Browse content similar to Our Betrayal - Part 1. Check below for episodes and series from the same categories and more!
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This programme contains some violent scenes. | 0:00:02 | 0:00:08 | |
Stay there. Get back in line. | 0:00:08 | 0:00:10 | |
That man - you. | 0:00:49 | 0:00:50 | |
You, step away. | 0:00:50 | 0:00:52 | |
MAN YELLS | 0:00:52 | 0:00:53 | |
You want to steal from De Graal? | 0:00:53 | 0:00:55 | |
You will never steal more! | 0:00:58 | 0:01:00 | |
Arrghh! | 0:01:01 | 0:01:02 | |
Back to work! Back to work! | 0:01:02 | 0:01:03 | |
MAN PLEADS IN OWN LANGUAGE | 0:01:08 | 0:01:10 | |
You see that? | 0:01:15 | 0:01:16 | |
The black bastard's hand just came apart! | 0:01:16 | 0:01:19 | |
HE GULPS | 0:01:24 | 0:01:26 | |
HE GASPS | 0:01:28 | 0:01:29 | |
SHIP'S HORN BLARES | 0:01:39 | 0:01:41 | |
Are you the lady lives beneath the name Hart? | 0:01:46 | 0:01:48 | |
I am. May I know your name, sir? | 0:01:53 | 0:01:55 | |
Oh - you take men's names in such places? | 0:01:55 | 0:01:59 | |
Ones I do not quite trust, yes. | 0:01:59 | 0:02:01 | |
There's a countryman I hoped to find here. | 0:02:02 | 0:02:04 | |
He lives beneath the name Jackson, I understand. | 0:02:04 | 0:02:07 | |
I know him. | 0:02:12 | 0:02:13 | |
And I hope never to see him again. | 0:02:13 | 0:02:16 | |
Forgive me, ma'am. | 0:02:17 | 0:02:18 | |
Then where might I seek him out? | 0:02:19 | 0:02:21 | |
Sir. | 0:02:24 | 0:02:25 | |
Mr...? | 0:02:25 | 0:02:26 | |
Judge. | 0:02:26 | 0:02:27 | |
There a...surgeon works here? An American? | 0:02:28 | 0:02:33 | |
Daniel? | 0:02:34 | 0:02:35 | |
Twinkle? | 0:02:37 | 0:02:38 | |
You are a sight for a weary man. | 0:02:39 | 0:02:43 | |
Oh! Ah! | 0:02:43 | 0:02:45 | |
I thought you were dead, you son of a bitch. | 0:02:45 | 0:02:47 | |
Twink...really... | 0:02:47 | 0:02:50 | |
Is that any way to greet your brother? | 0:02:50 | 0:02:53 | |
Rose? | 0:04:19 | 0:04:20 | |
Mr Reid. | 0:04:22 | 0:04:23 | |
What do you do here, Rose? | 0:04:23 | 0:04:25 | |
I search for Bennet Drake, Inspector. | 0:04:25 | 0:04:27 | |
There's twice, sir, I owe my life to him. | 0:04:27 | 0:04:29 | |
I walk this way twice a day | 0:04:29 | 0:04:32 | |
and will stop only once I have found him. | 0:04:32 | 0:04:34 | |
I cannot forsake him. | 0:04:34 | 0:04:36 | |
You and I are joined in that, Rose. Here...to help... | 0:04:36 | 0:04:39 | |
..with your enquiries. | 0:04:41 | 0:04:43 | |
Thank you, Mr Reid. I shall return it. | 0:04:44 | 0:04:46 | |
You return it to him. | 0:04:46 | 0:04:48 | |
Edmund? | 0:04:55 | 0:04:56 | |
Chief Inspector - I am glad to find | 0:05:04 | 0:05:05 | |
your housebreaking skills have not gone neglected. | 0:05:05 | 0:05:08 | |
You are here for why? | 0:05:09 | 0:05:10 | |
It has been a month | 0:05:10 | 0:05:12 | |
since...Sergeant Drake handed you his badge | 0:05:12 | 0:05:16 | |
and went missing. | 0:05:16 | 0:05:18 | |
He will return or...he will not. | 0:05:18 | 0:05:22 | |
But you... | 0:05:22 | 0:05:24 | |
..my friend... | 0:05:27 | 0:05:28 | |
..you are to extract your head from your arse | 0:05:30 | 0:05:33 | |
and get about your work once more. | 0:05:33 | 0:05:35 | |
Mm - mmmm! | 0:05:40 | 0:05:43 | |
Wherever it is you've been, | 0:05:44 | 0:05:46 | |
you still haven't learned any manners. | 0:05:46 | 0:05:47 | |
Hm - get some more wine, will you? Daniel, where have you been? | 0:05:53 | 0:05:58 | |
Last I heard, you were in Cairo. You wrote me. | 0:05:58 | 0:06:02 | |
And then I wasn't. And didn't write you. | 0:06:02 | 0:06:05 | |
For eight years. What are you, our mother? | 0:06:05 | 0:06:07 | |
"Gas and lighting", you said. "Come", you said. | 0:06:10 | 0:06:13 | |
"Egyptians knew nothing about everything | 0:06:13 | 0:06:14 | |
"and have coin to spend on a man with experience of a modern city." | 0:06:14 | 0:06:18 | |
Which was true. | 0:06:18 | 0:06:19 | |
But you know nothing of either gas nor lighting. | 0:06:19 | 0:06:22 | |
They didn't know that. I was American. | 0:06:22 | 0:06:25 | |
They heard my voice and assumed I was Edison. | 0:06:25 | 0:06:28 | |
JUDGE CHUCKLES | 0:06:28 | 0:06:29 | |
And then? Mm, steamer to Lake Victoria. | 0:06:29 | 0:06:33 | |
Over land to Mombasa. | 0:06:33 | 0:06:35 | |
Mombasa to Sofala. | 0:06:37 | 0:06:38 | |
And Sofala to...Courtvale. | 0:06:40 | 0:06:44 | |
And what do you do there? Did you dig yourself a mine, Daniel? | 0:06:47 | 0:06:51 | |
You getting this? Twink, you are an angel. | 0:06:52 | 0:06:57 | |
To work then. | 0:06:59 | 0:07:01 | |
Sergeant. | 0:07:04 | 0:07:05 | |
Mr Reid. | 0:07:05 | 0:07:07 | |
Still no sign nor word? No, none. Today's roll? | 0:07:09 | 0:07:12 | |
Assaults, pockets lifted, quiet day thus far. | 0:07:14 | 0:07:18 | |
No deaths reported - accidental or otherwise? | 0:07:18 | 0:07:20 | |
None, sir. Then that is at least something. | 0:07:20 | 0:07:23 | |
Here. These men - surveyors. There's three of them. | 0:07:23 | 0:07:26 | |
Set upon by thugs in the noonday sun. | 0:07:26 | 0:07:28 | |
Basin Slum. They're council surveyors. | 0:07:28 | 0:07:30 | |
Who reported this offence? | 0:07:30 | 0:07:31 | |
Councillor Cobden, sir. They were her men, I believe. | 0:07:31 | 0:07:34 | |
This man. Hinchcliffe. Craftsman, Mr Reid. | 0:07:36 | 0:07:38 | |
I know that, Constable. | 0:07:39 | 0:07:41 | |
