Browse content similar to The Strangers' Home, Part 1. Check below for episodes and series from the same categories and more!
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This programme contains scenes which some viewers may find upsetting, | 0:00:02 | 0:00:05 | |
some violent scenes and some scenes of a sexual nature from the start. | 0:00:05 | 0:00:08 | |
These streets we vow to protect. | 0:00:08 | 0:00:09 | |
Each day I hope I might have seen the last of their cruelty. | 0:00:09 | 0:00:13 | |
-Hold them! -55 lives given up for 350,000. | 0:00:13 | 0:00:15 | |
Who is the child? | 0:00:15 | 0:00:17 | |
The girl is Reid's daughter. | 0:00:17 | 0:00:19 | |
Buckley, where is she? | 0:00:19 | 0:00:20 | |
She's pregnant. | 0:00:27 | 0:00:29 | |
I believe it was the first happiness I ever knew - | 0:00:29 | 0:00:32 | |
to look upon your face. | 0:00:32 | 0:00:33 | |
Mr Reid, Sir. Your Mathilda. | 0:00:36 | 0:00:39 | |
My girl is here. Somewhere. | 0:00:39 | 0:00:41 | |
Who am I, Mathilda? | 0:00:44 | 0:00:47 | |
You are my daddy. | 0:00:47 | 0:00:48 | |
I draw a direct line between the slaughter of the 55 and your wife. | 0:00:52 | 0:00:56 | |
Father. | 0:00:56 | 0:00:57 | |
Good lady Hart. That money, which her man Capshaw plotted to thieve, | 0:00:59 | 0:01:03 | |
it is her father's money. | 0:01:03 | 0:01:05 | |
We might act now. See good done. | 0:01:05 | 0:01:09 | |
-You are finished. -Yes, Mr Swift, I expect I am. | 0:01:13 | 0:01:17 | |
CHAMBERLAIN: Your Majesty, the world has disembarked. | 0:01:30 | 0:01:33 | |
Here, in London, Imperial Service troops from each and every dominion | 0:01:33 | 0:01:38 | |
make camp in Hyde Park. | 0:01:38 | 0:01:40 | |
Your capital opens its arms to your Empire. | 0:01:41 | 0:01:45 | |
And here that Empire will pay tribute to your reign, | 0:01:45 | 0:01:48 | |
to this Diamond Jubilee. | 0:01:48 | 0:01:51 | |
From the Palace, you will lead the procession. | 0:01:51 | 0:01:54 | |
45,000 men-at-arms, | 0:01:54 | 0:01:57 | |
cavalry from your homeland, Munshi. Bengal Lancers. | 0:01:57 | 0:02:02 | |
It will be a living gazetteer of your realms, Majesty. | 0:02:02 | 0:02:07 | |
The streets will be lined, the joy unconfined. | 0:02:07 | 0:02:11 | |
Following your lead up Constitution Hill, | 0:02:13 | 0:02:16 | |
St James' to Pall Mall, Trafalgar Square, the Strand until St Paul's, | 0:02:16 | 0:02:20 | |
where the Bishop of London will offer thanks. | 0:02:20 | 0:02:25 | |
Silence, silence! | 0:03:16 | 0:03:17 | |
Assistant Commissioner of Police Augustus Dove will now give address. | 0:03:17 | 0:03:21 | |
Ladies, gentlemen, people of Whitechapel, | 0:03:21 | 0:03:27 | |
as the wider city prepares itself for celebration, | 0:03:27 | 0:03:29 | |
the like of which we have never seen, | 0:03:29 | 0:03:33 | |
Scotland Yard invites you here today with double incentive - | 0:03:33 | 0:03:38 | |
to introduce you to your new Station House, | 0:03:38 | 0:03:40 | |
a magnificent building, I'm sure you'll agree. | 0:03:40 | 0:03:43 | |
But first, to congratulate Inspector Drake and his division | 0:03:47 | 0:03:52 | |
on their rigorous pursuit and capture of the man who murdered the rabbi, Leon Ratovski. | 0:03:52 | 0:03:57 | |
-APPLAUSE -Hear, hear! | 0:03:59 | 0:04:01 | |
The sentence of death has now been handed down on his killer, | 0:04:02 | 0:04:06 | |
a sentence we at Scotland Yard do, albeit with sadness, welcome. | 0:04:06 | 0:04:12 | |
Now, come - Mr Drake is keen to show you his new home. | 0:04:12 | 0:04:17 | |
Mr Drake, will you explain? | 0:04:26 | 0:04:28 | |
It is a telephone. | 0:04:31 | 0:04:33 | |
The line here is connected throughout the station, | 0:04:33 | 0:04:36 | |
a system of communication which allows the Inspector and his men | 0:04:36 | 0:04:39 | |
to speak to each other wherever they work. | 0:04:39 | 0:04:42 | |
Assistance may be requested, information passed on. | 0:04:42 | 0:04:46 | |
Young boys will go to school, | 0:04:46 | 0:04:48 | |
not run policemen's lunch orders for them. | 0:04:48 | 0:04:51 | |
LAUGHTER | 0:04:51 | 0:04:52 | |
Of this, however, we are particularly proud. | 0:04:52 | 0:04:55 | |
It was well known Mr Drake's predecessor | 0:04:55 | 0:04:58 | |
kept a criminal archive in the rafters of the old Leman Street station. | 0:04:58 | 0:05:02 | |
Sergeant Drummond. | 0:05:02 | 0:05:04 | |
Mr Reid's files were photographed and their size | 0:05:04 | 0:05:06 | |
then shrunk by a ratio of a 160 to one. | 0:05:06 | 0:05:09 | |
We now add to them daily. Each and every reported villainy, read here. | 0:05:09 | 0:05:13 | |
Imagine a Stanhope - but of more applicable function. | 0:05:13 | 0:05:17 | |
What do you call it, Inspector? | 0:05:18 | 0:05:20 | |
It is the Micro-Reader. | 0:05:21 | 0:05:23 | |
I prefer these places empty, it must be said. | 0:05:45 | 0:05:47 | |
But it is not their place to be empty. | 0:05:48 | 0:05:51 | |
LAUGHTER | 0:05:51 | 0:05:52 | |
We laugh, I know. | 0:05:52 | 0:05:54 | |
But there is a truth buried in that laughter. | 0:05:54 | 0:05:57 | |
We must not forget that the hoped-for conclusion of police work | 0:05:57 | 0:06:00 | |
is not a prison groaning with convicts... | 0:06:00 | 0:06:04 | |
but no prisons at all. | 0:06:04 | 0:06:06 | |
Inspector Drake, no sooner does your new master at Scotland Yard | 0:06:07 | 0:06:11 | |
hand you down new premises | 0:06:11 | 0:06:12 | |
than he seeks to make you surplus to requirements. | 0:06:12 | 0:06:15 | |
It is a redundancy I would welcome, Miss Castello. | 0:06:15 | 0:06:17 | |
Wouldn't we all, Mr Drake? | 0:06:18 | 0:06:20 | |
It is a utopia. | 0:06:20 | 0:06:23 | |
Inspector Drake, might I bring you back to less, er, elevated matters? | 0:06:29 | 0:06:32 | |
Go on, Miss Castello. | 0:06:32 | 0:06:35 | |
As regards the murderer of Rabbi Ratovski, | 0:06:35 | 0:06:37 | |
Mr Dove tells us the sentence of death | 0:06:37 | 0:06:39 | |
handed down on the Whitechapel Golem is welcomed at Scotland Yard. | 0:06:39 | 0:06:43 | |
Do you here at H Division echo that sentiment? | 0:06:43 | 0:06:46 | |
I would prefer to call him by his name. | 0:06:46 | 0:06:49 | |
It was your newspaper dubbed him otherwise. | 0:06:49 | 0:06:52 | |
Not so, Inspector. | 0:06:52 | 0:06:53 | |
We simply echoed the frightened voices | 0:06:53 | 0:06:55 | |
