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This programme contains some scenes of violence. | 0:00:02 | 0:00:07 | |
Sergeant Artherton? | 0:00:39 | 0:00:41 | |
Mr Drake - he has fought Inspector Shine. | 0:00:41 | 0:00:44 | |
He has. | 0:00:44 | 0:00:45 | |
Did he...win, Sir? | 0:00:47 | 0:00:49 | |
Councillor Cobden? A word with you, if I might? | 0:00:52 | 0:00:56 | |
A comment, if you will? | 0:00:57 | 0:00:58 | |
On my purpose here? You are welcome to it, Mr Best. | 0:00:58 | 0:01:02 | |
I am set on the renovation of St Paul's Wharfside. | 0:01:02 | 0:01:04 | |
Oh, no, good lady. I have a surfeit of those already. | 0:01:04 | 0:01:06 | |
No. It's, erm, it's comment on other matters I seek. | 0:01:06 | 0:01:10 | |
Yourself and Detective Inspector Reid, you have been friends long? | 0:01:10 | 0:01:15 | |
We have interests that conjoin. | 0:01:15 | 0:01:17 | |
Politicians and police - it will ever be the case. | 0:01:17 | 0:01:20 | |
I know, it's a sweet story. | 0:01:20 | 0:01:23 | |
Yourself and Edmund Reid - aligned for ever more... | 0:01:23 | 0:01:27 | |
..on his night-time visits to your offices. | 0:01:28 | 0:01:31 | |
Conjoined good and proper, I imagine. | 0:01:31 | 0:01:34 | |
Ma'am! | 0:01:34 | 0:01:35 | |
Oh! Good God, no! | 0:01:41 | 0:01:42 | |
CROWD: Shine, Shine, Shine! | 0:01:48 | 0:01:54 | |
The width of the cleft is barely a millimetre | 0:02:29 | 0:02:31 | |
through Mr Hinchcliffe's throat - | 0:02:31 | 0:02:34 | |
cut clean through the windpipe, | 0:02:34 | 0:02:36 | |
but the wound encircles the neck entirely. | 0:02:36 | 0:02:39 | |
So...piano or cheese wire, most like. It's from behind - | 0:02:39 | 0:02:46 | |
pull clean, hold tight. | 0:02:46 | 0:02:49 | |
-A man of strength and precision. -An all too recent murder. | 0:02:50 | 0:02:54 | |
And one to which we must add the investigation | 0:02:54 | 0:02:57 | |
of this rotted array of bone work. | 0:02:57 | 0:02:59 | |
You ask me, the river's the best thing for them. | 0:02:59 | 0:03:01 | |
We must do what we can. | 0:03:01 | 0:03:02 | |
Straighten up, now in to him, body, body! | 0:03:06 | 0:03:09 | |
Liver and kidneys! | 0:03:09 | 0:03:10 | |
-Don. -Bennet. | 0:03:13 | 0:03:16 | |
-Jab! Jab! -He is not without skill, Artherton tells me. | 0:03:22 | 0:03:25 | |
-Head, body... -It is not skill he needs. | 0:03:27 | 0:03:29 | |
Bennet, Mr Hinchcliffe... | 0:03:32 | 0:03:34 | |
..now, the man who defrauded him, the man who murdered him, perhaps, | 0:03:36 | 0:03:39 | |
he sits in our cells not ten yards from where we stand. | 0:03:39 | 0:03:43 | |
Body, body! Jab, jab! | 0:03:43 | 0:03:45 | |
-May I show him to you? -Cross! | 0:03:47 | 0:03:49 | |
Nathaniel Hinchcliffe, the man you cheated, Mr Werner. | 0:03:55 | 0:03:59 | |
The man you say I cheated. | 0:03:59 | 0:04:01 | |
His murdered body lies in my dead room - | 0:04:01 | 0:04:03 | |
ready to give up the secrets of its death. | 0:04:03 | 0:04:05 | |
Well, then that is where you must find them, | 0:04:05 | 0:04:08 | |
cos you'll get none from me. | 0:04:08 | 0:04:10 | |
Have it from me, Reid, | 0:04:11 | 0:04:14 | |
the look of disgust on your face when you struck me? | 0:04:14 | 0:04:17 | |
You lack the stomach for another man's torment. | 0:04:17 | 0:04:21 | |
Perhaps. But might I introduce you to my friend here? | 0:04:21 | 0:04:25 | |
His name is Drake. Perhaps you have heard it spoken. | 0:04:27 | 0:04:30 | |
I heard it, he was gone. | 0:04:30 | 0:04:31 | |
As you can see, he is not. | 0:04:31 | 0:04:33 | |
Now, Nathaniel Hinchcliffe, you defrauded him | 0:04:35 | 0:04:39 | |
and then you had him murdered, did you not? | 0:04:39 | 0:04:42 | |
What, Inspector? Has your dog gone lame? | 0:04:44 | 0:04:48 | |
Sergeant Drake? | 0:04:56 | 0:04:57 | |
You have my warrant card, Sir. | 0:04:57 | 0:05:00 | |
I've not taken it back. | 0:05:00 | 0:05:02 | |
And so I am not your sergeant to be bid no more. | 0:05:03 | 0:05:08 | |
You retrieved Hinchcliffe's broken body. | 0:05:08 | 0:05:10 | |
That man in there, he will not talk to me and I cannot... | 0:05:10 | 0:05:13 | |
You cannot find it in yourself to force him? | 0:05:13 | 0:05:15 | |
No. | 0:05:17 | 0:05:19 | |
And so once more require me to do so for you? | 0:05:19 | 0:05:22 | |
Inspector, I will not be that man no more. | 0:05:25 | 0:05:29 | |
I cannot. | 0:05:31 | 0:05:34 | |
Do you not see what it has brought me, Sir? | 0:05:34 | 0:05:37 | |
Each lip I've fattened... | 0:05:37 | 0:05:39 | |
..each head I've beaten against steel bars, at your bidding. | 0:05:40 | 0:05:44 | |
And you stood there in silence, | 0:05:44 | 0:05:46 | |
waiting for their secrets to pour forth. | 0:05:46 | 0:05:49 | |
Inspector, look at the ruins of our lives. | 0:05:53 | 0:05:56 | |
Anyone we might...care for or bring close to us, anyone! | 0:05:58 | 0:06:04 | |
They suffer and we lose them. | 0:06:04 | 0:06:07 | |
Do you think these facts not related? | 0:06:09 | 0:06:11 | |
No. That is not the way the universe functions. | 0:06:11 | 0:06:13 | |
There is no... There is no God, stood in judgment. | 0:06:13 | 0:06:17 | |
Who mentioned God, Sir? No, I talk of life! | 0:06:17 | 0:06:20 | |
And life, Mr Reid, is offended by you and me. | 0:06:21 | 0:06:25 | |
Mr Blewett? Mr Blewett? | 0:06:38 | 0:06:41 | |
-Mr Blewett? Is that my name atop of tonight's bill? -It is, Rose. | 0:06:44 | 0:06:49 | |
And I hope to not receive another visit from your friends | 0:06:49 | 0:06:52 | |
and they now appreciate the efforts I make for you. | 0:06:52 | 0:06:55 | |
All my days, all of them, whatever happens, | 0:07:01 | 0:07:05 | |
I will always be grateful to you. | 0:07:05 | 0:07:07 | |
Rose, please, hush. | 0:07:07 | 0:07:09 | |
This is not to be laid at my door. | 0:07:09 | 0:07:11 | |
But if it is not you I thank, then... | 0:07:11 | 0:07:14 | |
-No thanks required. -Erm... | 0:07:16 | 0:07:19 | |
