel. | 0:08:55 | 0:08:57 | |
Mrs Goldstone said... you were looking for me. | 0:08:59 | 0:09:02 | |
I hope someday it is happier circumstances | 0:09:02 | 0:09:05 | |
that bring me to your door. | 0:09:05 | 0:09:06 | |
Inspector, save your photographs. I saw the graffito for myself. | 0:09:09 | 0:09:13 | |
"Shall a trumpet be blown in the city | 0:09:14 | 0:09:17 | |
"and the people not quake in fear? | 0:09:17 | 0:09:19 | |
"Shall there be evil in the city, if the Lord has not done it?" | 0:09:20 | 0:09:25 | |
The Torah? | 0:09:25 | 0:09:26 | |
Is it your belief that the Jews | 0:09:27 | 0:09:29 | |
are responsible for the burning of that church? | 0:09:29 | 0:09:32 | |
Are any so radical in their views known to you? | 0:09:32 | 0:09:34 | |
A boy was... | 0:09:36 | 0:09:37 | |
flinging these... | 0:09:37 | 0:09:39 | |
outside the shul | 0:09:39 | 0:09:40 | |
-like confetti. -A boy was pamphleteering | 0:09:40 | 0:09:42 | |
outside the church also. | 0:09:42 | 0:09:44 | |
Peddling anti-Semitic sentiment. | 0:09:44 | 0:09:46 | |
A striking coincidence, would you not say? | 0:09:46 | 0:09:49 | |
A call to Jews for savage retribution. | 0:09:49 | 0:09:52 | |
"Scorch the Gentiles as before with righteous fire for their desecration." | 0:09:52 | 0:09:57 | |
HE WHISPERS IN YIDDISH | 0:09:57 | 0:09:59 | |
He says no member of this shul would write such words, | 0:10:00 | 0:10:03 | |
nor seek such violence. | 0:10:03 | 0:10:04 | |
And he is afraid what will befall us. | 0:10:05 | 0:10:07 | |
I will not allow the fomenting of hatred in this community. | 0:10:07 | 0:10:10 | |
Inspector...the men of these streets are no brotherhood. | 0:10:10 | 0:10:14 | |
We are neighbours of circumstance, necessity. | 0:10:14 | 0:10:17 | |
The fence of tolerance that pens us is frail. | 0:10:17 | 0:10:20 | |
We are not animals here, Mr Bloom. | 0:10:20 | 0:10:23 | |
Now that is a radical view. | 0:10:24 | 0:10:26 | |
Bella? | 0:10:41 | 0:10:43 | |
Bella? GASPS | 0:10:48 | 0:10:50 | |
Oh. | 0:10:50 | 0:10:51 | |
I... Forgive me. | 0:10:51 | 0:10:54 | |
Forgive me. | 0:10:56 | 0:10:57 | |
You're welcome to join us, if you like. We saw you sat alone. | 0:11:09 | 0:11:13 | |
Maggie. | 0:11:13 | 0:11:14 | |
What I'd like, Maggie, is to be left in peace with my gin. | 0:11:15 | 0:11:20 | |
I didn't mean... | 0:11:21 | 0:11:22 | |
I just thought you... Was a time not long past | 0:11:24 | 0:11:27 | |
I was needful of friends and was lucky to find some, is all. | 0:11:27 | 0:11:31 | |
I'll leave you be. | 0:11:32 | 0:11:34 | |
Evening, pretty one. Tug us off? | 0:11:44 | 0:11:47 | |
I'll rip it off! | 0:11:47 | 0:11:48 | |
LAUGHTER | 0:11:49 | 0:11:50 | |
Hello! | 0:11:59 | 0:12:01 | |
Bella. | 0:12:07 | 0:12:08 | |
Where have you...? | 0:12:08 | 0:12:09 | |
Bennet, this is Gabriel. | 0:12:09 | 0:12:12 | |
-Who?! -My uncle. | 0:12:12 | 0:12:14 | |
Your uncle?! | 0:12:14 | 0:12:16 | |
Gabriel Kane. | 0:12:16 | 0:12:17 | |
I... | 0:12:17 | 0:12:18 | |
Where were you? | 0:12:21 | 0:12:23 | |
-I've been out of my mind, girl! -I left a note. | 0:12:23 | 0:12:25 | |
A note? | 0:12:26 | 0:12:28 | |
No, this... | 0:12:30 | 0:12:32 | |
I swear it wasn't there. | 0:12:33 | 0:12:35 | |
Bella, I've been searching all over. I thought... | 0:12:35 | 0:12:37 | |
I'm so sorry. | 0:12:37 | 0:12:39 | |
The apology should be mine, Mr Drake. | 0:12:39 | 0:12:41 | |
My visit was unannounced and I brought with me the worst of news. | 0:12:41 | 0:12:45 | |
My daughter, sir. | 0:12:48 | 0:12:50 | |
Lily. | 0:12:50 | 0:12:51 | |
For some months the typhus had clawed at her. | 0:12:53 | 0:12:56 | |
Lily had uttered many times a wish to see once more the sweet face of whom she, | 0:12:59 | 0:13:03 | |
in happier times, had cherished, dear as a sister. | 0:13:03 | 0:13:07 | |
When, by chance, Bella's whereabouts became known to me, | 0:13:12 | 0:13:15 | |
I came without a second thought | 0:13:15 | 0:13:17 | |
and, in no less haste, Bella rushed to spend the night by Lily's side. | 0:13:17 | 0:13:22 | |
Did she...? | 0:13:25 | 0:13:26 | |
She passed, sir. | 0:13:26 | 0:13:27 | |
Before sunrise. | 0:13:29 | 0:13:30 | |
I am sorry. | 0:13:30 | 0:13:31 | |
Bella never spoke of any family. May I ask of Lily's mother? | 0:13:33 | 0:13:37 | |
The sun does not rise upon a single day without my yearning for her. | 0:13:37 | 0:13:40 | |
This meal is delicious, my dear. | 0:13:42 | 0:13:43 | |
I feel blessed to be in your home. | 0:13:44 | 0:13:47 | |
There is no tie that binds more than family. | 0:13:48 | 0:13:51 | |
Do you not agree, Mr Drake? | 0:13:51 | 0:13:52 | |
Oh, I, er... I never knew much of family. Until Bella. | 0:13:54 | 0:13:58 | |
She tells me you took the queen's shilling. Egypt, was it? | 0:14:03 | 0:14:07 | |
For a time. You? | 0:14:07 | 0:14:09 | |
No such privilege, sir. | 0:14:09 | 0:14:11 | |
My travel was undertaken not for queen and country, but for study. | 0:14:11 | 0:14:15 | |
