Browse content similar to Men of Iron, Men of Smoke. Check below for episodes and series from the same categories and more!
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This programme contains some violent scenes from the start | 0:00:03 | 0:00:06 | |
and some scenes which some viewers may find upsetting. | 0:00:06 | 0:00:10 | |
Please, Connor. It's for the best. | 0:00:10 | 0:00:11 | |
A song, Rose. He likes a song. | 0:00:11 | 0:00:13 | |
HE SINGS | 0:00:13 | 0:00:14 | |
ROSE: It is a song, Bennet. | 0:00:14 | 0:00:17 | |
No, Rose. You think you can hide such a truth from me. You cannot! | 0:00:17 | 0:00:20 | |
And the man, Bloom, that matter is shut. | 0:00:20 | 0:00:23 | |
MAN BREATHES HEAVILY | 0:00:26 | 0:00:27 | |
MAN GRUNTS, THUDS | 0:00:27 | 0:00:28 | |
Thomas Gower, you will be taken to the gallows at Newgate. | 0:00:28 | 0:00:32 | |
You get him away, far away. | 0:00:32 | 0:00:34 | |
DRAKE: Oh, he can fight, make no mistake of that. | 0:00:34 | 0:00:37 | |
THOMAS: You're saving me? | 0:00:37 | 0:00:38 | |
Where you go to, all you've yet known will seem no more than a Sunday fair. | 0:00:38 | 0:00:42 | |
MAN: Tanner! | 0:00:54 | 0:00:55 | |
Yes! Yes! | 0:01:22 | 0:01:23 | |
Work. Work with him! | 0:01:24 | 0:01:26 | |
Tanner! | 0:01:31 | 0:01:32 | |
Charlie, my boy, run! | 0:01:32 | 0:01:34 | |
Tanner, cross it! | 0:01:37 | 0:01:38 | |
I'm here! Tanner, now! | 0:01:39 | 0:01:41 | |
Tanner! | 0:01:42 | 0:01:46 | |
WHISTLE BLOWS | 0:01:50 | 0:01:51 | |
CHEERING | 0:01:51 | 0:01:52 | |
That was mine, you greedy wanker! | 0:01:59 | 0:02:01 | |
Come on, Will. | 0:02:01 | 0:02:03 | |
We got the goal, didn't we? | 0:02:03 | 0:02:04 | |
You got it! | 0:02:04 | 0:02:06 | |
SHOUTING | 0:02:08 | 0:02:09 | |
WHISTLE BLOWS | 0:02:09 | 0:02:11 | |
SHOUTS IN DISTANCE BELL RINGS | 0:02:56 | 0:02:59 | |
Now... | 0:03:06 | 0:03:07 | |
..I know it ain't mint juleps at the Savoy or... | 0:03:09 | 0:03:11 | |
waltzing at the Holborn, but... | 0:03:11 | 0:03:14 | |
..I figured it was the next best thing. | 0:03:18 | 0:03:19 | |
BOAT CREAKS Oh! | 0:03:24 | 0:03:27 | |
Maybe go easy on the waltzing. | 0:03:27 | 0:03:28 | |
SHE SIGHS | 0:03:30 | 0:03:31 | |
Thank you for this, Matthew. | 0:03:35 | 0:03:37 | |
You know I can't abide a caged bird. | 0:03:38 | 0:03:40 | |
Ain't it always been this, though? | 0:03:51 | 0:03:53 | |
Life in the shadows... | 0:03:53 | 0:03:55 | |
..world shaking its sweet glitter just out of reach. | 0:03:56 | 0:04:00 | |
We've got to get out of here. | 0:04:03 | 0:04:05 | |
I know. | 0:04:05 | 0:04:07 | |
What, Matthew? | 0:04:15 | 0:04:16 | |
You know that I'd throw the dice with you any day, Caitlin. | 0:04:22 | 0:04:25 | |
You know that. | 0:04:25 | 0:04:26 | |
Me and you, we run till the stars burn out. | 0:04:27 | 0:04:31 | |
For better or worse, we chose this life. | 0:04:31 | 0:04:35 | |
But the boy... | 0:04:39 | 0:04:41 | |
..he didn't. | 0:04:43 | 0:04:44 | |
This ain't the life I want for Connor. | 0:04:47 | 0:04:49 | |
With Drake, the boy has a home. | 0:04:49 | 0:04:53 | |
He's safe. | 0:04:53 | 0:04:55 | |
He's loved. I love him. | 0:04:55 | 0:04:58 | |
We will go to the ends of the earth, Matthew, | 0:04:59 | 0:05:03 | |
so far that no-one will ever come looking. | 0:05:03 | 0:05:05 | |
This isn't just you and me any more. | 0:05:08 | 0:05:11 | |
We are a family... | 0:05:12 | 0:05:13 | |
..and I will not leave without my son. | 0:05:15 | 0:05:16 | |
What business, sirs? | 0:05:29 | 0:05:30 | |
Are you foreman here? Felix Hackman. Who asks it? | 0:05:33 | 0:05:37 | |
This way. | 0:05:41 | 0:05:42 | |
Charlie Tanner - he worked for you? | 0:05:54 | 0:05:56 | |
He does. | 0:05:56 | 0:05:58 | |
Except he's late today. | 0:05:58 | 0:05:59 | |
Mr Hackman, Charlie Tanner is dead. | 0:05:59 | 0:06:02 | |
He's, er... | 0:06:05 | 0:06:06 | |
Charlie? | 0:06:07 | 0:06:08 | |
Found in his room...beaten with a hammer. | 0:06:08 | 0:06:12 | |
He was well known to you? Well enough. | 0:06:16 | 0:06:19 | |
Took on Charlie Tanner some ten years past. | 0:06:21 | 0:06:24 | |
He was a muckscrap, a street runt, filching pockets | 0:06:24 | 0:06:27 | |
and sucking gin like it was mother's milk. | 0:06:27 | 0:06:30 | |
These ironworks forged a man of him. | 0:06:30 | 0:06:32 | |
And do you often recruit such "muckscraps" to your foundry? | 0:06:32 | 0:06:37 | |
We take in all sorts at the ironworks, | 0:06:37 | 0:06:40 | |
give them purpose, discipline, | 0:06:40 | 0:06:43 | |
teach them honest work and temperance. | 0:06:43 | 0:06:45 | |
Temperance? Oh, I insist on it, sir. | 0:06:45 | 0:06:48 | |
None of my boys is weak for grape nor grain. | 0:06:48 | 0:06:51 | |
They live, work, sport as men of iron. | 0:06:51 | 0:06:53 | |
You train the football team here? | 0:06:53 | 0:06:55 | |
I do. | 0:06:55 | 0:06:57 | |
I've seen your boys play. | 0:06:57 | 0:06:59 | |
Reckon they might take the league this year. | 0:06:59 | 0:07:01 | |
Yeah. | 0:07:01 | 0:07:02 | |
St Sebastian? | 0:07:04 | 0:07:06 | |
Patron saint of athletes. | 0:07:06 | 0:07:09 | |
Didn't watch over Charlie, though, did he? | 0:07:09 | 0:07:12 | |
Charlie Tanner was my best ironsmith and my best player. | 0:07:14 | 0:07:17 | |
Would all these men speak so highly of him? | 0:07:17 | 0:07:19 | |
Groups of young men are seldom without their grudges and rivalries, Mr Hackman. | 0:07:19 | 0:07:24 | |
None of my boys would do in Charlie. | 0:07:24 | 0:07:27 | |
He was their brother. | 0:07:27 | 0:07:29 | |
He was a hero in this foundry. | 0:07:29 | 0:07:31 | |
Even so, we will need to speak to them. | 0:07:31 | 0:07:33 | |
You heard the Inspector. | 0:07:35 | 0:07:38 | |
Any of you know aught that might help him? Them gasworks bastards. | 0:07:38 | 0:07:42 | |
MURMURING: Yeah. That's right. | 0:07:42 | 0:07:43 | |
What's that, lad? | 0:07:43 | 0:07:45 | |