Nonetheless, Sir, you have them. | 0:07:23 | 0:07:27 | |
Miss Rose. | 0:07:32 | 0:07:35 | |
Susan, am I to wait in bed all morning for my kippers? | 0:07:35 | 0:07:37 | |
GENERAL MARKET HUBBUB | 0:07:42 | 0:07:45 | |
That one there. Make it two. | 0:07:52 | 0:07:55 | |
Thank you, Sir. | 0:07:55 | 0:07:57 | |
Good day to you. Lunchtime repast for you boys. | 0:08:00 | 0:08:05 | |
Mr Judge, you may feel protected by your familial relationship | 0:08:09 | 0:08:15 | |
with this station house. But we are both patient and watchful men. | 0:08:15 | 0:08:20 | |
Should you try to sell our diamond, Sir, | 0:08:20 | 0:08:22 | |
we will have it from you. | 0:08:22 | 0:08:24 | |
And that item recovered, we shall then take your head. | 0:08:24 | 0:08:27 | |
This will rile you. | 0:09:06 | 0:09:07 | |
Then don't say it. | 0:09:07 | 0:09:10 | |
Our father would have been proud of your skill. | 0:09:10 | 0:09:12 | |
Pleased that you put it to use. | 0:09:14 | 0:09:16 | |
Our diamond...still in there, then? | 0:09:26 | 0:09:29 | |
Those shits in suits still watch you? | 0:09:29 | 0:09:31 | |
I think they're in love. | 0:09:31 | 0:09:32 | |
Then it stays put. | 0:09:32 | 0:09:35 | |
And I must hit you for more spending. | 0:09:35 | 0:09:39 | |
You want more money from me? | 0:09:39 | 0:09:40 | |
Go to that cabinet, bottom-right drawer, get yourself an apron | 0:09:42 | 0:09:45 | |
and make yourself useful. | 0:09:45 | 0:09:48 | |
Reach for something here - a supporting opinion may be conducive. | 0:09:48 | 0:09:52 | |
Mr Reid give it me, to help me hunt for you, Bennet. | 0:10:08 | 0:10:11 | |
He said I would return it to you. | 0:10:12 | 0:10:14 | |
And see, I have. | 0:10:18 | 0:10:19 | |
You want coffee, girl? | 0:10:26 | 0:10:27 | |
No, Rose, you, er... you stay out here. | 0:10:35 | 0:10:37 | |
I'm told there will be scouts attending... | 0:10:47 | 0:10:50 | |
from the West End playhouses. | 0:10:50 | 0:10:53 | |
I worry, Bennet. | 0:10:53 | 0:10:55 | |
I fear the song I am to perform is not... | 0:10:55 | 0:10:57 | |
That I don't sing it very well. | 0:10:57 | 0:10:59 | |
But it's fashionable...and comic. | 0:11:01 | 0:11:04 | |
You must do what you think best, Rose. | 0:11:11 | 0:11:13 | |
If I was to do what... | 0:11:13 | 0:11:15 | |
you thought best? | 0:11:15 | 0:11:16 | |
I know no songs. | 0:11:17 | 0:11:19 | |
But if you ask me... | 0:11:21 | 0:11:22 | |
..you must use a song that speaks to your heart... | 0:11:24 | 0:11:27 | |
..and sing it from there, girl. | 0:11:30 | 0:11:31 | |
Will you come to Blewett's? Watch me? | 0:11:31 | 0:11:36 | |
It would mean the world. | 0:11:36 | 0:11:37 | |
Then I shall come. | 0:11:41 | 0:11:43 | |
Constable. | 0:11:56 | 0:11:57 | |
Is it true what the streets say? | 0:11:59 | 0:12:02 | |
That Bennet Drake has emerged from the pauper's pit | 0:12:02 | 0:12:05 | |
with the body of Nathaniel Hinchcliffe in his arms? | 0:12:05 | 0:12:08 | |
It is, Mr Shine. | 0:12:08 | 0:12:10 | |
And that body now lay beneath the keen eye | 0:12:13 | 0:12:17 | |
of Edmund Reid's American? | 0:12:17 | 0:12:19 | |
In all likelihood. | 0:12:19 | 0:12:20 | |
And I imagine...yours an opinion | 0:12:28 | 0:12:34 | |
all Leman Street would urgently hear. | 0:12:34 | 0:12:36 | |
What? | 0:12:48 | 0:12:49 | |
You kill me? | 0:12:51 | 0:12:52 | |
I made you, son. | 0:12:54 | 0:12:55 | |
What were you... | 0:13:00 | 0:13:01 | |
..before Jedediah Shine laid his eyes on you? | 0:13:03 | 0:13:07 | |
I was a bad man when you found me. | 0:13:08 | 0:13:10 | |
But you have since made evil of me, sir. | 0:13:12 | 0:13:14 | |
You see? | 0:13:37 | 0:13:38 | |
I cannot be ended. | 0:13:40 | 0:13:41 | |
Your brother is qualified to assist you, is he? | 0:13:52 | 0:13:54 | |
Our father - a doctor himself - | 0:13:54 | 0:13:55 | |
enrolled us in The University of Virginia | 0:13:55 | 0:13:57 | |
to study medicine. | 0:13:57 | 0:13:58 | |
Twink here lasted the course. | 0:13:58 | 0:14:00 | |
I did not. | 0:14:00 | 0:14:02 | |
So I can, er...approximate a number of factors. | 0:14:02 | 0:14:06 | |
Gender, age, time of death and manner of that passing. | 0:14:06 | 0:14:11 | |
-From these? -I said approximate. | 0:14:11 | 0:14:13 | |
Number one - a lady, and from the wearing on her teeth, | 0:14:13 | 0:14:16 | |
I'd say she's past 50. | 0:14:16 | 0:14:18 | |
Two and three, both men. | 0:14:18 | 0:14:19 | |
Mr Two here, likewise past 50. | 0:14:19 | 0:14:22 | |
Mr Three is a somewhat younger man, | 0:14:22 | 0:14:24 | |
perhaps only recently advanced into adulthood. | 0:14:24 | 0:14:26 | |
Two, however - well, he has a peculiarity. | 0:14:26 | 0:14:31 | |
The bowing in the tibia. The maxilla is enlarged. | 0:14:32 | 0:14:36 | |
The man had Paget's disease. | 0:14:37 | 0:14:39 | |
Paget's. That's the...misshapen enlargement of the bones, is it not? | 0:14:39 | 0:14:43 | |
-You are a medical man yourself, sir? -He reads. | 0:14:43 | 0:14:45 | |
You said you might hazard a time of death. What? A month? | 0:14:45 | 0:14:48 | |
The season and the year. There's two factors to consider. | 0:14:48 | 0:14:51 | |
-Cartilage and the wasps. -Wasps? | 0:14:52 | 0:14:56 | |
So we are to be led to the truth by dead insects. | 0:14:56 | 0:14:59 | |
Hey, without them, we're nowhere. | 0:14:59 | 0:15:01 | |
That nest in the ribcage. | 0:15:02 | 0:15:04 | |
Now the queen can only have built it in the summer of last year. | 0:15:04 | 0:15:08 | |
Not this past? | 0:15:08 | 0:15:09 | |
She'd have flew out and stung you on your nose. | 0:15:09 | 0:15:12 | |
So it is the frost of the intervening winter which has killed them. | 0:15:12 | 0:15:15 | |
Summer of '89, when she makes this body her home, | 0:15:15 | 0:15:18 | |
it's already got to be empty of flesh. | 0:15:18 | 0:15:19 | |
-So these are dead the spring of 1889? -Give or take. | 0:15:19 | 0:15:22 | |
That's cartilage. | 0:15:26 | 0:15:27 | |