I travelled through Sinai en route to Persia, Bengal. | 0:14:15 | 0:14:19 | |
The study of what? | 0:14:21 | 0:14:22 | |
All kinds. | 0:14:23 | 0:14:25 | |
Exploration, anthropology. | 0:14:26 | 0:14:29 | |
A seeking, you might say. | 0:14:30 | 0:14:32 | |
Seeking of? | 0:14:34 | 0:14:35 | |
Truth. | 0:14:37 | 0:14:38 | |
I stayed for a time at a shelter for women, but... | 0:14:46 | 0:14:49 | |
These streets deal a poor hand to men and women alike. | 0:14:49 | 0:14:53 | |
We're sisters and brothers here. | 0:14:53 | 0:14:55 | |
All of you live here? | 0:14:58 | 0:14:59 | |
And plenty more besides. | 0:14:59 | 0:15:02 | |
They'll demolish all this soon enough for roads or trains or factories | 0:15:02 | 0:15:08 | |
but until these bricks are rubble, | 0:15:08 | 0:15:10 | |
any who come needful of shelter or friendship can find both. | 0:15:10 | 0:15:14 | |
MURMUR OF CONVERSATION | 0:15:15 | 0:15:17 | |
CLINKING OF PLATES | 0:15:18 | 0:15:20 | |
LAUGHTER | 0:15:20 | 0:15:21 | |
-There's soup, if you're hungry. -Oh... | 0:15:36 | 0:15:38 | |
I have new friends too. | 0:15:38 | 0:15:40 | |
Father will be happy with you. | 0:15:40 | 0:15:43 | |
-Samuel, this is Rose. -How do, Rose. | 0:15:43 | 0:15:46 | |
Samuel is one of Father's finest students. | 0:15:46 | 0:15:50 | |
You did well last night. | 0:15:50 | 0:15:52 | |
"Thou brakest the head of leviathan in pieces, gavest to his people | 0:15:52 | 0:15:56 | |
"inhabiting the wilderness." | 0:15:56 | 0:15:58 | |
Excuse me, Rose. I am requested. | 0:15:59 | 0:16:02 | |
KNOCKS ON DOOR | 0:16:05 | 0:16:07 | |
What's in there? | 0:16:09 | 0:16:11 | |
That's Father's chamber. | 0:16:11 | 0:16:13 | |
Who is this Father? | 0:16:14 | 0:16:15 | |
He found this place for us. Made us a family. | 0:16:16 | 0:16:19 | |
You'll meet him tomorrow. | 0:16:19 | 0:16:20 | |
A bed for the night, Maggie. That's all. | 0:16:20 | 0:16:23 | |
Come the morning, I make my own way. | 0:16:23 | 0:16:26 | |
I can't make you trust us, Rose. | 0:16:26 | 0:16:29 | |
But I can tell you that each soul here, | 0:16:29 | 0:16:31 | |
when first they came, had reason never to trust again. | 0:16:31 | 0:16:34 | |
Rest. You will not be troubled. | 0:16:34 | 0:16:37 | |
Bennet. | 0:16:58 | 0:16:59 | |
Bella... | 0:17:02 | 0:17:04 | |
Bella, I thought you'd... | 0:17:09 | 0:17:10 | |
That note. It wasn't there. | 0:17:13 | 0:17:15 | |
It was there, Bennet. | 0:17:15 | 0:17:16 | |
-I swear. -It was there. | 0:17:16 | 0:17:17 | |
You never once spoke of them. Gabriel. Lily. Anyone. | 0:17:20 | 0:17:24 | |
It felt like they were in another life. | 0:17:26 | 0:17:28 | |
I'm sorry. | 0:17:32 | 0:17:33 | |
I'm so sorry. | 0:17:35 | 0:17:38 | |
No, that's all right. It's all right, my love. | 0:17:38 | 0:17:39 | |
This entire day can kiss my holiest of holies. | 0:18:27 | 0:18:30 | |
Home. You with me? | 0:18:32 | 0:18:34 | |
It's not your home, man, it's mine. | 0:18:34 | 0:18:36 | |
Look at these, will you? Do they not strike you similar? | 0:18:36 | 0:18:39 | |
Reid, listen to me. | 0:18:39 | 0:18:41 | |
First, I'm gonna drink this. | 0:18:43 | 0:18:45 | |
Then I'm gonna throw up. | 0:18:45 | 0:18:47 | |
And then...I'm gonna drink this. | 0:18:47 | 0:18:50 | |
And then I'm gonna pass out. | 0:18:50 | 0:18:52 | |
Now, you wanna make use of my brain, do it now. | 0:18:52 | 0:18:56 | |
I know a thing or two about bone setting. | 0:18:56 | 0:18:58 | |
But you're shit outta luck when it comes to typesetting. | 0:18:58 | 0:19:00 | |
And on that, I bid...adieu. | 0:19:02 | 0:19:05 | |
BEST: Panic in the air, streets on the brink. Just like the good old days. | 0:19:29 | 0:19:32 | |
-REID: -And now this. | 0:19:32 | 0:19:33 | |
Circulating on Underwood Street this morning. | 0:19:33 | 0:19:36 | |
Yeah. Heard St Anne's Church took a pasting the like of the synagogue. | 0:19:37 | 0:19:40 | |
Whoever sets Jews against Gentiles will do the same for the Irish. | 0:19:40 | 0:19:43 | |
The pamphlets. Did they come off the same press? | 0:19:43 | 0:19:46 | |
You must have me confused with the psychical two doors down. | 0:19:46 | 0:19:49 | |
If you wish my torch of truth to illumine the holy mysteries | 0:19:49 | 0:19:52 | |
of ink and type, quid pro quo, Inspector. | 0:19:52 | 0:19:56 | |
That's foreign, chum. | 0:19:56 | 0:19:58 | |
You must have an ear for it. Me old china. | 0:19:58 | 0:20:01 | |
A church burns on our doorstep, man! | 0:20:01 | 0:20:03 | |
This is no penny dreadful to be eked out over your grubby pages. | 0:20:03 | 0:20:06 | |
You came up through the print-works, did you not? | 0:20:11 | 0:20:15 | |
An ink-streaked urchin, giddy with hot lead | 0:20:15 | 0:20:18 | |
and hungry to one day rule the Fourth Estate. | 0:20:18 | 0:20:21 | |
Truly, William Stead must quake at your rivalry. | 0:20:21 | 0:20:25 | |
"Quid pro quo"? | 0:20:25 | 0:20:27 | |
