No Wolves in Whitechapel Ripper Street


No Wolves in Whitechapel

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This programme contains some violent scenes from the start

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and some scenes which some viewers may find upsetting from the start.

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I could no more kill Leon Ratovski than I could kill myself.

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Do you travel somewhere, Miss Castello?

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Paris, a story hunted down.

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Thomas Gower?

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This still does not make Thomas Gower Tanner's killer.

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TEARING FLESH

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Arrrgh!

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WET SLICING

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It is you who gains access to the Customs House, is it not?

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Might you show me?

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But there, beyond the barricade, treasure.

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SHE CHUCKLES

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RAIN PATTERS

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THUNDER RUMBLES

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Look, the golem.

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DOG BARKS

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What's that?

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DOG BARKS

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RAIN PATTERS

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THUNDER RUMBLES

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DOG BARKS

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CLATTERING

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BOTH GASP

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RAIN PATTERS

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Excuse me.

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Ahh! Police!

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Stop! There's someone there.

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What?

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No! Yes!

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He's... He's covered in blood! He's dead!

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He is.

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RAIN PATTERS

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I do not say you did not see it.

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I only say that what you saw - it was not real.

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It... It cannot be real.

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It was as real as you are now, Bennet Drake.

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I don't know how many times I need to say this. The woman is dead.

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I saw it myself. Her ankles are twitched.

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Dead! Then how?!

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How, Bennet?

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I am not mad!

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I am not mad.

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I saw her.

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It is because you cannot rest.

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You are sleepless. No.

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Rose, any woman would suffer so.

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Their senses adrift, frayed through lack of rest.

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You must rest, Rose.

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Please. Uncle Bennet?

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Perhaps this is not, after all, the best time.

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No, child, this...this is good. We are...

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We are glad you have come.

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Please, sit.

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It is Mathilda, my love,

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as we said, come to watch the lad awhile,

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give him some lunch and his tea, and...

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..allow you some sleep.

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Allow those frayed senses of yours to knit again.

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Only sleep, my love.

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All will be right again.

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And do not forget...

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Miss Susan was your dear friend.

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And in your heart...

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..you must yet mourn for her.

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No...

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Bennet...

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..she is no friend of mine.

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That bitch means to steal our child.

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Finished. Do you understand?

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Only for real this time.

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Our boy never clapping eyes on us as long as he lives,

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unless it's a newspaper photograph,

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the pair of us with ropes around our necks.

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What was I supposed to do, Matthew?

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He called to me, my son.

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He called to me.

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Ought I to just have abandoned him once more?

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You want to know what he's going to look like as a grown man?

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Teach him to ride? Watch him fall in love the first time?

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You want all those things to pass?

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Then, yeah, you goddamn ought to have left them there to wail for you!

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Oh, you're a man - you don't understand. Oh, that's a fine apology.

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Oh, I must apologise now, must I? To you?

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Who I would otherwise consider the bane of my life,

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if banes weren't altogether more bearable?! No, no, no!

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You are not going to deflect this on me.

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It's I that must go to my place of work,

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a police station,

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and pray to God that my chief's wife is not believed

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when she says she saw a dead woman walk by her window last night!

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Oh, she won't be. She was... She was barely awake. She was sleepwalking.

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And besides, as you say, I am dead.

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Whoever would believe her, hmm?

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Well, we're soon going to find out, won't we?

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Need my laboratory, don't I?

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Potassium nitrate.

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Make this lock-cracker for your little escapade tonight.

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It mustn't happen tonight, must it?

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It must.

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You think you can sway Silver Beard to that way of thinking?

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You leave Abel to me.

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If I'm not back by ten tonight, you just assume me taken.

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Make all further arrangements without me.

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Only you make them fast. Do you hear me?

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And you get yourself gone.

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Bane of your life, huh?

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Oi, oi! Can I get a hand over here?

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"In recognition of his outstanding achievement...

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"..in the reorganisation...

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"of the Metropolitan Police Detective Department...

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"..Her Majesty the Queen...

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"...last night...

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"bestowed the Companion of the Order of the Bath...

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"..to Assistant Commissioner...

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"..Augustus Dove.

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"The ceremony took place at Toynbee Hall,

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"where no less a personage than Joseph Chamberlain,

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"the Colonial Secretary, conferred the honour."

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Oh, hold up, Drum. It's the father-in-law.

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Morning, Mr Reid. Drummond. Thatcher.

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Morning, Mr Reid.

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Hey, sir, did you see?

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Assistant Commissioner Dove got a bauble for his coat.

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Do you disrespect this country's heraldic traditions, Sergeant?

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Who, me, Mr Reid?

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Still...

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it's a wonder, is it not,

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where a common fella may rise to these days?

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Oh, you work hard, Thatcher, who knows how far you may travel?

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Oh, no. I do not speak of myself, sir. No.

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Happy as he is, that's Frankie Thatcher. No.

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It's Drum here that I ask for.

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Indeed. And why might Sergeant Drummond thank you

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for enquiring after his prospects?

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He's my friend, is all.

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And I know how he means to be...

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To be well thought of in this world. Frank...

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enough!

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Oh, he IS well thought of, Mr Thatcher.

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I can vouch for that.

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TELEPHONE RINGS

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Leman Street.

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Body found off the back of Heneage.

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Mr Reid, wait, if you please!

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Men, come. Rope the area off as good as you can.

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HE REPLACES RECEIVER

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The body, it is a dead man.

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One known to us, sir.

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And who that, Mr Drummond?

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TRAIN WHISTLE BLOWS

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BUSTLE AND CHATTER

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Drake.

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Jackson.

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Quiet night?

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Quiet enough.

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So, the boy, he's settling on, then?

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He does.

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Mr Drake...

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Mr Drake...

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a man's body is found.

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Murdered, so it's said.

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Who is it attends?

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I feel WE must.

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Who is it, Mr Reid?

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Captain, yourself, also. Tell me who it is, Inspector! I am sorry, Bennet.

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BUSTLE AND CHATTER

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Get out of the way!

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Move it!

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You men, I want these ghouls ten yards further back!

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Oh, Thomas...!

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A street fight.

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Knife wound.

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Gave as good as you got, did you not, Thomas boy?

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There will have been over 200 pairs of boots up and down here since sun-up.