-In all three, you can find the same. -This cartilage not rotted? | 0:15:28 | 0:15:32 | |
Breaks down slower than muscle and tissue. | 0:15:32 | 0:15:34 | |
It is then preserved by the same winter chill | 0:15:34 | 0:15:36 | |
-that has killed the wasps. -Quite so. | 0:15:36 | 0:15:38 | |
Although Mr Three there is somewhat better preserved. | 0:15:38 | 0:15:42 | |
Suggesting what? That he died a month or so later? | 0:15:42 | 0:15:44 | |
That he was murdered a month or so later. | 0:15:44 | 0:15:46 | |
He has this correct? | 0:15:49 | 0:15:50 | |
Hey, I wouldn't have picked it, | 0:15:50 | 0:15:51 | |
but my brother is somewhat conspiratorial by leaning. | 0:15:51 | 0:15:55 | |
I am a man for patterns, Inspector. | 0:15:55 | 0:15:57 | |
This here is the thyroid cartilage. Lives right above the trachea. | 0:15:57 | 0:16:01 | |
See these striations? | 0:16:01 | 0:16:03 | |
They're minute - less than a millimetre in diameter. | 0:16:03 | 0:16:06 | |
But something very thin has cut all the way through | 0:16:06 | 0:16:09 | |
with very great intent. | 0:16:09 | 0:16:10 | |
And these three share the same markings | 0:16:12 | 0:16:14 | |
as these preserved thyroids? | 0:16:14 | 0:16:15 | |
-They do. -They do. | 0:16:15 | 0:16:16 | |
The force and conviction with which Mr Hinchcliffe was garrotted, | 0:16:16 | 0:16:22 | |
it is an unusual feat, is it not, | 0:16:22 | 0:16:24 | |
for the incision to penetrate so deep? | 0:16:24 | 0:16:25 | |
It suggests an extreme relish for the task, yes. | 0:16:25 | 0:16:29 | |
And one might imagine a similar...relish | 0:16:29 | 0:16:31 | |
being brought to bear on the thyroid cartilages | 0:16:31 | 0:16:34 | |
of these cadavers. | 0:16:34 | 0:16:36 | |
The same means of execution, by the same hand? One may. | 0:16:36 | 0:16:41 | |
Please sir, you are to arrest me. | 0:16:57 | 0:16:59 | |
What charge? | 0:17:01 | 0:17:02 | |
Flight? | 0:17:04 | 0:17:05 | |
What charge? | 0:17:07 | 0:17:08 | |
Accessory to murder. | 0:17:11 | 0:17:13 | |
Whose? | 0:17:16 | 0:17:17 | |
-Whose? -Mr Reid, no man curses me stronger... | 0:17:19 | 0:17:21 | |
You tell me, now. | 0:17:21 | 0:17:23 | |
Nathaniel Hinchcliffe. | 0:17:30 | 0:17:31 | |
Joseph Merrick. | 0:17:34 | 0:17:35 | |
But, er...Joseph Merrick? | 0:17:38 | 0:17:41 | |
But he fell asleep - | 0:17:41 | 0:17:42 | |
he...he was asphyxiated by the weight of his own body. | 0:17:42 | 0:17:45 | |
He was asphyxiated...Sir, and with the weight of himself also. | 0:17:45 | 0:17:50 | |
But it was not he who removed the supports. | 0:17:50 | 0:17:52 | |
But you were there. | 0:17:52 | 0:17:53 | |
-You were outside. -I was, Sir. | 0:17:54 | 0:17:57 | |
Who? Who, damn you?! Who?! | 0:18:01 | 0:18:04 | |
Who? | 0:18:06 | 0:18:07 | |
Inspector Shine. | 0:18:08 | 0:18:09 | |
-How do you know this? -He sent me here. | 0:18:12 | 0:18:14 | |
Knew you, Mr Reid, had your eyes on his activities | 0:18:16 | 0:18:19 | |
and knowing that you could find no men to join you here, | 0:18:19 | 0:18:21 | |
had me volunteer. | 0:18:21 | 0:18:22 | |
I was sent here to spy on you, sir. | 0:18:24 | 0:18:26 | |
Sergeant Artherton, | 0:18:38 | 0:18:40 | |
throw that man in my office there into a cell. | 0:18:40 | 0:18:43 | |
yes, sir - on what charge, Mr Reid? | 0:18:43 | 0:18:46 | |
Our betrayal. | 0:18:48 | 0:18:49 | |
Reid! Are you in command of yourself? | 0:18:54 | 0:18:57 | |
-Do you know what it is you do? -I know precisely. | 0:18:57 | 0:18:59 | |
We wonder, do we not, if those skeletal remains | 0:18:59 | 0:19:01 | |
were taken by the same man as killed Mr Hinchcliffe? | 0:19:01 | 0:19:04 | |
Now, Flight's testimony gives me Jedediah Shine for that last murder, | 0:19:04 | 0:19:08 | |
but if I might name those corpses, | 0:19:08 | 0:19:11 | |
discover their histories and so join him with their deaths, | 0:19:11 | 0:19:14 | |
then I can nail his coffin shut | 0:19:14 | 0:19:15 | |
and put him in the earth for all time. | 0:19:15 | 0:19:17 | |
And so? Can you name them? | 0:19:17 | 0:19:19 | |
KNOCKS ON DOOR | 0:19:56 | 0:19:59 | |
Your timing is, as ever, entirely apt. | 0:19:59 | 0:20:01 | |
What might have been scandalous gossip | 0:20:01 | 0:20:03 | |
is now made fact. | 0:20:03 | 0:20:05 | |
This journalist, Best - | 0:20:07 | 0:20:09 | |
in due course, I shall see him drowned in the northern outfall, | 0:20:09 | 0:20:12 | |
but for now, I ask your patience. | 0:20:12 | 0:20:15 | |
The three corpses that you discovered in that Basin Slum tenement - | 0:20:15 | 0:20:20 | |
they begin to give up their secrets. | 0:20:20 | 0:20:22 | |
Secrets that may have great bearing on the research I undertook for you. | 0:20:22 | 0:20:26 | |
On the ownership structure of the slum? | 0:20:26 | 0:20:28 | |
The family which, until early last year, owned the land. | 0:20:28 | 0:20:30 | |
The Vere-Lyons. It was theirs from the 17th century. | 0:20:32 | 0:20:37 | |
The last descendents. | 0:20:38 | 0:20:39 | |
-The old man? -Augustus. -He was disabled, was he not? | 0:20:39 | 0:20:42 | |
His bones grown large and deformed? | 0:20:42 | 0:20:44 | |
He was indeed. | 0:20:44 | 0:20:45 | |
I believe his, one of the corpses - | 0:20:47 | 0:20:50 | |
the others, therefore perhaps, his wife and son. | 0:20:50 | 0:20:52 | |
I believe them all murdered, | 0:20:53 | 0:20:56 | |
and that in this documentation lie the trace-marks | 0:20:56 | 0:21:00 | |
of those who would gain from that act. | 0:21:00 | 0:21:02 | |
The concern, who now takes ownership | 0:21:02 | 0:21:04 | |
of the deceased family's holdings? | 0:21:04 | 0:21:06 | |
Obsidian Estates. | 0:21:06 | 0:21:08 | |
Indeed, yes. | 0:21:09 | 0:21:10 | |
Here - April '89, | 0:21:13 | 0:21:15 | |
the lands at St Paul's Wharfside transferred to their holdings. | 0:21:15 | 0:21:18 | |
Who is it hides behind their shield of bailiffs and lawyers? | 0:21:18 | 0:21:21 | |