You seem to labour under the belief that we have some "arrangement". | 0:20:29 | 0:20:35 | |
A symbiosis, as the biologists would say. | 0:20:35 | 0:20:38 | |
But there is no biologist yet that has a name for what you are. | 0:20:38 | 0:20:42 | |
Come, Sergeant. | 0:20:44 | 0:20:45 | |
We need the opinion of a professional, not a muck-shoveller. | 0:20:45 | 0:20:48 | |
Wait. | 0:20:48 | 0:20:49 | |
Right, see this. | 0:21:00 | 0:21:01 | |
The smudge? | 0:21:02 | 0:21:03 | |
We call it a slur. | 0:21:03 | 0:21:05 | |
See, some of these are printed fine enough, but every few, | 0:21:06 | 0:21:08 | |
-a slur. -Meaning? | 0:21:08 | 0:21:10 | |
Looks like they were printed on an Albion. | 0:21:11 | 0:21:13 | |
Lovely old press, but a bugger with the trems. | 0:21:13 | 0:21:16 | |
-It's vibrations. -From? | 0:21:16 | 0:21:18 | |
Door slam, floor thump, anything that would make the room shake. | 0:21:18 | 0:21:21 | |
Christ, you could fart, it would make the platen do a judder. | 0:21:21 | 0:21:23 | |
These slurs. They're regular. | 0:21:23 | 0:21:26 | |
Same disturbance each time. | 0:21:26 | 0:21:27 | |
Then go look for a clockwork flatulent. Look, I've work to do, gentlemen. | 0:21:27 | 0:21:31 | |
Sergeant, I, er... | 0:21:34 | 0:21:35 | |
Bennet, I... Forgive me... | 0:21:37 | 0:21:40 | |
I am happy for you she's home safe. | 0:21:41 | 0:21:43 | |
I hope some day... I'm able to say to you likewise. | 0:21:47 | 0:21:50 | |
CARRIAGE RUMBLES | 0:21:53 | 0:21:55 | |
Trains. Could it be the trains? | 0:21:59 | 0:22:02 | |
Years back I lived in a place by the tracks. | 0:22:02 | 0:22:04 | |
Room shook like an earthquake every half-hour. | 0:22:04 | 0:22:08 | |
Can you determine if these pamphlets were printed using the same ink? | 0:22:08 | 0:22:10 | |
-Like Friedlieb Runge does. -Friedlieb who? | 0:22:10 | 0:22:13 | |
Runge. I saw a lecture about his experiments with dye. | 0:22:13 | 0:22:16 | |
Colour patterns. | 0:22:16 | 0:22:18 | |
-Those wily cabbage-eaters. -Is it possible? | 0:22:18 | 0:22:20 | |
Yeah, in theory, I guess, sure. But what would be the point? | 0:22:20 | 0:22:23 | |
There are maybe seven or eight brands of ink vended wholesale to printers. | 0:22:23 | 0:22:27 | |
So, even if you found the match, Reid... | 0:22:27 | 0:22:30 | |
Yes, the field remains wide. | 0:22:30 | 0:22:31 | |
But how many print-shops who purchase this type of ink | 0:22:31 | 0:22:34 | |
are situated near enough to rail tracks for this slur? | 0:22:34 | 0:22:36 | |
It's lucky for you I'm a gambling man, Reid. Send Flight shopping. | 0:22:43 | 0:22:46 | |
I need samples. | 0:22:46 | 0:22:48 | |
Here's your ink, right here. No doubt about it. Compounds. | 0:23:11 | 0:23:14 | |
-You see? -Precisely the same. | 0:23:14 | 0:23:16 | |
Heylin's Black Empire, number 4. | 0:23:16 | 0:23:17 | |
Who uses that? | 0:23:17 | 0:23:19 | |
There's one, um...two printers that buy it, near enough tracks. | 0:23:19 | 0:23:23 | |
But this one, it's right on the London & Blackwall, sir. | 0:23:23 | 0:23:25 | |
Get me a hansom! | 0:23:25 | 0:23:26 | |
Gaddis! | 0:23:27 | 0:23:29 | |
Here's the Albion, sir. | 0:23:34 | 0:23:37 | |
Whale oil? | 0:23:46 | 0:23:48 | |
HEAVY BREATHING | 0:23:51 | 0:23:54 | |
Samuel Gaddis. | 0:23:58 | 0:23:59 | |
Gaddis... | 0:24:02 | 0:24:04 | |
Was it you...alone? | 0:24:04 | 0:24:06 | |
TRAIN RUMBLES | 0:24:06 | 0:24:09 | |
Father. | 0:24:09 | 0:24:11 | |
Why? To what end spread such hate? | 0:24:34 | 0:24:37 | |
We got him, leastwise. | 0:24:37 | 0:24:38 | |
KNOCK ON DOOR | 0:24:47 | 0:24:49 | |
DOOR OPENS | 0:24:49 | 0:24:50 | |
Oh, you're still here. | 0:24:50 | 0:24:52 | |
I started reading and... | 0:24:54 | 0:24:57 | |
That's Father's. He's written so many. What did you think? | 0:24:57 | 0:25:00 | |
Do you believe all this, Maggie? | 0:25:00 | 0:25:02 | |
That there's some better world to come? | 0:25:02 | 0:25:05 | |
There is, Rose. | 0:25:05 | 0:25:07 | |
I've seen it. | 0:25:07 | 0:25:09 | |
I couldn't to begin with, of course. | 0:25:09 | 0:25:11 | |
I... I had my doubts, as you do. | 0:25:11 | 0:25:14 | |
But Father helped me to see. | 0:25:14 | 0:25:16 | |
And the truth, when at last we glimpse it, can be so bright, it dazzles. | 0:25:17 | 0:25:21 | |
Stay a little. Meet Father. He'll help you understand. | 0:25:22 | 0:25:26 | |
I don't think so, Maggie. | 0:25:26 | 0:25:27 | |
Thank you for your kindness, but...I'll make my way. | 0:25:29 | 0:25:33 | |
Forgive me. | 0:25:34 | 0:25:35 | |
You must be hungry. | 0:25:35 | 0:25:37 | |
You're a kind soul, Maggie. | 0:25:38 | 0:25:39 | |
That's what Father says. | 0:25:42 | 0:25:43 | |
I do so wish you would stay to meet him. | 0:25:45 | 0:25:47 | |
SHE GASPS | 0:26:02 | 0:26:04 | |
Father, I cannot. | 0:26:04 | 0:26:05 | |
The years without you have passed as centuries. | 0:26:08 | 0:26:10 | |
Fate has brought you back to me. | 0:26:10 | 0:26:13 | |