The gasworks, they've always hated us. | 0:07:47 | 0:07:50 | |
MURMURING: Yeah, true. | 0:07:50 | 0:07:51 | |
We beat them every time, then they try to batter us. | 0:07:51 | 0:07:53 | |
Me and Charlie get it the worst for being the best. | 0:07:55 | 0:07:58 | |
Wren's right. We played the Gasworks Athletic yesterday. | 0:07:58 | 0:08:02 | |
There was a fracas. | 0:08:02 | 0:08:04 | |
You'd do well to bang up all them animals. | 0:08:04 | 0:08:06 | |
MURMURING: Right. All true. | 0:08:06 | 0:08:09 | |
Back to work. Iron don't forge itself. | 0:08:09 | 0:08:11 | |
Here, a register of names. | 0:08:13 | 0:08:15 | |
And that lad who spoke up just now? | 0:08:17 | 0:08:19 | |
Yeah, Wilbur Wren. | 0:08:19 | 0:08:21 | |
Gower. | 0:08:25 | 0:08:26 | |
Thomas Gower. | 0:08:28 | 0:08:29 | |
Not an uncommon name, Thomas Gower. | 0:08:31 | 0:08:34 | |
True enough. Why should the Gower we knew, who killed as a boy | 0:08:35 | 0:08:38 | |
and only escaped the rope by our mercy, return to Whitechapel? | 0:08:38 | 0:08:41 | |
Whitechapel has as a way of drawing back those who thought it left behind, | 0:08:41 | 0:08:45 | |
does it not, Mr Reid? | 0:08:45 | 0:08:46 | |
Thomas Gower? | 0:08:54 | 0:08:55 | |
Sir! | 0:08:59 | 0:09:00 | |
It is you. | 0:09:02 | 0:09:04 | |
I wasn't sure you'd recall me. | 0:09:04 | 0:09:06 | |
Oh, I recall you often, | 0:09:06 | 0:09:07 | |
wondering if you'd thank me or curse me for putting you on that ship, | 0:09:07 | 0:09:11 | |
whether the Army had made you or destroyed you. | 0:09:11 | 0:09:14 | |
Lance Corporal Gower, Sergeant. | 0:09:15 | 0:09:17 | |
British South Africa Company. | 0:09:17 | 0:09:19 | |
We're a long way from South Africa. | 0:09:19 | 0:09:21 | |
Honourable discharge. | 0:09:21 | 0:09:24 | |
Even gave me a medal. | 0:09:24 | 0:09:26 | |
What you done for me... | 0:09:29 | 0:09:31 | |
both of you, sirs... | 0:09:31 | 0:09:33 | |
..it changed me. | 0:09:35 | 0:09:37 | |
Let us hope so. | 0:09:37 | 0:09:38 | |
The man ain't the boy. | 0:09:40 | 0:09:41 | |
You should be proud of yourself, lad. | 0:09:43 | 0:09:45 | |
Was Charlie Tanner a friend of yours? | 0:09:49 | 0:09:52 | |
Not so much. | 0:09:52 | 0:09:53 | |
Football all stick with their own. | 0:09:53 | 0:09:56 | |
He was decent, though, Charlie Tanner. | 0:09:56 | 0:09:59 | |
I hope you do right by him. | 0:09:59 | 0:10:01 | |
Now, I'm going to go out on a limb here | 0:10:03 | 0:10:05 | |
and say Tanner was maybe killed by a hammer, you know, | 0:10:05 | 0:10:09 | |
to the...head. | 0:10:09 | 0:10:12 | |
Ah, some days, I can't believe they pay me for this! | 0:10:13 | 0:10:16 | |
Thatcher, get to the gasworks. | 0:10:16 | 0:10:18 | |
I want a list of names on the football team and everyone watching the match. Yes, sir. | 0:10:18 | 0:10:22 | |
This hammered footballer, have you used your fingerprint method? | 0:10:22 | 0:10:26 | |
Yeah, I'm getting to it. | 0:10:26 | 0:10:27 | |
Better school up, Reid. | 0:10:31 | 0:10:32 | |
There's always the chance I tell the head of division | 0:10:32 | 0:10:35 | |
to shove his forensicating up his sanctimonious self-righteous ass. | 0:10:35 | 0:10:38 | |
Jackson, we had an agreement. | 0:10:39 | 0:10:42 | |
Sang a song to my boys, huh? | 0:10:42 | 0:10:44 | |
At the insistence of your goddamn wife. | 0:10:44 | 0:10:46 | |
I made it clear to you this discussion was concluded. | 0:10:46 | 0:10:49 | |
SQUELCHING | 0:10:49 | 0:10:51 | |
Don't worry, Benito. | 0:10:53 | 0:10:55 | |
I ain't getting any ideas. | 0:10:55 | 0:10:57 | |
You just do your job, man. | 0:10:57 | 0:10:59 | |
I miss the days we used to push him around. | 0:11:01 | 0:11:04 | |
He was in my house with the boy, and with my wife, unbeknownst to me, | 0:11:06 | 0:11:11 | |
after he had made a vow to leave the little one be. | 0:11:11 | 0:11:14 | |
I do not disagree that the American possesses | 0:11:14 | 0:11:16 | |
an abundance of odious qualities. | 0:11:16 | 0:11:18 | |
My concern is only that his skill should remain an instrument to us. | 0:11:18 | 0:11:22 | |
Connor may be Jackson's flesh and blood, | 0:11:22 | 0:11:24 | |
but he is now my responsibility. | 0:11:24 | 0:11:25 | |
And I will not see the child confused and disturbed. | 0:11:25 | 0:11:28 | |
As I said, Mr Drake, my concern is that antagonism between the two of you little serves our work here. | 0:11:28 | 0:11:33 | |
Well, I thank you for your counsel | 0:11:34 | 0:11:36 | |
on the running of both my police station and my family. | 0:11:36 | 0:11:38 | |
PHONE RINGS | 0:11:38 | 0:11:40 | |
Yes? | 0:11:41 | 0:11:42 | |
That'll be all, Mr Reid. | 0:11:45 | 0:11:47 | |
FAINT TRAIN WHISTLE | 0:11:47 | 0:11:49 | |
Take a seat. Come. | 0:11:50 | 0:11:52 | |
There's things you should hear, Sergeant, but I... | 0:12:01 | 0:12:06 | |
I could not speak out at the factory. | 0:12:07 | 0:12:09 | |
Well, you may speak in this room as you like, lad. | 0:12:09 | 0:12:11 | |
Charlie and Wilbur Wren, see? | 0:12:16 | 0:12:18 | |
Ah, they played on the team together, both strikers, but... | 0:12:20 | 0:12:25 | |
..they was at each other always. | 0:12:26 | 0:12:28 | |
And Wilbur hated being in Charlie's shadow. | 0:12:28 | 0:12:31 | |
He's good, see, but Charlie was always better. | 0:12:32 | 0:12:36 | |
And at the Gasworks game, it all went off. | 0:12:39 | 0:12:42 | |
Wilbur went for Charlie like an animal. | 0:12:42 | 0:12:43 | |
Now Charlie's gone, | 0:12:44 | 0:12:46 | |
Wilbur ain't in his shadow no more. | 0:12:46 | 0:12:49 | |
He'll be skipper of the Ironworks. | 0:12:49 | 0:12:51 | |
Hackman spoke naught of this. | 0:12:53 | 0:12:55 | |
All Hackman cares about is the team. | 0:12:55 | 0:12:57 | |
He lives for it. | 0:12:58 | 0:13:00 | |
Send a constable. I want Wilbur Wren brought in. | 0:13:08 | 0:13:12 | |
Thomas, thank you. | 0:13:15 | 0:13:16 | |
Wait, lad. | 0:13:20 | 0:13:23 | |