They hide themselves with some degree of skill, but... | 0:21:21 | 0:21:24 | |
Here, Edmund. | 0:21:25 | 0:21:28 | |
It is not solely the Limehouse dockside | 0:21:28 | 0:21:31 | |
into which Obsidian develops. | 0:21:31 | 0:21:32 | |
It owns much of Whitechapel as well. | 0:21:34 | 0:21:36 | |
These streets - the preserves of opium dens and gaming houses and... | 0:21:36 | 0:21:40 | |
..and brothels. | 0:21:42 | 0:21:43 | |
Brothels. | 0:21:46 | 0:21:47 | |
Edmund, wait. | 0:21:48 | 0:21:50 | |
You seem as if all else is forgot. | 0:21:51 | 0:21:53 | |
Jane, this, er...length of twine that I follow, | 0:21:53 | 0:21:58 | |
it pulls me towards evil men | 0:21:58 | 0:22:00 | |
whose fell influence is spread wide and deep | 0:22:00 | 0:22:03 | |
across the parishes of east London. | 0:22:03 | 0:22:05 | |
And I feel there the opportunity | 0:22:06 | 0:22:08 | |
not solely to correct the darkness of the world in which I serve, | 0:22:08 | 0:22:10 | |
but also that which abides in my own heart. | 0:22:10 | 0:22:14 | |
And that baleful force then eradicated, | 0:22:14 | 0:22:17 | |
I might also find the strength to...lead my own life. | 0:22:17 | 0:22:22 | |
Seek my own happiness. | 0:22:22 | 0:22:25 | |
And that strength being found, I would seek it with you. | 0:22:25 | 0:22:29 | |
Goddamn it. Where is he? | 0:22:36 | 0:22:37 | |
Cheers. | 0:22:40 | 0:22:41 | |
Daniel, this isn't your own private residence. | 0:22:43 | 0:22:45 | |
You can't be wandering about the place like you own it. | 0:22:45 | 0:22:47 | |
My brother can be an old woman when he chooses. | 0:22:47 | 0:22:49 | |
Ow! | 0:22:49 | 0:22:51 | |
I told you - Reid has him awaiting retribution, | 0:22:51 | 0:22:53 | |
he is of no use to us. | 0:22:53 | 0:22:55 | |
What is inside his evil, shiny dome, however, that is of interest. | 0:22:55 | 0:23:00 | |
Not here. | 0:23:06 | 0:23:07 | |
Friend Werner tells of a man he knows. | 0:23:10 | 0:23:13 | |
A man of both sufficient ready income | 0:23:13 | 0:23:15 | |
and disregard for commercial authority | 0:23:15 | 0:23:17 | |
-that may be persuaded to buy such a rock. -Who? | 0:23:17 | 0:23:20 | |
Captain - I believe I have these poor souls' stories, | 0:23:20 | 0:23:25 | |
and you, perhaps, able to provide their final chapter. | 0:23:25 | 0:23:28 | |
These, I believe, are the last of the line - | 0:23:28 | 0:23:31 | |
the mortal remains of one of this country's oldest landowning families. | 0:23:31 | 0:23:34 | |
Their portfolio - vast estates in rural Gloucestershire, | 0:23:34 | 0:23:38 | |
a Regency mansion on Portland Place, | 0:23:38 | 0:23:40 | |
and east London slum land, from which rents are raised. | 0:23:40 | 0:23:44 | |
Augustus and Clara Vere-Lyon | 0:23:44 | 0:23:49 | |
and their only son, Stephan - | 0:23:49 | 0:23:52 | |
Stephan who, in March of last year, reports that his parents, | 0:23:52 | 0:23:56 | |
due to the sake of his father's health, are gone abroad. | 0:23:56 | 0:23:58 | |
The old couple thus departed, one month later, | 0:23:58 | 0:24:01 | |
Stephan transfers his family's entire holdings at St Paul's Wharfside | 0:24:01 | 0:24:05 | |
into the ownership of one Obsidian Estates. | 0:24:05 | 0:24:09 | |
Then Stephan himself, | 0:24:09 | 0:24:10 | |
promptly disappearing from the face of the earth. | 0:24:10 | 0:24:13 | |
And you think this is all Shine's doing? | 0:24:13 | 0:24:15 | |
To begin with, perhaps, yes, I thought so. But, er... | 0:24:15 | 0:24:17 | |
No, he is a man far too happy inside his own evil skin | 0:24:19 | 0:24:22 | |
to over-reach himself so. | 0:24:22 | 0:24:24 | |
However, he is a Limehouse man, | 0:24:24 | 0:24:26 | |
and this slum that Obsidian now owns falling within his influence, | 0:24:26 | 0:24:30 | |
he would make an exemplary associate | 0:24:30 | 0:24:32 | |
for whichever vicious acts of disguise and persuasion | 0:24:32 | 0:24:37 | |
and enforcement may be required. | 0:24:37 | 0:24:39 | |
And who is it makes him this associate? | 0:24:39 | 0:24:41 | |
I hoped you would provide that information for me, Captain. | 0:24:41 | 0:24:45 | |
Obsidian owns Tenter Street. | 0:24:45 | 0:24:47 | |
You want to know who it is leases to Susan? | 0:24:48 | 0:24:50 | |
Yeah, it's, er...it's a man named Duggan, | 0:24:52 | 0:24:55 | |
he has a barber shop over on Finch Street, | 0:24:55 | 0:24:57 | |
he...resides there. | 0:24:57 | 0:25:00 | |
He does not, Sir. | 0:25:03 | 0:25:06 | |
-Not any longer. -Then where? | 0:25:06 | 0:25:09 | |
I was going to tell you, Twink. | 0:25:10 | 0:25:11 | |
Come! | 0:25:13 | 0:25:15 | |
If only he realised the depth of my deception. | 0:25:16 | 0:25:18 | |
LAUGHTER | 0:25:18 | 0:25:21 | |
Allow me. | 0:25:21 | 0:25:22 | |
Mr Duggan, does your new bitch not know to knock | 0:25:31 | 0:25:34 | |
when gentlemen are at business? | 0:25:34 | 0:25:37 | |
CROCKERY SMASHES | 0:25:37 | 0:25:38 | |
Everybody out. Now! | 0:25:41 | 0:25:43 | |
All I have done for you! | 0:25:51 | 0:25:53 | |
And you would treat me with such little respect | 0:25:53 | 0:25:55 | |
in front of my associates. | 0:25:55 | 0:25:56 | |
Do you know what I do to those that insult me? | 0:25:56 | 0:25:58 | |
Then do it to me, Duggan, | 0:25:58 | 0:25:59 | |
because I may live like this no longer. | 0:25:59 | 0:26:01 | |
I have given to what you demanded and so am obligated to you no more. | 0:26:01 | 0:26:05 | |
And yet I cannot. I know what covenant we had, madam. | 0:26:08 | 0:26:12 | |
But another grows within me - within my heart. | 0:26:13 | 0:26:16 | |
I cannot be without you, dear Susan. | 0:26:16 | 0:26:18 | |
Do you say that, what? | 0:26:20 | 0:26:21 | |
That you love me, Sir? | 0:26:23 | 0:26:24 | |
I believe I do, madam. | 0:26:27 | 0:26:29 | |
If you say that you are mine, | 0:26:29 | 0:26:31 | |
you may have every freedom your heart desires. | 0:26:31 | 0:26:34 | |
I swear. | 0:26:34 | 0:26:36 | |