The man made my wife's wedding band. | 0:07:41 | 0:07:43 | |
His complaint? That he is defrauded. | 0:07:43 | 0:07:46 | |
You met with him? Yes, sir. | 0:07:46 | 0:07:48 | |
Flight, would you consider it an intrusion | 0:07:48 | 0:07:50 | |
if I spoke with him myself? | 0:07:50 | 0:07:51 | |
Not at all, Inspector. | 0:07:53 | 0:07:54 | |
In fact, I should be grateful for your insight. | 0:07:54 | 0:07:57 | |
Sergeant, I am to Hinchcliffe and thence to Councillor Cobden. | 0:07:57 | 0:08:00 | |
Yes, Mr Reid. With me, Flight. | 0:08:00 | 0:08:03 | |
Mr Werner and I - | 0:08:06 | 0:08:08 | |
commerce had been established for a little over six months. | 0:08:08 | 0:08:11 | |
Thank you. No, thanks. | 0:08:11 | 0:08:13 | |
A necklace one week, a watch strap the next month, | 0:08:13 | 0:08:16 | |
a bracelet or two. | 0:08:16 | 0:08:17 | |
Payment was prompt on each and every occasion... | 0:08:18 | 0:08:21 | |
And then the final order was made by Werner himself. | 0:08:21 | 0:08:24 | |
Indeed, I could see no reason to distrust him. | 0:08:24 | 0:08:27 | |
It was a substantial order. | 0:08:27 | 0:08:29 | |
Two necklaces set with rubies, three brooches likewise. | 0:08:29 | 0:08:32 | |
Earrings... | 0:08:32 | 0:08:33 | |
Such an opportunity. | 0:08:35 | 0:08:36 | |
I could have fed my family for half a year. | 0:08:38 | 0:08:40 | |
Mr Hinchcliffe, such men as this Werner | 0:08:40 | 0:08:42 | |
are wise in their deception. | 0:08:42 | 0:08:44 | |
There is no shame in your trust of him. | 0:08:44 | 0:08:46 | |
But the loan I took on to manufacture those goods | 0:08:47 | 0:08:52 | |
its repayment... | 0:08:52 | 0:08:53 | |
If this man is not found, my goods recovered and sold... | 0:08:53 | 0:08:56 | |
..then my family is for the workhouse. | 0:08:58 | 0:09:00 | |
We will find him. Sir, restitution will be made. | 0:09:00 | 0:09:04 | |
This quarter, Flight, all that we see here, daily - | 0:09:05 | 0:09:11 | |
abduction, murder - | 0:09:11 | 0:09:13 | |
it is perhaps understandable that crimes like these | 0:09:13 | 0:09:16 | |
do often go unreported | 0:09:16 | 0:09:19 | |
and that they are treated by ourselves | 0:09:19 | 0:09:21 | |
as not mattering a great deal in comparison. | 0:09:21 | 0:09:24 | |
But honest trade practised with skill and good heart | 0:09:24 | 0:09:28 | |
and now cheated of income? | 0:09:28 | 0:09:29 | |
For this neighbourhood to emerge from the swamp, | 0:09:29 | 0:09:32 | |
the Hinchcliffes of our world | 0:09:32 | 0:09:33 | |
must feel our support and encouragement. | 0:09:33 | 0:09:36 | |
You have it, Flight. It all matters. | 0:09:36 | 0:09:39 | |
You find this man Werner for me. | 0:09:40 | 0:09:42 | |
It is a complaint of common assault, Inspector. | 0:09:45 | 0:09:47 | |
A bobby with a notebook would have been quite adequate. | 0:09:50 | 0:09:52 | |
If not, in fact, preferable. | 0:09:52 | 0:09:55 | |
There was an opportunity to see you and I...took it. | 0:09:55 | 0:09:57 | |
And no such similar opportunity presented itself | 0:09:57 | 0:10:00 | |
in the month since you last stood in that doorway | 0:10:00 | 0:10:02 | |
and professed that what you felt for me was love? | 0:10:02 | 0:10:05 | |
Much has happened since that night. | 0:10:05 | 0:10:07 | |
My, er...my sergeant. | 0:10:09 | 0:10:10 | |
His wife was taken from him. | 0:10:12 | 0:10:13 | |
I do hope that you will pass my sympathies. | 0:10:16 | 0:10:19 | |
I cannot find him, Jane. | 0:10:19 | 0:10:20 | |
I believe he holds himself responsible for it. | 0:10:22 | 0:10:24 | |
And was he? No. | 0:10:24 | 0:10:26 | |
But such guilt... | 0:10:26 | 0:10:27 | |
..it is not unfamiliar to him. | 0:10:28 | 0:10:30 | |
Nor to myself. | 0:10:31 | 0:10:32 | |
I try to understand, Edmund. I do. But... | 0:10:34 | 0:10:37 | |
Almost five weeks to sit alone | 0:10:39 | 0:10:41 | |
in the confusion of knowing that you... | 0:10:41 | 0:10:43 | |
What is it here that frightens you so much? | 0:10:46 | 0:10:48 | |
That in seeking to make you happier than you were before, | 0:10:48 | 0:10:51 | |
I might, in fact, do the reverse. | 0:10:51 | 0:10:53 | |
I am afraid that's already been achieved. | 0:10:53 | 0:10:55 | |
But, Edmund, it is within your power to remedy it. | 0:10:57 | 0:11:01 | |
Well...let me begin, at least, by helping you with this matter | 0:11:01 | 0:11:05 | |
of the assaults on your men at St Paul's Wharfside. | 0:11:05 | 0:11:08 | |
Now I have you. | 0:11:17 | 0:11:18 | |
I believe I've found him, Sergeant. Who's that, Mr Flight? | 0:11:22 | 0:11:25 | |
The confidence man - Werner. | 0:11:25 | 0:11:26 | |
He is accused of defrauding Mr Hinchcliffe. | 0:11:26 | 0:11:29 | |
Every year, five similar swindles on five similar tradesmen - | 0:11:29 | 0:11:33 | |
smiths, furniture makers, tailors. | 0:11:33 | 0:11:35 | |
Then within a week, a flash-sale advertised, | 0:11:35 | 0:11:38 | |
the belongings of bankrupt businesses and properties. | 0:11:38 | 0:11:40 | |
There is one such "sale" begins this very morning, Sergeant. | 0:11:40 | 0:11:44 | |
Well... | 0:11:44 | 0:11:45 | |
..then you best go shopping, Mr Flight. | 0:11:47 | 0:11:49 | |
I seek a man called Werner. | 0:11:57 | 0:11:58 | |
Two shillings? | 0:12:00 | 0:12:01 | |
You are Werner? | 0:12:06 | 0:12:07 | |
What is it you want, boy? | 0:12:07 | 0:12:09 | |
A frock to step out in? | 0:12:10 | 0:12:11 | |
H Division. | 0:12:12 | 0:12:13 | |
Stop him! | 0:12:18 | 0:12:19 | |