Ah, my wife is cooking pie tonight. | 0:13:23 | 0:13:26 | |
Pigeon. | 0:13:26 | 0:13:27 | |
And, um, well, we've room at our table, | 0:13:27 | 0:13:32 | |
if you're hungry. | 0:13:32 | 0:13:33 | |
Thank you, Mr Drake. | 0:13:36 | 0:13:37 | |
One, two, three, | 0:13:44 | 0:13:47 | |
four. | 0:13:47 | 0:13:48 | |
There's no mention of mulberry silk in your manifest, Abel. | 0:14:17 | 0:14:21 | |
Well, some things do not need manifesting, old girl. | 0:14:21 | 0:14:24 | |
Liberated, is it? | 0:14:25 | 0:14:27 | |
From Her Majesty's Customs House to the House of Croker? | 0:14:27 | 0:14:31 | |
Wish me to have a gown cut for you, do you? | 0:14:32 | 0:14:34 | |
I might. HE CHUCKLES | 0:14:34 | 0:14:36 | |
The Queen's duty must be paid on all imports, must it not? | 0:14:36 | 0:14:39 | |
HE CLEARS HIS THROAT Quite so. | 0:14:39 | 0:14:41 | |
What else languishes there, awaiting that tax to be paid? | 0:14:41 | 0:14:44 | |
What else might be matched to my gown? | 0:14:44 | 0:14:46 | |
Gloves? | 0:14:48 | 0:14:49 | |
Shoes? | 0:14:49 | 0:14:51 | |
Jewellery? | 0:14:51 | 0:14:52 | |
Never you mind, my girl. | 0:14:55 | 0:14:56 | |
Oh, come, Abel. It is only curiosity. | 0:14:56 | 0:14:58 | |
No, princess. | 0:14:58 | 0:15:00 | |
With you it is never only nothing. | 0:15:00 | 0:15:02 | |
Put that cat's nose of yours away. | 0:15:02 | 0:15:05 | |
Nate, see this is parked from prying eyes. | 0:15:06 | 0:15:10 | |
WATER LAPS | 0:15:22 | 0:15:23 | |
Thought I might join you a moment, watch the sun go down. | 0:15:36 | 0:15:40 | |
Call it skimming, I believe. | 0:15:55 | 0:15:57 | |
I shan't tell. | 0:15:59 | 0:16:00 | |
Besides, I can't see him punishing you for it. | 0:16:08 | 0:16:11 | |
He loves you altogether too much for that. | 0:16:12 | 0:16:15 | |
Made me his own. | 0:16:25 | 0:16:26 | |
There's nothing before him. | 0:16:32 | 0:16:33 | |
Would have died without his care. | 0:16:37 | 0:16:38 | |
That is love, Nathaniel. | 0:16:43 | 0:16:44 | |
I would be dead without his care also. | 0:16:49 | 0:16:51 | |
You pay him, however. | 0:16:52 | 0:16:55 | |
You return that love. | 0:16:55 | 0:16:56 | |
I have watched all you do for him. No son could ever do more. | 0:16:58 | 0:17:03 | |
It is you gains access to the Customs House, is it not? | 0:17:04 | 0:17:07 | |
That is some skill. | 0:17:09 | 0:17:12 | |
I wonder... | 0:17:14 | 0:17:16 | |
might you show me? | 0:17:16 | 0:17:17 | |
Show me how you manage what no other can. | 0:17:19 | 0:17:22 | |
Show me just how brave and quick-witted you are. | 0:17:25 | 0:17:29 | |
Hundreds of miles we roamed. | 0:17:42 | 0:17:44 | |
Hostile country, swamp, dune... | 0:17:44 | 0:17:46 | |
but we reached Bulawayo, we did. | 0:17:46 | 0:17:48 | |
Gunned the lot of them to the hills. | 0:17:49 | 0:17:51 | |
Stamped on their mat bellies like rats. | 0:17:51 | 0:17:54 | |
Queen and country. | 0:17:56 | 0:17:57 | |
Thank you, Mrs Drake. | 0:17:59 | 0:18:00 | |
I never did smell a pie so good. | 0:18:00 | 0:18:02 | |
Thomas, would you care for some wine with your pie? | 0:18:03 | 0:18:06 | |
Or a beer, perhaps? | 0:18:06 | 0:18:07 | |
The lad's teetotal, Rose. | 0:18:07 | 0:18:09 | |
All of us at the factory, Mrs Drake. Temperance or else. | 0:18:09 | 0:18:13 | |
CONNOR CRIES | 0:18:13 | 0:18:15 | |
How do you like the ironworks? | 0:18:19 | 0:18:21 | |
I like it good enough, sir. | 0:18:21 | 0:18:22 | |
But I want to learn a trade, see? | 0:18:23 | 0:18:26 | |
Soldiering, it's, er... | 0:18:26 | 0:18:28 | |
well, it's killing people. | 0:18:28 | 0:18:30 | |
It ain't helping them. | 0:18:30 | 0:18:31 | |
You helped them people under siege in Bulawayo. | 0:18:31 | 0:18:34 | |
Only by killing. | 0:18:34 | 0:18:35 | |
I, er... | 0:18:37 | 0:18:39 | |
I want to be a... | 0:18:39 | 0:18:40 | |
a useful man. | 0:18:40 | 0:18:42 | |
I've been helping at the orphanage... Miss Deborah stays. | 0:18:42 | 0:18:45 | |
Odd jobs and that. | 0:18:45 | 0:18:47 | |
She must be very proud of you, Thomas. I hope. | 0:18:47 | 0:18:50 | |
Miss Deborah's always been kind to me. | 0:18:50 | 0:18:52 | |
She's closest to a ma I ever had. | 0:18:52 | 0:18:54 | |
CONNOR CRIES | 0:18:54 | 0:18:56 | |
Bennet. | 0:18:56 | 0:18:57 | |
Leave the boy, Rose. | 0:18:57 | 0:18:59 | |
Forging iron's honest work. | 0:19:01 | 0:19:03 | |
What about policing, Thomas? Excuse me. | 0:19:03 | 0:19:05 | |
You're a Whitechapel boy, same as me. | 0:19:09 | 0:19:12 | |
Raised on these black streets | 0:19:12 | 0:19:14 | |
and saved from them by the Army, same as me. | 0:19:14 | 0:19:16 | |
Mr Drake, please, I'm not... | 0:19:16 | 0:19:18 | |
I do not think I'm made for policing. | 0:19:22 | 0:19:24 | |
You are made of stronger stuff than you know, Thomas Gower. | 0:19:27 | 0:19:29 | |
You think on it. | 0:19:32 | 0:19:33 | |
SHOUTING IN DISTANCE | 0:19:40 | 0:19:42 | |
DOOR BURSTS OPEN | 0:19:51 | 0:19:53 | |
Rise and shine, Wilbur Wren. I've been looking for you everywhere. | 0:19:57 | 0:20:00 | |
I swear I paid for 'em this time. | 0:20:01 | 0:20:03 | |
What chance of tincture for my head? It feels like a French toilet. | 0:20:11 | 0:20:15 | |
No chance, boy. Not a ghost of one. | 0:20:15 | 0:20:18 | |
Charlie Tanner was a sanctimonious prick with his nose right up Hackman's arse. | 0:20:22 | 0:20:27 | |
I hated him. But I never killed him. | 0:20:28 | 0:20:32 | |
You attacked him on the pitch, bust his nose, so I hear. | 0:20:32 | 0:20:36 | |
Horseplay. Horseplay? | 0:20:37 | 0:20:39 | |
And going to his place afterwards to finish the job with a hammer, | 0:20:39 | 0:20:42 | |
that horseplay too, was it? | 0:20:42 | 0:20:43 | |
Heck, no. I went to a gin shop. | 0:20:43 | 0:20:46 | |
Then I went home, just me and the bottle. | 0:20:46 | 0:20:49 | |
Bottle is a poor alibi. | 0:20:49 | 0:20:51 | |
It's only on the bottle-hugger's word I'm here, ain't it? | 0:20:51 | 0:20:53 | |