So he sleeps there! | 0:26:39 | 0:26:41 | |
Plenty of men have laid their head beneath that roof | 0:26:41 | 0:26:43 | |
without doing so on your wife's bosom. | 0:26:43 | 0:26:45 | |
Daniel - not once in your life | 0:26:45 | 0:26:48 | |
have you cared for any soul other than your own, | 0:26:48 | 0:26:50 | |
but try to understand - I love her. | 0:26:50 | 0:26:52 | |
I need to kill him. | 0:26:52 | 0:26:54 | |
Those are the rules. | 0:26:55 | 0:26:56 | |
You kill him, you remove from this earth | 0:26:56 | 0:26:58 | |
the one person who has it in their power to make us rich. | 0:26:58 | 0:27:02 | |
It's him - Duggan. | 0:27:02 | 0:27:04 | |
The man Werner believes we might sell our stone to. | 0:27:05 | 0:27:10 | |
Patterns, Twink - can you not see how our stars align? | 0:27:10 | 0:27:14 | |
The very man we must exploit is both the quarry of your inspector | 0:27:14 | 0:27:17 | |
and the enemy of your wife - your wife, brother - | 0:27:17 | 0:27:20 | |
who, whilst her..."lodger" suffers Reid's questions | 0:27:20 | 0:27:24 | |
can be visited and persuaded of an entirely elegant logic | 0:27:24 | 0:27:27 | |
that if Duggan can be made to acquire this diamond, | 0:27:27 | 0:27:30 | |
you and she may then repay him with his own goddamn money. | 0:27:30 | 0:27:35 | |
It is a fine story, Edmund. | 0:27:40 | 0:27:43 | |
But your proof? | 0:27:44 | 0:27:45 | |
Follow me, Fred. | 0:27:46 | 0:27:48 | |
There is a bugbear of mine I would return you to. | 0:27:48 | 0:27:51 | |
Your testimony as described to me by Edmund Reid - it is true? | 0:27:54 | 0:27:59 | |
It is, Sir. | 0:28:00 | 0:28:02 | |
I brought you here, God damn you. | 0:28:02 | 0:28:06 | |
You volunteered to me and I brought you here. | 0:28:07 | 0:28:11 | |
And it is true - | 0:28:17 | 0:28:19 | |
who you were in fact serving at that time? | 0:28:19 | 0:28:23 | |
Say it. | 0:28:24 | 0:28:25 | |
I came to Leman Street to spy for Jedediah Shine. | 0:28:27 | 0:28:29 | |
I saw Jedediah Shine murder Nathaniel Hinchcliffe. | 0:28:31 | 0:28:34 | |
-I waited beyond Joseph Merrick's rooms... -Enough! | 0:28:36 | 0:28:38 | |
It is sufficient, is it not, Fred, | 0:28:38 | 0:28:41 | |
to have Inspector Shine brought to book? | 0:28:41 | 0:28:44 | |
Come tomorrow - you bring this man Duggan in. | 0:28:44 | 0:28:48 | |
And I shall fetch the other. | 0:28:50 | 0:28:52 | |
THUMPING ON DOOR | 0:29:01 | 0:29:02 | |
Bennet Drake! You let me in | 0:29:02 | 0:29:03 | |
or I'll set a fire and smoke you out. | 0:29:03 | 0:29:06 | |
Wainwright has promise, and when timed correctly, | 0:29:08 | 0:29:12 | |
his uppercut might punch holes in steel. | 0:29:12 | 0:29:15 | |
But he is young - lacks in confidence. | 0:29:22 | 0:29:26 | |
It would not hurt you to come to the semifinal. | 0:29:28 | 0:29:31 | |
-Puff him up a bit. -You like this boy. | 0:29:33 | 0:29:35 | |
I do. | 0:29:35 | 0:29:38 | |
Then why is it you wish him to win? | 0:29:38 | 0:29:40 | |
You know it is Jedediah Shine awaits him should he do so. | 0:29:41 | 0:29:44 | |
This life, Ben - | 0:29:49 | 0:29:51 | |
all we may do is put one boot in front of the other, | 0:29:51 | 0:29:54 | |
may we not? | 0:29:54 | 0:29:56 | |
CROWD CHEERS | 0:29:59 | 0:30:02 | |
That's good, son! | 0:30:08 | 0:30:10 | |
Again, again! | 0:30:10 | 0:30:11 | |
Good lad - get down. | 0:30:41 | 0:30:42 | |
Good boy! And again! | 0:30:50 | 0:30:52 | |
Come on, ref, start counting! | 0:30:56 | 0:30:58 | |
CROWD: Six, five, four, three, two, one! | 0:30:58 | 0:31:03 | |
CHEERING | 0:31:03 | 0:31:06 | |
H Division! | 0:31:06 | 0:31:07 | |
Welcome, Constable. | 0:31:09 | 0:31:12 | |
I am a man of greedy anticipation. | 0:31:12 | 0:31:15 | |
A greed for you, son. | 0:31:16 | 0:31:18 | |
Let us hope you make a better fist of it | 0:31:19 | 0:31:21 | |
than the last finalist to arrive from the Leman Street ranks. | 0:31:21 | 0:31:25 | |
Chief Inspector. | 0:31:31 | 0:31:32 | |
It is a while since you partook of such sport. | 0:31:32 | 0:31:35 | |
They have changed the rulebook, Jedediah. | 0:31:35 | 0:31:37 | |
My day, anything went. | 0:31:38 | 0:31:41 | |
Had I fought you, I would have carried a knife in my britches, | 0:31:41 | 0:31:45 | |
and - in my current mood - | 0:31:45 | 0:31:47 | |
used it to cut your knackers off. | 0:31:47 | 0:31:50 | |
After you, Chief Inspector. | 0:32:06 | 0:32:07 | |
No, Mr Reid - it is your shop. | 0:32:07 | 0:32:10 | |
Sergeant Artherton, have this man booked. | 0:32:18 | 0:32:21 | |
Murder. Multiple counts. | 0:32:24 | 0:32:26 | |
Mr Duggan, we are very grateful to have you today. | 0:32:28 | 0:32:30 | |
If you'll follow me, we'll get you some tea. | 0:32:30 | 0:32:33 | |
Name? | 0:32:37 | 0:32:38 | |
Name? | 0:32:42 | 0:32:43 | |
There you are. | 0:32:50 | 0:32:52 | |
Obsidian Estates. | 0:32:54 | 0:32:56 | |
A concern of mine. | 0:32:57 | 0:32:58 | |
It's a large concern for a barber. | 0:33:00 | 0:33:02 | |
Some days I'm a barber, some days I pursue other interests. | 0:33:02 | 0:33:06 | |
Ah. | 0:33:06 | 0:33:07 | |
Are you a policeman alone, Inspector? | 0:33:07 | 0:33:09 | |
How is it Obsidian came by its holdings | 0:33:12 | 0:33:14 | |
at St Paul's Wharfside? | 0:33:14 | 0:33:15 | |
-The Basin Slum? -Hm. | 0:33:15 | 0:33:17 | |
It was yielded to me by a young man - | 0:33:17 | 0:33:19 | |
Stephan Vere-Lyon. | 0:33:19 | 0:33:21 | |
Vast acreage of rented tenements, yielded for a peppercorn. | 0:33:21 | 0:33:24 | |
No, sir, no peppercorn - repayment for a debt. | 0:33:24 | 0:33:27 | |
Heavy debt. | 0:33:27 | 0:33:29 | |
He was a miscreant libertine, that young man. | 0:33:29 | 0:33:32 | |
You were happy to fund his pursuits? | 0:33:32 | 0:33:33 | |
I do beg your pardon, Inspector, but is this a moral debate? | 0:33:33 | 0:33:37 | |
You may say what you like about the ethics | 0:33:38 | 0:33:40 | |
of my business practices. | 0:33:40 | 0:33:41 | |