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Any signs that may have been read will have been trod and kicked into obscurity.

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He wasn't killed here, however.

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See his knees? Grooves and abrasions, and his hands, likewise.

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It's gravel rash.

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He was...

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He was dragged.

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Dragged himself.

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Woodseer Orphanage is three streets north of here.

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How?

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There is this violent altercation.

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The assailant takes the knife to finish the matter, leaves him.

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So he crawls to where he might feel safe.

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You let me through!

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Let me through!!

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Let me see him!

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CROWD SHOUTS

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Oh! Deborah...

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Who has done this to him?!

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Miss Goren, let us do our work. No!

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And what use is that work, Edmund Reid?

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What use to us all?!

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Please, please, let me walk you home. You cannot help him now.

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Sergeant Drake, as you once were, think of this boy.

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Think of all you have done for him!

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SHE SOBS

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Come, come.

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FLASH DISCHARGES

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Thatcher! Remove this hacker and her work.

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There's no law says you may take that, Sergeant.

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Oh, is there not? Oh...

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GLASS SHATTERS

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Get you gone, woman.

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Go!

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SCUFFLING

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The wound...

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..how long for him to bleed out, do we say?

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Ten minutes. Certainly no longer.

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And so injured, he could not have dragged himself

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at no more than what...?

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Ten yards a minute, maybe?

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Miss Goren's orphanage, north of here.

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He must therefore...

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come from the other direction.

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Thatcher! Yeah?

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I want a radius, 150 yards.

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All points south.

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Such a ruck, it would not took a place on a main thoroughfare.

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We look for dark corners, therefore. Get these men to it!

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Some will say this is what killed him.

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This from which the ruin of his life was made.

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This is the response, not the question.

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SHE SIGHS

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Edmund Reid - who sees life and its puzzles clearer than you?

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I have no idea what life would look like were it not a puzzle.

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Were it not, I firmly believe the two of us would never have met.

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No.

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Well, here is another puzzle for you.

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Why is it, do you suppose, in the...

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In the two and a half months since Isaac was hanged,

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you have not sat down to take a drink with me once?

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Why do you think?

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I felt...

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shame.

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SHE INHALES

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Because you could not save Isaac?

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I wasn't going to show you these, but...

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These are drawings made of this...

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"Whitechapel golem"

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in the weeks before the Rabbi Ratovski was murdered.

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No, they are the drawings made in the past month.

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And what do you make of that fact, Deborah?

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If they draw him still, perhaps he lives still,

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and did not die when Isaac Bloom was hanged.

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Might I borrow these?

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Edmund, there...

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There is a matter, I feel it is perhaps...

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..disloyal to say it.

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But your daughter Mathilda... What of her?

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Her friendship with Miss Castello...

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Rachel is a good person, this I know,

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but she is young and angered.

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She feels you police hide the truth

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of what is acted out on the people of her faith.

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She is Jewish? Raised as an Englishwoman.

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However, she discovers her heritage with a zeal,

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a zeal for truth,

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and that truth to be discovered however it may.

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If you see my meaning.

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I do not know if it is disloyal.

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But I know that I am grateful to you for sharing of it.

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CHATTER NEARBY

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Whoa, hey.

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Hey!

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MUTTERING

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CLATTERING

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What's happened?

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CHATTERING

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Blimey, what are they lookin' for?

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CROWD CHATTERS

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Here, you be Gower.

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Might be something.

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You are a newspaperwoman.

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It is your job to inveigle, to connive, to seduce,

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but this is low.

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She's a child. She's my child.

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She is not that, Mr Reid.

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I do not know her well, but what I do know of her, I admire.

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And she's no child, sir.

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And you seek to turn her to what?

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My betrayal? No, sir.

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Never that.

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I seek only that which you seek also, Mr Reid -

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that which I find endlessly injuncted from me.

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The truth.

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Wait. What is that?

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Is this the murdered man Ratovski?

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What is this? What is this mapping?

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What is it you make here?

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A history.

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Of the frozen and famished journeys made by those of my faith,

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that they might find shelter in Whitechapel.

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Ratovski's journey amongst?

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Ratovski? What of him?

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Show me. Show me! No, sir, I will not.

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Bring a warrant if you must press it.

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A warrant.

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Or what details of the man and his end

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which you yourself keep hidden from view

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in the H Division archives.

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I believe there is an expression for the exchange.

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Quid pro quo.

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See this?

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It's piercing of the spleen.

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Unstoppable internal bleeding.

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That was the finishing, but not the finishing he sought.

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You don't mean it.

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All right, look at Gower's pockets.

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There's money within, therefore it's not a theft.

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It is personal?

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His first point of attack from behind. Pinned against the wall.

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He wished to knife him, he would have done it there and then.

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It is an easy thing to say, I know...

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but it is not you did this.

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It is not you put that knife in him.

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Nor you yourself, Mr Reid.

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SCRAPING

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Oh, God, no.

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No, no, no, no! What?

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JACKSON PICKS UP TELEPHONE

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Hey, Drummond, I need you to dig up a file for me.

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Last name, Ratovski.

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What is it you do?

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Tell me! What do you think?

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This is a human bite mark.

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TELEPHONE RINGS

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What?

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What do you mean, gone?!

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Sergeant Drummond, beneath my desk, calfskin briefcase.

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It is within.

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Why is it you've kept it, Inspector?

0:18:140:18:16

The case remains of interest. Despite my instructions otherwise?

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What would you have me do, Bennet? Avert my eyes?

0:18:190:18:21

Exactly that, Mr Reid.

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We had precise words on that matter, did we not?

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And I was clear as to what such disobedience might then incur.

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KNOCK AT DOOR

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Get out, Drummond.

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Yes, Mr Drake.

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HE SIGHS

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They are not alike, Jackson. Not close!

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That's because those were taken from the lower abdomen.

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It's fleshier there. There's more to take.

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In both these examples...

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the mandibular lower incisor

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is overlapped by the maxillary central incisor.

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And now, the exact measurement on each of 'em

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is a notch, and I mean a notch...

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..under 250 thou.

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An overbite.

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A slight overbite.

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You throw a rock into Commercial Street at lunchtime,

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you will strike a man with the same.

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Furthermore, the method of attack on this here is...

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It's entirely at odds.

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This is...