You think I don't know it was Gower what burgled to you? | 0:20:55 | 0:20:58 | |
You said bottle-hugger. | 0:20:58 | 0:21:00 | |
I might like a drop or two, but Gower... | 0:21:01 | 0:21:04 | |
Gower's a royal-class, steam-powered pisshead. | 0:21:04 | 0:21:06 | |
Thomas Gower is a decorated lance corporal, boy, | 0:21:06 | 0:21:09 | |
and you'll show some respect. | 0:21:09 | 0:21:10 | |
Never shuts his bloody gob about it either, what he done in the Army. | 0:21:10 | 0:21:14 | |
Gower the hero? | 0:21:14 | 0:21:16 | |
Who cares? | 0:21:16 | 0:21:17 | |
He might be decorated... don't make him sober. | 0:21:17 | 0:21:21 | |
Yeah, no dice. | 0:21:30 | 0:21:31 | |
I'm not going to be able to get a clean print off that. | 0:21:33 | 0:21:35 | |
I want Jackson to take a look at Tanner's room. | 0:21:38 | 0:21:40 | |
My money says Wren was there. | 0:21:40 | 0:21:42 | |
And what does your money say, Reid? | 0:21:43 | 0:21:47 | |
You heard the man. | 0:21:54 | 0:21:56 | |
Get to your work. | 0:21:56 | 0:21:57 | |
Charlie Tanner was found here, huh? | 0:22:04 | 0:22:07 | |
Your wizardry ever astounds(!) | 0:22:08 | 0:22:10 | |
There's a doctor - Piotrowski. He's a Polack. | 0:22:11 | 0:22:15 | |
He has a theory that you can analyse the pattern of a spatter, | 0:22:15 | 0:22:19 | |
reconstruct the trauma. | 0:22:19 | 0:22:20 | |
And does it work? | 0:22:24 | 0:22:25 | |
Hard to say. | 0:22:25 | 0:22:27 | |
His research was mostly beatin' rabbits to death and looking at the mess. | 0:22:27 | 0:22:30 | |
Photographs here, here, here, and... | 0:22:30 | 0:22:34 | |
..here. | 0:22:35 | 0:22:36 | |
SNIFFS: Oof! What? | 0:22:36 | 0:22:38 | |
Now, remember, Charlie Tanner wasn't a drinker. | 0:22:40 | 0:22:42 | |
Liver I pulled out of him, pink as a baby's. | 0:22:42 | 0:22:45 | |
On account of which, he had a house guest. | 0:22:45 | 0:22:48 | |
Take a huff. | 0:22:48 | 0:22:50 | |
Cheap gin and piss. Temperance my ass. | 0:22:50 | 0:22:53 | |
Tanner weren't a drinker. Wilbur Wren was. | 0:22:53 | 0:22:56 | |
Not only Wren. | 0:22:57 | 0:22:59 | |
And it wasn't Wilbur Wren to whom Tanner would offer his bed. | 0:22:59 | 0:23:02 | |
Mr Drake, you cannot overlook Thomas Gower's past. | 0:23:02 | 0:23:05 | |
No man deserves to be judged on what he was. | 0:23:05 | 0:23:08 | |
It is the one hope we have to make ourselves better. | 0:23:08 | 0:23:10 | |
I only suggest that Thomas Gower may not have been as forthcoming as you suppose. | 0:23:10 | 0:23:13 | |
Your suggestion is duly noted. | 0:23:13 | 0:23:14 | |
Hey, Thatcher, once these two are done swinging their handbags, bring the camera. | 0:23:16 | 0:23:21 | |
Whoa, wait, wait, wait. | 0:23:22 | 0:23:23 | |
Is your boy Wren missing a shirt, or your boy Gower? | 0:23:42 | 0:23:46 | |
This Miss Castello? Yes. Just in there. Thank you. | 0:23:52 | 0:23:55 | |
FAINT LAUGHTER | 0:23:55 | 0:23:57 | |
Really, it was as if he believes I might shatter into pieces | 0:23:57 | 0:24:00 | |
by letting him take me in his arms. | 0:24:00 | 0:24:02 | |
Your strong sergeant, he is altogether too well mannered. | 0:24:02 | 0:24:05 | |
He considers such manners virtuous, I believe. | 0:24:05 | 0:24:08 | |
Well, perhaps it is for you to take an axe to that virtue. | 0:24:08 | 0:24:12 | |
KNOCK ON DOOR | 0:24:12 | 0:24:13 | |
Deborah, good morning. | 0:24:13 | 0:24:16 | |
Miss Reid, hello. | 0:24:16 | 0:24:17 | |
Good morning, Miss Goren. | 0:24:17 | 0:24:18 | |
I find myself somewhat adrift from own my family, Mathilda, | 0:24:20 | 0:24:24 | |
and so dear Deborah adds me to the tally of those to whom she brings care. | 0:24:24 | 0:24:27 | |
She does not eat. Someone must make her. | 0:24:27 | 0:24:29 | |
Miss Rachel, I think I must be about my day. | 0:24:33 | 0:24:36 | |
But again, I'm grateful for your counsel. | 0:24:36 | 0:24:38 | |
You're entirely welcome, Mathilda. | 0:24:38 | 0:24:40 | |
What, Deborah? | 0:24:50 | 0:24:52 | |
She's 19 and lives alone with her father, | 0:24:52 | 0:24:55 | |
and has met her first darling boy. | 0:24:55 | 0:24:57 | |
A policeman also, if you believe that. | 0:24:57 | 0:24:59 | |
I believe it. | 0:24:59 | 0:25:00 | |
I believe you're also only too keen to win her friendship, | 0:25:00 | 0:25:03 | |
given the identity of her father. | 0:25:03 | 0:25:05 | |
Do you know Mr Reid still keeps a copy of the Ratovski case file in his home? | 0:25:06 | 0:25:10 | |
It seems your Isaac Bloom still weighs heavy upon his conscience. | 0:25:10 | 0:25:13 | |
And this you established through the manipulation of the daughter. | 0:25:13 | 0:25:17 | |
I think you must leave Mathilda Reid be, Rachel. | 0:25:21 | 0:25:24 | |
Deborah... You do not know the half of what she has suffered. | 0:25:24 | 0:25:27 | |
If you want to be her friend, then you be her friend, but I will not see her used. | 0:25:27 | 0:25:31 | |
Then I am sorry. | 0:25:32 | 0:25:34 | |
Forgive me, Deborah. | 0:25:34 | 0:25:36 | |
Forgive me. | 0:25:36 | 0:25:38 | |
But I wonder, might you help me? | 0:25:38 | 0:25:40 | |
They are from Paris. | 0:25:45 | 0:25:46 | |
They are Ratovski's diaries. | 0:25:47 | 0:25:49 | |
Wren says that the shirt ain't his. | 0:26:04 | 0:26:07 | |
Ain't that a kick in the head! | 0:26:07 | 0:26:08 | |
Drake still makes Wren for this, huh? He does. | 0:26:16 | 0:26:20 | |
But you don't buy it. | 0:26:21 | 0:26:22 | |
I know that look on you. | 0:26:23 | 0:26:26 | |
STRIKES MATCH | 0:26:26 | 0:26:28 | |
Perhaps your Piotrowski and his blood spatter patterning | 0:26:28 | 0:26:31 | |
will settle it one way or another. | 0:26:31 | 0:26:33 | |
Maybe. | 0:26:34 | 0:26:36 | |
But I'm going to need me some rabbits. | 0:26:38 | 0:26:41 | |
The ironworks. | 0:26:48 | 0:26:49 | |
Mr Hackman. | 0:27:03 | 0:27:05 | |
MEN SHOUT IN FOUNDRY | 0:27:05 | 0:27:06 | |
Mr Hackman. | 0:27:45 | 0:27:46 | |