Now you must renounce your adultery with this man Bennet. | 0:26:13 | 0:26:16 | |
What matter it was one night or two years past | 0:26:16 | 0:26:18 | |
when the hurt remains afire? | 0:26:18 | 0:26:20 | |
-He is a good man. -And I would not have you lie to him. | 0:26:20 | 0:26:24 | |
I love him! | 0:26:25 | 0:26:27 | |
And I love you. | 0:26:27 | 0:26:28 | |
I love Bennet. | 0:26:28 | 0:26:30 | |
Then bring him to us. | 0:26:30 | 0:26:32 | |
I have waited for you. | 0:26:32 | 0:26:35 | |
As did Lily. | 0:26:37 | 0:26:39 | |
She howled for you... | 0:26:41 | 0:26:43 | |
Gabriel, don't! | 0:26:43 | 0:26:44 | |
If you'd stayed... | 0:26:44 | 0:26:46 | |
..she'd have found the will to fight the illness. | 0:26:47 | 0:26:49 | |
I had to leave. | 0:26:49 | 0:26:50 | |
I was a child myself. | 0:26:53 | 0:26:54 | |
But you're a child no longer. | 0:26:54 | 0:26:56 | |
INDISTINCT VOICES PRAY | 0:26:58 | 0:27:01 | |
Do you not think your Bennet... | 0:27:07 | 0:27:10 | |
who has seen, just as I... | 0:27:10 | 0:27:12 | |
..the vicious face of Man... | 0:27:14 | 0:27:15 | |
..who has waded in the blood... | 0:27:19 | 0:27:20 | |
..who this very day takes desperate threadbare broom | 0:27:22 | 0:27:25 | |
to the filth of the streets... | 0:27:25 | 0:27:27 | |
Do you not think such a man would understand our work here? | 0:27:30 | 0:27:33 | |
I would not have you leave him to the sordid vanity of this world. | 0:27:36 | 0:27:39 | |
If you love him, my Bella... | 0:27:43 | 0:27:45 | |
..save him. | 0:27:47 | 0:27:48 | |
DOOR CREAKS | 0:27:58 | 0:27:59 | |
GASPS | 0:28:01 | 0:28:02 | |
Philip! Maggie! | 0:28:05 | 0:28:07 | |
You go round. | 0:28:19 | 0:28:20 | |
Rose? You're safe with us. FLY BUZZES | 0:28:27 | 0:28:32 | |
Rose! | 0:28:32 | 0:28:33 | |
Save him. | 0:28:45 | 0:28:46 | |
This book, The Golden Bough, | 0:28:48 | 0:28:51 | |
it's extraordinary how he picks together the common thread of... | 0:28:51 | 0:28:54 | |
religion and mythology, folklore. | 0:28:54 | 0:28:57 | |
God's a fairy tale. This is news? | 0:28:57 | 0:29:00 | |
-His thesis is somewhat more intricate. -Thesis? | 0:29:01 | 0:29:05 | |
Man'll pin up any rag he can to veil himself from the naked truth. | 0:29:06 | 0:29:11 | |
There's a thesis. | 0:29:11 | 0:29:12 | |
The naked truth being...? | 0:29:13 | 0:29:15 | |
That we're born alone, we die alone, | 0:29:17 | 0:29:19 | |
and not one thing in-between makes a jot of goddamn sense. | 0:29:19 | 0:29:23 | |
Pray with me. | 0:29:25 | 0:29:26 | |
Say, Reid... | 0:29:33 | 0:29:35 | |
This whole rumpus with Drake's old lady. | 0:29:36 | 0:29:38 | |
You really buy that long lost uncle thing? | 0:29:38 | 0:29:41 | |
Not especially. | 0:29:41 | 0:29:43 | |
-No. -Question is, does Sergeant Drake? | 0:29:43 | 0:29:45 | |
Good luck broaching that subject. | 0:29:45 | 0:29:47 | |
You think him a cuckold? | 0:29:48 | 0:29:50 | |
Love. | 0:29:50 | 0:29:51 | |
Love someone, you gotta trust them. | 0:29:51 | 0:29:54 | |
Love. All of it. That's just an act of faith. | 0:29:54 | 0:29:56 | |
If you don't got that, what's left? | 0:29:56 | 0:29:58 | |
You're saying he should demand to know the truth. | 0:30:00 | 0:30:03 | |
I'm saying I got a feeling for why he hasn't. | 0:30:03 | 0:30:06 | |
Man'll pin up any old rag. | 0:30:10 | 0:30:11 | |
CLATTER SHE INHALES SHARPLY | 0:30:21 | 0:30:23 | |
You're hurt. | 0:30:24 | 0:30:26 | |
You hurt yourself. | 0:30:27 | 0:30:28 | |
There's a bit of blood, but it's not too deep. | 0:30:32 | 0:30:34 | |
KNOCK ON DOOR | 0:30:34 | 0:30:35 | |
Er, just hold that tight. | 0:30:37 | 0:30:40 | |
I was passing. | 0:30:43 | 0:30:45 | |
No. | 0:30:59 | 0:31:01 | |
What is it, girl? | 0:31:01 | 0:31:03 | |
Not yet, Gabriel. | 0:31:03 | 0:31:05 | |
No more lies. | 0:31:05 | 0:31:06 | |
Not now! Get out! | 0:31:06 | 0:31:08 | |
Explain yourselves! | 0:31:08 | 0:31:09 | |
Is that not a wifely duty? | 0:31:09 | 0:31:11 | |
Who are you? | 0:31:13 | 0:31:14 | |
Will you have at me with your billy club? | 0:31:14 | 0:31:16 | |
Bennet, no! Leave him be, I beg you. I'll explain. | 0:31:16 | 0:31:19 | |
I beg you. Just go! | 0:31:19 | 0:31:20 | |
Whoever you are, you bring strife at your back. | 0:31:22 | 0:31:25 | |
Now hear me good - you come near her again, | 0:31:27 | 0:31:30 | |
you'll wish it was a billy club. | 0:31:30 | 0:31:31 | |
Now, get out of our home. Go! | 0:31:33 | 0:31:36 | |
DOOR SHUTS | 0:31:42 | 0:31:43 | |
I lay all my love at your door, Bella. | 0:31:50 | 0:31:52 | |
There is no burden you can share that I would not shoulder beside you. | 0:31:55 | 0:31:59 | |
So, please... | 0:32:03 | 0:32:05 | |
just tell me. | 0:32:05 | 0:32:07 | |
Who is he? | 0:32:07 | 0:32:08 | |
Eh? | 0:32:10 | 0:32:11 | |
Was he your...? | 0:32:13 | 0:32:14 | |
Did you...work for him? | 0:32:17 | 0:32:20 | |
Do you wonder, Bennet... what turn life might have taken | 0:32:25 | 0:32:29 | |