I broke no law of yours. | 0:33:41 | 0:33:43 | |
I should, in all conscience, congratulate you. | 0:33:43 | 0:33:47 | |
No. | 0:33:47 | 0:33:49 | |
You have concealed yourself with great skill from my view. | 0:33:49 | 0:33:53 | |
But I see you now, sir. | 0:33:57 | 0:33:58 | |
Your lands extending from Whitechapel to the Limehouse docks. | 0:34:00 | 0:34:04 | |
Whatever you choose to buy there, to sell, to distribute, | 0:34:05 | 0:34:08 | |
all and everything aided by your alliance with another man | 0:34:08 | 0:34:11 | |
I currently hold in this station house - | 0:34:11 | 0:34:13 | |
Inspector Shine. | 0:34:13 | 0:34:16 | |
I believe he murders for you. | 0:34:16 | 0:34:17 | |
A family whose estate you would absorb. | 0:34:19 | 0:34:22 | |
A craftsman who tenaciously pursues a long firm deception you sponsor. | 0:34:22 | 0:34:26 | |
How do you expect to prove that, sir? | 0:34:26 | 0:34:28 | |
I can incriminate Shine | 0:34:28 | 0:34:29 | |
and he, in turn, can do the same to you. | 0:34:29 | 0:34:31 | |
You seem a fine fellow, Mr Reid, but I feel for you. I do. | 0:34:31 | 0:34:36 | |
This force of yours is what - a notch over 60 years of age? | 0:34:36 | 0:34:42 | |
And this great city? | 0:34:43 | 0:34:44 | |
Almost 2,000 years. | 0:34:45 | 0:34:47 | |
So there - do you follow? | 0:34:47 | 0:34:49 | |
This here - between you and I, it is an uneven contest. | 0:34:51 | 0:34:56 | |
Your roots are shallow, Reid, | 0:34:56 | 0:34:58 | |
your laws improvised to fit a modern world still in its birth pains. | 0:34:58 | 0:35:02 | |
You say that I did fix one man to cause another's death? | 0:35:02 | 0:35:06 | |
Maybe I have. | 0:35:07 | 0:35:09 | |
But you can't demonstrate that as a fact. | 0:35:10 | 0:35:13 | |
All you can do is bring witness. One man's word against another. | 0:35:13 | 0:35:17 | |
And words are unreliable signifiers of the truth. | 0:35:17 | 0:35:20 | |
Your world will advance. | 0:35:23 | 0:35:24 | |
I am certain that men like yourself will make sure of it. | 0:35:25 | 0:35:29 | |
I will have returned to London clay before that day dawns. | 0:35:30 | 0:35:34 | |
Till then, you are a child. | 0:35:34 | 0:35:38 | |
And I am a man of old stone. | 0:35:38 | 0:35:41 | |
You will stay here. | 0:35:48 | 0:35:50 | |
As you please. | 0:35:50 | 0:35:51 | |
Chin up. | 0:35:53 | 0:35:54 | |
You are to be released from your purgatory. | 0:35:57 | 0:36:00 | |
Gentlemen. I have been kept waiting. | 0:36:01 | 0:36:04 | |
Other cattle to herd, Inspector. | 0:36:04 | 0:36:06 | |
And now my time is come? So let us cut to it. | 0:36:06 | 0:36:10 | |
I do not believe I need go through performances of astonished outrage for you both. | 0:36:10 | 0:36:15 | |
I am incarcerated here due to your suspecting foul deeds of me. | 0:36:15 | 0:36:20 | |
So, elaborate, Inspectors. | 0:36:20 | 0:36:24 | |
And I shall offer...rebuttal. | 0:36:24 | 0:36:28 | |
This man, he is known to you? | 0:36:36 | 0:36:39 | |
He is indeed familiar to me. | 0:36:39 | 0:36:41 | |
Yes. I remember all. Albert Flight. | 0:36:45 | 0:36:50 | |
Irish. | 0:36:52 | 0:36:55 | |
Sold gin, mixed with sulphur and turpentine, did you not? | 0:36:55 | 0:37:01 | |
Men and women went blind, Inspectors. And here he is now. | 0:37:03 | 0:37:08 | |
Reinvented as a CID man. | 0:37:10 | 0:37:15 | |
Can you imagine the scandal, sir if you bring this case against me? | 0:37:21 | 0:37:25 | |
All accusations based on the word of a poisoner who has | 0:37:28 | 0:37:32 | |
successfully lied his way into the Whitechapel police. | 0:37:32 | 0:37:36 | |
What this man says, there is truth in it? | 0:37:39 | 0:37:42 | |
Please, Chief Inspector! | 0:37:42 | 0:37:45 | |
-He is no use to us dead. -No use to you alive, neither! | 0:37:45 | 0:37:47 | |
Never mind your inevitable failure, | 0:37:48 | 0:37:51 | |
but the glaring light you will throw on our work, our livelihood, | 0:37:51 | 0:37:58 | |
our uniform, the fragile position we hold in this city. | 0:37:58 | 0:38:05 | |
You were a Bloomsbury man - you had a record. | 0:38:14 | 0:38:17 | |
Those records were true, sir. | 0:38:17 | 0:38:19 | |
But before then? You were this? | 0:38:19 | 0:38:20 | |
The man I was, is...abhorrent to me, sir. Forgotten. | 0:38:20 | 0:38:27 | |
By you, perhaps. | 0:38:27 | 0:38:28 | |
But your past has guided your present. | 0:38:29 | 0:38:31 | |
No, sir, the work I have done for you, here. It was good work. | 0:38:31 | 0:38:38 | |
And that work was proper work. I fought to outrun my shame, sir. | 0:38:38 | 0:38:45 | |
No man may do that, Flight. | 0:38:47 | 0:38:48 | |
Am I to be detained here any longer? | 0:38:53 | 0:38:55 | |
There is a championship final for which I must train myself. | 0:38:55 | 0:38:59 | |
And it is your man I face, is it not, Inspector? | 0:38:59 | 0:39:01 | |
What's his name? Wheelwright? I do hope he's resilient. | 0:39:01 | 0:39:06 | |
Men have died in that roped ring before now. | 0:39:08 | 0:39:12 | |
Mr Duggan. | 0:39:18 | 0:39:19 | |
Mr Shine. | 0:39:19 | 0:39:21 | |
Susan, hear me out. | 0:39:30 | 0:39:32 | |
I came because I still hope to save you from him. | 0:39:39 | 0:39:42 | |
And so tell. How am I to be rescued by you? | 0:39:46 | 0:39:52 | |
The diamond. | 0:39:52 | 0:39:54 | |
The diamond. The worthless rock you have shown to me already. | 0:39:54 | 0:39:59 | |
You may call it worthless, but it's not. | 0:39:59 | 0:40:02 | |
There are men that intend to kill for its recapture. | 0:40:02 | 0:40:04 | |
Kill who? | 0:40:06 | 0:40:08 | |
My brother, myself. | 0:40:08 | 0:40:10 | |
Then perhaps I should lead them to you. | 0:40:10 | 0:40:13 | |
No! No, no god damn it. You love me still, I know it. | 0:40:13 | 0:40:16 | |
I assure you I do not. | 0:40:16 | 0:40:18 | |
This stone, it may be all | 0:40:18 | 0:40:20 | |
and everything we need to get clear of that sack of shit. | 0:40:20 | 0:40:23 | |