Inspector, have you come to cart off more of my players? | 0:27:46 | 0:27:49 | |
Eliot, trap it first! | 0:27:49 | 0:27:52 | |
You spend every lunchtime thus? | 0:27:52 | 0:27:53 | |
Most days. Good for the boys. | 0:27:53 | 0:27:56 | |
Let off steam, oil the joints. | 0:27:56 | 0:27:59 | |
Remember, the team achieves higher than the man. | 0:27:59 | 0:28:01 | |
We used to be employed thus, at this factory. In a team, I mean. | 0:28:01 | 0:28:06 | |
The division of labour left to our judgment, | 0:28:06 | 0:28:09 | |
the spoils, ours to divide as we saw fit. | 0:28:09 | 0:28:11 | |
Those days are gone. Trying to break the union are them bosses. | 0:28:12 | 0:28:17 | |
Prise apart the worker from his fellows. | 0:28:17 | 0:28:20 | |
But this, the football, they can't take that away from us. | 0:28:20 | 0:28:23 | |
You diagram fastidiously, sir. | 0:28:24 | 0:28:26 | |
Tactics, the inner workings of the game. | 0:28:26 | 0:28:29 | |
My old man was a watchmaker. | 0:28:31 | 0:28:33 | |
Every night, fingers at springs and cogs, assembling and correcting. | 0:28:33 | 0:28:37 | |
But he tried to school me, did my pa. | 0:28:37 | 0:28:39 | |
Taught me about Isaac Newton, | 0:28:39 | 0:28:41 | |
who thought the universe entire one vast clockwork. | 0:28:41 | 0:28:45 | |
And you find this sport, these men to be as cogs? | 0:28:45 | 0:28:48 | |
I merely find they are the best of themselves at work harmonious. | 0:28:49 | 0:28:53 | |
And Thomas Gower, how does he fit into such work harmonious? | 0:28:53 | 0:28:57 | |
I don't see him here. | 0:28:57 | 0:28:58 | |
Gower... Sacked him this morning. | 0:28:58 | 0:29:01 | |
For? | 0:29:01 | 0:29:03 | |
Turned up stinking of booze again. | 0:29:03 | 0:29:04 | |
A man who can not control himself makes weak his every fellow. | 0:29:04 | 0:29:08 | |
Gower chose the bottle over the hammer, | 0:29:08 | 0:29:11 | |
forever bragging lies about his military record. | 0:29:11 | 0:29:13 | |
Medals, my arse! | 0:29:13 | 0:29:15 | |
WHISTLE BLOWS | 0:29:15 | 0:29:16 | |
Right, right. | 0:29:16 | 0:29:18 | |
Gather in. | 0:29:18 | 0:29:20 | |
I need you to retrieve the military record of Thomas Gower. | 0:29:24 | 0:29:27 | |
With the authority of Inspector Drake, sir? | 0:29:27 | 0:29:30 | |
With my authority, Drummond. | 0:29:30 | 0:29:32 | |
Um, forgive me, Inspector. I didn't mean disrespect. | 0:29:32 | 0:29:35 | |
DRAKE: "She gave him a long drink of milk and some bread, | 0:29:35 | 0:29:38 | |
"and then she laid her hand on his head and looked into his eyes, | 0:29:38 | 0:29:41 | |
"for she thought perhaps that he might be her real son, come back from the jungle, | 0:29:41 | 0:29:46 | |
"where the tiger had taken him." | 0:29:46 | 0:29:49 | |
FOOTSTEPS OUTSIDE | 0:29:49 | 0:29:50 | |
Mr Drake. | 0:29:53 | 0:29:55 | |
You been drinking, lad? | 0:29:58 | 0:29:59 | |
Come inside. Come on. | 0:30:03 | 0:30:05 | |
It's not right, Bennet. Keep your voice down, girl. | 0:30:09 | 0:30:13 | |
He stinks, like a brewer's floor. | 0:30:13 | 0:30:15 | |
He is my guest. | 0:30:15 | 0:30:17 | |
I don't want him near Connor. | 0:30:17 | 0:30:19 | |
I'm trying to mother a child who will not have me. | 0:30:19 | 0:30:23 | |
And you, his father, invites a known murderer into our home! | 0:30:23 | 0:30:27 | |
I saved the boy from the rope. I sent him to war. | 0:30:30 | 0:30:33 | |
There's... | 0:30:34 | 0:30:35 | |
I have an obligation to see him right. | 0:30:37 | 0:30:39 | |
DOOR SLAMS | 0:30:43 | 0:30:44 | |
Coffee. | 0:30:49 | 0:30:50 | |
Drink it up. | 0:30:52 | 0:30:53 | |
Thomas... | 0:31:00 | 0:31:01 | |
..the booze? | 0:31:03 | 0:31:05 | |
SLURRED: What about it? | 0:31:05 | 0:31:07 | |
You know the factory don't allow it. | 0:31:08 | 0:31:10 | |
Well, I lost that job anyways. | 0:31:10 | 0:31:12 | |
It's cheaper elsewhere, ain't it? | 0:31:14 | 0:31:16 | |
The North. Money first, men second. | 0:31:16 | 0:31:21 | |
Men's lives thrown away like peelings. | 0:31:21 | 0:31:25 | |
When you soldiered... | 0:31:42 | 0:31:44 | |
..you shot rifles, pistols, swung a blade. | 0:31:45 | 0:31:49 | |
You killed. I know it. | 0:31:51 | 0:31:52 | |
But you never saw a Maxim machinegun. | 0:31:54 | 0:31:57 | |
No, boy. I did not. Well, I did, Sergeant. | 0:31:59 | 0:32:02 | |
We had Maxim guns. | 0:32:02 | 0:32:05 | |
Oh, we had 'em plenty. | 0:32:05 | 0:32:09 | |
I seen a dozen guns spit 600 rounds a minute - | 0:32:09 | 0:32:13 | |
fire and thunder what would split this world. | 0:32:13 | 0:32:17 | |
I seen a thousand men fall. | 0:32:18 | 0:32:22 | |
Not fall but... | 0:32:23 | 0:32:25 | |
..shred. | 0:32:26 | 0:32:27 | |
I seen men torn and splintered | 0:32:29 | 0:32:33 | |
into meat with one trigger, | 0:32:33 | 0:32:37 | |
a valley made a butcher's floor. | 0:32:37 | 0:32:40 | |
Thomas... I recall... | 0:32:44 | 0:32:46 | |
when I was a boy, | 0:32:46 | 0:32:48 | |
you showed me a tattoo done by an holy man, you said, out in the desert - | 0:32:48 | 0:32:54 | |
ink that you might sleep, forget the things you done at war. | 0:32:54 | 0:32:59 | |
Yeah. | 0:32:59 | 0:33:01 | |
All that lets me sleep is found in a bottle. | 0:33:03 | 0:33:07 | |
And I am yet to find a bottle deep and silent enough. | 0:33:07 | 0:33:12 | |
So don't you preach to me of bloody temperance. | 0:33:13 | 0:33:19 | |
Thomas... | 0:33:26 | 0:33:27 | |
You stay here tonight, eh? | 0:33:29 | 0:33:32 | |
We'll talk more in the morning. | 0:33:32 | 0:33:34 | |
I will help you, lad. | 0:33:37 | 0:33:39 | |
I will find a way. | 0:33:41 | 0:33:42 | |
How, Sergeant? | 0:33:44 | 0:33:45 | |
How? | 0:33:47 | 0:33:49 | |
FAINT GUNSHOTS AND SHOUTING | 0:34:00 | 0:34:03 | |
NATHANIEL: This way. LONG SUSAN: Wine cellars, you said. | 0:34:15 | 0:34:17 | |
Come, come, come. | 0:34:17 | 0:34:19 | |
Come, it's straight here. Ahead, now. | 0:34:22 | 0:34:24 | |
Nathaniel... | 0:34:53 | 0:34:55 | |