if you'd done things different? | 0:32:29 | 0:32:31 | |
What things, girl? | 0:32:32 | 0:32:33 | |
A left when you went right. | 0:32:33 | 0:32:35 | |
A yes when you said no, anything. | 0:32:35 | 0:32:37 | |
If you'd wed Rose in my place, for instance. | 0:32:41 | 0:32:44 | |
Do you think she'd have made you happier? | 0:32:46 | 0:32:48 | |
There is no man in this world has ever known the happiness | 0:32:50 | 0:32:54 | |
-you have brought me, Bella. -But do you wonder? | 0:32:54 | 0:32:56 | |
No, girl. | 0:32:57 | 0:32:59 | |
Rose is... | 0:32:59 | 0:33:01 | |
She was... | 0:33:02 | 0:33:03 | |
W... | 0:33:05 | 0:33:07 | |
I don't want to talk about Rose. I want to talk about Gabriel. | 0:33:07 | 0:33:10 | |
I think she'd have made you happier, Bennet. | 0:33:11 | 0:33:13 | |
Jesus! | 0:33:13 | 0:33:15 | |
At least she never kept secrets from me. | 0:33:19 | 0:33:21 | |
DOOR OPENS | 0:33:31 | 0:33:33 | |
He was about to set flame to the English Martyrs. | 0:33:35 | 0:33:37 | |
The church full for service. | 0:33:37 | 0:33:40 | |
A constable was passing, saw him ready bottles of whale oil outside. | 0:33:40 | 0:33:43 | |
Made for him. | 0:33:43 | 0:33:45 | |
At which he doused himself, lit a match. | 0:33:45 | 0:33:48 | |
Goddamn it! | 0:33:49 | 0:33:50 | |
The constable said he was in the grip of some...rapture. | 0:33:50 | 0:33:56 | |
Incanting, ecstatic amid the fire. Just as Gaddis did. | 0:33:56 | 0:34:00 | |
These...fanatics would have Whitechapel torn apart. | 0:34:00 | 0:34:06 | |
Who are they? | 0:34:06 | 0:34:07 | |
Sergeant? | 0:34:09 | 0:34:10 | |
Forgive me, Inspector, I, um... | 0:34:12 | 0:34:14 | |
Mrs Drake? | 0:34:20 | 0:34:21 | |
Take the day, Bennet. | 0:34:24 | 0:34:25 | |
There is work to be done, sir. | 0:34:27 | 0:34:29 | |
And there are sometimes matters more needful besides. | 0:34:29 | 0:34:31 | |
I learned as much too late and to my own cost. | 0:34:31 | 0:34:33 | |
Go to her. | 0:34:33 | 0:34:35 | |
Thank you, sir. | 0:34:36 | 0:34:37 | |
Find something, man. | 0:34:51 | 0:34:52 | |
Your brother Jacob gave himself this morning unto the flame. | 0:34:54 | 0:34:57 | |
Leapt forth, | 0:34:58 | 0:35:00 | |
wings spread, as did Samuel Gaddis before him. | 0:35:00 | 0:35:04 | |
They did so with neither fear nor sorrow, | 0:35:04 | 0:35:07 | |
for they knew to which bright and fabulous place they would soar. | 0:35:07 | 0:35:11 | |
But, Father, Jacob was stopped before... | 0:35:11 | 0:35:15 | |
Do not think him failed in his purpose. | 0:35:15 | 0:35:18 | |
Jacob brought this day a clarion to their door. | 0:35:18 | 0:35:22 | |
It is from love we seek to stir the lost flocks of this city, | 0:35:22 | 0:35:26 | |
rouse them from their drone-lives of prayer in false temples. | 0:35:26 | 0:35:30 | |
It is from love we set tribe against tribe. | 0:35:30 | 0:35:34 | |
Only to teach them what hate is bred from their dung-hill idolatries. | 0:35:35 | 0:35:39 | |
And by the light of your steps, | 0:35:39 | 0:35:42 | |
those lost flocks will soon follow. | 0:35:42 | 0:35:44 | |
And by your love... | 0:35:45 | 0:35:47 | |
..you will show them the meaning of Faith. | 0:35:50 | 0:35:53 | |
Bennet! | 0:35:54 | 0:35:56 | |
Oh, thank Christ. I was coming to find you. | 0:35:56 | 0:35:59 | |
-Not now, girl. -I saw her, Bennet... | 0:35:59 | 0:36:01 | |
Bella, with a man. | 0:36:01 | 0:36:03 | |
What man? | 0:36:03 | 0:36:04 | |
They... | 0:36:04 | 0:36:06 | |
They called him Father, | 0:36:06 | 0:36:07 | |
but what I saw, it... | 0:36:07 | 0:36:09 | |
I wouldn't lie to you, Bennet! | 0:36:11 | 0:36:12 | |
-Shut up, girl! -I can't bear to see her cuckold you. | 0:36:12 | 0:36:15 | |
Rose, I... | 0:36:18 | 0:36:19 | |
Rose! | 0:36:22 | 0:36:24 | |
Vigilantes, Inspector. | 0:36:34 | 0:36:36 | |
Protecting themselves from the "Hebrew menace". | 0:36:36 | 0:36:41 | |
Come. | 0:36:42 | 0:36:43 | |
There is some kabbalah...here. | 0:36:47 | 0:36:50 | |
The rest I cannot read, | 0:36:50 | 0:36:53 | |
but I can tell you it is the script of John Dee. | 0:36:53 | 0:36:55 | |
Dee? The mathematician? | 0:36:57 | 0:36:59 | |
Mathematician, yes. | 0:36:59 | 0:37:00 | |
But alchemist also and astrologer to the court of Queen Elizabeth. | 0:37:00 | 0:37:04 | |
A keen student of the occult who came to believe | 0:37:04 | 0:37:05 | |
he was conversing with angels of apocalypse. | 0:37:05 | 0:37:08 | |
-This was their language. -I need to know who studies this. | 0:37:08 | 0:37:11 | |
Inspector, there are many scholars of such material. | 0:37:11 | 0:37:14 | |
And their number grows. | 0:37:14 | 0:37:15 | |
With its every triumph of discovery, the Age takes hammer | 0:37:16 | 0:37:20 | |
and chisel to Man's pillars. | 0:37:20 | 0:37:22 | |
Is it so surprising there are those in need of new pillars? | 0:37:22 | 0:37:24 | |
No, not surprising, Mr Bloom. | 0:37:24 | 0:37:28 | |