H Division, is it? | 0:12:32 | 0:12:33 | |
Well... | 0:12:34 | 0:12:35 | |
..you're in Limehouse now. | 0:12:38 | 0:12:39 | |
And I...am protected. | 0:12:41 | 0:12:43 | |
Yes. That's right, Daphne. | 0:12:45 | 0:12:48 | |
You know who runs things around here. | 0:12:49 | 0:12:52 | |
The name "Shine" familiar to you, is it? | 0:12:52 | 0:12:54 | |
But guilt and penalty of sin may be removed, may they not, | 0:13:17 | 0:13:21 | |
through good deeds? | 0:13:21 | 0:13:23 | |
You strive to perform God's will in your work? | 0:13:24 | 0:13:28 | |
I do, Father. | 0:13:28 | 0:13:29 | |
What is it you want, my son? | 0:13:29 | 0:13:31 | |
To be a good man. | 0:13:35 | 0:13:36 | |
MAN GRUNTS IN PAIN | 0:13:40 | 0:13:42 | |
Come on - get upstanding, Perkins. | 0:13:48 | 0:13:50 | |
Barton, water. Yes, sir. | 0:13:52 | 0:13:53 | |
Inspector Shine - I would speak with you, sir? | 0:13:55 | 0:13:58 | |
Well now, Constable Flight - how I've missed ya, my boy. | 0:13:59 | 0:14:05 | |
My cuckoo in another man's nest. | 0:14:05 | 0:14:06 | |
What word from Leeman Street? | 0:14:06 | 0:14:09 | |
Come here. | 0:14:10 | 0:14:11 | |
I am set to apprehend a man named Werner, | 0:14:11 | 0:14:14 | |
but now find I cannot do so | 0:14:14 | 0:14:15 | |
for the fact he pays you his protection. | 0:14:15 | 0:14:18 | |
You are not to get yourself flustered, Detective Constable. | 0:14:18 | 0:14:22 | |
Mr Werner can be careless. | 0:14:22 | 0:14:24 | |
And you are guilty of nothing | 0:14:24 | 0:14:25 | |
but performing the duties with which you are entrusted. | 0:14:25 | 0:14:28 | |
Forgive me, but that is not...quite accurate now, is it? | 0:14:28 | 0:14:32 | |
What's this? | 0:14:32 | 0:14:33 | |
Do you now succumb to introspection? | 0:14:33 | 0:14:35 | |
Do not forget what you were when I first found you - | 0:14:37 | 0:14:40 | |
a little Paddy wretch destined for jail or an early grave. | 0:14:40 | 0:14:43 | |
And now look at you - quite the CID swell. | 0:14:43 | 0:14:46 | |
So perhaps the estimable Reid | 0:14:53 | 0:14:55 | |
does not consider you quite as efficacious in your crime-solving | 0:14:55 | 0:14:58 | |
as he might wish. | 0:14:58 | 0:14:59 | |
But that is not the prime purpose that finds you by his side, is it? | 0:14:59 | 0:15:02 | |
Is it, Flight? No, sir. | 0:15:03 | 0:15:05 | |
Then what is? | 0:15:05 | 0:15:06 | |
To forewarn you...should his gaze fall in your direction. | 0:15:06 | 0:15:10 | |
Great. Good boy. | 0:15:11 | 0:15:13 | |
You're a week late with your payments, madam. | 0:15:15 | 0:15:17 | |
I know this. | 0:15:18 | 0:15:19 | |
The man I regret I must call husband has squandered it. | 0:15:21 | 0:15:23 | |
Are matters rectified? | 0:15:29 | 0:15:30 | |
They are not. | 0:15:32 | 0:15:34 | |
And you recall the terms of our agreement? | 0:15:34 | 0:15:36 | |
I do. | 0:15:38 | 0:15:39 | |
Girls! | 0:15:41 | 0:15:42 | |
And before we commence such discussions, | 0:15:46 | 0:15:48 | |
I thought you might enjoy a little of what we have built here. | 0:15:48 | 0:15:51 | |
On the house, of course. | 0:15:51 | 0:15:54 | |
You mean on MY house, do you not? | 0:15:54 | 0:15:56 | |
I do. | 0:15:57 | 0:15:58 | |
Send them away. | 0:16:11 | 0:16:12 | |
Leave us, girls. | 0:16:16 | 0:16:17 | |
Perhaps it is early. No. | 0:16:22 | 0:16:24 | |
They are early in years. | 0:16:26 | 0:16:27 | |
It is not a girl I want, madam. It's a woman. | 0:16:29 | 0:16:32 | |
After all, there is an additional clause in our contract. | 0:16:32 | 0:16:35 | |
It is not too much to ask, is it, | 0:16:35 | 0:16:38 | |
when your handing to me but one night of pleasure | 0:16:38 | 0:16:41 | |
might in return hand you your freedom? | 0:16:41 | 0:16:44 | |
KNOCK ON THE DOOR | 0:16:44 | 0:16:46 | |
Come. | 0:16:46 | 0:16:47 | |
Mr Duggan's particulars - | 0:16:49 | 0:16:51 | |
we are asked which is the best room for them. | 0:16:51 | 0:16:53 | |
Why so startled, Madam? After all, it is my house. | 0:17:01 | 0:17:05 | |
Now, where would you suggest? | 0:17:05 | 0:17:07 | |
MUSIC HALL MUSIC PLAYS | 0:17:09 | 0:17:10 | |
# I feel so glad | 0:17:10 | 0:17:12 | |
# I never had such joy within my heart | 0:17:12 | 0:17:17 | |
# I've been asked out | 0:17:17 | 0:17:18 | |
# And without doubt | 0:17:18 | 0:17:20 | |
# I'm dying to make a start... # | 0:17:20 | 0:17:23 | |
What am I to do, Miss Hart? | 0:17:23 | 0:17:25 | |
You wish for Miss Erskine to rise from matinee to evening billing, | 0:17:25 | 0:17:29 | |
but surely you must see the girl sings like a reed | 0:17:29 | 0:17:32 | |
caught in a March gale. | 0:17:32 | 0:17:34 | |
# ..I'll ask him home for tea | 0:17:34 | 0:17:36 | |
# I shall say to my young man gay if he treads upon my frock | 0:17:36 | 0:17:40 | |
# Randy-pandy, sugardy candy | 0:17:40 | 0:17:42 | |
# Buy me some almond rock. # | 0:17:42 | 0:17:44 | |
And I do all I can to repay your generous faith in me, but... | 0:17:44 | 0:17:48 | |
Hush. | 0:17:48 | 0:17:49 | |
The man is a fool, | 0:17:49 | 0:17:51 | |
with no more taste and discernment than a monkey in a milliner's. | 0:17:51 | 0:17:54 | |
We shall see you right. | 0:17:55 | 0:17:57 | |
One day or the next, I shall have to learn to survive by myself. | 0:17:57 | 0:18:00 | |
And besides - if you'll forgive me asking... | 0:18:00 | 0:18:04 | |
..do you not have more pressing matters to contend with? Why? | 0:18:05 | 0:18:10 | |