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This is a street brawl, a knifing!

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Drake!

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Now, whatever this means to you, it means the exact same to me. I made this case, too.

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Now, how many examples of pre- and postmortem biting

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have we had in the eight years since I've served you here?

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None.

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Save this Ratovski...

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and now your boy Gower.

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They see him still...

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..who they used to call the...

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Whitechapel golem.

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These were drawn recently at the orphanage in Woodseer Street.

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Bennet...

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No.

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No.

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This man's killer...

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has been hanged for his crime.

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And these?

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Children's scrawlings and overbite?

0:20:280:20:30

They are not evidence fit for the overturning of that sentence.

0:20:300:20:32

Now, I warned you, Mr Reid.

0:20:350:20:37

So you give me reason why I ought not to send you away.

0:20:390:20:42

This...here, now...

0:20:450:20:48

I do not pursue it in some attempt to make the world wrong,

0:20:480:20:53

or to disprove your work, his work...

0:20:530:20:56

OUR work.

0:20:560:20:57

I do it because I see the need for it.

0:20:570:21:00

And, yes, my return to Whitechapel

0:21:000:21:03

was indeed to make some defence of Isaac,

0:21:030:21:05

but that I stayed - it is you, Bennet Drake.

0:21:050:21:07

You, my friend,

0:21:070:21:09

who I missed...

0:21:090:21:11

..and who, now, I wish nothing other than to help.

0:21:120:21:15

And how is it you now help me?

0:21:150:21:17

I want what you want.

0:21:170:21:18

I want to know who it was killed this boy.

0:21:180:21:21

I want to see the investigation I make bring you to him.

0:21:240:21:26

I want to give Thomas Gower his justice,

0:21:260:21:28

to use his awful death to make comparison.

0:21:280:21:30

Despite all that you say, there are similarities with Ratovski's murder

0:21:320:21:35

that must at least be discarded

0:21:350:21:36

before any investigation can move forward.

0:21:360:21:38

So you show me the case you made against Bloom, Bennet.

0:21:380:21:41

Show me, every step of the way.

0:21:420:21:44

And then either you will prove me wrong,

0:21:450:21:47

in which case, you may indeed send me away, or...

0:21:470:21:50

we - you and I -

0:21:500:21:52

shall then together bring this killer to earth.

0:21:520:21:55

Well, he has ME sold.

0:22:000:22:01

Fetch me my boy.

0:22:160:22:17

SHE CHUCKLES AND KISSES HIM

0:22:220:22:25

Come.

0:22:260:22:27

Why are you here?

0:22:290:22:30

My Uncle Bennet, your husband, asked it of me.

0:22:320:22:35

So you might rest, Mrs Drake.

0:22:350:22:37

No.

0:22:370:22:39

Girl...

0:22:390:22:40

why are you in Whitechapel?

0:22:400:22:42

And don't talk your riddles with me

0:22:420:22:44

and tell me you are here because your father, Mr Reid, is here.

0:22:440:22:48

You tell me why the pair of you would return to this place at all.

0:22:480:22:52

It is our home.

0:22:520:22:53

Home?

0:22:530:22:54

A place...

0:22:570:22:59

where he knew nothing but blood and despair?

0:22:590:23:03

Where you were kept prisoner by all them people?

0:23:030:23:07

Your mother gone,

0:23:070:23:08

dead and mad for the loss of you?

0:23:080:23:11

That's home, is it?

0:23:130:23:14

Home chooses us, I believe,

0:23:160:23:19

and not the reverse.

0:23:190:23:20

Huh!

0:23:200:23:21

You know who the mother is...

0:23:210:23:23

SHE LAUGHS

0:23:240:23:26

Not mother.

0:23:280:23:29

I am that.

0:23:300:23:31

I am.

0:23:310:23:33

You know who the maker of Connor here is?

0:23:330:23:36

It is Miss Susan.

0:23:360:23:38

It IS Miss Susan.

0:23:380:23:39

It is her.

0:23:410:23:42

She who might poison the well of all London,

0:23:430:23:46

and find those who still love, and forgive her.

0:23:460:23:49

Yourself, Mathilda...

0:23:490:23:52

I'm sure you would be delighted...

0:23:520:23:54

...to see her once more...

0:23:550:23:58

and pass an hour or two in chat with her.

0:23:580:24:02

It is true, I would.

0:24:020:24:03

But Miss Susan is dead.

0:24:030:24:04

Hmm.

0:24:040:24:06

Miss Susan is dead. Long...

0:24:060:24:08

Susan Hart is dead.

0:24:080:24:12

The whole world thought you were dead, and gone, Mathilda.

0:24:120:24:16

And yet, there you stand.

0:24:160:24:17

Connor...

0:24:190:24:20

Connor...

0:24:220:24:23

your mama is sorry.

0:24:230:24:25

Mathilda, he likes a pinch of cinnamon in his milk,

0:24:270:24:29

and we're now run dry of it.

0:24:290:24:31

Will you take a penny from my purse, there, and fetch him some?

0:24:310:24:34

Of course, Mrs Drake.

0:24:340:24:35

SHE HUMS

0:24:380:24:39

DOOR OPENS AND CLOSES

0:24:450:24:47

When I was a girl and I wanted my way,

0:24:490:24:52

I would wheedle and whine...

0:24:520:24:53

..offer eternal devotion for a desire met,

0:24:560:24:59

owe a thing for one denied.

0:24:590:25:01

And you are now changed how?

0:25:040:25:06

I do not whine. Small mercies.

0:25:090:25:12

And a man as accustomed to lying as you are would see clean through me

0:25:120:25:15

as soon as I made as if I hated you.

0:25:150:25:17

Oh, but you have charm, my girl.

0:25:190:25:21

And if we are to do this thing,

0:25:250:25:27

let us do it tonight.

0:25:270:25:28

It is...

0:25:300:25:32

intemperate.

0:25:320:25:33

It is bold.

0:25:350:25:37

See you, Lady Macbeth.

0:25:370:25:40

Thieve in haste, repent at leisure.

0:25:400:25:43

Gather your Japanese porcelain while ye may.

0:25:430:25:45

HE CHUCKLES

0:25:450:25:46

If it must indeed come to pass that you leave us...

0:25:510:25:54

..I would see you steam away from me on still waters. And this...