Dismaying. | 0:37:28 | 0:37:29 | |
And I would not have thought you so accommodating of hocus-pocus. | 0:37:29 | 0:37:32 | |
Of course. | 0:37:32 | 0:37:34 | |
What use the folly of God to the rational mind? | 0:37:34 | 0:37:38 | |
You are for Progress, Science, Truth. | 0:37:38 | 0:37:42 | |
-And you are not? -Oh, I am... | 0:37:42 | 0:37:44 | |
rational, Inspector. | 0:37:44 | 0:37:47 | |
And I hear, every day, men such as yourself, who would have us believe | 0:37:47 | 0:37:52 | |
our journey to Truth will set us free. | 0:37:52 | 0:37:56 | |
But Man has no more desire for Truth than a dung beetle. | 0:37:57 | 0:38:02 | |
Like any animal, he desires meat and sex. | 0:38:03 | 0:38:08 | |
And like any animal who feels himself caged by what is... | 0:38:08 | 0:38:11 | |
he will yearn for anything that lies beyond the bars. | 0:38:11 | 0:38:15 | |
Dee called it magic. You call it progress. | 0:38:15 | 0:38:18 | |
-You are a cynic. -I am a scientist. | 0:38:19 | 0:38:22 | |
The only thing as irrational as faith in God | 0:38:22 | 0:38:24 | |
is faith in Man. | 0:38:24 | 0:38:26 | |
The printer who made these said his last prayer | 0:38:26 | 0:38:29 | |
and cut his own throat open in front of me. | 0:38:29 | 0:38:31 | |
I must know which "scholars" have taken such leave of their reason. | 0:38:31 | 0:38:34 | |
-A printer? By what name? -Name of Gaddis. Samuel Gaddis. | 0:38:34 | 0:38:38 | |
Inspector...are you familiar with the Order of the Golden Dawn? | 0:38:39 | 0:38:42 | |
Welcome to Isis-Urania. | 0:38:56 | 0:39:00 | |
Jemima Swann. | 0:39:00 | 0:39:01 | |
And you are... | 0:39:03 | 0:39:05 | |
a policeman. | 0:39:05 | 0:39:06 | |
I am Inspector Reid. | 0:39:06 | 0:39:08 | |
-And I need to know about Samuel Gaddis. -You interrupt my study, Mr Reid. | 0:39:08 | 0:39:12 | |
If your business here concerns Mr Gaddis... | 0:39:12 | 0:39:15 | |
Samuel Gaddis is dead, Miss Swann. And my business concerns...this. | 0:39:15 | 0:39:20 | |
This is not his own work. | 0:39:29 | 0:39:30 | |
Then whose? | 0:39:30 | 0:39:31 | |
Gaddis was... | 0:39:31 | 0:39:33 | |
He was the disciple of a great adept, | 0:39:33 | 0:39:36 | |
a man named Gabriel Cain. | 0:39:36 | 0:39:37 | |
Where is Cain? | 0:39:37 | 0:39:39 | |
He too left, but this is his work, I'm sure of it. | 0:39:39 | 0:39:42 | |
Then help me find him. | 0:39:42 | 0:39:44 | |
He disappeared. | 0:39:44 | 0:39:46 | |
He was the finest scholar I've known. | 0:39:46 | 0:39:48 | |
He travelled further, read wider, thought deeper than any other. | 0:39:48 | 0:39:52 | |
But he saw only a world drenched in its own cruelty. | 0:39:52 | 0:39:56 | |
He came to believe that a great cataclysm drew close, | 0:39:56 | 0:40:00 | |
fit for such corruption. | 0:40:00 | 0:40:01 | |
Kalki. Destroyer of Foulness astride his white horse, | 0:40:06 | 0:40:11 | |
sword of fire to cleave all darkness. | 0:40:11 | 0:40:14 | |
Gabriel believed... | 0:40:15 | 0:40:16 | |
he was the sword of fire. | 0:40:16 | 0:40:19 | |
Is he insane? | 0:40:19 | 0:40:20 | |
He is a man of faith, not madness, and that is why people follow him. | 0:40:20 | 0:40:23 | |
And did you? | 0:40:23 | 0:40:25 | |
Inspector, I expelled him from this Temple, | 0:40:25 | 0:40:28 | |
-but a circle formed around him. -Gaddis. | 0:40:28 | 0:40:31 | |
First among those who believed Gabriel was their shepherd to the future. | 0:40:31 | 0:40:37 | |
And this. | 0:40:38 | 0:40:39 | |
A clarion. Gabriel's own testament. | 0:40:40 | 0:40:44 | |
He spoke of leading his followers from this world. | 0:40:44 | 0:40:46 | |
And he is preparing to do so. | 0:40:46 | 0:40:49 | |
What does that mean? Is he going to kill them? | 0:40:49 | 0:40:50 | |
No, Inspector. | 0:40:50 | 0:40:52 | |
They will kill themselves...in their numbers, in pure exaltation. | 0:40:52 | 0:40:59 | |
There, at the founding of Isis-Urania. | 0:40:59 | 0:41:03 | |
It is the only likeness of him. | 0:41:03 | 0:41:04 | |
This girl... | 0:41:07 | 0:41:08 | |
She was his holy queen. | 0:41:08 | 0:41:10 | |
Her name? | 0:41:10 | 0:41:12 | |
He named her Bella. | 0:41:12 | 0:41:14 | |
She is with child. | 0:41:18 | 0:41:20 | |
Inspector... | 0:41:23 | 0:41:24 | |
I cannot, Gabriel. I will not bring him to you. | 0:41:55 | 0:41:59 | |
Please...leave us be. | 0:41:59 | 0:42:02 | |
Please come in, Mr Drake. | 0:42:12 | 0:42:13 | |
Your love for him is not real, Bella. | 0:42:19 | 0:42:21 | |
It is. | 0:42:21 | 0:42:22 | |
No, it is not! | 0:42:22 | 0:42:24 | |
For me, your love is real. | 0:42:25 | 0:42:27 | |
For him, there is nothing. | 0:42:29 | 0:42:31 | |
THEY RECITE PRAYER | 0:42:31 | 0:42:34 | |
Who are you? | 0:42:39 | 0:42:41 | |
Where's my Bella? | 0:42:42 | 0:42:43 | |
Come... | 0:42:45 | 0:42:46 | |
What is this place? | 0:42:52 | 0:42:53 | |
You see? It is destiny. He has come without you having to bring him. | 0:43:04 | 0:43:09 | |