the strongroom, what is within? | 0:34:55 | 0:34:58 | |
Never gone no further. | 0:35:00 | 0:35:02 | |
Why? | 0:35:02 | 0:35:03 | |
Abel Croker's say-so. | 0:35:04 | 0:35:05 | |
Here...too much to be missed. | 0:35:06 | 0:35:10 | |
But there, beyond that barricade, treasure. | 0:35:10 | 0:35:13 | |
Gold? | 0:35:15 | 0:35:16 | |
Barricaded for a reason. | 0:35:18 | 0:35:20 | |
The guard station is unmanned. | 0:35:20 | 0:35:21 | |
They do patrol, however. | 0:35:23 | 0:35:25 | |
Miss Susan! | 0:35:35 | 0:35:36 | |
DOOR BANGS | 0:35:42 | 0:35:44 | |
Miss Susan, please. | 0:35:47 | 0:35:48 | |
Please, they come. | 0:35:48 | 0:35:50 | |
Miss Susan! | 0:35:55 | 0:35:57 | |
We leave now. | 0:36:05 | 0:36:07 | |
Boy, I knew you for a cretin, but a turncoat, too?! | 0:36:13 | 0:36:17 | |
Wish our lives here to come tumbling to an end, do you? | 0:36:17 | 0:36:21 | |
No, Abel, Abel, you beat anyone, you beat me! | 0:36:21 | 0:36:24 | |
Think I will not take my belt to you? Do you test me?! | 0:36:24 | 0:36:27 | |
You wish to be paid for your care of us. | 0:36:27 | 0:36:29 | |
There is a debt remaining, remember? | 0:36:29 | 0:36:31 | |
Or do you imagine it being paid by me performing your secretarial duties until the day you die? | 0:36:31 | 0:36:35 | |
I cannot stay here, Abel. | 0:36:41 | 0:36:42 | |
Whatever. You know that. | 0:36:45 | 0:36:47 | |
Know, too, that I must take my son to my chest once more and be free. | 0:36:49 | 0:36:53 | |
Free? | 0:36:53 | 0:36:55 | |
That is not freedom. | 0:36:55 | 0:36:57 | |
Oh? Is it not? | 0:36:57 | 0:36:59 | |
Hmm? | 0:36:59 | 0:37:01 | |
See this. | 0:37:01 | 0:37:02 | |
The porcelain alone, three pieces, Japanese, | 0:37:03 | 0:37:07 | |
awaiting the duty for Yamanaka and Company, Osaka. | 0:37:07 | 0:37:10 | |
That is thousands upon thousands of pounds. | 0:37:10 | 0:37:13 | |
Do you think me ignorant of such riches? I am not. | 0:37:13 | 0:37:17 | |
I have resisted their lure for reasons with which | 0:37:17 | 0:37:20 | |
you ought to be altogether familiar. | 0:37:20 | 0:37:22 | |
The hazard of overreaching, princess... | 0:37:24 | 0:37:27 | |
55 dead and your lovely face at the end of a rope. | 0:37:27 | 0:37:31 | |
But this, this is my escape. | 0:37:34 | 0:37:39 | |
And my husband and I shall do all we can to take it. | 0:37:39 | 0:37:42 | |
Whether you help us or no, Abel, | 0:37:42 | 0:37:45 | |
you shall receive a great share of it for the shelter you have given me, | 0:37:45 | 0:37:49 | |
the shelter and the care, because you are my friend and will remain ever so. | 0:37:49 | 0:37:54 | |
Am I yours? | 0:37:57 | 0:37:58 | |
More than friend, indeed. | 0:38:04 | 0:38:05 | |
You are my girl...who must leave me. | 0:38:09 | 0:38:13 | |
Then help me, Abel. | 0:38:16 | 0:38:18 | |
Help me to be free. | 0:38:19 | 0:38:21 | |
KNOCK AT DOOR | 0:38:30 | 0:38:31 | |
Thomas Gower! | 0:38:40 | 0:38:42 | |
Thomas! | 0:38:43 | 0:38:45 | |
HE VOMITS Oh! | 0:38:47 | 0:38:48 | |
Get him out, Bennet. Get him out of this house! | 0:38:50 | 0:38:54 | |
Forgive me. | 0:38:54 | 0:38:56 | |
Thomas! | 0:39:02 | 0:39:04 | |
REID: 'Thomas Gower's war record.' | 0:39:04 | 0:39:06 | |
Court martial, dishonourable discharge. | 0:39:06 | 0:39:09 | |
The man he beat, Private Carrie, lost an eye. | 0:39:09 | 0:39:12 | |
There was no medal, Bennet. | 0:39:12 | 0:39:15 | |
Gower spent three years at the military jail in Gosport. | 0:39:15 | 0:39:18 | |
A man doesn't change, Mr Drake. | 0:39:18 | 0:39:20 | |
And all this you investigated with my back turned. | 0:39:24 | 0:39:27 | |
Would you not have done the same if you thought I had, er, | 0:39:27 | 0:39:31 | |
an emotional attachment to the matter at hand? | 0:39:31 | 0:39:33 | |
Of course, just as you taught me. The great, objective Inspector Reid. | 0:39:33 | 0:39:37 | |
But objectively, this still does not make Thomas Gower Tanner's killer. | 0:39:43 | 0:39:49 | |
No, it does not, but it behoves us to ask of him certain questions. | 0:39:49 | 0:39:52 | |
And I would not do that also with your back turned. | 0:39:52 | 0:39:55 | |
Now, he has gone to ground, Mr Drake. | 0:39:56 | 0:39:59 | |
I know one place he'd be. | 0:40:00 | 0:40:02 | |
Thank you, Miss Deborah. | 0:40:08 | 0:40:10 | |
It has to stop, Thomas. The drink, it is a slow poison, and no more. | 0:40:10 | 0:40:15 | |
I don't want to drink no more, Miss Deborah. | 0:40:16 | 0:40:18 | |
KNOCK ON DOOR | 0:40:20 | 0:40:22 | |
Where is he? | 0:40:32 | 0:40:34 | |
Thomas, come with us. | 0:40:45 | 0:40:47 | |
You must. I've done nothing. | 0:40:48 | 0:40:51 | |
That's as may be, boy, but you must come. | 0:40:51 | 0:40:53 | |
The boy is sick. Can you not see that? | 0:40:53 | 0:40:55 | |
A hangover is hardly the Black Death, Miss Goren. | 0:40:55 | 0:40:58 | |
I had hoped perhaps you were coming with news of Rabbi Ratovski's murderer, | 0:40:58 | 0:41:02 | |
or coming to tell me that Isaac Bloom was vindicated after all, | 0:41:02 | 0:41:05 | |
and your remorse for his death was fathomless. | 0:41:05 | 0:41:07 | |
I did not expect you to be dragging off a suffering young man. | 0:41:07 | 0:41:10 | |
Will you hang him for Ratovski too? | 0:41:10 | 0:41:11 | |
Ratovski was murdered by Isaac Bloom, Miss Goren. | 0:41:11 | 0:41:15 | |
And Bloom met his justice. | 0:41:15 | 0:41:17 | |
Thomas, now. | 0:41:17 | 0:41:19 | |
He is wrong, Edmund, and you know it. | 0:41:24 | 0:41:27 | |
You lied to me. | 0:41:39 | 0:41:41 | |
I told you what you wanted to hear. | 0:41:41 | 0:41:43 | |
I want to hear the truth. | 0:41:43 | 0:41:44 | |
I don't know the truth. | 0:41:46 | 0:41:47 | |
No more lies, boy! | 0:41:47 | 0:41:50 | |
You dossed in his bed that night, didn't you? | 0:41:56 | 0:41:58 | |
And you hid your ruined shirt in panic. | 0:42:07 | 0:42:10 | |
He was kind to you. | 0:42:20 | 0:42:22 | |
He was...a friend to you. | 0:42:28 | 0:42:32 | |