0:25:550:25:59

Plans must be made, observations took.

0:25:590:26:02

They are made.

0:26:020:26:03

They are took.

0:26:030:26:05

By myself.

0:26:050:26:07

Because, Abel...

0:26:070:26:08

..the snare closes.

0:26:090:26:11

Closes? How? I'll keep you safe here.

0:26:110:26:13

It is only that I feel it.

0:26:130:26:15

I feel it on me sharp.

0:26:150:26:17

No.

0:26:170:26:18

You are altogether too tough-minded for such suspicions.

0:26:200:26:22

You tell me, girl...

0:26:220:26:23

You tell me how that snare looks.

0:26:240:26:27

I have been seen.

0:26:290:26:31

What does she say?

0:26:360:26:37

"Thank you, Matthew, for saving my life"?

0:26:370:26:39

"Well done"?

0:26:400:26:41

Nope.

0:26:430:26:44

"Take me to see my boy."

0:26:450:26:47

Now...

0:26:480:26:49

I told you that was a bad idea.

0:26:490:26:52

And did you listen?

0:26:520:26:54

No.

0:26:540:26:55

And whose problem is it now?

0:26:550:26:56

That's right.

0:26:560:26:58

Old Jackson.

0:26:580:27:01

And I'm the one that goes off half-cocked.

0:27:010:27:03

I'm the one that doesn't think things through(!)

0:27:030:27:06

CLATTERING

0:27:060:27:07

Shit! Idiot!

0:27:070:27:08

THUNDER RUMBLES

0:27:140:27:16

This how she did it, then?

0:27:240:27:26

What did she promise you, Guard Theakston? Money?

0:27:260:27:29

For delivery to that pit?

0:27:290:27:31

A kind word?

0:27:310:27:32

Her snake tongue in your ear?

0:27:320:27:34

Who is it you speak of? I don't even know who you are.

0:27:340:27:38

Oh, do you not?

0:27:380:27:40

What about the boy, then?

0:27:400:27:42

Remember him?

0:27:420:27:43

That's Miss Susan's boy.

0:27:440:27:45

And you would let him believe she is dead, when she is not.

0:27:460:27:50

How did she climb down from that scaffold, eh?

0:27:500:27:53

How did she do that?

0:27:530:27:54

My husband -

0:27:570:27:58

this boy's new father -

0:27:580:28:00

he is the police headman at Whitechapel.

0:28:000:28:02

And he will see you swing,

0:28:020:28:04

just as surely as he will her when he catches her.

0:28:040:28:07

How did she do it?

0:28:070:28:09

Where is she hid?

0:28:090:28:10

Who hides her?

0:28:100:28:11

I see you.

0:28:150:28:17

Your fear.

0:28:170:28:18

You tell me.

0:28:200:28:21

You're mad, woman.

0:28:210:28:23

You're all the same!

0:28:230:28:24

SHE GRUNTS

0:28:240:28:25

Come on, Connor.

0:28:280:28:29

LIVELY CHATTER

0:28:290:28:31

This is where we found Ratovski.

0:28:350:28:36

Here.

0:28:400:28:42

Boy found him, raised a uniform.

0:28:420:28:44

You were able to keep the scene intact?

0:28:440:28:47

It was chaos by the time I got here.

0:28:470:28:49

Packed tight. Screaming.

0:28:490:28:51

Folk could see what had been done to him.

0:28:510:28:53

Head caved in, shirt ripped from him, and...

0:28:530:28:56

those bites taken out of his body.

0:28:560:28:58

Word would've got about, I imagine, chimed most likely with the...er...

0:28:580:29:02

the talk that had grown up of this Whitechapel golem.

0:29:020:29:05

Although there is no golem myth in which it's said to have torn men's flesh from their bodies.

0:29:050:29:09

Whatever the myth of it, Mr Reid,

0:29:090:29:10

we saw to it that any confirmation of that fact

0:29:100:29:12

be withheld from the press.

0:29:120:29:13

And why that?

0:29:130:29:15

I was worried at what those with a fear of our Jewish neighbours might accuse them of.

0:29:150:29:19

I felt it a wise policy. And one that you continued once Isaac Bloom was...

0:29:190:29:22

Once he, a Jewish man, was sentenced for it, yes.

0:29:220:29:25

And so then you removed the body...?

0:29:250:29:28

We did.

0:29:280:29:29

Identification?

0:29:290:29:31

The man's university accreditation was found about him.

0:29:310:29:33

You'd wired his place of work?

0:29:330:29:35

He'd taken a week's leave, not told a soul for why.

0:29:350:29:38

And then door to door?

0:29:380:29:40

The synagogue on Princelet Street.

0:29:400:29:42

Max Steiner.

0:29:420:29:44

Ratovski paid his respects...

0:29:440:29:47

made a few prayers,

0:29:470:29:48

and offered nothing of his purpose, and left.

0:29:480:29:51

Then we go to Bloom's lodgings next.

0:29:510:29:53

An old lock-seller, a lady,

0:29:590:30:01

said she saw Ratovski arrive at Bloom's around six of the evening.

0:30:010:30:06

Saw him leave an hour later. His body found...?

0:30:060:30:09

The next morning.

0:30:090:30:10

But killed, according to Jackson, 11 of the night.

0:30:100:30:13

And you interviewed Bloom. You found him disturbed, I imagine?

0:30:130:30:17

More bewildered, at the first.

0:30:170:30:19

He could not recall Ratovski's visit, or even that the man existed.

0:30:190:30:22

And you did not search his room then?

0:30:220:30:25

I had no call to.

0:30:250:30:27

It was not as though I did not remember the man fondly, Mr Reid.

0:30:270:30:30

I felt sad for him, not suspicious.

0:30:320:30:34

So it was not until you had Rabbi Steiner's account of him being attacked by Bloom that you returned?

0:30:340:30:38

Another violent attack on a religious man.

0:30:380:30:40

A compelling indicator that warranted further pursuit.

0:30:400:30:43

A search warrant was requested.

0:30:430:30:45

We returned to Bloom's lodgings, here,

0:30:450:30:46

conducted our search, found our plug of flesh - that shirt.

0:30:460:30:50

YELLING IN HEBREW

0:30:510:30:53

Calm yourself, sir. I beg you, calm yourself.