heard amongst the Jewry of Whitechapel. | 0:06:55 | 0:06:57 | |
Nonetheless, the Inspector makes sound argument. | 0:06:57 | 0:07:01 | |
This borough here has a taste for monsters, | 0:07:01 | 0:07:04 | |
for their birthing and nurture. | 0:07:04 | 0:07:06 | |
Then let us hear of the man behind that monster. | 0:07:06 | 0:07:09 | |
Will we have his given name from you, Mr Drake? | 0:07:09 | 0:07:11 | |
You know it. It is Isaac Bloom. | 0:07:11 | 0:07:14 | |
A mathematician. | 0:07:14 | 0:07:16 | |
Part of the same Whitechapel Jewry, | 0:07:16 | 0:07:18 | |
and well known to H Division, was he not? | 0:07:18 | 0:07:21 | |
He gave service to your predecessor more than once, so I understand. | 0:07:21 | 0:07:24 | |
He may have, Miss Castello, but that does not alter the facts. | 0:07:24 | 0:07:27 | |
Men may change. Bloom is no different. | 0:07:27 | 0:07:30 | |
The Rabbi Leon Ratovski visited London from Paris. | 0:07:30 | 0:07:33 | |
Isaac Bloom killed him in a Whitechapel lane-way | 0:07:33 | 0:07:35 | |
and will hang for it. | 0:07:35 | 0:07:37 | |
Let those facts be known, if you will, Miss Castello, | 0:07:37 | 0:07:40 | |
then let him be forgot. | 0:07:40 | 0:07:42 | |
HE MUTTERS IN HEBREW | 0:07:54 | 0:07:56 | |
Sergeant. | 0:08:08 | 0:08:09 | |
-Detective Sergeant. -I need to see the old man. | 0:08:11 | 0:08:13 | |
Mr Drake has guests, as you know. | 0:08:13 | 0:08:16 | |
He must hear this, however. | 0:08:16 | 0:08:18 | |
Frank, save the shoe leather. | 0:08:20 | 0:08:22 | |
I'm sure it must be near run through, | 0:08:22 | 0:08:24 | |
and new boots are costly. | 0:08:24 | 0:08:26 | |
HE SCOFFS | 0:08:30 | 0:08:31 | |
Were it not for the fact I think you'd enjoy it too much, | 0:08:32 | 0:08:36 | |
I'd take this piece of machinery and I'd shove it up your... | 0:08:36 | 0:08:39 | |
TELEPHONE RINGS | 0:08:39 | 0:08:42 | |
-Hello? -'There's a murdered man washed up on the Western Dock, sir.' | 0:08:42 | 0:08:45 | |
I'll be there, Sergeant. | 0:08:45 | 0:08:47 | |
Sir, I... | 0:08:48 | 0:08:49 | |
-You go, Inspector. -Thank you. Excuse me. | 0:08:49 | 0:08:51 | |
Oh, Mr Drake... One moment, please. | 0:08:54 | 0:08:56 | |
This, today, it is much appreciated. | 0:09:00 | 0:09:03 | |
I know such work is not to your taste. | 0:09:03 | 0:09:06 | |
I understand, sir. It is important. | 0:09:06 | 0:09:08 | |
The men feel their work is seen | 0:09:08 | 0:09:09 | |
and such witnessing gives encouragement. | 0:09:09 | 0:09:11 | |
You have me, Inspector. | 0:09:12 | 0:09:14 | |
Stand aside. Police, stand aside. | 0:09:36 | 0:09:38 | |
CHATTER | 0:09:38 | 0:09:41 | |
Mr Drake, my men and I, we are happy to see you. | 0:09:43 | 0:09:47 | |
The elected steward for Dock, Wharf, Riverside | 0:09:47 | 0:09:49 | |
and General Labourers' Union - happy? | 0:09:49 | 0:09:51 | |
I shall remember the day, Mr Teague. | 0:09:51 | 0:09:53 | |
CHUCKLING | 0:09:53 | 0:09:56 | |
You are? | 0:09:56 | 0:09:58 | |
Name's Croker, Croker's Wharf, two ticks upriver. | 0:09:58 | 0:10:02 | |
Where that reefer shall now be getting its freight unshipped | 0:10:02 | 0:10:05 | |
if you will not say otherwise, Inspector. | 0:10:05 | 0:10:07 | |
Forgive me, I am brought here for a dead man, | 0:10:07 | 0:10:09 | |
not to arbitrate in a labour dispute. | 0:10:09 | 0:10:11 | |
-WORKER SHOUTS IN BACKGROUND -Ah, well... | 0:10:13 | 0:10:15 | |
Allow me, Inspector. | 0:10:17 | 0:10:18 | |
Indian fellow. | 0:10:28 | 0:10:30 | |
Lascar working the ships, most like, from his colouring. | 0:10:30 | 0:10:33 | |
It is him what has put him there. | 0:10:33 | 0:10:35 | |
That is slander, Roy. Do you accuse us of murder? | 0:10:35 | 0:10:38 | |
Yes, Mr Teague, do you? | 0:10:38 | 0:10:40 | |
No, I say only that this wharfinger | 0:10:41 | 0:10:44 | |
has found a floater on the night tide, | 0:10:44 | 0:10:46 | |
sought to gig it downriver and land it here, | 0:10:46 | 0:10:48 | |
and see these men go work this come sunrise. | 0:10:48 | 0:10:51 | |
That is 500 frozen carcasses from New Zealand - | 0:10:51 | 0:10:54 | |
mutton, lamb, pig - 50 kegs of butter alongside. | 0:10:54 | 0:10:58 | |
As good a day's work as these men have known all month, | 0:10:58 | 0:11:00 | |
booked for lumping right here. | 0:11:00 | 0:11:02 | |
But if you will now close this dock to mount investigation, | 0:11:02 | 0:11:05 | |
then he, who pays no dues to this union | 0:11:05 | 0:11:08 | |
and lives outside its regulation, | 0:11:08 | 0:11:10 | |
will have his lightermen out on the water in two jiffies | 0:11:10 | 0:11:12 | |
and take that cargo as his own. | 0:11:12 | 0:11:14 | |
-This true, Mr Croker? -It is not, Mr Drake. | 0:11:16 | 0:11:19 | |
At least, the first part is not. | 0:11:19 | 0:11:21 | |
The second, that those frozen carcasses be brought ashore | 0:11:21 | 0:11:24 | |
for warehousing and distribution, that is true. | 0:11:24 | 0:11:26 | |
And I shall certainly be bidding for such work. | 0:11:26 | 0:11:29 | |
You cannibal, Croker! This... | 0:11:29 | 0:11:31 | |
That murdered man is nought but some Indian gugu, Inspector, | 0:11:31 | 0:11:34 | |
for whom you would deprive London men of their work! | 0:11:34 | 0:11:37 | |
The man's origin is not pertinent, Mr Teague. | 0:11:37 | 0:11:39 | |
You're right about one thing, however. | 0:11:39 | 0:11:41 | |
I shall be closing this dock for investigation. | 0:11:41 | 0:11:43 | |
As for who works and profits, well, that is not my lookout. | 0:11:44 | 0:11:48 | |
Sergeant. | 0:11:50 | 0:11:51 | |
See this dockside picked and cleared for evidence. | 0:11:52 | 0:11:55 | |
And for yourself, Inspector? | 0:11:55 | 0:11:57 | |
I'm going to drag our surgeon from his pit. | 0:11:57 | 0:12:00 | |
All right. | 0:12:01 | 0:12:02 | |
KNOCK AT DOOR | 0:12:13 | 0:12:15 | |
Chief piggy, Captain Jackson. | 0:12:15 | 0:12:17 | |
Jackson! | 0:12:45 | 0:12:47 | |
SNORING | 0:12:49 | 0:12:51 | |
Morning, Chief. | 0:13:15 | 0:13:16 | |
How are thee? | 0:13:17 | 0:13:19 | |
-One man. -Four crowns. | 0:13:19 | 0:13:22 | |
Best be quick. There's someplace I need to be this afternoon. | 0:13:22 | 0:13:25 | |
One crown, you work efficiently, you will be free to leave. | 0:13:27 | 0:13:30 | |
Two crowns, two shillings and a sixpence, | 0:13:30 | 0:13:32 | |