What have you heard, Rose? Only that the Captain's currently... | 0:18:10 | 0:18:13 | |
..absent from Tenter Street. | 0:18:14 | 0:18:15 | |
I shall be fine and you are not to fret. | 0:18:17 | 0:18:20 | |
Well - best be about it, then. | 0:18:22 | 0:18:25 | |
Rose, forgive me... | 0:18:25 | 0:18:26 | |
..but do you... | 0:18:30 | 0:18:31 | |
..do you remember the first man who...paid for you? | 0:18:33 | 0:18:37 | |
Of course. | 0:18:38 | 0:18:40 | |
And did it... | 0:18:40 | 0:18:41 | |
Were you changed by it? | 0:18:45 | 0:18:46 | |
Well, changed how, Miss? | 0:18:48 | 0:18:49 | |
Inside yourself. | 0:18:49 | 0:18:51 | |
When you were then with another man - | 0:18:53 | 0:18:55 | |
a...a man you loved, for example. | 0:18:55 | 0:18:58 | |
Miss Susan, I have never known what it is | 0:19:01 | 0:19:04 | |
to lie with a man I love. | 0:19:04 | 0:19:06 | |
Oh, hail the conquering hero. What's this, Constable? | 0:19:18 | 0:19:21 | |
You do not have your man in irons? | 0:19:21 | 0:19:23 | |
I believed I had found him, sir, but...I had not. | 0:19:24 | 0:19:28 | |
This confidence man named Werner. He defrauds men of jewellery. | 0:19:28 | 0:19:31 | |
Good jewellery. Keep at it, Flight. Yes, sir. | 0:19:31 | 0:19:34 | |
Evening, girls. | 0:20:00 | 0:20:01 | |
How do, Rosie? | 0:20:01 | 0:20:03 | |
Late for a girl like you - unless you want to get in line. | 0:20:03 | 0:20:06 | |
What's this, Rose? Still hunting for your beau, are ya? | 0:20:08 | 0:20:11 | |
He ain't my beau, Gracie. But I look for him all right. | 0:20:11 | 0:20:15 | |
Here, look. I've got a picture now. | 0:20:15 | 0:20:18 | |
Have you seen him? I seen him. | 0:20:18 | 0:20:20 | |
Where, Gracie? | 0:20:20 | 0:20:22 | |
Nowhere you want to go, girl. | 0:20:22 | 0:20:24 | |
Please. | 0:20:24 | 0:20:25 | |
Look, I'll pay whatever you need to get you off the street tonight. | 0:20:25 | 0:20:29 | |
Only tell me. | 0:20:31 | 0:20:32 | |
SHOUTING | 0:20:43 | 0:20:46 | |
Last bets, my gentle and good men. Last bets! | 0:20:49 | 0:20:53 | |
Here they come. | 0:20:58 | 0:20:59 | |
How many blows will it take to fell this man? | 0:21:22 | 0:21:25 | |
CROWD SHOUTS SUGGESTIONS | 0:21:25 | 0:21:28 | |
An healthy variation in opinion. | 0:21:28 | 0:21:31 | |
Let us discover the limits of this man's pain! | 0:21:31 | 0:21:36 | |
Break his jaw! | 0:21:55 | 0:21:57 | |
Whoa, whoa, whoa, whoa. Whoa! | 0:22:18 | 0:22:21 | |
That is 13, gentlemen, 13. | 0:22:21 | 0:22:25 | |
No man has wagered more. | 0:22:25 | 0:22:27 | |
This book is closed. | 0:22:28 | 0:22:31 | |
And this house shall not be paying out tonight! | 0:22:31 | 0:22:34 | |
Bennet? | 0:22:44 | 0:22:45 | |
Oh, Bennet. | 0:22:50 | 0:22:50 | |
What have you done to yourself? | 0:22:53 | 0:22:55 | |
Ah! Ow! Bennet! | 0:22:58 | 0:23:02 | |
You abandoned that cat house and that woman | 0:23:14 | 0:23:19 | |
to come live here? | 0:23:19 | 0:23:20 | |
Who's to say it was me left the place? | 0:23:20 | 0:23:23 | |
Sorry, Twink, I just thought that...I'm the type to up and leave | 0:23:23 | 0:23:26 | |
and that, most like, you were also. | 0:23:26 | 0:23:29 | |
Yeah? Well, don't think. | 0:23:29 | 0:23:31 | |
Jesus. | 0:23:33 | 0:23:34 | |
What did you do? Doesn't matter. Don't ask. | 0:23:36 | 0:23:38 | |
Yeah...probably for the best. | 0:23:39 | 0:23:42 | |
You'd have quit her, one day or the next. | 0:23:42 | 0:23:45 | |
This way, you got no guilt. | 0:23:46 | 0:23:49 | |
And you get to feel wronged. | 0:23:49 | 0:23:52 | |
JUDGE LAUGHS | 0:23:52 | 0:23:54 | |
That must be good. Stop it, Daniel. | 0:23:54 | 0:23:56 | |
Stop what? The kinship routine. | 0:23:56 | 0:23:58 | |
But we are kin, Twink. | 0:23:58 | 0:23:59 | |
In blood, regrettably, | 0:23:59 | 0:24:01 | |
but me and you...we ain't even close to alike. | 0:24:01 | 0:24:04 | |
Where were you born? I'm not playing, Daniel. | 0:24:04 | 0:24:07 | |
"Why, Richmond, Virginia." | 0:24:07 | 0:24:10 | |
Well, now blow me down. So was I. | 0:24:10 | 0:24:15 | |
When did you leave? "Soon as I could." | 0:24:15 | 0:24:18 | |
Myself likewise. | 0:24:20 | 0:24:21 | |
Where did you go? | 0:24:21 | 0:24:24 | |
"Far as I could. So long as it weren't home." | 0:24:24 | 0:24:28 | |
Your father was a doctor? Mine the same. | 0:24:28 | 0:24:31 | |
Well, what befell him? | 0:24:33 | 0:24:34 | |
"The torpor of his life got the better of him, | 0:24:35 | 0:24:39 | |
"until one night suppertime, | 0:24:39 | 0:24:40 | |
"he opened his jugular over the Sunday meatloaf." | 0:24:40 | 0:24:44 | |
Rrrggghhh! | 0:24:46 | 0:24:48 | |
GRUNTING AND GROANING | 0:24:48 | 0:24:51 | |
Jackson! Hey! | 0:24:53 | 0:24:54 | |
That's our host, Daniel. | 0:25:02 | 0:25:04 | |
You play nice, now. You're Reid? | 0:25:06 | 0:25:08 | |
Why did you not say? | 0:25:11 | 0:25:12 | |
"Twink"? | 0:25:25 | 0:25:26 | |
Twinkle. | 0:25:29 | 0:25:31 | |
On account of his cheerful disposition. | 0:25:31 | 0:25:33 | |
Ah. | 0:25:33 | 0:25:34 | |
Well...good night, Mr Judge. | 0:25:38 | 0:25:41 | |
Hmm. | 0:25:41 | 0:25:42 | |
I do hope our city will not detain you long. | 0:25:46 | 0:25:50 | |
Sarcasm, Daniel - it means he hopes you leave soon. | 0:26:00 | 0:26:04 | |
JUDGE SNORES | 0:26:12 | 0:26:14 | |
BLADE RINGS | 0:27:00 | 0:27:02 | |
You put that back, Twinkle. | 0:27:02 | 0:27:04 | |
Or blood or no blood, I will slit you. | 0:27:05 | 0:27:10 | |