0:30:530:30:55

Police. We mean you no harm.

0:30:550:30:57

Our apologies.

0:30:570:30:58

We will leave you.

0:31:000:31:01

Briggs! Here, take a shift.

0:31:160:31:17

Tilda, what is it?

0:31:210:31:22

Is my Uncle Bennet here? My father?

0:31:220:31:24

Neither, Tilda. What is it that worries you? Will you say?

0:31:240:31:26

I think I must not, Drum. Might I wait, however?

0:31:260:31:29

Do I wait, then, for you to show me what it is I have neglected to see?

0:31:330:31:36

No, 'tis copper-fastened, Bennet.

0:31:360:31:38

I would have come to the same conclusions, I do not contest that.

0:31:380:31:41

Perhaps I worry it is, er...

0:31:410:31:43

too much of an irreproachable case.

0:31:430:31:45

We here cannot win, but for one fault or another.

0:31:450:31:48

But do you not agree?

0:31:480:31:49

In his bewilderment, you have found the perfect suspect.

0:31:500:31:53

In that search, the unimprovable evidence.

0:31:530:31:56

Does such ease, given what we have seen today,

0:31:560:31:58

not raise the slightest shiver of suspicion for you?

0:31:580:32:01

And is that not you all over, Mr Reid?

0:32:010:32:04

Your fevered eyes once more burning through the deceit of the world,

0:32:040:32:08

in the hope that you might at last uncover its black mechanics.

0:32:080:32:12

Another body!

0:32:120:32:14

WHISTLE BLOWS

0:32:140:32:15

PEOPLE CLAMOUR

0:32:150:32:16

WHISTLE BLOWS

0:32:170:32:19

SHOUTING CONTINUES

0:32:190:32:20

See the wounds on his side? The bite marks?

0:32:300:32:32

All the signs of the golem.

0:32:320:32:34

Did you see what has been done to him, sir?

0:32:360:32:38

To his flesh?

0:32:380:32:39

Sir? Inspector Drake?

0:32:390:32:42

Sir? Inspector Drake!

0:32:420:32:44

Will you not tell me what our eyes now see here?

0:32:440:32:46

What has been done to this man?

0:32:460:32:48

Or will you hide the facts of this case, too?

0:32:480:32:51

Come on. Come on.

0:32:510:32:52

SHOUTING CONTINUES

0:33:030:33:06

I wonder if you understand...

0:33:190:33:21

...if you could imagine, even, what it is

0:33:230:33:25

so many in our community have suffered to find...

0:33:250:33:27

If you will, please... I will not, Inspector Drake!

0:33:270:33:30

They do not walk, starving, through the frozen steppes of Europe

0:33:300:33:35

to arrive here to be so savaged...

0:33:350:33:37

just when they imagine they have some salvation near at hand.

0:33:370:33:42

You are charged with the people's protection, sir,

0:33:430:33:45

and you have failed in that mandate!

0:33:450:33:48

And you, Mr Reid...

0:33:490:33:51

how will you remedy this?

0:33:510:33:53

I will ask you of this man.

0:33:560:33:58

Can you tell me his name?

0:33:580:33:59

His name is Nadelman.

0:34:000:34:02

More than that, I can't tell you.

0:34:030:34:05

He recently came here from Lithuania.

0:34:060:34:08

As you can see...

0:34:080:34:10

emaciated from his deprivations.

0:34:100:34:13

But we cared for him.

0:34:130:34:15

We gave him a room beneath the synagogue.

0:34:160:34:18

And that is where you found him, sir?

0:34:180:34:20

It was.

0:34:200:34:21

Mr Thatcher, you will escort Rabbi Steiner back to Princelet Street.

0:34:320:34:35

Take men. And you will work the room as you have been taught.

0:34:350:34:38

Rabbi Steiner, we will see these streets now scoured

0:34:380:34:41

for the cause of this - you have my word.

0:34:410:34:43

We will not rest till it is done.

0:34:430:34:45

Bennet. Bennet? What?

0:34:530:34:55

What? Do you try to tell me the old man is wrong?

0:34:550:34:58

That this is not at my door?

0:34:590:35:01

This Nadelman. Thomas Gower.

0:35:010:35:03

Isaac Bloom, innocent and hanged.

0:35:030:35:06

You are not their killer.

0:35:060:35:08

You are not.

0:35:080:35:09

This is a battle worth the blood, remember?

0:35:090:35:11

This is not a battle - this is defeat.

0:35:110:35:13

Oh, so the abyss will swallow Bennet Drake, will it?

0:35:130:35:15

It swallowed YOU once, if you remember.

0:35:160:35:18

Our Gower was a soldier, with the strength to resist this, er...

0:35:220:35:25

..fetish with the body,

0:35:260:35:28

but this man - no, you can see how weak he is.

0:35:280:35:31

Advanced malnutrition, severe muscle wastage,

0:35:310:35:34

necrosis of the fat cells.

0:35:340:35:35

You can approximate a time of death?

0:35:350:35:37

Are you asking if it was about the same time as Gower's?

0:35:370:35:40

Yeah, I'd say it was proximate, Reid.

0:35:400:35:42

The, er...

0:35:440:35:46

this killer, here.

0:35:460:35:47

He comes face-to-face with Thomas's strength and resistance,

0:35:470:35:52

takes a knife to end that resistance,

0:35:520:35:54

then he flees from the rumpus he has no doubt made...

0:35:540:35:57

..makes his way towards the refugee lodgings in Princelet Street...

0:35:580:36:01

Finds a man too broken to fight.

0:36:010:36:03

Lets his desires grow fierce.

0:36:030:36:06

Now come see. Take a look here.

0:36:060:36:08

Here's your parallel tracks

0:36:080:36:10

where the upper incisors scraped down the skin.

0:36:100:36:13

And these are static puncture marks

0:36:130:36:14

when he then gouges down onto the lower teeth,

0:36:140:36:16

and then the flesh is torn and sheared,

0:36:160:36:18

so it's almost as if he's shaking them with his teeth.

0:36:180:36:21

So this biting, it presents itself less as cannibalism,

0:36:210:36:24

and more of a...

0:36:240:36:25

A means of attack.

0:36:260:36:27

It's like an animal. Like a dog attacks.

0:36:270:36:29

Like a dog.