and I leave when I say I leave. | 0:13:32 | 0:13:34 | |
VENDORS HAWK THEIR WARES | 0:13:39 | 0:13:41 | |
Jackson... | 0:13:43 | 0:13:44 | |
Drake. | 0:13:45 | 0:13:46 | |
-Come on. -BOY: -Read all about it! | 0:13:49 | 0:13:51 | |
-You have the look. VENDOR: -Sir. | 0:13:51 | 0:13:53 | |
What look? | 0:13:53 | 0:13:55 | |
-Bulldog swallows wasp. -Read all about it! | 0:13:55 | 0:13:58 | |
Susan Hart to hang! | 0:13:58 | 0:14:00 | |
-This man. -Read all about it! | 0:14:04 | 0:14:06 | |
Yeah, what of him? | 0:14:08 | 0:14:10 | |
-In two days' time, we are told. -Yeah, I can do math, Drake. | 0:14:10 | 0:14:12 | |
And yet you still make no plans to visit. | 0:14:12 | 0:14:14 | |
Visit whom? | 0:14:16 | 0:14:18 | |
Your wife, she who languishes in Newgate these three years. | 0:14:19 | 0:14:23 | |
-She who'll soon no longer be your wife on account of the fact she will be... -No, Drake. | 0:14:23 | 0:14:28 | |
No plans. | 0:14:28 | 0:14:29 | |
No surprises. | 0:14:35 | 0:14:37 | |
Do you understand, Inspector? | 0:14:37 | 0:14:39 | |
-This week of all weeks. -Secretary Chamberlain... | 0:14:39 | 0:14:42 | |
..it is a happy occasion. | 0:14:43 | 0:14:45 | |
You relax, get yourself happy. | 0:14:45 | 0:14:48 | |
I shall get happy, Mr Constantine, | 0:14:50 | 0:14:53 | |
when you have delivered to us what we have asked you to deliver. | 0:14:53 | 0:14:56 | |
This munshi, the Queen's manservant, | 0:14:56 | 0:14:58 | |
his influence might be feared by her household, | 0:14:58 | 0:15:00 | |
but my spies have no such worries, sir. | 0:15:00 | 0:15:03 | |
Could be he's cleaner than you gentlemen imagine. | 0:15:03 | 0:15:05 | |
By which you imply | 0:15:05 | 0:15:07 | |
you are yet to find anything demonstrates otherwise? | 0:15:07 | 0:15:09 | |
-We watch, sir. We look. -Well, look harder. | 0:15:09 | 0:15:13 | |
He and his moon-faced friends, | 0:15:14 | 0:15:16 | |
there are extreme beliefs amongst them. | 0:15:16 | 0:15:20 | |
And extreme beliefs beget extreme action, Inspector. | 0:15:20 | 0:15:23 | |
We must put an end to this Muslim Patriotic League. | 0:15:25 | 0:15:28 | |
HE SNIFFS | 0:15:30 | 0:15:32 | |
It's left to right. | 0:15:32 | 0:15:33 | |
It's quick work. | 0:15:34 | 0:15:36 | |
There is little by which to place him. | 0:15:37 | 0:15:39 | |
But he is of South Asian origin. | 0:15:39 | 0:15:41 | |
Well, that's a keen eye on you, Drake. | 0:15:43 | 0:15:46 | |
I thought at first...lascar. | 0:15:46 | 0:15:48 | |
But his hands, there's no callusing from the sea work. | 0:15:49 | 0:15:53 | |
His nails are well kept and unbroken. | 0:15:53 | 0:15:55 | |
Ah! | 0:15:57 | 0:15:58 | |
There's, er... | 0:16:03 | 0:16:05 | |
There's some remains of soil from the tread of his boots. | 0:16:05 | 0:16:07 | |
But that does not look like river mud to me. | 0:16:10 | 0:16:13 | |
Not our river, leastways. | 0:16:13 | 0:16:15 | |
And you pronounce this from which analysis? | 0:16:15 | 0:16:18 | |
Well, it's not black enough. | 0:16:18 | 0:16:20 | |
Yes. | 0:16:24 | 0:16:25 | |
I think that analysis might be improved upon, however. | 0:16:26 | 0:16:30 | |
It's a warm day, let's put him on ice. | 0:16:30 | 0:16:32 | |
Ratovski? | 0:16:40 | 0:16:42 | |
I think Mr Ratovski may leave us, may he not, now that... | 0:16:52 | 0:16:55 | |
..Bloom's been sentenced? | 0:16:56 | 0:16:58 | |
Still something to credit - a man like that? | 0:16:59 | 0:17:02 | |
Such savagery. | 0:17:02 | 0:17:04 | |
Why? Cos Isaac Bloom was a man of thought? | 0:17:04 | 0:17:08 | |
Isn't a man's mind the darkest part of all? | 0:17:09 | 0:17:11 | |
It was a mind much loved by Reid. | 0:17:11 | 0:17:13 | |
"Never knew a man of such clear-eyed, intellectual courage." | 0:17:15 | 0:17:19 | |
Those were his words. | 0:17:19 | 0:17:21 | |
Yes, they were. | 0:17:21 | 0:17:23 | |
But Edmund Reid was wrong about plenty | 0:17:23 | 0:17:25 | |
in the course of his life here. | 0:17:25 | 0:17:27 | |
Well, Mr Reid, how is the water? | 0:18:19 | 0:18:22 | |
Bracing, Mr Ramuz, even in June. | 0:18:22 | 0:18:24 | |
Bathing is not recommended. | 0:18:24 | 0:18:25 | |
-SHE CHUCKLES -Here, Edmund. -Ah, thank you. | 0:18:25 | 0:18:28 | |
-SHE LAUGHS -And so your...calculations? | 0:18:29 | 0:18:33 | |
The running ebb current runs at ten and a half, | 0:18:33 | 0:18:36 | |
the flow, a notch above nine. | 0:18:36 | 0:18:38 | |
These two currents produce what I understand to be a tidal scour. | 0:18:38 | 0:18:42 | |
It's a process of erosion that moves the beach materials - | 0:18:42 | 0:18:44 | |
the sand and the stone and so forth - | 0:18:44 | 0:18:46 | |
to the eastern side of the pier. | 0:18:46 | 0:18:48 | |
-Away from where the housing is built. -Yes. | 0:18:48 | 0:18:52 | |
Removal of the freshwater oyster beds | 0:18:52 | 0:18:54 | |
compounded the issue... in my opinion. | 0:18:54 | 0:18:56 | |
It may have, but this is to be a resort town, not a fish farm. | 0:18:56 | 0:18:59 | |
How do you believe it might be stopped? | 0:19:01 | 0:19:04 | |
I'm not sure I know, sir. | 0:19:04 | 0:19:06 | |
It is the sea, after all. | 0:19:06 | 0:19:08 | |
I hope, Edmund, you'll forgive my father his sharpness. | 0:19:09 | 0:19:12 | |
He has much invested here. It's understandable. | 0:19:12 | 0:19:15 | |
Should Hampton-on-Sea become Hampton-in-the-Sea, | 0:19:16 | 0:19:19 | |
we will have lost everything. | 0:19:19 | 0:19:21 | |
And so, do you see, Edmund, how your coming here is a boon to us, | 0:19:24 | 0:19:29 | |
the community we build here... | 0:19:29 | 0:19:31 | |
..and to myself also? | 0:19:32 | 0:19:35 | |
My Alfred gone, | 0:19:36 | 0:19:38 | |
I'd come to think my life would be solely dedicated to Valerie's. | 0:19:38 | 0:19:41 | |
Yes, the, er, friendship our daughters have made... | 0:19:41 | 0:19:44 | |
A great pleasure to us all. | 0:19:46 | 0:19:47 | |
What a day we shall have, come the Jubilee, the four of us together. | 0:19:50 | 0:19:53 | |
SHE MOANS | 0:19:58 | 0:20:00 | |
Why is she dressed as the Queen? And do they do, Mathilda? | 0:20:03 | 0:20:06 | |
Shh, Valerie, watch. | 0:20:06 | 0:20:08 | |
Mmm! | 0:20:08 | 0:20:10 | |
He makes a kind of love to her. | 0:20:10 | 0:20:12 | |
Ahh... | 0:20:12 | 0:20:14 | |
-Ah! -Mathilda, our train. | 0:20:14 | 0:20:16 | |
Christ, Val, we must run. | 0:20:18 | 0:20:20 | |