Was Private Carrie a friend also? | 0:42:32 | 0:42:34 | |
As you drank and you drank and you blinded Carrie. | 0:42:35 | 0:42:38 | |
And you drank and you drank, and you murdered Tanner. I... | 0:42:38 | 0:42:42 | |
I don't know. | 0:42:43 | 0:42:44 | |
We... | 0:42:46 | 0:42:48 | |
we were celebrating things. | 0:42:48 | 0:42:50 | |
Charlie got offered a new job, a team transfer. | 0:42:50 | 0:42:53 | |
But I... | 0:42:53 | 0:42:55 | |
I'd been to the bowl. | 0:42:55 | 0:42:57 | |
Something smashed. | 0:42:57 | 0:43:00 | |
It broke. | 0:43:00 | 0:43:02 | |
Then I was out cold. | 0:43:02 | 0:43:03 | |
When I woke, Charlie was... | 0:43:04 | 0:43:06 | |
I had blood on me. | 0:43:09 | 0:43:10 | |
Because you killed him. | 0:43:10 | 0:43:12 | |
I was afraid! | 0:43:12 | 0:43:14 | |
I didn't know. | 0:43:14 | 0:43:16 | |
It's all black. | 0:43:16 | 0:43:17 | |
Don't you see? | 0:43:18 | 0:43:20 | |
I forget all but what I drink to forget. | 0:43:21 | 0:43:23 | |
It was you. You pulverised Tanner with a hammer. | 0:43:23 | 0:43:27 | |
As you beat Carrie, your brother-in-arms, as you murdered Manby the toymaker | 0:43:27 | 0:43:32 | |
when a mere boy in this parish. | 0:43:32 | 0:43:34 | |
You were a killer then and you are a killer still. | 0:43:34 | 0:43:37 | |
It's...it's dark. | 0:43:37 | 0:43:38 | |
It was you. Say it. | 0:43:38 | 0:43:40 | |
I cannot remember! Thomas, say it. | 0:43:40 | 0:43:44 | |
Say it. | 0:43:46 | 0:43:47 | |
I done it. | 0:43:52 | 0:43:53 | |
I done it. | 0:43:55 | 0:43:56 | |
I killed him. | 0:43:58 | 0:43:59 | |
JACKSON: I got it! | 0:44:08 | 0:44:10 | |
I got it! | 0:44:10 | 0:44:12 | |
The blood, the sheet, the shirt. Have a see. | 0:44:12 | 0:44:16 | |
Gower confessed. | 0:44:16 | 0:44:18 | |
The shirt is his. | 0:44:18 | 0:44:19 | |
Oh, he did, huh? | 0:44:21 | 0:44:22 | |
Well, it looks like we got ourselves a little conundrum. | 0:44:24 | 0:44:27 | |
Because whoever was wearing that shirt did not kill Charlie Tanner. | 0:44:27 | 0:44:31 | |
The spatter on the wall where Charlie was killed. | 0:44:34 | 0:44:36 | |
Now, you see the force of it? | 0:44:36 | 0:44:38 | |
It's the velocity of the spray. | 0:44:38 | 0:44:40 | |
Now you look at the bed. | 0:44:40 | 0:44:43 | |
Rounder droplets, less force. | 0:44:43 | 0:44:45 | |
Now, this is cast-off spatter. | 0:44:45 | 0:44:48 | |
The killer was hammering Tanner by the wall. | 0:44:48 | 0:44:51 | |
He swings back, and blood flies off the hammer, lands behind him onto the bed. | 0:44:51 | 0:44:54 | |
But... | 0:44:54 | 0:44:55 | |
..look at the shape. | 0:44:56 | 0:44:59 | |
Now, there should be blood there, too, but there's a ghosting. | 0:44:59 | 0:45:03 | |
So something stopped him. Somebody. | 0:45:03 | 0:45:06 | |
The shirt. | 0:45:08 | 0:45:09 | |
The pattern matches. | 0:45:10 | 0:45:12 | |
Cast-off spatter. | 0:45:12 | 0:45:13 | |
Meaning, this is Thomas Gower's shirt, then Gower ain't your killer, | 0:45:13 | 0:45:18 | |
because he was flat out on the bed behind the killer when Charlie Tanner got his brains beat out. | 0:45:18 | 0:45:22 | |
There was a third. Correct. | 0:45:22 | 0:45:25 | |
And they took something. | 0:45:25 | 0:45:26 | |
Now, I almost missed it on account of he was such a mess, but here. | 0:45:29 | 0:45:33 | |
It's a faint ligature. | 0:45:33 | 0:45:34 | |
He wore something around his neck. | 0:45:36 | 0:45:37 | |
Hung there and torn off. | 0:45:37 | 0:45:39 | |
Impressive work, Captain. | 0:45:41 | 0:45:42 | |
Where's your money now, Reid? | 0:45:45 | 0:45:47 | |
Thomas, I expected you to be...relieved. | 0:45:51 | 0:45:55 | |
Relieved, Mr Drake? | 0:45:58 | 0:46:00 | |
And if it wasn't for the gin, | 0:46:00 | 0:46:02 | |
I would have not lied there in my own black sweat and piss | 0:46:02 | 0:46:05 | |
while Charlie took a hammer from some bastard. | 0:46:05 | 0:46:07 | |
You could not help him then, so help him now. | 0:46:07 | 0:46:10 | |
You said that Tanner was offered a transfer. | 0:46:11 | 0:46:13 | |
The Woolwich Arsenal wanted him. | 0:46:15 | 0:46:18 | |
Good job, good pay, captaining the team. | 0:46:18 | 0:46:22 | |
Charlie could leave Whitechapel and all these shitcake streets behind him. | 0:46:23 | 0:46:27 | |
Thomas, did Charlie Tanner wear anything about his neck? A cross or a locket? | 0:46:27 | 0:46:32 | |
He had a pendant. | 0:46:32 | 0:46:34 | |
St Sebastian, he said. | 0:46:34 | 0:46:36 | |
Patron of athletes and of soldiers, too. | 0:46:37 | 0:46:40 | |
Here we go. | 0:46:55 | 0:46:57 | |
St Sebastian. | 0:46:57 | 0:46:58 | |
My boy. | 0:47:26 | 0:47:27 | |
I won't run. | 0:47:31 | 0:47:32 | |
Never had the speed anyways. | 0:47:34 | 0:47:36 | |
Not like Charlie did. | 0:47:36 | 0:47:38 | |
He was running from you, wasn't he? | 0:47:38 | 0:47:40 | |
And you couldn't stand to see him leave your team. | 0:47:41 | 0:47:44 | |
I made him...here. | 0:47:44 | 0:47:46 | |
He was nothing. | 0:47:49 | 0:47:50 | |
He was the shit on your shoe. | 0:47:52 | 0:47:54 | |
And he would repay me thus? | 0:47:55 | 0:47:56 | |
I made him! | 0:47:59 | 0:48:00 | |
Human beings are not cast metal, Mr Hackman. | 0:48:00 | 0:48:04 | |
They are not ore to be forged as you wish. | 0:48:04 | 0:48:08 | |
My old man would talk of the universe... | 0:48:11 | 0:48:13 | |
..God's crankshaft, Newton. | 0:48:14 | 0:48:17 | |
What good's all them laws against a man's own lawless heart? | 0:48:19 | 0:48:23 | |
It's us always, ain't it? | 0:48:26 | 0:48:29 | |
The force unfactored... | 0:48:32 | 0:48:34 | |
..the secret fault... | 0:48:36 | 0:48:38 | |
..the nameless splinter that breaks the system. | 0:48:39 | 0:48:44 | |
I loved that boy. | 0:48:48 | 0:48:50 | |
Men of iron? | 0:48:54 | 0:48:55 | |
Men of smoke is all we are. | 0:48:57 | 0:48:59 | |
Bring me them shackles. | 0:49:08 | 0:49:10 | |
We made them here. | 0:49:14 | 0:49:16 | |