0:36:290:36:31

It's alike.

0:36:310:36:32

This is the animal hair that I took from where Gower was found.

0:36:330:36:37

From the scale pattern of the cuticle and the medulla type,

0:36:390:36:43

it's from an animal that is very much like a dog.

0:36:430:36:46

It's a timber wolf.

0:36:460:36:47

Now, this town is crazy, I grant you,

0:36:470:36:49

but the last time I checked...

0:36:490:36:51

..there were no wolves in Whitechapel.

0:36:530:36:55

TELEPHONE RINGS

0:37:010:37:03

RINGING CONTINUES

0:37:080:37:10

Yes?

0:37:100:37:11

Assistant Commissioner Dove is here.

0:37:140:37:16

The error of it, sir.

0:37:170:37:19

Sheer bloody muck of a mistake.

0:37:200:37:22

Not for the minding of, Inspector. Not now.

0:37:220:37:27

Not yet.

0:37:270:37:28

I know you.

0:37:350:37:37

The man you are, the policeman you are.

0:37:380:37:41

The compassion and rigour you brought to that case,

0:37:410:37:43

as to every other part of your work here...

0:37:430:37:45

You could never be questioned.

0:37:460:37:48

It must be brought once more, Mr Drake.

0:37:480:37:51

This killer must be trapped.

0:37:510:37:53

I know you understand this, sir.

0:37:530:37:55

You shall have all the resources you require.

0:37:570:38:00

Thank you, sir.

0:38:000:38:01

And I expect updates.

0:38:030:38:05

On the hour. You shall have them, Mr Dove.

0:38:050:38:07

Mr Reid.

0:38:070:38:09

You find this savage beast, Inspector.

0:38:110:38:13

I will, sir.

0:38:140:38:15

Good evening, Mrs Drake.

0:38:190:38:21

And hello to you, young man.

0:38:230:38:24

I'm sure Mr Dove is pleased to see you, as I am,

0:38:250:38:28

but it is late for the lad to be out and about.

0:38:280:38:30

Rose, it is freezing.

0:38:340:38:35

Never mind Connor.

0:38:370:38:38

Better you mind me.

0:38:380:38:39

Not now, woman. Not here.

0:38:400:38:42

Mr Drake, I should... No, Augustus - you will hear this.

0:38:420:38:46

Rose... I have no secrets,

0:38:460:38:48

unless you know how it is a murderess escaped her sentence?

0:38:480:38:51

I know how she did it. I know.

0:38:510:38:54

I have discovered it.

0:38:540:38:55

Rose, I have told you, this is a madness. It is not, Bennet!

0:38:550:38:59

See, I went to Newgate, to the pit there,

0:39:000:39:02

and there is a guard, name of Theakston.

0:39:020:39:04

Oh, how he used to make eyes at Long Susan.

0:39:040:39:07

"Miss says this, Miss says that."

0:39:070:39:09

He'd have cleaned her arse with his tongue had she asked for it.

0:39:090:39:12

Rose, enough! But I stopped him...

0:39:120:39:14

and I asked him.

0:39:140:39:15

I said, "How'd she done it? Tell us.

0:39:150:39:17

"Tell us where she hides."

0:39:170:39:20

You should have seen him -

0:39:200:39:21

white as the beard of God.

0:39:210:39:23

And I knew it.

0:39:230:39:24

I knew it then.

0:39:240:39:25

She must have been put in that Newgate pit still alive,

0:39:250:39:29

and some accomplice to come and collect her.

0:39:290:39:32

You cannot think... You think I'm not able?!

0:39:320:39:34

Just remember all that she has done.

0:39:350:39:39

55, man, woman, child, and not a soul in this square mile

0:39:390:39:44

whose lives not changed by her.

0:39:440:39:46

By Long Susan Hart, and she is about her evil once more.

0:39:480:39:51

You will stop this now!

0:39:510:39:52

Just try and make me, Bennet Drake!

0:39:520:39:55

Say you love me, do you?

0:39:560:39:58

Well, you cannot.

0:39:580:40:00

Because you do not trust me.

0:40:000:40:03

I, who have trusted you, and had faith in you,

0:40:030:40:08

when I know the black things you have done.

0:40:080:40:11

You will be silent.

0:40:110:40:12

I will not!

0:40:120:40:13

Reid...

0:40:160:40:17

..Susan, the Captain, all of you.

0:40:180:40:21

The things you have done, and I have kept that secret

0:40:210:40:24

like a poison in my heart.

0:40:240:40:26

Rose! Enough!

0:40:260:40:28

You two stop this right now.

0:40:290:40:31

Have a care.

0:40:320:40:33

Let me take him home, then.

0:40:470:40:49

We must take him home now, love.

0:40:590:41:00

Come on.

0:41:030:41:04

Let us get on.

0:41:050:41:06

Did you hear her accusations?

0:41:130:41:15

I couldn't fail to, could I, Frank? And so what do you say?

0:41:150:41:17

I say they are best unheard.

0:41:170:41:19

FRANK SCOFFS

0:41:220:41:24

I tell you what, Miss Reid...

0:41:270:41:29

He's a lickspittle, this one.

0:41:290:41:31

And you, Frank Thatcher, have an old woman's snatch box for gossip.

0:41:310:41:35

If you do not mind, Mathilda,

0:41:370:41:38

I should like a word with Sergeant Drummond.

0:41:380:41:40

Yes, sir.

0:41:420:41:43

Here, sir?

0:41:430:41:44

No - public house, I think.

0:41:440:41:46

Thatcher, you may stand at dock till he returns.

0:41:480:41:50

You might be a little warier with my daughter, however.

0:41:500:41:53

After you, Drummond.

0:41:550:41:56

It's still too god damned wet.

0:42:150:42:16

Have to serve.

0:42:160:42:17

You should know, Mr Reid, that...

0:42:330:42:35

..your Mathilda...

0:42:360:42:38

I mean to say,

0:42:380:42:39

if it please you, that you ought not to be afraid of any impropriety, or...

0:42:390:42:43

Or ugly motive on my part.

0:42:430:42:45

I seek only to...

0:42:450:42:47

if such were permitted...

0:42:470:42:49

both by yourself...and herself, of course, I...

0:42:490:42:51

I seek only to be allowed to come to know her a little better. Drummond?