-What? -The new police station. | 0:20:37 | 0:20:39 | |
That is Samuel Drummond. His friends call him Drum. | 0:20:41 | 0:20:44 | |
And that is Francis Thatcher. | 0:20:44 | 0:20:46 | |
Which do you consider the more handsome? | 0:20:46 | 0:20:48 | |
-Drum. -Yes. | 0:20:48 | 0:20:50 | |
Come. We may cut through to the new underground station here, | 0:20:50 | 0:20:53 | |
direct from Whitechapel to Victoria. | 0:20:53 | 0:20:55 | |
TRAIN CHUGS | 0:21:11 | 0:21:13 | |
CHATTERING | 0:21:24 | 0:21:26 | |
ROSE SNIFFLES | 0:21:29 | 0:21:31 | |
Rose, please, stop your crying. | 0:21:31 | 0:21:34 | |
Forgive me, Miss Susan. | 0:21:40 | 0:21:42 | |
It's just... | 0:21:42 | 0:21:45 | |
It's only that... | 0:21:45 | 0:21:46 | |
it becomes so real, to think that... | 0:21:47 | 0:21:50 | |
-Mr Theakson? -Yes, Miss S? | 0:21:52 | 0:21:54 | |
-Will you take Connor for a few moments? -Course, Miss S. | 0:21:54 | 0:21:58 | |
Give me that. | 0:22:02 | 0:22:04 | |
WOMEN CHATTER | 0:22:04 | 0:22:06 | |
Rose, understand. | 0:22:16 | 0:22:18 | |
I am resigned that the law of this land allowed me this time to... | 0:22:18 | 0:22:23 | |
birth and nurse my son. | 0:22:23 | 0:22:25 | |
Well, it is a blessing. | 0:22:27 | 0:22:28 | |
But my sentence was always my sentence. | 0:22:30 | 0:22:33 | |
The death that I brought, Rose... | 0:22:33 | 0:22:34 | |
..it must be paid down. | 0:22:36 | 0:22:38 | |
And tell me, how fares the Captain? | 0:22:42 | 0:22:44 | |
It is a wonder... | 0:22:48 | 0:22:49 | |
..that you can ask after him with such kindness, Miss Susan. | 0:22:50 | 0:22:55 | |
He is getting about his same old games. | 0:22:57 | 0:23:00 | |
Not one thought in this world for you... | 0:23:00 | 0:23:03 | |
-..or his son. -Come, Rose. | 0:23:04 | 0:23:07 | |
He and I, all that we have lived through. | 0:23:09 | 0:23:12 | |
I will not have rancour in my heart. | 0:23:16 | 0:23:18 | |
Not now, and above all, not for him. | 0:23:19 | 0:23:23 | |
All who love you must grieve, Miss Susan. | 0:23:49 | 0:23:52 | |
Grieve. | 0:23:52 | 0:23:53 | |
And not suspect a thing. | 0:23:54 | 0:23:56 | |
Broken hearts are a small price to pay for freedom. | 0:23:58 | 0:24:01 | |
DOOR BANGS IN DISTANCE | 0:24:07 | 0:24:08 | |
The low-to-medium concentrations of calcium and zinc in the soil | 0:24:08 | 0:24:13 | |
would suggest parkland. | 0:24:13 | 0:24:14 | |
Further, we have some copper - northern and central parkland. | 0:24:14 | 0:24:18 | |
Hyde Park, Regent's Park, Hampstead Heath, Primrose Hill... | 0:24:18 | 0:24:21 | |
No, no, no. It's too wide a net. Do better. | 0:24:21 | 0:24:24 | |
Gladly. | 0:24:24 | 0:24:25 | |
There's little arsenic within, however. | 0:24:25 | 0:24:28 | |
Well, that's a pity. | 0:24:28 | 0:24:29 | |
Oh, that's cute, Benito. | 0:24:29 | 0:24:32 | |
Northern parks would show an elevated arsenic count, | 0:24:32 | 0:24:34 | |
so you can strike Hampstead and Primrose from the list, therefore. | 0:24:34 | 0:24:38 | |
Now here. | 0:24:38 | 0:24:39 | |
These are redworm eggs. | 0:24:41 | 0:24:43 | |
Redworms are horse parasites, shat out in manure. | 0:24:45 | 0:24:48 | |
There's a parade in this city on Tuesday, | 0:24:48 | 0:24:50 | |
a parade involving a great number of infantry and an equal number of cavalry. | 0:24:50 | 0:24:54 | |
And in which park does the cavalry make its encampment? | 0:24:54 | 0:24:57 | |
-Hyde Park, Bengal Lancers. -Drake, you'll need this. | 0:24:57 | 0:25:00 | |
HORSE SNORTS | 0:25:09 | 0:25:10 | |
Police. Who is it commands here? | 0:25:26 | 0:25:28 | |
HORSE NEIGHS | 0:25:30 | 0:25:32 | |
I am Risaldar-Major Al-Qadir. These are my men. | 0:25:36 | 0:25:39 | |
And do you currently lack for one, sir? | 0:25:40 | 0:25:43 | |
Lack? | 0:25:43 | 0:25:44 | |
-A man, have you any missing? -Why do you ask? | 0:25:44 | 0:25:48 | |
There's a dead man of your stock | 0:25:48 | 0:25:50 | |
found on the shore of a Whitechapel dock this morning. | 0:25:50 | 0:25:52 | |
Hyde Park dirt and horse shit about him. | 0:25:52 | 0:25:55 | |
Oh, and he, er... | 0:25:55 | 0:25:56 | |
..he wore this. | 0:25:57 | 0:25:59 | |
Ah... Major Al-Qadir, our surgeon, Captain Jackson. | 0:26:07 | 0:26:12 | |
Captain...of what? | 0:26:12 | 0:26:14 | |
US Army, sir. | 0:26:14 | 0:26:16 | |
Now, Drake, you and the Major are all set. | 0:26:17 | 0:26:20 | |
-Where is it you go? -That place I needed to be. | 0:26:23 | 0:26:26 | |
I need to be there. | 0:26:27 | 0:26:28 | |
May I show him to you, sir? | 0:26:33 | 0:26:35 | |
He is not one of my soldiers. | 0:26:45 | 0:26:47 | |
No! | 0:26:52 | 0:26:53 | |
You do not move, sir! | 0:26:53 | 0:26:54 | |
His name is... | 0:27:00 | 0:27:02 | |
Mr Sayid Kalim Abdul Al-Qadir, | 0:27:02 | 0:27:05 | |
graduate of Balliol College, Oxford, | 0:27:05 | 0:27:08 | |
barrister-at-law at the Bar of England and Wales, and... | 0:27:08 | 0:27:12 | |
..he was my son. | 0:27:15 | 0:27:16 | |
Mr Judge, good morning. | 0:27:32 | 0:27:33 | |
-Mr Cotter. -Pleasure to see you once more. | 0:27:33 | 0:27:35 | |
Now, no-one is on trial. We are simply here for the court's decision. | 0:27:35 | 0:27:39 | |
And that decision foregone and easy, correct? | 0:27:39 | 0:27:41 | |
Correct. | 0:27:41 | 0:27:43 | |
A formality. | 0:27:43 | 0:27:44 | |
Now, this might be an apposite moment, Mr Judge, for the, um... | 0:27:46 | 0:27:49 | |
..final settlement of my firm's fees. | 0:27:51 | 0:27:53 | |
Oh, er...right, yeah. Certainly. | 0:27:53 | 0:27:56 | |
As agreed, Mr Cotter. | 0:28:00 | 0:28:02 | |
Well, Mr Judge, shall we dance? | 0:28:03 | 0:28:06 | |
HE SIGHS | 0:28:09 | 0:28:11 | |
-GAVEL BANGS -All rise. | 0:28:11 | 0:28:13 | |
What we saw that man do earlier to that woman. | 0:28:19 | 0:28:22 | |
Do you think my father has done that to your mother yet? | 0:28:22 | 0:28:25 | |
How was your day? | 0:28:25 | 0:28:27 | |
Tennyson and trigonometry - my stock in trade. | 0:28:27 | 0:28:30 | |
This is soot. How do you have soot on you? | 0:28:32 | 0:28:34 | |
I have no idea. How could it possibly be soot? | 0:28:34 | 0:28:38 | |
My next question, Mathilda. | 0:28:38 | 0:28:39 | |
-How indeed? -Come, Father. | 0:28:39 | 0:28:42 | |
It is only a smear on a collar, and you are no longer a policeman. | 0:28:42 | 0:28:46 | |
Open it, please. | 0:28:59 | 0:29:01 | |