Bella, what...? | 0:43:13 | 0:43:14 | |
Who is he? | 0:43:16 | 0:43:18 | |
Her teacher. | 0:43:18 | 0:43:19 | |
Her saviour. | 0:43:19 | 0:43:22 | |
And father of her child. | 0:43:22 | 0:43:23 | |
She died, Bennet. | 0:43:28 | 0:43:29 | |
Her name was Lily. | 0:43:31 | 0:43:33 | |
I left... | 0:43:34 | 0:43:36 | |
-I left her... -She died for want of her mother. | 0:43:36 | 0:43:38 | |
No... | 0:43:42 | 0:43:43 | |
Bella. | 0:43:44 | 0:43:45 | |
Bella wishes you, as do I... to join us here. | 0:43:45 | 0:43:49 | |
Let our Holy Family welcome you | 0:43:51 | 0:43:54 | |
and save you from a world you know to be black in heart | 0:43:54 | 0:43:57 | |
and red in claw. | 0:43:57 | 0:43:59 | |
Bennet, no! | 0:44:07 | 0:44:09 | |
Bennet! | 0:44:16 | 0:44:18 | |
It's Edmund. | 0:44:19 | 0:44:21 | |
Bennet! | 0:44:25 | 0:44:27 | |
Jesus! | 0:44:27 | 0:44:28 | |
Drake. | 0:44:28 | 0:44:30 | |
You have anything? | 0:44:31 | 0:44:33 | |
Oh, maybe. | 0:44:33 | 0:44:34 | |
I found this in his gut. | 0:44:36 | 0:44:38 | |
Peyote. | 0:44:39 | 0:44:41 | |
Back home, the Indians use it to commune with the spirit world. | 0:44:42 | 0:44:46 | |
Sort of a...religious rite. | 0:44:46 | 0:44:48 | |
I've heard of it - hallucinations, trance states. | 0:44:48 | 0:44:51 | |
Yeah. That would account for the raptures of Barbecue Bill here. | 0:44:51 | 0:44:54 | |
Hardly a common narcotic on these streets, though. Where would one obtain it? | 0:44:54 | 0:44:57 | |
In London? Believe me, I wish I knew. | 0:44:57 | 0:44:58 | |
It's from a cactus, is it not? | 0:44:58 | 0:45:00 | |
Lophophora williamsii. Cut from the crown and dried out. | 0:45:00 | 0:45:04 | |
There is an abundance of horticulturalists and flower-sellers in this city, | 0:45:04 | 0:45:07 | |
but how many of them do you suppose | 0:45:07 | 0:45:09 | |
sell exotic cacti from the American desert? | 0:45:09 | 0:45:12 | |
Flight! | 0:45:12 | 0:45:13 | |
HE GASPS | 0:45:35 | 0:45:37 | |
This is my body, which is broken for you. | 0:45:45 | 0:45:49 | |
If you do not, | 0:46:06 | 0:46:08 | |
I will have Philip break his jaw and smash out every tooth. | 0:46:08 | 0:46:11 | |
You will wake, and we will be together. | 0:46:21 | 0:46:25 | |
HE GROANS | 0:46:37 | 0:46:39 | |
What lies before us...take it not for mere play. | 0:46:44 | 0:46:48 | |
Through its array breathe the angels themselves. | 0:46:48 | 0:46:50 | |
You know them, don't you, Bennet? | 0:46:53 | 0:46:54 | |
Especially your goddess of war. | 0:46:54 | 0:46:57 | |
This form of chess was born in India, | 0:46:58 | 0:47:01 | |
centuries past. | 0:47:01 | 0:47:03 | |
There is a belief amongst the Hindus that the world is in its final era. | 0:47:03 | 0:47:08 | |
An age of vice, | 0:47:08 | 0:47:09 | |
degeneracy, | 0:47:09 | 0:47:11 | |
avarice. | 0:47:11 | 0:47:12 | |
But, day by day, the gyres spin apart - Samhara draws close, | 0:47:12 | 0:47:16 | |
bright dawn devouring every shadow. | 0:47:16 | 0:47:18 | |
Look not upon her with the name of another on your lips. | 0:47:27 | 0:47:30 | |
Your Rose. | 0:47:30 | 0:47:31 | |
Of course Bella told me. | 0:47:31 | 0:47:34 | |
I know all of it. Now I shall bring your Rose to you | 0:47:34 | 0:47:37 | |
and, together, you can enter the next life. | 0:47:37 | 0:47:40 | |
And you shall enter it on wings of light | 0:47:40 | 0:47:42 | |
and know at last that you have come home to a world stronger and more loving | 0:47:42 | 0:47:48 | |
than any you could dream. | 0:47:48 | 0:47:49 | |
GLASS SMASHES Ooh! | 0:48:02 | 0:48:03 | |
All right, Rose? | 0:48:07 | 0:48:09 | |
Do what you want. | 0:48:15 | 0:48:17 | |
Come on, Rose. | 0:48:17 | 0:48:19 | |
Bennet? | 0:48:32 | 0:48:33 | |
Bennet? | 0:48:34 | 0:48:36 | |
Forgive me. | 0:48:37 | 0:48:38 | |
Forgive me. | 0:48:41 | 0:48:43 | |
It is Rose. | 0:48:45 | 0:48:47 | |
It's your Rose. | 0:48:47 | 0:48:48 | |
-Rose. -Shh. | 0:48:48 | 0:48:52 | |
-Forgive me. -Shh. | 0:48:52 | 0:48:54 | |
Cummings Horticulture. Purchase orders for Lophophora williamsii. | 0:48:56 | 0:48:59 | |
All these orders...the same address. | 0:48:59 | 0:49:01 | |
I'll get a Maria. | 0:49:03 | 0:49:05 | |
Wait. This... | 0:49:05 | 0:49:07 | |
The same purchase - Atropa belladonna. | 0:49:07 | 0:49:09 | |
Belladonna? They've bought nightshade. | 0:49:09 | 0:49:12 | |
That's how they're gonna kill themselves. | 0:49:12 | 0:49:14 | |
They're gonna drink goddamn poison. | 0:49:14 | 0:49:16 | |
They brew that up, every single one of them's dead | 0:49:21 | 0:49:22 | |
within a half-hour. There's some things I need. | 0:49:22 | 0:49:25 | |
Hurry, man! | 0:49:25 | 0:49:26 | |
"When flowers will be begot within flowers, | 0:49:29 | 0:49:32 | |
"then will the Yuga come to its end." | 0:49:32 | 0:49:34 | |
As foretold, the hour of reckoning is upon us. | 0:49:54 | 0:49:58 | |
Where you ascend to this day, | 0:49:58 | 0:50:00 | |
know that your brothers, sisters and Father follow. | 0:50:00 | 0:50:05 | |