0:42:510:42:55

Yes, Mr Reid?

0:42:550:42:56

Six months back...

0:42:590:43:00

..when Captain Jackson removed the bloody imprint

0:43:010:43:04

of Isaac Bloom's fingerprints from the shirt placket

0:43:040:43:08

of the murdered rabbi, Ratovski,

0:43:080:43:10

and Inspector Drake wished them then to be used as evidence -

0:43:100:43:12

you recall all this?

0:43:120:43:14

I do.

0:43:140:43:15

And the warrant that was then secured

0:43:150:43:17

for the search of Mr Bloom's rooms?

0:43:170:43:20

Yes, sir.

0:43:200:43:21

And when it was felt that the full and awful details

0:43:210:43:24

of the crime should not be broadcast abroad, for fear of panic...

0:43:240:43:28

and so the newspapers were injuncted - all this you recall?

0:43:280:43:31

Well, who could forget, Mr Reid?

0:43:310:43:33

Then, tell me...

0:43:330:43:35

whose authority was it saw these commands made?

0:43:350:43:38

Why... Mr Dove, sir.

0:43:380:43:41

Good evening, Augustus.

0:43:520:43:54

You have heard the rumpus out there?

0:43:540:43:55

I have not, forgive me.

0:43:560:43:58

It has been a day.

0:43:580:44:00

Well, it must have been...

0:44:010:44:03

for the whole world cries of it.

0:44:030:44:05

Of what?

0:44:050:44:06

Not the once, but twice.

0:44:070:44:09

He has...

0:44:120:44:14

performed his act once more.

0:44:140:44:17

The last occasion,

0:44:230:44:25

he confessed to both of us what he'd done to that rabbi.

0:44:250:44:29

Oh, I remember, Abel. What a runaround that was.

0:44:290:44:32

You were meant to care for him. And I do. I do!

0:44:350:44:38

This cannot happen again. He must be watched.

0:44:380:44:41

ABLE SIGHS I know, I know.

0:44:430:44:45

And further to that, Abel...

0:44:460:44:48

the woman you shelter...

0:44:480:44:50

..I now know who she is.

0:44:510:44:53

Why would you not tell me?

0:44:540:44:56

She is almost a celebrity in these parts,

0:44:560:44:59

and you have kept her these two months.

0:44:590:45:01

I have grown fond of her.

0:45:010:45:03

Wish her well.

0:45:040:45:06

Your murderous, conniving mind, by your kind heart...

0:45:060:45:09

..it will be the finishing of you.

0:45:100:45:12

Mmm.

0:45:120:45:13

I do not think it is the end of myself

0:45:130:45:15

which currently exercises you, Assistant Commissioner.

0:45:150:45:19

You and that bauble so recently pinned to your breast.

0:45:190:45:22

Besides, they owe me money.

0:45:220:45:25

She and her American husband? Oh, yeah.

0:45:250:45:27

How did he do it?

0:45:290:45:30

How did he fake her death, Abel?

0:45:310:45:33

Free her?

0:45:330:45:34

Oh, damned if I know.

0:45:340:45:36

But he is a sharp one.

0:45:360:45:37

Plus, there are...

0:45:390:45:41

plans afoot,

0:45:410:45:43

which will see the pair of them gone.

0:45:430:45:46

Plans?

0:45:460:45:47

Mmm.

0:45:470:45:48

There is currently some merit in H Division's finest surgeon

0:45:480:45:51

being gone from it.

0:45:510:45:52

You set about your plan, Abel.

0:45:520:45:54

I shall set about seeing how else the trail that leads to us

0:45:540:45:57

may be broke and scattered.

0:45:570:45:59

How that, Augustus? How broke? How scattered?

0:45:590:46:01

Never mind that for now.

0:46:010:46:03

You get home, and you keep that beast close to you, you understand?

0:46:030:46:07

FOOTSTEPS

0:46:080:46:11

DOOR CREAKS OPEN

0:46:140:46:16

DOOR CLOSES

0:46:180:46:20

DOOR OPENS

0:46:250:46:27

Matthew. I was afraid.

0:46:290:46:30

Me and you both, darling.

0:46:320:46:34

I tell you... This town...

0:46:340:46:36

The things that I've seen within it today,

0:46:360:46:38

me and you've got to get this thing finished,

0:46:380:46:40

and ourselves done with this place for all time.

0:46:400:46:42

Where's the sea dog?

0:46:440:46:45

He's called away.

0:46:450:46:46

And the retarded first mate?

0:46:470:46:49

Sleeping beyond.

0:46:490:46:50

KNOCKS ON THE TABLE

0:46:560:46:58

I know there's wisdom in sleeping early for night work,

0:46:580:47:01

but it's time to rise and get about it now, son.

0:47:010:47:03

DOOR OPENS

0:47:120:47:14

Well, my children...

0:47:140:47:15

DOOR CLOSES

0:47:150:47:16

..the night is a dark one.

0:47:160:47:19

Clouds roll over.

0:47:190:47:20

Such auguries must not be ignored.

0:47:230:47:25

Let us eat before we thieve.

0:47:270:47:29

Move across.

0:47:440:47:45

I sit there.

0:47:480:47:49

Go, Nate, move along.

0:47:530:47:55

Who are we to separate husband and wife?

0:47:550:47:58

Er, while you're up...

0:48:000:48:02

..get them kerosene lamps, and wipe them down.

0:48:030:48:05

There is food aplenty, Captain.

0:48:150:48:17

No call for you to be filching others'.

0:48:180:48:20

Sleep.

0:48:260:48:27

Forget about this world awhile.

0:48:300:48:32

Were there nought to be done, I would stay, Rose.

0:48:440:48:47

But, er...

0:48:480:48:49

..tonight, there is an evil out there, which I...

0:48:510:48:54

I cannot hide at home, my love.

0:48:570:48:58

And, for all that it may not be worth a heap of shit no more...

0:49:010:49:03

..I must go to work.

0:49:050:49:07

Bennet...

0:49:130:49:14

Yes, my love?

0:49:160:49:18

Do what you like.

0:49:220:49:23

DOOR CLOSES

0:49:380:49:39

CHATTER

0:49:410:49:43

STEAM TRAIN CHUGS

0:49:500:49:54

As we have agreed, your building of the case,

0:50:010:50:04

the evidence which convicted Mr Bloom...