So are you going to show me what it is? | 0:27:18 | 0:27:20 | |
35 carat diamond in the rough. | 0:27:26 | 0:27:30 | |
You think De Graal won't miss that? | 0:27:30 | 0:27:32 | |
6,000 miles, Cape Town to London. | 0:27:32 | 0:27:35 | |
But they established a syndicate here. | 0:27:35 | 0:27:37 | |
The diamond merchants of London are given stock for their loyalty. | 0:27:37 | 0:27:40 | |
You march down to Hatton Garden to sell that, | 0:27:40 | 0:27:43 | |
well...they're going to kill you. | 0:27:43 | 0:27:44 | |
I did not come visiting on my little brother to get dead. | 0:27:47 | 0:27:50 | |
I need a crook, then. | 0:27:52 | 0:27:53 | |
Well, there, I can help you. | 0:27:54 | 0:27:56 | |
I work for the police, remember. | 0:27:57 | 0:27:59 | |
And Daniel, if this gets sold and cleaned thanks to me... | 0:27:59 | 0:28:02 | |
..I'm taking half. | 0:28:03 | 0:28:04 | |
And you can guarantee that when I return this evening, | 0:28:09 | 0:28:11 | |
my silverware will be intact? | 0:28:11 | 0:28:13 | |
He's my brother, Reid. What am I supposed to do? | 0:28:13 | 0:28:16 | |
Get rid of him? | 0:28:16 | 0:28:17 | |
Evening, Flight. | 0:28:37 | 0:28:38 | |
This guy, Werner? What of him? | 0:28:41 | 0:28:43 | |
Look, my dead room lacks for residents, | 0:28:46 | 0:28:48 | |
I have some time on my hands, | 0:28:48 | 0:28:49 | |
why not talk me through what you got? | 0:28:49 | 0:28:51 | |
I could help you, Constable. | 0:28:51 | 0:28:52 | |
Did you try this place Finkels, yet? | 0:29:02 | 0:29:04 | |
I have. Werner has not sold there for three years now. | 0:29:04 | 0:29:08 | |
Excuse me, darlin', but if you saw the pox he carried, you'd thank me. | 0:29:20 | 0:29:23 | |
Oh, no! | 0:29:23 | 0:29:25 | |
I may have something. | 0:29:28 | 0:29:29 | |
Someone. | 0:29:29 | 0:29:31 | |
The station is investigating a man named Werner. | 0:29:33 | 0:29:37 | |
Long firm man. | 0:29:37 | 0:29:38 | |
Has in the past sold goods to a jeweller named Finkel. | 0:29:38 | 0:29:42 | |
And this Finkel...he does not deal with this syndicate? | 0:29:42 | 0:29:47 | |
Who's to say? But he does deal with criminals. | 0:29:47 | 0:29:50 | |
It's all we have, Daniel. | 0:29:53 | 0:29:56 | |
You believe your share of this will allow for your return to your wife? | 0:30:01 | 0:30:05 | |
It cannot but help. | 0:30:05 | 0:30:06 | |
You think it the only reason she cast you out? | 0:30:06 | 0:30:08 | |
It's not. | 0:30:11 | 0:30:12 | |
It is never. What do you know about it? | 0:30:12 | 0:30:15 | |
You have some happy hearthside waiting for you | 0:30:15 | 0:30:18 | |
when you get done with this? | 0:30:18 | 0:30:19 | |
Yeah, I didn't think so. | 0:30:21 | 0:30:22 | |
Listen to me... | 0:30:24 | 0:30:26 | |
I got rich and I got poor again, | 0:30:26 | 0:30:31 | |
but the same smell still followed me. | 0:30:31 | 0:30:34 | |
This Finkel comes to fruition - you'll have your half. | 0:30:35 | 0:30:38 | |
But don't go thinking that Judge stink leaves you, Twink. | 0:30:38 | 0:30:41 | |
It don't. | 0:30:43 | 0:30:45 | |
This is Wainwright? Yes, sir. | 0:31:05 | 0:31:07 | |
He progresses? | 0:31:07 | 0:31:09 | |
He does. Quarterfinals now, sir. | 0:31:09 | 0:31:12 | |
Our challenger for the Lafone Cup. | 0:31:12 | 0:31:14 | |
He's a good fighter? | 0:31:14 | 0:31:17 | |
He is no Bennet Drake, sir. But he improves. | 0:31:17 | 0:31:21 | |
Flight? Your pursuit of this Werner? What progress? | 0:31:21 | 0:31:26 | |
I hunt him, sir. I do so now. | 0:31:26 | 0:31:28 | |
Well, go to it, then. | 0:31:28 | 0:31:29 | |
Although one assumes the identity of this year's | 0:31:34 | 0:31:37 | |
victor as certain as ever. | 0:31:37 | 0:31:38 | |
Quite so, Mr Reid. | 0:31:38 | 0:31:40 | |
Keep your back straight! | 0:31:44 | 0:31:47 | |
Five acres, in which reside 6,000 individuals, | 0:31:47 | 0:31:51 | |
and the rate at which they die here | 0:31:51 | 0:31:53 | |
is four times that of the rest of this city. | 0:31:53 | 0:31:57 | |
As you know, I plan to replace these shanties with modern and sanitary | 0:31:57 | 0:32:02 | |
dwellings in which people might live out of choice, not obligation. | 0:32:02 | 0:32:06 | |
However, this I cannot do unless the party, or parties, | 0:32:06 | 0:32:10 | |
that own these lands permit it. | 0:32:10 | 0:32:12 | |
Currently, all our surveyors encounter is violence | 0:32:12 | 0:32:16 | |
from hired thugs. | 0:32:16 | 0:32:17 | |
It is for this reason, ladies and gentlemen, | 0:32:17 | 0:32:19 | |
that I invite you here today to urge you, in print, | 0:32:19 | 0:32:23 | |
to shame these opaque and hidden powers into good faith negotiation. | 0:32:23 | 0:32:28 | |
To ask them to stand forward | 0:32:28 | 0:32:30 | |
and have a care for the future lives of their tenants. | 0:32:30 | 0:32:33 | |
I thank you. | 0:32:36 | 0:32:38 | |
APPLAUSE | 0:32:38 | 0:32:40 | |
Councillor. The investigations I have made for you. | 0:32:40 | 0:32:42 | |
You wish to cause men shame, it's better for you | 0:32:42 | 0:32:45 | |
to have a name with which to do so - Obsidian Estates. | 0:32:45 | 0:32:48 | |
The rest I leave to you and whichever of these muckrakes | 0:32:48 | 0:32:51 | |
you can bring to your side. | 0:32:51 | 0:32:52 | |
What's this, Inspector? What's this? | 0:32:52 | 0:32:55 | |
A man of your many occupations suddenly diverted by paperwork? | 0:32:55 | 0:32:59 | |
Miss Cobden has a hope that less people might die here | 0:32:59 | 0:33:01 | |