Thank you. | 0:29:08 | 0:29:10 | |
Right, all this, the details of his work - | 0:29:13 | 0:29:15 | |
see it boxed and ordered, returned to Sergeant Drummond. | 0:29:15 | 0:29:18 | |
Did your son share the details of his life with you, sir? | 0:29:26 | 0:29:29 | |
Share? | 0:29:29 | 0:29:31 | |
Where he went, who he knew. What he thought. | 0:29:32 | 0:29:35 | |
We spoke for only one half of an hour three days past, | 0:29:37 | 0:29:41 | |
and that the sole conversation | 0:29:41 | 0:29:43 | |
in which he and I have partook in almost six years. | 0:29:43 | 0:29:46 | |
-Since he left India? -Correct. | 0:29:46 | 0:29:49 | |
My Sayid. | 0:29:52 | 0:29:54 | |
-That is he? -It is. | 0:29:54 | 0:29:55 | |
Forgive me, but when you and your son spoke recently, sir, | 0:29:55 | 0:29:58 | |
did he say when he might be leaving here? | 0:29:58 | 0:30:01 | |
-Leaving? -Going home, sir. | 0:30:01 | 0:30:03 | |
This was his home, Inspector. | 0:30:03 | 0:30:05 | |
London, England. He was an English gentleman. | 0:30:05 | 0:30:09 | |
Oh. | 0:30:09 | 0:30:11 | |
Sir, do you know this other man, this Mr Hafeez? | 0:30:16 | 0:30:20 | |
With regret, I do. | 0:30:20 | 0:30:22 | |
He made friend of my son in Pune, Deccan College. | 0:30:22 | 0:30:26 | |
His name is Imran Hafeez. | 0:30:26 | 0:30:28 | |
But they did not travel to Oxford together? | 0:30:28 | 0:30:30 | |
They did not. | 0:30:31 | 0:30:33 | |
And this low opinion you suffer of Mr Hafeez? | 0:30:33 | 0:30:37 | |
He is a bad boy. No respect. | 0:30:37 | 0:30:40 | |
Common, you understand. | 0:30:43 | 0:30:44 | |
Oh, I do. | 0:30:44 | 0:30:46 | |
Ask about - the last time anyone employed here | 0:30:48 | 0:30:50 | |
spoke to Sayid Al-Qadir or Mr Hafeez. | 0:30:50 | 0:30:52 | |
-HUBBUB -Order! Order in the court! | 0:31:00 | 0:31:02 | |
Order. Order! | 0:31:04 | 0:31:06 | |
Order, I say! | 0:31:06 | 0:31:08 | |
You said it was a formality. | 0:31:12 | 0:31:15 | |
You assured me. It's taken us 18 months to get here, Cotter! | 0:31:15 | 0:31:19 | |
Come, Mr Judge. A lawyer's assurances. | 0:31:19 | 0:31:21 | |
Edmund, might I...? | 0:31:41 | 0:31:43 | |
You do not invite us in, | 0:31:45 | 0:31:47 | |
and I understand why, that it would not seem proper, but... | 0:31:47 | 0:31:52 | |
there is present propriety, | 0:31:52 | 0:31:55 | |
and there is a future where we might, | 0:31:55 | 0:31:58 | |
you and I, construct a world | 0:31:58 | 0:32:00 | |
where such considerations need no longer be met. | 0:32:00 | 0:32:03 | |
Edmund? What...? | 0:32:07 | 0:32:09 | |
-Who is she? -Miss Goren! | 0:32:11 | 0:32:14 | |
Deborah. | 0:32:14 | 0:32:15 | |
Hello, Edmund. | 0:32:16 | 0:32:18 | |
You had not heard? | 0:32:21 | 0:32:23 | |
I, er, no longer take the London papers. | 0:32:23 | 0:32:26 | |
Of course. Why would you? | 0:32:26 | 0:32:27 | |
Mathilda, I think you might get to your books. | 0:32:29 | 0:32:31 | |
My books are read, Father. | 0:32:31 | 0:32:33 | |
Then if you wish, as you say you do, that I will send you to Oxford, | 0:32:34 | 0:32:37 | |
I suggest you read them again, or I will call on Mr Worthing in the morning | 0:32:37 | 0:32:40 | |
and say that my daughter would make an admirable secretarial assistant, | 0:32:40 | 0:32:43 | |
and that will be that for your learning. Now, leave us. | 0:32:43 | 0:32:46 | |
How on earth did you find me? | 0:32:54 | 0:32:56 | |
Ah, it was not so hard. | 0:32:56 | 0:32:58 | |
You are still talked of in Whitechapel. | 0:32:58 | 0:33:00 | |
I expect you will be forever. | 0:33:00 | 0:33:02 | |
There's still no policeman afforded greater respect than Edmund Reid. | 0:33:02 | 0:33:05 | |
Bennet Drake is not afforded respect? | 0:33:05 | 0:33:07 | |
No, of course, but it is Mr Drake who... | 0:33:07 | 0:33:10 | |
Who led the investigation which now sees Isaac Bloom facing execution. | 0:33:10 | 0:33:14 | |
Isaac did not do such a thing. It is not within him. | 0:33:14 | 0:33:16 | |
And who else shares this conviction? | 0:33:18 | 0:33:20 | |
Only myself... | 0:33:20 | 0:33:21 | |
..and I hoped... | 0:33:22 | 0:33:23 | |
..perhaps yourself. | 0:33:24 | 0:33:26 | |
So, you thought that I would now travel to London, | 0:33:28 | 0:33:33 | |
to Whitechapel, and challenge the care and rigour | 0:33:33 | 0:33:37 | |
with which my friend has prosecuted this case? | 0:33:37 | 0:33:40 | |
Forgive me, Miss Goren, but that is a leap of faith | 0:33:40 | 0:33:43 | |
based on no other logic but your own. I will not do it. | 0:33:43 | 0:33:45 | |
No, it is you who must forgive me. | 0:33:45 | 0:33:47 | |
I am in your home and I've raised you to anger. | 0:33:47 | 0:33:49 | |
Thank you, both of you, for your hospitality. | 0:33:49 | 0:33:52 | |
No, please, stay. Stay with us, eat with us. | 0:33:54 | 0:33:57 | |
Please, Deborah, I insist. So will Mathilda. | 0:33:59 | 0:34:01 | |
Thank you. | 0:34:05 | 0:34:06 | |
HE CLEARS HIS THROAT | 0:34:08 | 0:34:10 | |
I gave thanks when it was said | 0:34:14 | 0:34:15 | |
that your daughter had been returned to you. | 0:34:15 | 0:34:18 | |
I remembered your conviction, and... | 0:34:18 | 0:34:21 | |
and I admire you, Edmund. | 0:34:21 | 0:34:22 | |
It cannot be an easy thing | 0:34:22 | 0:34:24 | |
to grant her the freedom you now so clearly do. | 0:34:24 | 0:34:26 | |
I'm not sure I understand what you mean, Deborah. | 0:34:28 | 0:34:31 | |
I saw her and her friend - they boarded my train at Victoria. | 0:34:32 | 0:34:36 | |
I assumed that... | 0:34:36 | 0:34:38 | |
Soot. | 0:34:39 | 0:34:41 | |
Mathilda Reid! | 0:34:41 | 0:34:43 | |
Mathilda! | 0:34:44 | 0:34:46 | |
In here! | 0:34:46 | 0:34:47 | |
Soot, Mathilda. Soot. | 0:34:48 | 0:34:52 | |
-London. Where is it you go? -To our home, Father. | 0:34:52 | 0:34:56 | |
It is not our home. Not any lo... | 0:34:56 | 0:34:58 | |
Good God, did you take Valerie Freeman with you? | 0:34:58 | 0:35:00 | |
-To Whitechapel?! -She was curious. | 0:35:00 | 0:35:03 | |
And why should she not be? It is a fascinating place. | 0:35:03 | 0:35:06 | |
And do you not think, Mathilda, on what might happen to her? To you? | 0:35:06 | 0:35:09 | |
You of all... You know what happens in Whitechapel! | 0:35:09 | 0:35:12 | |
I do. I never forget. | 0:35:12 | 0:35:13 | |
And do you see, my darling, how this pains me? | 0:35:13 | 0:35:16 | |