0:50:040:50:06

..it was...

0:50:070:50:08

flawless.

0:50:080:50:09

But we know that Isaac Bloom cannot have killed Ratovski, because...

0:50:090:50:14

The killer still walks amongst us. Yes.

0:50:140:50:16

And we must needs look elsewhere for the flaw, Bennet.

0:50:180:50:22

And so I only ask you...

0:50:220:50:24

to think on who else might have had...

0:50:240:50:26

both the knowledge...

0:50:260:50:28

and the opportunity.

0:50:280:50:29

What?

0:50:350:50:36

My division has known care and advancement beneath his eye.

0:50:410:50:46

He has been the voice and encouragement

0:50:460:50:48

we who must police this quarter have always called for.

0:50:480:50:52

He has understood my life here, Mr Reid.

0:50:520:50:54

He has...

0:50:540:50:55

been my friend.

0:50:550:50:56

And it is he who gets you your warrant.

0:50:560:50:59

He who, therefore, knows the address at which to leave the evidence.

0:50:590:51:04

Evidence that he knew Captain Jackson

0:51:040:51:05

would clasp tight to his heart.

0:51:050:51:07

And it is he who then says, "Yes, use your fingerprints,"

0:51:070:51:12

and, "Yes, I will bar all newspaper reportings of the details."

0:51:120:51:16

Only...he, Bennet.

0:51:180:51:21

Only Augustus Dove.

0:51:230:51:25

You ask me to admit his corruption.

0:51:280:51:29

I must therefore admit my own.

0:51:300:51:32

I see that.

0:51:320:51:33

I see that, Bennet, I do. But...

0:51:330:51:35

..what purchase that support and advancement has given him here...

0:51:360:51:40

My purchase, you mean?

0:51:400:51:41

No. My seduction?!

0:51:410:51:42

No, I do not mean to say... No, Mr Reid!

0:51:420:51:44

No, I may now need you here for this fight which comes down.

0:51:460:51:49

But you leave off Augustus Dove, you hear?

0:51:490:51:52

DOVE: Rose.

0:51:580:51:59

Rose, it is only me.

0:52:020:52:03

Rose, forgive me.

0:52:080:52:10

Will you let me in?

0:52:100:52:12

DOOR CLOSES

0:52:130:52:14

Did you not come to curse me for my madness?

0:52:150:52:18

Why would I?

0:52:200:52:22

I know you're sane.

0:52:220:52:23

Do you believe me?

0:52:290:52:31

I do, Rose.

0:52:320:52:33

SHE GASPS

0:52:340:52:36

Oh, that is a wonderful thing.

0:52:360:52:38

Thank you.

0:52:390:52:40

Augustus, thank you!

0:52:400:52:41

Will you keep watch?

0:52:450:52:46

Over us?

0:52:460:52:48

If Mr Drake is not here to do so, then I shall.

0:52:480:52:52

The thought of you doing so currently makes me happier.

0:52:540:52:57

However...

0:52:590:53:00

There was another fear that you spoke of earlier.

0:53:080:53:11

On the subject of Miss Hart.

0:53:110:53:13

But also...

0:53:150:53:16

Mr Reid.

0:53:160:53:17

An act in which you believe them to have collaborated.

0:53:190:53:23

A bad thing.

0:53:250:53:26

A bad...

0:53:280:53:30

thing.

0:53:300:53:31

Not only those two.

0:53:310:53:32

The captain, also.

0:53:330:53:36

And Bennet.

0:53:380:53:40

What was it, Rose?

0:53:420:53:43

I made a promise.

0:53:470:53:48

I swore it.

0:53:480:53:50

Never, ever to tell.

0:53:500:53:52

Then you must not, Rose.

0:53:540:53:55

Never break a promise.

0:53:570:53:59

CAMERA CLICKS

0:54:140:54:15

CAMERA CLICKS

0:54:210:54:22

CAMERA CLICKS

0:54:260:54:27

You sent for me?

0:54:430:54:45

Quid pro quo.

0:54:490:54:51

STEAM TRAIN RUMBLES

0:54:510:54:54

ABEL: Here we go.

0:55:100:55:11

Safe.

0:55:120:55:14

In you go.

0:55:140:55:16

After you, madam.

0:55:190:55:21

Captain.

0:55:220:55:23

Here.

0:55:390:55:40

Hush now, children.

0:55:460:55:47

Captain.

0:55:490:55:50

METALLIC RATTLING

0:56:140:56:16

Only the lock, correct?

0:56:490:56:51

Correct? Yes!

0:56:510:56:53

Correct.

0:56:530:56:54

FUSE FIZZLES

0:56:570:56:59

Matthew, wait...

0:57:110:57:12

EXPLOSION

0:57:120:57:13

HE COUGHS

0:57:170:57:20

Too much spice in your stew, Captain.

0:57:250:57:28

WHISTLE BLOWS

0:57:300:57:31

Nate!

0:57:310:57:33

No! No, Abel...

0:57:330:57:34

I will not have more blood on my tally.

0:57:340:57:36

Not yours, my girl - mine. Mine can manage the extra.

0:57:360:57:39

You step aside, get your crockery.

0:57:390:57:42

WHISTLE BLOWS

0:57:420:57:44

SHOUTING OUTSIDE

0:57:440:57:46

SLICING

0:57:490:57:50

SCREAMING

0:57:500:57:53

DULL THUD

0:57:530:57:54

For this? Mmm.

0:58:090:58:11

Anything else you wish to pilfer, or do we sail?

0:58:140:58:17

I will not stand idle whilst Whitechapel falls beneath terror.

0:58:370:58:41

You are up to your guts in this.

0:58:420:58:44

This is the animal unleashed.

0:58:440:58:46

There ain't nothing so cruel in this world as the killing of love.

0:58:460:58:50

Perhaps I am only good for the fight.

0:58:500:58:51

Now we go hunting.

0:58:520:58:54

Bennet!

0:58:540:58:55

SHE SIGHS DEEPLY

0:59:320:59:33

The shooting was fully justified.

0:59:370:59:39

So he's the Belfast strangler?

0:59:430:59:45

DOCTOR SHOUTS INSTRUCTIONS

0:59:460:59:47

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