To take this glittering cup | 0:50:08 | 0:50:10 | |
is to split asunder the chains of this world. | 0:50:10 | 0:50:14 | |
When my daughter took her brave steps into the light... | 0:50:16 | 0:50:20 | |
I understood at last | 0:50:20 | 0:50:22 | |
that I was but an instrument of that light. | 0:50:22 | 0:50:25 | |
It beamed from a world which called upon all those with faith and wisdom | 0:50:25 | 0:50:29 | |
to give themselves unto it. | 0:50:29 | 0:50:31 | |
As the butterfly casts off its husk to soar, | 0:50:45 | 0:50:49 | |
shall you leave forever this land of the dead. | 0:50:49 | 0:50:52 | |
MAGGIE: It is time. You shall be reunited with your love. | 0:50:58 | 0:51:02 | |
Where's Bennet? | 0:51:02 | 0:51:03 | |
With his brothers and sisters. They're so blessed, Rose. | 0:51:03 | 0:51:07 | |
As will you be...tonight. | 0:51:07 | 0:51:11 | |
Gabriel's light will flood inside of you. | 0:51:11 | 0:51:14 | |
Drake! | 0:51:32 | 0:51:33 | |
Cain! Show yourself! | 0:51:34 | 0:51:37 | |
-Cain... -It is as I foretold. | 0:51:40 | 0:51:43 | |
Witness a miracle, sir. | 0:51:43 | 0:51:45 | |
I am saving them. | 0:51:46 | 0:51:48 | |
Behold a simple man embrace his rapture. | 0:51:48 | 0:51:51 | |
He drank his fill ten minutes ago. | 0:52:04 | 0:52:07 | |
No! | 0:52:07 | 0:52:08 | |
Get her away from him! | 0:52:16 | 0:52:18 | |
Calabar extract for anyone who drank. | 0:52:23 | 0:52:24 | |
You hold his head to the right. | 0:52:28 | 0:52:30 | |
Open up, Sarge. | 0:52:31 | 0:52:33 | |
Please, no... | 0:52:33 | 0:52:34 | |
-Forgive me. -Shh... | 0:52:54 | 0:52:56 | |
Forgive me. I... | 0:52:56 | 0:52:58 | |
I killed you... | 0:52:58 | 0:52:59 | |
I-I killed you all. | 0:52:59 | 0:53:01 | |
He's going to be all right. | 0:53:05 | 0:53:07 | |
Huh? | 0:53:07 | 0:53:08 | |
Ain't that right, friend? | 0:53:08 | 0:53:11 | |
You're gonna be all right. | 0:53:11 | 0:53:12 | |
Sit him down. Sit him down. | 0:53:19 | 0:53:22 | |
-Bella! Please! -No, Bennet. No, Bennet... | 0:53:26 | 0:53:28 | |
-Please let me see my Bella, please! -Ah! | 0:53:28 | 0:53:30 | |
No, Bella! | 0:53:30 | 0:53:32 | |
I deserve my shackles, Bennet. | 0:53:32 | 0:53:33 | |
I'll rot in them for what I've done. Then you can have her. | 0:53:33 | 0:53:37 | |
No, girl. | 0:53:37 | 0:53:38 | |
I know you loved her first. I've always known. | 0:53:38 | 0:53:40 | |
I tried to be the best I could for you, but I could never be her, could I? | 0:53:40 | 0:53:44 | |
It isn't true, Bella, please... | 0:53:44 | 0:53:45 | |
What place for me in a world without your love? | 0:53:47 | 0:53:49 | |
No! | 0:53:52 | 0:53:53 | |
No, please! Jackson! | 0:53:57 | 0:53:59 | |
Please...! | 0:53:59 | 0:54:01 | |
Please... | 0:54:06 | 0:54:07 | |
Whitechapel's carpenters and builders lend their skill at no cost. | 0:54:47 | 0:54:51 | |
Jew, Gentile, Irish, English. | 0:54:51 | 0:54:53 | |
I hear the same is true of the churches. | 0:54:53 | 0:54:55 | |
A man might, in his softer moments, | 0:54:57 | 0:54:59 | |
have to concede something to your creed of progress. | 0:54:59 | 0:55:03 | |
I daily witness that which would cause any sane man to deny | 0:55:03 | 0:55:08 | |
the very notion of good... | 0:55:08 | 0:55:10 | |
in God or in Man. | 0:55:10 | 0:55:11 | |
And there are times when I have thought to do so myself. | 0:55:13 | 0:55:16 | |
When I saw my...daughter vanish in flame and darkness, | 0:55:18 | 0:55:24 | |
that day the dwindling spectre of a God vanished too. | 0:55:24 | 0:55:28 | |
But I cannot - I will not - | 0:55:28 | 0:55:30 | |
believe that...Man... | 0:55:30 | 0:55:34 | |
that we are not... | 0:55:34 | 0:55:37 | |
We are caged by what is, you said. | 0:55:41 | 0:55:45 | |
But to see no further than the bars... | 0:55:46 | 0:55:49 | |
..that is a terror I could not endure. | 0:55:52 | 0:55:54 | |
Tomorrow may be a brighter place. | 0:55:57 | 0:56:01 | |
Perhaps those who believe it are the fortunate ones. | 0:56:03 | 0:56:06 | |
For a man without faith... | 0:56:07 | 0:56:09 | |
..is a man without hope. | 0:56:10 | 0:56:12 | |
Bennet. | 0:57:17 | 0:57:18 | |
Bennet, I... | 0:57:26 | 0:57:27 | |
If you... | 0:57:29 | 0:57:31 | |
If you've ever need of a friend... | 0:57:31 | 0:57:34 | |
Take your hand from me, girl. | 0:57:35 | 0:57:37 | |
I am made of nought but death. | 0:57:41 | 0:57:43 | |
Bennet? | 0:58:02 | 0:58:03 | |
WOMAN: Still hunting for your beau, are ya? | 0:58:05 | 0:58:07 | |
ROSE: I've got a picture now. | 0:58:07 | 0:58:08 | |
-Have you seen him? -I've seen him. | 0:58:08 | 0:58:09 | |
-Where, Gracie? -Nowhere you wanna go, girl. | 0:58:09 | 0:58:12 | |
You are a sight for a weary man. | 0:58:12 | 0:58:15 | |
I thought you were dead, you son of a bitch! | 0:58:15 | 0:58:17 | |
My house is no longer my own. | 0:58:20 | 0:58:22 | |
How many blows will it take to fell this man? | 0:58:22 | 0:58:25 |