I brought you here, I brought us both here | 0:35:16 | 0:35:19 | |
so that in time, these memories might be forgot. | 0:35:19 | 0:35:22 | |
But I am older now. Grown. | 0:35:22 | 0:35:24 | |
And I understand something I think you do not, Father - | 0:35:27 | 0:35:31 | |
that I am made, and cannot be remade. | 0:35:31 | 0:35:34 | |
Do you not think, despite all that you have constructed here, | 0:35:35 | 0:35:39 | |
that the same might be true of you? | 0:35:39 | 0:35:41 | |
You will go to your room, Mathilda, | 0:35:44 | 0:35:47 | |
and there will be no more of this, do you understand? | 0:35:47 | 0:35:49 | |
No more, Mathilda. | 0:35:52 | 0:35:54 | |
MEN SHOUT | 0:36:00 | 0:36:02 | |
HE MUMBLES | 0:36:06 | 0:36:09 | |
JACKSON: I do not write the law in this goddamn country, Caitlin, | 0:36:27 | 0:36:30 | |
neither am I a judge, both... | 0:36:30 | 0:36:32 | |
..of which resolve that in the absence of a corpse, | 0:36:33 | 0:36:36 | |
seven years must pass before your father be declared dead | 0:36:36 | 0:36:39 | |
and his worldly goods handed to his surviving heir... | 0:36:39 | 0:36:42 | |
..our son. | 0:36:43 | 0:36:45 | |
Forgive me, but is this not the reason why we hired a lawyer? | 0:36:45 | 0:36:48 | |
A lawyer only makes the argument. He... He don't rule. | 0:36:48 | 0:36:51 | |
And this man - Cotter. | 0:36:51 | 0:36:54 | |
He was the best you could find? | 0:36:54 | 0:36:57 | |
He was. | 0:36:57 | 0:36:58 | |
And by "best", Matthew, I do mean most costly. | 0:37:00 | 0:37:04 | |
I paid... | 0:37:04 | 0:37:06 | |
what I could muster. | 0:37:06 | 0:37:07 | |
SHE GASPS | 0:37:07 | 0:37:10 | |
Well, I am glad to know what value you place on my life, | 0:37:10 | 0:37:13 | |
that of our son, also. | 0:37:13 | 0:37:14 | |
Now, you wait a minute. | 0:37:14 | 0:37:15 | |
You think I'm out there running a bullion brokerage? I am not. | 0:37:17 | 0:37:20 | |
I'm the hired knife of a police division in Whitechapel. | 0:37:20 | 0:37:24 | |
I do not drink no more, I do not gamble, | 0:37:24 | 0:37:27 | |
and I've saved damn near every farthing I could | 0:37:27 | 0:37:29 | |
for our case to be made. | 0:37:29 | 0:37:30 | |
Sobriety and thrift! | 0:37:30 | 0:37:32 | |
You have my sympathies for the many privations you must have suffered | 0:37:32 | 0:37:35 | |
in your inevitable pursuit of failure. | 0:37:35 | 0:37:37 | |
I was set on guns and fast horses, remember? | 0:37:37 | 0:37:40 | |
This was before even your sentence was passed down, | 0:37:40 | 0:37:42 | |
before even our son was born, | 0:37:42 | 0:37:44 | |
but it was you that said they'll allow me to raise the boy, | 0:37:44 | 0:37:47 | |
and you that said that this was not Arizona | 0:37:47 | 0:37:49 | |
and escape should be won with hard cash and not dynamite. | 0:37:49 | 0:37:52 | |
What I want is for you to act as a man ought | 0:37:52 | 0:37:55 | |
-to protect your family! -CLUNK | 0:37:55 | 0:37:57 | |
Or else I will die, Matthew! | 0:38:05 | 0:38:07 | |
I love you. | 0:38:11 | 0:38:13 | |
I can't lose you. | 0:38:13 | 0:38:14 | |
Then save me. | 0:38:18 | 0:38:19 | |
There's no time. | 0:38:24 | 0:38:25 | |
I don't know how. | 0:38:27 | 0:38:28 | |
Then what use are you to me? | 0:38:36 | 0:38:38 | |
Guard! | 0:38:38 | 0:38:39 | |
-My husband is leaving. -Darling, please. | 0:38:39 | 0:38:42 | |
Out! | 0:38:42 | 0:38:43 | |
SHE SOBS | 0:39:18 | 0:39:20 | |
You heard it all, I imagine, Dr Probyn. | 0:39:38 | 0:39:41 | |
All that has been promised, it may still be yours. | 0:39:46 | 0:39:50 | |
But when? | 0:39:50 | 0:39:51 | |
In due course. | 0:39:51 | 0:39:54 | |
By which you mean after I have facilitated | 0:39:54 | 0:39:57 | |
you and your son's flight from these walls. | 0:39:57 | 0:40:00 | |
Ah. It would seem illogical on my part | 0:40:00 | 0:40:03 | |
not to take the promised payment while you are still...proximate. | 0:40:03 | 0:40:08 | |
Would you see me beg? | 0:40:10 | 0:40:12 | |
I would not. | 0:40:13 | 0:40:15 | |
But men must be bribed. | 0:40:16 | 0:40:18 | |
Our friend Guard Theakson, | 0:40:18 | 0:40:20 | |
the good men of the London Wall Laundry | 0:40:20 | 0:40:23 | |
who were to accept the two of you aboard their cart | 0:40:23 | 0:40:25 | |
the morning after next - | 0:40:25 | 0:40:27 | |
they will not oblige if I cannot hand to them their incentive. | 0:40:27 | 0:40:32 | |
No. | 0:40:32 | 0:40:34 | |
It will bring nothing but... but sadness to us all... | 0:40:34 | 0:40:38 | |
..but I cannot see how it may now be done. | 0:40:40 | 0:40:43 | |
Harry, Apples, Freddy, Edward, Edward, Zebra. | 0:40:47 | 0:40:52 | |
Hafeez. | 0:40:52 | 0:40:54 | |
These are the magazines we took from the dead lawyer's office? | 0:41:03 | 0:41:06 | |
-Yes, Inspector. -No little amount of bedside reading for you, then. | 0:41:06 | 0:41:10 | |
I shall get about it presently, however, Inspector. | 0:41:10 | 0:41:13 | |
You're the educated man, Sergeant. Are you familiar with this title? | 0:41:14 | 0:41:17 | |
Yeah. Founder one Abdullah Quilliam. | 0:41:18 | 0:41:21 | |
He was born William Henry Quilliam, son of a watchmaker from Liverpool. | 0:41:21 | 0:41:24 | |
-Changed his name upon taking up Mohammedanism. -Eh? | 0:41:24 | 0:41:28 | |
An Englishman, sir, now adhering to an Eastern religion. | 0:41:28 | 0:41:31 | |
One he promotes and debates beneath that title. | 0:41:31 | 0:41:33 | |
HE SNIFFS | 0:41:35 | 0:41:36 | |
Look here. "Sayid Al-Qadir". | 0:41:37 | 0:41:40 | |
Seems our dead man is not only a subscriber, | 0:41:40 | 0:41:43 | |
but a contributor also. | 0:41:43 | 0:41:45 | |
Quite so, sir. | 0:41:45 | 0:41:47 | |
"The Sun of Islam now rises from the west." | 0:41:47 | 0:41:50 | |
FOOTSTEPS | 0:41:54 | 0:41:57 | |
How were they, Rose? | 0:42:00 | 0:42:01 | |
How were who? | 0:42:01 | 0:42:03 | |
You know, your audience, the house. | 0:42:03 | 0:42:06 | |
Oh. SHE CLEARS HER THROAT | 0:42:06 | 0:42:09 | |
Much as ever. | 0:42:09 | 0:42:10 | |
Thank you. | 0:42:16 | 0:42:18 | |
That dead lad we pulled from the Western. | 0:42:21 | 0:42:23 | |
Quite some firebrand, he was. | 0:42:24 | 0:42:26 | |
We British, he says, are sea wolves living off the pillage of the Earth. | 0:42:27 | 0:42:31 | |
Hm. | 0:42:31 | 0:42:32 | |
Such opinion! Enough to turn his father's beard blue. | 0:42:32 | 0:42:36 | |