than is currently the case. | 0:33:01 | 0:33:02 | |
That hope is shared by the police - if not by yourself. | 0:33:02 | 0:33:05 | |
Councillor. Inspector. | 0:33:05 | 0:33:08 | |
He is a man of noble intent, our Inspector Reid. | 0:33:12 | 0:33:15 | |
Do you not find, Miss Cobden? | 0:33:15 | 0:33:18 | |
Sir. You are Finkel? | 0:33:30 | 0:33:32 | |
Is there anything in particular for which you search? | 0:33:32 | 0:33:35 | |
Not so much a thing...as a man. | 0:33:35 | 0:33:37 | |
Man called Werner. | 0:33:39 | 0:33:40 | |
You are American. | 0:33:45 | 0:33:46 | |
I've spent the last five or six years in Africa, however. | 0:33:48 | 0:33:55 | |
The South of Africa - | 0:33:55 | 0:33:57 | |
part of the world that the British now call their own. | 0:33:57 | 0:34:01 | |
Big hole in the ground that has come to be named Courtvale. | 0:34:01 | 0:34:06 | |
Well, you must have seen many things there, | 0:34:06 | 0:34:09 | |
many stories to bring with you. | 0:34:09 | 0:34:13 | |
Hmm. Some other belongings, perhaps. | 0:34:13 | 0:34:19 | |
Belongings this man Werner, whom you seek, might indeed assist you with? | 0:34:19 | 0:34:26 | |
Size? | 0:34:30 | 0:34:32 | |
It is on your person? | 0:34:37 | 0:34:39 | |
And should Mr Werner wish to find you - find you | 0:34:42 | 0:34:45 | |
and perhaps view this item - there is an address? | 0:34:45 | 0:34:50 | |
Thank you for your time. | 0:35:04 | 0:35:05 | |
He asked for you by name. I heard. | 0:35:23 | 0:35:25 | |
Police, you think? He was American. | 0:35:32 | 0:35:35 | |
Well, that ain't no impediment these days, I can tell you. | 0:35:35 | 0:35:39 | |
However, he does have a stone he hopes you might acquire. | 0:35:39 | 0:35:42 | |
A large one. But stolen, I imagine. | 0:35:42 | 0:35:45 | |
Not in the current mood. No. | 0:35:47 | 0:35:51 | |
We do our duty by our masters | 0:35:51 | 0:35:54 | |
and we inform the syndicate. | 0:35:54 | 0:35:57 | |
This one searches for you. | 0:36:00 | 0:36:02 | |
Mr Hinchcliffe. | 0:36:02 | 0:36:04 | |
Detective Flight. | 0:36:04 | 0:36:05 | |
Sir. | 0:36:05 | 0:36:07 | |
Please...I have found him. | 0:36:07 | 0:36:09 | |
The fraudster Werner. | 0:36:09 | 0:36:11 | |
Seen him, in fact. | 0:36:11 | 0:36:13 | |
He is at Hatton Garden. | 0:36:13 | 0:36:15 | |
Will you not come? | 0:36:20 | 0:36:22 | |
Er, yes, sorry, of course... | 0:36:25 | 0:36:27 | |
Please. Five minutes, sir. | 0:36:32 | 0:36:35 | |
Mr Hinchcliffe. | 0:36:54 | 0:36:55 | |
Thanks for your urgent attention, Mr Flight. | 0:36:55 | 0:36:58 | |
Not at all. We must hope we find him there, still. | 0:36:58 | 0:37:03 | |
This is it, Detective. | 0:37:09 | 0:37:11 | |
H Division. | 0:37:22 | 0:37:24 | |
Then you have yourself lost, friend. | 0:37:24 | 0:37:27 | |
Do you see the article, sir? There, Detective. | 0:37:27 | 0:37:30 | |
My stolen earrings! | 0:37:30 | 0:37:31 | |
HE CHOKES | 0:37:35 | 0:37:38 | |
You do not give me those eyes. | 0:37:51 | 0:37:53 | |
You have been well safeguarded from the realities of your position. | 0:37:54 | 0:37:58 | |
This is your life. | 0:38:01 | 0:38:03 | |
Werner! | 0:38:07 | 0:38:08 | |
And you, sir, you fetch a mop. | 0:38:12 | 0:38:15 | |
Mr Shine, you have lost your reasoning. | 0:38:23 | 0:38:26 | |
You wish this lad to put me in irons | 0:38:29 | 0:38:31 | |
and fetch me to his Leman Street masters. | 0:38:31 | 0:38:33 | |
Now come here. | 0:38:36 | 0:38:37 | |
HE CHUCKLES | 0:38:37 | 0:38:39 | |
You old kike! | 0:38:39 | 0:38:41 | |
You see, this lad here has been seen leaving in the company | 0:38:42 | 0:38:45 | |
of this ex-gentleman here. | 0:38:45 | 0:38:48 | |
He returns to the Leman Street fold without neither of you, | 0:38:48 | 0:38:53 | |
and questions get asked. | 0:38:53 | 0:38:55 | |
Que... Questions is going to get asked any which way. | 0:38:55 | 0:38:57 | |
Indeed. But you will be there to answer them. | 0:38:57 | 0:38:59 | |
"No, Mr Reid, I have never met a man named Hinchcliffe. | 0:38:59 | 0:39:03 | |
"No, sir, I know nothing of no jewellery order." | 0:39:03 | 0:39:05 | |
Who will there be to say otherwise? | 0:39:05 | 0:39:08 | |
In due course there will be nothing for it but to show you the door. | 0:39:08 | 0:39:11 | |
Well, what about their other methods of questioning a man? | 0:39:11 | 0:39:16 | |
His station house's reputation for violence | 0:39:16 | 0:39:18 | |
walks ahead of his inspector. | 0:39:18 | 0:39:20 | |
They will torture me, Mr Shine. | 0:39:20 | 0:39:22 | |
Give me your hand, give me your hand... | 0:39:22 | 0:39:25 | |
Mr Reid has no stomach for such acts... | 0:39:27 | 0:39:31 | |
relies instead on another man's brutality. | 0:39:31 | 0:39:33 | |
And that man - the good Sergeant Drake - | 0:39:33 | 0:39:37 | |
is no more for that beat. | 0:39:37 | 0:39:39 | |
So you and the lad let yourselves out. | 0:39:42 | 0:39:46 | |
Sharp like. | 0:39:46 | 0:39:47 | |
MEN COUGH AND SPLUTTER | 0:39:54 | 0:39:58 | |
Begging your pardon, sir. Yes, miss? | 0:40:29 | 0:40:31 | |
Why is it you men dig so big a grave? | 0:40:31 | 0:40:35 | |
Many bodies are to be buried in it, miss. | 0:40:35 | 0:40:38 | |
The beggared and nameless dead of this parish. | 0:40:38 | 0:40:40 | |
Sergeant Artherton, no loss of life as yet? | 0:40:48 | 0:40:51 | |
None, sir. | 0:40:51 | 0:40:52 | |
The man, Werner, sir. | 0:40:56 | 0:40:58 | |
And so? | 0:40:58 | 0:41:00 | |