Please. | 0:40:23 | 0:40:24 | |
I have it on authority | 0:40:26 | 0:40:27 | |
that Duggan can be led to the purchase of this stone. | 0:40:27 | 0:40:30 | |
Led by me, you imagine? | 0:40:32 | 0:40:34 | |
The debt is then repaid with his own money. | 0:40:34 | 0:40:36 | |
Must I draw you an anatomical sketch, husband? | 0:40:38 | 0:40:43 | |
The debt is paid. Try it. | 0:40:45 | 0:40:48 | |
I have no more pain to be felt. | 0:40:50 | 0:40:53 | |
There may yet be joy, however. | 0:40:58 | 0:41:01 | |
Look, whatever it takes, darling, till my blood be spilt, | 0:41:03 | 0:41:07 | |
I will find what it takes to make you smile again. | 0:41:07 | 0:41:09 | |
Only allow it. Allow me the opportunity, this opportunity. | 0:41:09 | 0:41:13 | |
Joy is passing. | 0:41:15 | 0:41:17 | |
Vengeance, however...that is a pursuit for which I'd see blood spilt. | 0:41:22 | 0:41:30 | |
You say there are men of vicious | 0:41:35 | 0:41:36 | |
and murderous intent who wish to reclaim this gem? | 0:41:36 | 0:41:39 | |
I do. | 0:41:41 | 0:41:42 | |
Flight. He must feel the whip, Edmund. | 0:41:45 | 0:41:49 | |
Why, Fred? To what end? | 0:41:49 | 0:41:50 | |
We may not strike at Jedediah Shine or Silas Duggan through him. | 0:41:52 | 0:41:55 | |
-We may not strike at those men at all. -What, then? | 0:41:56 | 0:41:59 | |
Say, imagine, we might, you and I, walk into a chophouse | 0:42:01 | 0:42:05 | |
on the Commercial Road and in that chophouse we... | 0:42:05 | 0:42:08 | |
lay our hands up on the shoulder of the man the world made | 0:42:08 | 0:42:13 | |
The Ripper, know him unequivocally for that killer, what would we do? | 0:42:13 | 0:42:18 | |
There is what I would like to do. | 0:42:20 | 0:42:22 | |
And there is what I am permitted to do. | 0:42:24 | 0:42:26 | |
And so instead of pinioning his head to the wall through his eyeball, | 0:42:28 | 0:42:32 | |
we would show him our irons then go about the process of proof. | 0:42:32 | 0:42:37 | |
We would. I would. | 0:42:37 | 0:42:42 | |
Evil men do as they please, men who would be good... | 0:42:42 | 0:42:46 | |
..they must do as they are allowed. | 0:42:48 | 0:42:50 | |
I did not...wish to speak of it. | 0:42:59 | 0:43:03 | |
But you must know, this, er, matter with the Councillor. | 0:43:06 | 0:43:12 | |
There are ructions at The Yard. You a married man. | 0:43:13 | 0:43:17 | |
I am to tell you to break it off. | 0:43:18 | 0:43:21 | |
If I do not? | 0:43:22 | 0:43:24 | |
Take your pension. Find other work. | 0:43:26 | 0:43:28 | |
It is in the rough. | 0:44:00 | 0:44:02 | |
And it is stolen. | 0:44:02 | 0:44:04 | |
That is an impediment. | 0:44:05 | 0:44:07 | |
Such fripperies cause me disquiet. | 0:44:07 | 0:44:09 | |
I'm sorry, Susan, but that is my sense of it. | 0:44:09 | 0:44:12 | |
And I am sorry that you consider £30,000 a frippery. | 0:44:12 | 0:44:16 | |
Or is it myself you consider to be nothing but your tinsel trapping? | 0:44:16 | 0:44:19 | |
Madam, please, you know that not to be true. | 0:44:19 | 0:44:22 | |
Yet that is how I'm made to feel. | 0:44:22 | 0:44:24 | |
The transaction is to take place in a music hall. | 0:44:24 | 0:44:27 | |
Enough. Is this all my life holds, | 0:44:27 | 0:44:29 | |
for ever having to listen to your cowardice and evasion? | 0:44:29 | 0:44:33 | |
Will you furnish me with this gem or no? | 0:44:33 | 0:44:35 | |
The man Duggan, he knows you. He hates you. | 0:44:40 | 0:44:45 | |
He lays eyes on you, we may consider the jig up. | 0:44:45 | 0:44:48 | |
Which is why he must not until the deed is done. | 0:44:48 | 0:44:50 | |
So you are to meet he and my wife where you exchange the rock for the stipulated spending. | 0:44:52 | 0:44:57 | |
They are now synchronised. | 0:44:58 | 0:45:01 | |
Nine o'clock | 0:45:01 | 0:45:02 | |
is the time you must be holding the bag of bills and Duggan the diamond. | 0:45:02 | 0:45:06 | |
You have me? | 0:45:06 | 0:45:07 | |
I don't know, Twink. You ask me, it's complicated. | 0:45:07 | 0:45:11 | |
The jeweller, Finkel, betrayed you to those De Graal bastards. | 0:45:11 | 0:45:15 | |
We can count on him doing the same favour to me. | 0:45:15 | 0:45:17 | |
That betrayal enacted, I will lead them to Duggan. | 0:45:17 | 0:45:20 | |
As you can see, it's today's date. | 0:45:24 | 0:45:27 | |
Whatever its provenance, it is a jewel and I am a jeweller. | 0:45:27 | 0:45:32 | |
I must see it, however. | 0:45:35 | 0:45:37 | |
-You bring it to me here. -Here? | 0:45:37 | 0:45:39 | |
Indeed. | 0:45:39 | 0:45:41 | |
Not here, Mr Finkel, some place I might feel safe. | 0:45:41 | 0:45:43 | |
It is prepared? | 0:45:57 | 0:45:59 | |
The full amount, madam. It is. | 0:45:59 | 0:46:02 | |
CROWD MURMURS | 0:46:09 | 0:46:11 | |
He cannot win, Mr Reid. | 0:46:27 | 0:46:28 | |
Are you happy to watch Jedediah Shine put him | 0:46:33 | 0:46:35 | |
in the morgue for the pleasure of 100 baying policemen? | 0:46:35 | 0:46:38 | |
I am not. | 0:46:40 | 0:46:41 | |
Then what are you prepared to do, Sergeant? | 0:46:41 | 0:46:43 | |
We wish to combat him. It is all that is left to us. | 0:46:46 | 0:46:49 | |
Lafone Cup provisions... no man may be replaced | 0:46:54 | 0:46:59 | |
unless in the event of incapacitation through injury. | 0:46:59 | 0:47:02 | |
You think it's best, Sergeant? | 0:47:06 | 0:47:08 | |
I do. | 0:47:08 | 0:47:09 | |
Do it, then. | 0:47:11 | 0:47:13 | |
Drink this. | 0:47:13 | 0:47:14 | |
I shall do it. | 0:47:17 | 0:47:19 | |
Hold fast, son. | 0:47:19 | 0:47:21 | |
HE SCREAMS | 0:47:25 | 0:47:27 | |
Well, girl, do you wish to sing or do you not? | 0:47:43 | 0:47:47 | |
There is someone that I wait for, Mr Blewett. | 0:47:47 | 0:47:50 | |
Oh, you are waiting, are you? And yet the house cannot wait for you. | 0:47:50 | 0:47:53 | |
Here at last, then, are we? | 0:47:57 | 0:47:58 | |
And so the men of H Division arrive. | 0:48:02 | 0:48:04 | |