I need dynamite for the door. You find a fence. | 0:49:32 | 0:49:35 | |
Everything has to be right. | 0:49:37 | 0:49:38 | |
And when it's done, everything has to be ready. | 0:49:40 | 0:49:43 | |
Connor... We cannot make a single mistake when we take him back. | 0:49:45 | 0:49:49 | |
I know, darling. | 0:49:49 | 0:49:50 | |
I know. | 0:49:52 | 0:49:54 | |
I need to see the house, the streets around it. | 0:49:54 | 0:49:57 | |
We need to know how to enter and leave as ghosts. | 0:49:58 | 0:50:01 | |
Well, it looks like we have ourselves another midnight ramble, huh? | 0:50:09 | 0:50:12 | |
BANGING | 0:50:14 | 0:50:16 | |
That's useful work you're doing for Miss Goren, Thomas. | 0:50:20 | 0:50:23 | |
Heard it was Hackman done in Charlie. | 0:50:26 | 0:50:28 | |
It was. | 0:50:29 | 0:50:31 | |
Then why are you here? | 0:50:31 | 0:50:33 | |
Because, lad, the offer still stands. | 0:50:33 | 0:50:37 | |
You can work at Leman Street with me. | 0:50:38 | 0:50:41 | |
But you have to stop the drinking. | 0:50:41 | 0:50:43 | |
I'd sooner have took the rope than seen what I seen, done what I done. | 0:50:45 | 0:50:50 | |
You think you saved me? | 0:50:51 | 0:50:53 | |
You sent me somewhere worse than death. | 0:50:54 | 0:50:57 | |
Thomas... You ain't my friend. | 0:50:57 | 0:50:59 | |
You ain't my guardian. | 0:50:59 | 0:51:02 | |
You are black wings casting shadow over me. | 0:51:04 | 0:51:07 | |
And I know not if I shall ever feel light again. | 0:51:09 | 0:51:13 | |
DOOR SLAMS | 0:51:21 | 0:51:22 | |
KNOCK ON DOOR | 0:51:27 | 0:51:28 | |
You wished to see me? | 0:51:29 | 0:51:31 | |
Inspector Reid, when you worked under Fred Abberline, | 0:51:42 | 0:51:46 | |
did you presume to question his judgment at every turn? | 0:51:46 | 0:51:49 | |
Mr Drake, Bennet... Inspector Drake. I am Inspector Drake. | 0:51:53 | 0:51:57 | |
And when I was your sergeant, did I presume to question your judgment? | 0:51:57 | 0:52:01 | |
You did not, Inspector Drake. | 0:52:03 | 0:52:04 | |
Then with what conceited licence is it you ceaselessly question mine? | 0:52:04 | 0:52:08 | |
My suspicions of Thomas Gower were, I accept, unfounded. | 0:52:10 | 0:52:14 | |
So they were. | 0:52:14 | 0:52:16 | |
And yet what a merry dance you led behind my back to see him proved otherwise. | 0:52:16 | 0:52:20 | |
But more fool me to be surprised | 0:52:20 | 0:52:22 | |
when your very return to Whitechapel was to question my conviction of Isaac Bloom, | 0:52:22 | 0:52:26 | |
because even though he'd come to pass his days | 0:52:26 | 0:52:29 | |
shucking oysters on the sands of Hampton, | 0:52:29 | 0:52:31 | |
my judgment was apparently insufficient for the great Edmund Reid. | 0:52:31 | 0:52:34 | |
Inspector Drake, it was never my intention to doubt your... | 0:52:34 | 0:52:36 | |
Intention, Inspector? | 0:52:36 | 0:52:38 | |
Well, let's not speak of those. | 0:52:38 | 0:52:40 | |
It was never my intention to have you here before me thus! | 0:52:40 | 0:52:43 | |
Bennet... You will hear me, Edmund Reid! | 0:52:43 | 0:52:46 | |
I watched you, your sly words, | 0:52:49 | 0:52:53 | |
pressing and turning him to your will. | 0:52:53 | 0:52:56 | |
Even had the boy himself believe he'd done them things! | 0:52:56 | 0:52:59 | |
We coppered good together, you and I once. | 0:53:04 | 0:53:07 | |
But, er, maybe them days have passed. | 0:53:07 | 0:53:11 | |
You will henceforth do me the courtesy of respect, Mr Reid. | 0:53:15 | 0:53:19 | |
If I find you manoeuvring beyond my eye line once more, | 0:53:20 | 0:53:25 | |
I will revoke your warrant card, send you away, and do so with joy. | 0:53:25 | 0:53:29 | |
I will endeavour to serve this division to my utmost, Inspector Drake. | 0:53:32 | 0:53:36 | |
Then we are concluded, Inspector Reid. | 0:53:38 | 0:53:40 | |
DOOR OPENS AND CLOSES | 0:53:46 | 0:53:47 | |
The Talmud tells us that the tree of knowledge itself, | 0:53:49 | 0:53:53 | |
instrument of our fall, | 0:53:53 | 0:53:55 | |
was a grapevine. | 0:53:55 | 0:53:56 | |
Time was, Thomas, the vine held its sway over me also. | 0:53:58 | 0:54:01 | |
But not now? | 0:54:03 | 0:54:05 | |
But not now. | 0:54:06 | 0:54:08 | |
Deborah tells me that you were born a Jew, Thomas. | 0:54:13 | 0:54:17 | |
Do you believe in God? | 0:54:17 | 0:54:19 | |
No God would permit the things I've seen. | 0:54:22 | 0:54:25 | |
Thomas... No, I... | 0:54:26 | 0:54:28 | |
I should not have come back to you. | 0:54:28 | 0:54:30 | |
HE COUGHS | 0:54:42 | 0:54:43 | |
FAINT GROWLING | 0:54:50 | 0:54:51 | |
HE SCREAMS | 0:55:04 | 0:55:05 | |
DULL SQUELCH | 0:55:32 | 0:55:34 | |
GRUNTING | 0:55:34 | 0:55:36 | |
HE GRUNTS | 0:55:46 | 0:55:47 | |
TRICKLING | 0:55:47 | 0:55:49 | |
HE GASPS SLOWLY | 0:55:55 | 0:55:57 | |
STAGGERING FOOTSTEPS | 0:55:59 | 0:56:01 | |
HE GASPS | 0:56:17 | 0:56:19 | |
Connor sleeps in their bedroom at the back. | 0:57:15 | 0:57:18 | |
I'll show you where we can flee with him. I need to see him. | 0:57:18 | 0:57:21 | |
Caitlin, no. | 0:57:22 | 0:57:23 | |
I need to see him, Matthew, if only for a moment. | 0:57:23 | 0:57:28 | |
HE SIGHS | 0:57:30 | 0:57:31 | |
My boy, my darling. | 0:58:01 | 0:58:04 | |
FOOTSTEPS | 0:58:12 | 0:58:13 | |
Caitlin, we have to leave! | 0:58:13 | 0:58:15 | |
Mama. | 0:58:18 | 0:58:20 | |
Do you want your mama, sweet boy? SHE LAUGHS | 0:58:23 | 0:58:27 | |
Do you want your mum? | 0:58:27 | 0:58:29 | |
SCREAMING DRAKE: Tell me who it is, Inspector. | 0:58:38 | 0:58:41 | |
I am sorry, Bennet. | 0:58:41 | 0:58:43 | |
Who has done this to him?! | 0:58:43 | 0:58:45 | |
You are charged with the people's protection and you have failed! | 0:58:45 | 0:58:48 | |
ROSE: Long Susan Hart. I saw her! | 0:58:48 | 0:58:51 | |
The woman is dead. I saw it myself. | 0:58:51 | 0:58:53 | |
The abyss will swallow Bennet Drake, will it? | 0:58:53 | 0:58:55 | |
It swallowed you once. | 0:58:55 | 0:58:57 |