Denies it all. As one expects. | 0:41:01 | 0:41:03 | |
Good work, Flight. | 0:41:05 | 0:41:07 | |
Sergeant Artherton, have this man booked and locked down. | 0:41:07 | 0:41:10 | |
Now, where is Mr Hinchcliffe? | 0:41:10 | 0:41:12 | |
He's away home, sir, to pass the news to his wife. | 0:41:12 | 0:41:14 | |
You are aware, are you not, Flight, that he | 0:41:14 | 0:41:16 | |
must make formal identification? I am, sir, but he was insistent. | 0:41:16 | 0:41:19 | |
Well, you go, fetch him to me now. | 0:41:19 | 0:41:21 | |
Yes, sir. | 0:41:21 | 0:41:22 | |
You have no wish to speak with me, Bennet... | 0:41:54 | 0:41:58 | |
I see that. | 0:42:00 | 0:42:01 | |
But I will not be diverted now that I have found you, | 0:42:04 | 0:42:09 | |
because I am your true friend. | 0:42:09 | 0:42:11 | |
I know that I have been cruel to you in the past. | 0:42:15 | 0:42:19 | |
And you must look at me now and see nothing but a reminder of your pain. | 0:42:22 | 0:42:26 | |
But I am your friend | 0:42:28 | 0:42:31 | |
and I will not desert you. | 0:42:31 | 0:42:33 | |
So you go back to your graves and your dosshouses, | 0:42:34 | 0:42:38 | |
and you be sure of this... | 0:42:38 | 0:42:41 | |
As the day begins and the night ends, | 0:42:41 | 0:42:45 | |
you will find me waiting for you. | 0:42:45 | 0:42:48 | |
You think you can hide from life | 0:42:48 | 0:42:51 | |
and perhaps another man might... | 0:42:51 | 0:42:54 | |
but not a man such as you, Bennet Drake. | 0:42:54 | 0:42:58 | |
You believe yourself are cursed - | 0:42:58 | 0:43:00 | |
you are not. | 0:43:00 | 0:43:02 | |
You believe you carry only pain into other people's lives - | 0:43:02 | 0:43:05 | |
you do not. | 0:43:05 | 0:43:07 | |
Bennet, you brought love into mine. | 0:43:07 | 0:43:10 | |
A love that is keener now than ever it was. | 0:43:10 | 0:43:14 | |
You are a good man. You are a good man. | 0:43:16 | 0:43:20 | |
I will say those words until the day I die. | 0:43:20 | 0:43:23 | |
Bennet Drake is the best of men and this life, | 0:43:23 | 0:43:27 | |
this world, will not let him sink from its surface. | 0:43:27 | 0:43:31 | |
Miss Hart, please. | 0:44:02 | 0:44:03 | |
Mr Judge. | 0:44:48 | 0:44:50 | |
Mr Daniel Judge. | 0:44:50 | 0:44:53 | |
COCKNEY ACCENT: Who? I ain't ever 'eard of no Judge. | 0:44:53 | 0:44:57 | |
Please, sir. | 0:44:59 | 0:45:01 | |
You cannot bring a diamond here without that the | 0:45:01 | 0:45:03 | |
house of De Graal discovers that act. | 0:45:03 | 0:45:05 | |
We know who you are, where you have been. | 0:45:05 | 0:45:08 | |
And now - thanks to our friend and associate Mr Finkel - | 0:45:08 | 0:45:14 | |
we know where you currently reside. | 0:45:14 | 0:45:17 | |
The house of De Graal knows all and everything about you, sir. | 0:45:17 | 0:45:21 | |
Are you not pleased? | 0:45:30 | 0:45:33 | |
The wine is German. | 0:45:33 | 0:45:34 | |
And so I say again... | 0:45:37 | 0:45:39 | |
are you not pleased? | 0:45:39 | 0:45:41 | |
I am not. | 0:45:42 | 0:45:44 | |
And I believe this fact known to you. | 0:45:44 | 0:45:46 | |
My house is no longer my own. | 0:45:50 | 0:45:52 | |
Your life is no longer your own, madam. | 0:45:52 | 0:45:54 | |
And yet you know what will make my presence here | 0:45:54 | 0:45:57 | |
be a thing of the past. | 0:45:57 | 0:45:59 | |
Duggan...I cannot. | 0:46:02 | 0:46:05 | |
Miss Hart, | 0:46:07 | 0:46:09 | |
you allow other women to perform an act from which you profit. | 0:46:09 | 0:46:14 | |
Yet you baulk at performing it yourself! Please! | 0:46:14 | 0:46:17 | |
I cannot. | 0:46:18 | 0:46:20 | |
Duggan, what are you doing? | 0:46:29 | 0:46:31 | |
Long Susan. | 0:46:31 | 0:46:33 | |
Why is it they call you so? | 0:46:33 | 0:46:34 | |
Because look - | 0:46:34 | 0:46:37 | |
you are no bigger than a pepper pot. | 0:46:37 | 0:46:39 | |
But let me be clear. | 0:46:40 | 0:46:42 | |
You do not oblige me. | 0:46:42 | 0:46:44 | |
Myself, my men are the future for this house | 0:46:44 | 0:46:48 | |
because I have it in mind, | 0:46:48 | 0:46:50 | |
that your ladies do not work as hard as others in their profession. | 0:46:50 | 0:46:53 | |
This house's profits might be greater | 0:46:53 | 0:46:55 | |
and so I shall see to it they are never, never off their backs. | 0:46:55 | 0:47:00 | |
And it will not be gentlemen. | 0:47:00 | 0:47:02 | |
Oh, no, it will be navvies | 0:47:02 | 0:47:04 | |
and dockers and soldiers and they will be in and out so fast | 0:47:04 | 0:47:08 | |
I shall install baffle gates to the doors. | 0:47:08 | 0:47:11 | |
Terrible things, madam, which only you have the power to prevent. | 0:47:11 | 0:47:15 | |
Think hard on my terms, madam, think hard. | 0:47:17 | 0:47:19 | |
And do not preoccupy yourself with thoughts of escape, | 0:47:20 | 0:47:24 | |
because for a prize such as you, sweet Susan... | 0:47:24 | 0:47:28 | |
..I will pursue that to the end of time. | 0:47:30 | 0:47:32 | |
Flight? | 0:47:49 | 0:47:50 | |
What of Hinchcliffe? | 0:47:53 | 0:47:54 | |
I cannot find him, sir. | 0:47:57 | 0:47:58 | |
You have spoken to his family? Left word for him? I have, sir. | 0:47:58 | 0:48:01 | |
Until he returns, we must deal with Mr Werner ourselves. | 0:48:03 | 0:48:06 | |
How is it we have not met before, Mr Werner? | 0:48:15 | 0:48:17 | |
Perhaps because I am an honest man, Inspector. | 0:48:20 | 0:48:23 | |
Nathaniel Hinchcliffe. | 0:48:25 | 0:48:26 | |