Why does that worry you, Bennet? | 0:42:38 | 0:42:40 | |
He's an upright fella. Bengal Lancer. | 0:42:40 | 0:42:44 | |
Sports his stripes with a pride some might call immodest, but... | 0:42:44 | 0:42:49 | |
I have some feeling for him. | 0:42:49 | 0:42:50 | |
He's never seen the country he serves, | 0:42:52 | 0:42:54 | |
comes here to pay tribute to his Queen, | 0:42:54 | 0:42:57 | |
finds her capital has taken his boy from him. | 0:42:57 | 0:43:00 | |
You see his grief... and it moves you. | 0:43:02 | 0:43:05 | |
A father's grief. | 0:43:08 | 0:43:10 | |
-Now, Rose... -Am I not to be allowed my regret, Bennet? | 0:43:11 | 0:43:15 | |
I did not say that. | 0:43:15 | 0:43:16 | |
But you behave on occasion as if it were myself inflicts it upon you. | 0:43:16 | 0:43:20 | |
And why should you not? | 0:43:20 | 0:43:21 | |
I have not given you what you had a right to expect. | 0:43:22 | 0:43:25 | |
You give me yourself, Rose, you give me your love. | 0:43:25 | 0:43:28 | |
-That is all I ever... -Don't...say it. | 0:43:28 | 0:43:31 | |
It is not "all". | 0:43:32 | 0:43:34 | |
It is not. | 0:43:35 | 0:43:37 | |
You may deny it, but the whole world knows it, Bennet. | 0:43:39 | 0:43:42 | |
They look at their chief of police and they say to themselves, | 0:43:43 | 0:43:46 | |
"Well, if he will take a one-time...bunter as his wife..." | 0:43:46 | 0:43:51 | |
-Oh, for Christ's... -"..he should have known | 0:43:51 | 0:43:53 | |
"that nothing can ever grow within that... | 0:43:53 | 0:43:57 | |
"dry old hat that she now keeps between her legs." | 0:43:57 | 0:44:00 | |
You will stop this! I will not hear it! | 0:44:00 | 0:44:02 | |
My love, these are no man or woman's thoughts but your own. | 0:44:07 | 0:44:11 | |
Then why, Bennet? | 0:44:11 | 0:44:14 | |
Why can we not give ourselves a child? | 0:44:14 | 0:44:16 | |
HE RETCHES | 0:44:53 | 0:44:56 | |
Who believed but you, Edmund, that your Mathilda lived? | 0:45:16 | 0:45:20 | |
All those that cared for you, myself, Mr Drake, | 0:45:20 | 0:45:22 | |
all thought it but a forlorn dream, | 0:45:22 | 0:45:24 | |
wrong-headed and only harmful to yourself. | 0:45:24 | 0:45:26 | |
And yet you had certainty. You knew. | 0:45:26 | 0:45:28 | |
Isaac did not do this thing. | 0:45:30 | 0:45:33 | |
I know it as you knew your daughter lived. | 0:45:33 | 0:45:35 | |
He did not do this thing. | 0:45:35 | 0:45:37 | |
And think, Edmund, on what else that might mean. | 0:45:37 | 0:45:41 | |
The true killer still walking the streets you once knew as home. | 0:45:41 | 0:45:44 | |
You will have missed the last train by now, I think, Miss Goren. | 0:45:47 | 0:45:51 | |
We shall make a room up for you. | 0:45:51 | 0:45:52 | |
The lady left before daylight, I believe. | 0:46:20 | 0:46:22 | |
She left a note for you, however. | 0:46:22 | 0:46:24 | |
-Ah. -You read it, I imagine? | 0:46:24 | 0:46:26 | |
What does it say? | 0:46:26 | 0:46:27 | |
I do not understand it. There's only one line. | 0:46:27 | 0:46:30 | |
It is a fragment of verse from the Talmud. | 0:46:33 | 0:46:36 | |
The Hebrew teachings given by God to Moses? | 0:46:36 | 0:46:39 | |
-Perhaps. -How does it continue? | 0:46:39 | 0:46:42 | |
"Save one life, you save the world entire." | 0:46:42 | 0:46:46 | |
Inspector Drake... | 0:46:51 | 0:46:52 | |
It is you who's ordered a manhunt? | 0:46:52 | 0:46:54 | |
-Fellow called Hafeez? -It is. | 0:46:54 | 0:46:56 | |
He is wanted for questioning in a murder inquiry. | 0:46:56 | 0:46:58 | |
Never mind that, Inspector. You come with me. | 0:46:58 | 0:47:01 | |
Yes, sir. | 0:47:01 | 0:47:02 | |
FOOTSTEPS APPROACH | 0:47:13 | 0:47:15 | |
This is Inspector Constantine. | 0:47:15 | 0:47:17 | |
Our beloved Special Branch. | 0:47:19 | 0:47:21 | |
You know this man? | 0:47:21 | 0:47:23 | |
Come, Mr Drake. | 0:47:23 | 0:47:24 | |
It can surely come as no shock to you. | 0:47:24 | 0:47:27 | |
It is no shock to myself, after all, that you here in this gutter | 0:47:27 | 0:47:30 | |
once more give shelter to dissidents and vile extremism. | 0:47:30 | 0:47:34 | |
What is this? | 0:47:34 | 0:47:35 | |
This man Hafeez. He's on a watchlist. | 0:47:35 | 0:47:38 | |
I would not give that much credence for this man's word. | 0:47:40 | 0:47:43 | |
This peculiar elevation of yours, Drake. | 0:47:43 | 0:47:46 | |
I'm confused. | 0:47:46 | 0:47:47 | |
It's unlikely to be merited by a sudden emergence of brains | 0:47:47 | 0:47:50 | |
in that gorilla skull of yours. | 0:47:50 | 0:47:52 | |
-Who do you think you are?! -Sergeant, leave it. | 0:47:52 | 0:47:54 | |
Francis Thatcher. Mother dead, father invalided on a coal barge. | 0:47:54 | 0:47:57 | |
Sister, Lily. | 0:47:57 | 0:48:00 | |
Two counts of soliciting before her 18th birthday. | 0:48:01 | 0:48:04 | |
But you are the sole breadwinner in that household now, | 0:48:04 | 0:48:07 | |
are you not, Sergeant? | 0:48:07 | 0:48:08 | |
Sergeant Drummond. | 0:48:11 | 0:48:13 | |
A man full-grown still living with his mother. | 0:48:13 | 0:48:16 | |
Do your colleagues here smirk at such? | 0:48:17 | 0:48:19 | |
Assistant Commissioner... | 0:48:22 | 0:48:24 | |
Should you wish to be appraised of my intelligence, I suggest we leave. | 0:48:24 | 0:48:28 | |
Inspector Drake will join us, Mr Constantine. | 0:48:30 | 0:48:33 | |
I insist. | 0:48:35 | 0:48:37 | |
As you prefer, sir. | 0:48:39 | 0:48:41 | |
But you need to hear what Hafeez has to say. | 0:48:43 | 0:48:46 | |
CHATTERING | 0:48:46 | 0:48:48 | |
The Muslim Patriotic League. | 0:48:59 | 0:49:01 | |
It's mostly an institution which bears loyalty to its Queen, | 0:49:01 | 0:49:05 | |
but there are factions, sirs. | 0:49:05 | 0:49:07 | |
Splinterings that do not envision such loyalty | 0:49:07 | 0:49:09 | |
as favourable to men of their faith. | 0:49:09 | 0:49:11 | |
Did I not promise to send word, Major? | 0:49:17 | 0:49:19 | |
I did not undertake to wait for it, however. | 0:49:20 | 0:49:22 | |
And the man who speaks to crowds is never such a hard man to find. | 0:49:22 | 0:49:27 | |
Imran Hafeez will now speak. | 0:49:30 | 0:49:31 | |
APPLAUSE | 0:49:31 | 0:49:33 | |
Brothers... | 0:49:39 | 0:49:40 | |
..we are now everywhere under attack. | 0:49:42 | 0:49:44 | |
And even as our Empress Queen summons her subjects | 0:49:45 | 0:49:49 | |