Must these assembled men go un-entertained, therefore? | 0:48:14 | 0:48:19 | |
They must not. | 0:48:20 | 0:48:21 | |
Bennett Drake. Such sport. | 0:48:39 | 0:48:41 | |
We are blessed! | 0:48:47 | 0:48:49 | |
Boxers... | 0:49:03 | 0:49:06 | |
..touch gloves. | 0:49:07 | 0:49:10 | |
Sergeant, I have not had opportunity to | 0:49:10 | 0:49:13 | |
offer my sympathies for the loss of your wife. | 0:49:13 | 0:49:16 | |
Though it is said, at the point of her death, | 0:49:27 | 0:49:29 | |
she had returned to the servicing of other men. | 0:49:29 | 0:49:32 | |
Who's to blame you, therefore, now that | 0:49:34 | 0:49:36 | |
you seek comfort with yet another... | 0:49:36 | 0:49:39 | |
Ladies and gentlemen, | 0:49:49 | 0:49:51 | |
I would ask you now to give your full attention to | 0:49:51 | 0:49:53 | |
the voice of gaiety, Miss Rose Erskine. | 0:49:53 | 0:49:58 | |
APPLAUSE | 0:49:58 | 0:50:02 | |
PIANO MUSIC BEGINS | 0:50:04 | 0:50:08 | |
# I'm a young girl and I've just come over | 0:50:12 | 0:50:18 | |
# Over from a country where they do things big | 0:50:18 | 0:50:23 | |
# And amongst the boys I've got myself a lover | 0:50:24 | 0:50:30 | |
# Since I've got a lover, why, I don't care a fig... # | 0:50:30 | 0:50:36 | |
Come on, that's it. Hit him! | 0:50:42 | 0:50:44 | |
-Why does he not fight? -He waits. | 0:50:54 | 0:50:57 | |
He rides the blows until the man's arms tire. | 0:50:57 | 0:51:00 | |
CHEERING | 0:51:04 | 0:51:08 | |
Ben. | 0:51:08 | 0:51:09 | |
Ben! | 0:51:09 | 0:51:11 | |
You either lift your guard up | 0:51:11 | 0:51:13 | |
or there'll be nothing left of your face for men to know you by. | 0:51:13 | 0:51:16 | |
Now, Ben! | 0:51:44 | 0:51:46 | |
His pocket! | 0:51:46 | 0:51:47 | |
I have it, brother. | 0:51:47 | 0:51:49 | |
What's this? | 0:51:50 | 0:51:52 | |
-Where's our diamond? -Wait, please, I know where he is. -Where?! | 0:51:52 | 0:51:55 | |
I'll take you. I'll take you. | 0:51:55 | 0:51:58 | |
# If I were a duchess and had a lot of money | 0:51:58 | 0:52:02 | |
# I'd give it to the boy that's going to marry me | 0:52:03 | 0:52:10 | |
# But I haven't got a penny, so I live on love and kisses | 0:52:10 | 0:52:16 | |
# And be just as happy as the birds on a tree | 0:52:16 | 0:52:22 | |
# The boy I love is up in the gallery... # | 0:52:23 | 0:52:27 | |
The man, he's here. | 0:52:27 | 0:52:29 | |
# The boy I love is looking now at me | 0:52:29 | 0:52:35 | |
# There he is, can't you see? | 0:52:36 | 0:52:39 | |
# Waving his handkerchief | 0:52:39 | 0:52:43 | |
# As merry as a robin that sings on a tree... # | 0:52:43 | 0:52:49 | |
-As agreed? -As agreed. | 0:52:49 | 0:52:50 | |
Not near enough for two. | 0:52:52 | 0:52:54 | |
# I'd give it to the boy that's going to marry me... # | 0:52:56 | 0:52:59 | |
Nice seeing you again, Twinkle. | 0:52:59 | 0:53:01 | |
# But I haven't got a penny, so I live on love and kisses | 0:53:03 | 0:53:09 | |
# And be just as happy as the birds on a tree... # | 0:53:09 | 0:53:14 | |
I know what it is you do. | 0:53:16 | 0:53:18 | |
You believe yourself owed this punishment. | 0:53:18 | 0:53:21 | |
You are not. You have taken enough. It is time now to fight, you hear me? | 0:53:21 | 0:53:26 | |
Fight! | 0:53:26 | 0:53:27 | |
Fight him! | 0:53:27 | 0:53:28 | |
Why will he not go down? | 0:53:30 | 0:53:32 | |
BELL RINGS | 0:53:32 | 0:53:34 | |
# The boy I love is up in the gallery | 0:53:36 | 0:53:42 | |
# The boy I love is looking now at me | 0:53:42 | 0:53:47 | |
# There he is, can't you see? | 0:53:48 | 0:53:52 | |
# Waving his handkerchief | 0:53:52 | 0:53:55 | |
# As merry as a robin | 0:53:55 | 0:53:59 | |
# That sings on a tree... # | 0:53:59 | 0:54:03 | |
The fat man in the monkey suit. | 0:54:14 | 0:54:16 | |
The item you hold. | 0:54:20 | 0:54:22 | |
We will have it from you, sir. | 0:54:22 | 0:54:23 | |
You will not, sir. It is acquired. | 0:54:25 | 0:54:28 | |
It is stolen. | 0:54:28 | 0:54:29 | |
From the house of De Graal. | 0:54:30 | 0:54:33 | |
DUGGAN GASPS AND GROANS | 0:54:33 | 0:54:36 | |
GUN COCKS | 0:54:39 | 0:54:41 | |
SCREAMING | 0:54:41 | 0:54:43 | |
You have what you came for. You can leave us now. | 0:54:43 | 0:54:46 | |
We do not have the thief. | 0:54:46 | 0:54:49 | |
He stole from me also. | 0:54:49 | 0:54:51 | |
He was ever a liar | 0:54:51 | 0:54:53 | |
and ever a cheat. | 0:54:53 | 0:54:55 | |
NERVOUS WHISPERING | 0:54:56 | 0:54:59 | |
Now, you men clear out before you, too, die in this place. | 0:55:00 | 0:55:03 | |
Know this, Duggan. | 0:55:06 | 0:55:08 | |
Every moment I felt your foul breath on my face, | 0:55:08 | 0:55:12 | |
your murderous fingers on my body, | 0:55:12 | 0:55:14 | |
I thought of this. | 0:55:14 | 0:55:16 | |
Dreamt of it. | 0:55:16 | 0:55:17 | |
Your lawyers, your estates and holdings - | 0:55:17 | 0:55:21 | |
all will now be made to work for me. | 0:55:21 | 0:55:23 | |
Everything that you have built, I will make it mine. | 0:55:24 | 0:55:27 | |
Darling... | 0:55:34 | 0:55:35 | |
Do not be confused, husband. | 0:55:38 | 0:55:40 | |
Everything I have said remains the case. | 0:55:40 | 0:55:42 | |
I want none of you. | 0:55:42 | 0:55:44 | |
I want none of any man. | 0:55:46 | 0:55:47 | |
Inspector Shine? | 0:56:05 | 0:56:06 | |
You think this world can exist | 0:56:06 | 0:56:07 | |
without men such as you and I who feel retribution? | 0:56:07 | 0:56:11 | |
There is balance, sir, in all things. | 0:56:12 | 0:56:15 | |
THEY ROAR ENCOURAGEMENT | 0:56:17 | 0:56:21 | |
Another one! | 0:56:25 | 0:56:27 | |
Again! | 0:56:29 | 0:56:30 | |
Once more, Ben! | 0:56:42 | 0:56:43 | |
No, no, no! You let them finish! | 0:56:49 | 0:56:51 | |
SOUND MUFFLED | 0:56:59 | 0:57:01 | |
MUFFLED CHEERING | 0:57:07 | 0:57:10 | |
No, Sergeant! You kill him! | 0:57:19 | 0:57:21 | |
KILL HIM! | 0:57:26 | 0:57:27 | |
SHE PANTS | 0:57:31 | 0:57:33 | |
CHEERING | 0:58:07 | 0:58:11 |