I have never heard that name. | 0:48:27 | 0:48:29 | |
He knows you, sir. | 0:48:29 | 0:48:30 | |
Does he, now? | 0:48:30 | 0:48:33 | |
I say he does not. | 0:48:33 | 0:48:34 | |
You established trade and trust and then you defrauded him. | 0:48:34 | 0:48:37 | |
Then you bring him here and let me deny it to his face. | 0:48:37 | 0:48:40 | |
Deny it all you wish, I know it for truth. | 0:48:42 | 0:48:44 | |
Well, I have heard it said | 0:48:44 | 0:48:47 | |
that you are a man for fantasies, Inspector. | 0:48:47 | 0:48:50 | |
And that the power behind your threats is now gone from you. | 0:48:52 | 0:48:55 | |
Is that all the questioning you may muster? | 0:49:04 | 0:49:06 | |
Am I now to be released? No, you are not! | 0:49:06 | 0:49:09 | |
WERNER GROANS | 0:49:14 | 0:49:16 | |
You policeman... | 0:49:19 | 0:49:21 | |
..animals, to the last man. | 0:49:22 | 0:49:25 | |
HE GROANS | 0:49:25 | 0:49:28 | |
As I say, animals. | 0:49:32 | 0:49:34 | |
It is almost three days and still | 0:49:41 | 0:49:44 | |
there are no deaths reported in Whitechapel. | 0:49:44 | 0:49:46 | |
This does not give me cause for joy. | 0:49:46 | 0:49:48 | |
It gives me cause for grave foreboding. | 0:49:49 | 0:49:51 | |
There is evil afoot, Flight, | 0:49:52 | 0:49:55 | |
and I cannot determine from where it springs. | 0:49:55 | 0:49:57 | |
I need Drake. | 0:50:03 | 0:50:05 | |
CROWD BAYS | 0:50:08 | 0:50:12 | |
CROWD: Smash him! | 0:50:18 | 0:50:20 | |
Come on, then. | 0:50:26 | 0:50:28 | |
CLATTERING AND BANGING | 0:50:38 | 0:50:41 | |
Why do you send for me? | 0:51:12 | 0:51:13 | |
Because I love you. | 0:51:13 | 0:51:15 | |
Love is no use to me currently. | 0:51:15 | 0:51:18 | |
I swear to you, this could change everything. | 0:51:18 | 0:51:21 | |
Please? | 0:51:21 | 0:51:22 | |
HE COUGHS AND SPLUTTERS | 0:51:29 | 0:51:32 | |
I... I-I swear... | 0:51:39 | 0:51:42 | |
..on everything I hold dear. | 0:51:44 | 0:51:47 | |
That is the problem with men such as yourself, Mr Judge. | 0:51:47 | 0:51:49 | |
You hold nothing dear. | 0:51:51 | 0:51:52 | |
Apart, perhaps, from that which you steal. | 0:51:53 | 0:51:56 | |
Nothing upstairs, brother. | 0:51:56 | 0:51:58 | |
HE WHIMPERS | 0:52:01 | 0:52:04 | |
It don't look like much, I grant you that. | 0:52:29 | 0:52:31 | |
And it is stolen, I assume. | 0:52:31 | 0:52:33 | |
Do you know what he says we can get for this? | 0:52:33 | 0:52:35 | |
Me and Daniel's share, 15,000. | 0:52:36 | 0:52:39 | |
That's ten for Duggan. | 0:52:41 | 0:52:42 | |
You and me... | 0:52:42 | 0:52:44 | |
..five to then live as we please. | 0:52:45 | 0:52:47 | |
A moment comes in a woman's life | 0:52:49 | 0:52:51 | |
when she may no longer deal in dreams. | 0:52:51 | 0:52:53 | |
This? | 0:52:55 | 0:52:57 | |
This is fantasy... | 0:52:57 | 0:52:58 | |
..or it is death, | 0:52:59 | 0:53:01 | |
and it might well be both. | 0:53:01 | 0:53:02 | |
No. | 0:53:07 | 0:53:09 | |
Captain Homer Jackson. | 0:53:09 | 0:53:11 | |
Matthew Judge. Husband. | 0:53:11 | 0:53:12 | |
No. | 0:53:13 | 0:53:14 | |
I will have no more of you and your dreams. | 0:53:17 | 0:53:19 | |
The world is what it is. | 0:53:22 | 0:53:23 | |
And I must live with that. | 0:53:25 | 0:53:27 | |
You Boer half-wits. | 0:53:42 | 0:53:44 | |
You have nothing on me. | 0:53:45 | 0:53:49 | |
Nothing... | 0:53:49 | 0:53:50 | |
So leave now or kill me. | 0:53:52 | 0:53:55 | |
But if kill me you must, | 0:53:59 | 0:54:01 | |
know that you do so | 0:54:01 | 0:54:05 | |
in the home of an inspector of the Metropolitan Police. | 0:54:05 | 0:54:10 | |
KNOCK AT DOOR Come. | 0:54:14 | 0:54:16 | |
You work late. | 0:54:25 | 0:54:26 | |
You know my habits? | 0:54:26 | 0:54:28 | |
They are of a kind with mine. | 0:54:28 | 0:54:30 | |
Why have you come here? | 0:54:31 | 0:54:32 | |
I feel a despair in me. | 0:54:34 | 0:54:36 | |
And the thought of you...eases it. | 0:54:37 | 0:54:39 | |
You are hurt. | 0:54:42 | 0:54:43 | |
A man's jaw. | 0:54:47 | 0:54:49 | |
Why do you tell me this? | 0:54:50 | 0:54:51 | |
Do you wish me to disapprove? | 0:54:54 | 0:54:55 | |
No. | 0:54:57 | 0:54:58 | |
I need you to see my life as it is. | 0:55:03 | 0:55:06 | |
So that I may say that I am appalled... | 0:55:06 | 0:55:08 | |
..or that I am afraid of you? | 0:55:09 | 0:55:11 | |
Your work, its requirements, | 0:55:12 | 0:55:15 | |
those are not the things that frighten me, Edmund. | 0:55:15 | 0:55:18 | |
What frightens me is your existence on this Earth. | 0:55:18 | 0:55:21 | |
HE PANTS | 0:55:30 | 0:55:33 | |
PASSIONATE GROANING | 0:55:47 | 0:55:51 | |
Come. | 0:56:09 | 0:56:11 | |
THUNDER RUMBLES | 0:56:34 | 0:56:37 | |
Only two more now, lads. | 0:56:46 | 0:56:48 | |
Steady now, watch your step. I said, watch it! | 0:56:52 | 0:56:54 | |
No, you fool, look out! | 0:56:54 | 0:56:56 | |
Get him up. | 0:56:59 | 0:57:00 | |
Drake, you leave it where it lies. | 0:57:06 | 0:57:09 | |
I said, leave it! | 0:57:09 | 0:57:10 | |
Mr Reid, you must come now, sir! | 0:57:26 | 0:57:28 | |
CROWD MURMURS | 0:57:32 | 0:57:35 | |
REFEREE: H Division! | 0:58:00 | 0:58:02 | |
Life, Mr Reid, is offended by you and me. | 0:58:02 | 0:58:06 | |
Oh, my Lord God. | 0:58:06 | 0:58:07 | |
I am heartily sorry for having offended you. | 0:58:08 | 0:58:11 | |
You see... Fight him! | 0:58:16 | 0:58:18 | |
..I cannot be ended. | 0:58:18 | 0:58:20 | |
Subtitles by Red Bee Media Ltd | 0:58:40 | 0:58:44 |