from the furthest reaches of her dominion, | 0:49:49 | 0:49:52 | |
her home nation's press makes relentless, and vituperative attack | 0:49:52 | 0:49:57 | |
against the Ottoman Sultan and his caliphate. | 0:49:57 | 0:50:00 | |
It is therefore incumbent upon us, we Muslim men, | 0:50:01 | 0:50:06 | |
advanced by the privilege of our British educations, | 0:50:06 | 0:50:10 | |
to illuminate the path forward | 0:50:10 | 0:50:12 | |
to those of our brothers who are not so advantaged. | 0:50:12 | 0:50:15 | |
A path which leads away from this empress Queen, | 0:50:17 | 0:50:21 | |
whose rule is soon to be so loudly cheered in this city. | 0:50:21 | 0:50:25 | |
Away from her, | 0:50:25 | 0:50:27 | |
and toward perhaps a more... | 0:50:27 | 0:50:30 | |
natural leader and benefactor. | 0:50:30 | 0:50:32 | |
He... | 0:50:33 | 0:50:34 | |
Abdul Hameed the second. | 0:50:34 | 0:50:36 | |
The sublime Khan, | 0:50:37 | 0:50:39 | |
Caliph to all Islam. | 0:50:39 | 0:50:42 | |
APPLAUSE | 0:50:42 | 0:50:44 | |
They find such fault in the country which raises them up?! | 0:50:47 | 0:50:52 | |
Well, let that country put these moon faces BACK DOWN! | 0:50:52 | 0:50:58 | |
SHOUTING AND THUMPING | 0:50:58 | 0:51:01 | |
Excuse me. | 0:51:18 | 0:51:19 | |
Sorry. | 0:51:21 | 0:51:22 | |
Brothers! | 0:51:25 | 0:51:27 | |
Angel Yard. | 0:51:32 | 0:51:33 | |
Little moon face, gugu liar. | 0:51:47 | 0:51:49 | |
Trying to tell good Englishman how they must work, | 0:51:50 | 0:51:54 | |
how they must live?! | 0:51:54 | 0:51:55 | |
Huh? | 0:51:56 | 0:51:58 | |
THUNKS AND GROANS | 0:51:58 | 0:52:01 | |
Imran, evil child that you are, | 0:52:12 | 0:52:14 | |
you stand behind me. | 0:52:14 | 0:52:15 | |
What's this? You've got some toy soldier to do your fighting for you? | 0:52:15 | 0:52:18 | |
My name is Risaldar-Major Haroun Al-Qadir. | 0:52:18 | 0:52:21 | |
I have travelled to London to pay tribute to my Queen. | 0:52:21 | 0:52:24 | |
My Queen is your Queen. | 0:52:24 | 0:52:26 | |
And yet no white working man of the docks is invited to march | 0:52:26 | 0:52:29 | |
in front of her. | 0:52:29 | 0:52:30 | |
No, we're cursed and forgot. | 0:52:30 | 0:52:32 | |
HE GROANS | 0:52:32 | 0:52:34 | |
Major Al-Qadir. | 0:52:38 | 0:52:39 | |
I cannot believe you are not at fault for this. Come on! | 0:52:40 | 0:52:43 | |
Mr Drake, sir. | 0:52:47 | 0:52:49 | |
I believe you wish to interview this man, Mr Drake. | 0:52:49 | 0:52:51 | |
WHISTLE TOOTS | 0:53:37 | 0:53:39 | |
Margate, Chatham... | 0:53:42 | 0:53:44 | |
then fast to London Victoria, ladies and gentlemen. | 0:53:44 | 0:53:46 | |
BELLS CHIME IN DISTANCE | 0:55:33 | 0:55:37 | |
Each night, I wipe it clean. | 0:56:02 | 0:56:04 | |
It is not permitted, they say. | 0:56:05 | 0:56:07 | |
But what can they do to me that is not already done? | 0:56:08 | 0:56:11 | |
I keep the image of it here. | 0:56:12 | 0:56:14 | |
You once told me the language of the universe is written in numbers. | 0:56:16 | 0:56:19 | |
Now it seems you seek... | 0:56:20 | 0:56:22 | |
..numbers within language. | 0:56:23 | 0:56:25 | |
Hebrew, your language. | 0:56:25 | 0:56:27 | |
Your writing system. | 0:56:27 | 0:56:28 | |
Mine is the true belief. | 0:56:28 | 0:56:30 | |
Our language is the true language, | 0:56:33 | 0:56:34 | |
because our language is nothing if it is not numbers. | 0:56:34 | 0:56:37 | |
Show me? | 0:56:38 | 0:56:40 | |
Certainly. | 0:56:40 | 0:56:41 | |
This... | 0:56:43 | 0:56:45 | |
Aleph. | 0:56:45 | 0:56:47 | |
You may call it the letter A. This... | 0:56:47 | 0:56:49 | |
Bet. | 0:56:49 | 0:56:50 | |
B. | 0:56:50 | 0:56:51 | |
Assign values. Aleph, one. Bet, two. | 0:56:51 | 0:56:54 | |
The Hebrew word for father. Av. | 0:56:54 | 0:56:56 | |
Written... aleph, bet. | 0:56:57 | 0:56:59 | |
One plus two equals three. You follow? | 0:56:59 | 0:57:01 | |
Now, see. | 0:57:01 | 0:57:03 | |
This. The Torah. | 0:57:03 | 0:57:05 | |
Handed to Moses by God, | 0:57:06 | 0:57:08 | |
and, irreducibly, a sequence of numbers. | 0:57:08 | 0:57:12 | |
The Garden of Eden. Kedem. | 0:57:14 | 0:57:16 | |
Numerical sum... | 0:57:18 | 0:57:19 | |
144. | 0:57:21 | 0:57:24 | |
Etz Hakhaim. Tree of Life. | 0:57:26 | 0:57:30 | |
Numerical sum... | 0:57:32 | 0:57:33 | |
233. | 0:57:36 | 0:57:40 | |
134, 233, divide the larger sum by the smaller. | 0:57:40 | 0:57:44 | |
One, and... | 0:57:45 | 0:57:47 | |
a little over 6/10. | 0:57:47 | 0:57:49 | |
Correct. | 0:57:49 | 0:57:50 | |
In other words, it approaches... | 0:57:50 | 0:57:52 | |
The golden ratio. | 0:57:54 | 0:57:55 | |
The root structure of life itself. | 0:57:55 | 0:57:57 | |
Forgive me, Mr Bloom, but your thesis is much changed. | 0:58:01 | 0:58:04 | |
I... | 0:58:08 | 0:58:10 | |
am not as I was, it is true. | 0:58:10 | 0:58:12 | |
Mr...? | 0:58:14 | 0:58:16 | |
Reid. | 0:58:17 | 0:58:19 | |
Inspector Reid, as was. | 0:58:20 | 0:58:23 | |
Mr Bloom, do you know why you are here? | 0:58:29 | 0:58:32 | |
What it is that you have been sentenced for? | 0:58:33 | 0:58:35 | |
The guilt men assume is yours? | 0:58:37 | 0:58:40 | |
Do you know what it is awaits you in this place? | 0:58:42 | 0:58:45 | |
I... | 0:58:49 | 0:58:51 | |
I hope you will return and talk with me again. | 0:58:51 | 0:58:55 | |
It is rare here to find someone with whom I might share my work. | 0:58:56 | 0:59:02 | |
I shall. | 0:59:04 | 0:59:05 | |
And perhaps I might share a puzzle of my own. | 0:59:08 | 0:59:11 | |
CARRIAGE RATTLES | 0:59:21 | 0:59:24 | |
DOOR OPENS AND CLOSES | 0:59:31 | 0:59:33 | |
Elenora. Thank you. Sorry. The time... | 0:59:36 | 0:59:38 | |
No, it's quite all right, Edmund. | 0:59:38 | 0:59:40 | |
Valerie's spending the evening with her grandfather. | 0:59:40 | 0:59:42 | |
Besides, Mathilda and I have been enjoying ourselves. | 0:59:42 | 0:59:45 | |
Sit, Father? | 0:59:53 | 0:59:54 | |
I could no more kill Leon Ratovski... | 1:00:05 | 1:00:07 | |
..than I could kill myself. | 1:00:09 | 1:00:11 | |
Not a single night in three years have I climbed into my bed | 1:00:11 | 1:00:14 | |
and not dreamt of what it would be to smell you there. | 1:00:14 | 1:00:16 | |
You think that I'm going to let the world steal that from me? | 1:00:16 | 1:00:20 | |
You think again. | 1:00:20 | 1:00:21 | |
WOODEN CRUNCH ROPE CREAKS | 1:00:21 | 1:00:23 |